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Leica Akademie Leica not only manufactures high-performance products for everything from observation to reproduction: it offers a special service in the form of the Leica Akademie. For many years, this internationally famous facility has taught photographic expertise in practical seminars and training courses. It meets the needs of keen photographers, both beginners and advanced students, for special training in demanding areas of 35 mm photography, projection, and enlargement. Up-to-date, well-equipped seminar rooms are available at our Solms headquarters and at the nearby "Gut Altenberg" for these courses, which are held by experienced instructors, the content of which ranges from general photography to specialised fields of interest. They provide a wealth of practical suggestions, help, and advice. Further information and details of seminars are available from: Leica Camera AG Leica Akademie Oskar Barnack Str. 11 D- 35606 Solms Tel: 06442208421 Fax: 425 e-mail: la@leica-camera.com 1
Dear Customer, Congratulations on your decision to purchase the LEICA M6 TTL. You have chosen an excellent and unique rangefinder camera. We wish you many years of pleasure and successful photography with your camera. We recommend that you read these instructions first in order to derive full benefit from the photographic possibilities offered by your new camera.

Nomenclature

1. 2. 3. 4. 5. 6. 7. Battery compartment cover Lens release button Eyelets for carrying strap Red button for lens alignment Lever for film rewinding release Automatic frame counter Shutter release button with threaded socket for cable release 8. Quick-wind lever for film transport and shutter wind (must be brought in stand-by position when shooting) 9. Rangefinder window 10. Shutter speed dial with clickstops for: Shutter speeds from 1 to 1/1 000s " " for 1/50 s synchronising speed for flash operation "B" for long exposures "OFF" for switching off the electronics 11. Accessory shoe for flash control with: Centre contact Contacts for TTL flash control 12. Bright-line frame illumination window 13. Angled rewind crank 14. Viewfinder window with mirrored strip for LED visibility in bright light 15. Fixed ring with depth-of-field scale 16. Focusing ring 17. Aperture ring 18. Frame preselector
Contents Page Leica Academy.. 1 Foreword... 1 Nomenclature... 2/3 Viewfinder displays... 3 Fitting the carrying strap.. 4 Power supply... 5 Batteries... 5 Loading and replacing the batteries.. 5 Automatic battery check.. 6 Quick-wind lever.. 7 Shutter release button.. 7 Shutter speed dial... 7 Loading the film... 8 Opening the camera.. 8 Inserting the film.. 9 Closing the camera.. 10 Transport to the first frame.. 10 Setting the film speed.. 10 Film rewind and removal.. 11 Fitting the lens... 12 Removing the lens.. 13 LEICA M lens design... 13 Focusing ring... 14 Aperture ring.. 14 Depth-of-field scale.. 15 Lens hoods.. 16 Use of older LEICA M lenses.. 16 How to hold the camera correctly.. 17 Bright-line viewfinder.. 18 Frame selector.. 20 Rangefinder... 22 Coincidence (double image) focusing.. 22 Split-image focusing.. 22 Exposure metering.. 24 Switching on the exposure meter.. 24
Setting the correct shutter speed/ Page aperture combination.. 25 Meter sensitivity... 26 Low light levels.. 26 General information on exposure metering.. 26 Switching off the exposure meter.. 26 Metering diagram..27/29 Metering field.. 30 Tips for exposure metering.. 32 Use of flash.. 38 Compatible flashguns.. 39 Fitting and connecting the flash unit. 39 TTL flash mode.. 40 Settings for TTL flash mode.. 40 Flash exposure displays in the viewfinder in TTL and automatic mode.. 40 Flash exposure displays in the viewfinder in manual flash mode... 41 Flash exposure displays in the viewfinder in strobe mode.. 41 System accessories for the LEICA M6 TTL. 42 Interchangeable lenses.. 42 Filters.. 42 Eyesight correction lenses.. 42 LEICA WINDER M.. 43 Bags and cases... 43 Tips on maintenance of M6 camera and lenses.44 Alphabetical index... 45 Technical data.. 46 Other LEICA products... 48 Projectors.. 48 Binoculars.. 48 LEICA Services.. 49 Information Service... 49 Customer Service.. 49 LeicaCard.. 49 19. 20. 21. 22. 23. 24. 25. 26. Base plate Base plate catch Viewfinder eyepiece Synchronisation socket for flash units with cable Camera back ISO (ASA/DIN) film speed dial Base plate holding pin Tripod bushing A/, DIN 4503 1/4")
Viewfinder displays LEDs-(Light Emitting Diode) for: A Shutter/aperture balance B Flash operation C Bright-line frame for 50 mm and 75 mm (Example) D Metering field for focusing
Fitting the carrying strap

