Lothar Kosse
www.kosse.de upkosse@aol.com +49.[0] 22 05.87

Recording Equipment

This is the stuff I use for recording: Amps: 68 Marshall Plexi Superlead 100 MKMarshall Superlead 100 MK2 Marshall JCM 2000 50W 65 Fender Super Reverb Blackface 63 Fender Princeton Amp 66 Vox AC 30 Top Boost Cabinetts: 75 4x12 Marshall 100W 71 8x10 Marshall 4x12 Marshall Vintage 280W 2 Flightcase 1 x 12 Celestion G 12 T 75 Racksystem: Custom Audio Preamp 3+ Bradshaw Switching System RSB 18F Rocktron Intellifex Rocktron Replifex Yamaha SPX 900 Akai MB76 Mixer dbx 160X Compressor Mesa Boogie Strategy 500 Poweramp Ibanez TS 9 George L Wahwah TC Chorus Guitars: 72 Fender Strat maple/black 72 Fender Strat maple/sunburst 66 Fender Tele 69 Fender Tele bigsby 67 Gibson 335 Fender Strat SSH Floyd Rose Gibson Les Paul Standart Martin HD 26 Lowden Nylon String Yairi 12 String Stompboxes: lbanez TS 9, TS 808, Vox Wah, Electro Harmonics BigMuff, MXR Dynacomp, MXR Phase 90, MXR Graphic EQ, Boss Chorus 5, Boss Turbo Overdrive, Boss DD3, Marshall Jackhammer, Boss Tremolo, Boss Vintage Chorus Ensemble

REPLIFEX

R E F F E C T S P R O C

User's Manual

HUSH licensed by
May be covered by one or more of the following: U.S. Patents #4538297, 4647876, 4696044, 4745309, 4881047, 4893099, 5124657, 5263091, 5268527, 5319713 and 5333201. Other patents pending. Foreign patents pending.

PRECAUTIONS

NOTE: IT IS VERY IMPORTANT THAT YOU READ THIS SECTION TO PROVIDE YEARS OF TROUBLE FREE USE. THIS UNIT REQUIRES CAREFUL HANDLING. All warnings on this equipment and in the operating instructions should be adhered to and all operating instructions should be followed. Do not use this equipment near water. Care should be taken so that objects do not fall and liquids are not spilled into the unit through any openings. The power cord should be unplugged from the outlet when left unused for a long period of time. DO NOT ATTEMPT TO SERVICE THIS EQUIPMENT. THIS EQUIPMENT SHOULD BE SERVICED BY QUALIFIED PERSONNEL ONLY. DO NOT MAKE ANY INTERNAL ADJUSTMENTS OR ADDITIONS TO THIS EQUIPMENT AT ANY TIME. DO NOT TAMPER WITH INTERNAL ELECTRONIC COMPONENTS AT ANY TIME. FAILURE TO FOLLOW THESE INSTRUCTIONS MAY VOID THE WARRANTY OF THIS EQUIPMENT, AS WELL AS CAUSING SHOCK HAZARD.

POWER REQUIREMENTS

This unit accepts power from the 9VAC/1.5A adaptor supplied with the unit. This 9 volt RMS AC voltage is internally processed by a voltage doubler which generates a bipolar 15 volts to maintain the headroom and sound quality of professional, studio quality equipment. Using an external power source such as this minimizes excessive noise and hum problems often associated with internal transformers, providing optimal performance for the user.

OPERATING TEMPERATURE

Do not expose this unit to excessive heat. This unit is designed to operate between 32 F and 104 F (0 C and 40 C). This unit may not function properly under extreme temperatures.
Copyright 1995 Rocktron Corporation. All rights reserved.

