Printing conventions in this manual
marks a point of caution. LCD screens printed in this manual are only for purposes of illustration, and may not match the actual display on your AX1000G.

Korgs

modeling technology provides detailed and powerful modeling sounds.
Important things to learn

Front and rear panel

Front panel

1 Effect select knobs

These knobs select the effect model used in each effect block.

2 Effect block LEDs

The LED will light for effect blocks that are in use. During editing, the LED of the selected effect block will blink.
3 Effect block select switches
Press these switches to turn each effect block on/off.

4 Value LEDs

These LEDs will light to indicate the value knobs that can be used for the selected effect model. From the left, they correspond to value knobs 15.

5 Value knobs

When editing, rotate these knobs to modify the value of the parameter assigned to each knob. From the left, these are value knobs 15. When not editing, these knobs control the parameters of the effect that is assigned to the DRIVE-AMP effect block by the selected program. (Refer to p.12, Quick editing for the DRIVE-AMP effect block.) In general, this is the most important tone shaping effect in a multi effect set up.

6 Program LEDs

The LED of the currently selected program number will light.

7 Program switches

Use these switches to select a program.

8 Bank switch

Each time this switch is pressed, the bank number will increase by one. The bank number will decrease by one if you simultaneously press the bank switch and program switch 4.

9 Expression pedal

This pedal controls the effect that is selected for the PEDAL effect block.

LCD and control panel

1 Name display
This shows the program name, effect name, or parameter name, as appropriate for each operation.

2 Edit icon

This will light if the selected program has been edited. It will blink if the program is currently being edited.

The output from the OUTPUT jacks will be turned off when headphones are plugged in.

Adjusting input level

By holding down the EXIT switch and pressing the MASTER/VALUE switches, you will be able to adjust the input level so that it will match the output of the connected instrument. EXIT + v HI IN:For high-output pickups such as humbucking pickups EXIT + w LO IN: For low-output pickups such as single coil pickups
3. Connect your guitar to the INPUT jack. 4. If you wish to use the AUX IN jack, connect an external audio device to it. Use the controls of the connected device to adjust the volume. 5. Connect the included AC adapter to the DC 9V jack, and plug the AC adapter into an AC outlet. When you plug it in, the power will come on automatically, and the name display will indicate the program name.
Wrap the AC adapter cable around the cable hook. When removing the cable from the hook, be careful not to pull the cable with excessive force.

Selecting a program

You can select from 40 preset programs User and 40 user programs. program User and preset programs are each organized into ten banks, with four programs in each bank. The currently Preset selected bank is shown by the bank program number display, and the program is shown by the program LEDs. When a user program is selected, the decimal point. located at the lower right of the bank number display will light. To select a program in the same bank Press a program switch 14 to select the desired program. The program LED of the selected program will light, and the name display will indicate the program name. To select a program from a different bank Press the bank switch to select the desired bank. (The bank number display will blink.) The banks will cycle in the order of user banks 0, 1, 2, 3.9, preset banks 0, 1, 2, 3.9, user banks 0, 1, 2, 3. Each time you press the bank switch, the bank number display will increase by one. Each time you simultaneously press the bank switch and program switch 4, the bank number display will decrease by one. When the desired bank number appears, press a program switch 14 to select the desired program.(The bank number display will change from blinking to lit.)
6. When you have finished making connections, turn on the power of your guitar amp or mixer etc. Play your guitar to produce sound, and check whether connections have been made correctly. Adjust the master level of the AX1000G and the gain or fader controls of your guitar amp or mixer to set an appropriate volume level.
Headphones Audio device Stereo-mini Guitar Guitar amp etc.
Monaural phone plug Stereo-mini PHONES Included AC adapter DC9V

AUX IN

OUTPUT INPUT
Checking the effect blocks used by a program

You can use the expression pedal for realtime control of eleven types of effects in the pedal effect block. If the program uses an effect in the pedal effect block, the pedal effect block LED will light. For the Hold Delay, Tap Tempo Delay, and Sample & Play pedal effects, the operation is different than for other effects (refer to p.21).
Pitch is flat Pitch is sharp Correct tuning
Using the expression pedal as you play 1. In Play mode, select a program that uses the expression pedal. 2. Make sure that the pedal LED is lit. If it is not lit, press the expression pedal firmly once to make the pedal LED light (the pedal will be turned on). 3. Operate the expression pedal while playing your guitar. As you raise and lower the pedal, the output sound will change correspondingly.
If Volume is selected in the PEDAL effect block, it will not be possible to turn the expression pedal on/off. It will remain on (the pedal LED will be lit). The on/off status of the expression pedal is not memorized by each program. Do not apply excessive force to the expression pedal. Before operating the expression pedal, verify the amount of force that is required to make the pedal LED light and to apply the effect.
In this mode you can press the program switches or the pedal switch to turn each individual effect block on/off while you play. As in Play mode, you can edit the settings, use the metronome, and write a program.
In this mode it is not possible to switch programs or to select bypass or mute.