Batteries

Silver oxide button cells Duracell D 357 (10 L 14) Everready EPX 76 Kodak KS 76 Maxell SR 44 National SR 44 Panasonic SR 44 Philips 357 Ray-o-vac 357 Sony SR 44 Ucar EPX 76 Varta V 76 PX Lithium cells Duracell DL 1/3 N Kodak K 58 L Philips CR 1/3 N Ucar 2 L 76 Varta CR 1/3 N

Loading and replacing the batteries Power supply The LEICA M6 TTL requires two 1.5 volt silver oxide button cells or one 3 volt lithium cell for the exposure meter and to trigger connected flash units. If the camera is not in use for longer periods of time or if you wish to keep a battery with you as replacement, lithium cells are particularly suitable, as they can be stored for several years with no loss of energy. 1. Unscrew the battery compartment cover (1). 2. Wipe any oxidation residue off the cells using a clean cloth. 3. Insert the cells into the holder in the battery compartment cover. Pay attention to the polarity. 4. Now screw the cover together with the cells back into the camera. 5. To remove the batteries, follow the same procedure in reverse. A set of fresh batteries has a life of approximately 8 hours with the exposure meter switched on continuously. Assuming 10second measurements in normal use, one set of batteries therefore supplies sufficient energy for approx. 2900 exposures, i.e. 80 films of 36 exposures each.
Automatic battery check If the red LED is flickering, i.e. its brightness fluctuates, the batteries should be replaced. If the cells are unable to supply the minimum operating voltage, the LED display disappears. Note: the electrical circuit can be broken by oxidation of the battery surfaces; this will also cause the LEDs to go out. In this case, remove the batteries and clean the battery terminals, camera contacts and battery compartment cover with a clean cloth. Important: Always replace batteries in full sets. Do not mix batteries of different make or type. Keep battery contacts clean. Do not incinerate, recharge, open, dismantle or heat the batteries. Remove exhausted batteries as soon as possible. Do not dispose of used batteries in normal garbage as they contain environmentally harmful substances. In order to ensure proper battery recycling, take the batteries to a recycling point. If the camera is not to be used for longer periods, remove the batteries. Store batteries in a cool and dry place.
Shutter release button The shutter release button (7) should be pressed softly (not jerkily) until it clicks and the shutter is opened. The shutter release has a threaded socket to accept standard cable releases. Shutter speed dial The size and location of the shutter speed dial of the LEICA M6 TTL are ergonomically perfect: on the one hand, the dial is extremely easy to use and can also be operated with the camera held to the eye. On the other hand it is well protected to prevent it from being switched on or the settings changed accidentally. In addition, its direction of rotation (like that of the aperture ring on the lenses) corresponds to the exposure meter displays in the viewfinder: if the left-hand triangular LED is flashing for example, turning the wheel in the direction of the arrow, i.e. to the right, will lead to the slower shutter speed required. The shutter speed dial (10) of the LEICA M6 TTL is used to select the shutter speeds - from 1/1000s to 1s - and also the synchronising speed " " for flash operation (1/50 s) and "B" for long exposures.

