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Panasonic AJ-HPM110Panasonic AJ-HPM110 Mobile P2 HD Recorder/Player with DVCPRO HD/50/25
The Panasonic P2 Mobile is a portable, rugged 4:2:2, 10-bit capable solid-state memory recorder/player is ideal for field production, postproduction as well as ENG applications. - Combines professional editing controls with audio faders, a 9-inch widescreen LCD monitor with stereo speakers, and a compact, magnesium die-cast body. - Versatile and powerful mobile recording/editing solution for field recording (including pool feeds) and video production, as well as for use in mobile vans or in desk... Read more

Details
Brand: Panasonic
Part Number: AJ-HPM110
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Manual

Preview of first few manual pages (at low quality). Check before download. Click to enlarge.
Manual - 1 page 

Download (English)
Panasonic AJ-HPM110, size: 12.9 MB
Related manuals
Panasonic AJ-HPM110E
Panasonic AJ-HPM110P

 

Panasonic AJ-HPM110

 

 

User reviews and opinions

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Comments to date: 13. Page 1 of 1. Average Rating:
remytapie 9:06pm on Thursday, October 28th, 2010 
charger for panasonic AG-HVX 200 The charger works well with after market ion batteries of which there seem to be a variety of on the market.
jlello 6:56am on Saturday, October 23rd, 2010 
The HVX200 was really my first experience with a pro-sumer camera, and in many ways I was impressed, and in other ways I was somewhat apprehensive.
ursacol02 7:17pm on Thursday, September 30th, 2010 
I shoot camera for a Caribbean media company namely Tobago Channel 5 and i have used this camera on many occasions and i find it particularly hard to ...
momfor3 7:07am on Sunday, August 8th, 2010 
HVX200A is a great camera. Consider the cost. I am now a proud owner of the Panasonic HVX200A. Tops for the prosumer We used this camera to shoot our short film and it proved to be awesome. The P2 cards were a little tricky to work with. Coming from DVX100... This camera uses P2 cards or you can plug in a Firestore (you have to drop another 2K for that).
debtConsolQuote 9:06pm on Tuesday, July 6th, 2010 
This camera is worth a closer look and a review like this one would take a lot of planning to make the camera justice.
cherrywithns 1:19am on Saturday, July 3rd, 2010 
With its AG-HVX200, Panasonic raises the bar again, bringing us professional HD versatility and quality at a lower price than ever. This cam seems to be perfect. It has its flaws, yes, but it is brilliant none-the-less. It doesnt cost much. Infact, it is very affordable.
Jorge 8:46am on Monday, June 14th, 2010 
This camcorder is basically great. It has an amazing LCD. Panasonic delivers yet another winner. This cam is good. The best part about it is that it has amazing video quality. It uses near perfect lenses.
anne@ion.lu 1:13pm on Friday, June 11th, 2010 
dont ever have to use tapes again P2 cards and so expensive, cant wait for 16 or 32 gigs Excellent design, and workflow. Current limitation on p2 card size and P2 card price.
usit86 11:15am on Saturday, June 5th, 2010 
The HVX200 is the "Swiss Army Knife" of video cameras. It is designed with features that will make it useful in a range of applications. Basic parameters I would like to pick right or wrong, win points.
Snyde 7:04am on Thursday, June 3rd, 2010 
Panasonic delivers yet another winner. This cam is good. The best part about it is that it has amazing video quality. It uses near perfect lenses.
korb 8:45am on Sunday, April 11th, 2010 
Why ever use tape again, ever. The option to shoot in so many different compression formats is great. Even if you arent using HD, just standard def.
tomane 9:03pm on Sunday, March 21st, 2010 
With its AG-HVX200, Panasonic raises the bar again, bringing us professional HD versatility and quality at a lower price than ever. This camcorder is basically great. It has an amazing LCD. This cam seems to be perfect. It has its flaws, yes, but it is brilliant none-the-less. It doesnt cost much. Infact, it is very affordable.
Ali 1:39pm on Thursday, March 11th, 2010 
This camera is worth a closer look and a review like this one would take a lot of planning to make the camera justice. Shoots in 1080p, 720p. This camera is worth a closer look and a review like this one would take a lot of planning to make the camera justice.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

AJ-HPM110

Memory Card Portable Recorder/Player
P2 HD Mobile Recorder for HD Production with Native 1080/24p Recording and 1080/24PsF Input/Output
The AJ-HPM110 P2 Mobile is a multi-purpose recorder that uses the P2 memory card to bring mobility and speed to news and program production, both on the desktop and in the studio. HD multi-formatting lets the AJ-HPM110 support conventional 1080i and 720p, as well as 1080/24PsF input/output and native 1080/24p* recording. This makes the AJ-HPM110 ideal for the high-end HD production of movies and commercials. The AJ-HPM110 also includes a host of editing functions, like the RS-422A remote function for producing P2 clips from an external VTR, and a playlist function for editing and copying clips to cards.
*Video is recorded to the P2 card in the 1080/23.98p format. For details on input signals and recording formats, see the table entitled "Input Signals and Corresponding Recording Formats" on page 4.
New Functions Now Offered on the AJ-HPM110 1080/24PsF input/output, native 1080/24p recording Creating New Clips From the Playlist Editcopy function) Production of clips from external VTR sources via RS-422A remote Extracting active frames from Variable Frame Rate (VFR) signals (720/Xp over 59.94p or 60p) Loop Rec function
ADVANCED AVC-INTRA CODEC AND P2 CARD'S EXTENDED CAPACITY ENABLE LONG-TIME RECORDING AND BROADCASTING OF HIGH-QUALITY HD IMAGES
Reliable, Low-Cost P2 Card with 32 GB Capacity
The compact and light P2 card holds 32 GB* (AJ-P2C032RG) of data. The new AJ-HPM110 P2 Mobile records AV data as MXF files, which expedites and streamlines news gathering and program production. Because the P2 card has no moving mechanisms, it offers outstanding reliability and high resistance to impact, vibration and temperature fluctuations. Reusable many times, the P2 card can reduce operating costs and minimize environmental impact.
*Total card capacity includes space for data management such as system data; therefore, actual usable area is less than the capacity indicated on the card.
High-Quality Images with AVC-Intra 100, Low Bit Rate with AVC-Intra 50
AVC-Intra 100 records high-quality, full-pixel, full-sampling HD images (1920 x 1080, 4:2:2, 10-bit) at the same bit rate as DVCPRO HD, while AVC-Intra 50 provides DVCPRO HD-level images (1440 x 1080, 4:2:0, 10bit) at a low bit rate and low operating cost. The AJ-HPM110 can be set to either mode to meet a wide range of HD production needs.

INTRA-FRAME (I-ONLY)

Six P2 Card Slots
With its six card slots, the AJ-HPM110 holds six 32 GB P2 cards for recording over 3 hours of DVCPRO HD, 8 hours of DVCPRO HD / AVC-Intra 24p native or 4 hours of AVC-Intra 24p native content. It will play a continuous, extended clip recorded in sequence onto six P2 cards. Or, you can mount five P2 cards recorded using a P2 cam, and output the playlist editing result to a sixth P2 card.
*For detailed recording times, see the table entitled "Input Signals and Corresponding Recording Formats" on page 4.
Professional and Broadcast

Bit Rate

High-end Production

News or Varieties

Optional Board for AVC-Intra Recording and Playback

The AJ-YBX200G codec board (purchased separately) adds AVCIntra codec recording and playback capabilities to the AJ-HPM110. The AVC-Intra codec is based on the advanced motion image compression technology of the H.264 standard, which brings superb image quality, a highlyefficient encoding, and outstanding editing precision to broadcasting applications. The intra-frame compression system of this codec ensures stable quality for fast-motion images, degradation-free frame-by-frame editing, and fast processing with a multi-core CPU. The high-accuracy intra prediction process (see diagram below) and advanced, context-adaptive entropy coding technology combine to provide twice the intra-frame compression efficiency of MPEG-2.
Endless Recording with Loop Rec
The loop rec function continuously records video data onto available memory card areas. When the card becomes full, older data is deleted to free up the recording area, resulting in loss-less, endless recording. When used with cameras for time-sensitive, information gathering like weather and news reporting, the loop rec function holds the latest video data for a predetermined time period.

SDI (HD/SD)

Information Camera (HD/SD)
First Card Before Recoording The first turn of Loop-Rec Blank area Recording start A
Second Card Recorded area

Third Card

The second turn of Loop-Rec
*Image data is recorded continuously in available areas (in the order A B C) of the P2 card. When the remaining recording time drops to 30 seconds, data in area A is deleted, and data is recorded in area C until it becomes full (0 seconds remaining), then data is recorded in area D.
Eight Channels of 16-bit Digital Audio
AVC-Intra and DVCPRO HD offer superb 16-bit linear PCM sound quality, with eight embedded channels for recording in 5.1-channel surround sound. The AJ-HPM110 P2 Mobile uses HD-SDI for independent input/output and editing of all eight channels. The SD mode supports four-channel recording and playback in all codec systems (DVCPRO 50, DVCPRO, DV).
Sample Image of the Intra Prediction Process
Left: Original image Center: Intra-frame predictive image Right: Difference image obtained from subtracting the intra-frame predictive image from the original image. This shows the high accuracy of intra prediction.