Entering Individual mode

In Play mode press and hold the Bank switch for one second, and you will enter Individual mode. The name display will indicate -INDIV-, and the bank number display will indicate . When you enter Individual mode, the program LEDs will indicate the on/off status of each effect block (synchronized with the effect block LEDs). DRIVE-AMP corresponds to program switch (LED) 1, CABINET to 2, MODULATION to 3, AMBIENCE to 4, and PEDAL to the expression pedal (pedal LED). Each time you press a program switch, it will cycle on or off. For the pedal effect, pressing the expression pedal firmly will turn it on/off (the switch is located under the pedal). However for some pedal effects such as SAMPLE & PLAY, the expression pedal is used in a special way, and cannot be turned off once the pedal has been turned on.

For some effects, it is not possible to simultaneously use the MODULATION and PEDAL effect blocks, or the PEDAL and AMBIENCE effect blocks. If you attempt to simultaneously turn on both of these effect blocks in such a combination, the effect block that was turned on first will automatically be turned off.
Indication of currently used effect blocks

Exiting Individual mode

To return to Play mode, press either the bank switch or the EXIT switch.
In this mode, you can record a phrase from an audio device (CD or MD) connected to the AUX IN jack, and play it back repeatedly as a loop. Then you can practice a phrase on your guitar while listening to the repeating phrase. Since you can slow down the playback speed without affecting the pitch, this is a convenient way to learn or practice phrases from recordings that are difficult to play.
When you enter this mode, the MODULATION, PEDAL, and AMBIENCE effect blocks will automatically be turned off. (When you exit Phrase Trainer mode, the previous settings will be restored.)

5. Stop

When you press program switch 2 ( ), playback will stop. Press program switch 2 ( ) once again, and playback will resume from where you stopped. ) is pressed while stopped, If program switch 1 ( you will return to the beginning of the recorded phrase. By pressing the cursor switches, you can playback in reverse ( ) or forward ( ) as long as you hold down the switch. During recording or while stopped, the sound that is connected to the AUX input will be heard. When not recording, you can use the expression pedal to adjust the level of the effect sound.
1. Enter Phrase Trainer mode
From Play mode, simultaneously press and hold program switches 1 and 2 for one second. The MASTER/VALUE display will indicate the selected recording mode, and the Phrase Trainer icon will blink.

6. Playback

During recording or while stopped, press program switch 2 ( ) to playback the recorded phrase as a repeating loop. By pressing program switch 3 (SPEED) or the MASTER/VALUE switches (v, w), you can slow down the playback speed without affecting the pitch. Each time you press program switch 3 (SPEED), the playback speed will cycle through settings of 100%, 75%, 50%, 25%, 100%. By pressing the MASTER/VALUE switches (v, w), the speed can be adjusted in 5% steps; 100%, 95%, 90%,. 25%. During playback, you can press cursor switch ( ) to playback at double speed as long as you continue pressing the switch. If you press cursor switch ( ), the recording will play back in reverse as long as you continue pressing the switch. If you press program switch 1 ( ), the recording will rewind as long as you continue pressing the switch.

2. Select the recording mode
Use the MASTER/VALUE switches (v, w) to select the recording mode. When the name display indicates SHT, a maximum of 8 seconds can be recorded (high quality sound). When it indicates LNG, a maximum of 16 seconds can be recorded (extended recording time). The phrase will be recorded and played back monaurally.

3. Begin recording

Start the audio device that is connected to the AX1000G, and press the bank switch (REC) at the point where you wish to begin recording. The name display will indicate REC and the number of seconds of recording.
Once you record a phrase, it is not possible to change the recording mode. If you wish to change the recording mode, you must return to Play mode, and once again enter Phrase Trainer mode.

7. Hold

By pressing program switch 4 (HOLD), you can hold the sound that was playing at the moment the switch was pressed. When you press the switch once again, hold will be defeated. By pressing a cursor switch while the sound is being held, you can playback backward ( ) or forward ( ) as long as you continue holding the switch. If you press program switch 1 ( ), you will go back one second, cancel Hold, and begin playback.