Closing the camera 8. Replace the camera back. 9. Hook the base plate over the external mounting post on the camera body (25). 10. Fold the base plate back into its normal position, ensuring that the camera back is in full contact so that the base plate envelops it. 11. Lock the back using the base plate catch. Transport of the film to the first frame 12. Advance the film to the next frame by means of the quick-wind lever, and release the shutter. 13. Gently pull the film taut by turning the rewind crank (13) in the direction of the
The following settings are possible:
Scale Film speed ISO (ASA/DIN) Scale Film speed ISO (ASA/DIN)
6/9 12/12 25/15 50/18 100/21 -
6/9 8/10 10/11 12/12 16/13 20/14 25/15 32/16 40/17 50/18 64/19 80/20 100/21 125/22 160/23
200/24 400/27 800/30 1600/33 3200/36 6400/39
200/24 250/25 320/26 400/27 500/28 640/29 800/30 1000/31 1250/32 1600/33 2000/34 2500/35 3200/36 4000/37 5000/38 6400/39
Film rewind and removal When the last frame has been exposed, the quick-wind lever can no longer be operated. Before the film can be removed, it must be wound back into the cartridge. 1. Turn rewind lever (5) to "R". 2. Swing out the lever for the rewind crank. 3. Turn the lever clockwise (in the direction of the arrow) until the film is freed from the take-up spool; slight resistance will be felt at this point.
4. Now open the base plate. 5. Open the camera back. 6. Remove the film cartridge. When the film is not fixed to the cartridge core, for example when bulk film is used, it may become separated from the core if the advance lever is operated forcefully after the last frame has been exposed. In this case, proceed as follows: 1. Remove the base plate of the camera in a completely dark room. 2. Hold the camera with the base plate open and facing downwards. 3. Slowly operate the quick-wind lever several times until the film protrudes far enough to be grasped and pulled out. If necessary, gently hit the camera against the palm of your hand.
Fitting the lens to the camera 1. Hold the lens by the fixed ring (15). 2. Align the red lens alignment button (4) with the lens release button (2) on the camera body. 3. Fit the lens in this position, ensuring that it is perpendicular to the front of the camera 4. Turn the lens slightly to the right to latch it audibly and perceptibly into place.
Removing the lens 1. Hold the lens by the fixed ring (15) 2. Depress the lens release button (2) on the camera body 3. Turn the lens anticlockwise until the lens alignment button (4) lines up with the lens release button 4. Remove the lens, keeping it perpendicular to the camera body. Note: When the camera is loaded with film, change the lens in the shade of your body, as direct sunlight may otherwise penetrate the shutter.

Design of the LEICA M lenses The LEICA M lenses are equipped with a fixed ring with depth-of-field scale (15), a rotatable focusing ring (16) and an aperture setting ring (17).
Like the shutter speed dial, the aperture ring engages perceptibly at each full stop (and for most lenses also at half-stops). With a little practice, you will also be able to set the apertures in the dark. Like the shutter speed dial, the aperture ring moves in the same direction as the exposure meter displays in the viewfinder: When the left triangular LED comes on, for example, turning the dial in the direction of the arrow, i.e. to the right, causes the slower shutter speed required to be set. Focusing ring The focusing ring (16) shows the distance set and, in conjunction with the scale (15), the depth-of-field range. For details on focusing, see the "Rangefinder" section on page 22. For further details on setting the correct exposure, see the "Exposure metering" section on page 24.
Aperture ring (17) The aperture values are standardised worldwide. They are selected such that the amount of light reaching the film is always halved when the lens is stopped down between two successive apertures (stops). One stop corresponds to one value on the shutter speed dial (10). 14
indicates the range of sharpness at the set focus distance. For example, using the LEICA SUMMILUX-M f/1.4/50 mm lens focused at 5 metres, the depth-of-field at f/4 ranges from approximately 4 to 8 metres. Stopping down to f/11 at the same focusing distance, however, increases the range to 3 - 20 metres.
Depth-of-field scale The plane which is rendered sharpest is the plane, parallel to the film, upon which the lens is focused. The optimum sharpness decreases progressively in front of and behind this plane such that a certain range exists within which the image is, to the eye, rendered sharply. This range is termed the depth of field. It is dependent on the focus setting, the focal length of the lens (the two values together determine the reproduction scale) and the aperture. Stopping down, i.e. selection of a larger f-number, increases depth-of-field, whilst widening the aperture, i.e. selection of a smaller f-number, decreases it. The depth-offield scale in conjunction with the focusing ring 15

