INSTRUCTION MANUAL

COLOR MODE
The color mode controls whether a still image is color or black and white as well as the color space. The color mode is set in section 3 of the recording menu (p. 80). The live image on the monitors will reflect the selected color mode. For more on the color mode see page 102.
Natural Color and Adobe RGB reproduces the colors in the scene faithfully.
Vivid Color - increases the saturation of the colors in the scene.
Black & White monochrome images.

produces

Solarization - produces a partial reversal of tones and colors in the image.

EXAMPLES

BEFORE YOU BEGIN
Thank you for purchasing this Minolta digital camera. Please take the time to read through this instruction manual so you can enjoy all the features of your new camera. Check the packing list before using this product. If any items are missing, immediately contact your camera dealer. Minolta DiMAGE digital camera Lithium-ion battery NP-400 Lithium-ion battery charger BC-400 Neck strap NS-DG4000 Lens shade DLS-1 Lens cap LF-1249 Accessory shoe cap SC-10 CompactFlash card AV cable AVC-400 USB cable USB-500 Ferrite Core FRC-100 DiMAGE Viewer CD-ROM DiMAGE Viewer instruction manual Camera instruction manual Warranty card
This product is designed to work with accessories manufactured and distributed by Minolta. Using accessories or equipment not endorsed by Minolta may result in unsatisfactory performance or damage to the product and its accessories.
Minolta, The essentials of imaging, and DiMAGE are trademarks or registered trademarks of Minolta Co., Ltd. Apple, Macintosh, and Mac OS are registered trademarks of Apple Computer Inc. Microsoft and Windows are registered trademarks of the Microsoft Corporation. The official name of Windows is Microsoft Windows Operating System. Pentium is a registered trademark of the Intel Corporation. Microdrive is a trademark of the International Business Machines Corporation. QuickTime is a trademark used under license. Adobe is a registered trademark of Adobe Systems Incorporated. All other brand and product names are trademarks or registered trademarks of their respective owners. 3

FOR PROPER AND SAFE USE

NP-400 LITHIUM-ION BATTERIES
This camera operates on a powerful lithium-ion battery. Misuse or abuse of the lithiumion battery can cause damage or injury through fire, electric shock, or chemical leakage. Read and understand all warnings before using the battery.

DANGER

Do not short, disassemble, damage, or modify the battery. Do not expose the battery to fire or high temperatures over 60C (140F). Do not expose the battery to water, or moisture. Water can corrode or damage the internal battery safety devices and cause the battery to overheat, ignite, rupture, or leak. Do not drop or subject the battery to strong impacts. Impacts can damage the internal battery safety devices and cause the battery to overheat, ignite, rupture, or leak. Do not store the battery near or in metallic products. Do not use the battery with any other products. Only use the specified charger. An inappropriate charger may cause damage or injury through fire or electric shock. Do not use a leaking battery. If fluid from the battery enters your eye, immediately rinse the eye with plenty of fresh water and contact a doctor. If fluid from the battery makes contact with your skin or clothing, wash the area thoroughly with water. Only use or charge the battery in an environment with ambient temperatures between 0 and 40C (32 and 104F). Only store the battery in an environment with ambient temperatures between 20 and 30C (4 and 86F) and a humidity of 45% to 85% RH.

WARNING

Tape over the lithium-ion battery contacts to avoid short-circuiting during disposal; always follow local regulations for battery disposal. If charging is not completed after the specified period elapses, unplug the charger and discontinue charging immediately.

PROPER AND SAFE USE

GENERAL PRODUCT WARNINGS AND CAUTIONS
Read and understand the following warnings and cautions for safe use of the digital camera and its accessories.
Only use the battery specified in this manual. Only use the specified charger or AC adapter within the voltage range indicated on the unit. An inappropriate adapter or current may cause damage or injury through fire or electric shock. Only use the charger power cord in the sales region for which it was designed. An inappropriate current may cause damage or injury through fire or electric shock. Do not disassemble the camera or charger. Electric shock may cause injury if a high voltage circuit inside the product is touched. Immediately remove the battery or unplug the AC adapter and discontinue use if the camera is dropped or subjected to an impact in which the interior, especially the flash unit, is exposed. The flash has a high voltage circuit which may cause an electric shock resulting in injury. The continued use of a damaged product or part may cause injuries or fire. Keep the battery, memory card, or small parts that could be swallowed away from infants. Contact a doctor immediately if an object is swallowed. Store this product out of reach of children. Be careful when around children not to harm them with the product or parts. Do not fire the flash directly into the eyes. It may damage eyesight. Do not fire the flash at vehicle operators. It may cause a distraction or temporary blindness which may lead to an accident. Do not use the monitor while operating a vehicle or walking. It may result in injury or an accident. Do not use these products in a humid environment, or operate them with wet hands. If liquid enters these products, immediately remove the battery or unplug the product, and discontinue use. The continued use of a product exposed to liquids may cause damage or injury through fire or electric shock.

Do not use these products near inflammable gases or liquids such as gasoline, benzine, or paint thinner. Do not use inflammable products such as alcohol, benzine, or paint thinner to clean these products. The use of inflammable cleaners and solvents may cause an explosion or fire. When unplugging the AC adapter or charger, do not pull on the power cord. Hold the plug when removing it from an outlet. Do not damage, twist, modify, heat, or place heavy objects on the AC adapter or charger cord. A damaged cord may cause damage or injury through fire or electric shock. If these products emits a strange odor, heat, or smoke, discontinue use. Immediately remove the battery taking care not to burn yourself as the battery may become hot with use. The continued use of a damaged product or part may cause injuries or fire. Take the product to a Minolta Service Facility when repairs are required. Handling the cord on this product may expose you to lead, a chemical known to the State of California to cause cancer, and birth defects or other reproductive harm. Wash hands after handling.