4. Stop recording

At the point where you wish to stop recording, press program switch 2 ( )or the bank switch (REC). Recording will end, and the name display will indicate PLAY. The recorded phrase will automatically begin playing repeatedly as a loop.Recording will also end automatically if you continue recording for the maximum time length of the selected recording mode.
Depending on the volume of the connected audio device, the sound may be distorted. If this occurs, adjust the volume on the audio device. The sound of your guitar will be muted during recording.
To re-do the recording Press program switch 2 ( ) to stop playback. Then continue with step 3. Begin recording and step 4. Stop recording. To erase the recorded phrase Press the EXIT button to delete the phrase. Alternatively, you can record a new phrase to overwrite the previously-recorded phrase.
Start/stop playback Rewind/Cue Change playback speed
Hold Start/stop recording
Exiting Phrase Trainer mode
To return to Play mode, you can either press program switches 1 and 2 simultaneously, or press the EXIT switch.
When you exit Phrase Trainer mode or turn off the power, the recorded phrase will be erased.

3. Editing

In Play mode and Individual mode, you can edit each effect, set noise reduction and program level, and modify the program name.
In Phrase Trainer mode, it is possible to edit the DRIVEAMP and CABINET effect blocks, but it is not possible to perform editing operations that use the name display or MASTER/VALUE display, or the cursor switches or the MASTER/VALUE switches.

Quick Editing for the DRIVE-AMP effect block
In the default state of each mode, the DRIVE-AMP effect block parameters used by the selected program are assigned to the value knobs (except when the effect is off). By rotating the respective value knobs, you will enter Edit mode (the effect block LED will blink); the name display will indicate the parameter name, the MASTER/VALUE display will show the value, and the sound will change.
If you wish to change an effect that is in use, use the effect select knobs to select the desired effect. It is not possible to edit when other functions are assigned to the value knobs, when the AX1000G is bypassed, muted, or recording in Phrase Trainer mode.
Setting the noise reduction and program levels
1. If you are in Play mode, press the NR-LEVEL switch. 2. By rotating value knobs 1 or 2, or pressing the NRLEVEL switch, you can access the screen displays for adjusting the noise reduction and setting the level for each program. 3. To adjust the amount of noise reduction, use value knob 1 (range OFF.10: shown in the MASTER/ VALUE display). 4. To adjust the level of each program, use value knob 2 (range 0.10: shown in the MASTER/VALUE display). 5. When you finish making settings, press the EXIT switch to return to Play mode.

Modifying program names

Press the RENAME switch and specify the desired program name. Use the cursor switches ( , ) to select the character that you wish to change (the character will blink). Then use value knob 5 (or the MASTER/VALUE switches) to select the desired character. The available characters are shown below.

Available characters

Select characters
Move between character positions
If you wish to save the modified program name, you must perform the Program write operation. If you turn off the power or select a different program without writing the program, the program name you edited will revert to its previous setting.

Writing programs

Heres how to write an edited program. 1. Press the WRITE switch, and the name display will indicate WRITE. The bank number display and the program LED will blink. 2. Use the MASTER/VALUE switches (or value knob 5 and the bank switch) to select the writing destination bank, and use the cursor switches (or the program switch) to select the writing destination program.

Noise reduction

Instead of value knobs 1 and 2, you can also use the cursor switches to select a parameter and use the MASTER/VALUE switches (v,w) to adjust the value of the parameter.
It is not possible to turn noise reduction off. Depending on the guitar that you use, raising the noise reduction setting too high may cause the sound to be cut off at low levels. The volume of each program will change depending on the guitar that you use. Adjust the program level for your guitar. If you wish to save the noise reduction and program level settings that you edited, you must perform the Program write operation. If you turn off the power or select a different program without writing the program, the program you modified will revert to its previous settings.
If you decide not to write, press the EXIT switch to cancel the Write operation.

Select the bank

Select the program
If you write an edited program to a different program number, the program that was overwritten will be lost. It is not possible to write to a preset program.
3. Press the WRITE switch once again, and the display will read COMPLT to indicate that the program has been written. You will then return to Play mode.

