01_DJM-700_En.book 1

DJ MIXER

DJM-700-S DJM-700-K

Operating Instructions

01_DJM-700_En.book 2

Thank you for buying this Pioneer product. Please read through these operating instructions so you will know how to operate your model properly. After you have finished reading the instructions, put them away in a safe place for future reference. In some countries or regions, the shape of the power plug and power outlet may sometimes differ from that shown in the explanatory K015 En drawings. However the method of connecting and operating the unit is the same.

IMPORTANT

CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN The lightning flash with arrowhead symbol, within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. CAUTION: TO PREVENT THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.

D1-4-2-3_En-A

WARNING
This equipment is not waterproof. To prevent a fire or shock hazard, do not place any container filed with liquid near this equipment (such as a vase or flower pot) or expose it to dripping, splashing, rain D3-4-2-1-3_A_En or moisture.
IMPORTANT NOTICE THE SERIAL NUMBER FOR THIS EQUIPMENT IS LOCATED ON THE BOTTOM. PLEASE WRITE THIS SERIAL NUMBER ON YOUR ENCLOSED WARRANTY CARD AND KEEP IN A SECURE AREA. THIS IS FOR YOUR SECURITY.

D1-4-2-6-1_En

NOTE: THE NO USER-SERVICEABLE PARTS COMPARTMENT WARNING IS LOCATED ON THE APPLIANCE BOTTOM.
Information to User Alteration or modifications carried out without appropriate authorization may invalidate the users right to operate the equipment. D8-10-2_En CAUTION: This product satisfies FCC regulations when shielded cables and connectors are used to connect the unit to other equipment. To prevent electromagnetic interference with electric appliances such as radios and televisions, use shielded cables and connectors for connections. D8-10-3a_En This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numrique de la Classe B est conforme la norme NMB-003 du Canada. D8-10-1-3_EF

1) 2) 3) 4) 5) 6) 7)

Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturers instructions. 8) Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. 9) Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. 10) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.

11) Only use attachments/accessories specified by the manufacturer. 12) Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
13) Unplug this apparatus during lightning storms or when unused for long periods of time. 14) Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. P1-4-2-2_En
PREVENT ELECTRIC SHOCK DO NOT USE THIS (POLARIZED) PLUG WITH AN EXTENSION CORD. RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES CAN BE FULLY INSERTED TO PREVENT BLADE EXPOSURE. ATTENTION POUR PREVENIR LES CHOCS ELECTRIQUES NE PAS UTILISER CETTE FICHE POLARISEE AVEC UN PROLONGATEUR UNE PRISE DE COURANT OU UNE AUTRE SORTIE DE COURANT, SAUF SI LES LAMES PEUVENT ETRE INSEREES A FOND SANS EN LAISSER AUCUNE PARTIE D2-4-4-1_EF A DECOUVVERT. WARNING: Handling the cord on this product or cords associated with accessories sold with the product will expose you to chemicals listed on proposition 65 known to the State of California and other governmental entities to cause cancer and birth defect or other reproductive harm. D36-P4_A_En Wash hands after handling
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. D8-10-1-2_En Consult the dealer or an experienced radio/TV technician for help.

If the AC plug of this unit does not match the AC outlet you want to use, the plug must be removed and appropriate one fitted. Replacement and mounting of an AC plug on the power supply cord of this unit should be performed only by qualified service personnel. If connected to an AC outlet, the cut-off plug can cause severe electrical shock. Make sure it is properly disposed of after removal. The equipment should be disconnected by removing the mains plug from the wall socket when left unused for a long period of time (for example, when D3-4-2-2-1a_A_En on vacation).
THE FOLLOWING NOISES CAN BE DANGEROUS UNDER CONSTANT EXPOSURE 90 Subway, motorcycle, truck traffic, lawn mower 100 Garbage truck, chain saw, pneumatic drill 120 Rock band concert in front of speakers, thunderclap 140 Gunshot blast, jet plane 180 Rocket launching pad
Information courtesy of the Deafness Research Foundation.

