includes: Strap, body cap, rear body cap
The Mamiya RZ67 Pro IID is the natural evolution of the legendary RZ Pro II, the industry standard used by many of today's most renowned photographers and artists because of its large 6x7cm ideal format negative size, over four and a half times larger than 35mm. The use of digital backs, such as the Mamiya ZD Back or others, is easy through direct, digital communication with the camera body. Also notable are the RZ's ultra-high performance lenses, and multi-format versatility. Distinctiv... Read more [ Report abuse or wrong photo | Share your Mamiya RZ67PRO photo ]
Mamiya RZ67PRO, size: 2.5 MB
Mamiya RZ67PRO IID
how to 120 Film loading (mamiya RZ67 Pro II)
User reviews and opinions
|xoip||12:23pm on Tuesday, August 17th, 2010|
|Mamiya lh-zd Back adopts has an area of 36 x 48 mm (its area is full of 35mm DSLR twice), effective 21,30 MP of CCD pixels, 14 A/D conversion. Also easier to machine the Mamiya Type the rage. However, with the development of digital, photo studio a significant reduction in the threshold. i request all my friends please rate my reviews i will do same. I have been read and rate your review, Please look and rate my review ..|
|optarel||1:01am on Saturday, March 20th, 2010|
|General Camera Type SLR camera Camera Camera Format Medium Exposure Range 1/400 sec - 8 sec Exposure Modes Time exposure, Bulb.|
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Congratulations on your purchase of a Mamiya RZ67 PRO II
The Mamiya RZ67 PRO II is the latest and most advanced model of Mamiya's famous 6 x 7 cm SLR camera series, distinguished by their Revolving Back and rack and pinion Bellows Focusing. The result of Mamiya's long experience and accomplishments in the professional medium format camera field, it combines mechanical perfection with the latest opto-electronic technology. Complimented by its large selection of world-class Mamiya lenses and many other system accessories, the RZ67 has become the camera of choice of the world's top photographers. The RZ67 PRO II is a versatile camera, ideally suited for many photographic applications, including commercial, portrait, fashion, industrial, nature and scientific photography. In order to take full advantage of its capabilities and to insure proper operation, please read this instruction manual carefully before you use your new camera.
Special Features of the Mamiya RZ67 PRO II.2 Nomenclature and Functions..4 Mamiya RZ67 PRO II Specifications.. 10 Inserting the Battery... 11 Attaching / Removing Lenses.. 12 Using the Waist-Level Finder... 14 Interchanging the Focusing Screen.. 16 Releasing the Shutter.. 17 Shutter Speed and Aperture.. 21 The Roll Film Holder... 22 Loading the Film Holder.. 24 Taking Photographs... 27 Unloading Exposed Film.. 27 Focusing and Locking the Focusing Knob. 28
The Revolving Back... 29 Distance Scale Depth-of-Field.. 30 Long Exposures.. 31 Multiple Exposures Infrared Photography. 32 Mirror Lock-up Operation.. 33 Flash Photography Using a Tripod.. 34 Close-up Photography... 35 Attaching a Lens with Shutter Released or Mirror Raised.. 36 Camera Back Lock System.. 37 How to Use the Carrying Strap.. 38 Troubleshooting.. 39 Using RB Series Lenses and Accessories.. 40 Care of the Camera... 41
Special Features of the Mamiya RZ67 PRO II
1. The Ideal Format
The 6x7 cm format is called the ideal format because it enlarges to the standard 8x10" paper size without cropping, thus utilizing the entire image area. The 6x7 format of the RZ PRO II (actual image size is 56x69.5mm) is almost 5x larger than a 35mm frame and offers far superior image quality for enlargement or full page magazine reproduction. 6x7 transparencies can be viewed on the light table without magnifiers.
3. Rack and Pinion Bellows Focusing
Bellows focusing, another great advantage, permits precise focusing with the left or right hand and also features a focus lock lever. The RZ PRO II has an additional micro focus knob for precise fine focusing. The camera bellows eliminate the extra costs of equipping each lens with a helical focusing mount and permits close-up photography without costly attachments. (The closest focusing distance of the 110mm lens is 31.3cm, the 65mm wide angle lens 8.5cm and the 180mm is 84.5cm).
2. Mamiya Revolving Back with Automatic
With a flip of the wrist, the Revolving Back-a Mamiya exclusive among 6x7 SLRs-can be rotated for horizontal or vertical format without changing the optical axis. At the same time it also automatically changes the masking frame in the finder to match the format. Other cameras require removing and reattaching film holders when changing format or having to turn the camera on its side which complicates viewing and operation.
4. World-Class Mamiya Lenses
Mamiya world-class lens quality is a major reason for the top reputation of Mamiya camera. Mamiya operates its own modern optical design, engineering and manufacturing plant and accepts undivided responsibility for the perfect performance of its cameras and lenses. The RZ67 PRO II camera features a large diameter 61mm lens mount which makes it possible to design a variety of high performance lenses, such as APO, Shift and Zoom.
5. Bright, Interchangeable Finders and
A Waist Level Finder FW702 with self-erecting focusing hood and magnifier is factory supplied with each camera. The eye-level AE Prism Finder FE701 is an important accessory. It features three-way metering (average, spot or auto shift) and computerized, aperture-priority shutter control, compatible with the intermediate shutter speeds. It can also be operated manually. Exposure compensation to +/- 3EV and AE Lock are other features. All RB67 finders can also be used.
interfaces electronically, through gold plated contacts, with the camera body, AE Prism Finder FE701 and RZ lenses. You set the dial when you load the film and never have to worry about correct meter indexing.
8. Mirror Lock-up operation
Locking the mirror in the up position eliminates all possible vibrations and is especially important in close-up and telephoto work, when slow shutter speeds are required.
9. Multiple Exposures
Multiple exposures are easy with a flip of a switch. No removal of film holder is required.
Film Holders with Maximum
Available for 120 or 220 films and made in 6x7, 6x6 and 6x4.5 formats. Also Polaroid holder. The film holders can be quickly interchanged, even in mid-roll. Two film counter windows permit easy reading as film holders are rotated on cameras' revolving back. Dark slide storage drawer is another feature.
10. New Features
Modern, functional design Rugged interior mechanisms Intermediate shutter speeds Micro focusing knob. Roll Film Holders with dual exposure counters "RBL" shutter speed dial setting when using RB67 lenses.
7. Electronic Interface
The ISO film speed dial is located on the film holders and 3
Nomenclature and Functions Focusing Screen Body The visible field of the focusing
For normal operation, lever is aligned with center index mark. "M": For making Multiple Exposures set it to "M". This will disengage the film transport when cocking the shutter. Do not forget to return it to center position afterwards. This setting is also used to exercise the camera without film. "R": Turning the lever to "R" unlocks and permits rotating the Revolving Back.
screen automatically changes from vertical to horizontal format, or vice-versa, as the revolving back is rotated. The screen it self is also interchangeable.
Interface AE Prism Finder electronically with camera, lens and film holder. When using an RB67 PD Prism Finder or PD Magnifying Finder on the RZ PROII , be sure to first attach the small plastic cover, which comes packed with the RZ PROII , over the contacts. (See instructions packed with cover).
Gold Plated Contacts
Lens Alignment Dot
In a single operation this lever advances the film, cocks the shutter, and sets the mirror. For proper operation, be sure to push the lever completely down.
Do not touch the mirror under any circumstances.
A single scale indicating distance in meters and feet is used for all lenses. Curved lines representing most focal lengths appear on this scale. The point at which the appropriate focal length curve intersects the Distance Graduation indicates the distance focused upon by the lens.
Auxiliary Electronic Shutter Release Contacts
Sliding the cover upwards reveals its contacts.
Focal Length Scale
Shutter Release Button
This safety feature prevents the Release Button Collar from Release Button Collar For normal operation the white dot (K) on the Release But- being rotated to the orange dot ton Collar is kept aligned with the white dot on the Collar until the Collar Stop Lever is first Stop Lever. Aligning the white dot of the collar with the red depressed. dot on the camera body locks the Shutter Release Button. Aligning the collar with the orange dot makes it possible to operate the shutter at approximately 1/400 sec. without batteries in the camera.