Double image = out of focus
Broken line = out of focus
Coincident image = in focus
Continuous line = in focus
The unevenness of the white is not a result of poor manufacturing tolerances, but is due to the fact that a thick, complete coating cannot be applied to the rubberised cloth shutter curtain without the shutter performance being impaired. The irregular structure of the metering spot in no way affects the meter reading. The lens f-stop and shutter speed for correct exposure are indicated by the appearance of the light balance ( ) in the viewfinder: the exposure is correct when only the round LED in the middle comes on.
Exposure metering The LEICA M6 TTL meters for exposure under ambient light through the lens at the working aperture. The reading is selective, by light reflected from a bright metering field onto a photo diode (arrow). This diode is located behind a collecting lens to the left of and above the shutter. The metering field (diameter: 12 mm, i.e. approx. 13% of the negatives size) is situated in the centre of the first shutter curtain.
Switching on the exposure meter The exposure meter is switched on by light pressure on the shutter release button (7), providing that the shutter is cocked and the shutter speed dial is not set to "B" or "OFF". When one of the two triangular LEDs or the central round LED comes on, the exposure meter is ready for operation.
If finger pressure is released without the shutter being depressed, the exposure meter remains switched on for approx. 14 s and the corresponding LED(s) remain on. When the shutter is activated, the meter switches off and the LEDs in the viewfinder go out. When the shutter is not cocked, or the shutter speed dial is set to "B" or "OFF", the exposure meter remains switched off. Note: at very low levels of luminance, i.e. at the threshold of the light metering range, the LEDs may take approx. 0.5 s to come on. If the luminance levels fall below the working range of the exposure meter, the left-hand triangular LED flashes.
Then: 1. Switch on the exposure meter 2. Turn the shutter speed dial and/or the aperture ring on the lens in the direction indicated by the flashing LED until only the round LED comes on. In addition to the direction of rotation of both shutter speed dial and lens aperture ring required for correct exposure, the three LEDs of the light balance also indicate over-, underand correct exposure as follows: Underexposure by at least one f-stop; turn lens aperture ring clockwise. Underexposure by half an f/stop; turn lens aperture ring clockwise. Correct exposure Overexposure by half an f/stop; turn lens aperture ring anticlockwise. Overexposure by at least one stop; turn lens aperture ring anticlockwise.

tribution of light and dark details can usually be found which can be metered using spot metering. In this picture taken at the ballet, the metered area was at the far right, partly outside the picture area. If suitable areas are not available, the dark details must be metered and a correction made, resulting in a smaller aperture or faster shutter speed. Stopping down by half a stop (in extreme cases a whole stop) is sufficient.
If there is considerable contrast between light and dark parts of the image, the exposure latitude of the films ceases to be sufficient to register the full tonal range of the subject in both the "light" and the "shade". The photographer must decide where he wishes to retain the greatest detail. For example, a person can appear as a black silhouette (under-exposed) in front of a correctly exposed landscape, or correctly exposed in front of a "burnt-out" background (overexposed). A reading from "light" and "shadow" and the resulting average exposure usually leads to unsatisfactory results because delicate differences in brightness are lost in both the light and the dark areas.
The landscape shot was taken following metering in the lower right-hand part of the picture (shadow of the tree on the grass and the horse). For fast-moving subjects, there is often no time for exposure metering. In such cases, exposure metering is performed in advance. In this example, the top left-hand corner was metered, as the tape bordering the racetrack provided light and dark details.
Deliberate over- or underexposure often enhances the character of a picture and can be used as a good compositional aid. In this landscape shot, the fir trees and mountain ridges on the left of the picture (without the sky) were metered for the exposure, and the value was then reduced by two stops.
Use of flash In addition to the photocell for ambient light, the LEICA M6 TTL is equipped with a second photocell for flash (arrow). This silicon photocell, located on the right below the shutter, enables the camera to measure the light emitted by the flash through the lens, at the working aperture. Through-the-lens metering on the LEICA M6 TTL is centre weighted and integral. The camera can only control the flash light itself if flash units are used which are compatible with SCA 3000 and have an SCA 3501 adapter, or if the LEICA SF20 flash unit (order No. 14414) is mounted on the camera. This
flash was specially designed for the LEICA M6 TTL. Important In order to trigger and control the flash units connected by means of the accessory shoe or the coaxial contact (x), the LEICA M6 TTL must be loaded with batteries and the exposure meter must be switched on by lightly pressing the shutter release button.