S001_En

Contents
CONFIRM ACCESSORIES...4 CAUTIONS REGARDING HANDLING..4
Location... 4 Cleaning the Unit... 4

EFFECT FUNCTIONS...16

PRODUCING BEAT EFFECTS.. 18 MANUAL FILTER OPERATION.. 19 EFFECT FREQUENCY FILTER OPERATION.. 19 EFFECT PARAMETERS... 20
FEATURES...4 CONNECTIONS...5
CONNECTION PANEL.. 5 CONNECTING INPUTS... 6 CONNECTING EXTERNAL EFFECTORS, OUTPUT CONNECTORS... 7 ABOUT MIDI CONNECTORS... 8 CONNECTING MICROPHONE AND HEADPHONES.. 8 CONNECTING THE POWER CORD... 8

MIDI SETTINGS...21

SYNCHRONIZING AUDIO SIGNALS TO EXTERNAL SEQUENCER, OR USING DJM-700-S/DJM-700-K INFORMATION TO OPERATE AN EXTERNAL SEQUENCER... 21 MIDI MESSAGES... 22 PROGRAM CHANGE.. 24 SNAPSHOT... 24 MIDI ON/OFF... 24
NAMES AND FUNCTIONS OF PARTS..9 MIXER OPERATIONS..13
FADER START FUNCTION... 14
TROUBLESHOOTING..25 SPECIFICATIONS...26 BLOCK DIAGRAM..27

01_DJM-700_En.book 4

CONFIRM ACCESSORIES / CAUTIONS REGARDING HANDLING / FEATURES

CONFIRM ACCESSORIES

Operating Instructions.1

FEATURES

Designed for high sound quality
Analog signals are transmitted by the shortest circuitry and converted to digital format at 96 kHz sampling rate via a 24-bit high quality A/D converter. As a result, signals are passed to the digital mixing stage in the best possible state. Mixing is performed with a 32-bit DSP, totally eliminating any loss in fidelity, while the ideal level of filtering is introduced to produce optimum sound for DJ play. These features are housed in a high-rigidity chassis with highoutput power section and other features that carry on the highfidelity performance of the DJM-1000, thus ensuring the utmost in clear and powerful club sound.

01_DJM-700_En.book 5

CONNECTIONS

CONNECTION PANEL

BOOTH REC PHONO LINE

PHONO LINE

PHONO CD

LINE CD

OFF ON

1 GND 2 HOT

CONTROL

MIC 2 CONTROL

3 COLD

R R MASTER1 L R

MASTER2

MASTER ATT.

-6dB -3dB 0dB

SIGNAL GND SEND

RETURN

R L(MONO)

DIGITAL OUT fs(Hz)

48k 96k

L(MONO)
1 POWER switch 2 BOOTH monitor output connectors RCA-type booth monitor output jack. The sound level from these connectors is controlled independently by the BOOTH MONITOR LEVEL dial, regardless of the position of the MASTER LEVEL dial. 3 Recording output connectors (REC) RCA type output connectors for recording. 4 PHONO input connectors RCA type phono level (MM cartridge) input connectors. Do not use for inputting line level signals. 5 LINE input connectors RCA type line level input connectors. Use to connect a cassette deck or other line level output component. 6 CD input connectors RCA type line level input connectors. Use to connect a DJ CD player or other line level output component. 7 CONTROL connectors 3.5 mm mini-connector. Use to connect to the control connector of a Pioneer DJ CD player. When the connectors are connected, the DJM-700-S/DJM-700-Ks fader can be used to perform start/stop on the DJ CD player. 8 Two microphone input jacks (MIC 2) Connect microphones equipped with phone-type plugs. 9 Signal grounding terminals (SIGNAL GND) Reduces noise when connecting an analog turntable. 10 MIDI OUT connector DIN type output connector. Use to connect to other MIDI component (see P. 21).
11 DIGITAL OUT connector RCA type digital coaxial output connector. Master audio digital output. 12 Sampling frequency selector switch (fs 48 k/96 k) Use to set the sampling frequency of the digital output to 96 kHz/ 24-bit format or 48 kHz/24-bit format. Turn power off before changing this switch position. 13 RETURN connectors 6.3 mm phone-type input connectors. Use to connect to the output connectors of external effectors or similar components. When the L channel only is connected, the L channel input is simultaneously input to the R channel. 14 SEND output connectors 6.3 mm phone-type output connectors. Use to connect to the input connectors of external effectors or other similar components. When the L channel only is connected, a L+R monaural signal is output. 15 Master output attenuator switch (MASTER ATT) Use to attenuate the level of the master 1 and master 2 outputs. Attenuation can be set to 0 dB, 3 dB, or 6 dB. 16 MASTER 2 output connectors RCA type unbalanced output. 17 MASTER 1 output connectors XLR type (male) balanced output. When using a cord with RCA-type plug, users are recommended to connect the plug directly to the MASTER 2 connectors without using an XLR/RCA converter plug. 18 Power cord Connect to ordinary AC outlet.

