Konica Minolta Multifunction Devices General information and troubleshooting
Can I have account track codes set up on my device? Yes, put in a help desk ticket and choose Multifunction Devices > Account Track codes. You will be contacted by Application Support for further instructions.
Cant print or scan to email The KM BizHub can copy as long as it is plugged into an outlet. For scanning to email and for printing to the device, it must have a network connection. If you cannot scan or print to the device, make sure the network cable is securely plugged in to the device and to the wall. If you still cannot scan or print, cycle the power. There are two power switches. Both must be turned off, wait 10 seconds and then turn them back on. If you still cannot print or scan, try a new network cable and cycle the power again. If you still cannot print or scan, contact Konica Minolta for a service visit - 800-456-5664

Exposure-adjustment control 2 EV stops continuous adjustment over or under normal exposure, with LED indicator in viewfinder Back-cover release k n o b Main switch Mode/shutter-speed selector P: Programmed AE A: Aperture-priority AE 1 -1000: Stepped shutter speeds for metered/full manual B: Long ("bulb") exposures Operating button "Soft t o u c h " electromagnetic release; locks when battery power too low "Touch switch" metering with 15-sec. hold of LED display Safe Load Signal Monitors correct film advance

Rewind crank

Frame counter

P/A-lock release

Film-speed ringFilm-speed window Exposure-adjustment control release
Flash/camera-control contacts For dedicated programmed autoflash and X-series autoflashes Sync contact
Film-advance lever Smooth 130" advance stroke after ' unengaged movement Main-switch position indicator OFF, O N , ON (audible slowshutter-speed warning and selftimer beeps)
AE lock/self-timer switch AE lock for holding close-up or adjusted-viewing meter readings Electronic self-timer with triple-rate blinking LED and optional audible beeps Front grip Integral front and back grips giving camera surer hold

MD coupler

Lens-mounting index Lens-release button Mirror Specially coated to make viewfinder 11 % brighter

MC coupler

Strap eyelet
Shutter-release socket Sync terminal Diaphragm-control lever Preview button Easy-to-use spring-loaded button for previewing depth of field Not visible: Silicon photocell atop pentaprism for full-aperture metering for viewfinder LED display, and for "final check" stop-down metering Second silicon photocell in mirror compartment for Direct Autoflash Metering w i t h PXseries A u t o Electroflashes
Bayonet lens mount New integrally lubricated stainlesssteel mount offers greater durability and smoother lens changing; accepts virtually all Minolta SLR interchangeable lenses and accessories
Mode indicators M: Metered manual A: Aperture-priority AE P: Programmed AE (blinks if lens not set at minimum aperture or non-MD lens in use Over-range LED

Focusing grip Distance scale Depth-of-field scale Aperture ring/scale Mounting index Minimum-aperture lock Prevents accidental m o v e m e n t of a p e r t u r e ring in P m o d e Diaphragm-control pin
Shutter-speed scale/LEDs LED indicates stepless speed set by camera in P and A modes LED indicates stepped speed recommended in M mode " " LED blinks at 2Hz as flash-ready indicator w i t h PX- and X-series A u t o Electroflashes " " LED blinks at 8Hz as flash-distance checker (FDC) w i t h PX-series A u t o Electroflashes
Under range LED Exposure-adjustment LED Aperture setting Focusing screen Split-image spot, microprism band, and Acute Matte field; exchangeable with eight other screens at authorized Minolta service facilities
Lens shown: 50mm f/1.7 MD
Back-cover release knob Film-cartridge chamber Shutter curtain Horizontal-traverse focal-plane type Sprocket Take-up spool Pressure plate Eyepiece frame/eyepiece Memo holder ISO (DIN-ASA) table Back grip Battery-chamber cover Tripod socket Rewind release
Accessory connections: Contact terminals for camera control by Multi-Function Back and data-imprint control w i t h Multi-Function Back or Quartz Data Back 1 Motor-drive guide socket Motor-drive contacts Winder contact Winder/motordrive coupler Winder/motordrive guide socket
TAKING CARE OF YOUR X-700
Your Minolta X-700 is a high-precision instrument designed to give many years of trouble-free picture taking if used and cared for properly. The precautions you should follow for keeping the camera in good operating condition are given below and at various places throughout the text. Always keep your camera in its case w i t h the lens capped when not in use, or with a body cap on when a lens is not attached. No part of the X-700 should be forced at any time. If operation is not as you think it should be, carefully restudy the applicable instructions or consult an authorized Minolta service facility. Never subject your camera to shock, high heat and/or humidity, water, or harmful chemicals. Be particularly careful not to leave it in the glove compartment or other places in motor vehicles where it may be subject to high temperatures. Never lubricate any part of the body or lens. Never touch the shutter curtains or the front inside part of the body with fingers or other objects or blow against them, as doing so might damage the alignment and movement of either the curtains or mirror.

