Front and rear panel.. 5

Front panel...5 MS2000.... 5 MS2000R... 5 Rear panel...8 Control panel (MS2000)..9

Editing.. 18

Editing program parameters.. 18
Basic editing procedures..18 1. Editing in Program Play mode.18 2. Editing in LCD Edit mode..18 3. Switching timbres..19 4. Returning to the state before editing (Compare).19 5. Writing (saving) an edited program..19 Editing a synth program..20 1. Specify how notes will be sounded..20 2. Make oscillator settings..20 3. Set the volume of each oscillator..21 4. Make filter settings...21 5. Specify time-varying change in the tone.22 6. Adjust the output of the timbre..22 7. Specify time-variant changes in volume..23 8. Make LFO settings...24 9. Apply modulation to parameters (Virtual Patch).24 10. Make MOD SEQUENCE settings..25 Editing effect parameters...26 1. Modulation effect settings..26 2. Delay settings...27 Editing arpeggio parameters...27 Editing vocoder program..28 1. Adjust the mic input audio..28 2. Set the filter...28 Changing the program name..29

Connections... 10

Connecting the AC adapter..10 Connecting external devices..10 Connecting pedals and switches.10 Connecting MIDI devices..10 1. Using the MS2000/MS2000R as a tone generator module 10 2. Playing an external MIDI device.. 10 3. Setting the MIDI channel (preparations for playing)... 11 Connections to the AUDIO IN jacks..11 Connections to a computer/sequencer..11 1. Connecting the MS2000 to a computer/sequencer. 11 2. Connecting the MS2000R to a computer/ sequencer... 11

Playing... 12

Turning the power on/off and adjusting the volume...12 Listen to the demo performance..12 Playing a program..13
MS2000...13 1. Select a program... 13 2. Changing the pitch sounded by the keyboard in one-octave steps... 13
Editing Global parameters.. 30
Basic editing procedure..30 Editing parameters..30 1. Defeat memory protect..30 2. Restoring settings to their factory state..30 3. Synchronization with external MIDI devices.31 4. Saving data on an external device (Data Dump).31

Parameter Guide..33

Program parameters.. 34
1. PROGRAM COMMON Parameters..34

[LEVEL ] knob For synth programs, this adjusts the volume of each timbre. For vocoder programs, this adjusts the volume of the internal tone generator carrier (OSC1/NOISE). [PAN ] knob For synth programs, this sets the output panning for each timbre. For vocoder programs, this sets the level at which the signal from the AUDIO IN 2 jack will be output directly. [EG 2/GATE] key This selects the envelope source for the volume. [DISTORTION ] key This switches distortion on/off.

5 MIXER

[OSC1 ] knob This adjusts the volume of oscillator 1. [OSC2 ] knob For synth programs, this adjusts the volume of oscillator 2. For vocoder programs, this adjusts the volume of the signal that is input from the AUDIO IN 1 jack. [NOISE ] knob This adjusts the volume of the noise generator.

8 ARPEGGIATOR

[TEMPO] knob This sets the tempo of the arpeggio performance. This setting will also determine the MOD SEQUENCE playback speed, and is used when synchronizing the LFO frequency to the tempo. [GATE] knob This adjusts the length of the notes sounded by the arpeggiator. [ON/OFF] key This turns the arpeggiator on/off.
[RANGE] key This sets the range in which the arpeggio will be played. [TYPE] key This selects the arpeggio type.
[SPEED/TIME ] knob This adjusts the modulation speed of the modulation effect or the delay time of the delay effect. [DEPTH/FEEDBACK ] knob This adjusts the effect depth and the amount of feedback.

9 KEY & DISPLAY

ORIGINAL VALUE LED When editing, this will light when the value currently selected by the knob or key matches the written value. LCD In Program Play mode, this will display information such as the program number and program name. In LCD Edit and Global modes, this will display parameters. CURSOR [][] keys In LCD Edit and Global modes, these are used to select the parameter that you wish to edit. [+/YES] [/NO] keys In Program Play mode, these are used to select programs. In LCD Edit and Global modes, these are used to set values, and to write or copy data. PAGE [+][] keys These are used to switch pages. [EDIT] key This key enters LCD Edit mode. While you are editing a program, you can hold down this key and press the [EXIT] key to return to the original written settings (the Compare function). [GLOBAL] key This key enters Global mode By holding down the [EXIT] key and then holding down this key, you can enter Demo mode. [WRITE] key Use this key to save the settings you edit. [EXIT] key From any mode, this key lets you return to Program Play mode. It is also used to cancel a write or copy operation.
[SELECT ] key This selects the LFO waveform. [FREQUENCY ] knob This sets the LFO frequency.