Collar Stop Lever
Dual Focusing Knob
For regular and fine focusing.
Shutter Speed Dial
Speeds from 8 to 1/400 sec. Between 4 and 1/250 sec. there are intermediate settings with click stops. When set to "AEL" or "RBL" dial is locked. To release press center button. (See page 21)
Alignment Mark Revolving Ring
Its small orange circle clicks into place and must always be aligned with the orange index marks in the 12 o'clock or 3 o'clock positions.
Film Advance Coupler Carrying Strap Lug
The central pin transmits a signal to the film holder which disengages the film advance-stop and activates the multiple exposure prevention mechanism.
Lock Release Button Light Baffle Hot-Shoe Focusing Knob Lock Lever
To avoid damaging the baffle and camera, do not touch.
Film Holder Mount Pin
One of four.
Winder Coupler Cover
Battery Chamber Cover
The camera use a 6 V alkaline or silver oxide battery.
The socket has standard U 1/4" threads which can be removed and converted to a 3/8" socket.
Contacts for Power Winder
To raise the magnifier, push the Magnifier Release to the left.
Roll Film Holder
Interchangeable with other magnifiers in various diopter strengths.
Dark Slide Release Pin
Holder Lock Pin
The upper and lower holder lock pins prevent the holder from coming off position when mounted on the camera body.
Film Advance Knob Dual Exposure Counter
Attaching the Finder
To attach the Finder, slide the Finder Catches into the groove of the camera body, and while holding in both Finder Release Buttons, seat the front of the finder on the camera body. The finder will lock in place after releasing pressure from on the Release Buttons.
Interchanging the Focusing Screen
Interchanging the Magnifier Removing the Focusing Screen
To remove the Magnifier, gently squeeze the magnifier frame with the sides of the finder and rotate the Magnifier counterclockwise. To attach the Magnifier, align the white dot on the Magnifier frame, and rotate the Magnifier clockwise. The Magnifier is interchangeable. In addition to the standard (-1.5 diopter) lens, +1, 0, -1, -2 and -3 diopter lenses are also available. Please note that plus lenses are for far-sighted and minus lenses are for near-sighted individuals.
There are seven instantly interchangeable focusing screens to choose from, each designed for specific applications.
Removing a Focusing Screen
After removing the focusing hood, lift up and remove the screen by grasping the lug on the right-hand side (as viewed from the back of the camera). To replace a screen, gently lower the left-hand side of the screen (as seen from the camera back), followed by the right-hand side, and lightly snap screen into place. CAUTION When removing screens, exercise care not to touch the vertical and horizontal format viewfinder masks.
Releasing the Shutter
It is best to become acquainted with the method of releasing the shutter before using film in the camera. 1. Rotate the Release Button Collar until the white dot on it is aligned with the one immediately below (on the Collar Stop Lever). 2. Remove the Dark Slide. 3. Set the R-M Lever to the "M" (multiple exposure) position. 4. Set the shutter speed dial to any speed except "AEF" and "RBL". 5. Push the Cocking Lever all the way down. 6. Press the Shutter Release Button.
* The first 4 steps can be done in any order. After you are thoroughly familiar with the above steps, return the RM Lever to its normal setting (the center position).
Using the Release Button Collar
1. For normal operation, align the white square B on the Release Button Collar A with the white dot on the lever below B. When this is done, the Shutter Release functions electromagnetically and the various safety mechanisms operate electrically. 2. When the camera is not in use, lock the Shutter Release Button. This is done by aligning the white dot of the Release Button Collar with the red dot C on the camera body. By locking the Shutter Release Button, you not only prevent unintentional exposure of film, but also prevent accidental battery depletion caused by pressure on the Release Button. For this reason, be sure to lock the Release Button when carrying the camera in a bag.
The R-M Lever
The Normal Position (J)
For normal operation of the camera, the R-M Lever should be kept in the center position, aligned with the index mark. Setting the lever to this position activates the double exposure prevention mechanism so that photo after photo can be taken without fear of accidental double exposures.
Multiple Exposure Position
When desiring to make multiple exposures, set the R-M Lever to the 'M' position. When this is done, pushing down on the Cocking Lever will cock the lens shutter, but will not advance the film. Upon completion of the multiple exposure, do not forget to return the R-M Lever to its normal (center) position. The lever can also be set to 'M' when testing the shutter without film in the camera.
*Emergency Shutter Operation
If you were to suddenly find yourself with a dead battery in the midst of a photographic session, switch over to the emergency shutter operation mode. In order to do so, push the Collar Stop lever D toward the camera body and while holding it there align the white dot of the Release Button Collar with the orange dot E on the camera body. The shutter will now operate (even without a battery) at approximately 1/400 sec., regardless of the setting of the Shutter Speed Dial. Because electricity is not being used in the emergency shutter operation mode, the Monitor Lamps in the viewfinder will not illuminate. Moreover, even if the Dark Slide is not withdrawn, the shutter can still be released, so exercise care.
Revolving Back Position
Before revolving the back, set the R-M Lever to the "R" position. After this is done, the lever will automatically return to the normal position when the Shutter Release Button or Cocking Lever is next used.
Operating the Cocking Lever
When depressing the Cocking Lever, be sure to push it all the way forward (toward the Shutter Release Button). If the Cocking Lever is not pressed forward as far as it will go, it will return to its original position when released, but the shutter will not be cocked. At such a time, shutter will not operate and an orange warning lamp will illuminate in the viewfinder when the Shutter Release Button is depressed.
LED Monitor Lamp and Electronic Warning Sounds
The following page will explain the visual and audio signals which are built into the camera and which are designed to assure proper operation and to prevent mistakes.
Note: It may happen that when attaching the Roll Film Holder, or after having rotated the holder attached to the revolving back, the film advance coupling mechanisms between camera and holder may not properly mesh. In this case the shutter cannot be fired when the release is pressed and the orange warning lamp will light in the viewfinder. By moving the "M/R" lever to "R" and pushing the cocking lever slightly, the couplings will mesh and the release button will function again.
LED Monitor Lamps in Finder
There are three monitor lamps visible on the rear edge of the finder. They will indicate the following conditions when the shutter release is depressed:
Electronic Warning Sounds
If the dark slide is withdrawn, the release is depressed but the shutter will not fire and a beeping warning sound is heard, the following conditions may exist:
The speed dial is set on "AEF" but: the AE Finder or an RZ lens is not attached. An RB lens is mounted to camera. Attach an AE Finder and RZ lens, or: Change speed dial away from "AEF" and conform speed dial to match lens on camera. (i.e. "RBL" when RB lens is on camera.) The speed dial is set on "RBL" but: an RZ lens is attached. Either mount an RB lens, or change shutter speed dial away from "RBL" Battery Condition When the red monitor lamp blinks accompanied by the beeping warning sound, the battery is low. Replace the battery. Maximum 1 minute "B" exposure. When the shutter release is depressed for about 55 sec. a warning sound will be heard and the shutter will close after 5 sec. The same applies at "B" setting with mirror up photography.
: When it glows it indicates that: The dark slide has not been withdrawn. The camera battery is good. When the dark slide is withdrawn the light will go out. If then the monitor lamp blinks, accompanied by the electronic warning sound, it shows that the battery is weak and should be replaced.
Orange Lamp: When it glows it indicates that: The cocking lever has not been advanced or The roll film holder has not been advanced. (Does not apply when in multi exposure "M" mode.) Green Lamp : When the Metz/Mamiya Interface Module SCA 395 is attached to the flash shoe and connected to certain Metz flash units, this LED will glow to indicate that the unit is flash ready.