01_DJM-700_En.book 6

Always turn off the power switch and disconnect the power plug from its outlet when making or changing connections.

CONNECTING INPUTS

Pioneer DJ CD players
The audio output connectors of a DJ-type CD player can be connected to the CD input connectors (channel 1 or 2), or to the LINE input connectors (channel 1) of the DJM-700-S/DJM-700-K. Connect the control cord to the CONTROL jack, and set the input selector switch to [CD] or [LINE]. Connect the ground wire from an analog turntable to the SIGNAL GND terminal of the DJM-700-S/DJM-700-K. Note that no PHONO input connector is provided for channel 1.
Connecting other line level output devices
To use a cassette deck or ordinary CD player, connect its audio output connectors to one of the DJM-700-S/DJM-700-Ks LINE input connectors (channel 1, 3, or 4) or to the CD input connectors (channel 1 or 2), and set the input selector switch to [LINE].

Analog turntable

To connect an analog turntable, connect the turntables audio output cable to one of the channel 2 to 4 PHONO input connectors. Set the corresponding channels input selector switch to [PHONO]. The DJM-700-S/DJM-700-Ks PHONO inputs support MM cartridges.

Input selector switch

CD player, etc.

DJ CD player

Cassette deck, etc.

01_DJM-700_En.book 7

CONNECTING EXTERNAL EFFECTORS, OUTPUT CONNECTORS

Master output

This unit is furnished with balanced output MASTER 1 (supporting XLR plugs), and unbalanced output MASTER 2 (supporting RCA plugs). Using the MASTER ATT switch, adjust the output level to match the input sensitivity of the power amplifier used. If the operating panels MONO/STEREO switch is set to [MONO], the master output will be a monaural combination of L+R channels.

Digital output

This is a coaxial digital output connector, supporting RCA plugs. The sampling frequency can be set to 96 kHz/24-bit format or 48 kHz/24-bit format to match the connected device. Turn power off before changing this switch position.

External effector

Use a cable with 6.3 mm phone plugs to connect the DJ mixers SEND connectors to the effectors input connectors. When using an effector with monaural inputs, connect only to the DJ mixers L channel output. In this way, the mixed L+R audio signal will be sent to the effector. In the same way, use a cable with 6.3 mm phone plugs to connect the DJ mixers RETURN connectors to the output connectors of the effector. If the effector has only monaural output, connect to the DJ mixers L channel input only. The signal from the effector will be input to both L and R channels. When using an external effector, set the effect selector to [SND/ RTN].

Booth monitor output

Unbalanced output supporting RCA-type plug. The sound volume for this output is controlled by the BOOTH MONITOR LEVEL dial, independently of the master output level setting.

Recording output

These are output connectors for recording, supporting RCA plugs.
Power amplifier (for booth monitor)
Cassette deck (analog input recording device)
Power amplifier (RCA plug input connectors)
Digital input AV amplifier (digital input recording device)
Sampling frequency selector switch

MASTER ATT switch

Power amplifier (XLR plug input connectors)

01_DJM-700_En.book 8

ABOUT MIDI CONNECTORS
See P. 21 regarding the functions of MIDI connectors.
CONNECTING MICROPHONE AND HEADPHONES

Microphone

A microphone with XLR-type plug can be connected to the MIC 1 connector on the Operation Panel (upper). The MIC 2 jack on the connection panel can be used to connect a microphone with 6.3 mm phone plugs. When using a microphone, set the operating panels MIC switch to [ON] or [TALK OVER], and adjust the LEVEL dial as necessary. When not using a microphone, it is recommended to set the MIC switch to [OFF] and rotate the LEVEL dial fully counterclockwise to the [] side.

Headphones

The PHONES jack on the upper surface of the operating panel can be used to connect headphones with a 6.3 mm stereo phone plug.

HEADPHONES

MONO SPLIT STEREO

MIXING

MASTER

Microphone 1

PHONES

Microphone 2

MIC1 LEVEL

MIC2 LEVEL

-12 +12

MIC TALK

OFF ON OVER

FADER START CH-1 CH-2

CONNECTING THE POWER CORD
Connect the power cord last.
After completing all other connections, connect the power plug to an ordinary AC outlet.