CAUTION

Do not use or store these products in a hot or humid environment such as the glove compartment or trunk of a car. It may damage the camera, charger, and battery which may result in burns or injuries caused by heat, fire, explosion, or leaking battery fluid. If the battery is leaking, discontinue use of the product. The camera, charger, and battery temperature rises with extended periods of use. Care should be taken to avoid burns. Burns may result if the memory card or battery is removed immediately after extended periods of use. Turn the camera off and wait for it to cool. Do not fire the flash while it is in contact with people or objects. The flash unit discharges a large amount of energy which may cause burns. Do not apply pressure to the LCD monitor. A damaged monitor may cause injury, and the liquid from the monitor may cause inflammation. If liquid from the monitor makes contact with skin, wash the area with fresh water. If liquid from the monitor comes in contact with the eyes, immediately rinse the eyes with plenty of water and contact a doctor. When using the AC adapter and charger, insert the plug securely into the electrical outlet. The rim of the lens hood can cause injury. Take care not to accidentally strike anyone with the camera when the lens hood is attached. Do not use electronic transformers or travel adapters with the charger. The use of these devices may cause a fire or damage the product. Do not use if the AC adapter or charger cord is damaged. Do not cover the AC adapter or charger. A fire may result. Do not obstruct access to the AC adapter or charger; this can hinder the unplugging of the units in emergencies. Unplug the AC adapter or charger when cleaning or not in use.

TABLE OF CONTENTS

Names of parts....14 Camera body.....14 Data panel....17 Monitor display - recording mode....18 Monitor display - Quick View & playback mode...19 Getting up and running....20 Attaching the camera strap....20 Removing the lens cap...20 Attaching the lens hood....21 Charging the battery....22 Installing and changing the battery...23 Battery condition indicator...24 Auto power save.....24 External power supplies (sold separately)...25 Inserting and changing a memory card...26 Turning on the camera...28 Handling the camera....28 Adjusting the viewfinder and monitor...29 Diopter adjustment....29 Setting the date and time....30 Basic recording....32 Setting the camera to record images automatically...32 EVF and LCD monitor display....32 Basic recording operation....33 Focus lock....34 Automatic monitor amplification....34 Focus signals.....35 Special focusing situations....35 Using the built-in flash....36 Flash range - automatic operation...36 Anti-shake system....37 Movie recording....38 Display mode switch....39 Basic playback....40 Single-frame playback and histogram display...40 Viewing images and histogram....41 Deleting single images...41 Changing the Quick View & playback display...TABLE

OF CONTENTS

Enlarged playback....43 Viewing movies....44 Advanced recording.....45 Display-information button...45 Focus-mode switch....46 Digital zoom.....47 Flex Focus Point.....48 Macro mode.....49 Exposure lock....50 Exposure-mode dial.....50 Program - P....51 Program shift - PA/PS...51 Auto recording...52 Aperture priority - A....54 Shutter priority - S...55 Manual exposure - M...56 Bulb exposures....57 Attaching a remote cord (sold separately)...57 Digital Subject Programs....58 Exposure and flash compensation...59 Using the function dial....60 Drive modes....61 Bracketing....62 Standard and high-speed continuous advance...64 Interval....66 Self-timer....68 Metering modes....69 White balance....70 Custom white balance calibration....71 Memory - storing camera settings...72 Memory recall....73 Camera sensitivity - ISO....74 Flash range and camera sensitivity....75 Attaching a Minolta accessory flash unit...75 Using the flash sync terminal...76 Digital Effects Control....77 Color-saturation compensation...77 Contrast compensation....78 Filter....78 Recording menu.....80 9
Navigating the recording-mode menu...80 Image size and image quality...82 About RAW image quality....84 Notes on image size and resolution...85 Flash modes....86 Wireless/Remote flash....88 Wireless/Remote camera and flash ranges...90 Notes on wireless/remote flash....91 Flash control....92 AEL button....94 Recording-mode reset....95 Interval setup.....96 Bracketing setup.....96 Sharpness.....97 Data imprinting....98 Electronic keyboard.....99 Instant playback....100 Voice memo.....101 Color mode....102 About Adobe RGB....103 Noise reduction.....103 Monitor amplification....104 Magnification button....105 Flex Digital Magnifier....105 DSP (Digital Subject Program) setup...106 Tracking AF....106 AE lock.....106 Spot AE area....107 Direct Manual Focus....107 A short guide to photography....108 About exposure and flash compensation...110 What is an Ev?....111 Light sources and color....111 Movie menu.....112 Navigating the movie menu....112 Movie mode.....113 Movie reset....113 Notes on movie recording....114 Advanced playback....115 Playing back voice memos....TABLE