FILM AND FILM SPEED

The X-700 uses standard 35mm cartridge f i l m. If you are not already familiar with the many types available, you may want to experiment to find one or more that give pleasing results for subjects you like to photograph or for special situations. The ISO film speed (incorporating ASA and DIN numbers) indicates the film's sensitivity to light. The first part of the ISO number (equivalent to ASA number) is marked on the X-700's film-speed ring. Each time this number doubles (e.g., f r o m 25 to , 50 to 100), the required exposure is halved. Such a change is called one " s t o p ". Though selecting a high-speed film will allow you to take pictures when there is less light, such films in general may produce a grainier image. ASA 25

DIN 15

250 320

DIN 32 33

500 640

125 160

200 Setting film speed Lift up on the film-speed ring and turn it until the proper ASA number appears centered in the film-speed window and locks in that position when the ring is released. Marks between numbered graduations indicate speeds shown in the table at right.

1000 1250

CAUTION Film should be stored in a cool, d r y , dark place before use and exposed before the expiration date printed on the box.
LOADING AND ADVANCING FILM
Loading film Before opening the camera back, confirm that there is no film inside that could be damaged by light if the back is opened, by checking that: No red is visible in the Safe Load Signal (see p. 20). Rewind crank can be freely rotated clockwise many times without pushing rewind button. Since the frame counter advances each time the shutter is cocked even if no film is inside, the camera may be empty even when the index does not point to " S ". Prior to loading f i l m , set the film speed (see previous page) and turn the main switch on (p. 13). CAUTIONS Film should be handled and loaded in subdued light - at least shaded from direct sunlight by your body. Do not touch any parts or areas shown in blue below.

A handy ISO (DIN-ASA) table, w i t h a surrounding memo holder for keeping the film-box end as a reminder of the film type and number of exposures, is located on the camera back.
1. With the case off, pull up on the back-cover release knob until the camera back springs open. Gently blow away any dust or other particles inside with a blower brush. NOTE When loading film in a dark place or with the lens cap on, loading will be easier if the mode selector is not set at " P " or " A ".
2. Leaving the knob pulled out, position a 35mm film cartridge as shown with the projecting spool down. Then push the knob all the way in, rotating it slightly if necessary. NOTE If the film-advance lever stops at the end of a full stroke during the following steps, release the shutter and continue (main switch must be on).
3. Pull out enough film leader to just reach the take-up spool, then insert the end into a slot on the left (as shown above), making sure it does not protrude from another slot. A hole in the film should be lined up w i t h the tooth on the take-up spool, and the sprocket teeth should be engaged w i t h holes at the b o t t o m of the f i l m.
If you find it easier to hold the film leader in your right hand, insert the film as shown in the diagram above, making sure the take-up spool tooth is properly engaged with a hole.
4. With the film held against the sprocket by your left hand, slowly operate the film-advance lever until the film is wound firmly around the take-up spool, the sprocket teeth are engaged with holes on both edges of the f i l m , and the slack in the film is taken up.
5. After making sure the film is taut, close the camera back by pushing in on it until it clicks shut. A red " S " should now appear opposite the index in the frame counter. CAUTION Slack should be taken up by advancing, not rewinding, the f i l m. If you rewind the slack into the cartridge then later advance the film t o " 1 " , the first frame may have already been exposed to light.
6. Advance film, release shutter, and advance film until the index points to " 1 ". A red bar should now appear at far left in the Safe Load Signal, indicating film is loaded and advancing properly. (If it does not appear or swings far to the right, repeat steps 3 to 6.) The camera is now ready for taking the first picture, provided film speed is set.
Film-advance lever To allow swinging the filmadvance lever out from the camera body so the right thumb will fit comfortably behind it, the lever has 30 of unengaged movement. As the lever is moved an additional 130, the film and frame counter advance. When it stops at the end of the full 160 stroke, the shutter is cocked for the next exposure.