Contents

1. Introduction..... 1 2. Quick Setup..... 2 3. Front Panel..... 3 4. Rear Panel.... 6 5. Connections.... 8
Using the Replifex within a guitar rack system... 8 Using the Replifex in a preamp effects loop... 9 Using the Replifex with a mixing console... 10
6. Operating Format.... 11
Replifex Functions and Parameter Descriptions... 14 GLOBAL Function.... 15 MIXER Function.... 16 HUSH Function.... 17 COMPRESSOR Function..... 18 EQ Function..... 19 DELAY Function.... 20 REVERB Function.... 22 TREMOLO Function.... 23 PHASER Function.... 24 FLANGER Function.... 25 CHORUS Function..... 26 PITCH SHIFT Function.... 27 AUTO PAN Function..... 29 ROTARY SPEAKER Function.... 30 SPEAKER SIMULATOR Function.... 31 Selecting a preset.... 35 Changing preset parameters.... 36 Storing changed preset parameters... 36 Switching Channels on Amplifiers and Preamps via the Replifex *... 37 Editing a preset title.... 39 Controller Assignments.... 41 Copying Replifex Presets, Titles and Controller Assignments.. 45 Tap Delay..... 48 Program Changes..... 49 MIDI Channels..... 51 MIDI Dump/Load..... 53 Factory Restore..... 59 Restoring a single factory preset:.... 59 Restoring the Replifex memory (all presets):... 61 Restoring the Replifex controller assignments:.... 62 Selecting a Power On Preset.... 63 Using the Replifex with a Rocktron All Access in REMOTE mode.. 64 Selecting a Configuration.... 69 ERROR MESSAGES.... 70 MIDI IMPLEMENTATION.... 71 TECHNICAL DATA..... 72 REPLIFEX FACTORY PRESETS.... 73

This button is used to select a new delay time or modulation rate based on the length of time occurring between two taps. See Section 7: "Tap Delay" for more information.

5 DISPLAY panel

The DISPLAY panel provides 16 characters consisting of 14 segments each.

6 COMPARE button

The COMPARE button may be used to compare an altered parameter value to its stored value.
If comparing an altered value to the stored value and the stored value is currently being viewed, turning a knob or pressing a button that changes the parameter value displayed will cancel the previous altered value. This will also occur if a MIDI control change is received while viewing the stored value(s).

Front Panel Desccription

PARAMETER ADJUST control
This control is used to adjust the displayed parameter value. When the parameter is altered from its stored value, the LED above the STORE button will light until either (a) the new value is stored, (b) a new preset is selected or (c) the parameter is returned to its original value.

8 STORE button/led

This button is used to store parameter values into the Replifex memory when altered. See "Storing Changed Preset Parameters" in Chapter 7 for more information on this procedure.
9 PARAMETER SELECT control
When adjusting parameter values, this control will scroll through the available parameters under the current function heading. In the "Title Edit" function, this control will scroll through the character locations to be edited.
10 FUNCTION SELECT control
This control allows access to each function of the Replifex. These functions include:
Global Mixer HUSH Compressor EQ Delay Reverb Tremolo Phaser Flanger Chorus Pitch Shift Rotary Speaker Auto Pan Speaker Sim Channel Switches Title Edit Controller Assig Copy Program Changes MIDI Channels MIDI Dump/Load Factory Restore Remote Control Config Select

BYPASS button/led

When lit, the effects are bypassed and only the input signal is passed to the Replifex outputs.

12 INPUT LEVEL meter

These LEDs provide visual indication of the peak level of the input signal when the preset number and title are displayed. For the optimal signal-to-noise ratio, it is best to adjust the input level so that the last LED (0dB) is rarely lit. This will guard against the possibility of overdriving the unit. These LEDs also display the final digital mixer output levels when any other functions are displayed. This will help you to guard against clipping the output of the mixer at the digital-to-analog converter.

Rear Panel Description

MIDI IN/REMOTE jack
This 7-pin DIN connector must be connected to the MIDI OUT jack of the transmitting MIDI device via a standard MIDI cable, or to the MIDI THRU jack of the preceding MIDI device (if the Replifex is within a chain of MIDI devices). Pins 6 and 7 of this connector carry phantom power to power a Rocktron MIDI foot controller when a 7-pin MIDI cable is used. This connector is also provided for the connection of a Rocktron All Access MIDI footswitch, which can be configured as a dedicated remote footswitch for the Replifex. This feature allows the user to access Replifex functions and parameters via the remote footswitch.