modern thyristor-controlled electronic flash units.
Compatible flash units Thanks to its compact dimensions and its dedicated design, the LEICA SF20 is particularly suitable for use with the LEICA M6 TTL. It is very simple to use, as it is equipped with an integrated adapter foot with additional control and signal contacts for automatic transfer of a range of data and settings. In addition, it features a number of additional functions of interest. However, the photographer can also fit any other proprietary flash unit, provided they are equipped with standard sockets, and also oncamera flash units with standardised adapter foot. These flash units are fired via the centre contact (x,11). We recommend the use of
Fitting and connecting the flash unit When mounting a flash unit on the hotshoe of the LEICA M6 TTL, ensure that the adapter foot of the flash unit is fully inserted and firmly secured by means of the tightening nut, if available. This is especially important in the case of flash units with additional control and signal contacts, as movements of the flash unit within the adapter foot may lead to the contact being broken and consequently to malfunctions. The coaxial contact (x,22) for connecting flash units with cable connection is located below the accessory shoe at the back of the camera. Note: the camera and flash unit must both be switched off before the flash is fitted.
TTL flash mode This mode is available with the LEICA SF20 and any other SCA 3000 flash unit equipped with the SCA adapter 3501. As soon as the requisite quantity of light has been emitted, the camera electronics of the LEICA M6 TTL transmit a "stop" signal to the flash unit, which immediately interrupts light output. This flash mode offers the advantage that all factors influencing exposure of the film (e.g. filters and aperture changes) are automatically taken into account. In addition, the LEICA M6 TTL transfers the film speed set on the camera to the flash unit. Flash units equipped with the corresponding displays can thus automatically adjust their range settings. The film speed setting cannot be influenced by means of the flash unit.
2. Set the desired aperture or that required for the subject-to-camera distance. 3. Prior to any flash exposure, switch on the exposure meter by lightly pressing the shutter release button. If the release button is pressed down completely and the exposure meter remains switched off, the flash unit may not be fired. Note: since the aperture selected on the LEICA M6 TTL is not transferred to the flash, it must be set manually on the flash unit to enable the range to be read off on the latter, if the flash has such a display.

Settings for the TTL flash mode After switching on the flash unit and setting it to "TTL", proceed as follows: 1. Turn the shutter speed dial of the LEICA M6 TTL to the flash synchronising speed " " (1/50 s) or select a slower shutter speed (or "B") for special effects.
Flash exposure displays in the viewfinder in TTL and automatic flash mode with the flash unit SF20 or flash units equipped with the SCA 3501 adapter In the viewfinder of the LEICA M6 TTL, an LED in the shape of a flash (3) indicates the different modes: is not displayed even though the flash is switched on: The shutter speed set on the camera is faster than 1/50 s flashes slowly (at 2 Hz) before the shutter is released: The flash unit is not yet operational. flashes before the exposure The flash is operational. continues to flash after the exposure: Flash exposure was correct, flash remains operational. flashes rapidly after the exposure (at 4 Hz) Flash exposure was correct, but flash is recycling. does not flash following the exposure: Underexposure, for example due to an aperture too small for the subject
Flash exposure displays in the viewfinder in manual flash mode is not displayed even though the flash is switched on: The shutter speed set on the camera is faster than 1/50 s flashes slowly (at 2 Hz) before the shutter is released: The flash unit is not yet operational. flashes before the exposure The flash is operational. Flash exposure displays in the viewfinder in stroboscope flash mode is not displayed even though the flash is switched on: The shutter speed set on the camera is too fast for the number of flashes set on the flash unit flashes slowly (at 2 Hz) before the shutter is released: The flash unit is not yet operational. flashes before the exposure: The flash is operational. Note: for details on flash operation, particularly with other, non-TTL-compatible flash units, and information on the different modes of the flash units, refer to the instruction sheet of your flash unit. 41

System M6TTL

accessories
Interchangeable lenses The LEICA M system is ideal for fast and candid photography. The range of lenses comprises focal lengths from 21 to 135 mm and widest apertures of f/1.
the individual spectral ranges; consequently denser, more extreme filters may cause deviations from the correct exposure. For example, orange filters generally require one stop more exposure; red on average two stops more. A universally valid correction factor is not possible as the red sensitivity of black and white films varies considerably.