Safe Load Signal/Frame counter As you continue taking pictures and advancing film, the red bar in the Safe Load Signal gradually moves to the right and the rewind crank rotates counterclockwise, indicating proper film advance. Never force the lever when it resists further movement at the end of the f i l m , which may be somewhat before or after the common film lengths (12, 20, 24, 36 exposures) shown in red in the frame counter. The frame counter stops advancing after 36 exposures.
REWINDING AND UNLOADING FILM
1. To rewind the f i l m , remove the camera's case if on, then press the rewind release on the camera bottom.
2. Unfold the rewind crank and turn it in the direction of the arrow until the red bar in the Safe Load Signal moves out of the window to the left. Near the end you will feel tension on the film increase then completely disappear, and the crank will then turn freely. CAUTION Never open the camera back when there is any red still visible in the Safe Load Signal.
3. When you are certain that the exposed film is completely rewound into the cartridge, pull up on the back-cover release knob to open the back, then remove the cartridge. CAUTION Exposed film should be kept in a cool, dry, dark place and developed as soon as possible.
Pages 23 to 51 explain how to use your camera to take pictures. The sections in boxes give additional information on some of the fundamentals of photography. Pre-shooting check To make sure your camera is ready for picture taking, it is a good habit to check the items shown here. Film inside ? Self-timer ?

P-mode settings ?

Film advanced ? Film speed ? Batteries OK ? (Does LED light when operating button touched or pressed ?)
Exposure-adjustment control ?

( + / - LED?)

Main switch on ? 23
EXPOSURE CONTROL WITH THE X-700
Y o u r X - 0 can be used in any of three e x p o s u r e - c o n t r o l modes, as s u m m a r i z e d b e l o w and e x p l a i n e d in m o r e detail in the f o l l o w i n g sections. Programmed auto-exposure (AE) mode T h e X-700's P m o d e is ideal for general p i c t u r e t a k i n g w h e n all y o u w a n t to do is c o m p o s e , focus, a n d shoot. W i t h t h e camera set a t " P " and an MD lens at its m i n i m u m aperture, the X - 0 ' s p r o g r a m selects the aperture and fastest p r a c t i cable s h u t t e r speed as l i g h t d i m s , giving audible beeps (if desired) to guard against b l u r f r o m s u b j e c t / camera m o v e m e n t.

