GEARBOX MIDI SETUP AND CONTINUOUS CONTROLLER REFERENCE
The GearBox application exposes all its parameters to be tweaked remotely by MIDI controller hardware units, and even software MIDI sequencers. These hardware and software products communicate with the GearBox software by sending MIDI Continuous Controller (or MIDI CC) messages. A MIDI CC is a specific type of message consisting of a controller number followed by a data value. When you access a button, slider, knob or pedal on your MIDI controller, this MIDI CC message is what is transmitted, which makes it possible to do things such as remotely control the GearBox Volume, Delay Time, bypass individual effects, etc. in real-time! By configuring the GearBox Preferences > MIDI Input selector to receive MIDI messages from your MIDI controller or MIDI port that the controller device is plugged into, GearBox will respond to the incoming MIDI CC messages. Additionally, GearBox is also capable of transmitting MIDI CCs. This makes it possible to control another hardware devices parameters in realtime, or even record the GearBox parameter moves into a MIDI sequencer. The key to all this communication is the MIDI CC mapping. The following pages include instructions for setting up MIDI communication with your hardware/GearBox and other MIDI devices, as well as a master reference chart and model tables for Amps, Cabs and Effects to serve as a detailed reference document of MIDI assignments for GearBox parameters. With this information you can set the MIDI CC values for your controller device to match the GearBox parameters to be controlled.
Connecting a MIDI Controller device
When using a Line 6 device, the GearBox application can be configured to have several of its effects parameters controlled in real-time by a remote MIDI controller device, or from another software that sends MIDI CC messages. The following feature and configuration descriptions apply to both Windows and Mac systems. Be sure to connect the USB cable from your TonePort UX1 or UX2 into your computers USB port, and then proceed with the following steps For the GearBox software to receive MIDI input from an external controller, the MIDI device must first be connected to a MIDI port on your computer. Typically, the controller unit will connect via a standard MIDI 5-pin cable to an existing MIDI In port on your computer. Or, if the controller device connects via a USB cable itself, it will act as its own MIDI port once installed on your computer.
Once your MIDI controller device is connected, launch the GearBox software and go to Edit > Preferences (Windows) or GearBox > Preferences (Mac) to select its MIDI port
Go to the MIDI/Control tab Choose the MIDI port your controller device is connected to as your MIDI Input
Set your MIDI controller to control GearBox effects parameters
Within your devices settings panel will be a way to tell it to send a specific numbered MIDI CC message. If you mach the MIDI CC number to the desired GearBox effect parameters MIDI CC, this will allow the controller device to access it refer to the GearBox Help for a complete list of the assigned MIDI CC numbers for all GearBox parameters. GearBox is automatically listening to all 16 MIDI channels, therefore, you can set your controller device to transmit on whichever MIDI channel you prefer. To follow are a few example configurations for triggering GearBox from an external MIDI controller device. Controlling the GearBox Volume The GearBox Volume effect can be remotely controlled by setting your MIDI Controller to send MIDI CC #7. The CCs value you send from your controller device will then adjust the GearBox Tones volume - (the 0 value is minimum volume and 127 is maximum). If you have a MIDI controller device that has a foot pedal, then you can assign this pedal to MIDI CC #7 and use it just as you would a Volume pedal. As soon as this setting is made, you should be able to hear the current GearBox tones volume adjust up and down. Use the MIN VOL knob within the effect panel to set the lowest value that the Volume will adjust to. This knob is not controlled by your MIDI controller device. Manually adjust the MIN VOL knob to set the lower volume limit.

Controlling the GearBox Wah effect The GearBox Wah effect can be remotely controlled by setting your MIDI Controller to MIDI CC #4. The CCs value you send from your controller device will then adjust the GearBox Wah effects Position parameter - (the 0 value is the heel position and 127 the toe position). If your MIDI controller device has a foot pedal, then you can assign this pedal to MIDI CC #4 and use it just as you would a Wah pedal (which is also way more fun than turning the knob with your mouse). As soon as this setting is made, you should be able to move the devices pedal and see the Wahs POSITION knob update in real-time, and of course hear the GearBox Wah do its thing (note that the visual knob update may not be responsive to fast moves, but the audible response should be instant).
Once your controller device is set to MIDI CC #4, you should see the POSITION knob respond to the devices adjustments
Toggling effects on/off Another use for a remote controller device is to toggle on and off functions for the components in GearBox, such as toggling the bypassing of an individual effect. For example, you can use set a switch on your MIDI device to MIDI CC #63 to control the GearBox EQ effect bypass. A value of sets the EQ to bypass and a value of 64 to 127 sets the EQ to on. You can therefore set up several toggle switches on your external controller device to individually toggle multiple effects on and off.
Control GearBox remotely using MIDI sequencing software
Most MIDI sequencing applications also provide the ability to send out MIDI CC commands. GearBox can also receive MIDI CC commands from your sequencing software and respond in real-time just as it does from a MIDI hardware controller device. This allows you to use the MIDI tracks in your sequencer to create, edit and then send controller data to GearBox to remotely control its settings. This can be a handy way to automate your GearBox effects, and also allows you to go in and edit the automation using all the editing tools of your sequencing software. To follow is an example using Windows with a TonePort UX2, GearBox and the Cakewalk Sonar 5 Producer version as the sequencing software to remotely automate and control the GearBox Wah effect during playback of the Cakewalk sequence. The steps shown are typical for most other popular MIDI sequencing applications as well
Launch GearBox and check your MIDI settings In the GearBox software, it is actually not necessary to configure a MIDI input or output since this will be set within the MIDI sequencing software. Go to Edit > Preferences (Windows) or GearBox > Preferences (Mac) and set the MIDI Input to None. Select the MIDI/Control tab Leave the Send MIDI box unchecked Set MIDI Input to None
Set your hardware as the MIDI Out device You first need to configure the sequencing software to use TonePort as your MIDI Output device. Sonar offers this in the Options > MIDI Devices dialog. To avoid creating a recursive MIDI loop, do not choose TonePort as your MIDI In device for this same sequence.* TonePort selected as an active MIDI Output device

TonePort NOT selected as a MIDI Input device
* In this example, were specifically configuring the sequencing software to remotely control GearBox functions; therefore, we only need MIDI messages to go out of the sequencer to your Line 6 Hardware as the MIDI Output device. GearBox is also capable of sending MIDI controller information for adjustments made on its controls, which can then be recorded within a MIDI sequencer. If you want to utilize MIDI control data coming from GearBox, then you will need to choose your hardware as a MIDI Input device in the sequencer. To avoid creating a recursive MIDI loop in this scenario, most sequencing software offers a MIDI Echo or Patch-through option that can be turned off.
Configure a MIDI track to send its output to your hardware Set the MIDI track you want to create your controller data within to send its output to your hardware. Since the GearBox software is listening to MIDI data on all channels, you can choose whichever MIDI channel you like for output.
TonePort selected as the Output for a MIDI track
Create or record your controller data The controller values can now be entered in the MIDI track. In most sequencers you can record the mouse adjustments of its parameters or the input of a hardware controller, or you can manually enter controller data into your MIDI track. In this example, well draw the desired data into the Piano Roll editor window for the track. In Sonars Piano Roll window, you need to set three items for the track the MIDI data type, the MIDI CC number you want to trigger with this data, and the MIDI Channel to send it to. Use the following settings:
Draw in a dramatic curve pattern to trigger wide sweeps for the Wah effect Choose Control for the MIDI data type Choose MIDI CC #4 to trigger the GearBox Wah effect Choose the desired MIDI Channel to send to Play back your sequence and trigger GearBox Now when you play your MIDI sequence, the tracks controller data that was just created will trigger the GearBox Wah effect. If you view the GearBox effect display you will see the POSITION knob respond, and hear the Wah effect for whatever audio is currently input through GearBox.
Since the sequencers MIDI track is sending MIDI CC #4 controller data, you should see the GearBox POSITION knob graphic respond to the sequence playback