Native 24p Recording with 1080/24PsF
The AJ-HPM110 supports 1080/24p (30p/25p) recording and playback in both AVC-Intra 100 and AVC-Intra 50 modes. In HD-SDI mode, it supports 1080/24PsF input/output for use in high-end movie production. The AJ-HPM110 combines easy portability and convenient nonlinear acquisition in a 24p recorder.
HD/SD Multi-Format Compatibility
Supporting a wide range of HD formats, such as 1080p, 1080i and 720p, the AJ-HPM110 can be switched to 59.94 Hz or 50 Hz to adapt to the world's HD broadcasting formats. It also supports SD, and multi-codec recording (DVCPRO 50, DVCPRO, DV) is possible in both NTSC (480i) and PAL (576i).
Speed Effects with the VariCam/AG-HVX200
The AJ-HPM110 can extract active frames from VFR (variable frame rate) signals output by a VariCam and record them in 720/24p (30p/25p). The built-in monitor lets you check the VFR effect during playback. The AJ-HPM110 can also provide VariCam-like 60p pull-down output (50p from 25p signals) by playing back a video clip in a P2 card recorded in native 720/24p (30p/25p) by a P2 camera-recorder.
Up-/Down-/Cross-Conversion
The AJ-HPM110 can convert up or down between HD and SD or crossconvert between 720p and 1080i during playback. Also featuring an aspect conversion function, the versatile AJ-HPM110 handles a wide range of video formats.
CORRESPONDENCE CHART OF 24P/25P/30P INPUT/OUTPUT
1080/29.97PsF 1080/24PsF 1080/23.98PsF 1080/25PsF

24PsF I/F

1080/29.97PsF 1080/24PsF 1080/23.98PsF 1080/25PsF 1080/29.97p Native 1080/23.98p Native 1080/25p Native

Other 24p Cameras

1080/29.97PsF over 59.94i 1080/23.98p over 59.94i 1080/25p over 50i AJ-HPX3000G
1080/29.97PsF 1080/23.98PsF 1080/25PsF 1080/29.97p Native 1080/23.98p Native 1080/25p Native
720/23.98p over 59.94p 720/24p over 60p 720/25p over 60p* VARICAM
1080/23.98PsF 1080/24PsF 1080/25PsF

For variable frame rate

720/23.98p Native 720/25pN Native
*720/Xp(4p to 50p) over 60p can generate 720/25pN via AJ-HPM110.
Input Signals and Corresponding Recording Formats
Recording Codec Input Signal menu screen*1 59.94 Recording Format (P2 Card) 1080/59.94i Recording Time (With Six 32 GB P2 cards) AVC-Intra100 AVC-Intra50 SDI Output*2 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 1080/29.97PsF 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/23.98PsF 1080/23.98PsF 1080/24PsF 1080/25PsF 720/25PsFover 50p 576/25PsF over 50i 720/59.94p 1080/59.94i 480/59.94i 720/50p 1080/50i 576/50i 720/29.97p over 59.94p 1080/29.97PsF 480/29.97p over 59.94i 1080/23.98PsF 1080/24PsF 720/25p over 50p 1080/25PsF 576/25p over 50i 720/25p over 50p 1080/25PsF 576/25p over 50i Analog Outpt*2 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 1080/29.97PsF over 59.94i 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/25PsF over 50i 720/25PsF over 50p 576/25PsF over 50i 720/59.94p 1080/59.94i 480/59.94i 720/50P 1080/50i 576/50i 720/29.97p over 59.94p 1080/29.97p over 59.94i 480/29.97p over 59.94i 720/25p over 50p 1080/25p over 50i 576/25p over 50i 720/25p over 50p 1080/25p over 50i 576/25p over 50i SDI Output*2 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 1080/29.97PsF over 59.94i 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/23.98p over 59.94i 720/23.98p over 59.94p 480/23.98p over 59.94i 720/59.94p 1080/59.94i 480/59.94i 720/50p 1080/50i 576/50i 720/29.97p over 59.94p 1080/29.97p over 59.94i 480/29.97p over 59.94i 720/25p over 50p 1080/25p over 50i 576/25p over 50i 720/25p over 50p 1080/25p over 50i 576/25p over 50i 480/59.94i 1080/59.94i 720/59.94p 480/29.97p over 59.94i 1080/29.97p over 59.94i 720/29.97p over 59.94p 480/23.98p over 59.94i 1080/23.98p over 59.94i 720/23.98p over 59.94p 576/50i 1080/50i 720/50p 576/25p over 50i 1080/25p over 50i 720/25p over 50p IEEE 1394 Output Time Code Output yes

1080/59.94i

1080/50i

192min.

384min.
1080/29.97PsF 1080/23.98p over 59.94i*3 1080/23.98PsF 1080/24PsF 1080/25PsF AVC-Intra 50/100 (With AJ-YBX200G AVC-Intra Codec Board)

29.97 59-23 23.25

1080/29.97p (Native)*6 1080/23.98p (Native)*6 1080/23.98p (Native)*6 1080/23.98p (Native)*6 1080/25p (Native)*6

240min.

480min.

720/59.94p

720/50p
720/29.97p over 59.94p*4 29.97 720/23.98p over 59.94p* 720/24p over 60p*4 720/25p over 50p*5
720/29.97p (Native)*6 720/23.98p (Native)* 720/23.98p (Native)*6

384min. 480min.

768min. 960min.

59-23 60-24 25

720/25p (Native)*6 384min. 768min.

720/25p over 60p*4

720/25p (Native)*6

Recording Codec

Input Signal 1080/59.94i

menu screen*1 59.94

Recording Format (P2 Card) 1080/59.94i

1080/29.97PsF

1080/23.98p over 59.94i*3 59.94 1080/23.98PsF 1080/24PsF 1080/25PsF DVCPRO HD 720/59.94p 59.94

1080/59.94i 720/59.94p

480/59.94i

480/29.97p over 59.94i

DVCPRO50/ DVCPRO/ DV

480/23.98p over 59.94i

576/50i

576/25p over 50i

Recording Time SDI Output*2 (With Six 32 GB P2 cards) 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 192min. 1080/29.97PsF 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/23.98PsF*7 1080/23.98p over 59.94i 720/23.98p over 59.94p 480/23.98p over 59.94i 720/59.94p 1080/59.94i 480/59.94i 192min. 720/50p 1080/50i 576/50i 720/29.97p over 59.94p 384min. 1080/29.97PsF 480/29.97p over 59.94i 1080/23.98PsF 480min. 1080/24PsF 720/25p over 50p 1080/25PsF 576/25p over 50i 384min. 720/25p over 50p 1080/25PsF 576/25p over 50i 480/59.94i 1080/59.94i 720/59.94p 480/29.97p over 59.94i 1080/29.97PsF 720/29.97p over 59.94p 384min. 1080/23.98PsF*7 (DVCPRO 50) 480/23.98p over 59.94i 1080/23.98p over 59.94i 768min. 720/23.98p over 59.94p (DVCPRO/DV) 576/50i 1080/50i 720/50p 576/25p over 50i 1080/25PsF 720/25p over 50p
IEEE 1394 Output 1080/59.94i

Time Code Output yes

1080/50i 1080/29.97PsF over 59.94i 1080/23.98p over 59.94i 720/59.94p

yes yes yes

480/59.94i 480/29.97p over 59.94i 480/23.98p over 59.94i 576/50i 576/25p over 50i

yes yes

*1: Settings must be made on the menu screen (system frequency mode). *2: Selection must be made on the menu screen. SDI output and analog output switch simultaneously. *3: HD-SDI output signal (1080/23.98p over 59.94i) from AJ-HPX2000/HPX2100/HPX3000. *4: HD-SDI output signal (variable frame rate) from the AJ-HDC27 series. *5: HD-SDI output signal (720/25p over 50p) from the AJ-HPX2100/HPX2000. *6: This mode records only effective frames. *7: Output is produced only when the playback system frequency is set to 23.98 or 59.94.

OVERWRITABLE PLAYLIST FOR EDITING AND BROADCASTING
Clip Thumbnail Display on the 9-Inch Monitor
The AJ-HPM110's built-in 9-inch LCD monitor not only serves as a playback monitor, it also displays clips in a thumbnail list. You can select a clip and play it back immediately. Each thumbnail is indicated with a text memo and a symbol that shows the presence or absence of a shot marker. You can also set the AJ-HPM110 to display only the clips you select in the thumbnail list. The crosshair cursor buttons or jog dial let you select a thumbnail quickly and easily.

