MX200 User Guide

Warranty
This warranty is valid only for the original purchaser and only in the United States.
2. Lexicon Professional warrants this product, when bought and used solely within the U.S., to be free from defects in materials and workmanship under normal use and service. 3. Lexicon Professionals liability under this warranty is limited to repairing or, at our discretion, replacing defective materials that show evidence of defect, provided the product is returned to Lexicon professional WITH RETURN AUTHORIZATION from the factory, where all parts and labor will be covered up to a period of 1 year. A Return Authorization number must be obtained from Lexicon Professional by telephone. The company shall not be liable for any consequential damage asa result of the product's use in any circuit or assembly. 4. Lexicon Professional reserves the right to make changes in design or make additions to or improvements upon this product without incurring any obligation to install the same additions or improvements on products previously manufactured.
1. The warranty registration card that accompanies this product must be mailed within 30 days after purchase date to validate this warranty. Proof-of-purchaseis considered to be the burden of the consumer.
5. The foregoing is in lieu of all other warranties, expressed or implied, and Lexicon Professional neither assumes nor authorizes any person to assume on its behalf any obligation or liability in connection with the sale of this product. In no event shall Lexicon Professional or its dealers be liable for special or consequential damages or from any delay in the performance of this warranty due to causes beyond its control.
Quick Start....1 About the MX200....3 Overview....3 Diagram - Front Panel....4 Diagram - Rear Panel....6 Setup....7 Connecting the MX200...7 Using the MX200....10 Loading Programs...10 Editing Programs....10 Selecting Effects...10 Tap Tempo....11 The Audition Feature....11 Routing Options....12 Storing Programs....12 Effects Descriptions....13 Reverbs....13 Delays....17 dbx Dynamics....19 Modulated Effects...20 MX200 Utilities....23 MIDI Channel....23 Program AutoLoad....23 Analog / Digital Input Select....23 Digital Out Dry Track....24 Stereo and Mono Output Modes...24 Factory Program Banks: Serial and Parallel...24 Bypass Mode Select....25 Factory Reset....25 The MX-Edit Editor/Librarian - Windows...26 Minimum System Requirements...26 Installing the MX-Edit Editor/Librarian Software..26 Quick Start....26 The MX-Edit Library...27 Opening or Creating a Program...27 The MX-Edit Program Editor....28 Editing a Program...28 Saving a Program...30 Storing a Program...30 Archiving....30 The MX-Edit Editor/Librarian - Mac...32 Minimum System Requirements...32 Installing the MX-Edit Editor/Librarian..32 Quick Start....32 The MX-Edit Program Window...32 Editing a Program...33 Quick Access Menu...34 Using the MX200 as a Hardware Plug-In...35 Minimum System Requirements...35
Installing the MX-Edit VST Hardware Plug-In...35 Connecting the MX200...35 Software Configuration...36 Using the MX200 Plug-In Window...36 Controls....36 MIDI Port Error Message....37 CC Mapping....37 MIDI Implementation Chart...37 Specifications....38 Appendix....39 Program List....40
Ideally, you should read this entire manual before using the MX200. But, if you just cant wait to get started, this section explains how to set up a simple parallel connection (using the MX200 with a mixer) and select a program.

Quick Start

Powering the Unit
1. Plug the included power supply into an A/C outlet. 2. Connect the Power Supply to the Power Jack connection on the MX200s back panel.
Standard Parallel Connection
3. When the MX200 first powers up, the Audition button quickly flashes for a moment. This indicates that the software is loading.