Navigating the playback menu....116 Frame-selection screen....118 Delete.....119 Format.....120 View folder.....120 Lock.....121 Index playback format....121 Copy.....122 Slide Show.....124 About DPOF....126 DPOF setup.....126 Index print....127 Cancel print.....127 Viewing images on a television...128 Setup menu.....129 Opening the setup menu...129 Navigating the setup menu....130 LCD brightness.....132 Shortcut help....132 Transfer mode....134 EVF auto switch....135 Video output....135 Language....135 Custom setup....136 File number memory....136 Folder name....137 Select folder.....137 New folder.....138 Date and time setup....138 Reset default....139 Audio signals....141 Focus signals....141 Shutter FX.....142 Volume.....142 Auto power save....142 Anti-shake....143 Full-time AF.....143 Grip sensor....143 Control dial setup....144 Control dial setup - Manual exposure...145 11
Delete confirmation....145 Data-transfer mode....146 System requirements....146 Connecting the camera to a computer....147 Connecting to Windows 98 / 98 second edition...148 Automatic installation...148 Manual installation....149 QuickTime system requirements...151 Auto power save (Data-transfer mode)...151 Memory card folder organization...152 Disconnecting the camera from the computer...154 Windows 98 / 98 second edition...154 Windows Me, 2000 Professional, and XP...154 Macintosh....155 Changing the memory card (data-transfer mode)...156 Removing the driver software - Windows...157 Troubleshooting.....158 When using filters....160 About the lithium-ion battery charger cord...161 Attaching the ferrite core FRC-100...161 Care and storage....162 Camera care....162 Cleaning....162 Storage.....162 Operating temperatures and conditions...163 Memory card care and handling....163 Batteries....164 LCD monitor care....164 Copyright....164 Before important events or journeys...165 Questions and service....165 Index.....166 Technical specifications.....168 Battery Pack BP-400....170
The following marks may be found on the product: This mark on your camera certifies that this camera meets the requirements of the EU (European Union) concerning interference causing equipment regulations. CE stands for Conformit Europenne (European Conformity).
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. FOR HOME OR OFFICE USE Changes or modifications not approved by the party responsible for compliance could void the user's authority to operate the equipment. This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and the receiver. Connect the equipment to an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. Tested by the Minolta Corporation 101 Williams Drive, Ramsey, New Jersey 07446, U.S.A. Do not remove the ferrite cores from the cables.

This section covers the preparation of the camera. This includes the changing of batteries and memory card as well as the use of external power supplies.
ATTACHING THE CAMERA STRAP
Attach the camera strap to the strap eyelets as shown. The tip of the strap should pass under the buckle (2). Always keep the camera strap around your neck in the event that you drop the camera.

REMOVING THE LENS CAP

Using your thumb and index finger, pinch the inside or outside tabs of the lens cap to remove. When the camera is not in use, always replace the lens cap.

GETTING

UP AND RUNNING

ATTACHING THE LENS HOOD

The lens hood is used to control stray light from entering the lens and causing flare. When using the camera under bright light, the use of the lens hood is recommended. The lens hood should not be used with the built-in flash as it can cause a shadow. To mount the lens hood, align the rectangular dimple on the rim of the hood with the focal-length index on the top of the lens barrel (1).
Slide the hood onto the end of the lens and turn it 90 clockwise until it clicks and the circular dimple is aligned with the focal-length index (2). When mounted correctly, the large petals of the lens hood should be to the top and bottom. Never force the lens hood. If it does not fit, check its orientation. To detach the lens hood, turn it 90 counterclockwise and remove.
The lens hood can be reverse mounted when the camera is not is use. With one of the large petals to the top, slide the hood onto the end of the lens. Turn it 90 clockwise until it it clicks into place. The lens hood can be attached or removed with the lens cap on the camera. To detach the lens hood, turn it 90 counterclockwise and remove.

CHARGING THE BATTERY

Before the camera can be used, the lithium-ion battery must be charged. Before charging the battery, read the safety warnings on page 4 of this manual. Only recharge the battery with the supplied battery charger. The battery should be recharged before each shooting session. See page 164 for battery care and storage. Plug the power cord into the back of the charger unit (1). Plug the other end of the cord into a live household outlet. The included AC cord is designed for the current of the sales region. Only use the cord in the region it was purchased. For more on the AC cable, see page 161.
With the battery contacts toward the charger, align the channels on the bottom of the battery with the tabs on the charger unit. Slide the battery into the unit.

EXTERNAL POWER SUPPLIES (SOLD SEPARATELY)
The AC Adapter allows the camera to be powered from an electrical household outlet. The AC Adapter is recommended when the camera is interfaced with a computer or during periods of heavy use. AC Adapter model AC-1L is for use in North America, Japan, and Taiwan, and AC-11 is for use in all other areas. The External High-power Battery Pack Kit EBP-100 is a portable power source and significantly extends the operating time of the camera. The kit contains a high-power lithium-ion battery, holder, and charger. The battery, holder, and charger are also available separately.
Always turn off the camera and confirm the access lamp is not lit before changing between power supplies.
Remove the DC terminal cover from the right (1). The cover is attached to the body to prevent loss. Insert the mini plug of the AC adapter or battery pack into the DC terminal (2). Insert the AC adapter plug into an electrical outlet.
INSERTING AND CHANGING A MEMORY CARD
Always turn off the camera and confirm the access lamp is not lit before inserting or removing a memory card, otherwise the card may be damaged, and data lost.
A memory card must be inserted for the camera to operate. If a card has not been inserted, a no-card warning will be displayed on the monitors. Type I and II CompactFlash cards and IBM Microdrives are compatible with this camera. For memory card care and handling, see page 163. Open the card-slot door in the direction indicated.
Insert a memory card all the way into the card slot. Insert the card so the face is toward the front of the camera. Always push the card in straight. Never force the card. If the card does not fit, check that it is oriented correctly.
Close the card-slot door.
To eject a card, open the card-slot door (1), and press and release the card-eject lever to extend it (2). Press (3) the card-eject lever to eject the card (3). The card can now be pulled out. Take care when removing the card as it becomes hot with use. The card-eject lever should remain inside the camera body. If it extends, push it into the camera. Insert a new memory card and close the card-slot door (4). A memory card used in another camera may have to be formatted before being used. If the unable-to-use-card message appears, the card should be formatted with the camera. A memory card can be formatted in section 1 of the playback menu (p. 120). When a card is formatted, all the data on the card is permanently erased. If the card-error message appears, press the central button of the controller to close the window; check the Minolta web site for the latest compatibility information: North America: http://www.minoltausa.com Europe: http://www.minoltaeurope.com/pe/digital/languages_stage.html

