AG-HPX370 series

Memory Card Camera Recorder (AG-HPX370/371/372/374)
A Breakthrough P2 Cam with High Image Quality and High Sensitivity.
*Shown above with Standard Lens,Permanetly-set Viewfinder, Optional Microphone, and Optional Battery.

HIGH QUALITY &

A New Full-HD U. L. T. (Ultra Luminance Technology) Image Sensor Rivals
Newly developed 1/3-inch U.L.T. image sensor AG-HPX370 series 1/2-inch MOS equipped camera
Comparison of Recorded Images
Panasonics AG-HPX370 series P2 HD camera recorder moves you up to a whole new level of production quality. A new, state-of-the-art 2.2 megapixel 3-chip U.L.T. (Ultra Luminance Technology) imager produces stunning HD content in a wide range of shooting conditions, with the F10* sensitivity and image quality of larger imagers. With a superior 10-bit, 4:2:2, full 1920 x 1080 resolution AVC-Intra codec, the HPX370 series can record more image detail more accurately. Ready for global production, the HPX370 series offers international HD and SD standards, including 1080i and 720p as well as industry-standard DVCPRO HD. Data is recorded onto reliable P2 memory cards. With its superb image rendering, long recording time, easy operation and flexible adaptability to IT, the AG-HPX370 series is a powerful answer to today's advanced video production demands. It also offers low operating costs and high environmental performance.
*F10 sensitivity in 1080/59.94i and F11 sensitivity in 1080/50i at 2,000 lx.

HIGH SENSITIVITY

the Image Quality and Sensitivity of High-End Professional Camera Recorders.
P2 Memory Card Recorder: Lower Operating Costs, Better for the Environment
P2 Reduces Total Cost of Ownership
(1)Faster, easier editing because digitization is not necessary (2)Lower media costs because memory cards are reusable (3)Lower maintenance costs because there is no moving mechanism By reducing editing, media and maintenance costs, P2 can help improve your bottom line. Users can also take advantage of a special fiveyear free-repair service program that Panasonic offers for P2 HD equipment.
The P2 Card Helps Preserve the Environment: Repeated Reusability and Low Power Consumption
Allowing repeated file copying and initialization, a single P2 card can be used and re-used, again and again. When combined with an IT-based workflow that requires no dubbing, P2 cards can greatly reduce storage media expenses. And because a memory card recorder has no moving mechanism, it uses less power. For example, the AG-HPX370 series uses about 51% less power than the tapebased AJ-HDX900 camcorder.

Initialization Recording

P2 Card

Camera Section

Newly Developed U.L.T.*1 Image Sensor with F10*2 Sensitivity and Superb Image Quality
High levels of sensitivity and image quality have been achieved with a new high-sensitivity photodiode and low-noise pixel transistor, both based on low-noise analog process technology that was accumulated in Panasonic CCD camera development. Plus, the same levels of sensitivity and image quality that are found in Interlace mode are now possible in Progressive mode thanks to P.A.P. (Progressive Advanced Processing), a 3D adaptive processing technology.

The AG-HPX370 series features a newly developed camera section with a 2.2-megapixel image sensor and 20 bit digital signal processor. Image quality is outstanding.
Fujinon High-Performance 17x Zoom Lens
The AG-HPX370 series comes equipped with a Fujinon 1/3-inch 17x zoom lens. Optimized for use with the AG-HPX370 series, this highperformance HD lens incorporates advanced broadcast lens technologies to achieve a compact size, light weight, F1.6 at 4.5 mm f-value at the wide end, and excellent zoom response. The zoom is comfortable to grip and use. Also, quick zoom and auto cruising zoom functions can be allocated to the VTR and RET switches.
Chromatic Aberration Compensation (CAC)
Newly developed 1/3-inch U.L.T. image sensor
This exclusive technology sets up a conversation between lens and camera which allows for a highly sophisticated algorithm to be deployed that will automatically compensate the registration error that is caused mainly by lens chromatic aberration, and minimize the circumjacent blur.
Simulation Showing the CAC (Chromatic Aberration Compensation) Effect
*1: Ultra Luminance Technology *2:F10 sensitivity in 1080/59.94i and F11 sensitivity in 1080/50i at 2,000 lx.

Full screen

CAC OFF

CAC ON

1/2-inch MOS equipped camera
*Shooting conditions: Gain: 0 dB, Filter: Clear, Lens aperture: Open, Illumination: 60 lx
Dynamic Range Stretch (DRS)
In scenes with mixed contrast, such as when panning from indoors to outdoors, the DRS function automatically suppresses blocked shadows and blown highlights. A gamma curve and knee slope are estimated to match the contrast of each pixel, and applied in real time. When dark, bright, and intermediate shades are all contained in the same scene, this produces excellent gradation for each shade and minimizes blocked shadows and blown highlights. The images that result are enhanced by a visually wide dynamic range.
*The DRS function does not operate in 1080/25p, 1080/24p or 1080/30p mode.
3-Position Gain Selector / 24dB Gain-Up Function
There is a 3-position gain selector, with L, M and H settings. To each setting you can assign a gain value from 3 dB to 12 dB, in 3 dB steps. There is also a USER button - just give it a quick touch to instantly boost the gain by 24 dB.
Newly Developed 20 bit Digital Signal Processor
The AG-HPX370 series incorporates a high-performance 20 bit DSP that handles image rendering processes such as gamma and various detail enhancement functions with exceptional precision. Consuming less power than conventional processors, the new DSP contributes to the AG-HPX370 series outstanding environmental performance.