4. Appendices

Adjusting the expression pedal (Calibration)
If you find the expression pedal difficult to use, perform this procedure so that the pedal will function optimally. For example if the effect does not reach maximum when the pedal is advanced all the way, or does not reach minimum when the pedal is returned all the way, use the following procedure to make the appropriate adjustments.
When making adjustments, use your hand to move the pedal. Accurate calibration may not be possible if you use your foot to operate the pedal.
Restoring the user programs to the factory settings (Reload)
1. Turn on the power while simultaneously holding down the EXIT switch and the bank switch. The name display will indicate RELOAD?
If you press the EXIT switch, the reload operation will not occur; the power-on display will appear, and you will enter Play mode.
2. Press the WRITE switch. The name display will change to RELOAD, and the reload operation will begin. When the reload operation is completed, the display will indicate COMPLT for approximately one second. Then the power-on display will appear, and you will enter Play mode.
Never turn off the power during the reload operation. When you perform the reload operation, all user programs will be rewritten. Master level, metronome, and input level settings will also be initialized.
1. Turn on the power while simultaneously holding down the EXIT switch and the PEDAL effect block select switch.The name display will show PEDAL for approximately one second, and will then indicate MIN. 2. Slowly return the pedal to the full back position. When it stops, release your hand and press the WRITE key.The name display will change from MIN to MAX.

Included items: Owners manual AC adapter * Specifications and appearance are subject to change with out notice for improvement.
6. Cannot write (the name display indicates ERROR) Reload the preset programs. (p.14)

Effect parameters

DRIVE-AMP effects block
These effect models consist of effects plus a three-band equalizer.

DRIVE-AMP

ACOUSTIC CLASSIC COMP TUBE OD CLASSIC DIST FAT DIST METAL DIST SEATTLE BIG FUZZ TOP BOOST US HI-GAIN BRIT STACK
Knob 1 DRIVE 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10
Knob 2 LEVEL 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10
Knob 3 TREBLE 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10
Knob 4 MIDDLE 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10
Knob 5 BASS 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10

Acoustic simulator

This is an effect model that converts the sound of an electric guitar to that of an acoustic guitar. ACOUSTIC ACOUSTIC A more realistic simulation of an acoustic guitar will be produced if you use the neck pickup. A compressor with adjustable sensitivity is built-in. If the sound distorts, slightly decrease the LEVEL, TREBLE, MIDDLE, and BASS. Knob 1 DRIVE Knob 2 LEVEL Knob 3 TREBLE Knob 4 MIDDLE Knob 5 BASS Adjusts the compressor sensitivity. Adjusts output level. Adjusts treble (high-frequency range). Adjusts mid (mid-frequency range). Adjusts bass (low-frequency range).
Overdrive, Distortion, Fuzz, Amp
The effect model offers a wide variety of classic sounds. TUBE OD TUBE OD This model simulates the overdriven sound of a popular tube overdrive pedal from the 70s that responds well to the nuances of your picking. CLASSIC DIST CL DIST This model simulates a poular distortion pedal from the 70s. FAT DIST FATDIST This model simulates a popular fat sounding disortion pedal from the 80s. METAL DIST MTLDIST This model simulates the metallic distortion of the 90s. SEATTLE SEATTLE This model is ideal for grunge rock sounds. BIG FUZZ BIGFUZZ Big sound and a big figure -- the definitive fuzz. TOP BOOST TOP BST This model simulates the sound of an AC30 overdriven by a popular 80s OD pedal. US HI-GAIN US HI-G This model simulates the distortion typical of a high-gain amp made in the USA. BRIT STACK BRTSTK This model simulates the distortion typical of a British amp stack. Knob 1 DRIVE Knob 2 LEVEL Knob 3 TREBLE Knob 4 MIDDLE Knob 5 BASS Adjusts amount of distortion. Adjusts output level. Adjusts treble (high-frequency range). Adjusts mid (mid-frequency range). Adjusts bass (low-frequency range).

Compressor

A compressor boosts quiet sounds and decreases loud sounds to even out differences in volume, in order to make the dynamics more consistent. CLASSIC COMP CL COMP This is a compressor makes your playing dynamics more consistent, and produces a smooth sustain. This model is based on a combination of two popular vintage compressors. If the sound distorts, slightly decrease the LEVEL, TREBLE, MIDDLE, and BASS. Knob 1 DRIVE Knob 2 LEVEL Knob 3 TREBLE Knob 4 MIDDLE Knob 5 BASS Adjusts sensitivity. Adjusts output level. Adjusts treble (high-frequency range). Adjusts mid (mid-frequency range). Adjusts bass (low-frequency range).

CABINET effect block

The shape of the cabinet and the type and number of speakers are very important elements in determining the tonal character of a guitar amp. The CABINET effect block provides models that faithfully simulate the cabinet and speaker characteristics of a variety of guitar amps, from vintage to modern. Although these models are especially effective when you are plugged in to a mixer etc. via a direct line connection, they are also effective when you are using a guitar amp.