7 MIDI THRU/OUT jack

This standard 5-pin DIN connector can be connected to the MIDI IN jack of another device via a standard MIDI cable. There are limitations to the number of devices that can be chained (or series connected) in this fashion.
Note: Inherently in MIDI there is a limit to the number of devices which can be chained together (connected in series). With more than 3 devices, a slight distortion of the MIDI signal can occur (due to signal degradation) which can cause an error in MIDI signal transmission. Should this problem arise, a MIDI Thru box can be used which connects directly to the MIDI device which transmits MIDI information and has multiple connectors for the multiple devices receiving MIDI. MIDI cables should not exceed 50 feet (15 meters) in length.

8 POWER jack

This 2.5mm pin jack accepts power from the 9VAC adaptor supplied with the unit.

5. Connections

Using the Replifex within a guitar rack system
Using the Replifex in a preamp effects loop

Connections

Using the Replifex with a mixing console

6. Operating Format

The Replifex provides 128 stored sounds called presets. Any of the 128 presets can be called up at any time via the front panel PRESET control (used to both select and recall a preset). The root of each presets sound is its configuration. The Replifex provides two main effect configurations - the Classic configuration and the Rotary configuration. Each configuration provides a different selection of available effects.
Classic configuration provides these effects:
HUSH Parametric EQ Flanger Chorus Reverb Compression Tremolo Auto Pan Delay Phaser Pitch Shift Speaker Simulator

The PARAMETER SELECT control will allow you to access each of the following Global parameters:
OUTPUT The OUTPUT parameter determines whether the output of the Replifex is a stereo (left and right) signal or two mono signals. The HUSH OFFSET parameter allows you to globally (all presets) adjust the HUSH Expander Threshold. This means that if this parameter is altered from 0dB to +3dB, the Expander Threshold will be 3dB higher for all presets. This feature can be useful when switching from a quiet guitar with passive electronics to a noisy guitar with active electronics - as the active guitar would require a higher Threshold level in all presets. The MUTE parameter allows you to mute the output of the Replifex. This feature is especially useful when changing guitars during a live set. When the Replifex is muted, front panel controls are disabled. However, a MIDI program change will disable the mute (mute = out) and execute the program change. The MUTE parameter can be assigned to a MIDI controller number for use with a MIDI device (such as a Rocktron All Access or Rocktron MIDI Mate). DIRECT The DIRECT parameter determines whether the direct signal is switched in or out of the signal path. When using the Replifex in applications where the unit is connected in parallel, it is recommended that the direct signal is switched out - thereby providing 100% wet (effect) output.

HUSH OFFSET

The next function displayed when turning the FUNCTION SELECT control is the Mixer function. The Mixer function parameters are included in all presets regardless of which effects are active for the current preset - although the parameter values stored in this function are only for the currently recalled preset. This digital mixer allows you to control the signal levels pertaining to each presets configuration and stores those levels for each preset.
The PARAMETER SELECT control will allow you to access each of the following Mixer parameters:
LEFT DIR The LEFT DIRECT parameter determines the level of the direct signal of the current preset at the left output. The RIGHT DIRECT parameter determines the level of the direct signal of the current preset at the right output. The EFFECT LEVEL parameter determines the volume of the overall effect signal (Chorus, Flange, Pitch Shift, etc.) level. The DIRECT parameter determines whether the direct signal is preHUSH or post-HUSH. When set to pre-HUSH, the direct signal is not passed through the HUSH circuitry, or any other digital circuitry (i.e., the direct signal remains analog from input to output. When set to postHUSH, the direct signal is passed through the digital HUSH circuitry. These DIR/EFF parameters determine the amount of direct signal input to each individual effect relative to the amount of effect signal. A setting of "0" is 100% direct signal, while a setting of "100" is 100% effect signal. The VOLUME parameter determines the overall signal level of the current preset.