Simulation Showing

Cine-like Functions

7-Mode Gamma for Richer Gradation
Drawing on technologies developed for the VariCam, Panasonic has equipped the AG-HPX370 series with advanced gamma functions that address seven different shooting scenarios and enhance your creative abilities. This includes the Cine-Like Gamma, which produces the characteristic tone of film recordings.
AG-HPX370 series Gamma Modes HD NORM: Suitable for standard HD recording LOW: Works to flatten out a high contrast scene SD NORM: Normal setting for SD HIGH: Provides more contrast and color gradation B.PRESS: Provides more contrast and blacks in low contrast scenes CINE-LIKE D: The Cine-Like mode shifted to prioritize dynamic range CINE-LIKE V: The Cine-Like mode shifted to prioritize contrast
The gamma, variable frame rate and other advanced functions let you capture images with a cinema-like feel, expanding your creative and expressive possibilities.
Normal cinematic shooting (at 24 fps, 25 fps or 30 fps) refers to the same rate as used in film cameras. The AG-HPX370 series can record in 1080/24p (over 60i) or 480/24p (over 60i) mode, as well as 720/24p mode. 25 fps or 30 fps is the standard frame rates used in the production of TV commercials, music clips and video software. The AG-HPX370 series can also record in 1080/25p (over 50i), 1080/30p (over 60i), 576/25p (over 50i) or 480/30p (over 60i) mode, as well as 720/25p and 720/30p mode.
Higher-speed shooting (at over 25 fps*) produces slow-motion effects. This is especially effective for high-action scenes like car chases or crashes, or to create a dramatic impact in a scene.
*When the standard speed is 24 fps in 59.94 Hz mode. For a standard speed of 25 fps in 50Hz mode, anything over 26 fps will be overcranked.

HD NORM Mode

CINE-LIKE D Mode
20-Step Variable Frame Rate
Like the VariCam, the AG-HPX370 series allows undercranking and overcranking common in film cameras, to create fast-motion and slowmotion effects. In 720p mode,* the frame rate can be set to any of 20 steps.
*In 1080 and 480 modes, the frame rate can be set only to 25p, 24p or 30p.
Lower-speed shooting (at under 22 fps*) lets you attain a fast-motion effect. This technique can be combined with a warp-speed effect to give special emphasis to flowing water, fast-moving clouds, etc.

HD Multi-Format Capability, Including Native 24p
The AVC-Intra 100 and 50 codecs let you record in a choice of HD video formats: 1080/25p, 1080/50i, 1080/23.98p or 29.97p as well as 1080/59.94i. These HD formats bring extra flexibility to all of your production needs. The AG-HPX370 series also supports 720p recording for HD image production in a variety of formats, including 50p, 59.94p, 23.98p and 29.97p.
A sample image recorded by an AVC-Intra 100 codec. It is a still image captured from 1920 x 1080-pixel video recorded using 10 bit/4:2:2 sampling.
Selectable DVCPRO HD Recording
The AG-HPX370 series also supports the conventional DVCPRO HD codec. Because the AG-HPX370 series are designed to be used with the AG-HPX170 series/HVX200A series or a DVCPRO HD VTR, it adapts to a variety of system configurations.
48-kHz/16 bit, 4-Channel Digital Audio
The AG-HPX370 series can record full 48-kHz/16 bit digital audio on all four channels. You can freely select the audio source for each channel, choosing from mic-in, line-in and wireless receiver.
A V C - I n t ra Tec h n olo g y
Sample Images of Intraframe Preduction
Left: Original image Center: Intra-frame predictive image Right: Difference image obtained from subtracting the intra-frame predictive image from the original image. This shows the high accuracy of intra prediction.
Intra-Frame (I-Frame Only) Compression Superiority
Motion-image compression can be divided roughly into two methods: I-Frame Only compression, which completes all processing within each frame, and Long GOP compression, which processes across multiple frames. AVC-Intra and DVCPRO HD use I-Frame Only compression, while HDV uses Long GOP compression. The MPEG-4 AVC/H.264 standard encompasses both methods. When the images of adjacent frames are similar, Long GOP compression achieves an advantageously low bit rate. However, this trait is not often seen in broadcasts like flash-filled press conferences, fast-action sports, and video with rapid move and electronic displays. Also, because processing is performed frame-by-frame in I-Frame Only, new-generation multi-core CPUs offer high-speed parallel processing. This makes I-Frame Only compression more suitable for nonlinear editing than Long GOP, for which parallel processing is difficult due to its inter-frame dependence. With its I-Frame Only compression, AVC-Intra produces remarkably stable images that are unaffected by adjacent frames, and meets professional needs in virtually all situations and workflows.
Twice the Compression Efficiency of MPEG-2

By selecting the most effective compression techniques from among those in compliance with the H.264 standard, AVC-Intra has doubled the compression ratio of MPEG-2, even with I-Frame Only compression. Its intraframe predictive and context-adaptive entropy coding are particularly effective methods for boosting compression efficiency. Intraframe predictive coding (intra prediction) This process generates predictive images based on adjacent blocks of 8 x 8 pixels. Selecting the most suitable predictive mode from among nine luminance signal modes (see illustration) and four color signal modes, it generates accurate predictive images. The residual data (obtained by subtracting a predictive image from the original input image) is recorded together with the predictive image. Because the prediction accuracy is high, theres minimal residual data, and thus high compression is achieved. This process is conducted within the frame, so prediction accuracy remains high even with fast-motion images.