The above steps can be repeated to trigger any additional GearBox parameters using your sequencer softwares MIDI tracks. Since all this controller data is now part of a MIDI sequence, the sequence can also be edited, saved and recalled at a later time!
Dual-Tone GearBox settings and remote control
Note that if you have selected one of the GearBox Dual Tone settings in the Source Select menu, then all MIDI remote controller data sent to GearBox will map to the Actions for the first Tone only. The Dual Tone settings are the ones with the & in their names.
Dual Tone settings are the ones with the & in their names
For example, if you are currently using Inst & Mic 1 as your Source, then the MIDI CC assignments you have made in your MIDI controller device will only trigger the GearBox functions for the Instrument Tone.

MIDI CC Reference

The following pages include a MIDI CC Reference Chart lists which shows all Gearbox controllable parameters, the MIDI CC controller number assigned to each parameter, and descriptions for what is being controlled.
Amp Model lists the specific type of amplifier model (guitar, bass or mic pre-amp) since some parameters do not exist for al three of these amp model types. Parameter The chart lists all parameters that can be remotely controlled by MIDI CCs Notes Some Parameters may not be too obvious by name alone, or have some special behaviors for how their data value ranges are applied, so this column is where to look for this info. MIDI CC # and Range This set of columns lists the assigned MIDI CC controller number, and the range for the data values supported. You can see that most CCs offer a range from 0 to 127, which typically map to a knob or slider. If the parameter is a simple on/off type, then usually values from 0 to 63 will all set it to off and 64 to 127 will set the parameter to on. Check the Notes column to see if other behaviors apply. Transmit and Receive A check appears in the TX column if the parameter transmits the MIDI CC for this parameter. A check appears in the RX column to indicate if the parameter is capable of being controlled by the received MIDI CC. Smoothing The parameters indicated with Yes include a MIDI smoothing functionality. As the name suggests, this allows rapid parameter changes to be interpreted so that the result sounds more natural, with fewer audible artifacts during the adjustment.
The Model Table pages that follow the MIDI CC Reference Chart provide the detailed breakdown of MIDI CC values that are assigned to the individual Amp, Cabinet and Effects Models. The Notes column within the MIDI CC chart often refer to these tables when more information is available for a particular parameter.

GearBox - MIDI CC Reference Chart
Amp Model Parameter Tweak Notes received Mod.Wheel (CC 1) messages modify a specific parameter value. Destination parameter set by CC 108; range determined by loaded effects Models 0~+16 dB Realtime (not saved in Tone) 127=0 dB <-> 0= -63 dB 0=Full Left, 64=Center, 127=Full Right Realtime control (not saved in Tone) Loads Amp Model with knob values. Range varies, depending on installed Packs (see Amp Model tables) see Pre-amp Model MIDI Map table see Pre-amp Model MIDI Map table see Pre-amp Model MIDI Map table
MIDI CC # and Range CC# 1 Min 0 Max 127

Transmit Receive TX RX

Smoothed

MIDI Spec RP labels

various (destinationdependent) Yes Yes Yes Yes Yes Yes

Modulation Wheel

Wah Position Compressor Gain Volume Pedal Compression Threshold Pan control for Record Send (and Monitor) 1/2 Amp Model Select
Foot Controller Portamento Time Volume Pan Effect Control 1
Gtr/Bass Mic-pre Gtr/Bass Mic-pre Gtr Bass Mic-pre Gtr Bass Mic-pre Gtr/Bass Mic-pre

Gtr Bass Mic-pre

Amp Model Drive Mic Pre Amp Param 0 Bass Mic Pre Amp Param 1 Mid Mic Pre-amp Param 2 Low Mid Treble Mic Pre-amp Param 3 High Mid Guitar/Bass Amp Channel Vol. Mic Pre Amp Param 4 Reverb Mix 4-band EQ Freq 1 (low shelving) Presence Treble Mic Pre Amp Param 5 Noise Gate Enable Gate Threshold Gate Decay Time Stomp Enable Comp Enable Delay Enable Modulation Speed MSB Delay Time MSB
see Pre-amp Model MIDI Map table
see Pre-amp Model MIDI Map table Non-linear mapping
see Pre-amp Model MIDI Map table 0~63=Off ; 64~127=On 0=0dB; 96~127=-96dB 0=.1msec; 127=3000msec 0~63=Off ; 64~127=On 0~63=Off ; 64~127=On 0~63=Off ; 64~127=On coarse adjust (CC 61 is fine adjust) coarse adjust (CC 62 is fine adjust)

Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes No Yes Yes Yes No Yes Yes No No No No No

Effect Control 2

Gen. Purpose Slider 1
Gen. Purpose Slider 2 Gen. Purpose Slider 3
Note - When GearBox is in Dual Tone Mode, only Tone 1 receives and responds to incoming MIDI control messages.
Amp Model Parameter Delay Time Note value Notes 1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter, 7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet Non-linear mapping

MIDI CC # and Range CC# 31 Min 0 Max 127
4-band EQ Freq 2 (peaking) Delay Param 2 Delay Mix Delay Param 3 Reverb Enable Reverb Model Select Reverb Decay Reverb Tone Reverb Pre-Delay Reverb Pre/Post EQ Freq 2 (peaking) Wah Enable FX X-Over Lo Cut Frequency Volume Pedal Minimum Volume Pre/Post D.I.Blend In (Bass Amp Models) D.I. Delay (BassPODxt) Mod Enable Modulation Speed Note value
0~63=Off ; 64~127=On Range depends on Packs (see model tables) labeled "Dwell" on Spring Models n/a to Spring Models 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model Non-linear mapping 0~63=Off ; 64~127=On Range: Off, 6.3~793.8 Hz. in 6.25 Hz 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 71=Unity (positive gain at higher values) 0.0 - 12.7 mSecs in 0.1 mSec steps 0~63=Off ; 64~127=On 1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter, 7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet see Effects Models MIDI CC Map see Effects Models MIDI CC Map see Effects Models MIDI CC Map see Effects Models MIDI CC Map 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model see Effects Model list

127 13

No Varies Yes Varies No No Yes Yes No No Yes Yes Yes Yes Yes No No No

Bank (Fine)