01_DJM-700_En.book 9

NAMES AND FUNCTIONS OF PARTS

OPERATION PANEL

PROFESSIONAL MIXIER

MASTER LEVEL

ON/OFF

START/STOP

BEAT EFFECTS

FILTER

FREQUENCY

EFFECTS

HEADPHONES CUE

BALANCE

CUE MASTER
REVERB PHASER FLANGER FILTER TRANS ECHO DELAY
ROBOT CRUSH ROLL ROLL REVERSE UP DOWN SND/RTN

MONO STEREO

BOOTH MONITOR LEVEL

MIC CF.A CF.B

LEVEL/DEPTH CH FADER
A THRU B A THRU B A THRU B A THRU B

MIN MAX

CROSS FADER ASSIGN PHONES

CROSS FADER

1 Microphone 1 input jack (MIC 1) Connect microphone with XLR-type plug. 2 Microphone 1 level control dial (MIC 1 LEVEL) Use to adjust the volume of microphone 1. (adjustable range to 0 dB) 3 Microphone 2 level control dial (MIC 2 LEVEL) Use to adjust the volume of microphone 2. (adjustable range to 0 dB) 4 Microphone equalizer high-range control dial (HI) Use to adjust the treble (high-range) frequencies of microphones 1 and 2. (adjustable range 12 dB to +12 dB) 5 Microphone equalizer low-range control dial (LOW) Use to adjust the bass (low-range) frequencies of microphones 1 and 2. (adjustable range 12 dB to +12 dB) 6 Microphone function indicator Lights when microphone is ON; flashes when TALK OVER is ON. 7 Microphone function selector switch (MIC) OFF: No microphone sound is output. ON: Microphone sound is output normally.

TALK OVER: Microphone sound is output; when sound is input to a connected microphone, the TALK OVER function operates and all sound other than that from the microphone is attenuated by 20 dB. When not using the TALK OVER function, it is recommended to set the switch to the [OFF] or [ON] position. 8 Channel 1 input selector switch CD: Selects CD input (line level analog input). LINE: Use to select LINE input connectors. 9 Channel 2 input selector switch CD: Use to select CD input (line level analog input). PHONO: Use to select PHONO input connectors (analog turntable input). 10 Channel 3, 4 input selector switch LINE: Use to select LINE input (line level analog input). PHONO: Use to select PHONO input connectors (analog turntable input). 11 TRIM adjust dial Use to adjust the input level for each channel. (adjustable range: to +9 dB, mid-position is about 0 dB) 12 Channel equalizer high-range adjust dial (HI) Use to adjust the treble (high-range) frequency sound for each channel. (adjustable range: 26 dB to +6 dB)