TURNING ON THE CAMERA

Press the main switch to turn on the camera. The access lamp glows briefly and an audio signal sounds to indicate the power is turned on. The audio signal can be turned off with the setup menu (p. 141). If the camera shuts down immediately after it is turned on, the battery power is low. See page 22 on how to charge the battery. Press and hold the main switch to turn the camera off.

Access lamp

HANDLING THE CAMERA
While using the electronic viewfinder (EVF) or LCD monitor, grip the camera firmly with your right hand while supporting the body with the palm of your left hand. Keep your elbows at your side and your feet shoulder-width apart to hold the camera steadily.
ADJUSTING THE VIEWFINDER AND MONITOR
The electronic viewfinder can be tilted between 0 and 90. Simply grip the finder between your fingers and move it to the position desired.
The LCD monitor can be tilted between 20 and +90. Grip the top of the monitor and pull to tilt it down. The bottom of the monitor can then be swung up.
Always store the camera with finder and monitor against the body.

DIOPTER ADJUSTMENT

The EVF has a built-in diopter that can be adjusted between 5.0 to +2.0. While looking through the EVF, turn the diopter-adjustment dial until the viewfinder image is sharp.
SETTING THE DATE AND TIME
After initially inserting a memory card and battery, the cameras clock and calendar must be set. When images are recorded, the image data is saved with the date and time of recording. Depending on the region, the menu language may also have to be set. To change the language, see the camera notes on the following page.
Turn on the camera. While holding down the function button (1), press the menu button (2) to open the setup menu.
LCDbrightness Shortcut help Transfer mode Data storage EVF auto swtch Auto EVF/LCD Video output NTSC Language English
Navigating the menu is simple. The up/down and left/right keys of the controller move the cursor and change settings on the menu.

The central button of the controller selects menu options and sets adjustments.
Use the right controller key to highlight the 2nd tab at the top of the menu.
Custom set File # memory Folder Name Select folder New folder Date/Time set Color mode Off Std. form 100MLT16
Use the down key to highlight the date/time-set menu option. Press the right key. Enter will appear on the right side of the menu.
Press the central button to display the date/time setting screen.
Date/Time set 2003. 10. : 14 YYYY/MM/DD
Use the left and right keys to select the item to be changed.
Use the up and down keys to adjust the item.

:enter

Date/Time setting screen
Press the central button to set the clock and calendar. The setup menu will be displayed.

Camera notes

For customers in certain areas, the menu language must also be set. Highlight the language option in section 1 of the setup menu. Press the right key to display the language settings. Using the up/down keys, highlight the desired language. Press the central button to set the highlighted language; the setup menu will be displayed in the selected language.

BASIC RECORDING

SETTING THE CAMERA TO RECORD IMAGES AUTOMATICALLY
Set the exposure dial to the program (P) position (1). Confirm the mode switch is in the recording position (2). All camera operations are now fully automatic. The autofocus, exposure, and imaging systems will work together to make photography effortless. The Auto exposure mode acts like the program mode, except that the many of the recording functions are reset each time it is selected, see page 52 for more information.
EVF AND LCD MONITOR DISPLAY
Focus frame Mode indicator Anti-shake indicator (p. 37) Metering-mode indicator (p. 69) Exposure-mode indicator (p. 50) Frame counter (p. 17, 83) Drive-mode indicator (p. 61) Focus signal (p. 35) Aperture display Shutter-speed display

32 BASIC

RECORDING
AF sensor (p. 33) Image-size display (p. 82) Image-quality indicator (p. 82) Battery-condition indicator (p. 24)

BASIC RECORDING OPERATION
Use the zooming ring to frame the subject (1). The effect of the zoom is immediately displayed in the viewfinder (EVF) and LCD monitor.
Place the subject within the focus frame. For off-center subjects, use the focus-lock function (p. 34). The subject must be within the focus range of the lens: 0.5m (1.6ft) -. For subjects closer than 0.5m (1.6ft), use the macro function (p. 49).
Focus signal AF sensor Press the shutter-release button partway down (2) to Shutter-speed and aperture lock the focus and exposure.
When the focus is set, an AF sensor will briefly appear in the live image to indicate the point of focus. The focus signals (p. 35) on the monitors will confirm that the image is in focus. If the focus signal is red, the camera was unable to focus on the subject. Repeat the previous steps until the signal is white. The shutter speed and aperture value will change from white to black indicating the exposure is locked. Press the shutter-release button all the way down (3) to take the picture. The access lamp will glow indicating the image data is being written to the memory card. Never remove a card while data is being transferred.