Aperture-priority AE mode When you want to control the depth of field by setting a certain aperture, or for auto-exposure control with virtually any Minolta SLR lens or accessory, use the X-700 in A mode. The camera will automatically set the stepless shutter speed to yield proper exposure for the aperture you set. Metered/full-manual mode The X-700's M mode can be used when a special photographic effect requires a fixed speed, or in situations where the brightness difference between the subject area and the rest of the frame exceeds the available range of exposure adjustment in P or A mode or where the AE lock cannot be readily used.
If you hold the camera as shown, you can easily operate most controls without removing it from your eye. LEFT HAND Thumb: focusing grip, aperture ring, or preview button Index: focusing grip Middle: aperture ring RIGHT HAND Thumb: film-advance lever Index: main switch, mode/shutterspeed selector (and P/A-lock release), or operating button Middle: AE lock or minimum-aperture lock
Mode/shutter-speed selector and P/A-lock release The mode/shutter-speed selector can be rotated continuously in either direction but locks at " P " and " A " to prevent accidental movement. Release the selector by pressing the P/A-lock release, then turn it until it clicks or locks into place at the desired position.
Minimum-aperture lock In P mode, it is recommended to lock the lens at its minimum aperture to prevent accidental movement. To do so, line up the green f-number (f/16, f / , or f/32, depending on lens) with the index, then pull the slider toward the camera. To release the lock for A mode or M mode, push the slider away from the camera body. NOTE Only new-type MD lenses have the lock.
Eyepiece cap If the shutter is released without the eyepiece being shielded by your head (such as in remote or selftimer operation, etc.) when the camera is used in P or A mode or at " B " , slide the eyepiece cap onto the frame around the eyepiece to prevent unwanted light from affecting the meter reading and exposure. The eyepiece cap can be threaded on the camera strap to keep it handy for use. 25
PROGRAMMED AUTO-EXPOSURE MODE (P mode)

Basic settings

Set m o d e selector at " P ".
Taking pictures in P mode After you have set the camera as shown at left, it will automatically set the shutter speed and aperture for you (see program graph on p. 30). All you need do before releasing the shutter is compose, focus, and check the viewfinder as follows: Is the over-range LED blinking? If so, use a neutral-density (ND) filter or reduce the light level if possible. Is an LED on in the danger zone for hand-holding (usually 1/30 sec. or slower see p. 44)? Or does the slow-shutter-speed warning beep when the main switch is at " O N " and you touch the operating button? If so, use a suitable camera-support method (p. 46) or a flash (p. 50).

COUPLED RANGES A N D PROGRAM GRAPH As shown in the graph at right, the X-700's program is designed to maintain the fastest practicable shutter speed as light dims. The graph gives you a general idea of which aperture is being set for a given LED-indicated shutter speed. For example, if the " 5 " LED lights, the aperture will be approximately f/2.8 (for a 50mm f/1.4 lens, at ISO 100/21 ). The accurate working range of shutter-speed and aperture combinations at ISO 100/21 w i t h an f/1.4 lens is EV 1 (f/1.4, 1 sec.) to EV 18 (f/16, 1/1000 sec). At ISO / , the range is EV -1 to 16; at ISO 400/27 it is EV 3 to 18. The maximum EV depends on the minimum aperture of the lens: for f/16 it is EV 18; for f/22, EV 19; for f/32, EV 20. Program for 50mm f/1.7 lens set at minimum aperture of f/22 Program for 50mm f/1.4 lens set at minimum aperture of f/16 Program when lens is set at f/5.6 rather than minimum aperture
Programs shown for ISO 100/21 SHUTTER SPEED
LENS AND MODE COMBINATIONS ISO 25/15 50/18 100/21 200/24 400/27 Shutter speed 4 to 1/1000 sec. 2 to 1/1000 sec. 1 to 1/1000 sec. 1/2 to 1/1000 sec. 1/4 to 1/1000 sec. The table at right shows the usable modes for various types of lenses and accessories. Because the X-700 meters while the diaphragm is closing to obtain correct exposure in auto modes, operation may be somewhat different than stated in the lens or accessory manual. Special instructions for specific lenses and accessories are as follows: Only MD lenses should be used in P mode. If a non-MD lens is used, the " P " will blink as a warning that exposure may be incorrect. When using an Auto Rokkor lens, Auto Bellows I, or Auto Bellows III w i t h the X-700, you need to press the preview button only when you want to check the shutter speed that will be used in A mode or the recommended shutter speed in M mode, not when you actually release the shutter. For Auto Bellows I I I , press the preview button on the bellows itself. Lens or accessory MD MD plus MD 2X Tele Converter MC Auto Rokkor Manual preset RF (mirror) CA Shift Varisoft MD or MC plus: M C 2 X Tele Converter Close-up accessories A A Mode P P A M A M A A A M M M M M M
The accurate working range of shutter speeds of the X-700 depends on the film speed, as shown in the table. If you release the shutter when the LEDs indicate a speed outside the applicable range, exposure may be incorrect.

