http://deckhand.com 818.557.8403 This is a step by step guide on how to set Time Code on a Panasonic AJ-HD3700B (D-5) deck.
http://deckhand.com 818.557.8403 This is a step by step guide on how to set Video Black on a Panasonic AJ-HD3700B (D-5) ...
http://deckhand.com 818.557.8403 This is a step by step guide on how to change System Frequency on a Panasonic ...
Alternatives to Dolby E
7/23/2003 Last time we discussed the details of how Dolby E works. We examined how it has some pretty strict usage requirements that you need to keep in mind while designing and installing systems that will use Dolby E. While its use as a distribution format has become widespread very quickly, it is not the only solution for moving multichannel audio around a plant. This time we will investigate some other techniques as well as give a brief overview of the SMPTE standards that help to organize all this data. BASEBAND At least one major network has decided to take a baseband approach: All video, audio, and metadata (audio metadata, closed captioning, PSIP, etc.) will be combined into a single SMPTE 292M (HDSDI) serial HD signal which will be routed throughout the network plant. Having all of the data in one serial stream will help minimize lip sync and other timing problems, plus the obvious savings in cable and routing management. This network will ...
Audio for DTV: The Beginning of a Journey
1/22/2003 Last time we wrapped up our detailed discussion of audio/video synchronization. Since that article was printed, I received a note from Tom Daily at Dolby mentioning that he had heard of yet another potential source of A/V sync errors-flat-panel displays! Although we are moving on, I'm sure we will revisit the subject briefly in the future once all the facts are in. This month we will start our journey exploring audio for digital television from end to end. This will span three major areas sometimes referred to as production, distribution, and the one we have covered called emission (transmission). To understand what we were aiming for-the consumer-we had to investigate the final emission stage first. Now we can start from the true beginning: way back in post production. MONITOR, MONITOR, MONITOR Post production of multichannel audio, or any audio really, can be summed up in three words: monitor, monitor, monitor. If you ...
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per 1 juni 2015
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