Aux Return 1

Aux Return 2

Aux Send 1

1. Set the gain on the mixers input channel appropriate to the source (vocal mic, guitar, keyboard, etc.). 2. Set the Aux Master level (if provided on your console) to the 12 oclock position. 3. Set the Input level on the MX200 to the 12 oclock position. 4. Set the Mix 1 and Mix 2 knobs on the MX200 to their full clockwise position. (Wet). 5. Provide source signal (by speaking or singing into the mic, playing guitar, keyboard, etc.) on the selected mixer channel. 6. Turn up the Aux Send level on the channel corresponding to the Post-fader send (Aux 1 in this example) that the MX200 is connected to until the Red Input LEDs light only occasionally. If the red Input LEDs stay lit, too much signal is being sent to the MX200; reduce the Aux Master or Aux Send on the mixer. 7. Turn up the Aux Return to the 12 oclock position, or stereo line input faders to the 0dB position, if you used that connection. 8. To increase or decrease the amount of effect on the signal, adjust the Aux Send level on the channel that you want affected.

Set Audio Levels

Select and Load a Program
Turn the Program Select knob to choose a program. The display flashes the number of the program to be loaded. Press the knob to load the program.

Program Select knob

1. Connect the mixers Post Fader Aux Send output to the MX200s Left (Mono) input. 2. Connect the MX200 Left and Right outputs to a stereo Aux Return input on the mixer (or a stereo line input, or two adjacent line inputs if you like).
Note that the MX200 comes with 99 Factory programs and 99 User programs. A small dot appears at the bottom right of the Program Display window, indicating that the displayed program is a User program. For more information about editing programs, see page 10.
Quick Start Audition the Effect

Audition Button

The Audition button allows you to preview the loaded program by playing short digital samples through the effect processors. There are five audio samples included in the MX200, including various drum sounds, vocal, and guitar. In the factory setting, tapping the Audition button cycles through the five sounds, but you may want to repeat a particular sound as you choose or edit an effect. See page 11 for more information.

Overview

About the MX200
The MX200 is a dual-processor, single rack space multi-effects device designed with both live sound reinforcement and home recording in mind. Featuring the deep, rich reverb algorithms that built the Lexicon legend, the MX200 offers increased versatility with dynamics and specialty effectsall instantly accessible via the extremely intuitive front panel.
or Audio Units compatible recording application as a plug-in effect, but still operating as a dedicated hardware processor. This unique hardware plug-in feature lets you add legendary Lexicon effects to your computer-based recordings with full automation and recall features via an intuitive crossplatform plug-in window without overburdening your CPU.

Live Operation

Either way you use the MX200 live or in the studio you can choose two effects at once in one of four routing schemes: Dual Stereo (Parallel), Cascade (Serial), Mono Split or Dual Mono. The MX200 has 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own custom effect settings. Front panel controls include Input Level, Mix 1 and Mix 2 controls, effects Routing button, independent Tempo and Bypass buttons, three Parameter knobs for each Processor, Program Select knob, an Audition button, and a Store button.

Studio Operation

The MX200 features a USB interface that lets it function as a hardware plug-in recognized and functioning within a VSTTM
Those using the MX200 in live applications will appreciate its intuitive front panel layout. The Active Reverb/Effects Matrix displays which two of the 32 available reverbs and effects are active, and all editing functions require only a single button push or turn of a knob. Dual independent processor control areas feature dedicated Effects Select, Tempo, and Bypass buttons plus three Parameter knobs that provide instant access and control over the most critical parameters for the selected effect. Parameter change LEDs illuminate to indicate any changes to the 99 Factory or User programs. The Audition button plays one of five digitally recorded audio samples through the selected effects to audition their settings without the need for an external audio source.

Diagram - Front Panel 3

2. Digital In LED
1. Dual Input Bargraph Meters LEDs indicate input level for each channel. Indicates when the S/PDIF digital input is selected and active.

7. Tempo Button - P2

Same as for Processor 1 (see #5).
8. Bypass Button - P2 9. Store Button
Bypasses Processor 2. Red LED lights to indicate effect is bypassed. Stores program modifications to one of the 99 User program locations. Press the Store and Audition buttons simultaneously to access Utility functions. (See page 23 for more information.) Plays audio samples through the processors to audition their settings. Press the Audition and Store buttons simultaneously to access the Utility functions. (See page 23 for more information.)