-2 -+1 +2

To deliberately increase or decrease exposure from the normal metered value, turn the exposureadjustment control while pressing the lock release until the desired position is aligned with the index. Set minus () numbers to darken exposure and plus (+) numbers to lighten exposure, as indicated in the table. NOTES The control will lock at " 0 " and each half-stop setting, though settings between half stops can also be used.
two stops less = one-quarter normal exposure one stop less = one-half normal exposure normal exposure one stop more = double normal exposure two stops more = four times normal exposure
When the control is not at " 0 " , the +/- LED in the viewfinder will blink to let you know exposure is being adjusted. Be sure to return the control to " 0 " after using exposure-adjustment settings. Both aperture and shutter speed are changed by exposure adjustment in P mode; in A mode, only shutter speed is adjusted.
WHEN TO USE AE LOCK A N D EXPOSURE The following suggestions on when to use the AE lock or exposure-adjustment control can serve as starting points for trial; individual conditions and taste will, of course, determine what exposure you choose. In situations where there is a great brightness difference between the subject and background and the most important area is considerably darker than the area surrounding it, use the AE lock to lock the meter reading with the camera positioned so the subject fills most of the finder, or set the exposure-adjustment control at + 1/2 to +2 stops. Examples are pictures with strong backlighting and no fill-in illumination (such as photos A and B), or subjects against a background of snow or lightcolored sand, unless the bright area occupies a very small part of the frame. If the most important subject area is much brighter than the rest of the picture, use the AE lock as above or set the exposure-adjustment control at 1/2 to -2 stops. Examples are subjects in a spotlight or shaft of sunlight or against a very dark background (such as photos C and D), unless the background occupies only a small area in the frame. When copying documents printed on white stock or on other predominantly light-colored materials, an adjustment of +1/2 to +2 stops may be necessary. Similarly, you will probably want to make an adjustment of 1/2 to 2 stops for predominantly dark copy material, or that on a dark background. When using an R60 (red) filter, adjust exposure + 1 stop.

A. Without AE lock or adjustment
C. Without AE lock or adjustment

B. Exposure increased

D. Exposure decreased
The same results can be obtained by using the AE lock while framing the face within the rectangle, then recomposing before releasing the shutter.
M E T E R E D / F U L L - M A N U A L EXPOSURE MODE (M mode) Basic setting Taking a picture in M mode To use the X-700 in metered- or full-manual mode, first release the mode/shutter-speed selector from " P " or " A " and check to see that the lens is not locked at minimum aperture. There are two ways to use metered-manual mode: When you wish to use a certain shutter speed, first set the selector at any click-stop setting from 1 sec. to 1/1000 sec, then turn the aperture ring until the LED next to that speed lights up. When you wish to use a certain aperture, first set the aperture ring, then set the stepped shutter speed according to the value recommended by the LED. If two LEDs light up, adjust the aperture ring somewhat until only one lights. Do not set the shutter-speed selector between click stops. Number agreement can, of course, be disregarded and any shutter-speed and lens-aperture combination set for full manual operation (see p. 29). NOTE In M mode, the slow-shutterspeed warning indicates that the camera-recommended setting NOT the actual setting - is 1/30 sec. or slower.
Set mode/shutter-speed selector at any position from " 1 " t o " ".
sures) or a Minolta electronic remote cord (p. 47). The eyepiece cap (p. 25) should be used to prevent stray light from affecting the exposure. NOTES The self-timer does not operate at the " B " setting. With fresh batteries at moderate temperatures, the maximum long exposure is approx. 3 hours. At lower temperatures, exposure time may be shorter. Exposures up to 6 hours long are possible by using a fresh lithium battery. For automatically timed long exposures, use the accessory MultiFunction Back (p. 55).
Viewfinder shows: Red " M " = Manual mode in use Aperture you selected (equals taking aperture) Shutter speed recommended by camera for that aperture NOT A C T U A L SPEED SET
Long exposures ( " B " setting) When the mode/shutter-speed selector is set at " B " , the shutter will open when you press the operating button and remain open until you release it, making exposures longer than one second possible. A tripod (p. 46) or other firm support should generally be used. To avoid jarring the camera when pressing or releasing the operating button, use a standard cable release (preferably a lockable type for longer expo-