Shutter Speed and Aperture
The Shutter Speed Dial The Aperture Ring
Select the shutter speed desired and rotate the Shutter speed Dial until the appropriate figure is aligned with the shutter speed index mark. Usually, the Shutter Speed Dial must be set to a click-stop position. However, it can also beset to an intermediate speed. The numerals as they appear on the dial and the shutter speeds they represent are shown in the following table. When the Shutter Speed Dial is set to "B"(bulb), the shutter will remain open as long as pressure is applied to the Shutter Release Button and will close as soon as pressure is released. The AEF mark which appears on the Shutter Speed Dial is the setting for the AE Finder. When set at this position, the dial locks in place. To unlock it, rotate the dial while depressing the Lock Release Button which appears in the center of the dial. The RBL mark on the dial is setting for taking photos using the RB67 lenses. In other positions the shutter release button will not released.
Using RB67 Lenses on RZ PRO II Body As stated before, the camera speed dial must set to RBL and the shutter speed on the lens. In addition you must consider that the flange focal distance on RB lenses is 111 mm and on RZ lenses 104 mm. Therefore with RB lenses the bellows must be moved forward by 7 mm to focus on infinity. The distance scales cannot be used. Shutter release is identical to RZ lens operation.
To set the diaphragm to a desired aperture, rotate the Aperture Ring until the appropriate figure is aligned with the central index line. It is perfectly acceptable to use the Aperture Ring at in-between click-stop settings. When the Shutter Release Button is depressed, the diaphragm will automatically stop down to the preselected aperture before the shutter opens for the exposure.
The Roll Film Holder
Attaching the Holder
1. Slide the Holder Lock Lever of the Roll Film Holder completely toward the Lock Release Lever A.
2. Align the orange circle B of the Revolving Ring (found at the rear of the camera) with one of the two white index marks C or D on the camera body. 3. Hold the Holder so that its orange circle is at the same position as the one on the Re-volving Ring B and fit the holder onto the camera back, making sure that the four Camera Back Mount Pins fit into the four openings of the holder. Do not touch the Light Baffle or mirror. Touching the Baffle could result in light leaking in or other malfunction.
4. Lock the holder to the camera body by moving the Slide Lock as far as it will go as indicated by the arrow. Make sure that the holder securely couples with the camera body; otherwise light may leak in and cause film damage. Because of the revolving back feature, attaching the roll film holder to the camera requires a little practice. We find that a good method is to place the bottom edge of the holder against the bottom edge of the body, (preferably while resting on a flat surface) letting the top of the holder leave a slight gap, permitting you look down and to match the two bottom mounting pins of the revolving back to the corresponding holes of the holder.
Removing the Holder
Pulling out the Dark Slide of a Detached Roll Film Holder
Insert the Dark Slide into the Roll Film Holder. For instant recognition, the Dark Slide Slot is bordered by white reference lines. The Film Holder can be removed after moving the Holder Lock Lever as far as it will go toward the Lock Release Lever A. It is recommended that you remove the holder on a table or similar support, or in your lap, to avoid the possibility of dropping the holder or having it fall off the camera. If you attempt to remove the holder without replacing the Dark Slide, the Holder Lock Lever will automatically lock in place, preventing accidental removal of the holder and exposure of the film. However, if you must remove the holder without the Dark Slide in place, the automatic lock can be overridden by pulling the Lock Release Lever toward the Holder Lock Lever, holding the lever there, and then moving the Lock Lever.
When detached from the camera body, the Dark Slide cannot be pulled out. However, if you wish to remove it, push in the pin A on the holder with a pointed object.
Note: Non-Compatibility of Roll Film Holder Inserts. While all model RZ and RZ PRO II roll film holders can be used with both the RZ and RZ PRO II , this does not apply to the interchangeability of the film holder inserts. They can only be used with their respective roll film holder housings.
Loading the Film Holder
Pull out the upper and lower Back Cover Latches and the back cover will open. Because of the double safety lock, pulling out just one of the two Back Cover Latches will not open the cover. After opening the back cover of the Roll Film Holder, remove the Film Insert. When loading film, it is not necessary to remove the holder from the camera back. When loading film, avoid direct sunlight--either load in the shade or turn your body away from the sun and use the shade of your own body.
While holding down the left-hand Spool Release Pin of the Film Insert, fit a roll of film between the upper and lower left-hand Film Spool Studs. Make sure that the backing paper is set as shown in the photo above. When loaded correctly, the inside of the backing paper (the black side) will appear on the outside of the insert back. If it does not, remove the film, turn it upside-down, and reload.
After feeding the tip of the backing paper into the slot of the Take-up Spool,
gently wind the Film Advance Knob until the arrow of the backing paper aligns with the insert Start Mark. As your gently advance the backing paper, make sure it advances evenly between the spool flanges and does not begin to slant. If it advances unevenly, remove the backing paper from the Take-up Spool and re-insert. Heeding this point will eliminate the possibility of crimping the edge of the film. Set the correct film speed value on the Film Speed Dial of the Roll Film Holder.
action. By raising the mirror beforehand, the shutter can instantly be released, totally eliminating the time lag usually present between the time the mirror completes its upward swing and the time the shutter opens. 1. After screwing a cable release firmly into the Mirror Lock-up Socket of the lens, the socket will elevate slightly and the camera will be ready for mirror lock-up operation. 2. Press the Cocking Lever as far as it will go. Step 2 may either follow or precede step 1. 3. Depress the Shutter Release Button and the mirror will rise, but the shutter will remain closed. 4. Press the plunger of the cable release and the shutter will operate.
When you no longer need mirror lock-up operation, remove the cable release. Upon removing the release, the Mirror Lockup Socket will retract and the camera will return to normal shutter operation. If you complete step 3 above, but remove the cable release without making an exposure (step 4), the shutter will be released as soon as the cable release is removed. Even when using mirror lock-up operation, everytime the shutter is cocked, the mirror is relowered. Therefore, it is possible to check the viewfinder before each frame is exposed. A double cable release is both an available and convenient accessory. Since one end of the release screws into the Shutter Release Button and the other end into the Mirror Lock-up Socket, it is possible to use the same release to raise the mirror and later release the shutter. The double cable release is particularly valuable when using B exposures with mirror lock-up operation. After pressing the shutter release button to raise the mirror, detach the cable release from the mirror lock-up socket. At that instant the shutter will be released. -Continued on next page-
Flash Photography Using a Tripod
Attaching Flash Units
As long as a cable release remains attached to the Mirror Lock-up Socket, the camera is set for mirror lock-up operation. Consequently, it will not be possible to take a photography by merely pressing the shutter release button. It the red line around the Mirror Lock-up Socket is still visible when the cable release is removed, the camera is still set for mirror lockup operation. If such is the case, reattach the cable release, making sure that the socket retracts as you remove it once again. The shutter should be released with the cable release within 55 seconds of pressing the Shutter Release Button. If this is not done, the alarm will sound after 55 seconds later and continue for 5 seconds before stopping. If you release the shutter with the cable release after the alarm stops (approx. 60 seconds), the shutter speed will be 1/400sec. If you wish to use a shutter speed other than 1/400 sec. after the buzzer stops, follow the procedure for multiple exposure in the steps given below. 1. Set the R-M lever to "M" (multiple exposure),and press down the cocking lever. 2. Set the shutter speed dial to a desired speed and perform "mirror lock-up". 3. Reset the R-M lever to its normal position.
Using a Tripod
Compact, clip-on units can be attached directly to the Hot-Shoe of the camera. When using large, grip-type units, attach the sync cord of the flash to the Flash Sync Terminal (X-sync) of the lens. When the Mamiya MZ36R Flash is used, a green monitor lamp will glow, indicating that battery charging has been accomplished.
Determining the Aperture
When using automatic flash units, refer to the instructions of the particular flash units for the correct apertures to use. When using a manual electronic flash unit or flash bulbs, the guide number (G.N) divided by the subject distance gives the correct aperture to use.
NOTE: Flash time, recharging time and synchro polarity differ depending on the type of flash unit. Check performance by taking test photographs.