Filters In black and white photography, filters are used for controlled rendition of tonal values, for example in order to achieve a natural reproduction of different colours in grey tones, or in order to improve the appearance of the sky or clouds on the picture. In colour photography, filters can be used to adjust colour rendition to the wishes of the user or to the spectral sensitivity of the film employed. A range of different filters, equipped with standard filter thread sizes, are available for the current LEICA M lenses, including a universal polarising filter. When the exposure is metered through the lens, any reduction in the quantity of light by the filter is automatically taken into account. However, films have different sensitivities in
Eyesight correction lenses For optimal matching of the viewfinder to the eye, correction lenses in the following strengths are available (dioptres, spherical): 0.5/1.5/2/3.
LEICA WINDER M Either the LEICA WINDER M/M4-P or the LEICA WINDER M4-2 (from serial No. 10350) can be fitted to the LEICA M6 TTL for automatic film transport and shutter cocking, for single exposures and series of up to three frames per second. The winder is mounted on the camera in place of the base plate, and is suitable for all shutter speeds from 1 to 1/1000s, including B. When the winder is switched off or if the batteries are dead, the film can still be wound on manually as normal. Remote release is possible via the cable release connection. Bags and cases An ever-ready leather case with removable front is available for the LEICA M6 TTL fitted with a lens of a focal length of 21 to 50 mm (except for M f/1/50 mm). In addition, we offer a bag made of soft nappa leather equipped with a wrist strap for carrying the specially flat and handy combination of LEICA M6 TTL and ELMARIT-M f/2.8/50 mm (collapsible). In addition, the classic combination bag is available for a camera plus up to three lenses, and the hold-all bag accommodates a camera with up to five lenses. For LEICA M equipment, the small, elegant and weatherproof "Outdoor" bag is also available (see Handbook of the LEICA system, pages 4-4 and 4-6). 43

Tips on maintenance of your LEICA M6 TTL and lenses
All mechanically operated bearing and sliding surfaces on your LEICA M6 TTL have been lubricated. Please remember this when the camera is not in use for longer periods of time. To prevent the grease from becoming tacky, the camera shutter should be cocked and released several times at each shutter speed. Do this around every three months without film loaded. We also recommend that you operate all the other controls (e.g. frame preselector lever and film speed dial). The lens helix and the aperture setting rings should also be moved from time to time. A lens acts as a burning glass when bright sunlight shines on the front of the camera. The camera should therefore never be put down without first being protected against strong sunlight. Damage to the camera shutter can be prevented by using the lens cover and keeping the camera in the shade or in a case. To remove stains and finger marks, wipe the camera and lens with a clean, lint-free cloth. Rougher dirt in less accessible corners of the camera body can be removed with a small brush. Do not use liquid cleaning agents to clean the camera body. Dust and lint in the
interior of the camera (e.g. on the film guide) can best be cleaned using a dry soft-haired brush which has been degreased several times in ether. Normally a soft-haired brush is sufficient for the removal of dust from the outer lens elements. In case of more stubborn dirt, a very clean, soft cloth completely free of foreign matter can be used. Wipe carefully with a circular movement from the inside outwards. We recommend micro optic cloth (available from your photo dealer or optician) stored in a protective container and washable at temperatures up to 40 (without fabric softener, never iron). Never use special cleaning cloths for glasses which are impregnated with chemicals, as they can damage the lens elements. Optimal front lens protection in unfavourable conditions (for example sand, salt water spray) can be achieved with colourless UVa filters. These can, however, as with any filter, cause undesirable reflections in certain backlight situations and with high contrast. We recommend the use of a lens hood since it also protects the lens from finger prints and rain.

Note the serial numbers of your camera (engraved on the accessory shoe of your LEICA M6 TTL) and lenses since these are extremely important in the event of loss.
Alphabetical index Aperture setting ring Bags and cases Battery Bright-line viewfinder Carrying strap Customer service Depth-of-field scale Exposure meter - General information on exposure metering - Switching on - Sensitivity - Switching off - Tips - Very low light levels Eyesight correction lenses Film - Loading - Film speed - Rewinding and removing Filters Flash operation Flash synchronisation

Page 38 39

Focusing ring Frame preselector lever Handgrip M Holding the camera Interchangeable lenses Lens hoods M lenses - Design - Use of older lenses Metering diagram Metering fields Quick-wind lever Rangefinder Shutter/aperture combination Shutter release button Shutter speed dial Technical data Tips on maintenance of camera and lenses TTL flash mode Winder M