FOCUSING

Focusing aid The X-700's standard focusing screen has a split-image spot surrounded by a band of microprisms in the center of an Acute Matte field. To focus the camera visually with usual lenses, look through the viewfinder and turn the focusing ring of the lens u n t i l : Upper and lower subject images in the spot are exactly aligned with no broken lines between them, Subject image in the band does not shimmer or appear broken up,and Subject image within the focusing aid appears clearest and seems to blend w i t h that on the matte field surrounding it. Though the most satisfactory focusing aid and method depend upon the conditions and your personal preference, the above method may provide the best results with medi40 um wideangle to medium telephoto lenses. Generally speaking, however, you will probably find that focusing is easiest if: Split-image spot is used for subjects having vertical lines. Microprism band is used for lenses from medium wideangle through medium telephoto, especially with subjects not having vertical lines. Matte field is used for longerfocal-length lenses or for macro or other work involving considerable lens extension.

In focus

NOTE The X-700's standard focusing screen can be replaced at any authorized Minolta service facility by any of eight optional focusing screens (see p. 57).

Out of focus

Distance scale You may find that in the following situations it is easier to focus by estimating the distance to your subject, then aligning the corresponding figure on the distance scale with the index: If you are taking long exposures or flash pictures when it is too dark to focus through the lens If you want to prefocus on your subject, such as in quickly shot candid photos
Film-plane index The symbol beneath the filmadvance lever indicates the position occupied by the film in the camera. It can be used for measuring the distance from subject to film when taking close-ups, photomacrographs, and photomicrographs, where the exact distance is sometimes important.
Infrared index For proper focus when using infrared film, first focus your subject as usual w i t h visible light, then attach a red filter and turn the focusing ring to the right to align the point of proper focus on the distance scale w i t h the small red dot (or red " R " on MC and oldtype MD lenses) on the depth-offield scale. Set exposure according to the film manufacturer's recommendations. 41

DEPTH OF FIELD

Focused distance APERTURE
Focused distance FOCUSED DISTANCE
focused distance FOCAL LENGTH
The range behind and in front of the focused distance within which the image appears acceptably sharp is called the depth of field. It extends a greater distance behind the focused distance (usually about 1/3 in front, 2/3 behind) and is determined by three factors: the aperture, the distance at which the lens is focused, and the focal length of the lens. As illustrated by shaded trees above, depth of field increases as the lens is stopped down (e.g., f/1.7 to f/22) and becomes greater the farther from the camera the lens is
focused. It decreases as the lens is opened up (e.g., f/22 to f/1.7) and the closer the lens is focused. Depth of field is greater for short-focal-length lenses than for telephotos at the same focused distance and aperture. It is at its least for any given lens in normal mounting when the lens is at maximum aperture (as when metering and focusing normally with Minolta MD or MC lenses) and at minimum focusing distance.
Preview button In A and M mode, depth of field at any focused distance and aperture can be checked visually by pushing the preview button all the way in. This will stop the diaphragm down to the aperture corresponding to the f-number set on the aperture ring, allowing you to see through the viewfinder how much of the subject is acceptably sharp. NOTE The shutter speed indicated by LED while the preview button is pressed is NOT the actual shutter speed.