For optimum quality, use of a large, sturdy tripod is recommended. The Tripod Socket will accept standard size (U 1/4" thread) tripod screws without modification. Simply attach the RZ 67 as you would any other camera with standard threads. When using a tripod with a 3/8" screw, first remove the small screw in the base of the Tripod Socket of the camera by rotating it counterclockwise with an appropriately sized screwdriver. Next, use a coin to remove the 1/4" adapter A from the Tripod Socket by rotating it counterclockwise. The camera can then be mounted on a 3/8" screw tripod.
Exposure Compensation for Close-up Photography
When working very close to the subject, the exposure must be increased. The actual exposure factor will vary in accordance with the distance that the lens is extended. (Optical law: Light intensity decreases by the square of the distance from the film plane). Exposure compensation is easily determined by referring to the Exposure Compensation Scale. After focusing the lens, read the exposure compensation factor on the scale. The scale is divided into three zones of light, medium, and dark shades. As indicated by the table at the base of the scale, the light zone represents an exposure factor of zero (no compensation is necessary), the medium shaded zone indicates +0.5 (a 1/2 stop increase in exposure is required), while the dark zone denotes a factor of +1 (a full stop increase in exposure is necessary). To find the exposure factor, first locate the figure on the Focal Length Scale for the lens in use. Next, move along the scale, in the same column, until you reach the Distance Graduation. The shading of the zone (light, medium, dark) which touches the Distance Graduation indicates the correct exposure factor. For example, when the 110mm lens is focused as shown in the illustration, the correct exposure factor is +1. The scale curve for each lens has a white O mark which coincides with the right-hand lens indication. So, use the mark to find the corresponding scale curve for each lens. With a factor of +0.5, open the aperture by a half-stop. For example, assume that a hand-held exposure meter indicates a normal exposure reading of f /16 at 1/60 sec., for an exposure compensation of +1, set the lens to either f /16 at 1/30 sec. or f/11 at 1/60 sec. When using a Mamiya through-the-lens (TTL) Exposure Meter Finder, such as the RZ AE Prism Finder, it corrects automatically for close-up photography. For optimum sharpness at the corners when using the 50 mm and 65mm wide-angle lenses at distances closer than 1 meter, use as small an aperture as possible. The bellows extension in millimeters appears on the top of the Focal Length Scale. These figures are used to determine the required exposure compensation factor when using extension tubes. For areas covered with the bellows fully extended, see the instructions for all interchangeable lenses.
Attaching a Lens with Shutter Released or Mirror Raised
When a lens is removed from the camera body, the mirror is set (lowered) and the lens shutter cocked. Conversely, when attaching a lens, the same conditions should prevail (mirror set and shutter cocked). However, should a lens be attached with either the mirror raised or shutter released, or both, the camera can be reset by following the procedures below. 1. If the mirror is raised (regardless of whether the lens shutter is cocked or released), simply depress the Cocking Lever to reset the camera. 2. If mirror is set and lens shutter released (closed), remove the Dark Slide from Film Holder and depress the Shutter Release Button (film will not be exposed). Next, depress the Cocking Lever to reset the camera. 3. When a lens is removed from the camera both the mirror and the lens shutter are cocked, or they can't be separated. Elsewhere we explained how to uncock both. (For storage, for instance). 4. To rejoin them both have to be in a cocked state. To cock the camera (lowering the mirror), just activate the film advance lever, To cock lens shutter, follow instructions supplied with lenses.
Camera Back Lock System
120 Roll Film Holder HARoll Film Holder HBRoll Film Holder 6 x 4.5 HA704
Polaroid Pack Film Holder HP702
How to Use the Carrying Strap
Attaching the Strap
Hold the metal clamp of the strap so that the key-hole shaped opening faces the Carrying Strap Lug on the camera body. Gently fit the upper part of the key-hole opening over the lug. Next, gently push the bottom of the metal clamp upwards and it will lock in place with a click.
Since the Carrying Strap Lug is not rotary, the carrying strap will not become twisted.
If the clamp is attached to the Hot-Shoe side of the camera upside-down, it will be difficult to remove, so be careful to attach the clamp right-side-up.
Removing the Strap
Reach behind the strap and while gently squeezing the top of the protruding front plate (leaf spring), slide the clamp downward and off the lug.
Uniquely designed to prevent errors, the RZ67 incorporates numerous safety features, so if you can not release the shutter, or remove a lens or holder, it is most likely due to user error rather than a camera malfunction. Should something appear to go wrong, be sure to check the following points.
When the Film Holder can not be removed
Have you inserted the Dark Slide into the holder?
Care of the Camera
As your camera is a precision instrument avoid exposing it to severe vibrations or shock. Be careful when interchanging lenses and film holders. Use the neckstrap whenever possible.
The Mamiya RZ PRO II is designed for heavy professional use and will last indefinitely, if properly maintained. Every camera has mechanisms like film transport, shutter, diaphragm blade etc. They are controlled by gears. levers, springs, rollers, etc., which are subject to wear and tear and also require special lubrication from time to time. Ambient conditions like dust. sea air and moisture can also affect these mechanisms. To uncock the mirror and the lens shutter, remove the lens from the cocked camera. Press the release button and the mirror will go up and stay up. To release shutter of cocked lens, see instructions on page 13. We recommend that the camera body should be serviced at least about every 50,000 exposures (about 5000 rolls of 120 film): your roll film holders about every 20,000 exposures; your leaf shutter lenses about every 10, 000 exposures. Please contact the Mamiya Distributor in your country for service information.
When not used for a long period of time remove the battery and film from the camera and keep mirror and shutters in uncocked state. Avoid storing the camera and lenses in humid or sea air atmosphere or in extreme hot or cold environment. Periodically exercise film transport and shutters by making a number of blind exposures at various shutter speeds and f/stops.
Never touch the lens or mirror surfaces. If a lens needs cleaning, use a blower or lens tissue to remove dust particles. Never use anything other than a blower for the mirror, as its surface should never be touched.
Periodically check the camera to make sure it is in working order. This is especially important before beginning a photographic session or assignment. Check the battery, flash synchronization, mirror and shutter operation, diaphragm automation, and film advance. Also check any accessories you plan to use.
The World Class Reliability and Performance you've grown to respect. The Digital Evolution you've been expecting
The RZ67 Professional D is a complete camera system with many world-class standards that just got better. From it's legendary 67cm "Ideal Format", perfect for making 810 proportional enlargements with no image cropping or format waste, to its unique revolving film back, which provides vertical or horizontal composing, the RZ67 has earned the respect of professional photographers around the world. Now with the demand from photographers to provide clients with the same quality and performance that they have come to expect, Mamiya introduces the new RZ67 Pro D. The New RZ67 Pro D is the result of an evolution into the next generation film and digital medium format camera. It offers advanced microprocessor technology for traditional film capture, while also enabling direct communication of all camera functions to digital capture backs through it's MSC(Mamiya Serial Communication) system. Offering the professional photographer the same exclusive features of its legendary predecessors such as: Rack and pinion bellows focusing, with left and right course and fine focusing adjustment knobs plus a locking focus lever. Bellows focusing system that when fully extended provides macro focusing capabilities as well as infinity focusing for aerial photography when fully compressed. Interchangeable Mamiya world-class quality lenses, with built-in leaf shutters offer shutter speeds from 8 to 1/400sec. Electronic flash synchronization is achieved at all shutter speeds and intermediate shutter speeds can be set on the camera's speed dial setting for more critical digital exposure control. The Interchangeable AE Prism Finder FE701 offers three metering modes, and provides A/S Matrix metering, 1/6 f/stops exposure accuracy plus an LED function display in the viewfinder. The Interchangeable film holder, featuring twin film counters ensures easy visibility in both horizontal and vertical film back position. An improved film flatness system maximizes edge-to-edge sharpness for even greater image quality. Many fail-safe system checks, warn the photographer both with visual and audible warning alert signals. And as you would expect, the new RZ67 Pro D is system compatible with all existing RZ and RB lenses and most accessories. These desirable and unique features combined with the sophistication of MSC technology makes the new RZ67 Pro D the most versatile, reliable and desirable professional choice.