Bass Bass
Mod Param 2 Mod Param 3 Mod Param 4 Mod Param 5 Mod Mix Mod Pre/Post Mod Model Select
Varies Varies Varies Varies Yes No No
Amp Model Parameter EQ Freq 3 (peaking) Mod Speed LSB Delay Time LSB EQ Enable Tap Tempo Amp/Preamp Bank Select Notes Non-linear mapping fine adjust (CC 29 is coarse adjust) fine adjust (CC 30 is coarse adjust) 0~63=Off ; 64~127 64~127 = a Tap; values <64 ignored The setting of this control determines how CC 12 messages (Amp Model Select) will be interpreted. 0=load model from Guitar Amp Model set; 1=load model from Bass Amp Model set; 2=Preamps The setting of this control determines how CC 71 messages (Cab Model Select) will be interpreted. 0=load model from Guitar Cab Model set; 1=load model from Bass Cab Model set 0~63=Off ; 64~127=On Selection based on loaded Cab Model Range varies (see model tables) 0~63 = Pre-Amp Model, 64~127 = Post-Amp Range depends on Packs (see model tables) Non-linear mapping (see model tables) (see model tables) (see model tables) (see model tables) (see model tables) (see model tables) 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model Range depends on Packs (see model tables)
MIDI CC # and Range CC# Min Max 127 2
Transmit Receive TX RX

No No No No n/a No

Pedal (sustain) Pedal-Sostenuto

Gtr/Bass

Cab Bank Select (Transmit - accompanies CC71 transmission; Receive - no action taken until CC 71 value is received) Tuner Enable A.I.R. Mic Model Select A.I.R. Cabinet Select *Stomp Pre/Post Stomp Model A.I.R. Room/Early Reflection Leve EQ Freq 4 (high shelving) Stomp Param 2 Stomp Param 3 Stomp Param 4 Stomp Param 5 Stomp Param 6 Delay Param 4 Delay Pre/Post Delay Model Select Tempo MSB Tempo LSB Mic Pre-amp Param 6 Mic Pre-amp Param 7 Mic Pre-amp Param 8 Mic Pre-amp Param 9 Mic Pre-amp Param 10 Mic Pre-amp Param 11 *Amp Bypass Channel Volume *Amp Bypass Engage

Pedal-Soft

Gtr/Bass Gtr/Bass

103 105

127 127

No No No No Yes No Varies Varies Varies Varies Varies Varies No Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes Yes
Hold 2 Sound Variation Harmonic Content Sound Control 6 Sound Control 7 Sound Conrol 8 Sound Control 10 Gen. Purpose Button 1 Gen. Purpose Button 2 Gen. Purpose Button 3 Gen. Purpose Button 4
Mic-pre Mic-pre Mic-pre Mic-pre Mic-pre Mic-pre
see Pre-amp Model MIDI Map table see Pre-amp Model MIDI Map table see Pre-amp Model MIDI Map table see Pre-amp Model MIDI Map table see Pre-amp Model MIDI Map table see Pre-amp Model MIDI Map table received and Saved, but no audio impact
Tremolo Level Chorus Level Celeste Level Phaser Level
4-band EQ Gain 1 (low shelving) 4-band EQ Gain 2 (peaking) 4-band EQ Gain 3 (peaking) 4-band EQ Gain 4 (high shelving)

* Not presented in GUI

111 0~63=Off (Amp On); 64~127=On (Amp Off) This control's value is preserved when Saving a Tone, but is ignored when Opening a Tone. 117 119

Yes Yes Yes Yes

GearBox Model Tables
Amp Models CC 66 Bank Select

CC 12 Value loads: Pack

n/a Included PowerPack PowerPack PowerPack PowerPack Included Included Included Included PowerPack Included Included PowerPack Included PowerPack PowerPack PowerPack PowerPack Included Included PowerPack Included PowerPack PowerPack PowerPack Included PowerPack Included
0 Guitar Amp Model Name No Amp Tube Instrument Preamp Line 6 21st Century Clean Line 6 JTS-45 Line 6 Class A Line 6 Mood Line 6 Spinal Puppet Line 6 Chemical X Line 6 Insane Line 6 Piezacoustic Zen Master 1953 Small Tweed 1958 Tweed B-Man 1960 Tiny Tweed 1964 Blackface 'Lux 1965 Double Verb 1960 Two-Tone 1973 Hiway Plexi Plexi Lead Plexi Jump Lead 1968 Plexi Variac'd 1990 Brit J-Brit JM Pre 1996 Match Chief 1993 Match D-Treadplate Dual 1985 Cali Crunch 1987 Jazz Clean

Pack Bass Amp Model Name

Mic PreAmp Model Name
Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Included Included Included Bass Exp. Pack Included Bass Exp. Pack Included Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack Bass Exp. Pack

Tube Preamp L6 Classic Jazz L6 Brit Invader L6 Super Thor L6 Frankenstein L6 Ebony Lux L6 Doppelganger Sub Dub Amp 360 Jaguar Alchemist Rock Classic Flip Top Adam and Eve Tweed B-Man Silverface Bass Double Show Eighties Hiway 100 Hiway 200 British Major British Bass California Jazz Tone Stadium Studio Tone Motor City Brit Class A 100
American Classic Vintage UK Lo-Fi Vintage Modern Console -

CC 66 Bank Select

CC 12 Value loads:
Amp Models- Continued 0 Pack Guitar Amp Model Name Included 1993 Solo 100 Head PowerPack 1960s Super O PowerPack 1960 Class A-15 Included 1967 Class A-30 Top Boost PowerPack Line 6 Agro PowerPack Line 6 Lunatic Included Line 6 Treadplate PowerPack Variax Acoustic Metal Shop 2002 Bomber Uber Metal Shop 2003 Connor 50 Metal Shop 2003 Deity Lead Metal Shop 2003 Deity's Son Metal Shop 2002 Angel P-Ball Metal Shop 1987 Brit Gain Silver J Metal Shop 1992 Brit Gain J-900 Clean Metal Shop 1992 Brit Gain J-900 Dist Metal Shop 2003 Brit Gain J-2000 Metal Shop 2001 Cali Diamond Plate Metal Shop 2002 Mississippi Criminal Metal Shop Line 6 Big Bottom Metal Shop Line 6 Chunk Chunk Metal Shop Line 6 Fuzz Metal Shop Line 6 Octone Metal Shop Line 6 Smash Metal Shop Line 6 Sparkle Clean
Metal Shop Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Collector Classics Included PowerPack Included PowerPack PowerPack PowerPack
0 Guitar Amp Model Name Line 6 Throttle 2002 Bomber X-TC 2003 Deity Crunch 1963 Blackface Vibro 1967 Double Show 1972 Silverface Bass 1996 Mini Double 1960 Gibtone Expo 1968 Brit Plexi Bass Brit Plexi Lead Wishbook Silver Super O Thunder Line 6 Bayou Line 6 Crunch Line 6 Purge Line 6 Sparkle Line 6 Super Clean Line 6 Super Sparkle Line 6 Twang Citrus D30 Class A30 Fawn Brit Gain 18 J 2000 #2 L6 Boutique #1 L6 Mod Hi Gain #1