Clip Management

You can delete, copy or merge clips, or add a shot marker and text memo. Details of each clip can be viewed in a properties window.
Playlist Allows VTR-Like Nonlinear Editing
The P2 card enables a highly advanced playlist function. You can mark up to 100 events using In and Out points and play the events in any order. Thanks to the P2 card's unique high-speed random access capability, you get seamless, continuous, on-thespot playback with no time lag or Display on the Monitor other disruptions between cuts (clips)**. Edit the recordings and use the results in on-air broadcasts a quick, easy solution for breaking news reporting and similar "when it counts" tasks. You can mark In and Out points, cue, review, trim and perform other tasks in almost the same way as you would with a conventional editing controller. The display of playlist and event properties lets you handle production and correction tasks intuitively and accurately.
Concept Chart of Playlist Function
IN Original OUT IN OUT IN OUT
Control Panel of the AJ-HPM110
Audio Split/Audio Dubbing with the Playlist
The AJ-HPM110's audio split* feature makes it possible, using the playlist, to move the audio In point forward or backward relative to the video In point. Also, one or two additional audio channels can be recorded onto a recorded clip. This lets you connect a microphone for voiceovers. The input audio can be mixed with the playback sound.
Concept Chart of Audio Split
VIDEO1 AUDIO1 VIDEO2 AUDIO2

Playlist

* All channels are moved forward or backward at the same time. You cannot move a single channel independently.
* No transition setting or effect is available. V fade between events can be set only for audio. ** The cuts (clips) should be the same format.

Concept Chart of Voice Over
VIDEO1 AUDIO1 Additional AUDIO AUDIO1 Additional AUDIO AUDIO2 Audio Output after Voice Over VIDEO2 AUDIO2 Sources
Overwrite (Insert) Editing with the Playlist
Source materials from another clip can be inserted into the playlist. This gives you the same result as insert editing with a VTR. The AJ-HPM110 lets you insert edit in three modes: video, audio and both.
Concept Chart of Insert Editing
Before Editing VIDEO AUDIO VIDEO1 AUDIO1 After Editing VIDEO1 AUDIO1 VIDEO1 AUDIO1 VIDEO1 AUDIO1 VIDEO Insert
Creating New Clips From the Playlist (Editcopy function)
Playlists can be saved as files and reused. The edit/copy function can also write out the result of playlist playback as a separate clip. The AJ-HPM110 lets you edit and copy image data over multiple P2 cards for extended HD editing.

AUDIO Insert

AUDIO/VIDEO Insert
Jog/Shuttle Dial and Audio Fader
Like a broadcast editor, the AJ-HPM110 is equipped with a jog & shuttle dial. You can shuttle search at 100x normal speed in forward or reverse and jog search within a range of -1x to +1x speed. Audio can be monitored up to 10x speed. Equipped with large audio fader levers, the AJ-HPM110 also can be used as an audio mixer.
* Only video and audio from another clip on a P2 card mounted in the card slot of the same AJ-HPM110 can be inserted. Insert editing is not possible between two connected units.
PROFESSIONAL INTERFACES IN A RUGGED MOBILE UNIT
RS-422A Remote and Capture IN Function
The AJ-HPM110 is equipped with an RS-422A remote terminal to interface with a broadcasting VTR. Using an external controller, this lets you operate the AJ-HPM110 as an editor-player. The Capture IN function provides control over an external VTR from the AJ-HPM110 control panel for easy production of P2 clips from tape sources.
RS-422A A/B Roll Edit System
VTR (R) VTR (P1) AJ-HPM110
IEEE 1394 Digital Interface
An IEEE 1394 digital interface comes standard on the AJ-HPM110. Connect a DVCPRO HD camera-recorder/VTR or Focus FireStore, and the AJ-HPM110 can input or output a DVCPROcompressed stream with no image degradation. This lets you extend the AJ-HPM110's recording and backup capabilities.
* Input/output is possible only when the system frequency mode is set to 59.94/50 Hz. Input/output is not possible in AVC-Intra mode.
Connecting with Focus FS-100

Rugged Casing

HD-SDI RS-422A HD SW/DVE Editing Controller

Capture IN function

IN Tape material P2 Clip OUT
RS-422A SDI/HD-SDI DVCPRO/ DVCPRO HD VTR
With its rugged casing and magnesium die-cast frame, the AJ-HPM110 is tough enough for go-anywhere field production. The rear connector section is protected by a cover. With the editing panel closed, the AJ-HPM110 is the size of a large briefcase and comes equipped with a metal handle for easy carrying. You can take it onboard an airplane as a carry-on.

USB 2.0 Host Function Allows Use of a Hard Disk Drive
The AJ-HPM110 is equipped with a USB 2.0 interface for host/device. In host mode, you can connect a hard disk drive and read and write P2 files. In device mode, you can connect a PC (or nonlinear editor) and use the AJ-HPM110 as a P2 card drive for direct transfer of P2 clips into nonlinear editing software.
The versatile AJ-HPM110 runs on either 100 to 240-V AC or 12-V DC. Plug it in and you have an outstanding desktop recorder, or take the AJ-HPM110 outside and mount it in an OB van or carry it right into the field.
P2HD 5-year Warranty Repair Program
The P2HD five year warranty repair program further enhances the P2 card's outstanding reliability and durability, and helps to reduce running costs. Once you purchase the AJ-HPM110, simply visit Panasonic's Website and activate the five year warranty repair program.
*Please note that this program is not available in some countries and regions. The standard warranty period may vary depending on the country or region. Not all repair work is covered by this extended warranty. The maximum warranty period may be adjusted depending on the hours of use. Details about user registration and the program: http://panasonic.biz/sav/pass_e
HD/SD Serial Digital Interface
The AJ-HPM110 comes equipped with an SDI terminal, the standard interface in broadcasting systems. It also has HD-SDI input/output and SD-SDI input/output capabilities. This allows the AJ-HPM110 to handle a variety of operations such as line recordings, studio production and on-air broadcasting. The input system can be separately selected for video and audio with the Input Select key on the front panel.

Analog Input/Output

The AJ-HPM110 is equipped with various analog I/Os: Composite In, HD Component Out/Composite Out (shared), Composite Monitor Out, Audio In/Out (4 channels), and Audio Monitor Out (2 channels).

Side Connector Panel

Menu Setting and User File
Using the crosshair cursor buttons or jog dial, it's easy to select menu items and make settings on the LCD monitor. A user file containing up to five groups of settings can be saved or loaded. You can assign frequently used menu items to the three PF keys, then select them instantly with the touch of a finger.

SD Card Slot

The AJ-HPM110 has an SD/SDHC card slot. By using the P2 viewer software, you can create a metadata upload file containing the names of the camera operator and reporter, the shooting location and other text information, and save it onto an SD/SDHC card. The AJ-HPM110 can then read the information as metadata.

Rear Connector Panel

VE-STYLE PRODUCTION WITH 24PSF ADDS WORKFLOW FLEXIBILITY
FIELD RECORDING: As a Viewer and Editor
The P2 Mobile is an outstanding support tool for news gathering and other field operations using a shoulder-mounted DVCPRO P2 camcorder or the AG-HVX200. Use it for a variety of tasks -- monitoring recorded clips, on-site playlist production, editing, or producing backup copies on an external hard disk drive.

IEEE 1394 AG-HVX200

P2 card

AJ-HPM110 Focus FS-100

P2 cam

P2 store*

* The P2 store is read-only. It cannot write to P2 cards or built-in hard disks.
FIELD ACQUISITION: As a Portable Recorder for Extended Backup Recording
The P2 Mobile is ideal for backup recording, with start/stop operation linked to the camera-recorder for both IEEE 1394 and HDSDI connections. Six P2 card slots extend recording time.
IEEE 1394 or HD-SDI (SD-SDI) 1080i/720p/480i/576i Six P2 Cards AJ-HDX900 or Other Digital Camera Recorders AJ-HPM110 (Backup Recordning)
CINEMA-LIKE PRODUCTION: 1080/24p Recording from Digital Cinema Cameras
The AJ-HPM110 can record signals from a digital cinema camera via the 1080/24PsF interface in native 1080/24p format using the AVC-Intra 100 or AVC-Intra 50 codec. It can also input signals of 720/XP over 60p from a VariCam and record them in native 24p. P2 cards containing 1080/24p recorded by the AJ-HPX3000G or AG-HVX200 P2 HD camera-recorder can be inserted into the AJ-HPM110 for direct transfer. The versatility of the AJ-HPM110 responds to a wide range of cinema and cinema-like program production needs.
1080/24PsF 1080/24PsF HD-SDI RS-422A
720/24p over 60p Digital Cinema Camera

VARICAM

Non-linear Editor

AJ-HPX3000G

P2 card (AVC-Intra)
AJ-HPM110 P2 card P2 drive Non-linear Editor Compatible with P2HD

AG-HVX200

P2 card (DVCPRO HD)
1080/23.98p (Native) (AVC-Intra) 720/23.98p (Native) (AVC-Intra/DVCPRO HD)
IN EDITING STUDIOS: For Tape-and-Card Mixed Environments

With the playlist, cut editing can be performed using only the AJ-HPM110. When connected to a nonlinear editor via USB2.0, the AJ-HPM110 serves as a P2 drive.* The RS-422A terminal lets you control a VTR player, while the Capture IN function simplifies the production of P2 clips from tape sources. In these and other ways, the AJ-HPM110 adapts nicely to production environments where both tapes and cards are used.
* Installation of the P2 card driver (provided with each product) is required. The P2 card driver operates on Windows Vista, Windows XP, Windows 2000, and Mac OS X.