Interchangeable Film and Digital back system
With the interchangeable film and digital back system, you can shoot the same subject using color or black and white film, transparency film or digital capture. The RZ67 Pro D film back contains a built-in ISO film speed setting dial, dark slide warning and locks to prevent accidental film back removal. In addition, the camera body incorporates Mamiya's MSC (Mamiya Serial Communication) system enabling seamless data communication between the camera and digital back.
Fisheye Z37mm F/4.5W
120 Roll film holder HARoll film holder HB702
Exclusive film backs for respectively 67 format (actual film image area 5669.5mm) 120 and 220 roll films. 10 exposures for a 120 roll film 20 exposures for a 220 roll film.
64.Roll film holder HA704 (with special finder mask)
Exclusive film back for 64.5 format (actual film image area 5641.5mm) 120 roll films. Great for portrait shoots. Provides 15 exposures on a 120 roll.
Polaroid land pack film back HP702
The Polaroid land film back offers instant proofing for lighting and composition evaluation. Image size 77cm (actual film image area 69.569.5mm).
Interchangeable Film Holders
The RZ67 Pro D accepts 67cm 120/220 roll film backs, a 120 64.5 film back and a Polaroid instant film back. Changing film types, film formats or a film back to a digital back is quick and easy.
Digital Back communication system for ultimate control
The RZ67 Professional D offers advanced microprocessor technology for traditional film capture, while enabling MSC (Mamiya Serial Communication) of all camera functions from the camera to the digital capture back. Utilizing the same camera body for film and digital capture offers the greatest flexibility for any photographic application. (Please inquire for compatible digital backs).
Digital Back Adapter HX701
(to be available)
Interchangeable Lens System , Viewfinders and Power winder
The RZ67 Pro D modular component system makes this camera the most useful and flexible imaging tool for the professional. A wide selection of interchangeable lenses from extreme wide angle to telephoto plus special purpose lenses offers the pro focal lengths for every shooting assignment. Interchangeable viewfinders for waist level or eye level viewing with or without a built-in exposure meter and interchangeable focusing screens provide the comfort and conveniences you would expect. Interchangeable film backs for different film formats, Polaroid instant film or digital capture backs increase the choices that professional photographers can offer their clients. Manual or motorized film advance and operation plus many useful accessories makes the RZ67 Pro D the ideal image capture solution for their workflow today and tomorrow.
Interchangeable Viewfinders and Focusing Screens
The waist level Focusing Hood FW702 with self-erecting focusing hood and magnifier is included with each camera. The eye-level AE Prism Finder FE701 is an important accessory. It offers three-way metering (average, spot or auto shift) and computerized, aperture-priority shutter control, compatible with the RZ67 Professional Ds intermediate shutter speeds. It can also be operated manually. Exposure compensation is adjustable within 3EV; it also features an AE lock. All RB67 viewfinders can be used for manual operation.
Shutter Speed Average Spot Over-Exposure Indicator
Long Time Indicator Under-Exposure Indicator
Interchangeable power winder
The Power Winder 2 is powered by AA batteries or an AC Adapter. It advances the film, cocks the shutter and resets the mirror automatically. It produces single or sequential exposures at about 1 frame per second. It can be remote controlled with radio or infrared transmitters.
World-Class Lenses For The RZ67 Professional D
Red 0.75EV~ Orange 0.25EV~+0.75EV Green Orange 0.25EV~0.75EV Red 0.75EV~
RZ67 Professional D <<Electric System Diagram>>
Film Holder Unit
AE Prism Finder
Aperture Information Shutter Open Information Shutter Switch Time/Normal Shutter magnet
Film Level Information
Remote Control Set Electronic Cable Release Shutter Switch
AE Prism Finder Interface Battery Level Check Unit Magnet Unit MSC Inter face Power Winder Interface Power Winder Moving Coil Unit
Moving Coil High-Voltage Buzzer
Finder LED Wind-Set-Up Switch Wind-Stopped Switch Dark Slide Switch
Shutter Dial Digtal Back
The ISO film speed dial is located on the film holders and interfaces electronically, through gold plated contacts, with the camera body, AE Prism Finder and RZ lenses. You set the dial when you load the film and never have to worry about correct exposure meter indexing. (Electronic data functions are not available when using RB67 lenses.)
Body / Film Holder and Lens Interface
Camera body contacts from right to left 5 X Synch 9 Ground Contact Aperture Information 6 Shutter Speed Control Contact 10 Shutter Open Contact Shutter Contact Shutter Contact Shutter Speed Control Contact
Camera body Contacts from Top to Botton
7 Time Switch Contact (normal) 8 Time switch Contact (Time)
11 Time Switch Contact (common) 12 Aperture Information
Only the RZ67 Pro D Offers All These Important Features and Advantages
Mamiya pioneered the 67cm medium format SLR system camera when it introduced its first model, the RB67 Professional in 1970. The RZ67 Professional followed in 1982 and offered greater automation by combining modern electronics with improved mechanical features. It became the favorite camera of the world's top photographers. Now we are proud to present the RZ67 Professional D and dedicated accessories, which offer even more improvements, features and advantages.
Intermediate Shutter Speed Settings.
The shutter speed dial of the RZ67 Professional D with a shutter speed range of 8sec. to 1/400sec, permits setting intermediate shutter speeds between 1/250 and 4sec. This corresponds to 1/2 f-stop (0.5EV) and allows even more precise exposure control without changing aperture settings and without affecting depth-of-field. The pictures on the left show the subtle exposure differences with intermediate shutter speed settings varying by the equivalent of 1/2 f-stop. Paired with the precision AE (auto-exposure) Prism Finder FE701 for the RZ67 Professional D with its 1/6 f/stop increments, offers photographers with unprecedented exposure accuracy.
Intermediate Shutter Speed 1/180sec 1/90 1/45 1/22 1/11 1/5.6 1/2.8 1/1.4 1.4 2.8 1/400sec 1/250sec 1/125 1/60 1/30 1/15 1/8 1/4 1/8 Bulb for RB-series Lenses position for AE Prism Finder use position
67cm-The Ideal Format
67 is called the ideal format because it enlarges to the standard 8 10" paper size without cropping thus utilizing the entire image area. The 67 format of the RZ67 Professional
image size is 5669.5mm) is
Rack & Pinion Bellows Focusing
A precise plane of focus is, of course, at the heart of professional photography. Mamiya knows accurate focusing demands unparallelled mechanical precision, which is why all Mamiya 67 format camera have always employed rack & pinion bellows focusing systems. With a 46mm lens rack, the bellows assures pinpoint focusing over the widest possible range. The standard 110mm lens, for example , can focus down to a distance as close as 31.3cm, while the wide-angle 65mm lens focuses to 8.5cm and the tele lens 180mm to 82.9cm.
The crispness of results at minimum focusing distance is a hallmark of the RZ67 Professional D
about 5 larger than a 35mm
frame and offers far superior image quality for enlargements or full page magazine reproductions. 67 transparencies can be viewed on a light table without magnifiers. Having the choice between a 35mm or 67 slide of the same subject, an art director or editor will almost always choose the latter.
Electronic Flash Synchronization
Mamiya RZ67 Professional D lenses are mounted in #1 electronic leaf shutters with shutter speeds from 8 to 1/400sec. and can be flash synchronized at all shutter speeds. Perfectly balanced flash and ambient fill flash exposure can be controlled for natural well exposed results.
Form Follows Function
A professional camera should become an extension of the photographer's hands, so that its operation is almost instinctive, leaving his/her mind free to concentrate on the subject and giving creativity free rein. This was the aim of Mamiya's design engineers when they created the full-featured RZ67 Professional D.
With the most frequently used action controls placed on the right side of the camera body, the functions of the film transport/shutter cocking lever, focusing knob and shutter release button, feel like a natural fit to your hands and make hand holding of the camera and fast operation very convenient. Attaching the accessory L-Grip, with its built-in electronic shutter release, further enhances this option. The dimpled, non slip rubberized covering makes the camera comfortable and secure to hold.