Cabinet Models

CC 67 Bank Select CC 71 Value 0 Loads Guitar Cab Model: 1 Loads Bass Cab Models: Bass Cabs Pack Dependency

No Cab

1x6 1960s Super O
1xTiny Tweed 1xGibtone 1xG-Brand 1xLine 6 1xSmall Tweed 1xBlackface 'Lux 1xClass A-15 2xMini T 2xLine 6 2xBlackface 2xMatch Chief

2xJazz Clean

2xClass A-30
4xLine 6 4xTweed B-Man 4xLine 6 4xGreen 20s 4xGreen 25s 4xBrit Celest T-75s 4xBrit Celest V-30s 4xTreadplate 1xThunder 2xWishbook
No Cab 1x12 Boutique 1x12 Motor City 1x15 Flip Top 1x15 Jazz Tone 1x15 Session 1X15 Amp 360 1x18 California 1x18+12 Stadium 2x10 Modern UK 2x15 Doubleshow 2x15 California 2x15 Class A 4x10 Line 6 4x10 Tweed 4x10 Adam and Eve 4x10 Silvercone 4x10 Session 4x12 Hiway 4x12 Green 20s 4x12 Green 25s 4x15 Big Boy 8x10 Classic -
Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp.
Bass Exp. Bass Exp. Bass Exp. Bass Exp. Bass Exp.
Cabinet Models - Continued
CC 70 Value loads: A.I.R. Mic selections On Guitar Cab A.I.R. Mic selections On Bass Cab
57 On Axis 57 Off Axis 421 Dynamic 67 Condenser
20 Dynamic 112 Dynamic Tube 47 Close Tube 47 Far

Mic PreAmp Models

Model Name American Classic Vintage UK Lo-Fi Vintage Modern Console CC 13 CC 14 CC 15 CC 16 CC 17 CC 21
Drive (Input Gain) Drive (Input Gain) Drive (Input Gain) Drive (Input Gain) Lo Mid Gain Lo Mid Gain

Bass. Freq. *

Bass. Freq. * HPF Frequency HPF Frequency
Bass Shelf/Peak (Output) Volume (Output) Volume (Output) Volume Bass Gain Bass Shelf/Peak (Output) Volume Bass Frequency * Bass Gain (Output) Volume Bass Frequency * Bass Gain (Output) Volume

Bass Gain

Treble Shelf/Peak
Treble Shelf/Peak Low Mid Freq. Low Mid Freq.
Mic PreAmp Models - Continued
Model Name American Classic Vintage UK Lo-Fi Vintage Modern Console CC 92 CC 93 CC 94 CC 95 CC 102 CC 103
Lo Mid Freq. * HPF Off/Freq. * HPF Off/Freq. * Lo Mid Freq. *
Lo Mid Gain Bass Freq. Bass Freq./Off Lo Mid Gain High Mid Gain High Mid Gain
High Mid Freq. * Bass Gain Bass Gain High Mid Freq. * High Mid Freq. High Mid Freq.
High Mid Gain Mid Off/Freq. * Mid Off/Freq. * High Mid Gain
Treble Freq. * Mid Gain Mid Gain Treble Freq. * Treble Freq. * Treble Freq. *
Treble Gain Hi Shelf Gain Hi Shelf Gain Treble Gain Hi Shelf Gain Hi Shelf Gain
* 8-Position Incrementation

CC value Position

9-Position Incrementation
2-Position Incrementation

CC value Setting

0-- - - - - - - 127

0-- - - - - - - - 127

0-31 32-127

Peak Shelf

Effects Model Tables

Stomp Category Models

Page/Position CC #75 Model Select 127 n/a CC #74 Pre/Post Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre n/a in UI CC #79 Param 2 Drive Drive Drive Drive Drive Sustain Sustain Sens Ramp Sens Drive Drive Amount Drive Level n/a Decay Wave -1 Octave Wave Wave Wave Wave Wave Interval 1 Wave Wave Bass Drive -1 Octave Position Amount Amount 1/C CC #80 Param 3 Gain Gain Gain Gain Gain Level Level Level Depth Q Contour Treble Level Bass Sustain Sensitivity Sens n/a -2 Octave Filter Filter n/a Filter Filter Filter Filter Filter n/a Tone -2 Octave Heel n/a n/a 1/D CC#81 Param 4 Tone Tone Tone Tone Tone n/a n/a n/a n/a n/a Gain Gain n/a Treble n/a Q Q n/a n/a Decay Decay n/a Decay Decay Wave Decay Attack Drive n/a n/a Toe n/a n/a n/a CC#82 Param 5 n/a n/a n/a n/a n/a n/a n/a n/a n/a Mid Bass n/a Mid n/a n/a n/a Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix n/a Gain Blend Mix Mix n/a n/a n/a CC#83 Model Pack Param 6 Dependency n/a n/a n/a n/a PowerPack n/a PowerPack n/a PowerPack n/a n/a PowerPack n/a PowerPack n/a FX Junkie n/a FX Junkie n/a FX Junkie Mid Freq. FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie n/a FX Junkie* n/a FX Junkie* *Incl. on UX1/UX2/KB37
Facial Fuzz Fuzz Pi Screamer Classic Dist Octave Fuzz Blue Comp Red Comp Vetta Comp Auto Swell Auto Wah Killer Z Tube Drive Vetta Juice Boost + EQ Blue Comp Treb Dingo Tron Clean Sweep Seismik Synth Double Bass Buzz Wave Rez Synth Saturn 5 Ring Mod Synth Analog Synth FX Synth Harmony Synth Lead Synth String Bass Overdrive Bronze master Sub Octaves Bender Female De-Esser Male De-Esser
Modulation Category Models
Page/Position CC #58 Model Select Sine Chorus 0 Analog Chorus 1 Line 6 Flanger 2 Jet Flanger 3 Phaser 4 Vibe Phase 5 Opto Trem 6 Bias Trem 7 Rotarydrum+Horn 8 Rotary drum 9 Auto Pan 10 Analog Square Chorus 11 Stereo Square Chorus 12 Stereo Expo Chorus 13 Random Chorus 14 Stereo Square Flange 15 Expo Flange 16 Lumpy Phase 17 Hi Talk 18 Sweeper 19 POD Purple X 20 Random S & H 21 Tape Eater 22 Warble-Matic 23 n/a CC #57 Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post 1/C CC #52 Param 2 Depth Depth Depth Depth n/a Depth Wave Wave n/a n/a Depth Depth Depth Depth Depth Depth Depth Depth Depth Depth Fdbk Depth Fdbk Depth 1/D CC #56 Vol./Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix 2/A CC #53 Param 3 Bass Bass n/a Fdbk n/a n/a n/a n/a Tone Tone n/a Bass Predelay Predelay Bass Predelay Predelay Bass Q Q Depth Q Flut Q 2/B CC #54 Param 4 Treble Treble n/a Manual n/a n/a n/a n/a n/a n/a n/a Treble Feedback Feedback Treble Feedback Feedback Treble n/a Frequency n/a n/a Dist n/a Model Pack Dependency