FOCUS LOCK

The focus-lock function is used when the subject is off-center and outside the focus frame. Focus lock may also be used when a special focusing situation prevents the camera from focusing on the subject. Place the subject within the focus frame. Press and hold the shutter-release button partway down.
The focus signals will indicate that the focus is locked. The shutter speed and aperture value will change from white to black indicating the exposure is locked. When the focus is set, an AF sensor will briefly appear on the live image to indicate the point of focus.
Without lifting your finger from the shutter-release button, recompose the subject within the image area. Press the shutter-release button all the way down to take the picture.
AUTOMATIC MONITOR AMPLIFICATION
In extremely low-light conditions when the camera-sensitivity gain has reached its limit, the automatic monitor-amplification function will intensify the EVF and LCD monitor image. The live image will be brighter, however, the display will be black and white. This will have no effect on the final color image. This function can be turned off in section 3 of the recording menu (p. 104).

FOCUS SIGNALS

This digital camera has a quick, accurate autofocusing system. The focus signals in the lower right corner of the EVF and LCD monitor indicate the focus status. For more information on autofocus modes, see p. 46. White focus indicator - focus confirmed. Red focus indicator - the subject is too close or a special situation is preventing the AF system from focusing. The shutter can be released. If the AF system cannot focus on a certain subject, focus lock can be used with an object at the same distance as the main subject or the camera can be focused manually (p. 34).

When the system is active, the Anti-shake button glows (1). Antishake can be turned off and on by pressing the button. Frame the subject as described in the basic operation section. Press the shutter-release button partway down to focus and set the exposure; an Anti-shake indicator is displayed when active. Confirm the image has stabilized on the monitor and press the shutter-release button all the way down to take the picture.
The blue indicator appears when the Anti-shake system is activated. The yellow indicator appears when the Anti-shake system is activated, but the shutter speed is too slow for it to be effective. When Anti-shake is off, the white indicator appears to warn the shutter speed is too long for the camera to be safely handheld. If the yellow or white warnings appears, place the camera on a tripod, use the built-in flash, increase the camera sensitivity (ISO) (p. 74), or use a wide-angle zoom position. If the Anti-shake indicator turns red, the camera is overheating because of operating and ambient temperatures. The Anti-shake system will turn off automatically. Allow the camera to cool before using Anti-shake. The Anti-shake system is less effective at short subject distances or when using the macro function (p. 49). The use of a tripod is recommended. Anti-shake is not effective with a tripod mounted camera; turn off the Anti-shake function to conserve power.

MOVIE RECORDING

Movie files are recorded at approximately 522KB per second. A 16MB Compactflash card can store about 19 seconds of digital video with audio. Actual time depends on the subject and the amount of free space on the memory card. For more on movie recording, see page 112. Set the mode switch to the movie recording (1) position. Before recording, the data-panel and monitor frame counters will show the maximum time in seconds that can be recorded. Shooting digital video is simple. Place the subject in the center of the live image and press the shutter-release button partway down to set the focus. Use the focus signal to confirm focus.
Focus signal Total recording time for the next movie clip. Press the shutter-release button all the way down and release to start recording. The camera will continue to record until the recording time is used or the shutterrelease button is pressed again. When recording, the monitor frame counter and status bar shows the recorded time.
Recording time in seconds Recording indicator

38 BASIC

CHANGING THE QUICK VIEW & PLAYBACK DISPLAY
The display-information button controls the display format. Each time the button is pressed, the display cycles through to the next format: full display, image only, index playback. Image only

Full display

Index playback In index playback, the four-way keys of the controller will move the yellow border to the adjacent image. When the image is highlighted with the border, the date of recording, voice-memo indicator, the lock and printing status, and the frame number of the image are displayed at the bottom of the screen. The highlighted image can be deleted using the QV/delete button (p. 41) or an accompanying audio track can be played by pressing the central button of the controller. When the display information button is pressed again, the highlighted image will be displayed in the single-frame playback mode. A nine or four image index can be displayed. The index-playback format can be changed in section 1 of the playback menu (p. 121).

ENLARGED PLAYBACK

In single-frame playback, a still image can be enlarged for closer examination from 1.2X. The degree of maximum magnification depends on image size: 8X for 2560X1920, 6.4X for 2080X1560, 5X for 1600X1200, 2X for 640X480, and 4X for 1280X960 digital-zoom images. RAW and TIFF images cannot be enlarged. With the image to be enlarged displayed, press the magnification button (1). Use the up/down keys of the controller to adjust the magnification. The degree of magnification is displayed on the monitors.

Scroll

Press the central button of the controller to switch between the zoom and scroll functions. The scroll arrows or magnification display will turn blue to indicate the active function.
Use the four-way key to scroll the image. Press and hold the four-way key to scroll continuously. Press the menu or magnification button to exit the enlarged playback mode. The guidance bar and display icons can be hidden or shown by pressing the displayinformation button (i+).

VIEWING MOVIES

Movies can be played back on the camera. Movie files are indicated by an indicator at the bottom of the display.
Press the center of the controller to play back the file.
Press the controller to pause the movie; pressing the controller again will resume the playback.

Pause Rwd Fwd

Use the left/right keys of the controller to rewind or fast forward the movie clip.
Use the up/down keys to adjust the volume of the audio track. When the movie is paused, pressing the up/down keys will jump to the first or last frame of the movie clip. To cancel the playback, press the menu button.

ADVANCED

ADVANCED RECORDING
This section contains detailed information on the cameras recording functions and operation. Read the sections pertaining to your interest and need.
DISPLAY-INFORMATION BUTTON
The display-information button controls what information is displayed with the live image. Each time the button is pressed, the display cycles to the next format: standard display, real-time histogram, focus frame, and live image only.