b. Maintaining the arpeggiator after you release your hand from the keyboard
q Press the [LATCH] key to make the key LED light (LATCH is on). When LATCH is on, the arpeggiator will continue playing even after you release your hand from the keyboard.
The arpeggiator also allows you to set the Key Sync, Resolution, and Swing. For details on these parameters, refer to p.27 of the Basic Guide, Editing section Editing arpeggio parameters, and Parameter Guide p.45, Program parameters s ARPEGGIATOR.
g. Other arpeggiator-related settings
Using MOD SEQUENCE to modify the sound
1. Playing a program in which MOD SEQUENCE is on
Some of the factory preset programs contain sequence data. Heres how to select and play these programs. 1 Select a program whose MOD SEQUENCE [ON/OFF] key is lit.
3. Checking the value recorded for each step
Heres you to use the sixteen knobs to check the value that is recorded for each step. 1 Press the SEQ EDIT [SELECT] key to select a sequence (SEQ 13).
Programs whose MOD SEQUENCE [ON/OFF] key is lit contain sequence data. For some programs, both the sequence and the arpeggiator will be on, but for this example we recommend that you select a program in which only the sequence is on. 2 Play the keyboard. The program will sound, and the sequence will begin playing to modify the sound. The SELECT [1][16] keys will light consecutively to indicate the step that is currently playing. 3 Rotate the [TEMPO] knob. The speed at which the sound is modied will change.
2 Rotate the sixteen knobs located beside the SEQ EDIT LED so that the ORIGINAL VALUE LED is lit. The number shown below each knob corresponds to the sequence step. As you rotate each knob, the position where the ORIGINAL VALUE LED lights will be the value that was recorded at that step of the sequence.
The value of each step represents the change from the written or currently-set value of the parameter. If the SEQ EDIT [SELECT] key has selected a sequence (SEQ 13), you can use the sixteen knobs located beside the SEQ EDIT LED to edit the data of each step.
2. Checking the parameter that is assigned to each sequence
Heres how to check the parameter that is assigned to each sequence. q Press the SEQ EDIT [SELECT] key to select a sequence (SEQ 13).
The LED of the selected sequence will light, and the assigned parameter will be displayed in the LCD screen.
If Cutoff is assigned to SEQ1

A01:MS2000/R SEQ1:Cutoff

If all LEDs are dark, no sequence is selected (sequence select is off). In this case, the voice mode and tempo of the program will be displayed. In Program Play mode, you can only check the assigned parameters. To assign a parameter, use LCD Edit mode (Basic Guide p.25, Edit section b. Specify sequence data for each step).

c. Adjust the effect depth and the amount of feedback
q Rotate the [DEPTH/FEEDBACK] knob. The LCD screen will show Page 22C: MOD FX Depth. Increasing the value will cause modulation to be deeper, increasing the amount of feedback.

22C MOD FX Depth: 025

2. Delay settings
If you wish to use the front panel knobs to set the delay, you must rst turn on the [MOD/DELAY] key LED.
Editing arpeggio parameters
Here we will explain the parameters that can be set only in LCD Edit mode. Use the [+/YES] [/NO] keys to set the values. For details on the parameters that can be set in Program Play mode, refer to the section of the Basic Guide entitled Playing, in Playing arpeggios 2. Using the knobs and keys to modify the settings (p.15).

a. Select the delay type

q Press the SELECT [13] key. The LCD screen will show Page 23A: DELAY FX Type. Use the [+/YES] [/NO] keys to select the delay type. There are three types of delay.
23A DELAY FX Type:StereoDelay
a. Select the timbre that will be used to play the arpeggio (Dual/Split only)

b. Adjust the delay time

q Rotate the [SPEED/TIME] knob. The LCD screen will show Page 23C: DELAY FX Delay Time. Rotating the knob toward the right (increasing the value) will lengthen the delay time.
23C DELAY FX Delay Time: 000
25E ARPEGGIO Target: Timbre 1
b. Specify the keyboard synchronization
q Press the CURSOR [] key. The LCD screen will show Page 25F: ARPEGGIO Key Sync. If this is turned ON, the arpeggio pattern will begin playing from the beginning whenever a note-on occurs.
25F ARPEGGIO Key Sync: OFF
q Rotate the [DEPTH/FEEDBACK] knob. The LCD screen will show Page 23E: DELAY FX Depth. Rotating the knob toward the right (increasing the value) will deepen the delay sound, increasing the amount of feedback.