Average

mode 0

mode 1

mode 2

mode 3

mode 4

mode 5

mode 6 Adjacent pixels Predictive pixels

mode 7

mode 8

Copy of below pixel

Context-adaptive entropy coding The entropy coding process used in MPEG-4 AVC/H.264 utilizes CAVLC (Context Adaptive VLC) and CABAC (Context Adaptive Binary Arithmetic Coding), both of which are context adaptive. MPEG-2 uses a fixed table when performing the VLC coding, with the result that compression efficiency is low with some types of images. In context-adaptive coding, on the other hand, operation varies with different kinds of images and high compression efficiency is maintained at all times.

P2 Recorder Section

The P2 Card: Reliable, Reusable and with Extended Recording Time

HD Format

The P2 recorder section offers reliable, large-capacity, high-speed memory card recording and a number of advanced functions.
AG-HPX370 series Recording Format & Recording Time
Pull down 2:2 2:2 2:2 2:3 2:3:3:2 2:2 2:3 Pull down 2:2 2:2 2:3 2:3:3:min. 512 min. 512 min. Codec & Recording Time (with two 64 GB P2 Card) AVC-Intra 100 AVC-Intra min. 256 min. 128 min. 128 min. 256 min. 128 min. 256 min. 128 min. 256 min. 256 min. 512 min. 128 min. 256 min. 128 min. 128 min. 256 min. 160 min. 320 min. 128 min. 256 min. 128 min. 256 min. 256 min. 512 min. 320 min. 320 min. 640 min. Codec & Recording Time (with two 64 GB P2 Card) DVCPRO 50 DVCPRO DV DVCPRO HD
P2 cards feature a large capacity of up to 64 GB*1, a compact size, and light weight. In addition to the semiconductor memorys inherent resistance to impact, vibration and temperature change, the P2 card also offers outstanding reliability. Unlike tapes and discs, it has no rotating or physically contacting parts. Its built to withstand repeated recording and initialization over many years of use. The P2 card connector is specifically designed to stand up to the repeated insertion and removal involved in professional use. The E Series*2 (AJ-P2E016XG, AJ-P2E032XG, and AJ-P2E064XG) provides lower cost recording capability for those customers with budgetary concerns.

*1: Total card capacity includes space for data management such as system data; therefore, actual usable area is less than the capacity indicated on the card. *2: When using the P2 card E Series, software updates are necessary for certain P2 devices. For details, visit the Panasonic website at https://eww.pavc.panasonic.co.jp/pro-av/.
1080/50i 1080/25p over 50i 1080/25pN (Native)*1 50Hz 720/50p 720/25p over 50p*2 720/25pN (Native)*1 1080/59.94i 1080/29.97p over 59.94i 1080/23.98p over 59.94i 1080/23.98pA over 59.94i 1080/29.97pN (Native)*1 60Hz 1080/23.98pN (Native)*1 720/59.94p 720/29.97p over 59.94p*2 720/23.98p over 59.94p*2 720/29.97pN (Native)*1 720/23.98pN (Native)*1 SD Format 50Hz 576/50i 576/25p over 50i 480/59.94i 60Hz 480/29.97p over 59.94i 480/23.98p over 59.94i 480/23.98pA over 59.94i
*1: Native modes record only the effective frames. *2: When you select 25 FRAME/24 FRAME/30 FRAME in VFR mode in DVCPRO HD mode.
Immediate Startup and Better Data Protection
When you press the Record button in standby mode, the AG-HPX370 series instantly finds a blank area on the P2 card and begins recording. It can begin recording immediately even when youre using it to preview video. In normal use, there is no chance of accidentally overwriting a recording. Recordings will not be erased unless you intentionally delete a file or initialize the card.

Clip Thumbnail Function

The P2 HD camcorder automatically generates a thumbnail image for each clip. You can view thumbnails on the built-in color LCD monitor. Any of the clips can be accessed instantly. Thumbnail images can be paused, fast-forwarded, and reversed just like a tape, and unwanted cuts can be deleted by selecting and deleting the corresponding thumbnail
image. You can also specify a number of clips for seamless playback* or on-air broadcasting from fields. And if a shooting opportunity should arise during playback, the P2 HD cam lets you start recording immediately with no cueing required and no risk of accidentally overwriting valuable data.
* Seamless playback is not possible between clips recorded in different formats.