Cut Editing

USB2.0 P2 card USB2.0/ IEEE 1394 P2 card AJ-HPM110 HD-SDI/ IEEE 1394 RS-422A Tape AJ-HD1400 AJ-HPM110 P2 card P2 drive Non-linear Editor

Final Editing

OB VAN: Immediate Processing of Recordings
Compact, lightweight and versatile, the P2 Mobile lets you make effective use of the limited space in an OB van. Use it to make line recordings of HD(SD)-SDI input data, or for digital tape-to-card copying of DVCPRO HD data input via IEEE 1394. The P2 Mobile can combine the input content with a source recorded on a P2 card for relay broadcasts, and it expedites playlist transmission.
HD SDI Sutdio Camera On-Air
IEEE 1394 Tape AJ-HDX900 etc, AJ-HD1400
AJ-HPM110 OPTIONAL EQUIPEMT
P2HD UTILITY SOFTWARE You can download the following P2 Utility Softrware at panasonic web site. <https://eww.pavc.panasonic.co.jp/ pro-av/support/desk/e/download.htm> Utility Software: P2 Store Manager Drive Mount Converter P2 Viewer P2 Contents Management Software P2 Card Format Station CAC File for P2 Camera-Recorder
AJ-PC016RG / AJ-PC032RG R-series Memory Card
Focus Enhancements, Inc. FireStore FS-100 Portable DTE Recorder

SD/SDHC Memory Card

AJ-YBX200G AVC-Intra Codec Board
A J - H P M 0 S P E C I F I C AT I O N S

General Specification

Power Source: AC 100 V to 240 V, 50/60 Hz DC 12V/4.8A Operating Temperature: 0C to 40C (32 F to 104 F) Operating Humidity: 10% to 80% (no condensation) Weight: 6.5 kg (14.4 lbs) Dimensions (W x H x D): 301x 120 x 412mm (11-7/8 x 4-3/4 x 16-1/4) Recording Format: AVC-Intra 100*/AVC-Intra 50/DVCPRO HD/ DVCPRO 50/DVCPRO/DV switchable Recording Video Signal: 1080/59.94i, 1080/23.98p*1, 1080/24p*1, 1080/29.97p*1, 1080/25p*1, 1080/50i, 720/59.94p, 720/50P, 480/59.94i, 576/50i Audio Recording Format: AVC-Intra100*1/AVC-Intra50*1/DVCPRO HD: 48kHz/16bits, 8CH DVCPRO 50: 48kHz/16bits, 4CH DVCPRO/DV: 48kHz/16bits, 2CH/4CH switchable Recording Media: P2 card Recording/Playback Time*2: [AVC-Intra100*1 /DVCPRO HD] by single cards using 6 card slot AJ-P2C016RG Approx. 16 min. Approx. 96 min. AJ-P2C032RG Approx. 32 min. Approx. 192 min. Recording/Playback Time*2: [AVC-Intra 50*1/DVCPRO 50] by single cards using 6 card slot AJ-P2C016RG Approx. 32 min. Approx. 192 min. AJ-P2C032RG Approx. 64 min. Approx. 384 min. Recording/Playback Time*2: [DVCPRO/DV] by single cards using 6 card slot AJ-P2C016RG Approx. 64 min. Approx. 384 min. AJ-P2C032RG Approx. 128 min. Approx. 768 min. Digital Slow: 1 to +1 times normal speed

*1: When using AVC-Intra Codec Card AJ-YAB200G *2: * Time shown above is when you record a series of 1 shot to P2 card. Depending on numbers of shots you record, time will get shorter than the number shown above. *4GB/8GB P2 Card can be used.

SDI (HD/SD) Output:

Monitor Output: Output Gain: Chroma Output Gain: Chroma Phase: Setup Level: Sink Phase: SC Phase: Sampling Frequency: Quantizing: Frequency Response: Dynamic Range: Distortion: Cross Talk: Headroom: De-emphasis:
BNC x 1, serial digital component HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard BNC x 1 to + 3 dB or to + 6 dB to + 3 dB 30 10% 15 s kHz (sync video) 16 bits 20 Hz to 20 kHz, 1.0 dB (reference level) More than 85 dB (1 kHz, emphasis off, A weighted) Less than 0.1% (1 kHz, emphasis off, reference level) Less than 80 dB (1 kHz, between 2 channels) 20/18 dB switchable T1=50 sec, T2=15 sec (on/off auto) XLR x 4 (CH1/CH2/CH3/CH4), 600/high-impedance switchable, +4/0/3/20 dBu switchable LINE/MIC/MIC+48V switchable at CH2 MIC: 60 dBu, MIC+48V: Phantom +48V, 60dBu BNC x 1 HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard XLR x 4 (CH1/CH2/CH3/CH4), low-impedance, +4/0/3/20 dBu switchable BNC x 1 HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard Pin jack x 2, 8dBV Stereo mini jack, 8, variable level BNC x 1, 0.5 to 8.0 Vp-p, 10 k BNC x 1, low-impedance, 2.00.5 Vp-p D-sub 9-pin, RS-422A Interface 6-pin x 1 400/200/100 Mbps switchable IEEE1394-1995 standard IEC61883-Part1, Part2 standard SMPTE 396M standard AV/C Command Set standard Host x 1, Device x 1
Video Output Adjustment Range
Audio Specification (Digital Audio )

Audio Input Signal

Audio (Analog) Input:

SDI Input:

Video Specification (Digital Video )
Sampling Frequency: AVC-Intra 100/AVC-Intra 50/DVCPRO HD (59.94Hz/23.98Hz):Y:74.176MHz, PB/PR:37.088MHz (24Hz/25Hz/50Hz/60Hz): Y:74.25MHz, PB/PR:37.125MHz DVCPRO 50: Y:13.5MHz, PB/PR:6.75MHz DVCPRO: Y:13.5MHz, PB/PR:3.375MHz AVC-Intra 100/AVC-Intra 50: 10bits DVCPRO HD/DVCPRO 50/DVCPRO/DV: 8 bits AVC-Intra 100/AVC-Intra 50: H 264/AVC Intra Profile DVCPRO HD: DV-Based Compression (SMPTE 370M) DVCPRO HD/DVCPRO 50/DVCPRO/DV: DV-Based Compression (SMPTE /314M) AVC-Intra 100/DVCPRO HD: 100Mbps AVC-Intra 50/DVCPRO 50: 50Mbps DVCPRO: 25Mbps

Audio Output Signal

Audio (Analog) Output: SDI Output:
Quantizing: Compression Format:
Monitor Output: Headphones:

Other Input and Output

Time Code Input: Time Code Output: RS-422A Input: DVCPRO/DV:

Video Bit Rate:

Video Input Signal
Analog Composite Input: BNC x 1, 1.0 Vp-p (75) Reference Input: BNC x 2 (loop-through), Black Burst/HD tri-sync auto, 75 auto SDI (HD/SD) Input: BNC x 1, serial digital component HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard

USB2.0:

Weight and dimensions shown are approximate. Specifications are subject to change without notice. 5 year warranty repair program is available for AJ-HPM110. Please visit the website below to activate the program. <http://panasonic.biz/sav/pass_e>

Video Output Signal

HD Component Output: Composite Output: BNC x 3 (Y,PB,PR) Y: 1.0 Vp-p, 75 BNC x 3, (Video 1/Video 2/Video 3) 1.0 Vp-p, 75
Please refer to the latest Non-linear Compatibilty Information, P2 Support and Downlord and Service Information, etc. at panasonic web site.
https://eww.pavc.panasonic.co.jp/pro-av/index.html
Matsushita Electric Industrial Co., Ltd. Systems Business Group 2-15 Matsuba-cho, Kadoma, Osaka 571-8503 Japan Phone +Fax +https://eww.pavc.panasonic.co.jp/pro-av/
[Countries and Regions] Argentina +Australia +Bahrain +Belgium +32 (0)Bulgaria +Brazil +Canada +China +(Hong Kong +0888) Czech Republic +032 552/511 Denmark +57 Egypt +3938151 Finland, Latvia, Lithuania, Estonia +358 (9)53 France +33 (0)67 Germany, Austria +49 (0)401 Greece +300 Hungary +36 (1)60 India +Indonesia +Iran +2271463 Italy +Jordan +Kazakhstan +Korea +2106 6641

Kuwait Lebanon Malaysia

+2123 +216827 +(PSE) +(PM) Mexico +Montenegro, Serbia +41 (0)Netherlands +577 New Zealand +Norway +00 Pakistan +21 Panama +2955 Peru +Philippines +Poland +48 (22)Portugal +04 Puerto Rico +Romania +Russia & CIS +Saudi Arabia +Singapore +0110 Slovak Republic +421 (0)23 Slovenia, Croatia, Bosnia, Macedonia +44 (0)57 South Africa +Spain +34 (93) 00
Sweden Switzerland Taiwan Thailand Turkey U.A.E. Ukraine U.K U.S.A.
+46 (8) 41 +41 (0)++++282201 +4903437 +4903438 [ext. 112] +44 (0) +348 5300

JQA-0443

EC98J2010
Factories of Systems Business Group have received ISO14001:2004-the Environmental Management System certification. (Except for 3rd party's peripherals.)