23E DELAY FX Depth: 000

c. Set the resolution
q Press the CURSOR [] key. The LCD screen will show Page 25G: ARPEGGIO Resolution. Set the resolution (timing interval between notes) relative to the tempo of the arpeggio playback.
25G ARPEGGIO Resolution: 1/4

d. Make the rhythm swing

q Press the CURSOR [] key. The LCD screen will show Page 25H: ARPEGGIO Swing. This setting skews the timing so that the arpeggiator will offset the even-numbered notes, giving you a swing feel.

Step The recorded value will be held until the next step is played.

C: Step Value

Here you can modify the sequence data that is recorded in each step. To modify the data you can use the SEQ EDIT [SELECT] key and the sixteen knobs, or the CURSOR[][] keys and the [+/YES] [/NO] keys.

Step Number.. [01.16]

Specify the step.
C: Run Mode.. [1Shot, Loop]
Value.. [06.+06, 24.+24, 63.+63]
Modify the value that is recorded at each step. These values are the amount of change that will be applied to the value of the parameter that is assigned to the sequence. 06.+06 This is the range when Knob is set to Step Length. 24.+24 This is the range when Knob is set to Pitch or OSC2 Semi. 63.+63 This is the range for settings other than the above.
CrossDelay This is a stereo delay where the left and right channels of feedback are interchanged. On Dual programs, it is effective to set the panpot of the two timbres to left and right respectively.

Cross Delay

FEEDBACK

DELAY DELAY

L/R Delay This is a delay where the delay sound is output to left and right alternately.

L/R Delay

s EFFECTS
These are the effect-related parameters.

Page22: MOD FX

A: Type.. [Cho/Flg, Ensemble, Phaser]
Select the effect type. Cho/Flg This effect modulates the delay time of the input signal to add depth and warmth to the sound. Increasing the Depth value will produce a anger effect. Ensemble This effect uses multiple chorus units to add three-dimensional depth and spaciousness to the sound. Phaser This effect modulates the phase of the sound to create a twisting sensation.
B: Tempo Sync...[ON, OFF]
If this is ON, the delay time will synchronize to the tempo. If the Global mode Page 3C: MIDI Clock setting is Internal, the delay time will synchronize to the tempo set by the [TEMPO] knob. If it is External, the delay time will synchronize to the MIDI clock received from an external MIDI device.

F: CopySeq

This function copies sequence data from another timbre to the currently selected timbre.
Source Program... [A01.H16]
Select the copy source timbre.
2 Press the [+/YES] key. You will be asked to conrm the swap function.
26D UTILITY Are You Sure OK?

Source Seq... [S1.S3]

Select the copy source sequence.

Destination Seq.. [1.3]

Select the copy destination sequence. Procedure 1 In LCD Edit mode, press the SELECT [16] key and then press the CURSOR [] key ve times. The LCD screen will show Page 26F: UTILITY CopySeq.

26F UTILITY CopySeq OK?

3 Press the [+/YES] key once again. The timbres will be swapped, and the display will indicate Completed. 4 Press the [EXIT] key You will return to the rst screen of the SwapTimbre function.

E: InitSeq

This function initializes one or all sequences of the currently selected timbre.

InitSeq.. [SEQ1.ALL]

Select the sequence(s) that you wish to initialize. When you initialize a sequence, the data recorded in that sequence will be erased. Procedure 1 In LCD Edit mode press the SELECT [16] key, and then press the CURSOR [] key four times.
2 Press the [+/YES] key. The LCD screen will indicate the copy source program (Source Program), timbre (Source Timbre), sequence (Source Seq), and copy destination sequence (Destination Seq).
26F UTILITY A01 T:1 S11 OK?
Source Program Source Timbre Destination Seq Source Seq
3 Use the [+/YES] [/NO] keys to select the copy source program.
The LCD screen will show Page 26E: UTILITY InitSeq.
3 Use the [+/YES] [/NO] keys to select the copy source program. 4 Use the CURSOR [] key to move the cursor to the copy source timbre. 5 Use the [+/YES] [/NO] keys to select the copy source timbre. If the copy source program is Single, it is not possible to select the copy source timbre (only timbre 1 is available). 6 Use the CURSOR [] key to move the cursor to the copy source sequence. 7 Use the [+/YES] [/NO] keys to select the copy source sequence. 8 Use the CURSOR [] to move the cursor to the copy destination sequence. 9 Use the [+/YES] [/NO] keys to select the copy destination sequence. 0 Use the CURSOR [] key to move the cursor to OK, and press the [+/YES] key. You will be asked to conrm the copy function.