New One-Clip Rec Mode

The One-Clip Rec mode is handy for recording a variety of events. Whereas normal Rec mode produces a clip for each Rec start/stop cut, One-Clip Rec mode records up to 99 consecutive cuts as a single clip, which greatly improves the nonlinear editing work that follows. A text memo is automatically attached when recording begins, making it easy to find desired cuts within the clip.

REC START REC START REC START REC START
Pre-rec*: While in standby mode, you can continuously store, and subsequently record, up to 3 seconds in HD (7 seconds in SD). This will help you to get your shot every time. Interval rec*: This gives you automatic intermittent recording based on a set interval and recording time. One-shot rec*: This frame-shot recording function is useful for producing animations. Rec review: This lets you run a quick playback check of the 2 to 10 seconds that lead up to the end of the clip you have just recorded.
* These functions cannot be used for variable frame rate, native mode, and 1080/24p over 59.94i, 720/24p over 59.94p, 720/25p over 50p recording. * Pre-rec is not possible in loop-rec, interval-rec, or one-shot rec mode.
Text Memo (Bookmark) for Simple Editing
When recording or previewing a clip, press the Text Memo button at any of up to 100 locations and a text memo label, similar to a bookmark, is registered. Using only the AG-HPX370 series, you can create a new clip with data copied between text memo labels. Text information can also be written into each memo using the AG-HPX370 series or a PC with P2 Viewer installed. A shot mark, which allows convenient OK and NG marking, can also be added to each clip during or after recording.
*Text memo, shot mark can not be added in Loop-rec, Interval-rec, or One-shot rec mode.

max. 99 consecutive cuts

REC STOP REC STOP REC STOP

Single Clip

SD/SDHC Card Slot
TEXT MEMO 1 TEXT MEMO 2 TEXT MEMO 3
Direct Upload to a PC*1 or Nonlinear Editor
The AG-HPX370 series records the A/V data for each recording as a file on the P2 card, which eliminates the need for digitizing. The files can be used directly in a nonlinear editing system or transferred over a network or simply onto a Hard Disk Drive. The P2 card transfers data at a high speed up to 1.2 Gbps*2 giving you faster, easier operation. The P2 card is convenient too you can plug it directly into the card slot on certain laptops.
*1: PCs must be installed with the included P2 driver in order to mount P2 cards. For editing, PCs must be installed with P2-compatible editing software available from various companies. Read Notes Regarding the Handling of P2 Files Using a PC on the back page. *2: 1.2Gbps is maximum transfer speed when using P2 card E series. Transfer speed is subject to be changed depended on system configuration.
The AG-HPX370 series comes with an SD/SDHC card slot. You can create a metadata upload file (produced with P2 Viewer software or the Third Party software,) containing information such as clip name, the name of the camera operator, the recording location, and text memos on an SD/SDHC card, and load it as clip metadata. This information will be very useful when it comes to editing the project and quickly finding the right clip to place on the timeline. The SD card slot is also used to upload scene files, user files and firmware updates.

Proxy Data Recording (Option)
When the AJ-YAX800G proxy video encoder is installed, the AG-HPX370 series can record MPEG-4 proxy (low-resolution) data onto a P2 card and SD/SDHC card. This can be used for quick viewing of dailies with timecode, and its low bit rate provides easy transmission over wired and wireless networks.
*Proxy data cannot be recorded when recording with the variable frame rate in Native/Pull-down mode, or when Loop-rec, interval-rec, or one-shot rec is used. Proxy data refers to MPEG-4 low-resolution AV data in file form for moving images and audio, with timecode, metadata, and other management data included. The use of DCF Technologies is under license from MultiFormat, Inc.
Advanced Recording Functions Employing Two Card Slots
In addition to continuous, double-card recording, the AG-HPX370 series also enables some useful recording functions that are possible only with memory cards. Card selection: The recording slot can be changed (sequential switching). This lets you review, organize, edit and transmit justrecorded content. Content can also be organized while shooting, by switching cards for each scene category. Hot-swap rec: Thanks to the two card slots, you can hot-swap P2 cards for continuous non-stop recording. With multiple cards you can record for hours without interruption. Loop-rec*: The real benefit of loop recording can only be dramatized when you dont know when the event is going to happen, you just know that it will. By allocating the open space on the cards the camera will continue to record over that area until the operator pushes the stop button, thereby assuring that the recording has been made, and the event captured.
16:9/4:3 Aspect Ratio Conversion
The 16:9/4:3 Conversion mode can be used with SD-recorded images or SD output down-converted from HD playback. You can select from three modes: side crop, letterbox, and squeeze.
Compatibility with Nonlinear Editing Systems
In developing P2 products, Panasonic has been working in collaboration with a number of strategic P2 Partners. There are many nonlinear editing products in the market that already support P2. P2 native editing makes it possible for you to maintain highquality video and a flexible editing workflow.*
* For information on compatible nonlinear editing systems, visit <https://eww.pavc.panasonic. co.jp/pro-av/> and click "Nonlinear Compatibility Information." For the operating requirements and other details of editing software, visit the website of the relevant software manufacturer.

Operation

The new design improves mobility and operating ease while supporting a variety of assist functions.
New Design for an enhanced Level of Mobility
The AG-HPX370 series innovative new form brings greater mobility, comfort and operating ease to the familiar shoulder-held shooting style. The body is small and weighs just 3.6 kg (7.9 lbs) with viewfinder. A large shoulder pad and low center of gravity combine to ensure outstanding stability on the shoulder. The low-profile design also provides an unobstructed view to the camera operators right.