3. Routing Button

Press this button to cycle through the four signal routing options. For more information about routing, see page 12.
4. Active Reverb / Effects Matrix
Indicates which effects are active at all times. Green LED indicates active effect in Processor 1, red LED indicates active effect in Processor 2.

Serial Connections

Guitar - Effects Loop Setup

Aux Send 2

Power Amp In

Preamp Out

1. Select routing 1 or 4 using the Routing button. 2. Connect Aux 1 send to the MX200 Left input. 3. Connect Aux 2 send to the MX200 Right input. 4. Connect the MX200 Left and Right outputs to the mixers Aux returns 1 and 2 for mono, or Stereo Aux L/R returns for stereo. 5. Set Mix 1 and Mix 2 knobs fully clockwise (Wet). 6. Set the MX200s Input knob to the 12 oclock position. 7. Set the Aux Return levels on the mixer 8
This setup applies to a mixer with two (or more) Aux Sends and Returns. It utilizes the two effect sections in the MX200 as two separate effects with separate mono outputs, or a common stereo output.
1. Select routing 2 using the Routing button (you can always experiment using other routings). 2. Connect guitar to the amps Input. 3. Connect the amp Effects Loop Send or Preamp Out to the MX200s Left input. 4. Connect the MX200s Left output to the amps Effects Loop Return or Power Amp In. 5. Set Mix 1 and Mix 2 knobs to the 12 oclock position. 6. Adjust the Input level so the red Input Bargraph LEDs only light occasionally with signal. 7. To adjust the effect level, use the Mix 1 and Mix 2 knobs.
Instrument - In Line Setup Studio Digital Setup

S/PDIF Out

S/PDIF In

Stereo Line Input

1. Select routing 2 using the Routing button (you can always experiment using other routings). 2. Connect a line level signal directly from your instrument to the MX200 Inputs. (use Left input for mono signals). 3. Connect the MX200s Left and Right outputs to two separate mixer channels or a stereo line input. 4. Set the MX200s Input knob to the 12 oclock position. 5. Set Mix 1 and Mix 2 knobs to 12 oclock position. 6. Adjust the Input level so the red Input Bargraph LEDs only light occasionally with signal. 7. Adjust the Mix 1 and Mix 2 knobs for the desired effect mix level.
This setup utilizes the MX200 as a multieffects processor connected in line from an instrument to a mixer. It is an ideal setup to use when your mixer does not have an Aux Send/Return option built in.
This setup is ideal if you are using the MX200 as a hardware plug-in in a digital recording system. This setup requires that you are using an I/O device with S/PDIF In/Out, or a digital mixer with S/PDIF I/O option.

1. Select routing 2 using the Routing button. (You can always experiment with other routings.) 2. Connect the S/PDIF output on your soundcard, audio interface or mixer to the S/PDIF In on the MX200. 3. Connect the MX200 S/PDIF Out to the S/PDIF input on your soundcard, audio interface or mixer. 4. Make sure the device you are connecting to the MX200s S/PDIF In is set as the Clock Master (if that option is available) and transmitting at a sample rate of 44.1kHz or 48kHz only. (Refer to the documentation for your device and/or software for proper setup.) 5. Once the MX200 is locked correctly with your device, the Digital In LED lights. If the Digital In LED does not light, check your cables and make sure that your I/O device is set as Master Clock.
The MX200 is equipped with 99 Factory programs that combine the 32 reverbs and effects to cover a wide range of applications. Additionally, there are 99 User program locations in which to store your own reverb and effects combinations. These are identical to the Factory programs until you change them.