H: TimbreSelect.. [OFF, CC#00.CC#95]
Here you can select the control change number that will be output from the MIDI OUT connector when a timbre is selected in Program Play mode or LCD Edit mode. (With the factory settings, this is CC#95.) If the specied number has been specied for another key or knob, an * will be displayed in the LCD screen beside MIDI FILTER.

Page5: CTRL CHANGE

A: Ctrl Change
Here you can assign a MIDI control change number (CC#) to each front panel knob. When you operate a knob or key in Program Play mode or LCD Edit mode, the assigned control change will be transmitted or received.
5A CTRL CHANGE Portament :CC#05

knob Ctrl#

Knob. [Portamento.Mod Depth]

Select the knob or key.

Ctrl#.. [OFF, CC#00.CC#95]
Select the MIDI control change number (CC#). If the specied number has been specied for another key or knob, an * will be displayed in the LCD screen beside CTRL CHANGE.
B: A.SwFunc.. [Damper.Arpegio]
Select the function of the pedal switch connected to the ASSIGNABLE SWITCH jack. (With the factory settings, this is Damper.) Damper The pedal switch will function as a damper pedal. Prog +/ The pedal switch will select programs consecutively. Oct +/ The pedal switch will switch octaves. This lets you use the pedal to perform the functions of the front panel OCTAVE (or BANK/OCTAVE) [UP], [DOWN] keys. On the MS2000R, this is effective only for a performance using the SELECT [1][16] keys. Portmnt The pedal switch will function as a portamento on/off switch.

Page6: PEDAL&SW

A: A.Pedal..[Volume.FootPdl]
Select the function of the pedal that is connected to the ASSIGNABLE PEDAL jack. (With the factory settings, this is Exp Pdl.) Volume MIDI control change MIDI Volume (CC#07) will be assigned. You can use a pedal to control the volume level of the program. This is used mainly as a fader-style level control. Pedal operations will also transmit [Bn, 07, vv] (CC#07) messages from the MIDI OUT connector. For a vocoder program, this controls the volume level of the internal tone generator of the carrier. If the control change map (Page 5: CTRL CHANGE) Amp Level has been set to CC#07, this will control the volume level.
Arpegio The pedal switch will function as an arpeggiator on/off switch.
Move the connected pedal through its maximum range of movement, and then press the [+/YES] key.

Controlling the arpeggiator
When arpeggiator settings are modied by the front panel keys or knobs, the following NRPN messages are transmitted. When these NRPN messages are received, the corresponding arpeggiator settings will change accordingly. These messages are transmitted and received on the global MIDI channel. For the correspondence between the values of the message and the values of the MS2000/MS2000R parameter, refer to the table. ON/OFF: [Bn, 63, 00, Bn, 62, 02, Bn, 06, mm] (n: channel, mm: parameter value) RANGE: [Bn, 63, 00, Bn, 62, 03, Bn, 06, mm] (n: channel, mm: parameter value) LATCH: [Bn, 63, 00, Bn, 62, 04, Bn, 06, mm] (n: channel, mm: parameter value) TYPE: [Bn, 63, 00, Bn, 62, 07, Bn, 06, mm] (n: channel, mm: parameter value) GATE: [Bn, 63, 00, Bn, 62, 0A, Bn, 06, mm] (n: channel, mm: parameter value)
MSB (Hex) LSB (Hex) ON/OFF RANGE LATCH TYPE GATE 07 0A 0: OFF, 127: ON 0: 1 Octave, 1: 2 Octave, 2: 3 Octave, 3: 4 Octave 0: OFF, 127: ON 0: Up, 26: Down, 51: Alt1, 71: Alt2, 102: Random, 127: Trigger Refer to separate table (GATE values) Value (transmitted) Value (received) 0.63: OFF, 64.127: ON 0: 1 Octave, 1: 2 Octave, 2: 3 Octave, 3.127: 4 Octave 0.63: OFF, 64.127: ON 0.21: Up, 22.42: Down, 43.63: Alt1, 64.85: Alt2, 86.106: Random, 107.127: Trigger Refer to separate table (GATE values)