VIDEO OUT SDI OUT AG-HPX370 series HD-SDI Analog Composite Monitor
Other System Functions and Options
niSlot wireless receiver compatible U (dual or single channel compatible channel)
* UniSlot is a trademark of Ikegami Tsusinki Co., Ltd.
LR audio input: 2-channel mic/line inputs supporting 48V phantom X power supply. ultiple battery support, including Anton Bauer or IDX batteries*. M
* The V-mount battery plate is required for IDX batteries.
quipped with earphone terminal (mini-jack) and speaker. E

USB2.0 Interface

The AG-HPX370 series standard USB2.0 connector supports both Host and Device modes. In Device mode, a P2 card slot can be used as an external PC device, making it easy to upload data to a nonlinear editing system or network server. In Host mode, an external hard disk drive can be connected to the slot, making it easy to copy data from the P2 card, write data to the card, or view thumbnails of stored video clips.

Upload (DEVICE) USB 2.0

Rear terminal

NLE File Copy (HOST) HDD

Side terminal

System Workflow

Acquisition and On-site Storage
The AG-HPG20 P2 Portable Recorder enables easy on-site viewing, backup recording and card-to-card and card-to-HDD file copying. The AJ-HRW10G Rapid Writer can transfer data files easily and rapidly from P2 cards to the internal HDD in the field. Using a Windows PC or a Mac with P2 Viewer or P2 CMS (content management software), it is possible to view files, display properties, perform simple editing, create metadata, edit voice and text memos, and copy files*1.

P2 Viewer P2 CMS

USB 2.0 (DEVICE) USB 2.0 (HOST) AG-HPX370 series Portable HDD
P2 card (Blank) HD SDI AG-HPG20 USB2.0 Portable HDD

Windows PC or Mac

AG-HPX370 series P2 card (Recorded)

AJ-HRW10G

Editing, Production and Archiving
The AJ-PCD35*2 or AJ-PCD20 P2 drive and the AG-HPG20 let you use P2 cards in nonlinear editing systems, and HDD units let you use HDD data in the same way*1. There is no need for digitizing, so files can be used immediately as clips. P2 CMS lets you copy P2 files to an HDD while automatically creating a metadatatagged database to simplify operations ranging from searching and sorting to file copying, backup and archiving. This makes it easy to backup or archive files onto optical media.*3
P2 card AG-HPG20 HDD HDD USB 2.0

NAS/SAN

P2 card AJ-PCD2G USB 2.0 Blu-ray Disk Drive P2 card AJ-PCD35 PCI Express NLE or Work station for archive (P2 CMS is Installed)

P2 card

AJ-PCD20

IEEE 1394b

Studio or Event Recording, and Broadcasting
The AG-HPX370 series includes standard SDI (HD/SD) output, making it ideal for broadcasting and image production applications. Using the camera extension system adds even more to its low-cost efficiency.
*1: For details, see the rear cover page (Notes Regarding the Handling of P2 Files Using a PC). *2: Before using the P2 card E Series, you must install the latest version of the software in the AJ-PCD35. For the latest version information, please go to the P2 support page from the Panasonic web page <http://pro-av.panasonic.net/> *3: Cannot be used with some types of nonlinear editing systems, PCs, and software.
AG-CA300G AG-HPX370 series Transmission Cable AG-BS300

HD SDI

On-Air
Digital AV Mixer AG-HMX100
AG-CA300G AG-HPX370 series

Transmission Cable

AG-BS300

[Coming Soon]

AG-HPG20

P2HD Equipment

AJ-P2E064XG AJ-P2E032XG AJ-P2E016XG AJ-PCD35

( As of April, 2010 )

Memory Card Drive P2 drive*

(Interface: PCI-Express)

Memory Card Drive P2 drive
(Interface: USB 2.0 / IEEE 1394b)

AJ-PCD2G

(Interface: USB 2.0)
Memory Card (P2 card E series* )
*1: P2 card E series may require to update the software of P2 equipment. please go to the P2 support page from the Panasonic web page https://eww.pavc.panasonic.co.jp/pro-av/ *2: Before using P2 card E series, you must install the latest version of the software in the AJ-PCD35. For the latest version information, please go to the P2 support page from the Panasonic web page https://eww.pavc.panasonic.co.jp/pro-av/

Optional Accessories

AG-MC200G

Microphone

AG-CA300G
Remote Control Camera Adapter

BT-LH2550

Base Station
25.5 Wide HD/SD LCD monitor

AJ-MC700P

Microphone Kit
BT-LH1760 AG-EC4G SHAN-TM700
Tripod Adapter Extension Control Unit (ECU)
17 Wide HD/SD LCD monitor

Camera Studio System

Transmits high-quality images and remote control signals for studio integration

BT-LH1710

SD/SDHC Memory Card

AJ-YAX800G

BT-LH900A

8.4 HD/SD LCD monitor

Video Encoder Card (For proxy recording)

AJ-SC900

AJ-RC10G

Soft Carrying Case

*Not available in some areas.
RCU (Remote Control Unit) with 10m remote control cable

BT-LH80WU

7.9 Wide HD/SD LCD monitor

AJ-C10050G SHAN-RC700

Rain Cover
Remote Control Cable (50m)
* Not available in some areas. * The AJ-RC10G can control only functions supported by the AG-HPX370 series. It cannot control unsupported keys or dials. *Cable package Model Numbers for the Studio System may vary from country to country.