Using the MX200

Loading Programs

To load a program:

Knob and button LEDs are green for Processor 1, and red for Processor 2, to correspond with their respective LED color in the Active Reverb/Effects Matrix. Either Factory or User programs may be edited, but they may only be stored to a User program location. The Parameter knobs have different functions for each reverb and effect. For detailed descriptions of what each knob does, refer to the Effects Descriptions section. To edit a program: 1. Load a program using the Program Select knob. 2. Make any of the following adjustments or changes:
changes, you must store them to a User program location (see Storing Programs).
If you would like the programs to be loaded automatically as they are changed with the Program Select knob, you can enable the AutoLoad function (see page 23 for more information). After selecting a Factory or User program, you may find that it needs some modification for a particular application or use. This may include changing one of the three Parameter knobs on each processor, changing the Mix 1 or Mix 2 settings, altering the Routing, changing the delay Tempo or engaging one of the Bypass buttons. When any of the Parameter or Mix knobs are used, a numerical value for that parameter will briefly appear in the Program Display while the knob is being turned. A small LED next to the knob will illuminate, denoting a change from the saved value, and the Store button will light, indicating that the loaded program has been modified. To retain these 10
1. Choose a program by rotating the Program Select knob. The selected program number flashes in the Program Display until loaded. A small LED dot appears in the lower right portion of the Program Display if a User program is selected. 2. Press the Program Select knob to load the program.

Storing Programs

1. Press the Store button once. ST appears briefly in the Program Display, followed by the flashing User program number (indicated by the small dot over User Program being lit). 2. Use the Program Select knob to select a User program location to store your edits. 3. Press the Store button again to complete the procedure. To return to the program without storing changes, press any other button on the front panel.
Once you have edited a program to your liking, you can store these edits into a User program memory location. To store a program, follow these steps:

1. Dual Mono

This routing option sends the Left and Right input signals through Processor 1 and Processor 2 respectively. Each signal is then routed to its respective output, completely independent from the other.

2. Cascade

Left and Right input signals are sent first through Processor 1, then through Processor 2, then routed as a stereo signal to their respective outputs.
3. Dual Stereo (Parallel)
Left and Right input signals are sent through both processors independently. The output signals of both processors are then mixed together, and routed to both the outputs as a single stereo signal.

4. Mono Split

Left input signal is sent through Processor 1, while the Right input signal is sent through Processor 2. The output signals of both processors are then mixed together, and routed to both the outputs as a single stereo signal.
The MX200 effects come in four varieties: Stereo, Mono In/Stereo Out, Mono (Wet only), and Stereo (Wet only). When using Wet only effects, turn the processors Mix knob fully clockwise.

Effects Descriptions

Reverbs
Reverberation (or reverb for short) is the complex effect created by the way we perceive sound in an enclosed space. When sound waves encounter an object or boundary, they dont just stop. Some of the sound is absorbed by the object, but most of the sound is reflected or is diffused. In an enclosed space, reverb is dependent on many features of that space, including the size, shape and the type of materials that line the walls. Even with closed eyes, a listener can easily tell the difference between a closet, a locker room and a large auditorium. Reverb is a natural component of the acoustic experience, and most people feel that something is missing without it.

Reverse Delay

The Digital Delay is the cleanest, most accurate of the delay programs, with up to 5 seconds of mono delay and the built-in ducking feature.

Digital Delay

In the days before digital, delays were created using a special tape recorder in which the magnetic recording tape was looped, with closely-spaced recording and playback heads. The delay effect was created by the tape moving in the space between the record and playback heads while delay time was adjusted by changing the speed of the tape loop. Although very musical-sounding, wow and flutter combined with a significant loss of high frequencies, and to some extent also low frequencies, are all elements commonly associated with tape recordings. The Tape Delay offers up to 5 seconds of mono delay. This delay effect pans the delay repeats from left to right, while the input signal remains at its original (center) position. Pong Delay offers up to 5 seconds of

Tape Delay

Controls the length of the delay relative to Tap Tempo. At the 12 oclock position, delay repeats are synchronous with the Tempo light (represented by a Quarter Note); lower values create faster repeats, higher values increase the time between repeats. Range 0-72. See Appendix on page 39 for exact note values.