CABINET

1x8 TWEED 1x12 TWEED 1x12 BLACK PANEL 1x12 AC15 2x12 BLACK PANEL 2x12 AC30 2x12 CLASS A 4x10 TWEED 4x12 CLASSIC 4x12 VINTAGE 4x12 MODERN AP, AP, AP, AP, AP, AP, AP, AP, AP, AP, AP,
Knob 1 AIR 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7, 0.3.9.7,
Ln Ln Ln Ln Ln Ln Ln Ln Ln Ln Ln
Knob 2 LEVEL 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10 1.10

Knob 1 AIR

Knob 3 PRESENCE 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10 0.10

Knob 4

Knob 5
1x8 TWEED 18 TWD This model simulates an open back cabinet with one 8-inch speaker. 1-12 TWD 1x12 TWEED This model simulates an open back cabinet with one 12-inch speaker typically used for blues. 1x12 BLACK PANEL 1-12 BLK This model simulates an American open back cabinet with one 12-inch speaker and a bright tonal character. 1x12 AC15 1-12AC15 This model simulates a Vox open back cabinet with one 12-inch Blue speaker. 2x12 BLACK PANEL 2-12 BLK This model simulates an American open back cabinet with two 12-inch speakers. 2x12 AC30 2-12AC30 This model simulates a Vox open back cabinet with two 12inch Blue speakers. 2x12 CLASS A 2-12 CLA This model simulates a modern open back cabinet with two 12inch speakers. 4x10 TWEED 4-10 TWD This simulates an open back cabinet with four 10-inch speakers. 4-12 CLS 4x12 CLASSIC This simulates a closed back cabinet with four 25W 12-inch speakers.

Auto wah

This is an auto-wah filter that automatically opens and closes according to the attack with which you play your guitar. The effect will vary depending on the guitars volume setting. FILTRON FILTRON This is a low-pass filter type auto-wah. Knob 1 TIME Adjust the speed at which the wah will rise in response to your picking. Knob 2 FEEDBACK Adjust the peak of the wah sound. Knob 3 Knob 4 DEPTH Adjust the sensitivity with which the wah
will respond to your picking. Knob 5 POLARITY Specify the direction in which the wah will operate. AUTO WAH AUTOWAH This is a band-pass filter type auto-wah that is equivalent to a pedal wah. It is placed before the DRIVE-AMP effect block. Knob 1 TIME Knob 2 Knob 3 Knob 4 DEPTH Adjust the speed at which the wah will rise in response to your picking. Adjust the sensitivity with which the wah will respond to your picking.
Knob 5 POLARITY Specify the direction in which the wah will operate.

Octave

This generates a pitch one octave lower than the original sound, and mixes it with the original sound to add a sense of depth and low end. This effect may not operate correctly if two or more strings are played simultaneously, or when low-pitched strings are played. OCTAVE Knob 4 DEPTH Knob 5 MIX OCTAVE Adjust the amount of the ultra-low pitch (one octave below). Adjust the amount of the original sound.

PEDAL effect block

These effect models let you use the expression pedal to control the effect in realtime. They include a volume pedal, modulationtype effects such as VOX WAHRING MOD, and ambiencetype effects such as HOLD DELAYSAMPLE&PLAY. VOX WAHRING MOD cannot be used simultaneously with the MODULATION effect block. Nor is it possible to use HOLD DELAYSAMPLE&PLAY simultaneously with the AMBIENCE effect block.

Knob 1

TOP/TIME DEPTH/FINE VOLUME VOX WAH TRAVELER 0.10 TALK A, E, I, O, U A, E, I, O, U A, E, I, O, U CHORUS/FLANGER 1.10 0.10 0.1.10 0.10 U-VIBE 0.10 PITCH BEND 0.900[ms] 0.10 24.24[x100 CENT] 15.15[CENT] RING MOD 1.10 HOLD DELAY 0[ms].3[SEC] 0.10 1.10 TAP DELAY 0[ms].3[SEC] 0.10 1.10 SAMPLE&PLAY 0.5.8[SEC] OFF, 1, 2.8, LP1, LP2

Knob 2 FEEDBACK/ CENTER/REVERSE
Knob 3 BOTTOM/SPEED/ PITCH/TONE
Knob 5 LEVEL/MIX/ POLARITY 0.10 0.10

1, 2 0.10 0.10 0.10 0.10

Volume
This is a volume pedal. VOLUME Knob 5 LEVEL VOLUME Adjust the minimum level for when the pedal is in the full back position.