16 27/43

Technical data
Camera type: 35 mm rangefinder camera for the 24 x 36 mm format; mechanical shutter and selective through-the-lens exposure metering of the ambient light, or centre-weighted integral metering of the flash light with compatible flash units Lens mount: LEICA M bayonet Lenses: 14 LEICA M lenses with focal lengths from 21 to 135 mm Bright-line viewfinder: The subject is not viewed through the camera lens Viewfinder magnification: 0.72 x (or 0.85 x) for all lenses Viewfinder eyepiece: Adjusted for -0.5 dioptres, provision for screw-in correction lenses Viewfinder display: Six (five in the 0.85x viewfinder) brightline frames for the various focal lengths; rangefinding field; 3 LEDs for shutter/aperture balance, 1 LED for flash operation Framing: By projection of pairs of bright-line frames into viewfinder: 28 and 90 mm (single 90 mm frame in the 0.85 x viewfinder), or 35 and 135 mm, or 50 and 75 mm; automatic selection of correct frame for lens in use Frame preselector: A three-position lever adjacent to the lens bayonet permits projection of two pairs of bright-line frames (single 90 mm frame in 0.85 viewfinder) without the lens needing to be changed Parallax compensation: Automatic compensation of horizontal and vertical viewfinder/lens parallax, coupled to focusing drive; the bright-line viewfinder frame automatically frames the subject to match the image in the lens Identical image in viewfinder and on film: The bright-line frame corresponds to a framed 35 x 23 mm close-up slide for each focal length. At infinity, the film frame covers slightly more than the bright-line frame. Wide-base rangefinder: Bright-field split-image and doubleimage rangefinder in centre of viewfinder image. Effective base line: 49.9 mm (in the 0.72x viewfinder; mechanical base line 69.25 mm x 0.72 x viewfinder magnification), or 58.9 mm (in 0.85x viewfinder; mechanical base line 69.25 mm x 0.85x viewfinder magnification)

Other LEICA products Projectors For your LEICA M6 slides, there is a comprehensive range of versatile, easy-to-use projectors, with a large choice of options for your LEICA M6 slides. The PRADOVIT P 2002 and the PRADOVIT P 150, PRADOVIT P 300 and PRADOVIT P 600 offer total user convenience and a versatile range of optional modules. Superb optical performance in combination with traditional Leica precision mechanics are the common denominator of all LEICA projectors and projection lenses.
Binoculars and spotting scopes Superb optics are the most outstanding single feature of all TRINOVID binoculars and TELEVID spotting scopes. They are made of the same high-grade optical glass as the world-famous LEICA lenses. Their excellent optical performance, exceptional resolution and superb brightness ensure a vivid threedimensional image even in poor light.
Leica Service Internet http://www.leica-camera.com Information service Should you have any technical questions regarding the use of Leica products, please contact the Leica information service in writing or by phone: Leica Camera AG Infodienst Oskar Barnack Str. 11 D- 35606 Solms Tel: 06442208111 Fax: 339 e-mail: info@leica-camera.com
Customer Service For service and repairs or in the event of damage, please contact the Leica Camera customer service or one of the LEICA representations abroad for assistance (see warranty card for address list). Alternatively, consult your authorised Leica Camera dealer. Leica Camera AG Technischer Service Oskar Barnack Str. 11 D- 35606 Solms Tel: 06442208189 Fax: 339 e-mail: ts@leica-camera.com LeicaCard Leica Camera AG Infodienst Oskar Barnack Str. 11 D-35606 Solms Tel: 555 Fax: 339 e-mail: leicacard@leica-camera.com
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Leipscher-Druck, Wetzlar

Leica Camera AG, Oskar-Barnack-Strae 11, D-35606 Solms/Germany Telefon 42/2 08-0, Telefax 42/2 08-http://www.leica-camera.com cpr@leica-camera.com engl. Printed in Germany IV/99/GX/L