Delay Controls

Time Range

Pong Delay

Mono In /Stereo Out
Feedback Controls the number of delay repeats by feeding the delay output signal back into the delay input. This creates a series of delay repeats, each slightly attenuated until they become inaudible. Higher settings create more repeats; lower settings reduce the number of repeats. When this knob is turned fully clockwise, it engages Repeat Hold delay repeats play back in an infinite loop, but no further input signal is introduced into the delay effect. Repeat Hold is available only on Studio, Digital and Pong Delay. 17
Ducker Threshold MX200s Studio and Digital delays offer a ducking feature, which causes the delay repeats to attenuate (or get softer) by -6dB when live (or input) signal is present. This allows the delay to remain as an effect, and not clash with the original signal. The higher this value is set, the louder an input signal must be for the ducking to take place. Smear This parameter controls the amount of smear, or signal degradation and frequency loss. Particularly evident in the Tape Delay, the higher the setting, the more each delay repeat loses intelligibility compared to the original signal.

This effect was originally created by simultaneously recording and playing back two identical programs on two tape recorders, then using hand pressure against the flange of the tape reels to slow down first one machine, then the other. The result was a series of changing phase cancellations and reinforcements, with characteristic swishing, tunneling, and fading sounds. 20

Phaser Controls

Controls the modulation rate of the Phaser effect. Controls the intensity of the Phaser effect.
This knob controls the amount of modulat-
ed signal being fed back into the input, creating feedback. Higher amounts add more resonance to the effect signal.
Effects Descriptions - Modulated Effects
The Rotary effect is modeled after a Leslie-style cabinet. The input signal is split into high and low-frequency bands. The rotation effect is created by a synchronized combination of pitch shifting, tremolo, and panning. Like the physical cabinet, the high (horn) and low (rotor) frequencies are spun in opposite directions. Horn and rotor speeds are independent, and designed with acceleration and deceleration characteristics to simulate the inertia of the original mechanical elements.

Tremolo/Pan

Tremolo and Panner create rhythmic changes in signal amplitude. Tremolo affects both channels amplitude simultaneously, while the Panner affects the amplitude of each channel in an alternating manner.

Stereo (Wet only)

Tremolo/Pan Controls
Knob 1: Speed Knob 2: Depth Knob 3: Phase
Controls the modulation rate of the Tremolo/Panner. Controls the intensity of the volume amplitude change. Controls whether the amplitude change occurs in both channels simultaneously (Tremolo) or alternates between channels (Panner). Rotary speaker cabinets were designed to provide a majestic vibrato/choir effect for electronic theater and church organs. The most well known rotary speaker is the Leslie Model 122, which has two counter-rotating elements: a high-frequency horn and a low-frequency rotor with slow and fast speeds. The sound generated as the spinning elements change speed is truly magical. The swirling, spacious effect is difficult to describe but clearly recognizable.

Determines the amount of pitch shifting. Range is 0-24 semitones (2 octaves).

Knob 2: Down/Up Shift

Determines whether the pitch shifting is up or down from the original signal. 22
The MX200 has several global functions that can be customized to meet your needs. These functions are MIDI Channel Select, Program AutoLoad enable, Dry Track to digital output, Analog/Digital Input Select, and Factory Reset. To access these Utility functions, press and hold both the Store and Audition buttons simultaneously until the Audition button LED begins to flash. The Program Display reads Ut to indicate that you are in Utility mode rather than Program mode. Navigation between Utility functions is controlled by pressing the Audition button; changes are made by turning the Program Select knob.