SP-HPM110PE1

50K801ZM-1 Printed in Japan

doc1

Memory Card Portable Recorder/Player

AJ-HPM110

P2 HD Mobile Recorder for HD Production with Native 1080/24p Recording and 1080/24PsF Input/Output
The AJ-HPM110 P2 Mobile is a multi-purpose recorder that uses the P2 memory card to bring mobility and speed to news and program production, both on the desktop and in the studio. HD multi-formatting lets the AJ-HPM110 support conventional 1080i and 720p, as well as 1080/24PsF input/output and native 1080/24p* recording. This makes the AJ-HPM110 ideal for the high-end HD production of movies and commercials. The AJ-HPM110 also includes a host of editing functions, like the RS-422A remote function for producing P2 clips from an external VTR, and a playlist function for editing and copying clips to cards.
*Video is recorded to the P2 card in the 1080/23.98p format. For details on input signals and recording formats, see the table entitled "Input Signals and Corresponding Recording Formats" on page 4.
New Functions Now Offered on the AJ-HPM110 1080/24PsF input/output, native 1080/24p recording Creating New Clips From the Playlist Editcopy function) Production of clips from external VTR sources via RS-422A remote Extracting active frames from Variable Frame Rate (VFR) signals (720/Xp over 59.94p or 60p) Loop Rec function
A D VA N C E D AV C - I N T R A CO D E C A N D P 2 C A R D ' S E X T E N D E D C A PA C I T Y E N A B L E LO N G - T I M E R E CO R D I N G A N D B R O A D C A S T I N G O F H I G H - Q UA L I T Y H D I M A G E S
Reliable, Low-Cost P2 Card with 64 GB Capacity
The compact and light P2 card holds 64GB* (AJ-P2C064AG) of data. The new AJ-HPM110 P2 Mobile records AV data as MXF files, which expedites and streamlines news gathering and program production. Because the P2 card has no moving mechanisms, it offers outstanding reliability and high resistance to impact, vibration and temperature fluctuations. Reusable many times, the P2 card can reduce operating costs and minimize environmental impact.
*Total card capacity includes space for data management such as system data; therefore, actual usable area is less than the capacity indicated on the card.
High-Quality Images with AVC-Intra 100, Low Bit Rate with AVC-Intra 50
AVC-Intra 100 records high-quality, full-pixel, full-sampling HD images (1920 x 1080, 4:2:2, 10 bit) at the same bit rate as DVCPRO HD, while AVC-Intra 50 provides DVCPRO HD-level images at a low bit rate and low operating cost. The AJ-HPM110 can be set to either mode to meet a wide range of HD production needs.

MPEG4 AVC/H.264

INTRA-FRAME (I-ONLY)

Six P2 Card Slots

With its six card slots, the AJ-HPM110 holds six 64 GB P2 cards for recording over 6 hours of DVCPRO HD, 16 hours of DVCPRO HD / AVC-Intra 24p native or 8 hours of AVC-Intra 24p native content. It will play a continuous, extended clip recorded in sequence onto six P2 cards. Or, you can mount five P2 cards recorded using a P2 cam, and output the playlist editing result to a sixth P2 card.
*For detailed recording times, see the table entitled "Input Signals and Corresponding Recording Formats" on page 4.
Professional and Broadcast

Bit Rate

High-end Production

News or Other Programs

Optional Board for AVC-Intra Recording and Playback
The optional AJ-YBX200G codec board adds AVC-Intra codec recording and playback AJ-YBX200G capabilities to the AJ-HPM110. The AVC-Intra codec is based on the advanced motion image compression technology of the MPEG4 AVC/H.264 standard, which brings superb image quality, a high-lyefficient encoding, and outstanding editing precision to broadcasting applications. The intra-frame compression system of this codec ensures stable quality for fast-motion images, degradation-free frame-by-frame editing, and fast processing with a multi-core CPU. The high-accuracy intra prediction process (see diagram below) and advanced, context-adaptive entropy coding technology combine to provide twice the intra-frame compression efficiency of MPEG-2.

Endless Recording with Loop Rec
The loop rec function continuously records video data onto available memory card areas. When the card becomes full, older data is deleted to free up the recording area, resulting in loss-less, endless recording. When used with cameras for time-sensitive, information gathering like weather and news reporting, the loop rec function holds the latest video data for a predetermined time period.

SDI (HD/SD)

Information Camera (HD/SD)
Before Recoording The first turn of Loop-Rec The second turn of Loop-Rec
First Card Blank area Recording start A
Second Card Recorded area

Third Card

*Image data is recorded continuously in available areas (in the order A B C) of the P2 card. When the remaining recording time drops to 30 seconds, data in area A is deleted, and data is recorded in area C until it becomes full (0 seconds remaining), then data is recorded in area D.
Eight Channels of 16 bit Digital Audio
AVC-Intra and DVCPRO HD offer superb 16 bit linear PCM sound quality, with eight embedded channels for recording in 5.1-channel surround sound. The AJ-HPM110 P2 Mobile uses HD SDI for independent input/output and editing of all eight channels. The SD mode supports four-channel recording and playback in all codec systems (DVCPRO 50, DVCPRO, DV).
Sample Image of the Intra Prediction Process
Left: Original image Center: Intra-frame predictive image Right: Difference image obtained from subtracting the intra-frame predictive image from the original image. This shows the high accuracy of intra prediction.
A dvan c ed AV C - I ntra Code c and P 2 C A R D ' S E X T E N D E D C A PA C I T Y E nable Long - T ime R e cording and B road c a s ting o f H igh - Q uality H D I mage s
Native 24p Recording with 1080/24PsF
The AJ-HPM110 supports 1080/24p (30p/25p) recording and playback in both AVC-Intra 100 and AVC-Intra 50 modes. In HD SDI mode, it supports 1080/24PsF input/output for use in high-end movie production. The AJ-HPM110 combines easy portability and convenient nonlinear acquisition in a 24p recorder.
HD/SD Multi-Format Compatibility
Supporting a wide range of HD formats, such as 1080p, 1080i and 720p, the AJ-HPM110 can be switched to 59.94 Hz or 50 Hz to adapt to the world's HD broadcasting formats. It also supports SD, and multi-codec recording (DVCPRO 50, DVCPRO, DV) is possible in both NTSC (480i) and PAL (576i).

Speed Effects with the VariCam
The AJ-HPM110 can extract active frames from VFR (variable frame rate) signals output by a VariCam and record them in 720/24p (30p/25p). The built-in monitor lets you check the VFR effect during playback. The AJ-HPM110 can also provide VariCam-like 60p pull-down output (50p from 25p signals) by playing back a video clip in a P2 card recorded in native 720/24p (30p/25p) by a P2 camcorder AG-HPX170 series or P2 camcorder AG-HPX170 series or AG-HVX200A series.
Up-/Down-/Cross-Conversion
The AJ-HPM110 can convert up or down between HD and SD or crossc-onvert between 720p and 1080i during playback. Also featuring an aspect conversion function, the versatile AJ-HPM110 handles a wide range of video formats.
Correspondence chart of 24P/25P/30P Input/Output
1080/29.97PsF 1080/24PsF 1080/23.98PsF 1080/25PsF AJ-HPX3700G AJ-HPX2700G or Other 24p Cameras 1080/29.97PsF over 59.94i 1080/23.98p over 59.94i 1080/25p over 50i AJ-HPX3000G

AJ-HPM110 AJ-HPM110

24PsF I/F
1080/29.97PsF 1080/24PsF 1080/23.98PsF 1080/25PsF 1080/29.97p (Native) 1080/23.98p (Native) 1080/25p (Native) 1080/29.97PsF 1080/23.98PsF 1080/25PsF 1080/29.97p (Native) 1080/23.98p (Native) 1080/25p (Native)
720/23.98p over 59.94p 720/24p over 60p 720/25p over 60p* VARICAM
1080/23.98PsF 1080/24PsF 1080/25PsF