GATE values

Value (transmitted, received) 0, 3 4, 9, 14, 17 18, 23, 26 Gate Time [%] 020 Value (transmitted, received) 27 28, 33, 36 37, 42, 47, 52, 53 Gate Time [%] 041 Value (transmitted, received) 56, 61, 66, 71, 74 75, Gate Time [%] 062 Value (transmitted, received) 80, 85, 90, 93 94, 99, 104, Gate Time [%] 083 Value (transmitted, received) 109, 112 113, 118, 123, Gate Time [%] 100

Other controls

Panel knobs and keys other than the arpeggiator transmit and receive the following NRPN messages. These are transmitted and received on the MIDI channel of the timbre. If the voice mode is Split or Dual and the timbre channel (LCD Edit mode Page 03B: VOICE MIDI ch) of both timbres is set to the global MIDI channel (GLB), NRPN messages will be transmitted/ received only for the timbre that is selected by the front panel TIMBRE SELECT [SELECT] key. For the correspondence between the values of the message and the values of the MS2000/MS2000R parameter, refer to the table.
Controlling the VIRTUAL PATCH 14 SOURCE
PATCH 1SOURCE: [Bn, 63, 04, Bn, 62, 00, Bn, 06, mm] (n: channel, mm: parameter value) PATCH 2SOURCE: [Bn, 63, 04, Bn, 62, 01, Bn, 06, mm] (n: channel, mm: parameter value) PATCH 3SOURCE: [Bn, 63, 04, Bn, 62, 02, Bn, 06, mm] (n: channel, mm: parameter value) PATCH 4SOURCE: [Bn, 63, 04, Bn, 62, 03, Bn, 06, mm] (n: channel, mm: parameter value)

Synth Parameter SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN SEQ2/CH PAN STEP [01] STEP [02] STEP [03] STEP [04] STEP [05] STEP [06] STEP [07] STEP [08] STEP [09] STEP [10] STEP [11] STEP [12] STEP [13] STEP [14] STEP [15] STEP [16] Vocoder Parameter MSB (Hex) LSB (Hex) CH [01] CH [02] CH [03] CH [04] CH [05] CH [06] CH [07] CH [08] CH [09] CH [10] CH [11] CH [12] CH [13] CH [14] CH [15] CH [16] 2A 2B 2C 2D 2E 2F SEQ2: *1 CH PAN: 0/1: L63, 2: L62.63: L01 64: CNT, 65: R01.127: R63 SEQ2: *1 CH PAN: 0/1: L63, 2: L62.63: L01 64: CNT, 65: R01.127: R63 Value (transmitted) Value (received)
*1: When Knob = Step Length, data correspondences for both transmission and reception will be: 0.9: 6, 10.19: 5, 20.29: 4, 30.39: 3, 40.49: 2, 50.59: 1, 60.68: 0, 69.78: +1, 79.88: +2, 89.98: +3, 99.108: +4, 109.118: +5, 119.127: +6 When Knob = Pitch or OSC2 Semi, refer to p.66 OSC 2 Semitone values. When Knob= other values, both transmission and reception will be: 0/1: 63, 2: 62.64: 0.127: +63 SEQ3 Step Value 1.16: [Bn, 63, 04, Bn, 62, 30.3F, Bn, 06, mm] (n: channel, mm: parameter value)
Synth Parameter SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 SEQ3 STEP [01] STEP [02] STEP [03] STEP [04] STEP [05] STEP [06] STEP [07] STEP [08] STEP [09] STEP [10] STEP [11] STEP [12] STEP [13] STEP [14] STEP [15] STEP [16] Vocoder Parameter MSB (Hex) LSB (Hex) 3A 3B 3C 3D 3E 3F *1 *1 Value (transmitted) Value (received)
*1: When Knob = Step Length, data correspondences for both transmission and reception will be: 0.9: 6, 10.19: 5, 20.29: 4, 30.39: 3, 40.49: 2, 50.59: 1, 60.68: 0, 69.78: +1, 79.88: +2, 89.98: +3, 99.108: +4, 109.118: +5, 119.127: +6 When Knob = Pitch or OSC2 Semi, refer to p.66 OSC 2 Semitone values. When Knob= other values, both transmission and reception will be: 0/1: 63, 2: 62.64: 0.127: +63 If you are using two MS2000/MS2000R units to transmit and receive these parameters, you must set the transmitting and receiving programs to the same settings.
When the MS2000/MS2000Rs arpeggiator is synchronized to a connected external MIDI device, system realtime messages Start and Stop will control the arpeggiator.