BT-CS80G

VF Cable (Viewfinder Cable, DC Cable)
Other Manufacturer's Products
V2PCS25-5CFWCE-SF-SC (82/25 meters) V2PCS50-5CFWCE-SF-SC (164/50 meters) V2PCS100-5CFWCE-SF-SC (328/100 meters)
Canare Electric Bound Cable between AG-BS300 and AG-CA300G
DC50V10-CE01PS-SC (164/50 meters) DC100V10-CE01PS-SC (328/100 meters)
Canare Electric Power Cable between AG-BS300 and AG-CA300G
Anton/Bauer Hytron Battery
Anton/Bauer Dionic Battery
Canare Electric CO., Ltd. http://www.canare.co.jp/oversea/ mainmenu.html

AG-HMX100

Digital AV Mixer [Coming Soon]
Memory Card Portable Recorder P2 Portable
AVC-Intra supported. SDI-Input available.
Hard Disk Storage Unit P2 Rapid Writer

P2 Viewer 3.6

Viewing Software (Download Free*3)

P2 CMS 1.4

Contents Management Software (Download Free*3)
*3: For P2 Viewer or P2 CMS download and operating requirement information, visit https://eww.pavc.panasonic.co.jp/pro-av/.

Details

Microphone AG-MC200G AJ-MC700P

Anton/Bauer Ultra Light

UniSlot Wireless Mic Receiver
Anton/Bauer Gold Mount Plate
Anton/Bauer Battery System
DC Cable (XLR) Viewfinder (fixed)

AC Adapter

IEEE1394 (not available for AVC-I) HD SDI
Fujinon 17x zoom Lens AG-HPX370 series
AG-HPG20 P2 portable SD/SDHC Memory Card
Shoulder Strap AJ-YAX800G Proxy Video Encoder
SHAN-TM700 Tripod Adapter
BT-CS80G VF Cable* BT-LH80WU 7.9" LCD Monitor*2 *1: VF cable cannot be used. *2: Mounting bracket is required to mount on a Camera-Recorder. or
10-pin Remote Cable (with 10m/max 50m) AJ-RC10G Remote Control Unit AJ-SC900 Soft Carrying Case * SHAN-RC700 Rain Cover * BNC cable x 2 Power code (50m100m)
AG-EC4G Extension Control Unit

Weight and dimensions shown are approximate. The content of this catalog is a thing as of April, 2010. Specifications are subject to change without notice.

P2 Asset Support System

The members service program
Providing necessary information when you need it
P2 Asset Support System assists your P2HD use by providing extended warranty repairs & various technical information (update notices, operation guides, etc.) upon registration.
Free registration, no membership fees 5-year extended warranty repairs
Exclusive offer for P2HD ! Maximum 5-year extended warranty repairs are applied for P2HD models after registration. Several other services are also provided to members.

1st year Basic warranty*

Latest news only for you
In the members web site, information is selected and presented for your models only. To be alerted to new firmware information and other releases, an email newsletter can be subscribed to.

Document library

You can filter through and find various technical information (operation guides, technical descriptions, etc.) quickly from the library.

5th year

2nd year

3rd year

4th year

Manage your equipment

You can easily know the update status and past service history of each unit, and can leave comments in free text as memos about your equipment.
Extended warranty repair*
* Not all models are eligible for extended warranty coverage. * Please note that this extended warranty is not available in some countries/region see website below for the details. *1: The basic warranty period may vary depending on the country/region see enclosed warranty card for warranty coverage. *2: Not all repair work is covered by this extended warranty see enclosed warranty card for warranty coverage. The maximum warranty period may be adjusted depending on the number of hours the device has been used.
Details and user registration:
Please refer to the latest Non-linear Compatibilty Information,
http://panasonic.biz/sav/pass_e
http://pro-av.panasonic.net/
P2 Support and Downlord and Service Information, etc. at panasonic web site.
Notes Regarding the Handling of P2 Files Using a PC
Mounting and Transferring Files The PC must be installed with the included P2 driver in order to recognize, copy and transfer P2 files. This driver is also necessary when using the PC card slot and when handling P2 files stored on a hard-disk device, such as P2 store. The included P2 driver is compatible with Windows Vista, Windows XP, Windows 2000 and Mac OSX. For other operating requirements, refer to the P2 installation manual. The P2 driver and the P2 installation manual can be downloaded free from a Panasonic website. Visit https://eww.pavc.panasonic.co.jp/pro-av/ and click "P2 Support and Download." Preview and Nonlinear Editing To preview (play) P2 files on a PC, it is necessary to install P2 Viewer software (downloadable for free, for Windows only) or P2 CMS content management software (downloadable for free, for both Windows and Mac), both from Panasonic, or P2-compatible editing software available from other companies (for details, visit https://eww.pavc.panasonic.co.jp/pro-av/sales_o/p2/partners.html). Note that each software places specific requirements on the operating environment, and the operating environment must meet additional requirements to play and edit HD content on Windows PCs and Macs. For P2 Viewer or P2 CMS download and operating requirement information, visit https://eww.pavc.panasonic.co.jp/pro-av/. For operating requirements and details of other P2 editing software, visit the website of the relevant software manufacturer.