01_DJM-700_En.book 10

13 Channel equalizer mid-range adjust dial (MID) Use to adjust the mid-range frequency sound for each channel. (adjustable range: 26 dB to +6 dB) 14 Channel equalizer low-range adjust dial (LOW) Use to adjust the bass (low-range) frequency sound for each channel. (adjustable range: 26 dB to +6 dB) 15 Channel level indicator Displays the current level for each channel, with two-second peak hold. 16 HEADPHONES CUE buttons/indicators These buttons are used to select from 1 to 4, MASTER, or EFFECTS, to allow you to monitor the desired source through headphones. If multiple buttons are pressed simultaneously, the selected audio sources are mixed. Press the button once more to cancel the selected source. Unselected buttons glow darkly, while selected source buttons light brightly. 17 Fader start button/indicator (FADER START CH-1, CH-2) Enables the fader start/back cue function for the channel to which a DJ CD player is connected. The button lights when set to ON. When enabled, the operation differs depending on the setting of the CROSS FADER ASSIGN switch. When the CROSS FADER ASSIGN switch is set to the [A] or [B] position, fader start button operation is linked to the operation of the cross fader (and unlinked to channel fader). When the CROSS FADER ASSIGN switch is set to the [THRU] position, fader start button operation is linked to the operation of the channel fader (and unlinked to cross fader). 18 Channel fader lever Use to adjust sound volumes for each channel. (adjustable range: to 0 dB) Output is in accordance with the channel fader curve selected with the CH FADER curve switch. 19 CROSS FADER ASSIGN switch This switch assigns each channels output to either right or left side of the cross fader (if multiple channels are assigned to the same side, the result will be the combined sum of the channels). A: The selected channel is assigned to the cross faders A (left) side. THRU: The channel faders output is sent as is to the master output, without being passed through the cross fader. B: The selected channel is assigned to the cross faders B (right) side. 20 Channel fader curve switch (CH FADER) This switch allows the user to select from two types of channel fader curve response. This setting is applied equally to channels 1 to 4. At the left setting, the curve operates to produce a rapid rise as the channel fader approaches its distant position. At the right setting, the curve operates to produce an even, neutral rise throughout the channel faders movement. 21 Cross fader curve switch (CROSS FADER) This switch allows the user to select from three types of cross fader curve response. At the left setting, the curve produces a rapid signal rise. (As soon as the cross fader lever leaves the [A] side, the [B] channel sound is produced.) At the right setting, the curve operates to produce an even, neutral rise throughout the cross faders movement. At the middle setting, an intermediate curve is produced, midway between the two curves noted above. 22 Cross fader lever Outputs sound assigned to [A] and [B] sides in accordance with setting of the CROSS FADER ASSIGN switch, and subject to the cross fader curve selected with the CROSS FADER curve switch. 23 Master output level dial (MASTER LEVEL) Use to adjust the master output level. (adjustable range: to 0 dB) The master output is the sum combination of the sound from channels set to [THRU] with the CROSS FADER ASSIGN switch; the signal passed through the cross fader; and the signals from microphone 1 and microphone 2 (if the effect selector is set to [SND/RTN], the RETURN input is also added). 24 Master level indicator (MASTER L, R) These segment indicators display the output level from L and R channels. The indicators have a two-second peak hold. 25 Master balance dial (BALANCE) Use to adjust the L/R channel balance for master output, booth monitor output, recording output, and digital output. 26 Master output MONO/STEREO selector switch When set to the [MONO] position, master output, booth monitor output, recording output, digital output are all produced in L+R monaural. 27 BOOTH MONITOR LEVEL control dial This dial is used to adjust the booth monitor output volume. The volume can be adjusted independently of the master output level. (adjustable range: to 0 dB) 28 Headphones output switch (MONO SPLIT/STEREO) MONO SPLIT: When HEADPHONES CUE (1, 2, 3, 4 or EFFECTS) button is selected, the selected audio is output to the L channel. When HEADPHONES CUE (MASTER) button is selected, the master audio is output from the R channel. STEREO: The audio source selected with the HEADPHONES CUE button is output in stereo. 29 Headphones mixing dial (MIXING) When rotated clockwise (toward [MASTER]), the master output audio is produced at the headphones (only when [MASTER] has been selected with the HEADPHONES CUE button); when rotated counterclockwise (toward [CUE]), the headphones output becomes the mixture of the effect monitor and the channel selected with the HEADPHONES CUE button. In the middle position, the audio from [MASTER] and [CUE] will be output. 30 Headphones level adjust dial (LEVEL) Adjusts the output level of the headphones jack. (adjustable range: to 0 dB)

DISPLAY SECTION

AUTO TAP

MIDI BPM % mS

1 Effects display section Text display (7 characters) displays effect name as shown in accompanying table. Also, when one of the change operations is performed as noted in the table, the corresponding characters are displayed for two seconds, after which the display returns to the original effect name.
Switching Operation At MIDI start At MIDI stop MIDI snapshot When MIDI output function is ON When MIDI output function is OFF STOP SNAP MIDI On MIDIOff Display START
2 Channel select display section Lights position selected by effect channel selector. 3 Parameter display section AUTO/TAP: [AUTO] lights when the BPM measuring mode is set to AUTO, and [TAP] lights when the BPM measuring mode is set to manual (TAP). BPM counter display (3 digits): In AUTO mode, displays the automatically detected BPM value. If the BPM count cannot be detected automatically, the display will flash at the previously detected value. In manual (TAP) mode, displays the BPM value designated by TAP input, etc. BPM: Lights constantly. MIDI: Indicates status of MIDI output function ON/OFF. Lights when MIDI output function is ON. Not lighted when MIDI output function is OFF. Parameter 1 display (5 digits): Displays parameters designated for each effect. When the beat select buttons (BEAT , ) are pressed, the corresponding beat multiple change is displayed for two seconds. If the beat select buttons (BEAT , ) are used to designate a value outside the parameter range, the current number will flash but will not change. Unit Display (%/ms): Lights in accordance with the unit used for each effect.