Large Focusing Knob with Additional Fine Focus Feature.
Strategically placed next to the shutter cocking/film transport lever, the large, smooth functioning focusing knob, with its supplementary fine focus collar, offers both fast action focus and precision focus. This is especially useful with wide angle lenses because of their great depth-of-field and telephoto lenses which require critical distance setting.
Mechanical Safetylocks; Visual and Audible Warning Signals.
Realizing that the professional photographer must frequently work under pressure, the RZ67 Professional D incorporates many failsafe the dark slide is in place. Other Safetylocks control the proper setting of the camera's speed dial. Glowing or flashing LEDs, visible in the viewfinder and/or audible electronic sounds inform the photographer of all incorrect camera control settings and are explained in the instruction manual.
features to prevent operating errors. Thus, the shutter cannot be released if the film is not wound or the dark slide not with-drawn. Lenses cannot be changed unless the mirror is cocked, nor can the film holder be removed from the camera unless
dark slide warning
Mamiya Revolving Back With Automatic Finder Masking
The Revolving Back - a Mamiya exclusive among 67 SLRs - can be rotated for horizontal or vertical format without changing the optical axis. At the same time it also automatically changes the masking frame in the viewfinder to match the format.
Two Film Counter Windows
RZ67 Professional D film holders feature two film counter windows for easy reading in either horizontal or vertical position.
Single Action, Triple Function, Film Advance Lever
Film advance, shutter cocking and mirror setting are accomplished with a single stroke of this lever.When the optional Winder RZ Power is attached to
the camera, pressing the camera shutter release will automatically activate these functions.
Z250mm f/4.5W+Extension Tube No.1
Nomenclature & Specifications
Dark Slide R-M Lever Cocking Lever
Film Speed Dial (ISO)
Holder Lock Lever Film Memo Clip Dark Slide slot Distance Scale in meters and feet Focal Length Curves
Alignment Mark Dark Slide Release Pin
Gold Plated Film Speed Interface Contacts
Film Advance Coupler Alignment Mark
Lock Release Lever
Holder Lock Lever
Camera Back Mounting Stud
Gold Plated Digital Parts Interface Contacts
MAMIYA RZ67 Professional D <<Specifications>>
Type: Format: Film Holders: Lens Mount: Lenses: Shutter: 67 format lens-shutter SLR 67cm (5669.5mm with 120/220 roll film) Revolving camera back accepts various holders with film speed index dial and film counter. Bayonet mount with electronic connections and built-in safety lock Interchangeable Mamiya-Sekor Lens-shutter optics; standard lens is 110mm f/2.8W #1 electronic lens shutter with speeds of 8" to 1/400" plus mechanical B and T settings, RBL (for RB-series lenses) and AEF (for AE Prism Finder use); accepts X-flash or camera hot-shoe synch Shutter Release: Film Advance: Electromagnetic with lock. Emergency mechanical operation at 1/400sec. only
Single-action lever with 114stroke; cocks shutter and mirror actions; Power-Winder available Multiple Exposure: R/M lever at M position Focusing: Rack/pinion bellows mechanism with Tension control; bellows extension to 46mm with fixed indicator of film plane-to-subject distance and magnification Waist-level with sealed magnifier (2.9) and operating indicators; other viewfinder options
Waist Level Focusing Hood
Lens Alignment Dot Mirror Gold plated Shutter Control Interface Contacts Carrying Strap Lug
Shutter Speed Dial Lock Release Button
Release Button Collar Shutter Release Button
Collar Stop Lever
Auxiliary Electronic Shutter Release Contacts
Focusing Knob Lock Lever
Gold Plated AE Finder Interface Contact
Fine Focus Knob
Power Winder Contacts Power Winder Coupling Gear (under cover) Lens Distance Scale Aperture Ring Depth-of-Field Scale Flash Sync Terminal (x-sync) Bayonet Ring Depth-of-Field Preview Lever
Battery Chamber Cover Time Exposure Lever Shutter Lock Pin Shutter Cocking Pins Mirror-up Socket
Film Advance Knob
95%(*) with automatic revolving mask for vertical/ horizontal image
Finder Screen: Release Options:
Type A matte screen with Fresnel lens standard; interchangeable screen optional Electromagnetic cable release contacts on camera body also accepts mechanical cable release, selftimer release, remote control release set One 6V silver-oxide (4SR44) or alkaline (4LR44) battery
with 110mm f/2.8W lens and 120 Roll Film Holder (HA703)
Safety Functions: Viewfinder LEDs indicate operating status, lens cap, battery level Audible Warnings If shutter dial at RBL with RZ lens attached; if shutter dial at AEF after AE Finder is removed; if shutter dial is not at RBL with RB lens or no lens attached; when battery is too low for operation Release Lock When shutter/film advance not cocked; when dark slide attached; when RZ lens with shutter dial is at RBL; when RB lens or no lens with shutter dial is not at RBL
Dimensions / Weight: 108 133.4 212.5mm(W H L)/2,490g
(*) This information is based on a linear (horizontal/vertical) measurement. Specifications subject to change without notice.
World-Class Mamiya Lenses
Mamiya's world-class lenses, combined with the equally renowned mechanical precision of Mamiya camera bodies and film holders are the foundation of Mamiya's reputation as being top in the medium format camera field. Mamiya designs and manufactures its own optics, using the latest optical glass and coating technologies and computerized processes.
Fisheye Z37mm f/4.5W , Z50mm f/4.5W , ULD M50mm f/4.5L , M65mm f/4L-A
Z90mm f/3.5W , Z110mm f/2.8W
This 37mm fisheye lens provides a 180-degree field-of-view for unique perspective. The super wide-angle Z50mm f/4.5W lens allows detailed resolution of even peripheral elements. The M50mm ULD f/4.5L-A is a high-performance lens that employs ultra-low dispersion and anomalous dispersion glass to achieve an extremely small amount of chromatic aberration. Due to the use of a floating-element system, clear and uniform images can be obtained edge-to-edge in the 67 image area. The M65mm also employs a floating-element design and ultra-low dispersion glass to optimize color correction, eliminating ghost images and fully corrects optical distortion.
The 90mm is a retrofocus design providing excellent, even contrast all the way to the periphery of the frame as well as high resolution. The 110mm is a Gauss design to offer extra brightness at a maximum aperture of f/2.8, full correction of optical distortion and fine resolution.
Fisheye Z37mm f/4.5W
Z50mm f/4.5W Z50mm f/4.5W 11 elements 9 groups Automatic 0.28m 0.9 6277mm 24mm 77mm Slip-on 82.297.2mm 760g
ULD M50mm f/4.5L ULD M50mm f/4.5L 15 elements 11 groups Automatic 0.29m 0.88 6378mm 24mm 77mm Slip-on 92.797.2mm 954g
M65mm f/4L-A M65mm f/4L-A 9 elements 8 groups Automatic 0.35m 0.7 80100mm 32mm 77mm Slip-on 11397.2mm 1,060g
Shift Z75mm f/4.5W Shift Z 75mm f/4.5W 11 elements 9 groups Automatic 0.42m 0.6 93115mm 36mm 105mm None required 152108mm 1,660g
Z90mm f/3.5W Z90mm f/3.5W 6 elements 6 groups Automatic 0.43m 0.51 110136mm 44mm 77mm Screw-in 82.197.2mm 690g
Z110mm f/2.8W Z110mm f/2.8W 6 elements 5 groups Automatic 0.53m 0.42 135167mm 53mm 77mm Screw-in 6297.2mm 610g
Macro M140mm f/4.5 M/L-A Macro M 140mm f/4.5M/L-A 6 elements 4 groups Automatic 0.76m 0.33 173214mm 68mm 77mm Screw-in 9797.2mm 930g
APO 210mm f/4.5 APO 210mm f/4.elements 5 groups Automatic 1.43m 0.22 256318mm 102mm 77mm Screw-in 11497.2mm 980g
APO 250mm f/4.5 APO 250mm f/4.elements 5 groups Automatic 1.86m 0.19 298370mm 119mm 77mm Screw-in 144.897.2mm 1,340g
APO 350mm f/5.6 APO 350mm f/5.elements 6 groups Automatic 3.42m 0.13 420521mm 167mm 77mm Screw-in 191.297.2mm 1,455g
APO 500mm f/6 APO 500mm f/elements 7 groups Automatic 6.49m 0.09 597740mm 238mm 105mm Screw-in 278.5108mm 2,315g
When photographing with the Zoom Z100~200mm lens at 3m~, use the lens helicoid for focusing. When taking close-up within 3m, set the helicoid at and extend the body bellows for focusing. Data on the minimum focusing distance, minimum magnification and area covered only this lens denote those when the helicoid is at the infinity position and the bellows are most extended.