Standard display

Real-time histogram

Focus frame only

Live image only
The real-time histogram shows the approximate luminance distribution of the live image. This histogram will not be accurate when the monitor image is amplified (p. 34, 104), or the built-in or a compatible Minolta flash unit is used. The histogram of a recorded image may not show the same distribution as the real-time histogram.
To display a grid or scale over the display formats, press and hold the function button (1) and press the display-information button to cycle through the options: grid, scale, and off.

FOCUS-MODE SWITCH

Single-shot AF (Autofocus), continuous AF, and manual focus is set with the focus-mode switch. Slide the switch to select the appropriate focus mode. Single-shot AF - a general purpose autofocusing mode. Its operation is described in the basic recording section. Continuous AF - used for photographing moving subjects. The camera continuously tracks and focuses on the subject.
Place the focus area on the subject. The four-way key of the controller can be used to move the area anywhere in the live image for off center subjects.
Press the shutter-release button partway down to engage the subject lock; the focus signal will confirm focus. If the subject moves or the camera is panned, the focus area will follow the subject. Focus and exposure will change as the subject moves and lighting conditions change. Press the shutter-release button all the way down to take the picture. When the shutter button is released the focus area returns to the center of the live image. Subject tracking can be disabled and AE lock can be activated in section 4 of the recording menu (p. 80).

46 ADVANCED

Continuous AF focus signal
Manual focus - the MF indicator is displayed in the lower right corner of the monitors to indicate the focus mode. Use the focusing ring at the rear of the lens barrel to focus. Always use the monitor image to confirm focus. The approximate object distance from the CCD is displayed near the frame counter. The Flex Digital Magnifier (p. 105) can be used to enlarge the live image to judge sharpness.

Object distance Approximate location of the CCD plane

DIGITAL ZOOM

The digital zoom doubles the lens magnification. The digital zoom cannot be used with RAW image quality or in movie recording. Press the magnification button on the back of the camera. The effect is immediate and X2.0 is displayed in top right corner of the live image. Pressing the magnification button a second time cancels the digital zoom. When an image is taken with the digital zoom, the final image size depends on the image-size setting on the camera. 2560 X 1920, 2080 X 1560, and 1600 X 1200 size images are resized to 1280 X 960. The pixel dimension of 640 X 480 size images do not change. Magnification display

FLEX FOCUS POINT

The Flex Focus Point (FFP) is a powerful tool for off-center subjects. It can be moved to any point in the image area. The FFP cannot be used with the digital zoom or movie recording. Press and hold the center button of the controller to activate the Flex Focus Point; the wide focus frames are replaced with a central cross. Use the controllers four-way keys (1) to move the Flex Focus Point in the live image.
Press the shutter-release button partway down to focus; the FFP turns red briefly to confirm focus.
Pressing the central button of the controller returns the focus point to the center of the image area. To return to the wide-focus frames, press and hold the button until the frame lines appear.

48 ADVANCED

MACRO MODE
The macro mode is used for close-up photographs of small objects. The built-in flash cannot be used with macro mode. The use of a tripod is recommended. Align one of the arrows on the zooming ring with the index next to the macro switch and slide the switch forward. The lens must be zoomed to the wide-angle or telephoto position for the macro switch to engage. The zooming ring is locked at the wide-angle position. At the telephoto position, the zooming ring can move slightly to make fine adjustments to image size. The macro indicator is displayed in the lower right corner of the monitors. Make sure the subject is within the macro focusing range: Wide-angle position Telephoto position Approximate location of the CCD plane 0.3 ~ 0.6m (12 ~ 24 in.) 0.25 ~ 0.6m (10 ~ 24 in.)

Macro-mode indicator

Shooting tips

Backgrounder

New Minolta Single Lens Reflex (SLR)-type Digital Camera: The DiMAGE A1
Minoltas new DiMAGE A1 5-megapixel digital camera builds on the success of Minoltas highly acclaimed DiMAGE 7 series of digital cameras. This next generation SLR-type digital camera includes these key features: Worlds Fastest Autofocus Speed* Shutter speed of 1/16,000 of a second Dual-focal macro system New image quality and image-size settings 3-D Predictive Focus Control and Subject Tracking Anti-Shake function Minoltas new CxProcess II Compatibility with accessory and studio flash systems
Main Features: Worlds Fastest Autofocus (AF) Speed* The new Minolta DiMAGE A1 features the worlds fastest AF speed among 5-megapixel SLRtype digital cameras with a non-interchangeable 5x or greater optical zoom.* Full-time AF continually focuses when the grip sensor is activated to reduce focusing time as well as to continually display a sharp image on the monitors. Fast Shutter Speed The DiMAGE A1 has an incredible top shutter speed of 1/16,000 of a second. This is not only an advantage in sport photography, but also gives greater control over depth of field in brightly-lit scenes by allowing the entire aperture range to be used. In low-light conditions, shutter speeds up to 30 seconds can be selected as well as thirty-second bulb exposures. High-Precision Electro-Optical System The DiMAGE A1 is built around a high-precision electro-optical system designed to maximize image quality. The system starts with a 5.3 megapixel 2/3-type progressive primary-color CCD with 5.0 million effective pixels for fine high-resolution images. The pixel resolution of the CCD will produce 13 x 17 150dpi prints or 6.5 x 8.5 photo-quality prints; this creates a print size larger than both 11 x 17 and 5 x 8 respectively. The DiMAGE A1 uses 14-bit A/D conversion to record the richness and infinite subtleties of light. 14-bit A/D conversion can distinguish 16,384 levels in each color channel. This is a fourfold increase over the fidelity of 12-bit systems. Images simply come alive.