Synth Parameter PITCH Portamento Wave OSC 1 Control1 Control2 Wave OSC Mod OSC 2 Semitone Audio in 2 Tune OSC 1 Level MIXER OSC 2 Level Noise Level Type Cutoff FILTER Resonance EG 1 Int KBD Track Level AMP Panpot EG2/GATE Distortion Attack Decay EG 1 Sustain Release Attack Decay EG 2 Sustain Release LFO 1 Wave Frequency LFO 2 Wave Frequency PATCH 1 Intensity PATCH 2 Intensity PATCH 3 Intensity PATCH 4 Intensity SEQ MOD FX DELAY FX ON/OFF LFO Speed Depth Delay Time Depth Control1 Control2 Vocoder Parameter Portamento Wave Initial CC#05 0.127 0: Saw, 18: Pulse, 36: Tri, 54: Sin, 72: Vox Wave CC#77 90: DWGS, 108: Noise, 126: Audio In CC#14 0.127 CC#15 0.127 * OSC 1 Wave=DWGS; see p.66 Value (transmitted) 0.127 0.15: Saw, 16.31: Pulse, 32.47: Tri, 48.63: Sin, 64.79: Vox Wave, 80.95: DWGS, 96.111: Noise, 112.127: Audio In 0.127 0.127 * OSC 1 Wave=DWGS; see p.66 0.42: Saw, 43.85: Squ, 86.127: Tri 0.31: OFF, 32.63: Ring, 64.95: Sync, 96.127: RingSync Synth; see p.66 Vocoder; 0. 127 Synth; 0 / 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 0.127 0.127 0.127 Synth; 0.31: 24LPF, 32.63: 12LPF, 64.95: 12BPF, 96.127: 12HPF Vocoder; 0.25: 0, 26.51: +1, 52.76: +2, 77.102: 1, 103.127: 2 Value (received)
CC#78 0: Saw, 64: Squ, 127: Tri CC#82 0: OFF, 43: Ring, 85: Sync, 127: RingSync HPF Level Threshold OSC 1 Level Inst Level Noise Level Formant Shift Cutoff Resonance Mod Int E.F.Sense Level Direct Level CC#18 Synth; see p.66 Vocoder; 0. 127 CC#19 Synth; 0 / 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63
CC#20 0.127 CC#21 0.127 CC#22 0.127 Synth; 0: 24LPF, 43: 12LPF, 85: 12BPF, 127: 12HPF CC#83 Vocoder; 0: 0, 32: +1, 63: +2, 95: 1, 127: 2 CC#74
Synth; 0.127 Synth; 0.127 Vocoder; 0 / 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 Vocoder; 0 / 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 0./ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 Synth; 0 / 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 Vocoder; 0.127 0.127
CC#71 0.127 CC#/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 CC#85 Synth; 0 / 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 CC#07 0.127
Synth; 0 / 1: L63, 2: L62.63: L01, 64: CNT, 65: R01.127: R63 Synth; 0 / 1: L63, 2: L62.63: L01, 64: CNT, 65: R01.127: R63 CC#10 Vocoder; 0.127 Vocoder; 0.127 0.63: EG2, 64.127: GATE 0.63: OFF, 64.127: ON 0.127 0.127 0.127 0.127 0.127 0.127 0.127 0.127 0.31: Saw, 32.63: Squ, 64.95: Tri, 96.127: S/H 0.127, Tempo Sync=ON; see p.66 0.31: Saw, 32.63: Squ(+), 64.95: Sin, 96.127: S/H 0./ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 0.63: OFF, 64.127: ON 0.127 0.127 0.127, Tempo Sync=ON; see p.66 0.127 CC#92 0: OFF, 127: ON CC#23 0.127 CC#24 0.127 CC#25 0.127 CC#26 0.127 CC#73 0.127 CC#75 0.127 CC#70 0.127 CC#72 0.127 CC#87 0: Saw, 43: Squ, 85: Tri, 127: S/H CC#27 0.127, Tempo Sync=ON; see p.66 CC#88 0: Saw, 43: Squ(+), 85: Sin, 127: S/H CC#76 0.127 CC#/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 CC#/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 CC#/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 CC#/ 1: 63, 2: 62.63: 1, 64: 0, 65: +1.127: +63 CC#89 0: OFF, 127: ON CC#12 0.127 CC#93 0.127 CC#13 0.127, Tempo Sync=ON; see p.66 CC#94 0.127