For variable frame rate

720/23.98p (Native) 720/25pN (Native)
*720/Xp(4p to 50p) over 60p can generate 720/25pN via AJ-HPM110.
Input Signals and Corresponding Recording Formats
Recording Codec Input Signal menu screen*1 59.94 Recording Format (P2 Card) 1080/59.94i Recording Time (With Six 64 GB P2 cards) AVC-Intra100 AVC-Intra50 SDI Output* 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 1080/29.97PsF 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/23.98PsF 1080/23.98PsF 1080/24PsF 1080/25PsF 720/25PsF over 50p 576/25PsF over 50i 720/59.94p 1080/59.94i 480/59.94i 720/50p 1080/50i 576/50i 720/29.97p over 59.94p 1080/29.97PsF 480/29.97p over 59.94i 1080/23.98PsF 1080/24PsF 720/25p over 50p 1080/25PsF 576/25p over 50i 720/25p over 50p 1080/25PsF 576/25p over 50i SDI Output*2 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 1080/29.97PsF 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/23.98PsF*7 1080/23.98p over 59.94i 720/23.98p over 59.94p 480/23.98p over 59.94i 720/59.94p 1080/59.94i 480/59.94i 720/50p 1080/50i 576/50i 720/29.97p over 59.94p 1080/29.97PsF 480/29.97p over 59.94i 1080/23.98PsF 1080/24PsF 720/25p over 50p 1080/25PsF 576/25p over 50i 720/25p over 50p 1080/25PsF 576/25p over 50i 480/59.94i 1080/59.94i 720/59.94p 480/29.97p over 59.94i 1080/29.97PsF 720/29.97p over 59.94p 1080/23.98PsF*7 480/23.98p over 59.94i 1080/23.98p over 59.94i 720/23.98p over 59.94p 576/50i 1080/50i 720/50p 576/25p over 50i 1080/25PsF 720/25p over 50p Analog Outpt*2 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 1080/29.97PsF over 59.94i 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/25PsF over 50i 720/25PsF over 50p 576/25PsF over 50i 720/59.94p 1080/59.94i 480/59.94i 720/50p 1080/50i 576/50i 720/29.97p over 59.94p 1080/29.97p over 59.94i 480/29.97p over 59.94i 720/25p over 50p 1080/25p over 50i 576/25p over 50i 720/25p over 50p 1080/25p over 50i 576/25p over 50i SDI Output*2 1080/59.94i 720/59.94p 480/59.94i 1080/50i 720/50p 576/50i 1080/29.97PsF over 59.94i 720/29.97PsF over 59.94p 480/29.97PsF over 59.94i 1080/23.98p over 59.94i 720/23.98p over 59.94p 480/23.98p over 59.94i 720/59.94p 1080/59.94i 480/59.94i 720/50p 1080/50i 576/50i 720/29.97p over 59.94p 1080/29.97p over 59.94i 480/29.97p over 59.94i 720/25p over 50p 1080/25 over 50i 576/25p over 50i 720/25p over 50p 1080/25p over 50i 576/25p over 50i 480/59.94i 1080/59.94i 720/59.97p 480/29.97p over 59.94i 1080/29.97p over 59.94i 720/29.97p over 59.94p 480/23.98p over 59.94i 1080/23.98p over 59.94p 720/23.98p over 59.94p 576/50i 1080/50i 720/50p 576/25p over 50i 1080/25p over 50i 720/25p over 50p IEEE 1394 Output Time Code Output yes

1080/59.94i

1080/50i

384 min.

768 min.
1080/29.97PsF 1080/23.98p over 59.94i*3 1080/23.98PsF 1080/24PsF AVC-Intra 50/100 (With AJ-YBX200G AVC-Intra Codec Board) 1080/25PsF

29.97 59-23 23.25

1080/29.97p (Native)*6 1080/23.98p (Native)*6 1080/23.98p (Native)*6 1080/23.98p (Native)*6 1080/25p (Native)*6

480 min.

960 min.

720/59.94p

720/50p
720/29.97p over 59.94p*4 720/23.98p over 59.94p* 720/24p over 60p*4 720/25p over 50p*5

29.97 59-23 60-24 25

720/29.97p (Native)*6 720/23.98p (Native)* 720/23.98p (Native)*6

768 min. 960 min.

1536 min. 1920 min.
720/25p (Native)*min. 1536 min.

720/25p over 60p*4

720/25p (Native0)*6

Recording Codec

Recording Format 1080/59.94i

menu screen*1 59.94

Recording Format (P2 Card) 1080/59.94i
Recording Time (With Six 64 GB P2 cards)
IEEE 1394 Output 1080/59.94i

Time Code Output yes

1080/50i 384 min.
1080/50i 1080/29.97PsF over 59.94i 1080/23.98p over 59.94i 720/59.94p

1080/29.97PsF

yes yes yes
1080/23.98p over 59.94i*3 1080/23.98PsF 1080/24PsF 1080/25PsF DVCPRO HD 720/59.94p

59.94 59.94

1080/59.94i 720/59.94p 384 min.
720/29.97p over 59.94p*4 720/23.98p over 59.94p*4 720/24p over 60p*4 720/25p over 50p*5
720/29.97p (Native)*6 720/23.98p (Native)*6 720/23.98p (Native)*6 720/25p (Native)*6
768 min. 720/25p over 60p*4 60-25 720/25p (Native)*6

480/59.94i

480/59.94i 480/29.97p over 59.94i 480/23.98p over 59.94i 576/50i 576/25p over 50i
480/29.97p over 59.94i DVCPRO50/ DVCPRO/ DV
480/59.94i 768 min. (DVCPRO 50 )

yes yes

480/23.98p over 59.94i

1536 min. (DVCPRO/DV )

576/50i

576/25p over 50i

*1: Settings must be made on the menu screen (system frequency mode). *2: Selection must be made on the menu screen. SDI output and analog output switch simultaneously. *3: HD SDI output signal (1080/23.98p over 59.94i) from AJ-HPX3700/HPX2700/HPX2000/HPX2100/HPX3000. *4: HD SDI output signal (variable frame rate) from the AJ-HDC27 series. *5: HD SDI output signal (720/25p over 50p) from the AJ-HPX2100/HPX2000. *6: This mode records only effective frames. *7: Output is produced only when the playback system frequency is set to 23.98 or 59.94.

O V E R W R I TA B L E P L AY L I S T F O R E D I T I N G A N D B R O A D C A S T I N G
Clip Thumbnail Display on the 9-Inch Monitor
The AJ-HPM110's built-in 9-inch LCD monitor not only serves as a playback monitor, it also displays clips in a thumbnail list. You can select a clip and play it back immediately. Each thumbnail is indicated with a text memo and a symbol that shows the presence or absence of a shot marker. You can also set the AJ-HPM110 to display only the clips you select in the thumbnail list. The crosshair cursor buttons or jog dial let you select a thumbnail quickly and easily.

Clip Management

You can delete, copy or merge clips, or add a shot marker and text memo. Details of each clip can be viewed in a properties window.
Playlist Allows VTR-Like Nonlinear Editing
The P2 card enables a highly advanced playlist function. You can mark up to 100 events using In and Out points and play the events in any order. Thanks to the P2 card's unique high-speed random access capability, you get seamless, continuous, on-thespot playback with no time lag or Display on the Monitor other disruptions between cuts (clips)**. Edit the recordings and use the results in on-air broadcasts a quick, easy solution for breaking news reporting and similar "when it counts" tasks. You can mark In and Out points, cue, review, trim and perform other tasks in almost the same way as you would with a conventional editing controller. The display of playlist and event properties lets you handle production and correction tasks intuitively and accurately.
Concept Chart of Playlist Function
Original Playlist IN OUT IN OUT IN OUT
Control Panel of the AJ-HPM110
Audio Split/Audio Dubbing with the Playlist
The AJ-HPM110's audio split* feature makes it possible, using the playlist, to move the audio In point forward or backward relative to the video In point. Also, one or two additional audio channels can be recorded onto a recorded clip. This lets you connect a microphone for voiceovers. The input audio can be mixed with the playback sound.
Concept Chart of Audio Split
VIDEO1 AUDIO1 VIDEO2 AUDIO2
* All channels are moved forward or backward at the same time. You cannot move a single channel independently.
* No transition setting or effect is available. V fade between events can be set only for audio. ** The cuts (clips) should be the same format.

Concept Chart of Voice Over
VIDEO1 AUDIO1 VIDEO2 AUDIO2 Sources
Overwrite (Insert) Editing with the Playlist
Source materials from another clip can be inserted into the playlist. This gives you the same result as insert editing with a VTR. The AJ-HPM110 lets you insert edit in three modes: video, audio and both.
Concept Chart of Insert Editing
Before Editing VIDEO AUDIO VIDEO1 AUDIO1 After Editing VIDEO1 AUDIO1 VIDEO1 AUDIO1 VIDEO1 AUDIO1 VIDEO Insert
Additional AUDIO Additional AUDIO

AUDIO1

AUDIO2
Audio Output after Voice Over
Creating New Clips From the Playlist (Editcopy function)
Playlists can be saved as files and reused. The edit/copy function can also write out the result of playlist playback as a separate clip. The AJ-HPM110 lets you edit and copy image data over multiple P2 cards for extended HD editing.
AUDIO Insert AUDIO/VIDEO Insert
Jog/Shuttle Dial and Audio Fader
Like a broadcast editor, the AJ-HPM110 is equipped with a jog & shuttle dial. You can shuttle search at 100x normal speed in forward or reverse and jog search within a range of -1x to +1x speed. Audio can be monitored up to 10x speed. Equipped with large audio fader levers, the AJ-HPM110 also can be used as an audio mixer.
* Only video and audio from another clip on a P2 card mounted in the card slot of the same AJ-HPM110 can be inserted. Insert editing is not possible between two connected units.
P R O F E SS I O N A L I N T E R FA C E S I N A R U G G E D M O B I L E U N I T
RS-422A Remote and Capture IN Function
The AJ-HPM110 is equipped with an RS-422A remote terminal to interface with a broadcasting VTR. Using an external controller, this lets you operate the AJ-HPM110 as an editor-player. The Capture IN function provides control over an external VTR from the AJ-HPM110 control panel for easy production of P2 clips from tape sources.
RS-422A A/B Roll Edit System
IEEE 1394 Digital Interface
An IEEE 1394 digital interface comes standard on the AJ-HPM110. Connect a DVCPRO HD camera-recorder/VTR or Focus FireStore, and the AJ-HPM110 can input or output a DVCPROcompressed stream with no image degradation. This lets you extend the AJ-HPM110's recording and backup capabilities.