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4 Beat display section Displays the location of parameter 1 relative to BPM (1/1 beat). The lower row is lighted constantly. When the parameter 1 location approaches a threshold value, the corresponding indicator is lighted. When the parameter 1 is between threshold values, the
Effect display Effect name DELAY ECHO TRANS FILTER FLANGER PHASER REVERB ROBOT CRUSH ROLL REVROLL UP ROLL DWNROLL SND/RTN Shaded items are not displayed. Parameter display Minimum Maximum value value 000 Default 500 Unit ms ms ms ms ms ms % % ms ms ms ms ms indicator flashes. Although the display includes seven actual indicators, the values of the two ends can also be considered to represent indicators, with the result that nine positions can be logically assumed. When the values are at the two ends, no indicators light. Beat display

Effect selector

1/8 1/8

1/4 1/4

1/2 1/2 1/4 1/1 1/1 1/1 30
3/4 3/4 1/2 2/1 2/1 2/50 2/1 1/2 1/2 1/2 1/2
1/1 1/1 1/1 4/1 4/1 4/0 4/1 1/1 1/1 1/1 1/1

2/1 2/1 2/1

4/1 4/1 4/1
DELAY ECHO TRANS FILTER FLANGER PHASER REVERB ROBOT CRUSH ROLL REV ROLL UP ROLL DOWN ROLL SND/RTN
8/1 16/1 8/1 16/1 8/1 16/1
1/16 1/8 1/4 1/4 1/1/4 1/2 1/2 1/2 20

Example Original (4 beats)
FILTER In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, the filter frequency is moved, greatly changing the sound coloration.
Frequency 1 cycle =1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

1/2 delay (8 beats)

FLANGER In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, 1 cycle of flanger effect is produced quickly and easily.
2 ECHO (Multiple repeat sounds) This function allows an echo sound with beat of 1/8, 1/4, 1/2, 3/4, 1/1, 2/1, 4/1, 8/1, or 16/1 to be added quickly and simply. For example, when a 1/1 beat echo sound is used to cutoff the input sound, a sound in synch with the beat is repeated together with fadeout. Also, by adding a 1/1 beat echo to the microphone, the microphone sound repeats in synch with the music beat. If a 1/1 beat echo is applied to the vocal portion of a track, the song takes on an effect reminiscent of a round.

Short delay

1 cycle =1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat
PHASER In units of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat, 1 cycle of phaser effect is produced quickly and easily.
Phase shift 1 beat 1 beat 1 cycle = 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat

Cuts input sound

01_DJM-700_En.book 17
REVERB Produces reverberation effect. ROBOT Generates sound effect resembling that produced by a robot. When ROBOT is applied to microphone sound, a voicechanger effect is produced. CRUSH Allows rapid creation of cyclically changing crush sound effect in beats of 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1. 12 UP ROLL Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats, and plays them repeatedly while continuously raising their pitch/key.

Original

Effect ON
Time 1/1 UP ROLL 1 cycle = 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1, 32/1, or 64/1 beat Key rises and repeats
10 ROLL Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats and plays them repeatedly.
13 DOWN ROLL Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats, and plays them repeatedly while continuously lowering their pitch/key.
Effect ON 1/1 roll Repeat
1/1 DOWN ROLL Key lowers and repeats
11 REVERSE ROLL Records sounds at 1/16, 1/8, 1/4, 1/2, 1/1, 2/1, 4/1, 8/1, 16/1 beats and repeats them but in reverse order.

Parameter 1

Rotating the TIME (PARAMETER 1) dial adjusts the temporal parameter (time) for the selected effect. (With some effects, this is used for adjustments other than time parameters.) See P. 20 for details regarding the effect on parameter 1 of rotating the TIME (PARAMETER 1) dial.

Parameter 2

Rotating the LEVEL/DEPTH (PARAMETER 2) dial adjusts the quantitative parameter for the selected effect. See P. 20 for details regarding the effect on parameter 2 of rotating the LEVEL/DEPTH (PARAMETER 2) dial.

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MANUAL FILTER OPERATION
1 MANUAL FILTER The filter frequency is shifted, resulting in strong changes to the tone. Rotating the dial to the right produces high-pass filter effects, while rotating the dial to the left produces low-pass filter effects.

Low-pass filter

EFFECT FREQUENCY FILTER OPERATION
1 Effect frequency filter Sets the filters cutoff frequency, allowing the beat effect to be applied to a desired frequency band alone.