MANUAL-EXPOSURE 35MM RANGEFINDER

LEICA M6 TTL

Best Suited For Advanced Amateur, Professional SIGNIFICANCE: The latest incarnation of the legendary Leica
Capability Convenience Features Overall
M6 is the M6 TTL, a camera that is virtually identical to its predecessor except for the added benets of TTL built-in ashmetering which add about 14 inch to its height. They come courtesy of a cell housed in the camera base (its inboard of the lensmount, on the right) that points upward at the shutter curtain for off-thelm autoash with ash units using the European SCA system. Functionally, the TTL ash system is the same as the one in the Leica R8 SLR. Other differences in the new model are minor. The M6 TTL is identiable by a small TTL discreetly engraved on the ash shoe, and it sports a larger-diameter shutter-speed dial that now has an off position. The standard version shown has the classic.72X magnication range/viewnder beloved by M6 owners, with its six auto-indexing parallax-compensating framelines covering focal lengths from 28135mm. There is also (at $100 additional) a 212mm-taller.85X magnication version for those who want a bigger viewing image and a slight theoretical enhancement of rangender focusing accuracy. However, the.85X model has nder framelines only from 35135mm, and the widest one is almost impossible to see in a single glance. Both models are available in black or chrome nish at the same price. The Leica M6 TTL is a timeless classic whose velvety smooth
Best manual-wind lever around? Probably. Its buttery-smooth, ratcheted action is unsurpassed. Shutter release action is superbly smooth.
Ingeniously shoehorned into body above shutter, limited-area SPD metering system is sensitive and accurate. Its nder LEDs are easy to see, and matching them for brightness gives precise readings.
Classic Leica loading is unconventional, with slotted take-up shaft and removable baseplate. Once you get the hang of it, system is fast and sure. Back has hinged mid-section so you can check lm alignment.
controls, superb nish, and whisper-quiet operation hearken back to days when leading cameras were mechanical masterpieces built like ne scientic instruments. Its also a formidable picture-making machine with an extensive and unsurpassed line of lenses still favored by photojournalists and other eld-shooting pros. FEATURES: Those not listed in the specications above include a die-cast metal body with hinged pressure-plate section and removable baseplate; a large, back-mounted film-speed index that transfers settings to the metering system via gold contacts; the ability to use the rangender for split-image focusing with vertical-lined subjects for increased focusing accuracy; most important, and one of the prime attractions of the camera, a superlative line of Leica M lenses currently ranging from 21mm to 135mm, including several superspeed optics. CAPABILITY: With its excellent three-quarter-lifesize viewnder, and very accurate long-base (68.5 mm) rangefinder, the Leica excels in low-light photography, and allows you to view your subject continuously in any light with no momentary mirror blackout. Metering by matching the intensity of two nder LEDs is very precise but none too swift. The performance of the M-series Leica lenses is exemplary. The cameras themselves have established an enviable record of reliability, durability, and high image Dedicated TTL hot shoe connects quality under the most demanding mounted ash to ash sensor in body. A masterpiece shooting conditions. in its own CONVENIENCE: While the M6s tradiright, the tional (some would call it archaic) botLeicas findtom-loading system may take a bit of er has six projected, parallax getting used to, theres no denying that compensathe Leica has a handy shape and is a tion. paragon of structural sturdiness. While it lacks such modern touches as DX setting, dedicated flash, and fast sync With its comspeeds, its nder design precludes aperpact, superbly ture and shutter-speed readouts, and the contoured, beautifully balview through the rather small 90mm and anced, exquis135mm finder framelines cannot comitely finished pare to tele-viewing through an SLR, it body, the M6 TTL offers great is still a joy to use with wider lenses. handling, pride The new M6 TTLs built-in throughof possession. lens autoash system has balanced ll-ash Leica M lenses are excellent and capability, a ash-ready and a ash-OK expensive, range from 21mm to symbol in the nder. The shutter-speed 135mm. Shown is new 50mm f/1.4 Summilux. dial is now larger and more grippable. nder for exposure control.

FLASH: Hot shoe, PC socket. OTHER FEATURES: Viewfinder frameline preview lever,
FOCUSING: Manual, using superimposed-image optical rangender coupled via cam on back of lens. LENSES: Leica lenses in Leica M bayonet mount. EXPOSURE SYSTEM: Manual match-diode metering. Silicon photodiode (SPD) makes TTL readings of central 13 percent of image area. EV 0 to 20 (at ISO 100, with 50mm f/1.0 lens). Film-speed range ISO 66400; no DX contacts. VIEWFINDER: Combined optical range/viewfinder with six projected, auto-parallax-compensating framelines for lenses from 28mm to 135mm, displayed in pairs (28mm and 90mm, 50mm and 75mm, 35mm and 135mm). Proper frames shown automatically when lens is mounted. Rectangular rangender patch in center of nder. Two triangular LEDs near bottom of
threaded shutter release. Shutter is mechanically controlled, horizontal-travel, cloth focal-plane with speeds from 1 to 1/1000 sec plus B; X-sync at 1/50 sec. Manual lm advance by ratcheted wind lever, manual rewind with angled crank; optional Leica Winder M for motorized advance, manual rewind. TTL ash and balanced ll ash readings with SCAsystem units. Size, 512x312x3116 inches (WxHxD); weight, 30 ounces, with 50mm f/1.4 lens and batteries. APPROX. STREET PRICE: $2,195 with.72X nder; comes in black or chrome.

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POPULAR PHOTOGRAPHY/DECEMBER 2001