CC#86 0: EG2, 127: GATE Distortion Attack Decay Sustain Release Attack Decay Sustain Release Wave Frequency Wave Frequency LFO Speed Depth Delay Time Depth
Different parameters are assigned to synth parameters and vocoder parameters. For programs whose voice mode is Split/Dual, this will apply only to the timbre selected by the TIMBRE SELECT [SELECT] key if the timbre MIDI channel (LCD Edit mode Page 03B: VOICE MIDI ch) is GLB. Effect parameters are transmitted and received on the global MIDI channel, regardless of the timbre MIDI channel. If you are using two MS2000/MS2000R units to transmit and receive these parameters, you must set the transmitting and receiving programs to the same settings.
Control 2 values when OSC 1 Wave = DWGS
When the synth parameter OSC 1 Wave is set to DWGS, the [CONTROL 2] knob will select the DWGS waveform. The value of the control change transmitted/received by operating the [CONTROL 2] knob corresponds to the parameter value as follows.
Value (transmitted, received) DWGS Wave 0, 2, 4, 6, 8, 10, 12, 14, 16, 18, 20, 22, 24, 26, 28, 30, 32, 34, 19 36, 37 38, 40, 42, 44, 46, 48, 50, 27 52, 53 54, 56, 30 58, 59 60, 62, Value (transmitted, received) DWGS Wave 64, 66, 68, 70, 72, 74, 76, 78, 80, 82, 84, 86, 88, 90, 92, 94, 96, 98, 51 100, 101 102, 104, 106, 108, 110, 112, 114, 59 116, 117 118, 120, 62 122, 123 124, 126, 127 64
Sync Note values when LFO 1/2 Tempo Sync = ON or when DELAY FX Tempo Sync = ON
When Tempo Sync is ON for LFO 1/2 or DELAY FX, the parameter adjusted by the LFO [FREQUENCY] or EFFECTS [SPEED/TIME] knobs will change to Sync Note. In conjunction with this, the control change values transmitted/received by operating the knob will correspond to the parameter values as follows.
Value (transmitted, received) 0.8 9.17 18.25 26.34 35.42 43.51 52.59 60.68 69.76 77.85 86.93 94.102 103.110 111.119 120.127 LFO Sync Note 1/1 3/4 2/3 1/2 3/8 1/3 1/4 3/16 1/6 1/8 3/32 1/12 1/16 1/24 1/32 DELAY Sync Note 1/32 1/24 1/16 1/12 3/32 1/8 1/6 3/16 1/4 1/3 3/8 1/2 2/3 3/4 1/1
How Resolution and Sync Note values correspond to note values
The values of SEQ COMMON or ARPEGGIO Resolution and LFO or DELAY Sync Note (when Tempo Sync = ON) correspond to the following note values. Each parameter will function according to the tempo specied by the [TEMPO] knob and the note value corresponding to its parameter value.

Note Value

OSC 2 Semitone values
The value of the control change transmitted/received by operating the OSC 2 [SEMITONE] knob of a synth program corresponds to the parameter value as follows.
Value (transmitted, received) OSC 2 Semitone 0.3.6, 8.11.14, 16.19, 21.24.27, 29.32, 34.37.40, 8 42.44 45.48, 50.53, 55.58.61, 63.Value (transmitted, received) OSC 2 Semitone 66, 67 +1 68.70 +2 71.73 +3 74, 75 +4 76.78 +5 79, 80 +6 81.83 +7 84.86 +8 87, 88 +9 89.91 +10 92.94 +11 95, 96 +12 97.99 +13 100, 101 +14 102.104 +15 105.107 +16 108, 109 +17 +18 110.112 113, 114 +19 115.117 +20 118.120 +21 121, 122 +22 123.125 +23 126, 127 +24