RIGHT DIR

EFFECT LEVEL

DIRECT

PHS DIR/EFF CHR DIR/EFF FLN DIR/EFF REV DIR/EFF VOLUME
The HUSH function is accessible in all presets - regardless of the configuration currently recalled. HUSH is Hush Systems patented single-ended noise reduction system. The HUSH system contained in the Replifex is a fully digital implementation of HUSH achieved through Digital Signal Processing (DSP), and is modeled after the latest HUSH design. The low level expander of the HUSH system operates like an electronic volume control. The analog version of the HUSH utilizes a voltage-controlled amplifier (VCA) circuit which can control the gain between the input and the output from unity to 30, 40 or even 50dB of gain reduction. When the input signal is above the user preset threshold point, the VCA circuit remains at unity gain. (This means that the amplitude of the output signal will be equal to that of the input signal.) As the input signal level drops below the user preset threshold point, downward expansion begins. At this point the expander acts like an electronic volume control and gradually begins to decrease the output signal level relative to the input signal level. As the input signal drops further below the threshold point, downward expansion increases. A drop in the input level by 20dB would cause the output level to drop approximately 40dB (i.e., 20dB of gain reduction). In the absence of any input signal, the expander will reduce the gain so that the noise floor becomes inaudible. The HUSH circuit is located after the A/D converter in the signal chain to reduce any noise generated from the guitar, any guitar preamp and the A/D converter. This ensures a quiet input signal to the Replifex effects. When the DIRECT HUSH parameter under the Mixer function is set to "Post", the direct signal is passed through the HUSH circuit. When set to "Pre", the direct signal remains analog and does not pass through the HUSH circuit.
The PARAMETER SELECT control will allow you to access each of the following Hush parameters:
HUSH I/O The HUSH I/O parameter determines whether the HUSH circuit is active or bypassed for the current preset. The EXPANDER THRESHOLD parameter determines the level at which downward expansion begins. For example, if the EXPANDER THRESHOLD was set at -20dB and the input signal dropped below -20dB, downward expansion would begin.

DLY HF DAMP

Note! When delays from the current preset are spilled over into the next preset recalled (i.e. SPILLOVER "ON"), the delay parameters for the new preset will be changed to match those of the previous preset (except for the DELAY I/O and SPILLOVER parameters) even if the Delay effect is switched "OUT" in the previous preset. The EFFECT LEVEL parameter in the next preset recalled does not change, therefore delays spilled into it may be of higher or lower volume - depending on the EFFECT LEVEL setting in each preset. Also, recalling the same preset twice via MIDI will cancel the Spillover effect and reset the new preset to its stored parameter values (only when the SPILLOVER parameter in the recalled parameter is set "OFF"). DELAY OUT 1 DLY PAN1

DLY TIME1

FINE 1

DLY RGN 1

DELAY OUT 2 DLY PAN2

DLY TIME2

FINE 2

DLY RGN 2

D>SPILLOVER

REVERB

Note! When reverb from the current preset is spilled over into the next preset recalled (SPILLOVER "ON"), the reverb parameters for the new preset will be changed to match those of the previous preset (except for the REV INPUT and SPILLOVER parameters) - even if the Reverb effect itself is switched "OUT" in the previous preset. The EFFECT LEVEL parameter in the next preset recalled does not change, therefore reverb spilled into it may be of higher or lower volume - depending on the EFFECT LEVEL setting in each preset. Also, recalling the same preset twice via MIDI will cancel the Spillover effect and reset the new preset to its stored parameter values (only when the SPILLOVER parameter in the recalled parameter is set "OFF").
Reverb is a multitude of echos spaced so close together that, to the human ear, seem as a single continuous sound. These echos gradually decrease in intensity until they are ultimately absorbed by the boundaries and obstacles within a room. As the sound waves from the sound source strike the boundaries of a room, a portion of the energy is reflected away from the obstacle while another portion is absorbed into it - thereby causing both the continuance of sound as well as the decaying or dying out of the sound.
The PARAMETER SELECT control will allow you to access each of the following Reverb parameters:
REV INPUT The REV INPUT parameter determines whether the reverb circuit is active or bypassed for the current preset. The R-MIX EFFECT/DELAY parameter is used to define the ratio of direct signal to delayed signal to be input to the reverb section. The REVERB LEVEL parameter allows you to control the level of the reverb signal at the output of the Replifex relative to the direct signal and other effect signals. The REVERB DECAY parameter determines the length of time that the reverb signal will sound before it has completely died out. The REVERB HIGH FREQUENCY DAMPING parameter is used to control the decay rate of high frequency information in the reverb signal. Higher parameter settings will result in a faster decay of high frequency information. The R>SPILLOVER parameter determines whether reverbs generated in the current preset will continue decaying when the next preset is recalled.When switched off, reverbs will be abrubtly cut off when the next preset is recalled.