[Countries and Regions]

Panasonic Corporation Systems Business Group 2-15 Matsuba-cho, Kadoma, Osaka 571-8503 Japan Phone +Fax +http://pro-av.panasonic.net/
Argentina +Australia +Bahrain +Belgium +32 (0) Bulgaria +Brazil +Canada +China +(Hong Kong +0888) Czech Republic +032 552/511 Denmark +57 Egypt +23938151 Finland, Latvia, Lithuania, Estonia +358 (9) 53 +33 (0) 67 France Germany, Austria+49 (0) 401 Greece +300 Hungary +36 (1) 60 India +Indonesia +Iran (Vida) +2271463 (Panasonic Office)+Italy +Jordan +5859801 Kazakhstan +Korea +2106 6641
Kuwait +Lebanon +Malaysia +Mexico +Montenegro, Serbia +41 (0) Netherlands +577 New Zealand +Norway +00 Pakistan +(SNT) Palestine +2988750 Panama +2955 Peru +Philippines +Poland +48 (22) Portugal +04 Puerto Rico +Romania +Russia & CIS +9804206 Saudi Arabia +Singapore +0110 Slovak Republic +421 (0) 23 Slovenia, Croatia, Bosnia, Macedonia +44 (0) 57 South Africa +3131622 Spain +34 (93) 00 Sweden +46 (8) 41
Switzerland +41 (0) Syria +2318422/4 Taiwan +Thailand +Turkey +U.A.E. (for All Middle East) +8862142 Ukraine +4903437 +44 (0)U.S.A. +Vietnam +848 38370280
Factories of Systems Business Group have received ISO14001:2004-the Environmental Management System certification. (Except for 3rd party's peripherals.)

SP-HPX370PE1

40K201004ZP-1 Printed in Japan

AGDigital Time-Lapse VTR (PAL)
Digital Picture Quality On Low-Cost S-VHS Tape
The AG-DTL1 time-lapse VTR, combines high digital picture quality with low operating costs. Using the professional digital DVCPRO format, the AG-DTL1 records high-quality images onto a standard low-cost S-VHS tape. The AG-DTL1 offers reliability, and ease of operation, two benefits that have made Panasonic a worldwide favorite for surveillance applications.
Superior Frame by Frame Picture Quality with 520 line Resolution
Test Pattern Playback with the AG-DTL1
Panasonic DVCPRO equipment has already won the praise of broadcast and video professionals worldwide. In the AG-DTL1, DVCPROs digital component recording system delivers superior pictures with 520 line of horizontal resolution (in HighQuality mode). Pictures are free from colour irregularities, ringing, vertical dancing, and skewing. DVCPRO also uses intra-frame compression, not inter-frame compression used in formats such as MPEG. This results in no image degradation even when images are output as single frame units, unlike MPEG, making DVCPRO ideal for the detail-oriented demands of surveillance applications.

Inexpensive S-VHS Tape

Because video surveillance requires extremely long recording time capability, the cost of tape is critical. To keep running costs down, Panasonic designed the AG-DTL1 to use inexpensive S-VHS tape to record high quality DVCPRO digital video. And, not only are S-VHS tapes widely available, they are easy to handle, highly durable and efficient to manage by economical tape rotation.

Dual Recording Modes

The AG-DTL1 delivers outstanding picture quality with 520-lines of horizontal resolution. The Standard Mode offers extended recording time with picture quality equivalent to SVHS. Both modes offer a choice of field or frame recording. Recording time can be set in steps, from 3 hours all the way to 960 hours. In the 3 to 24 hour recording range, continuous audio recording is possible.
Recording Mode (Field) Interval Time Rec. Time High Standard 3h 0.04 sec. 0.04 sec. 9h 0.12 sec. 0.06 sec. 12 h 0.20 sec. 0.10 sec. 18 h 0.28 sec. 0.14 sec. 24 h 0.36 sec. 0.18 sec. 48 h 0.68 sec. 0.34 sec. 72 h 1.00 sec. 0.50 sec. 96 h 1.32 sec. 0.66 sec. 120 h 1.64 sec. 0.82 sec. 180 h 2.44 sec. 1.22 sec. 240 h 3.24 sec. 1.62 sec. 360 h 4.84 sec. 2.42 sec. 480 h 6.44 sec. 3.22 sec. 960 h 12.84 sec. 6.42 sec.
Added Safe Recording Features
Automatic Recording Check when recording starts Automatic Head Cleaning Repeat Record Pass Indicator to avoid poor recordings from overuse of tape. Blue Screen Indication in nonrecording situations Tape-End Warning Buzzer Power Failure Recovery (1-month timer backup) Rec Lock Function
Built-In Frame Switcher for Connection of Up to 16 Cameras
A built-in frame switcher lets the AG-DTL1 record images from up to 16 cameras. Since this is built-in, A/D (analogue/digital) conversion for recording and D/A conversion for playback are only processed one time each, resulting in a high quality recording. In playback, the AG-DTL1 lets you select a particular camera for viewing or high-speed search. It is also possible to designate four cameras for quad Camera 1 displaying.