Connecting with Focus FS-100 * Input/output is possible only when the system frequency mode is set to 59.94/50 Hz. Input/output is not possible in AVC-Intra mode.

Rugged Casing

HD SDI RS-422A HD SW/DVE Editing Controller

Capture IN function

IN Tape material P2 Clip OUT
RS-422A SDI/HD-SDI DVCPRO/ DVCPRO HD VTR AJ-HPM110
With its rugged casing and magnesium die-cast frame, the AJ-HPM110 is tough enough for go-anywhere field production. The rear connector section is protected by a cover. With the editing panel closed, the AJ-HPM110 is the size of a large briefcase and comes equipped with a metal handle for easy carrying. You can take it onboard an airplane as a carry-on.
The versatile AJ-HPM110 runs on either 100 to 240 V AC or 12 V DC. Plug it in and you have an outstanding desktop recorder, or take the AJ-HPM110 outside and mount it in an OB van or carry it right into the field.
USB 2.0 Host Function Allows Use of a Hard Disk Drive
The AJ-HPM110 is equipped with a USB 2.0 interface for host/device. In host mode, you can connect a hard disk drive and read and write P2 files. In device mode, you can connect a PC (or nonlinear editor) and use the AJ-HPM110 as a P2 card drive for direct transfer of P2 clips into nonlinear editing software.
P2HD 5-year Warranty Repair Program
The P2HD five year warranty repair program further enhances the P2 card's outstanding reliability and durability, and helps to reduce running costs. Once you purchase the AJ-HPM110, simply visit Panasonic's Website and activate the five year warranty repair program.
*Please note that this program is not available in some countries and regions. The standard warranty period may vary depending on the country or region. Not all repair work is covered by this extended warranty. The maximum warranty period may be adjusted depending on the hours of use. Details about user registration and the program: http://panasonic.biz/sav/pass_e
HD/SD Serial Digital Interface
The AJ-HPM110 comes equipped with an SDI terminal, the standard interface in broadcasting systems. It also has HD SDI input/output and SD SDI input/output capabilities. This allows the AJ-HPM110 to handle a variety of operations such as line recordings, studio production and on-air broadcasting. The input system can be separately selected for video and audio with the Input Select key on the front panel.

Analog Input/Output

The AJ-HPM110 is equipped with various analog I/Os: Composite In, HD Component Out/Composite Out (shared), Composite Monitor Out, Audio In/Out (4 channels), and Audio Monitor Out (2 channels).

Menu Setting and User File
Using the crosshair cursor buttons or jog dial, it's easy to select menu items and make settings on the LCD monitor. A user file containing up to five groups of settings can be saved or loaded. You can assign frequently used menu items to the three PF keys, then select them instantly with the touch of a finger.

Side Connector Panel

SD Card Slot
The AJ-HPM110 has an SD/SDHC card slot. By using the P2 viewer software, you can create a metadata upload file containing the names of the camera operator and reporter, the shooting location and other text information, and save it onto an SD/SDHC card. The AJ-HPM110 can then read the information as metadata.

Rear Connector Panel

V E - Style P rodu c tion with P s F A dd s W ork f low Flexibility
Field Recording: As a Viewer and Editor
The P2 Mobile is an outstanding support tool for news gathering and other field operations using shoulder-mounted or handheld P2 camcorders. Use it for a variety of tasks monitoring recorded clips, on-site playlist production, editing, or producing backup copies on an external hard disk drive.
IEEE 1394 P2 handheld P2 card

USB P2 cam P2 store*

Focus FS-100
* The P2 store is read-only. It cannot write to P2 cards or built-in hard disks.
Field Acquisition: As a Portable Recorder for Extended Backup Recording
The P2 Mobile is ideal for backup recording, with start/stop operation linked to the camera-recorder for both IEEE 1394 and HD SDI connections. Six P2 card slots extend recording time.
IEEE 1394 or HD-SDI (SD-SDI) 1080i/720p/480i/576i AJ-HDX900 or Other Digital Camera Recorders Six P2 Cards AJ-HPM110 (Backup Recordning)
Cinema-Like Production: 1080/24p Recording from Digital Cinema Cameras
The AJ-HPM110 can record signals from a digital cinema camera via the 1080/24PsF interface in native 1080/24p format using the AVC-Intra 100 or AVC-Intra 50 codec. It can also input signals of 720/XP over 60p from a VariCam and record them in native 24p. P2 cards containing 1080/24p recorded by the P2 HD Camcorders (AJ-HPX3700/HPX2700/ HPX3000/AG-HPX175/HVX200A) P2 HD camera-recorder can be inserted into the AJ-HPM110 for direct transfer. The versatility of the AJ-HPM110 responds to a wide range of cinema and cinema-like program production needs.
1080/24PsF 1080/24PsF HD SDI RS-422A
720/24p over 60p Digital Cinema Camera VARICAM

Non-linear Editor

AJ-HPX3700/AJ-HPX2700/ AJ-HPX3000

P2 card (AVC-Intra)

AJ-HPM110 P2 card 1080/23.98p (Native) (AVC-Intra) 720/23.98p (Native) (AVC-Intra/DVCPRO HD) P2 drive Non-linear Editor Compatible with P2HD
AG-HPX170 series AG-HVX200A series

P2 card (DVCPRO HD)

In Editing Studios: For Tape-and-Card Mixed Environments
With the playlist, cut editing can be performed using only the AJ-HPM110. When connected to a nonlinear editor via USB2.0, the AJ-HPM110 serves as a P2 drive.* The RS-422A terminal lets you control a VTR player, while the Capture IN function simplifies the production of P2 clips from tape sources. In these and other ways, the AJ-HPM110 adapts nicely to production environments where both tapes and cards are used.
* Installation of the P2 card driver (provided with each product) is required. The P2 card driver operates on Windows Vista, Windows XP, Windows 2000, and Mac OS X.

Cut Editing

USB2.0 P2 card USB2.0/ IEEE 1394 P2 card AJ-HPM110 HD SDI/ IEEE 1394 RS-422A Tape AJ-HD1400 AJ-HPM110 P2 drive Non-linear Editor

Final Editing

P2 card
OB Van: Immediate Processing of Recordings
Compact, lightweight and versatile, the P2 Mobile lets you make effective use of the limited space in an OB van. Use it to make line recordings of HD(SD)-SDI input data, or for digital tape-to-card copying of DVCPRO HD data input via IEEE 1394. The P2 Mobile can combine the input content with a source recorded on a P2 card for relay broadcasts, and it expedites playlist transmission.
HD SDI Sutdio Camera On-Air

P2 cam

IEEE 1394 Tape

AJ-HDX900 etc,

AJ-HD1400
A J - H PM 110 OP TI ON A L E QUI P E MT
P2Hd Utility software You can download the following P2 Utility Softrware at panasonic web site. <https://eww.pavc.panasonic.co.jp/ pro-av/support/desk/e/download.htm> Utility Software: P2 Store Manager Drive Mount Converter P2 Viewer P2 Contents Management Software P2 Card Format Station CAC File for P2 Camera-Recorder
AJ-PC064AG AJ-PC032RG AJ-PC016RG Memory Card
Focus Enhancements, Inc. FireStore FS-100 Portable DTE Recorder
AG-SDV032G AG-SDV016G SDHC Memory Card
AJ-YBX200G AVC-Intra Codec Board
A J - H P M 0 s pe c i f i c ation s
Power Source: AC 100 V to 240 V, 50Hz/60Hz DC 12V/4.8A Operating Temperature: 0 C to 40 C (32 F to 104 F) Operating Humidity: 10% to 80% (no condensation) Weight: 6.5 kg (14.4 lbs) Dimensions (W x H x D): 301 mmx 120 mm x 412mm (11-7/8 x 4-3/4 x 16-1/4 ) Recording Format: AVC-Intra 100*/AVC-Intra 50/DVCPRO HD/ DVCPRO 50/DVCPRO/DV switchable Recording Video Signal: 1080/59.94i, 1080/23.98p*1, 1080/24p*1, 1080/29.97p*1, 1080/25p*1, 1080/50i, 720/59.94p, 720/50P, 480/59.94i, 576/50i Audio Recording Format: AVC-Intra100*1/DVCPRO HD: 48kHz/16bits, 8CH DVCPRO 50: 48kHz/16bits, 4CH 48kHz/16bits, 2CH/4CH switchable DVCPRO/DV: Recording Media: P2 card Recording/Playback Time*2: [AVC-Intra100*1 /DVCPRO HD] by single cards using 6 card slot AJ-P2C064AG Approx. 64 min. Approx. 384 min. AJ-P2C032RG Approx. 32 min. Approx. 192 min. AJ-P2C016RG Approx. 16 min. Approx. 96 min. Recording/Playback Time*2: [AVC-Intra 50*1/DVCPRO 50] by single cards using 6 card slot AJ-P2C064AG Approx. 128 min.Approx. 768 min. AJ-P2C032RG Approx. 64 min. Approx. 384 min. AJ-P2C016RG Approx. 32 min. Approx. 192 min. Recording/Playback Time*2: [DVCPRO/DV] by single cards using 6 card slot AJ-P2C064AG Approx. 256 min. Approx. 1,536 min. AJ-P2C032RG Approx. 128 min. Approx. 768 min. AJ-P2C016RG Approx. 64 min. Approx. 384 min. Digital Slow: 1 to +1 times normal speed

*1: When using AVC-Intra Codec Card AJ-YAB200G *2: * Time shown above is when you record a series of 1 shot to P2 card. Depending on numbers of shots you record, time will get shorter than the number shown above. *4GB/8GB P2 Card can be used.