After selecting the parameter that you which to assign to a controller, press the STORE button to save it. The Replifex will flash "STORED" briefly.
The Replifex allows you to select an upper and lower value limit which the parameter cannot exceed. For example, if a parameter has a value range from - to 0dB, yet you would like the range of the parameter to vary from only -12dB to -2dB, you may set a lower limit of -12 and an upper limit of -2 via the Upper and Lower Limit parameters. When a parameter is stored in the Controller Assign function (Step 7), the maximum parameter value is automatically stored as the upper limit, while the minimum value is stored as the lower limit.

Step 8

Turn the PARAMETER SELECT control one step clockwise to display the Upper Limit parameter (for PA-A).

ULIM A

Step 9
Use the PARAMETER ADJUST control to choose the highest value that the parameter is not to exceed through MIDI control changes.

Step 10

After selecting a value for the upper limit, press the STORE button to save it. "STORED" will flash briefly on the display.

Step 11

Turn the PARAMETER SELECT control one step clockwise to access the Lower Limit parameter (for PA-A).

LLIM A

Step 12
Use the PARAMETER ADJUST control to select the lowest value which the parameter is not to fall below through MIDI control changes.

Step 13

After selecting a value for the lower limit, press the STORE button to save it. "STORED" will flash briefly on the display.
Selecting a lower limit value that is greater than the upper limit value will invert the response of the controller - i.e. the toe position of the expression controller will provide the minimum value, while the heel position will provide the maximum value.
Steps 1-13 can be repeated nine times for a total of 10 controllers. To exit Controller Assign at any time, turn either the PRESET or FUNCTION SELECT control. Only those changes that have been stored will be saved after exiting the Controller Assign function.
Copying Replifex Presets, Titles and Controller Assignments
The Copy function allows you to copy any preset, preset title or controller assignment into any other preset location instantly.

Copying presets:

Turn the FUNCTION SELECT control to "COPY".

SSSS COPY SSSS

Turn the PARAMETER SELECT control one step clockwise to access the "PR> XX to >PR XX" parameter, as shown below. The number on the left represents the preset to be copied, while the number on the right represents the preset location to copy to.

Note 2:

Program Changes
Program Changes allow for different MIDI program numbers to be assigned to Replifex preset numbers. For example, MIDI program #58 can be mapped to Replifex preset #34. Then, when program #58 is selected from a MIDI transmitting device (such as a Rocktron All Access foot controller), preset #34 will be recalled on the Replifex. The Program Changes Map table is shipped from Rocktron at a one-to-one correspondance (i.e. MIDI program #1 is mapped to Replifex preset #1, 2 to 2, 3 to 3, etc.).
To access MIDI Program Mapping, turn the FUNCTION SELECT control clockwise until the Replifex displays "PROGRAM CHANGES".

PROGRAM CHANGES

Turn the PARAMETER SELECT control one step clockwise to display the current Program Change On/Map/Off status.

PROG CHANGES

Program Changes status options ON - Execute MIDI program changes as received by a MIDI controller MAP - Use mapping table when a program change is received OFF - Do not execute MIDI program changes
Turn the PARAMETER ADJUST control to select the desired Program Changes status setting.
Press the STORE button to save the status selection. "STORED" will flash briefly on the display.
If "MAP" has been selected, turn the PARAMETER SELECT control one step clockwise to display the current Program Changes mapping assignments.

MAP TO

The number on the left of the display is the MIDI program number (or the number sent via a MIDI footswitch or other MIDI transmitter). Turn the PARAMETER SELECT control to select the MIDI program number to map to a preset.

MIDI Program Number

The number on the right of the display is the preset number to map to (or the preset number that will be recalled when the MIDI program number on the left is received). Turn the PARAMETER ADJUST control to select the preset number to map to.

Replifex Preset Number

* The preset number to map to can also be set to "OFF" - thereby not responding to that program change command.
After selecting both the MIDI program number and the preset number, press the STORE button to save the change for each altered mapping. "STORED" will flash briefly on the display.

MIDI Channels

The Replifex can receive MIDI commands from other MIDI transmitting devices, as well as transmit MIDI program changes to other MIDI-based equipment when a preset is recalled on the Replifex. The MIDI Channels function allows you to select the MIDI channels that the Replifex will receive and transmit MIDI information on.
Turn the FUNCTION SELECT control clockwise until the Replifex displays "MIDI CHANNELS".