PowerPack PowerPack PowerPack PowerPack FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie

Delay Category Models

Page/Position CC #88 Model Select n/a CC #87 Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post pre/post pre/post Pre/Post 1/C CC #33 Param 2 Fdbk Fdbk Fdbk Fdbk Fdbk Fdbk Offst Fdbk Fdbk Fdbk Fdbk Fdbk Fdbk Fdbk
CC #34 Vol./Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix
Analog Analog w/Mod Tube Echo Multi-Head Sweep Echo Digital Stereo Ping Pong Reverse Echo Platter Tape Echo Low Res Phaze Echo Bubble Echo
2/A CC #35 Param 3 Bass ModSpd Flut Heads Speed Bass Fdbk L Offst n/a Heads Bass Tone Speed Speed
2/B CC #85 Param 4 Treble Depth Drive Flutter Depth Treble Fdbk R Spread n/a Flutter Treble Bits Depth Depth
Model Pack Dependency PowerPack
PowerPack PowerPack PowerPack PowerPack PowerPack FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie

Reverb Category Models

Page/Position CC#37 Model Select Lux Spring Standard Sping King Spring Small Room Tiled Room Brite Room Dark Hall Medium Hall Large Hall Rich Chamber Chamber Cavernous Slap Plate Vintage Plate Large Plate n/a CC#41 Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post n/a CC#38 Decay Dwell Dwell Dwell Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay n/a CC#18 Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix n/a CC#39 Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone n/a CC#40 PreDelay n/a n/a n/a PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay Model Pack Dependency PowerPack PowerPack PowerPack PowerPack PowerPack PowerPack PowerPack

PowerPack PowerPack

Wah Category Models
Model Select Vetta Wah Fassel Weeper Chrome Chrome Custom Throaty Colorful Conductor CC# 91 Value Model Pack PowerPack PowerPack PowerPack PowerPack PowerPack PowerPack

Line 6 Products

MIDI Continuous Controller Reference
__________________________________________________________________________________________________ Many Line 6 products allow their parameters to be tweaked remotely by MIDI controller hardware units, and even software MIDI sequencers. These items communicate with Line 6 products by sending MIDI Continuous Controller (or MIDI CC) commands. A MIDI CC is a specific type of message consisting of a controller number followed by a data value. When you access a button, slider, knob or pedal on your MIDI controller, this MIDI CC command is what is transmitted, which makes it possible to do things such as remotely control the Volume of your Line 6 device in real-time! Additionally, these same Line 6 products are also capable of transmitting MIDI CCs. This makes it possible to control another hardware or software devices parameters in real-time via your Line 6 device. The key to all this communication is the MIDI CC mapping. The following pages include a master reference chart and model tables for each product to serve as a reference document of MIDI assignments for the parameters of several Line 6 products. With this information you can set the MIDI CC values for your controller device to match the Line 6 parameters to be controlled. The Line 6 products included in this reference chart are: PODXT, PODXT Pro & PODXT Live Bass PODXT, Bass PODXT Pro & Bass PODXT Live Flextone III HD147 Vetta II
Making the connection There are several ways devices connect to exchange MIDI information. Hardware devices commonly use standard 5-pin MIDI cables, which are always connected from the MIDI Out jack of the sending device to the MIDI In jack of the receiving device. If 2-way communication is required between devices, then an additional cable must be connected back from the MIDI Out to MIDI In of the devices. Several of the Line 6 hardware devices include MIDI jacks and can be

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Updated: Dec. 15, 2005
connected this way. If you are using a computer in your setup, then you may also be able to exchange MIDI data via USB. Computer-based Line 6 products such as PODXT, BASS PODXT and GearBox include drivers that establish MIDI ports on your computer, allowing them to be connected to the MIDI ports of other computer-based hardware and MIDI software. For details on connecting your specific Line 6 device, consult your Pilots Handbook for the product. All documentation is available for download from the Line 6 web site at www.line6.com/support. MIDI CC Reference Chart The following MIDI CC Reference Chart lists all controllable parameters, the MIDI CC controller number and values assigned to each parameter, and descriptions for what is being controlled. The above Line 6 products are also plotted on this chart to show exactly which parameters are set up for MIDI CC control. To follow is a description of each column: Parameter The chart lists all parameters that can be remotely controlled by MIDI CCs, and you can see that many parameters are common to several Line 6 devices. Notes Some Parameters may not be too obvious by name alone, or have some special behaviors for how their data value ranges are applied, so this column is where to look for this info. Product Columns - There are 5 sets of paired columns that refer to the 5 product types. Note that PODXT and Bass PODXT are each one paired column set these each include all PODXT and Bass PODXT products (XT, XT Pro and XT Live), unless otherwise noted. Each has a column for TX (transmit) and RX (receive). A check mark in the slot means that the control of the parameter via MIDI CC is supported for the product type. MIDI CC # and Range This set of columns lists the assigned MIDI CC controller number, and the range for the data values supported. You can see that most CCs offer a range from 0 to 127, which typically map to a knob or slider. If the parameter is a simple on/off type, then usually values from 0 to 63 will all set it to off and 64 to 127 will set the parameter to on. Check the Notes column to see if other behaviors apply. The Model Table pages that follow the MIDI CC Reference Chart provide the detailed breakdown of MIDI CC values that are assigned to the individual Amp, Cabinet and Effects Models.

Line 6 - MIDI CC Reference

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Line 6 Products - MIDI CC Reference Chart
Parameter Tweak Pedal 1 Delay Tweak Pedal 2 Modulation Tweak Wah Position Compressor Gain Split/Blend Volume Pedal Amp 2 Pan Compression Threshold Amp 1 Pan Amp 1 Select w/ Amp defaults Amp 1 Select w/out Amp defaults Amp 1 Select w/ Amp defaults Amp 1 Drive Mic Pre Amp Param 0 Amp 1 Bass Mic Pre Amp Param 1 Amp 1 Mid Mic Pre Amp Param 2 Low Mid Amp 1 Treble Mic Pre Amp Param 3 High Mid Amp 1 Channel Volume Mic Pre Amp Param 4 Reverb Level Effect Setup
MIDI CC # and Range CC# Min Max -

Bass PODxt

Flex III HD 147

Vetta II

TX RX TX RX TX RX TX RX
0=Blend/Blend, 1=Split/Blend, 2=Blend/Split, 3=Split/Split Realtime (not saved in Channel or Setup) 0=Full Left, 64=Center, 127=Full Right 0=Full Left, 64=Center, 127=Full Right Loads Amp with Amp Defaults. Range depends on device (see model tables) Loads Amp Model without Amp Model Defaults. Range depends on device (see model tables) Loads Amp Model without Amp Model Defaults. Range depends on device (see model tables)

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127 63
Parameter EQ Freq 1 (low shelving) EQ Freq 1 (low shelving) Amp 1 Presence Mic Pre Amp Param 5 Treble Noise Gate Enable Gate Threshold Gate Decay Time Stomp Enable Comp Enable Stomp Param 1 MSB Delay Enable Modulation Param 1 Delay Param 1 MSB Delay Param 1 Note value Notes Non-linear mapping Non-linear mapping
MIDI CC # and Range CC# 31 Min 0 Max 127