Chorus/Flanger

This is a chorus/flanger effect that uses the pedal to control the mix amount of the effect. If you use this effect in a program where the MODULATION effect block is on, the MODULATION effect block will automatically be turned off. CHORUS/FLANGER CH/FLAN Knob 1 TIME Adjusts delay time. Knob 2 FEEDBACK Adjusts amount of feedback (delay repeats). Knob 3 SPEED Knob 4 DEPTH Adjusts pitch modulation speed. Adjusts pitch modulation depth.
Pedal wah, Traveler, Talking pedal
These are wah (filter) effects that use the pedal to control the frequency response. If you use this effect in a program where the MODULATION effect block is turned on, the MODULATION effect block will automatically be turned off. VOX WAH WAH This simulates a vintage wah pedal. There are no adjustable parameters. It is placed ahead of the DRIVE-AMP effect block. TRAVELER TRAVEL This is a low-pass filter type wah modeled after a vintage Korg effect pedal. Knob 1 Knob 2 FEEDBACK Adjust the peak amount of the filter. Knob 3 Knob 4 Knob 5 LEVEL Adjust the output level.

U-Vibe

This simulates a vintage vibrato/rotary speaker simulator. If you use this effect in a program where the MODULATION effect block is on, the MODULATION effect block will automatically be turned off. U-VIBE U-VIBE Adjusts depth of the effect. 0: Mixes the original sound with the effected sound (Chorus mode) 1: Output only the effect sound (Vibrato mode)

Knob 4 DEPTH Knob 5 MODE

TALK TALK This adds vocal type effects to your guitar. Knob 1 TOP Knob 2 CENTER Knob 3 BOTTOM Select the vowel sound produced when the pedal is fully advanced. Select the vowel sound produced when the pedal is in the halfway position. Select the vowel sound produced when
the pedal is fully raised. * Vowel sounds A, E, I, O, U

Pitch bend

This is a Pitch shifter that uses the pedal to control the pitch. If you use this effect in a program where the MODULATION effect block is on, the MODULATION effect block will automatically be turned off. PITCH BEND Knob 1 TIME P BEND Adjust the delay time.

Reverb

This effect model simulates the reverberation of a room or concert hall, or the reverberation produced by a plate or spring reverb device. ROOM ROOM This simulates the reverberation of small studio-sized rooms to medium-sized rooms such as a garage. HALL HALL
This simulates the reverberation of medium-sized halls to large halls. PLATE PLATE This simulates a plate reverb device. SPRING SPRING This effect model simulates the spring reverb devices built into guitar amps etc. Knob 1 TIME Knob 2 Knob 3 TONE Knob 4 Knob 5 MIX Adjust the length of reverberation. Adjust the tone of the reverberation. Adjust the mix amount of the reverberation. ECHO+ROOM ECHO RM This is a dual effect model that lets you simultaneously use both a room reverb that simulates the reverberation of a small studio-sized room to a medium-sized room such as a garage, and a stereo delay. ECHO+HALL ECHO HL This is a dual effect model that lets you simultaneously use both a hall reverb that simulates the reverberation of mediumsized to large halls, and a stereo delay. ECHO+PLATE ECHO PL This is a dual effect model that lets you simultaneously use both a plate reverb and a stereo delay. Knob 1 TIME Adjust the delay time. Knob 2 FEEDBACK Adjust the feedback amount (delay repeats). Knob 3 TONE Knob 4 ECHO Knob 5 REVERB Adjust the tone of the delay sound. Adjust the mix amount of the delay sound. Adjust the mix amount of the reverberation.
MULTI HEAD ECHO MH ECHO This simulates a tape echo with four playback heads. The distortion and loss of audio quality due to the magnetic tape are also simulated. Knob 1 TIME Adjust the delay time. Knob 2 FEEDBACK Adjust the feedback amount (delay repeats). Knob 3 TONE Knob 4 ECHO Adjust the tonal quality of the echo. 1: Conventional echo. 2: 3: 4: 5: Knob 5 MIX The delayed sound produces a rhythm of ta-ta-ta (rest). The delayed sound produces a rhythm of ta (rest) ta-ta. The delayed sound produces a rhythm of ta-ta (rest) ta. The delayed sound produces a rhythm of ta-ta-ta-ta.
Adjust the mix amount of the echo.
STEREO DELAY ST DLY A stereo delay with a time difference between the left and right channels adds a spacious feeling. PING-PONG DELAY PP DLY This is a stereo delay where the sound bounces between the left and right channels. Knob 1 TIME Adjust the delay time. Knob 2 FEEDBACK Adjust the feedback amount (delay repeats). Knob 3 TONE Knob 4 Knob 5 MIX Adjust the tonal quality of the delay. Adjust the mix amount of the delay.
Preset Program Parameter List
When an effect block that was off is turned on, the effect model printed in a slanted typeface will be selected. A cabinet model appropriate for each program is selected in the CABINET effect block. If you will be using a direct output connection to a mixer etc., you should turn on the CABINET effect block. BANK# PROGRAM 60S 2 70S 3 80S 4 90S DRIVE-AMP BIG FUZZ