MIDI CHANNELS

Turn the PARAMETER SELECT control one step clockwise to display the current MIDI Receive channel.

RECEV CHANL

Turn the PARAMETER ADJUST control to select the desired MIDI channel. You may select channels 1-16, OMNI (all channels) or OFF (will not receive MIDI commands).
Press the STORE button to save the new MIDI Receive channel. "STORED" will flash briefly on the display.
Turn the PARAMETER SELECT control one step further to access the MIDI Transmit Channel status.

TRANS CHANL

Turn the PARAMETER ADJUST control to select the channel that the Replifex will transmit a MIDI program change on. You may select channels 1-16 or OFF (will not transmit a MIDI program change).
Press the STORE button to save the new MIDI Transmit channel. "STORED" will flash briefly on the display.
After the desired MIDI channels have been selected, turn the FUNCTION SELECT control to exit the MIDI Channels function.

MIDI Dump/Load

Any or all of the Replifex presets may be dumped to a sequencer or another Replifex via system exclusive messages. The information exchanged when performing a MIDI Dump consists of parameter values, title characters and controller assignment information. When dumping a single preset into another Replifex, the dumped preset may be loaded into any preset location on the receiving Replifex. To dump a single Replifex preset into another Replifex
Connect a standard MIDI cable from the MIDI OUT of the transmitting Replifex to the MIDI IN on the receiving Replifex.
IMPORTANT: Do not allow a looping connection from the MIDI OUT/THRU of the receiving Replifex back to the MIDI IN of the transmitting Replifex.
Turn the FUNCTION SELECT controls on both the transmitting and receiving Replifexes until "MIDI DUMP/LOAD" is displayed on each.

MIDI DUMP/LOAD

TRANSMITTING REPLIFEX

RECEIVING REPLIFEX

Turn the PARAMETER SELECT control on each unit one step clockwise to "PR DUMP/ LOAD".

XXX DUMPED

After the Replifex displays "TRANS COMPLETE", stop the sequencer. The sequencer should have recorded all of the data that was dumped from the Replifex. Keep this data stored on a disk in a safe place. Turn the PARAMETER SELECT control to continue.
To reload user data from a sequencer:
Connect a standard MIDI cable from the MIDI OUT of the transmitting sequencer to the MIDI IN on the receiving Replifex.
IMPORTANT: Do not allow a looping connection from the MIDI OUT/THRU of the receiving Replifex back to the MIDI IN of the transmitting sequencer.
Turn the FUNCTION SELECT controls on both the receiving Replifex until "MIDI DUMP/ LOAD" is displayed.
Turn the PARAMETER SELECT controls on the receiving Replifex until "BULK DUMP/ LOAD" is displayed.
Play back the data stored on the sequencer. The Replifex will display the data strings as it is storing them. Each data string will appear with the word "LOADED". After all the user data has been loaded, the Replifex will display "LOAD COMPLETE". Do not play back the data from the sequencer faster than it was loaded, as errors may occur (errors may also occur if any knob is turned or any button is pressed before the message "LOAD COMPLETE" appears).

LOAD COMPLETE

If errors occur during transmission, the unit will display "RECEIVE ERROR" for transmission errors and "XMEM ERROR" for internal hardware errors. Errors occurring in transmission does not indicate that all of the received data is corrupted. Only the transmission string where the error occurred is corrupted.
Y When receiving a Bulk Load, it is important that the data loaded to the Replifex is not transmitted faster than it was originally dumped from the Replifex. If information is sent too fast to the Replifex, an error will occur. When dumping information from a data storage device, such as an Alesis Data Disk, it is necessary to perform the dump in sequence mode rather than sysx mode. Sequence mode will dump the information back to the Replifex at the same rate as it was received from the Replifex. The Replifex can receive a data dump at about 65Hz (or about 1 byte every 15 milliseconds).

Factory Restore

The Factory Restore function allows you to restore altered Replifex presets to their original condition as shipped from the factory. Either the entire Replifex memory can be restored, a single preset can be restored to any preset location, or the controller information alone can be restored. Restoring a single factory preset:
Turn the FUNCTION SELECT control clockwise to "FACTORY RESTORE".