Bass PODxt

Flex III HD 147

TX RX TX RX TX RX TX RX

0~63=Off ; 64~127=On 0<>31=-96dB, 32=-96dB.127=0dB 0=.1msec; 127=3000msec 0~63=Off ; 64~127=On 0~63=Off ; 64~127=On Not currently in use 0~63=Off ; 64~127=On
1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter, 7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet Non-linear mapping
EQ Freq 2 (peaking) Delay Param 2 Delay Mix Delay Param 3 Reverb Enable Reverb Model Reverb Decay Reverb Tone Reverb Pre-Delay Reverb Pre/Post EQ Freq 2 (peaking)
0~63=Off ; 64~127=On Range depends on device (see model tables)
0~63 = Pre-Amp Model, 64~127 = Post-Amp Model Non-linear mapping

127 127

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Parameter EQ Freq 3 (peaking) Wah Enable Pedal 1 Enable Modulation lo-cut Delay/Reverb lo-cut Volume Pedal Minimum EQ Pre/Post Volume Pre/Post D.I.>Model (BassPODxt) D.I. Delay (BassPODxt) Mod Enable Modulation Param 1 Note value Notes Non-linear mapping 0~63=Off ; 64~127=On 0~63=Off ; 64~127=On
MIDI CC # and Range CC# Min Max 127 13

Bass PODxt

TX RX TX RX TX RX TX RX
0~63 = Pre-Amp Model, 64~127 = Post-Amp Model 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model
0~63=Off ; 64~127=On 1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter, 7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

Mod Param 2 Mod Param 3 Mod Param 4 Mod Param 5 Mod Mix Mod Pre/Post Mod Model Stomp Param 1 LSB EQ Freq 3 (peaking) EQ Freq 4 (peaking) Mod Param 1 LSB Delay Param 1 LSB EQ Enable Tap Tempo
0~63 = Pre-Amp Model, 64~127 = Post-Amp Model Not currently in use Non-linear mapping Non-linear mapping
0~63=Off ; 64~127 64-127 = a Tap

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Parameter Pedal Assign Amp/Preamp Bank Select Notes 0~41 = Wah/Off - Volume; 42~85 = TweakVolume; 86~127 = Wah/Vol - Tweak The setting of this control determines how CC 11 and 12 messages (Amp Model Select) will be interpreted. 0=load model from Guitar Amp Model set; 1=load model from Bass Amp Model set; 2=Preamps The setting of this control determines how CC 71 messages (Cab Model Select) will be interpreted. 0=load model from Guitar Cab Model set; 1=load model from Bass Cab Model set Non-linear mapping 0~63=Off ; 64~127=On Range depends on device (see model tables) Range depends on device (see model tables) RCV: 0-63=Disable, 64-127=Enable.TX: 0=disable, 127=enable 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model Range depends on device (see model tables)
MIDI CC # and Range CC# Min Max 127 2

TX RX TX RX TX RX TX RX

Cab Bank Select
EQ Freq 5 (peaking) Tuner Enable Mic Model Select Amp 1 Cabinet Type Pitch Shift On/Off Double Tracker On/Off Stomp Pre/Post
Stomp Model Room Level EQ Freq 4 (high shelving) Non-linear mapping EQ Freq 6 (high shelving) Non-linear mapping Stomp Param 1 Note Value 1=Whole, 2=Dotted Half, 3=Half, 4=Half Triplet, 5=Dotted Quarter, 6=Quarter, 7=Quarter Triplet, 8=Dotted Eighth, 9=Eighth, 10=Eighth Triplet, 11=Dotted Sixteenth, 12=Sixteenth, 13=Sixteenth Triplet

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Parameter Stomp Param 2 Stomp Param 3 Stomp Param 4 Stomp Param 5 Stomp Param 6 Amp Switch Select Notes
MIDI CC # and Range CC# Min Max

TX RX TX RX TX RX TX RX

0~63=Amp switch will turn Amp on/off ; 64~127=Amp switch will turn Comp on/off
127 127 127 127 127 127 Live Live Live Live
Delay Param 4 Delay Param 5 Delay Pre/Post Delay Model Delay/Verb Model Tempo MSB Tempo LSB Amp 2 Model Amp 2 Drive Mic Pre Amp Param 6 Amp 2 Bass Mic Pre Amp Param 7 Amp 2 Mid Mic Pre Amp Param 8 Amp 2 Treble Mic Pre Amp Param 9

Not currently in use 0~63 = Pre-Amp Model, 64~127 = Post-Amp Model Range depends on device (see model tables) Range depends on device (see model tables)

Range depends on device (see model tables)

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Parameter Amp 2 Presence Mic Pre Amp Param 10 Amp 2 Chan Volume Mic Pre Amp Param 11 Amp 2 Cabinet Type Amp Bypass Channel Volume Amp 2 Reverb Send Level FX Loop Tweak Parameter Destination Stomp Box 2 Enable Stomp Box 3 Enable Amp 1 Engage Amp 2 Engage Pitch/Tremolo (Vetta II) ???? EQ Gain 1 (low shelving) EQ Gain 2 (peaking) EQ Gain 2 (peaking) EQ Gain 3 (peaking) EQ Gain 3 (peaking) EQ Gain 4 (peaking) EQ Gain 5 (peaking) EQ Gain 4 (high shelving) EQ Gain 6 (high shelving) Notes
MIDI CC # and Range CC# 119 Min 0 Max 127 127

TX RX TX RX TX RX TX RX

0~63=Off ; 64~127=On

Pro Pro Pro Pro

0~63=Off ; 64~127=On 0~63=Off ; 64~127=On

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PODXT / PODXT Pro / PODXT Live Model Tables
Model packs: MS = Metal Shop , CC = Collector Classics , FX = FX Junkie Amp Models (MIDI CC 11/12)

Value Pack Model Name

Amp Models (MIDI CC 11/12)
Bypass Tube Preamp Line 6 Clean Line 6 JTS-45 Line 6 Class A Line 6 Mood Line 6 Spinal Puppet Line 6 Chemical X Line 6 Insane Line 6 Acoustic 2 Zen Master Small Tweed Tweed B-Man Tiny Tweed Blackface Lux Double Verb Two-Tone Hiway 100 Plexi 45 Plexi Lead 100 Plexi Jump Lead Plexi Variax Brit J-800 Brit JM Pre Match Chief Match D-30 Treadplate Dual Cali Crunch
MS MS MS MS MS MS MS MS MS MS MS MS MS MS MS MS MS MS CC
Jazz Clean Solo 100 Super O Class A-15 Class A-30 TB Line 6 Agro Line 6 Lunatic Line 6 Treadplate Line 6 Variax Acoustic Bomber Uber Connor 50 Deity Lead Deity's Son Angel P-Ball Silver J Brit J-900 Clean Brit J-900 Dist Brit J-2000 Diamondplate Criminal Line 6 Big Bottom Line 6 Chunk-Chunk Line 6 Fuzz Line 6 Octone Line 6 Smash Line 6 Sparkle Clean Line 6 Throttle Bomber XTC
CC CC CC CC CC CC CC CC CC CC CC CC CC CC CC CC CC
Deity Crunch Blackface Vibro Double Show Silverface Bass Mini Double Gibtone Expo Brit Bass Brit Major Silver Twelve Super O Thunder Line 6 Bayou Line 6 Crunch Line 6 Purge Line 6 Sparkle Line 6 Super Clean Line 6 Super Sparkle Line 6 Twang