Through

High-pass filter Frequency Beat effect Frequency

Frequency Beat effect

Frequency
2 FILTER 1 FILTER 3 FREQUENCY FREQUENCY
The manual effecter is linked to the FREQUENCY dial. The output sounds of the manual effecter become the input sounds for the beat effect. When the beat effect type is set to ROLL, REVERSE ROLL, UP ROLL, or DOWN ROLL, the beat effects output sound becomes the input sound for the manual effecter. 1 Press the FILTER button so that it flashes. Confirm that the FILTER button flashes steadily. When it lights, press the button so that it flashes. Each time the button is pressed, it alternates between flashing and lighting steadily. When power is first turned ON, defaults to steadily lighted. 2 Use the effect channel select switch to choose the channel to which you wish to apply the effects. The name of the selected channel will appear in the displays channel name section. When [MIC] is selected, the effect will be applied to both microphone 1 and microphone 2. 3 Use the FREQUENCY dial to adjust the filters cutoff frequency. Rotate counterclockwise to apply a low-pass filter. Rotate clockwise to apply a high-pass filter.
The effect frequency filter is linked to the FREQUENCY dial. The beat effect is applied only to the selected frequency band. The function is not supported when SEND/RETURN is selected as the type of beat effect. 1 Press the FILTER button so that it lights. Confirm that the FILTER button lights steadily. When flashing, press the button so that it lights. Each time the button is pressed, it alternates between flashing and lighting steadily. When power is first turned ON, defaults to steadily lighted. 2 Operate the beat effect. For details, see page 18. 3 Use the FREQUENCY dial to select the frequency to which you wish to apply the beat effect. Rotate counterclockwise to apply the effect to low-range sounds only. High-frequency sounds are set to through. Rotate clockwise to apply the effect to high-range sounds only. Low-frequency sounds are set to through.

01_DJM-700_En.book 20

EFFECT PARAMETERS

Beat Effect (*1)

Name 1 DELAY 2 ECHO (*2) 3 TRANS 4 FILTER Beat Switch Parameter Sets delay time of 1/8 to 16/1 per 1 beat of BPM time. Sets delay time of 1/8 to 16/1 per 1 beat of BPM time. Sets cut time of 1/16 to 16/1 per 1 beat of BPM time. Cycle of cutoff frequency shift is set in unit of 1/4 to 64/1 relative to 1 beat of BPM. Cycle of flanger shift is set in units of 1/4 to 64/1 relative to 1 beat of BPM. Cycle of phaser effect shift is set in units of 1/4 to 64/1 relative to 1 beat of BPM. Parameter 1 (TIME dial) Contents Sets delay time. Sets delay time. Sets effect time. Setting Range (unit) 1 to (ms) 1 to (ms) 10 to (ms) Parameter 2 (LEVEL/DEPTH dial) contents Sets balance between original and delay sound. Sets balance between original sound and echo sound. Sets balance between original sound and effect sound. Amount of effect increases when dial is turned clockwise. Amount of effect increases when dial is turned clockwise. When dial is turned fully counterclockwise, only original sound is output. Amount of effect increases when dial is turned clockwise. When dial is turned fully counterclockwise, only original sound is output. Sets balance between original sound and effect sound. Amount of effect increases when dial is turned clockwise. Amount of effect increases when dial is turned clockwise. When dial is turned fully counterclockwise, only original sound is output. Sets balance of original sound and roll sound. Sets balance of original sound and roll sound. Sets balance of original sound and roll sound. Sets balance of original sound and roll sound. Sets volume of RETURN input sound.
Sets cycle for cutoff 10 to (ms) time shift. Sets cycle for flanger effect shift. 10 to (ms)

5 FLANGER

6 PHASER
Sets cycle for phase 10 to (ms) effect shift.

7 REVERB (*2) 8 ROBOT

Amount of reverberation is set Sets amount of 1 to 100 (%) from 1 % to 100 %. reverberation effect. Sets pitch of robot sound effect within range of 100 % to +100 %. Sets pitch of robot sound effect. 100 to +100 (%)

9 CRUSH

Cycle of crush effect Sets cycle for crush 10 to (ms) movement is set to 1/4 to 64/1 effect shift. relative to a single beat of BPM. Effect time is set as 1/16 to 16/1 Sets effect time. relative of 1 beat of BPM. Effect time is set as 1/16 to 16/1 Sets effect time. relative of 1 beat of BPM. 1 to (ms) 1 to (ms) 1 to (ms) 1 to (ms)

Effects dont work.