Camera 2 Camera 3

Advanced Recording Features
Alarm Recording: During extendedmode recording, when an alarm signal is received from an external device, the AG-DTL1 automatically switches to a 3-hour or 9-hour mode recording (preset). Emergency Recording: When power is shut off or the unit is set to the Stop position, and an alarm signal is received, the AG-DTL1 will automatically begin recording in Alarm Recording Mode. External Timer Recording: The system can be automated by using an external timer to turn the system on and off remotely. Series Recording: two AG-DTL1 VTRs can be connected for automatic alternating recording. This also allows multiplex recording from up to 8 cameras.
Superior Reliability and Durability

Camera 16

Recording

C01 C02 C03 C16

At the heart of the AG-DTL1 is Panasonics renowned IQ mechanism, a proven success in time-lapse recording. Features such as two direct-drive reel motors assure top reliability. The IQ mechanism is designed for easy maintenance and quick parts replacement.

Other Convenient Features
Summer Time Setting (auto) Versatile Search by Date & Time or Alarm Recording On-Screen Display for easy mode setting RS-232C terminal for PC control
Playback with quad display

Camera Group Programming

The AG-DTL1 allows timer recording from up to eight groups of cameras, with two cameras per group. Date, recording start time, end time, and recording mode can be programmed for each group, and this makes flexible operation possible for each surveillance location.
Timer Recording Programming
The AG-DTL1 lets you set and save those settings which contain recording start time, end time, and recording mode. You can then use the save settings for timer recordings on a weekly basis (same day and time every week), daily basis (same time every day), or on a particular day.

Rear Panel

System Applications

Multi-Recording

TIME MODE

Specifications

General Supply voltage: Power consumption: 1 Monitoring Picture (Sequential)
AC220V to 240V , 50 to 60 Hz 35 W 5 C to 40 C 380 x 110 x 340 mm 7.2 kg D-TL recording system (DV compression multi-segment recording) Audio signal, Linear: 1 track 20.84 mm/sec. (3-hour mode) S-VHS standard tape (180-minute tape recommended) 3,9,12,18,24,48,72,96,120,180,240, 360,480 and 960 hours Less than 3 minutes (using 180-minute tape)

Playback Picture

Ambient operating temperature: Dimensions (W x H x D):
Ambient operating humidity: 35 % to 85% (no condensation) Weight: Recording system:

HIGH FRAME

REMAIN LOCK EXT INT
USE S-VHS CASSETTE TAPE ONLY
AGDigital Time Lapse Video Cassette Recorder
SUM TIME COUNT CAMERA M PASS A S

PUSHOPEN

REC REVIEW REC

MECHANISM

Digital Time Lapse
Recording track: Tape speed: Tape used:

1 frame/field

Series Recording
Recording time mode: FF/REW time:

POWER PUSHOPEN

Video Horizontal resolution: HIGH; STANDARD; More than 520 lines (B&W/COLOUR) (comb filter ON) More than 380 lines (B&W/COLOUR) (comb filter ON) Better than 50 dB (B&W/COLOUR) Better than 50 dB (B&W/COLOUR) 1.0 V[p-p], 75, (loop-through, 75 On/OFF), unbalanced 1.0 V[p-p] 0.3 V[p-p] (Burst level) 42 dB (3-hour mode, "A" weighted) 70 Hz to 7 kHz (3-hour mode) 3,9,12,18 and 24 hours 10 dBV, 47 k, unbalanced 60 dBV, 600, unbalanced 8 dBV, 600, unbalanced Exclusively designed for AG-A11 remote controller (optional accessory) D-sub 9 pins, RS232C interface

The First AG-DTL1

Overlap Recording The Second AG-DTL1
S/N ratio: HIGH; STANDARD; Camera inputs (BNC x 16):
S-VIDEO OUT (4P): Luminance signal ; Chrominance signal;

Optional Accessories

Audio S/N ratio: Frequency response: Recording /Playback time modes: Audio input (pin jack): Mic input: Audio output (pin jack): Other REMOTE connector: RS-232C connector:

AG-A11

Wired Remote Controller

AG-M670

Rack Mount Adaptor

AW-E300

1/3" 3-CCD Convertible Colour Camera

(Lens: option)

Weight and dimensions shown are approximate. Specifications are subject to change without notice.

WV-CP460/464

Super Dynamic II Colour Surveillance Cameras

WV-CP160

Super Dynamic II Colour Single-wire VP Camera
Matsushita Electric Industrial Co., Ltd. Broadcast Systems Division 2-15 Matsuba-cho, Kadoma, Osaka 571-8503 Japan Tel. 81-6-6901-1161 Fax. 81-6-6908-5969 www.panasonic.co.jp/bsd

SP-AGDTL1E1

30K010ZM-1 Printed in Japan