Depth-of-field scale When the lens is focused at a given point, the image will be in satisfactory focus from the nearer value to the farther value on the distance scale indicated by the depth-of-field marks for the aperture in use. For example, if a 50mm f/1.7 lens is focused at 3m (about 10 ft.) and the aperture is f / 8 , the corresponding graduations to left and right of the index indicate acceptable sharpness from about 2.4 to 4.2m (approx. 8 to 14 ft.).
The depth-of-field scale can also be used to zone focus, i.e., set the focusing ring so that some anticipated action will take place within the limits of the depth of field. For example, if you want any subject within a range of 2.6m (approx. 81/2 ft.) to infinity to be reasonably sharp and the lighting conditions allow you to set an aperture of f/16 in A or M mode with a 50mm f/1.7 lens, set the lens so the infinity mark is opposite the " " on the right end of the scale.
BLUB FBOM CAMERA/SUBJECT MOVEMENT
A blurred photograph results when movement of the subject or camera during exposure causes a shift in the position of the image on f i l m. The shutter speed required to "freeze" an object's action normally increases as the object's speed increases; however, no matter what the speed, an object moving across the viewfinder field requires a faster shutter speed than one moving at the same speed directly toward or away from the camera. Similarly, a moving object near the camera (or one appearing nearer due to use of a longerfocal-length lens or a close-up accessory) requires a faster shutter speed than one farther away. Blur from camera motion depends on such factors as the lens being used, the apparent closeness of the subject when viewed through the lens, the shutter speed, and the camera-support method. Since longer-focal-length lenses and closeup accessories increase the relative size of the subject, even a slight movement of the camera will be magnified on f i l m ; the greater weight and size of such lenses and accessories may also make it difficult to hold them steady. A good rule to follow is that the slowest shutter speed that can be safely used by most people when hand-holding a lens is the reciprocal of the focal length. For example, for a 125mm lens, the speed would be 1/125 sec; for a 300mm lens, it would be 1/500 (1/300 raised to the next faster speed to be on the safe side). Use of a sufficiently fast shutter speed is also important when taking pictures from a moving, vibrating vehicle such as a boat, car, train, or plane (especially to prevent blurring the foreground, if any) or from a vibrating object such as a bridge. To reduce transmission of the vibrations through your body to the camera, relax your body and avoid direct contact with the object as far as possible.

NOTES If you wish to cancel the selftimer after it has been started, push the self-timer switch down or turn the main switch off. Be sure to turn the self-timer off after the picture has been taken. If you do not, the next picture will also be taken after a 10-sec. delay. When taking self-timer pictures in P or A mode, use the eyepiece cap (p. 25).
Other ways of releasing shutter The shutter can also be released by using one of the following: Minolta Remote Cord S (50cm, 20 in.) or Remote Cord L (5m, 16-1/2 ft.) Minolta Wireless Controller IR-1 Set (p. 56) Minolta Multi-Function Back (p. 55) The remote cords and cable release should be screwed into the shutterrelease socket on the side of the lens mount.
CREATIVE CONTROL OF APERTURE AND SHUTTER SPEED
A Sometimes you may want to select an aperture so as to obtain a particular effect, such as rendering a certain range in sharp focus or emphasizing a subject against an out-of-focus background. In either case, use the X-700 in A or M mode, setting
B the lens at the desired aperture. Small f-numbers yield a shallow field of sharp focus, as in photo A above, while large f-numbers give greater depth of field, as in photo B.
At other times, the subject or effect you want may make the shutter speed more important. In A mode turn the aperture ring until the LED next to the desired shutter speed lights, or use M mode to set the speed. Fast shutter speeds such as 1/500 to
D 1/1000 above. can be (photo sec. can "freeze" action, as in photo C Slow shutter speeds such as 1/2 to 1 sec. used to emphasize subject flow or motion D).