External effector doesnt work. Effect selecter is not set to [SND/RTN]. Effector is not connected to rear panel SEND/ RETURN connector. Effect channel selector is set to incorrectly.
Sound from external effector is Input level from external effector is set too high. Lower the output level of the external effector. distorted. BPM cant be measured. Measured BPM value is incorrect. Input level is too high, or too low. Adjust the TRIM dial so that the input level approaches 0 dB in the channel level indicator. Adjust other channels as well so that the input levels approach 0 dB in the channel level indicator. Strike the TAP button to set BPM manually.
BPM may not be correctly measurable with some tracks. The measured BPM value is different from the value published with the CD. MIDI sequencer cant be synchronized.
Some differences may occur due to differences No remedy is necessary. in BPM detection methods. MIDI sequencers synch mode is not set to slave. MIDI sequencer is not supported type. Set MIDI sequencers sync mode to slave. MIDI sequencers that do not support MIDI timing clock cannot be synchronized.
Static electricity or other external interference may cause the unit to malfunction. To restore normal operation, turn the power off and then on again.

01_DJM-700_En.book 26

SPECIFICATIONS

1 General

Power source. AC 120 V, 60 Hz Power consumption. 34 W Operating temperature. +5 C to +35 C (+41 F to +95 F) Operating humidity. 5 % to 85 % (without condensation) Weight. 6.6 kg (14.6 lb) Maximum dimensions. 320 mm (W) x 378.4 mm(D) x 107.9 mm (H) 12.6 in (W) x 15.3 in (D) x 4.3 in (H)
Input/output connector systems
PHONO input connectors RCA pin jacks. 3 CD input connectors RCA pin jacks. 2 LINE input connectors RCA pin jacks. 3 MIC input connectors XLR connector. 1 Phone jack (6.3 mm). 1 RETURN input connectors Phone jacks (6.3 mm). 1 MASTER output connectors XLR connectors. 1 RCA pin jacks. 1 BOOTH output connectors RCA pin jacks. 1 REC output connectors RCA pin jacks. 1 SEND output connectors Phone jacks (6.3 mm). 1 DIGITAL coaxial output connector RCA pin jack. 1 MIDI OUT connector 5P DIN. 1 PHONES output connector Stereo phone jack (6.3 mm). 1 CONTROL connector Mini phone jacks (3.5 mm). 2

Audio section

Sampling rate. 96 kHz A/D, D/A converter. 24 bits Frequency response LINE. 20 Hz to 20 kHz MIC. 20 Hz to 20 kHz PHONO. 20 Hz to 20 kHz (RIAA) S/N ratio (at rated output) LINE.104 dB PHONO.94 dB MIC.82 dB Distortion (LINE-MASTER 1). 0.005 % Standard input level/Input impedance PHONO 2 to 4. 52 dBu/47 k MIC 1,. 52 dBu/22 k LINE, LINE/CD 1 to 4. 12 dBu/22 k RETURN. 12 dBu/47 k Standard output level/Load impedance/Output impedance MASTER 1.+8 dBu/10 k/22 or less MASTER 2.+2 dBu/10 k/10 REC. 8 dBu/10 k/10 BOOTH.+2 dBu/10 k/22 SEND. 12 dBu/10 k/1 k PHONES. +8.5 dBu/32 /22 or less Rated output level/Load impedance MASTER 1. +25 dBu/10 k MASTER 2. +20 dBu/10 k Crosstalk (LINE).82 dB Channel equalizer response HI. 26 dB to +6 dB (13 kHz) MID. 26 dB to +6 dB (1 kHz) LOW. 26 dB to +6 dB (70 Hz) Microphone equalizer response HI. 12 dB to +12 dB (10 kHz) LOW. 12 dB to +12 dB (100 Hz)

Accessories

Operating Instructions. 1 Warranty card. 1
Specifications and appearance are subject to change without notice.
Should this product require service in the U.S.A. and you wish to locate the nearest Pioneer Authorized Independent Service Company, or if you wish to purchase replacement parts, operating instructions, service manuals, or accessories, please call the number shown below.
Should this product require service in Canada, please contact a Pioneer Canadian Authorized Dealer to locate the nearest Pioneer Authorized Service Company in Canada. Alternatively, please contact the Customer Service Department at the following address:
Please do not ship your product to Pioneer without first calling the Customer Support Division at the above listed number for assistance.
Pioneer Electronics of Canada, Inc.
300 Allstate Parkway Markham, ON L3R OP2 (905) 479-(877) 283-5901
For warranty information please see the Limited Warranty sheet included with your product.
PIONEER ELECTRONICS (USA), INC. CUSTOMER SUPPORT DIVISION P.O. BOX 1760, LONG BEACH, CA 90801-1760, U.S.A.

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