-more-

Minolta DiMAGE A1 Digital camera Backgrounder (contd)
7x Optical Zoom Lens A high-resolution CCD is as only as good as the lens in front of it. The fast f2.8 f3.5 7x optical zoom is an advanced apochromatic (APO) lens employing anomalous dispersion (AD) glass to minimize chromatic aberration at all focal lengths and produce sharp, contrasty images. With a focal range of 7.2mm to 50.8mm, it is equivalent to a 28mm to 200mm 35mm zoom lens. This lens encompasses the most used focal lengths in photography today. It can range from wide angle for landscapes and interiors to telephoto for portraits and details of distant landmarks. A straightforward manual zooming ring makes framing quick and easy. The lens aperture can be adjusted in 1/3 stops allowing fine control over exposure. Dual-focal Macro System The Minolta DiMAGE A1 zoom features a dual-focal macro system that allows the lens to be set at the wide-angle or telephoto position to take advantage of different focal lengths. At the wideangle position, the larger field of view and depth of field create a strong perspective and a sense of space. The telephoto position isolates the subject and minimizes distortion with a narrow field of view and shallow depth of field. High Quality Images For photographers who demand high-quality images, new image-quality and image-size settings have been added to the Minolta DiMAGE A1. The extra-fine image-quality option joins the fine and standard settings to produce a high-quality JPEG file with little compression or loss of detail. The new 2080 x 1560 image size gives the photographer the ability to switch between 5 megapixel, 3 megapixel, and 2 megapixel images smoothly to match the final use of the image with the optimum resolution to maximize storage space on the memory card. A 640 x 480 (VGA) image size is also available for web images. 3-D Predictive Focus Control All cameras suffer from a slight delay between pressing the shutter-release button and when the image is captured. And at long focal lengths, this slight delay can be significant when photographing fast moving subjects. With continuous AF, the Minolta DiMAGE A1 uses Minoltas new 3-D Predictive Focus Control to track the subject from when the shutter-release button is pressed all the way down until the exposure is made ensuring optimum focus. This new predictive focus control continually follows the subject through three-dimensional space not only to give the sharpest images possible, but also to reduce focusing time to catch the perfect moment. Subject Tracking The cameras Subject Tracking AF uses the 3-D Predictive Focus Control system to lock on to and track a subject as it moves through the frame. A photographer simply places the subject in the AF frame and presses the shutter-release button partway down to engage the subject lock. The camera will then track the subject regardless of the direction of motion of the subject or camera. Versatile Autofocus System The DiMAGE A1s AF system works in low-light conditions, the fading light of twilight or dimly lit interiors, without the need of a special AF illuminator. The monitor and viewfinder images are automatically amplified in these conditions so the subject is always visible. Flex Focus Point adds unlimited versatility to the cameras AF system. When the camera is placed on a tripod or when the position of the focal plane is critical as with close-up photography, it can be very difficult to use most autofocus systems because the camera must be moved to focus and then repositioned to compose the image. Flex Focus Point is a single crosshair sensor that can

be placed anywhere within the field of view. With the camera on a tripod, a photographer simply uses the four-way key of the controller to position the Flex Focus Point on the subject. The cameras AF system will then use that point for each exposure. The spot metering area can also be switched between a center spot and the Flex Focus Point. Direct Manual Focus The Minolta DiMAGE A1 incorporates Direct Manual Focus (DMF) a feature found in professional-level 35mm film cameras such as the award-winning Minolta Maxxum 7. After the AF system has focused and locked on the subject, the focus can be fine-tuned manually. The new Flex Digital Magnifier (FDM) can enlarge a section of the live image by two or eight times so sharpness can be judged in manual focus or when using DMF. The FDM marquee can be moved to frame the section of the image to be enlarged. Once enlarged, the live image can be scrolled so the entire image area can be examined. Anti-Shake Function The cameras new Anti-shake function minimizes the effect of camera shake, a slight blurring of the image when the camera is handheld, to provide the sharpest image possible. The Anti-shake system is valuable when shooting at long focal lengths or in low-light conditions without a tripod. This allows the camera to be handheld with exposures approximately eight times longer than usual. When using the camera at the telephoto setting, approximately 90% of the images recorded will be sharp with a shutter speed of 1/25 second. The Anti-shake button glows to indicate the function is active. Minoltas CXProcess II Minoltas new image-processing technology CxProcess II controls the essential image qualities of color, contrast, and sharpness while minimizing noise. Brilliant, saturated color remains vibrant without becoming unnatural or flat. Subtle contrast is rendered to retain the richness and depth of the subject while preserving details in the highlights and shadows. Sharpness is controlled by balancing resolution with acutance to show fine details while minimizing hard, unnatural edges. Dark noise can be reduced with exposures of one second or longer with the noise-reduction menu option. Digital Hyper Viewfinder The redesigned Digital Hyper Viewfinder gives the camera the same feel as a 35mm SLR camera. It can be tilted between 0 and 90 for comfortable shooting at low angles or in confined spaces. The viewfinder has a new precision 235,000-pixel TFT monitor. Because the viewfinder LCD is shielded, it makes the perfect tool when working under bright light. Unique LCD Monitor The DiMAGE A1 is fitted with a 1.8-inch low-temperature high-contrast color LCD monitor that can be tilted from 20 to +90. The monitor has an extended color gamut, contrast, and dynamic range. The monitor has a wide-viewing angle so that the camera does not need to be held perpendicularly to clearly view the live image. Digital Effects Control (DEC) The Digital Effects Control (DEC) is an image-processing center built into the DiMAGE A1. Contrast, color, and saturation can be adjusted before the image is captured to maximize image data at the scene. Contrast expands or contracts the tonal range to match the subject contrast. Saturation accentuates or subdues colors. The Filter effect controls the overall color of the image. When taking color images, the filter can affect the mood of the picture by making it cooler or