FLASH PHOTOGRAPHY

Besides its pentaprism-mounted silicon photocell for ambient light metering, the X-700 has a second cell located in its mirror compartment to measure through-the-lens (TTL) light reflected from the film during flash exposures with PXseries Auto Electrofl3Shes. Used in program T T L autoflash mode with the X-700 and an MD lens set for P mode, this Minolta Direct Autoflash Metering system allows you to simply compose, focus on a subject in flash range, and shoot. The aperture will be automatically set for you by the camera's flash program. In any-aperture T T L autoflash mode with the X-700 set at " A " , you can open the aperture fully up to obtain maximum flash range, or close it down for greater depth of field. Since light is metered through the lens at the taking aperture during exposure, this mode is ideal for autoflash close-ups, bounce flash, and other creative flash techniques. 50 In both modes, an LED will blink in the viewfinder to indicate if exposure was sufficient, and flash exposures can be lightened or darkened over a wide range by using the camera's exposure-adjustment control. The table at right summarizes how to use PX and other flash units with the X-700. For specific instructions, see the applicable owner's manual.

tion (LED blinking at 4Hz); display and metering activated by normal finger contact or slight pressing of operating button and continue for 15 sec, except go out after shutter release Flash sync and control: Hot shoe and PC terminal for X sync; camera-control contact on hot shoe for flashready signaling and automatic setting of shutter at 1/60 sec. (except when mode/shutter-speed selector set for sync at " B " ) with PX and X flash units; other electronic units synchronize at 1/60 sec. and slower manual speeds or " B " setting; Class MF, M, and FP flashbulbs, at 1/15 sec. or slower settings; second contact on hot shoe for burst control by Direct Autoflash Metering with PX units Film advance: Manual: by lever with single 130" stroke after 30 unengaged movement; motorized: through built-in coupler key with accessory Motor Drive 1 or Auto Winder G; release button for rewind on camera b o t t o m ; advancing-type frame counter; Safe Load Signal indicates film loading and advancing condition
Power: Two 1.5v alkaline-manganese (LR44: Eveready A-76 or equiv.), two 1.55v silver-oxide (SR44: Eveready S-76, EPX-76, or equiv.), or one 3v lithium (CR-1/3N) cell(s) contained in camera base power both programmed/auto exposure control and manual operation; three-position main switch w i t h indication for off, on, or on with audible piezoelectric slow-speed warning and self-timer operating indication; battery check by touching or slightly pressing operating button (LEDs do not light when cells approach exhaustion); shutter will not release when voltage too low for proper operation Self-timer: Electronic for 10-sec. delay, with operation indicated by camera-front LED that blinks at 2Hz for 8 sec, then 8Hz for 1 sec, then remains on until shutter releases, plus simultaneous audible indication when main switch in appropriate position; engaged by switch on body, cycle started by pushing operating b u t t o n , cancelable anytime before release
Other: Audible 4Hz piezoelectric warning when finder speed indication is 1/30 sec. or slower whenever finger contacts "touch s w i t c h " normally or presses operating button slightly with main switch appropriately set; integral front handgrip; detachable back with integral handgrip, memo holder, and ISO (DIN-ASA) table; positive 4-slot take-up spool; remote shutter-release socket Size and weight: 51.5 x 89 x 137mm (2 x 3-1/2 x 5-3/8 in.), 505g (17-13/16 oz.) without lens and/or power cells Standard accessories: Carrying strap w i t h slide-on spare battery holder and eyepiece cap Optional accessories: Auto Electroflash 360PX. 280PX. 132PX, Macro 80PX Set, off-camera cables and connectors. Power Grip 2, sec; Multi-Function Back; Motor Drive 1. Auto Winder G; Wireless Controller IR-1 Set; MD, MC, and other Minolta interchangeable lenses and applicable Minolta SLR system accessories Specifications subject to change without notice