KORG ToneWorks AX1000G Preset Program List
When an effect block that was off is turned on, the effect model printed in a slanted typeface will be selected. A cabinet model appropriate for each program is selected in the CABINET effect block. If you will be using a direct output connection to a mixer etc., you should turn on the CABINET effect block. BANK# PROGRAM 60S 2 70S 3 80S 4 90S DRIVE-AMP BIG FUZZ

CABINET 2x12 AC30

2.4.3 4.3 4.7 6.4.3 4.7 3.7 0.5.7 5.7 5.4.3 7.0.3 5.4.3 0.3 5.7 8.5 7.9.7 1.7.7 2.7 3.5 6.8.3 0.3

MODULATION TEXTREM

8 6.7

PEDAL VOLUME

AMBIENCE ECHO PLUS

112 3.3.3 3.3.7 4.7 3

NR-PRG

Value 7.3 5.3 5

FAT DIST

Value 5.7 5.7 6.7 5.7 7.3
4x10 TWEED 4x12 VINTAGE 4x12 MODERN

6.7 1.1.5.7 7.3 4

BLACK PHASER

1.3 0.14

VOLUME VOLUME VOLUME VOLUME
MULTI HEAD ECHO ECHO HALL
4.6.3 4.7 7.3 6.3.3 2.7 3

CLASSIC DIST

Value 9.Value 9 3

MOD DELAY

9.5 3.7 0.38 4.3 6.0

METAL DIST

6.10 2

4 0 0 0.32 4.5.1

ECHO ROOM ECHO ROOM

125 4.OFF 10

1 TELBILY 2 TRIPPER 3 VOODOOVOODOO2

TUBE OD

Value 3 2.7 1.4.3 4.3 8

1x12 BLACK PANEL TEXTREM

TOP BOOST

2x12 AC30 4x12 CLASSIC

0.10 8

CLASSIC CHORUS VOLUME

2.7 6.7 1.

Value 2.7 9

BIG FUZZ BIG FUZZ

6 4.4.7 3

AUTO WAH

5.3 UP

VOX WAH UVIBE
5.5.0 1 0 4 0.2 5.3 0 0 7.0 8.7 8.7 8.7 8.

Value 5.7 6.7 5.Value 7

4x12 CLASSIC 1x12 AC15 4x12 VINTAGE

4x12 VINTAGE

2.2.1 8

8.4.10

3.3 7.5.3
1 SUGAR 2 ZPLN 3 LIZZY 4 WARPIGS

Value 6.7 7

CLASSIC CHORUS CHORUS/FLANGER HALL ORANGE PHASER

7.3 0.12 0

FAT DIST BRIT STACK

VOLUME PITCH BEND

ECHO HALL
4.3 5.3 5.3 1.9 3.7 3.2.3.7 2.3 2.3 2.3 3.3 3.7 4.5.6.5.6
Value 4.3 7.3 2.3 3.7 8.7 Value 6.7 5.7 6.7 5.7 6.3

PITCH SHIFTER MOD DELAY

49.0.5 6.3 5.3 0.6.3

BIG FUZZ

7 6.4.7 5
VOLUME VOLUME VOLUME VOX WAH

0.

Value 8
1 SUMMER 2 SCREAM 3 MRFV 4 AINT

CLASSIC COMP

8.3 4.3 3
2x12 BLACK PANEL MOD DELAY

AP 8 LN 9

STEREO DELAY

188 4.OFF 10 2.10 10

Value 1

TUBE OD FAT DIST

ORANGE PHASER

6 2.3

Value 7.3 7.3 2.Value 9.Value 10 7

4x12 MODERN 4x12 CLASSIC

8.3 1.3.3 4.7 UP 0.26 3.3 0.38 5.6.7

ECHO PLUS

420 4.7 4.0 1.5.3 5.3 6.7 6.7

2.3 4.2.3

CLASSIC FLANGER CHORUS/FLANGER MULTI HEAD ECHO
STEREO CHORUS TEXTREM VOLUME VOLUME VOLUME VOLUME VOLUME TAP DELAY

750 3.