General Specification

SDI (HD/SD) Output: BNC x 1, serial digital component HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard Monitor Output: BNC x 1
Video Output Adjustment Range
Output Gain: Chroma Output Gain: Chroma Phase: Setup Level: Sink Phase: SC Phase:
to + 3 dB or to + 6 dB to + 3 dB 30 10% 15 s kHz (sync video) 16 bits 20 Hz to 20 kHz, 1.0 dB (reference level) More than 85 dB (1 kHz, emphasis off, A weighted) Less than 0.1% (1 kHz, emphasis off, reference level) Less than 80 dB (1 kHz, between 2 channels) 20/18 dB switchable T1=50 sec, T2=15 sec (on/off auto)
Audio Specification (Digital Audio )
Sampling Frequency: Quantizing: Frequency Response: Dynamic Range: Distortion: Cross Talk: Headroom: De-emphasis:

Audio Input Signal

Audio (Analog) Input: XLR x 4 (CH1/CH2/CH3/CH4), 600 /high-impedance switchable, +4/0/ 3/ 20 dBu switchable LINE/MIC/MIC+48V switchable at CH2 MIC: 60 dBu, MIC+48V: Phantom +48V, 60dBu SDI Input: BNC x 1 HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard

Audio Output Signal

Sampling Frequency: AVC-Intra 100/AVC-Intra 50/DVCPRO HD (59.94Hz/23.98Hz):Y:74.176MHz, PB/PR:37.088MHz (24Hz/25Hz/50Hz/60Hz): Y:74.25MHz, PB/PR:37.125MHz DVCPRO 50: Y:13.5MHz, PB/PR:6.75MHz DVCPRO: Y:13.5MHz, PB/PR:3.375MHz Quantizing: AVC-Intra 100/AVC-Intra 50: 10bits DVCPRO HD/DVCPRO 50/DVCPRO/DV: 8 bits Compression Format: AVC-Intra 100/AVC-Intra 50: H 264/AVC Intra Profile DVCPRO HD: DV-Based Compression (SMPTE 370M) DVCPRO HD/DVCPRO 50/DVCPRO/DV: DV-Based Compression (SMPTE /314M)
Video Specification (Digital Video )
Audio (Analog) Output: XLR x 4 (CH1/CH2/CH3/CH4), low-impedance, +4/0/ 3/ 20 dBu switchable SDI Output: BNC x 1 HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard Monitor Output: Pin jack x 2, 8dBV Headphones: Stereo mini jack, 8, variable level

Other Input and Output

Time Code Input: Time Code Output: RS-422A Input: DVCPRO/DV: USB2.0:

Video Input Signal

Analog Composite Input:BNC x 1, 1.0 Vp-p (75) Reference Input: BNC x 2 (loop-through), Black Burst/HD tri-sync auto, 75 auto SDI (HD/SD) Input: BNC x 1, serial digital component HD: SMPTE 292M/296M/299M standard SD: SMPTE259M-C/272M-A standard ITU-R BT.656-4 standard HD Component Output: BNC x 3 (Y,PB,PR) Y: 1.0 Vp-p, 75 Composite Output: BNC x 3, (Video 1/Video 2/Video 3) 1.0 Vp-p, 75
BNC x 1, 0.5 to 8.0 Vp-p, 10 k BNC x 1, low-impedance, 2.0 0.5 Vp-p D-sub 9-pin, RS-422A Interface 6-pin x 1 400/200/100 Mbps switchable IEEE1394-1995 standard IEC61883-Part1, Part2 standard SMPTE 396M standard AV/C Command Set standard Host x 1, Device x 1

Video Output Signal

Weight and dimensions shown are approximate. Specifications are subject to change without notice. 5 year warranty repair program is available for AJ-HPM110. Please visit the website below to activate the program. <http://panasonic.biz/sav/pass_e>
Please refer to the latest Non-linear Compatibilty Information,
P2 Support and Downlord and Service Information, etc. at panasonic web site.
https://eww.pavc.panasonic.co.jp/pro-av/index.html
Notes Regarding the Handling of P2 Files Using a PC
Mounting and Transferring Files The PC must be installed with the included P2 driver in order to recognize, copy and transfer P2 files. This driver is also necessary when using the PC card slot and when handling P2 files stored on a hard-disk device, such as P2 store. The included P2 driver is compatible with Windows Vista, Windows XP, Windows 2000 and Mac OSX. For other operating requirements, refer to the P2 installation manual. The P2 driver and the P2 installation manual can be downloaded free from a Panasonic website. Visit https://eww.pavc.panasonic.co.jp/pro-av/ and click "P2 Support and Download." Preview and Nonlinear Editing To preview (play) P2 files on a PC, it is necessary to install P2 Viewer software (downloadable for free, for Windows only) or P2 CMS content management software (downloadable for free, for both Windows and Mac), both from Panasonic, or P2-compatible editing software available from other companies (for details, visit https://eww.pavc.panasonic.co.jp/pro-av/sales_o/p2/partners.html). Note that each software places specific requirements on the operating environment, and the operating environment must meet additional requirements to play and edit HD content on Windows PCs and Macs. For P2 Viewer or P2 CMS download and operating requirement information, visit https://eww.pavc.panasonic.co.jp/pro-av/. For operating requirements and details of other P2 editing software, visit the website of the relevant software manufacturer.

[Countries and Regions]

Panasonic Corporation Systems Business Group 2-15 Matsuba-cho, Kadoma, Osaka 571-8503 Japan Phone +Fax +https://eww.pavc.panasonic.co.jp/pro-av/
Argentina +Australia +Bahrain +Belgium +32 (0) Bulgaria +Brazil +Canada +China +(Hong Kong +0888) Czech Republic +032 552/511 Denmark +57 Egypt +23938151 Finland, Latvia, Lithuania, Estonia +358 (9) 53 France +33 (0) 67 Germany, Austria +49 (0) 401 Greece +300 Hungary +36 (1) 60 India +to 4 Indonesia +Iran (Vida) +2271463 (Panasonic Office) +Italy +Jordan +5859801 Kazakhstan +Korea +2106 6641

Kuwait +Lebanon +Malaysia (PM & PSE) +Mexico +Montenegro, Serbia +41 (0) Netherlands +577 New Zealand +Norway +00 Pakistan +(SNT) +2988750 Palestine Panama +2955 Peru +Philippines +Poland +48 (22) Portugal +04 Puerto Rico +Romania +Russia & CIS +9804206 Saudi Arabia +Singapore +0110 Slovak Republic +421 (0) 23 Slovenia, Croatia, Bosnia, Macedonia +44 (0) 57 South Africa +3131622 Spain +34 (93) 00
Sweden +46 (8) 41 Switzerland +41 (0) Syria +2318422/4 Taiwan +Thailand +Turkey +U.A.E. (for All Middle East) +8862142 Ukraine +4903437 U.K +44 (0)U.S.A. +Vietnam +848 38370280
Factories of Systems Business Group have received ISO14001:2004-the Environmental Management System certification. (Except for 3rd party's peripherals.)

SP-HPM110PE2

2K812ZM-1 Printed in Japan

 

Technical specifications

Full description

The Panasonic P2 Mobile is a portable, rugged 4:2:2, 10-bit capable solid-state memory recorder/player is ideal for field production, postproduction as well as ENG applications. - Combines professional editing controls with audio faders, a 9-inch widescreen LCD monitor with stereo speakers, and a compact, magnesium die-cast body. - Versatile and powerful mobile recording/editing solution for field recording (including pool feeds) and video production, as well as for use in mobile vans or in desktop non-linear/linear editing systems. - Allows a user to record in DVCPROHD/50/25 and in AVC-Intra. - The AVC-Intra codec board offers highly efficient encoding and extended recording time with 10-bit, 4:2:2 image quality. - The AVC Codec offers two modes: AVC-Intra 100 Mbps for higher-end, full-bit HD quality and AVC-Intra 50 Mbps for storage efficient operation with high image quality. - The P2 incorporates the best of the AV and IT worlds, allowing you to work in 10-bit, 4:2:2 high definition or standard definition, bridging the gap between the P2 file format and baseband video.

 

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