MX200 Utilities

to have presets loaded manually once they are selected. This is useful in live applications when a performance requires different programs to be loaded that are not in adjacent memory locations. Select the program using the Program Select knob and then press the knob to load it for use. The previous program remains active until the new program is loaded. If you would like the programs to be loaded automatically as they are changed with the Program Select knob, you can enable the AutoLoad function. 1. Press both the Store and Audition buttons simultaneously. 2. Press the Audition button repeatedly until Lo appears in the Program Display. The Program Display flashes between Lo and OF, indicating the AutoLoad feature is disabled. 3. Turn the Program Select knob until the display reads On to enable AutoLoad. 4. Press the Store button to save this change. To enable AutoLoad:

MIDI Channel

The MX200 is capable of receiving incoming MIDI Program Change and CC (Continuous Controller) messages via a MIDI or USB connection. The MX200 can be set to receive on any single MIDI channel, all MIDI channels, or can have MIDI receive disabled. 1. Press both the Store and Audition buttons simultaneously. 2. The first menu displayed when entering the Utility mode is the MIDI Channel menu. The Program Display alternates between Ch and 1 (1 is the factory default MIDI channel). 3. Use the Program Select knob to choose the MIDI channel that you want the MX200 to receive incoming MIDI Program Change and CC messages on. The range is 1-16, AL (omni), and OF (ignores incoming MIDI messages). 4. Press the Store button to save this change. To select the MIDI channel:
Analog / Digital Input Select

Program AutoLoad

The MX200 has both analog and S/PDIF digital inputs and outputs available. The S/PDIF digital output is always operational and any incoming analog signal is processed and sent to both the analog and digital outputs. When a digital signal is received at the S/PDIF digital input from another device, the MX200 automatically disables the analog inputs and enables the digital input to receive signal from the external device. There are times however, you may want to leave the digital device connected but receive signal from the analog inputs. To enable or disable the digital input: 1. Press both the Store and Audition

From the factory, the MX200 is configured
buttons simultaneously. 2. Press the Audition button repeatedly until In appears in the Program Display. The Program Display flashes betweenIn and dI if the digital input is selected. If you want to disable the digital input and use the analog inputs, turn the Program Select knob until the Program Display reads An to select the analog input. 3. Press the Store button to save this change.

Digital Out Dry Track

The MX200 outputs can be either Stereo or Mono depending on your application needs. When Stereo Output Mode is selected (MX200s default Output Mode), the signals maintain stereo separation as configured by the Routing button. When Mono Output Mode is selected, both Left and Right output signals are summed to mono and then sent out the Left output. 1. Press both the Store and Audition buttons simultaneously until Ut appears in the Program Display. 2. Press the Audition button repeatedly until OP appears in the Program Display. This is the Output Mode setup menu. The Program Display alternately flashes OP and then St to indicate Stereo Output Mode is selected. 3. To change the Output Mode to Mono, turn the Program Select knob until no appears in the Program Display indicating Mono Output Mode is now selected. 4. Press the Store button to save these changes. To select Mono or Stereo Output Modes:
Stereo and Mono Output Modes
Note: The Dry Track feature is only available for signals brought into the MX200 via the analog inputs. Dry Track has no effect on signals being received at the S/PDIF In. Digital in/out signals are processed normally regardless of whether the Dry Track parameter is enabled or disabled. 1. Press both the Store and Audition buttons simultaneously. 2. Press the Audition button repeatedly until dt appears in the Program Display. The Program Display flashes between dt and Of 3. Turn the Program Select knob until the Program Display reads On to enable the Dry Track feature. 4. Press the Store button to save this change. To enable Dry Track:
The MX200 can send unprocessed digital audio (Dry Track) out the S/PDIF Digital Out while monitoring processed audio through the analog outputs. This is useful when you want to record a dry performance digitally, but also hear effects processing while you a recording.