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Model packs: MS = Metal Shop , CC = Collector Classics , FX = FX Junkie Cab Models (MIDI CC 71)
Stomp Models (MIDI CC 75)

Mod Models (MIDI CC 58)

No Cabinet 1x6 Super O 1x8 Tweed 1x10 Gibtone 1x10 G-Brand 1x12 Line 6 1x12 Tweed 1x12 Blackface 1x12 Class A 2x2 Mini T 2x12 Line 6 2x12 Blackface 2x12 Match 2x12 Jazz 2x12 Class A 4x10 Line 6 4x10 Tweed 4x12 Line 6 4x12 Green 20's 4x12 Green 25's 4x12 Brit T75 4x12 Brit V30's 4x12 Treadplate
FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX FX
Facial Fuzz Fuzz Pi Screamer Classic Dist Octave Fuzz Blue Comp Red Comp Vetta Comp Auto Swell Auto Wah Killer Z Tube Drive Vetta Juice Line 6 Boost + EQ Blue Comp Treb Dingo-Tron Clean Sweep Seismik Synth Double Bass Buzz Wave Rez Synth Saturn 5 Ring Mod Synth Analog Synth FX Synth Harmony Synth Lead Synth String
FX FX FX FX FX FX FX FX FX FX FX FX FX
Sine Chorus Analog Chorus Line 6 Flanger Jet Flanger Phaser U-Vibe Opto Trem Bias Trem Rotary Drum + Horn Rotary Drum Auto Pan Analog Square Square Chorus Expo Chorus Random Chorus Square Flange Expo Flange Lumpy Phase Hi-Talk Line 6 Sweeper POD Purple X Random S&H Tape Eater Warble-Matic

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Model packs: MS = Metal Shop , CC = Collector Classics , FX = FX Junkie Delay Models (MIDI CC 88)
Reverb Models (MIDI CC 37)

FX FX FX FX FX

Analog Analog w/Mod Tube Echo Multi-Head Sweep Echo Digital Delay Stereo Delay Ping-Pong Reverse Echo Platter Tape Echo Low Rez Phase Eko Bubble Echo
Lux Spring Std Spring King Spring Small Room Tiled Room Brite Room Dark Hall Medium Hall Large Hall Rich Chamber Chamber Cavernous Slap Plate Vintage Plate Large Plate

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Bass PODXT / Bass PODXT Pro / Bass PODXT Live Model Tables

Value Model Name

Cab Models (MIDI CC 71)
Bypass Tube Preamp Line 6 Classic Jazz Line 6 Brit Invader Line 6 Super Thor Line 6 Frankenstein Line 6 Ebony Lux Line 6 Doppleganger Line 6 Sub Dub Amp 360 Jaguar Alchemist Rock Classic Flip Top Adam and Eve Tweed B-Man Silverface Bass Double Show Eighties Hiway 100 Hiway 200 British Major British Bass California Jazz Tone Stadium Studio Tone Motor City Brit Class A100
No Cabinet 1x12 Boutiqe 1x12 Motor City 1x15 Flip Top 1x15 Jazz Tone 1x18 Session 1x18 Amp 360 1x18 California 1x18+12 Stadium 2x10 Modern UK 2x15 Double Show 2x15 California 2x15 Class A 4x10 Line 6 4x10 Tweed 4x10 Adam Eve 4x10 Silvercone 4x10 Session 4x12 Hiway 4x12 Green 20's 4x12 Green 25's 4x15 Big Boy 8x10 Classic
Bass Overdrive Screamer Classic Dist Facial Fuzz Fuzz Pi Octave Bronze Master Blue Comp Red Comp Vetta Comp Auto Wah Dingo-Tron Buzz Wave Seismik Synth Rez Synth Saturn 5 Ring Mod Synth Analog Synth FX Synth Harmony Synth Lead Synth String Double Bass

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Delay/Reverb Models (MIDI CC 88)
Deluxe Chorus Analog Chorus Deluxe Flange Jet Flanger Phaser U-Vibe Opto Trem Bias Trem Rotary Drum Rotary Drum + Horn Line 6 Rotor Random S&H Tape Eater
Analog Analog w/Mod Tube Echo Multi-Head Sweep Echo Digital Delay Reverse Delay Lux Spring Std Spring King Spring Small Room Tiled Room Brite Room Dark Hall Medium Hall Large Hall Rich Chamber Chamber Cavernous Slap Plate Vintage Plate Large Plate

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Flextone III Model Tables
Line 6 Clean Line 6 Crunch Line 6 Mood Line 6 Insane Jazz Clean Blackface Lux Tweed B-Man Double Verb Match Chief Class A-30 TB Plexi 45 Plexi Lead 100 Brit J-800 Treadplate Dual Solo 100 Gibtone Expo Line 6 Super Clean Line 6 Sparkle Line 6 Chemical X Line 6 Fuzz Hiway 100 Small Tweed Blackface Vibro Zen Master Connor 50 Class A-15 Brit Bass Brit Silver Brit J-2000
29 Diamondplate 30 Bomber XTC 31 Super O
No Cabinet 1x6 Super O 1x10 Gibtone 1x12 Tweed 1x12 Blackface 2x10 Vibro 2x12 Blackface 2x12 Match 2x12 Jazz 2x12 Class A 4x10 Tweed 4x12 Green 20's 4x12 Green 25's 4x12 Brit T75 4x12 Brit V30's 4x12 Treadplate

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Delay Models (MIDI CC 88)
Tremolo Chorus Flanger Phaser U-Vibe Rotary
Tube Echo Tape Echo Analog Digital Ping Pong Sweep Echo

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HD 147 Model Tables
Line 6 Clean Line 6 Super Sparkle Line 6 Crunch Line 6 Insane Line 6 Smash Line 6 Octone Line 6 Treadplate Jazz Clean Blackface Lux Double Verb Plexi Lead 100 Brit J-800 Connor 50 Treadplate Dual Bomber Uber Deity Lead Line 6 Super Clean Line 6 Mood Line 6 Spinal Puppet Line 6 Purge Line 6 Big Bottom Line 6 Agro Criminal Class A-30 TB Tiny Tweed Tweed B-Man Plexi 45 Brit J-2000
Brit Silver Diamondplate Bomber XTC Deity's Son