1 TALLICA 2 90SVOX 3 CORN 4 DYME

ACOUSTIC TOP BOOST

3.8.3 2

1x12 TWEED 2x12 AC30

AP 9 1.1.2.1.0.7 8

7.7 4.3 2.OFF 10 6.10 10

Value 7.3 6.7 9.Value 4 Value 9 Value 10

SPRING ROOM

METAL DIST METAL DST

6.3 8.7

4x12 CLASSIC 4x12 MODERN 2x12 AC30

0.6 5.7 6.3

2.3 0.1 0.14 3
1 3HEAD 2 TAP DLY 3 TOWER 4 MONSTER

TOP BOOST TUBE OD

7.7 0.7 4.3 6.3 6.4.7 6.3

STEREO CHORUS

1.3.7 0.26 4.7 5.7

MULTI HEAD ECHO

463 3.7 5.7 3
Value 8.3 6.Value 7 Value 2 Value 10
1x12 BLACK PANEL MOD DELAY

6.7 3.3 1

SEATTLE METAL DIST
7.7 2.3 2.7 6.3 1.3 4.7 8.3 4.3 5.3.7 2.7 6.3 2.7 2.7 7

OCTAVE

3.10

VOLUME

180 4.3 6
1x12 TWEED 1x12 AC15 2x12 CLASS A 4x10 TWEED

0.2.1 8

PITCH SHIFTER

1.4 3.3 3.3 3.3 3.3 1

VOLUME HOLD DELAY

3.8 5.3 0

655 5.7 5.5 5.
1 HOLD 2 S+P SLW 3 S+P FST 4 S/LOOP
Value 5.Value 8.Value 10 7

OFF 10

TOP BOOST US HIGAIN BRIT STACK ACOUSTIC
9.3 6.7 6.3 6.3 8.3 5.7.3

0.6 6.3 3.7 0.38 5.7

SAMPLE&PLAY SAMPLE&PLAY SAMPLE&PLAY

LP2

STEREO CHORUS STEREO CHORUS

0.38 5.7 0.44 5.7 0.0.14

PING PONG DELAY
4x12 MODERN 1x8 TWEED 2x12 AC30

SPRING

Value 8.7 7
1 AC/CHOR 2 CHORUS 3 PHASCLN 4 FLANGE

VOLUME VOLUME VOLUME

3.3 3.

Value 5

CLASSIC COMP CLASSIC COMP

9.3 5.3 1

Value 2.Value 2
1x12 BLACK PANEL BLACK PHASER

1.7 3.3 0.16 8.3

ECHO+ROOM

5.3 3.1.2.3 4

FAT DIST CLASSIC COMP

8.3 7.6.7 2.8.7

1x12 BLACK PANEL CLASSIC FLANGER VOLUME

HALL SPRING

7.1.7 6.7
Value 9.3 7.7 0.7 2.3 4.3
1 FILTRON 2 TRAVEL 3 FZ WAH 4 G+R

2x12 AC30

3.8.1.6 9

FILTRON

3.3 UP

VOLUME TRAVELER

6.7

Value 2 Value 4

3.3 0.6 9

BIG FUZZ FAT DIST

6.3 3.4

4x12 MODERN 4x12 VINTAGE

AUTOWAH

2.3 5 6.3 DN 10 10

VOLUME VOX WAH PITCH BEND

441 4.3 12

4.7 1.2 4

Value 5.7 6.3 4.Value 10

441 4.3 5

ECHO+PLATE

7.3 5.5.3 5.3
1 SPACE 2 SUBHARM 3 RINGMAN 4 BIZKIT

Value 7.3 8.7 1

1x12 BLACK PANEL PITCH SHIFTER

3.3 1.37 2

SEATTLE

6.7 2.1 4

2x12 CLASS A 4x12 VIN 4x12 CLASSIC

A E 7 I

4.3 5.8.9.3 3.7 6

Value 7

CLASSIC DIST BIG FUZZ

4.7 8.3 6.3 5.3

CLASSIC CHORUS

0.2 3.0.18 7.7 4

RING MOD TALK

MULTI HEAD ECHO ROOM

3.3 7.3 10

Value 7.Value 10

4. Appendices