Bypass Mode Select

From the factory, MX200 is configured so that engaging the Bypass button on P1 or P2 causes that processor to go into Bypass mode, allowing dry, unprocessed signal to pass through unaffected. There are cases when you may want to have this button mute the output altogether, allowing neither wet nor dry signal to pass. Note that this configuration should only be used for Routing options 1, 3 and 4; placing either Processor in Bypass (mute) when
The MX-EditTM Editor/Librarian - Windows
The included MX-Edit Editor/Librarian software lets you create, edit, compare, save and load reverb and effects programs for use with your MX200 on your Windows computer. While the MX200 has 99 User program locations, you can create and save as many programs you like on your computer, and load them into your MX200 via a USB or MIDI connection at any time. Files->Lexicon->MX-Edit->Reinstall Drivers, and follow the installation prompts.
Minimum System Requirements
Before installing the MX-Edit Editor/Librarian software, make sure that your computer meets the following minimum requirements:
When you first open MX-Edit, you will see the MX-Edit Library on the left side of the MX-Edit window, with the MX200 icon at the top of the Library.
Pentium-III, 500MHz or better. Windows XP, Service Pack 2 or higher.
Installing the MX-Edit Editor/Librarian Software
Important: If you plug your MX200 into a USB port other than the one used during the installation of MX-Edit software and drivers, you may need to run the USB driver installer again. For your convenience, a shortcut to the USB driver installer is added to the Start menu during the MXEdit software installation. If you need to reinstall the drivers, click Start->Program 26
To install the included MX-Edit Editor/Librarian software in Windows XP, insert the provided disc into your computers CD-ROM drive. You will be guided through the installation process just follow the on-screen instructions and prompts. Note that you will be prompted to connect the MX200 via the USB port during the installation process. In order for your computer to recognize the MX200 connection, it is necessary to have the MX200 powered on and connected via a standard USB cable.

20k Ohms balanced, 10k Ohms unbalanced 20 Hz - 20kHz, ref. 1kHz +/- 1dB <.007% 20Hz - 20kHz +4dBu Nominal, +20dBu Maximum
(2) 1/4 TRS balanced or unbalanced
(2) 1/4 TRS balanced or unbalanced +4dBu Nominal, +20dBu Maximum >108dB 24-bit, 48kHz
Audio Processor: Software: Size:

24-bit 1 RU

9V AC (power supply included) WinXP/Mac OSX VST GUI Interface

Dimensions: Weight:

19" W x 1.75" H x 4.75" D 3.75 lbs.

Appendix

Time Range Values

Frequency Values

Bandwidth Values
Note: A value of 36 is the 12 o'clock knob position, or equal to the Tempo LED rate. Intermediate values (e.g. 1-3) do not represent exact note values.

Program List

Effects in the list that are italicized and shaded are in Bypass in the factory programs. Effects that are bolded are designed to be Full Wet only (e.g. Compressor).

Lexicon

8760 South Sandy Parkway Sandy, Utah 84070 PH (801) 566-8800 FAX (801) 566-7005 www.lexiconpro.com Manufactured in the U.S.A.
Printed 7/2005 Lexicon MX200 Owners Manual 18-0327-B 2005 Harman International Industries, Incorporated, all rights reserved.

MX200 DUAL REVERB/EFFECTS PROCESSOR
MX200 Dual Reverb/Effects Processor

SPLIT PERSONALITY

TWO PROCESSORS. TWO UNIQUE APPLICATIONS. ONE RACK SPACE. 32 LEGENDARY LEXICON EFFECTS. ENDLESS POSSIBILITIES.
Whether youre looking for raw processing power with instant front-panel access for live performance, or seeking rich, smooth and complex processing algorithms in the studio, Lexicon brings the best of both worlds together in the MX200 Dual Reverb/ Eects Processor. Designed with both live sound reinforcement and home recording in mind, MX200 features the deep, rich reverb and eects algorithms that built the Lexicon legend, and adds increased versatility with specialty eects and dbx dynamics. Each of the 32 stunning reverbs and eects and their parameters are all instantly accessible within a single button push or knob turn on the intelligently designed front panel without wading through bank after bank of tedious menus. Add powerful Editor/Librarian and VST / Audio Units software, and bring 35 years of Lexicon heritage to your desktop.