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Vetta II Model Tables

Amp Models (MIDI CC 12/91)
Display # CC Value Model Name
Bypass (no amp) Line 6 Tube Preamp Line 6 Variax Acous Line 6 Piezacoustic1 Line 6 Piezacoustic2 Line 6 Clean Line 6 Super Clean Line 6 Sparkle Line 6 Super Sparkl Line 6 Splarkle Clean Line 6 Twang Line 6 Bayou Line 6 Class A Line 6 JTS-45 Line 6 Mood Line 6 Purge Line 6 Crunch Line 6 Throttle Line 6 Chemical X Line 6 Smash Line 6 Spinal Puppet Line 6 Fuzz Line 6 Chnk Chnk Line 6 Big Bottom Line 6 Treadplate Line 6 Lunatic Line 6 Argo Line 6 Insane
Line 6 Octone '02 Bomber X-TC '02 Bomber Uber '01Zen Master '03 Connor 50 '03 Deity Crunch '03 Deity Lead '03 Deity's Son '02 ANGEL P-Ball '53 Fn Tweed Small Tweed '58 Fn Tweed B-Man '61 Fn Tweed Tiny Tweed '63 Fn Black Vib Verb '64 Fn Black Lux '65 Fn Black Double '67 Fn Black Dual Show '72 Fn Silver Bass Head '96 Fn Mini Double '60 Gibtone Explorer '60 G-Brand Two-Tone '73 Hiway 100 Custom '65 Brit Plexi Lead J-45 '68 Brit Plexi Lead 100 '68 Brit Plexi Bass 100 '68 Brit Plexi Jump Lead '68 Brit Plexi Variac '69 Brit Plexi Lead 200 '87 Brit Gain J-800

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'87 Brit Gain Silver J '96 Brit Gain JM Pre '92 Brit Gain J-900 Clean '92 Brit Gain J-900 Dist '03 Brit Gain J-2000 '96 Match Chief '93 Match D-30 '85 California Crunch '01 California Treadplate '01 California Diamondplate '02 Mississippi Criminal '87 Jazz Clean 120 '67 Wishbook Silver 12 '93 Hi Gain Solo 100 '63 Super O Pawnshop '62 Super O Thunder '61 Class A C-15 '67 Class A C-30 TB

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Effects Model Tables (all Line 6 products)
Note - When GearBox is in Dual Tone Mode, only Tone 1 receives and responds to incoming MIDI control messages.

Stomp Category Models

Page/Position CC #75 Model Select Facial Fuzz Fuzz Pi Screamer Classic Dist Octave Fuzz Blue Comp Red Comp Vetta Comp Auto Swell Auto Wah Killer Z Tube Drive Vetta Juice Boost + EQ Blue Comp Treb Dingo Tron Clean Sweep Seismik Synth Double Bass Buzz Wave Rez Synth Saturn 5 Ring Mod Synth Analog Synth FX Synth Harmony Synth Lead Synth String Female De-Esser Male De-Esser n/a CC #74 Pre/Post Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre Pre n/a in UI CC #79 Param 2 Drive Drive Drive Drive Drive Sustain Sustain Sens Ramp Sens Drive Drive Amount Drive Level n/a Decay Wave -1 Octave Wave Wave Wave Wave Wave Interval 1 Wave Wave Amount Amount 1/C CC #80 Param 3 Gain Gain Gain Gain Gain Level Level Level Depth Q Contour Treble Level Bass Sustain Sensitivity Sens n/a -2 Octave Filter Filter n/a Filter Filter Filter Filter Filter n/a n/a 1/D CC#81 Param 4 Tone Tone Tone Tone Tone n/a n/a n/a n/a n/a Gain Gain n/a Treble n/a Q Q n/a n/a Decay Decay n/a Decay Decay Wave Decay Attack n/a n/a n/a CC#82 Param 5 n/a n/a n/a n/a n/a n/a n/a n/a n/a Mid Bass n/a Mid n/a n/a n/a Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix n/a n/a n/a n/a CC#83 Param 6 n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a Mid Freq. n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a n/a Model Pack Dependency
PowerPack PowerPack PowerPack PowerPack PowerPack FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie

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Modulation Category Models
Page/Position n/a CC #58 CC #57 Model Select Pre/Post Sine Chorus Pre/Post Analog Chorus Pre/Post Line 6 Flanger Pre/Post Jet Flanger Pre/Post Phaser Pre/Post Vibe Phase Pre/Post Opto Trem Pre/Post Bias Trem Pre/Post Rotarydrum+Horn Pre/Post Rotary drum Pre/Post Auto Pan Pre/Post Analog Square ChorPre/Post Stereo Square Chor Pre/Post Stereo Expo Chorus Pre/Post Random Chorus Pre/Post Stereo Square FlangPre/Post Expo Flange Pre/Post Lumpy Phase Pre/Post Hi Talk Pre/Post Sweeper Pre/Post POD Purple X Pre/Post Random S & H Pre/Post Tape Eater Pre/Post Warble-Matic Pre/Post 1/C CC #52 Param 2 Depth Depth Depth Depth n/a Depth Wave Wave n/a n/a Depth Depth Depth Depth Depth Depth Depth Depth Depth Depth Fdbk Depth Fdbk Depth 1/D CC #56 Vol./Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix 2/A CC #53 Param 3 Bass Bass n/a Fdbk n/a n/a n/a n/a Tone Tone n/a Bass Predelay Predelay Bass Predelay Predelay Bass Q Q Depth Q Flut Q 2/B CC #54 Param 4 Treble Treble n/a Manual n/a n/a n/a n/a n/a n/a n/a Treble Feedback Feedback Treble Feedback Feedback Treble n/a Frequency n/a n/a Dist n/a Model Pack Dependency
PowerPack PowerPack PowerPack PowerPack FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie

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Page/Position CC #88 Model Select Analog Analog w/Mod Tube Echo Multi-Head Sweep Echo Digital Stereo Ping Pong Reverse Echo Platter Tape Echo Low Res Phaze Echo Bubble Echo
n/a CC #87 Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post pre/post pre/post Pre/Post
Delay Category Models 1/C 1/D 2/A
CC #33 Param 2 Fdbk Fdbk Fdbk Fdbk Fdbk Fdbk Offst Fdbk Fdbk Fdbk Fdbk Fdbk Fdbk Fdbk CC #34 Vol./Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix CC #35 Param 3 Bass ModSpd Flut Heads Speed Bass Fdbk L Offst n/a Heads Bass Tone Speed Speed
2/B CC #85 Param 4 Treble Depth Drive Flutter Depth Treble Fdbk R Spread n/a Flutter Treble Bits Depth Depth
Model Pack Dependency PowerPack
PowerPack PowerPack PowerPack PowerPack PowerPack FX Junkie FX Junkie FX Junkie FX Junkie FX Junkie

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Reverb Category Models
Page/Position CC#37 Model Select Lux Spring Standard Sping King Spring Small Room Tiled Room Brite Room Dark Hall Medium Hall Large Hall Rich Chamber Chamber Cavernous Slap Plate Vintage Plate Large Plate n/a CC#41 Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post Pre/Post n/a CC#38 Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay Decay n/a CC#18 Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix Mix n/a CC#39 Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone Tone n/a CC#40 PreDelay n/a n/a n/a PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay PreDelay Model Pack Dependency PowerPack PowerPack PowerPack PowerPack PowerPack PowerPack PowerPack

PowerPack PowerPack

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