FACTORY RESTORE

Turn the PARAMETER SELECT control one step clockwise to "RESTR 1 TO 1". The number on the left is the original factory preset number to be restored. The number on the right is the preset location that the preset will be stored into.
Factory preset to be restored
Preset location to store into
Turn the PRESET control to select the factory preset to be restored.
Turn the PARAMETER ADJUST control to select the preset location to store the restored preset into.
!! CAUTION !! Pressing the STORE button at this time will overwrite the current preset with the displayed factory preset.
Press the STORE button to begin restoring the selected preset into the selected location. After the process is completed, the display should read "ERRORS 0". This represents the number of bytes that the Replifex found did not initialize properly. Any number of errors other than "0" means that the Replifex may not have initialized properly and the process should be repeated.

ERRORS

The Replifex will remain in this condition until the FUNCTION SELECT control is turned to exit the Factory Restore function. The preset currently recalled will be the preset most recently restored into the current location.
Restoring the Replifex memory (all presets):

!! CAUTION !!

This procedure will permanently erase all user presets (1-128) and replace them with the original factory presets. If you have altered and stored presets which you do not want to erase, do not perform the following procedure.
Turn the PARAMETER SELECT control two steps clockwise to "ALL RESTORE 0".

ALL RESTORE

A specific code number must be entered to restore the Replifex memory. Use the PARAMETER ADJUST control to enter the number "243".

!! WARNING !!

Pressing the STORE button at this time will permanently erase all user presets and replace them with the original factory presets. If you have altered and stored presets which you do not want to erase, turn the FUNCTION SELECT control to exit this function.
Press the STORE button at this time to initiate the All Restore procedure and erase all current Replifex presets, replacing them with the original factory presets. The Replifex will display "INITIALIZING" as the Replifex memory is restored.

INITIALIZING

Turn the PARAMETER ADJUST control to select "ON".
Press the STORE button to save the Remote on/off status. "STORED" will flash briefly.
If the Replifex titles are to be displayed on the All Access, turn the PARAMETER SELECT control to "TITLE XFER".

TITLE XFER

Turn the PARAMETER ADJUST control to "ON" to enable title transfers from the Replifex to the All Access display.
Press the STORE button to save the Title Transfer on/off status. "STORED" will flash briefly.
To set up the All Access for remote operation, perform these steps from the All Access SETUP program: (See the All Access user's manual for detailed information on editing the All Access)

Step 8 Step 9 Step 10

Set the Operating Mode to "REMOTE". Set the Bank Size to "5". Reinitialize only the controller information for the instant access switches and pedals using the All Access Controller Restore code number "231". If the preset titles from the Replifex are to be displayed on the All Access automatically, set the Remote Title Number to match the Unit ID Number parameter on the Replifex.
When operating the All Access in Remote mode with a Replifex, switches 1-5 act as normal preset switches, while other switches are automatically configured to perform special functions, as described below.
"Classic" Configuration
Switch 6 Switch 7 Switch 8 Switch 9 Switch 10 Switch 11 Switch 12 Switch 13 Switch 14 Switch 15 Pedal 1 Switches the EQ effect in or out. Switches the Flanger effect in or out. Switches the Tremolo effect in or out. Switches the Pitch Shift effect in or out. Switche the Phaser effects in or out. Allows you to bypass the Replifex. Switches the Reverb effect in or out. Switches the Chorus effect in or out. Switches the Delay effect in or out. Instant Tap Delay access. Controls the Volume parameter. Switch 6 Switch 7 Switch 8 Switch 9 Switch 10 Switch 11 Switch 12 Switch 13 Switch 14 Switch 15 Pedal 1 Pedal 2
"Rotary" Configuration
Switches the EQ effect in or out. No function Selects Slow or Fast Rotary speed. Sends the change for Channel Switch 1. Sends the change for Channel Switch 2. Allows you to bypass the Replifex. Switches the Reverb effect in or out. Switches the Rotary Speaker effect in or out. Switches the Delay effect in or out. Instant Tap Delay access. Controls the Slow Rotary speed. Controls the Volume parameter.