STUDIO OPERATION

In the studio, advances in computer-based recording have led many engineers to value the instant control and heads-up use of plug-in eects but many still yearn for the rich, complex sound found in a dedicated hardware processor. Now, Lexicon provides a USB interface with intuitive cross-platform VST and Audio Unit plug-in windows, allowing the MX200 to function as a hardware plug-in recognized and functioning within VST and Audio Units-compatible DAWs as a plug-in eect, but still operating as a dedicated hardware unit. This unique USB plug-in feature allows users to easily control the MX200 in their computer-based recordings within the graphical interface that appears in the recording application like a plug-in, with full automation and recall features. Now software-based recording engineers can stay focused on the heart of their studio the application window of their recording software. A powerful cross-platform Editor/Librarian software package is included as well. MX-Edit lets you create, edit, compare, save and load reverb and eects programs for use with your MX200 on your Mac or Windows XP computer.

LIVE OPERATION

Those using the MX200 in the live arena will appreciate its intuitive front panel layout, with an Active Reverb/ Eects Matrix that constantly displays which two of the 32 available eects are active, and all functions available within a single button-push turn of a knob. Dual independent processor control areas with dedicated Eects Select, Tempo, Bypass and three parameter control knobs provide instant access with precise and meaningful control over the most critical parameters for the selected eect. Parameter change LEDs illuminate to indicate any change from the 99 meticulously crafted Factory or 99 User Programs. Choose from ve digitally-recorded audio samples to Audition the selected eects.

Specification Sheet

Dual Independent Controls for each Processor.
Included VST and Audio UnitPlug-in Interfaces allow MX200 to connect to Recording Software via USB as a Hardware Plug-In.
Active Reverb/Eects Matrix displays which two eects are active at all times.
For more information, please contact your local Lexicon Pro dealer or visit us online at: www.lexiconpro.com
Either way you choose to use the MX200 live or in the studio you can choose two legendary Lexicon reverbs and eects at once in one of four exible routing options including: Dual Mono, Cascade, Dual Stereo (Parallel), or Mono Split. Featuring 99 carefully crafted Factory programs, and 99 User programs that allow you to create your own legendary eects. Front panel controls include Input Level, Mix 1 and Mix 2 Wet/Dry controls, Routing button, independent Tempo, Bypass and 3 control knobs for each Processor, Program Select knob, Audition button (to preview the selected eect) and Store button.

EFFECTS: Reverbs:

Small Hall Large Hall Small Plate Large Plate Room Chamber Gated Reverse Vocal Hall Vocal Plate Drum Hall Drum Plate Ambience Studio Arena Spring

Delays:

Studio Delay Digital Delay Tape Delay Pong Delay Mod Delay Reverse Delay

dbx Dynamics

Compressor De-Esser

Effects:

Chorus Flanger Phaser Tremolo / Pan Rotary Vibrato Pitch Shift Detune

SPECIFICATIONS:

Audio Inputs: Input Impedance: (2) 1/4 TRS balanced or unbalanced 20k Ohms balanced, 10k Ohms unbalanced Input Level: +4dBu Nominal, +20dBu Maximum Frequency Response: 20 Hz - 20kHz, ref. 1kHz +/- 1dB THD+N: <.007% 20Hz - 20kHz Audio Outputs: (2) 14 TRS balanced or unbalanced Output Level: +20dBu Maximum Dynamic Range: >107dB A-weighted A/D Converters: 24-bit, 48kHz Power: 9V AC (power supply included) Audio Processor: 24-bit Software: WinXP/Mac OSX VST GUI Interface Crosstalk: > 80dB Size: 1 RU Specications subject to change without notice

A Harman International Company

FEATURES:

16 legendary Lexicon reverbs Lexicon delays & modulation effects dbx Dynamics Dual-Processor design 4 Routing Congurations:
99 Factory/99 User Programs USB Hardware Plug-In Feature VST and Audio Units Plug-In Software MX-Edit Editor/Librarian Software S/PDIF Digital Input/Output 24 bit, 48kHz Sample Rate
Copyright notice: VST is a trademark of Steinberg Soft- und Hardware GmbH
A Harman International #18-0336 Copyright 2005 Company
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