OFF OFF Random

D01 D02 D03 D04 D05 D06 D07 D08 D09 D10 D11 D12 D13 D14 D15 D16 E01 E02 E03 E04 E05 E06 E07 E08 E09 E10 E11 E12 E13 E14 E15 E16 F01 F02 F03 F04 F05 F06 F07 F08 F09 F10 F11 F12 F13 F14 F15
Ana Fuzz Water Edge Reactor Pad MS-101 Sqr Edge Lead Goa Trax Retro BD/SD Wet Reed Fat Bass Flashlight Stream Pad EP Fusion Ld TremoloSynth Motion Pad Banana Bass Bad Dream Century Stab Simple Arpg Tin Memoreez Organ Bass High Voltage Trip Planet Dry Plant Reed Piano Magnum Bass Mad Lead Belly BackInTheDay Synth Brass ElectroShock Bakin' Bass Telephone Golden Synth Blue&White Pan Tran Warp Bass Killa Lead Tribe'n Beat Bound Ball CuttingArpg Bass Machine Trip 2 Ibiza Ana Strings Past Mind Future Vibe Euro Synthe Digy Bass Thunder
Synth Hard Arpeggio Synth Pad Synth Bass Synth Lead Sequence Synth Drum Keyboard Synth Bass Synth Motion Strings Synth Lead Synth Soft Synth Motion Synth Bass S.E. Synth Hard Arpeggio Synth Pad Synth Bass Synth Lead Sequence Bell Keyboard Synth Bass Sequence Choir Synth Lead Synth Brass Sequence Synth Bass S.E. Synth Hard Arpeggio Synth Pad Synth Bass Synth Lead Sequence Bell Keyboard Synth Bass Sequence Strings Synth Lead Synth Soft Sequence Synth Bass S.E.
Single Dual Single Single Single Dual Split Single Single Single Single Single Single Single Dual Single Single Single Single Single Dual Dual Single Single Single Single Single Single Single Dual Single Split Single Dual Single Single Single Dual Single Single Single Single Single Split Single Dual Single Single T1 T2 T1 T2 T1 T2 T1 T2 T1 T2 T1 T2 T1 T2 T1 T2 T1 T2 T1 T2 T1 T2

Noise Level Pitch None

None None None

OSC2 Level Panpot

Alt2 OFF OFF OFF

Step Length

Step Length Pitch

Pitch None

OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF OFF

EG2 Decay Panpot

EG1 Decay Step Length

Noise Level None

Random OFF OFF OFF

Amp Level EG2 Decay

OSC1 Level Amp Level

OSC2 Semi Pitch

Panpot

Pitch Cutoff

Cutoff None

Up OFF OFF

OSC2 Tune T1 T2 Panpot

LowEQFreq: LowEQGain: HiEQFreq: HiEQGain:

SEQ COMMON

LastStep : SeqType: Run Mode: Key Sync: Resolution :

Knob: Motion:

Timbre2 (Dual/Split)
KeySync: Tempo Sync: Sync Note:

Vocoder Program

AUDIO IN2

Gate Sense: HPF Gate:

Mode: Vocoder Scale:

Troubleshooting

Before you suspect a malfunction, please check the following points.

Specications and options

Tone generator system
Analog modeling synthesis system Synth programs Multi-timbral capability: maximum two timbres (for Split/Dual) 4 voices, 2 oscillators + noise generator, EG 2, LFO 2, virtual patch 4, MOD sequence (maximum 16 steps 3) Vocoder programs 4 voices, 1 oscillator + noise generator, EG 2, LFO channel vocoder, adjustable level and pan for each channel, Formant Shift function

Power does not turn on

Is the power cable connected to the outlet?. p.10 Is the [POWER/VOLUME] knob turned on?. p.12

No sound

Are the connected devices or headphones connected to the correct jack(s)?... p.10 Are the connected devices powered-on? Is the [POWER/VOLUME] knob set to a position where sound will be output?.. p.12 Is the Global mode Page 3B: MIDI Local setting turned ON?... p.54 Were any volume-related parameters set to a value of 0?... p.38, 40 Was the FILTER Cutoff set to 0?. p.39 If a pedal is connected to the MS2000/MS2000R, is the pedal in a position for which no sound will be produced?

Tone generator

4 voice, 2 oscillator + noise generator

Keyboard (MS2000)

44 notes (no aftertouch)

Effects

Modulation effect (3 types), delay (3 types), equalizer

6 types

Programs
16 programs 8 (total 128 programs)

Inputs

39 [k] 3.5 [dBu] (AUDIO IN [1/INST] knob: Max) Source impedance 600 [] AUDIO IN 2 jack (with MIC/LINE switch) AUDIO IN 2 [LINE] Input impedance 39 [k] Maximum input level 3.5 [dBu] (AUDIO IN [2/VOICE] knob: Max) Source impedance 600 [] AUDIO IN 2 [MIC] Input impedance 22 [k] Maximum input level 33 [dBu] (AUDIO IN [2/VOICE] knob: Max) Source impedance 600 [] AUDIO IN 1 jack Input impedance Maximum input level