warmer in eleven levels. When used with black and white images, the filter creates a warm or cool toned image similar to sepia or gold toners with photographic prints as well as the unique tones of magenta and green. Ten tones are available. To guaranty the correct level of adjustment is made with the DEC, a Digital Enhanced Bracket can be made, a series of images with a slight increase and decrease in the quality selected. A photographer simply selects the bracketing drive mode and the image quality to be bracketed. The camera will automatically make a three-image bracket of the selected quality. Digital Subject Program Modes The cameras Digital Subject Program modes optimize exposure and image-processing controls for specific shooting conditions and subjects. Simply select the appropriate Digital Subject Program and the camera is ready to shoot. Four subject programs are available: Portrait: optimized to reproduce warm, soft skin tones and a slight defocusing of the background. Sports action: to make clear, sharp images of fast moving subjects. Sunset: optimized to reproduce rich, warm sunsets. Night portrait: for deep, subtle night scenes. When used with the built-in flash, the subject and background exposures are balanced. Color Modes As well as Natural Color and black and white, the DiMAGE A1 has two color modes for creative control: Vivid color and Solarization. Vivid Color increases the saturation to produce vibrant color images. Solarization creates a partial reversal of image tones to produce unique imaging effects. Two Adobe RGB options are available for color management applications so that the image can be captured with or without the Adobe RGB profile embedded. Movie Mode The DiMAGE A1 will not only produce great still-images, but also makes digital movies. There are multiple creative movie formats from which to choose. Standard QVGA (320x240) color movies and monochrome night movies up to 15 minutes with audio can be made. The nightmovie mode can make recordings under extreme low-light conditions. The interval function can produce a series of still images taken at regular intervals or it can combine the images into 640 x 480 time-lapse movie. The time-lapse movie plays the images back at 4 frames per second so that normally imperceptible motion springs to life: the blossoming of a flower or changing cloud formations. Real-time Histogram Unique to digital imaging, the DiMAGE A1s real-time histogram shows the luminance distribution of the image before it is captured. Displayed with the live image, the histogram allows the subject brightness and contrast to be evaluated to optimize the cameras exposure and contrast controls. The luminance distribution of recorded images can be checked with playback histogram. Intuitive Controls The controls and dials are laid out for clear, intuitive operation. Two control dials are located on the front and back of the grip for quick changes to camera settings. Placed on the back of the camera, the controller is a straightforward five-way array used to control many of the cameras advanced features and menus. The controller has been designed with a separate four-way key and central enter button. Separate buttons have been added for exposure compensation and custom

white-balance settings. And a new switch makes it easy to change between single-AF, continuous-AF, and manual focus modes. Professional Style The DiMAGE A1 is wrapped in a feather-light magnesium-alloy case with a professional black finish. The camera has been completely redesigned to reflect the utility and sophistication of digital technology. Significantly smaller than a compact 35mm SLR camera with a built-in flash and zoom lens, this sophisticated imaging system can easily slip into a fanny pack or shoulder bag. A new textured grip gives the DiMAGE A1 secure, comfortable handling. Automatic Camera Sensitivity Automatic camera sensitivity adjusts between ISO 100 and 200 equivalents as the lighting conditions change to maximize shutter speeds to reduce camera shake. Monitor amplification brightens the monitor image under low light so that composition can be checked. This function can be turned on or off, or set to automatically active in low light conditions. Data Imprinting Data imprinting allows the date or time to be printed on the image as well as text and serial numbers. A 16-character subject line describing the images can be added to the exif data and read with the DiMAGE Viewer. This subject line can be printed out with a copy of the image from the DiMAGE Viewer application. The electronic keyboard used to imprint text has an expanded character set for European languages. Diacritical marks are added to certain vowels and the German double S is available. System Accessories The DiMAGE A1 is compatible with the Minolta Program/Maxxum Flash 3600HS (D) or 5600HS (D) units as well as the latest addition to the line, the new Program/Maxxum Flash 2500 (D). These powerful flash units can be used directly on the camera. The 3600HS (D) and 5600HS (D) have a zoom head that automatically adjusts as the cameras lens is zoomed in and out, and their heads can be tilted for bounce illumination. The 5600HS (D) also has a swivel head and the flash output can be controlled with power ratios. The new 2500 (D) is a compact, automatic flash unit with a tilting head and an affordable price tag. For close-up photography, Minolta has a high-quality macro lighting system. The Macro Flash Controller can be coupled with the Micro Ring Flash 1200 or the Micro Twin Flash 2400 lighting sets. Both these systems give considerable control over lighting in confined spaces at close working distances. The DiMAGE A1 can be fired with an optional 1.6 ft. or 16.4 ft. remote cord. The optical zoom accepts standard 49mm filters; the Minolta Step-up Adapter 49mm to 62mm is available. A new built-in flash synchronization terminal allows the DiMAGE A1 to be connected to professional studio and location flash systems. Simply plug the flashs PC cord into the terminal. Designed for center-negative and center-positive polarities, the camera is compatible with most studio and location lighting systems. For long periods in the field, an external battery pack is available to power the camera. The pack uses either two rechargeable lithium-ion batteries or six AA batteries and is mounted on the bottom of the camera with the tripod socket.