Zoom Z100-200mm f/5.2W
The 100-200mm zoom lens is the first zoom lens for a 67-format camera. It is always possible to achieve optimum framing from a distance of infinity to close range, even when there are constraints on the distance between subjects. Naturally, portrait shooting is possible and this lens is suitable for various kinds of photography. Moreover, as optical performance approaches the level of a single focus lens, excellent portrayal capability can be achieved.
Zoom Z100~200mm f/5.2W(100mm)
Zoom Z100~200mm f/5.2W(200mm)
Vari-Soft focus lens
M180mm f/4 D/L
The M180mm Variable Soft Focus (VSF) lens presents the most desirable focal length for the portrait photographer. It is supplied with three different diffusion discs which are inserted in the lens barrel. The overall level of softness (or sharpness) is controlled by the diaphragm opening, choice of disc, and whether or not a disc is used at all. It can produce images of a certain ethercal beauty which cannot be obtained by any other means, hides blemishes and saves retouching costs. When stopped down to f/8 or smaller apertures, it produces sharp images like a normal lens.
The Shift 75mm lens provides versatile perspective control to the photographer to correct converging parallel elements within the image, or, conversely, to exaggerate perspective shifts to achieve special effects. It offers a maximum 20mm shift in either vertical or horizonal orientation, 17mm at angular orientation, and can be rotated through 360 degrees in 10-degree click stops.
The shoe that makes tripod-mounted camera changes quick and easy. Slip on a camera and it instantly locks in place on the shoe automatically. A double-action release mechanism allows quick operation while protecting against automatic release. Weight: 225g
L-Grip Holder RZ
A contoured left-hand grip that provides excellent balance for both hand-held shooting and for carrying. The grip is equipped with a locking shutter release (electronically linked to the camera's own release) and a cold-shoe for accessories. Weight: 390g
Mirror Lock-up Cable Release
The perfect tool to prevent even the slightest shake during slow-shutter-speed exposures; one cable connects to the camera body's shutter release, the other to the Mirror Lock-up switch. When the release is pressed, the Mirror Lock-up operation activates first, followed by operation of the shutter. Very useful for both close-up and telephoto applications. Weight: 90g
Auto Extension Tube RZ
This series of extension tubes, for close-up and macrophotography, provides fully automatic shutter operation. The two automatic tubes can be used individually or in combination. No.1=45mm extension; No.2=82mm; No.1+2=127mm. Since the camera body bellows features an extension of 46mm, using the tubes provides a total maximum extension of 173mm. Weight: No.1.330g, No.2.410g
Lens M65mmf/4L-A Z90mm f/3.5W Extension Tubes No.1 No.1 No.2 No.1+No.2 No.1 Z110mmf/2.8W No.2 No.1+No.2 Macro M140mm f/4.5M/L-A No.1 No.2 No.1+No.2 No.1 Z150mm f/3.5W No.2 No.1+No.2 No.1 Z180mm f/4.5W-N No.2 No.1+No.2 No.1 Z250mm f/4.5W No.2 No.1+No.2 Magnification 0.68 ~ 1.38 0.50 ~ 1.01 0.91 ~ 1.42 1.41 ~ 1.92 0.41 ~ 0.82 0.74 ~ 1.15 1.15 ~ 1.56 0.32 ~ 0.64 0.58 ~ 0.90 0.90 ~ 1.22 0.30 ~ 0.61 0.55 ~ 0.85 0.85 ~ 1.15 0.25 ~ 0.51 0.46 ~ 0.72 0.71 ~ 0.97 0.18 ~ 0.37 0.34 ~ 0.52 0.52 ~ 0.71 Subject Distance(cm) 8.7 ~ 12.0 ~ 8.5 ~ 3.9 8.4 6.8 20.1 ~ 11.0 Area covered (cm) ( 8.210.2) ~ ( 4.1 5.0) (11.213.9) ~ ( 5.5 6.9) ( 6.1 7.6) ~ ( 3.9 4.9) ( 4.0 4.9) ~ ( 2.9 3.6) (13.817.1) ~ ( 6.8 8.5) ( 7.6 9.4) ~ ( 4.8 6.0) ( 4.9 6.1) ~ ( 3.6 4.5) (17.621.9) ~ ( 8.710.8) ( 9.712.0) ~ ( 6.2 7.7) ( 6.3 7.8) ~ ( 4.6 5.7) (18.723.2) ~ ( 9.311.5) (10.312.7) ~ ( 6.6 8.2) ( 6.6 8.2) ~ ( 4.9 6.0) (22.227.6) ~ (11.013.6) (12.215.1) ~ ( 7.8 9.7) ( 7.9 9.8) ~ ( 5.8 7.2) (30.437.7) ~ (15.018.6) (16.720.7) ~ (10.713.3) (10.813.4) ~ ( 7.9 9.8)
31.9 ~ 18.1 19.6 ~ 14.2 14.3 ~ 11.7 52.2 ~ 29.7 32.1 ~ 23.3 23.4 ~ 19.2 59.5 ~ 34.1 36.8 ~ 26.9 27.1 ~ 22.3 84.5 ~ 48.7 52.5 ~ 38.6 38.8 ~ 32.1 160.0 ~ 93.1 100.2 ~ 74.1 74.5 ~ 62.0
Magnifier (for Prism Finder)
Attached to the prism finder, it assures enhanced precision focusing by magnifying the central portion of the screen. After focusing, it can be raised to confirm overall composition. Built-in -6 to +4 diopter correction. Weight: 70g
This teleconverter is optically designed to provide the best possible results in use with the superior Z series lenses; it provides an effective focal length extention of 1.4x, and can be recommended for the following Z series lenses; 90mm, 110mm, 140mm, 150mm, 180mm. Dimensions (LW): 3797.2mm Weight: 430g Bellows Lens Hood G3
Bellows Lens Hood G-3
Front Hood for G3 Utilizing side struts, instead of base rails, this Bellows Lens Hood G-3 provides highly efficient protection against extraneous light and it has inserting slots for 3 inch (7.5cm) square filter and 12cm square size vignetter. Vignetter can adjust up and down within 14mm. Gelatine filter mount is provided. Maximum and minimum extent of bellows: 175mm and 50mm. Weight: 335g
Front Hood for G-3
Using the Front Hood for G-3 along with Bellows Lens Hood G-3 will bring higher vignetting efficiency. With the Front Lens Hood used along with Bellows Lens Hood G-3, it can be possible to use 50mm f/4.5W lens or longer focal length lenses, expect for 100-200mm zoom lens and 500mm APO lens. Front Hood for G-3 has an inserting slot for 12cm square size vignetter. Maximum and minimum extent of bellows: 105mm and 25mm Weight: 145g
Gelatine Filter Holder Model 2
A Special holder for 3-inch (7.5cm) gelatine filters; attaches to 50, 65, 90, 110, 140, 150, 180, 210, 250, and 350mm lenses. This holder is indispensable for accurate correction of color (under differing types of light, for example). The holder allows insertion of multiple filters. Weight: 45g
Zoom Lens Mounting Ring for G3
Electromagnetic Cable Release
Connects to the electronic shutter release socket of the camera. Type A: Coil Cord, approx. 1m long, weight: 39g
Mamiya Aluminum Trunk
A light brown finish with alumite treated surfaces and high-
Remote Control RS401
Consists of Transmitter and camera-mounted Receiver. Choice of three infrared channels for interference free operation. 30m operating range. Transmitter uses two AA Alkaline, Receiver one 9 Volt, batteries. Weight: Transmitter: 130g (without batteries) Receiver: 140g (without batteries)
strength prism cut resin corner guards for a trunk that's both good looking and tough. The interior can be freely partitioned to store cameras and lenses, and all interior surfaces are cushioned with a thin urethane layer. The top of the trunk has packets that can be used to store accessories and other small items. Available in three different sizes.
Model No. KM705 KM706 KM707 Outside: WDH mm Inside: WDH mm Weight 3.7 4.9 5.7
Bellows Lens Hood G-2
Attaches to the front accessory thread of Z series (90mm350mm) lenses; provides optimum shading of the lens to prevent all stray light. Rack & pinion adjustment allows selection of optimal setting by actual preview; width is easily adjusted; incorporates gelatine filter holder. Maximum and minimum extension of bellows: 110mm and 30mm Weight: 290g
RZ67 Professional D System
Correction Lenses for the Prism Finders Magnifier
Correction Lenses for the Focusing Hood RZ
++2 +1 0.5
Roll Film Holder HA703
*The finder system for the RB can also be used.
220 Roll Film Holder HB702 Type A Matte Type A3 Matte Type A4 Checker Type B Range Finder Spot Type D Cross Hair Type E Range Finder Spot/Microprism
Auto Extension Tubes RZ
120 Roll Film Holder 64.5 HA704
Winder RZ Model Polaroid Land Pack Film Holder HP702 Mirror Lock-up Cable Release
Tripod Monopod Head
Mamiya Carbon Tripod AY703 AY701 AY702 Mamiya Magnesium Panhead AW701
Electromagnetic Cable Release Type A: Coil cord approx. 1m
Digital Back Adapter HX701 (to be available)
Remote Control RS401 Quick-Shoe AQ701
Mamya Magnesium Ballhead AW702
Mamiya Carbon Monopod AX701
Digital Camera Back
Neck strap Soft Lens Case Type C for 50, 65, 75 f/3.5, 90, 110, 140 and 150mm lenses Soft Lens Case Type D for 180, 210, 250, and 350mm lenses
Shift / Tilt
(with Relay Cord) Grand Glass SX701
Mamiya Aluminum Trunk KM705, KM706, KM707
Soft Leather Lens Case RZ No.4 for 37mm lens
Mamiya Tripod Case
( for Shift / Tilt) Adapter
Fisheye Z 37mm f/4.5W
Filter (40.5mm ) for 37mm Fisheye Lens UV (SL-39), SL-1B, LB-A, LB-B Filter (77mm ) PL
ZOOM Z100~200mm f/5.2W Filter (105mm ) UV, SL
ULD M50mm f/4.5L M65mm f/4L-A Z90mm f/3.5W
SOFT M180mm f/4 D/L
Gelatine Filter Holder Model 2 (80mm ) Bellows Lens Hood G-3 Front Hood for G-3
Gelatine Filter Mount for G-3 Shift Z75mm f/4.5W
Z110mm f/2.8W Macro M140mm f/4.5M/L-A
APO 210mm f/4.5 Lens Holder for 350mm lens
Zoom lens Mounting Ring for G-3
Lens Holder for 500mm lens APO 250mm f/4.5
Lens Hood 80mm No.1 Slip-on type for 50mm and 65mm lenses
Lens Holder for 100~200mm Zoom lens Z150mm f/3.5W APO 350mm f/5.6 APO 500mm f/6 Z180mm f/4.5W-N External Battery Case Lens Hood M77 No. 2 Screw-in type for 150,180, 210, 250 and 350mm lenses Lens Hood M77 No. 1 Screw-in type for 90, 110 and 140mm lenses
Lens Hood 108 No.1 Slip-on type for 500mm lens
Spacer for SB Lenses
Lens Hood 80 No.3 Slip-on type for Zoom 100~200mm lens
*Interchangeable lenses for the RB can also be used. (When using interchangeable lenses for the RB, contact your nearest Mamiya Service Center for lens inspection.) *Specifications and appearance are subject to change without notice.
Printed in Japan
The Mamiya RZ67 Pro IID is the natural evolution of the legendary RZ Pro II, the industry standard used by many of today's most renowned photographers and artists because of its large 6x7cm ideal format negative size, over four and a half times larger than 35mm. The use of digital backs, such as the Mamiya ZD Back or others, is easy through direct, digital communication with the camera body. Also notable are the RZ's ultra-high performance lenses, and multi-format versatility. Distinctive features include a convenient revolving back, bellows focusing, large, bright viewfinder, and extensive system of accessories.
|Camera Type||SLR camera|
|Exposure Range||1/400 sec - 8 sec|
|Exposure Modes||Bulb, time exposure, manual|
|Exposure Metering||Spot, average|
|Exposure Compensation||±3 EV range, in 1/3 EV steps|
|X-sync Speed||1/400 sec|
|Film Speed Range||ISO 25 - 6400|
|Lens System Presence||Optional (body only)|
|Features||Mirror lock, interchangeable focusing screen , multiple exposure|
|Flash Terminal||Hot shoe|
|Middle / Large Format Camera|
|Film Back Film Formats||Type 120|
|Film Back Frame Size||6 x 4.5 cm, 6 x 7 cm, 7.2 x 7.2 cm|
|Interchangeable Film Back||Yes|
|Metering with||With FE701 AE prism finder|
|Middle / Large Format Cameras Shutter|
|Included Accessories||Strap, body cap, rear body cap|
|Medium Camera Components|
|Medium Camera Components||Camera body Viewfinder - FW702|
|Adjustment Features||- bellows extention - 1.8 in|
|Type||Battery - 4LR44|
|Universal Product Identifiers|
Assist 7977 TY-WK42pv4W Canon S820 RD-150 TU-80 KDL-37S4000 Twingo II ZC1000 NV-A1 CTK-451 EDC67150W Tvee 20 Milano MP28 WF-939Z CP-14J52A 2500-6 Captivate RP4801 TL-WN321G ID-16 VGN-NS21s W C-160 PLG150-AP Canon A100 2442FX-PRO W32701 EL-337C Dvdr7310H KXF-W6010 R-V905 XAV-60 VC-FH30SM RDR-HXD1095 HT8000 PVR C22CE Review RDZ-D60V CCD-TRV52 Precision 650 AVH-3200DVD TC-KE600S Ftdx9000MP KX-TG6423 TS100-E5 Pi4 Ericsson 230 LE40F86 Laserjet 3550 SL-J910 Bass 2007 R1801 6271D KEH-P3700R TA-DA9100ES KMD-860R LX8500W 01 VF80EX PS50B850y1W TXL32U2B Chronographstopwatch SCH-W330 RX15-RX11 IHD 91 EL-W531 WF8620NHW Syncmaster 244T Monitor ICE-30BC SSR90V4 MFC-7150C C4580I SCH-1910 IC-32E CD 2253 Makita 6824 STR-DB930 5055 AHS 4340Z PRO 2 Type 334 FT-857D WD-80260T PDP-V402E MXU 50 CT-5241 RXD-700 Muvo Slim D-E441 Meter Device Olufsen BEO5 AWT11224W CN-DV2000 WP-720NP KX-TCD220E ICD-B50 Bones DVD142TV Sigma SD14 Reception VPC-E7EX 4 1
manuel d'instructions, Guide de l'utilisateur | Manual de instrucciones, Instrucciones de uso | Bedienungsanleitung, Bedienungsanleitung | Manual de Instruções, guia do usuário | инструкция | návod na použitie, Užívateľská príručka, návod k použití | bruksanvisningen | instrukcja, podręcznik użytkownika | kullanım kılavuzu, Kullanım | kézikönyv, használati útmutató | manuale di istruzioni, istruzioni d'uso | handleiding, gebruikershandleiding
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