BR-600

Digital Recorder
The Ultimate Notebook Studio
BOSS has a long, celebrated history as the worlds premier compact-effects manufacturer, but now the BOSS brand has become synonymous with portable digital recording as well. The latest arrival in the BOSS recording line, the BR-600, is bound to raise BOSSs recording profile even higher. Meet the most physically streamlined, feature-rich eight-track studio on the market.
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8 Tracks & Beyond

-----------------------------------------------------------------------------------------------------------------------------------The BR-600 provides eight simultaneous playback tracks, but theres more to this recorder than meets the eye. Each of the eight tracks also contains eight V-Tracks (virtual tracks), which gives you quick access to 64 tracks of recorded material. Record dozens of takes, then choose your favorites for mixdown. ------------------------------------------------------------------------------------------------------------------------------------

Field Recording

-----------------------------------------------------------------------------------------------------------------------------------Wherever you go, the ultra-portable BR-600 is ready to record. It can operate on six AA batteries, for starters, so you dont have to sweat the AC connection. Best of all, a quality stereo microphone is built in, so you can point and capture audio on the spot, quickly and easily. Whether youre recording band rehearsals, capturing ambient sounds, or you name it, the BR-600 is all you need to get the job done with zero hassle. ------------------------------------------------------------------------------------------------------------------------------------

BOSS FX

-----------------------------------------------------------------------------------------------------------------------------------Sweeten your tracks with the powerful effects built into the BR-600. Derived from BOSS high-end recorders, these quality algorithms can give even the dullest tracks maximum impact. Fix mistakes and master your mixes. Included in the effects suite: COSM guitar and bass amp models plus chorus, delay, reverb, and EQ for every channel. Pitch correction is provided as well. ------------------------------------------------------------------------------------------------------------------------------------

CompactFlash

-----------------------------------------------------------------------------------------------------------------------------------The BR-600 records its CD-quality digital audio direct to Compact Flash, the international standard for reliable, portable storage. A removable 128MB CF card is included, which provides approximately 65 minutes of recording time (one mono track). You can easily expand your recording time by purchasing optional CF cards.

Drum Machine Onboard

-----------------------------------------------------------------------------------------------------------------------------------Need drums? The BR-600 has a drum machine built in. Assemble your perfect backing track from nearly 300 high-quality drum and percussion patterns built in, or program your own from the velocity-sensitive pads. Rock, pop, blues, country, R&B, Latin, and more choose your style and youre instantly groovin.

BR-600 Specifications

q 8 simultaneous playback tracks, 64 V-Tracks q CompactFlash memory card slot for storing recording media; 128MB card included q Bullt-in FX processor, including pitch corrector and COSM amp models q Built-in drum-machine with velocity-sensitive pads

q Built-in stereo mic and battery power to record anywhere q USB for data transfer/computer connectivity q Portable and ultra slim: 257 x 182 x 23mm q Carrying case and XLR-to-1/4" mic cable included
s Tracks Track: 8, V-Track: 64 (8 V-Tracks per each Track), Up to 2 t600racks can be recorded simultaneously, and up to 8 tracks can be played back simultaneously. s Useful Capacity CompactFlash: 32 M-1 G bytes s Data Type HiFi (MT2), STANDARD (LV1), LONG (LV2) s Sample Rate 44.1 kHz s Frequency Response 20 Hz to 20 kHz (+1/-3 dBu) s Nominal Input Level (Variable) GUITAR/BASS jack: -20 dBu, MIC (TRS balanced/XLR) jack: -40 dBu, LINE IN jack: -10 dBu s Input Impedance GUITAR/BASS jack: 1 M , MIC 1/2 jack: 2 k (HOT-COLD), (TRS balanced/XLR), 1.0 k (HOT-GND, COLD-GND), LINE IN jack: 30 k s Nominal Output Level LINE OUT jack: -10 dBu s Output Impedance LINE OUT jack: 2 k , Headphone jack: 140 s Recommended Load Impedance LINE OUT jack: 20 k or greater, Headphone jack: 32-100 s Residual Noise Level LINE OUT jack: -85 dBu or less (INPUT SELECT: GUITAR/BASS/MIC2, input terminated with 1 k ,
INPUT SENS: CENTER, IHF-A, typ., EFFECT: OFF) s Interface USB Connector s Display 16 Characters x 2 Lines + Approx. 100 icons (Backlit LCD) s Connectors GUITAR/BASS jack (1/4 inch phone type), MIC 1 jacks ( TRS balanced 1/4 inch phone type), MIC 2 jacks (TRS balanced 1/4 inch phone type), LINE IN jack (RCA Phono type), LINE OUT jack (RCA Phono type), FOOT SW/EXP PEDAL jack (1/4 inch phone type), PHONES jack (Stereo 1/4 inch phone type), USB connector s Power Supply DC 9 V; Supply AC Adaptor (PSA series)/Size AA Dry battery x 6 s Current Draw 200 mA, Alkaline dry cell batteries, Approximately 5 hours (with continuous playback of 8 tracks), May vary according to usage conditions, batteries used, and type of CompactFlash used. s Dimensions 257.0(W) x 183.0 (D) x 27.1 (H) mm, 10-1/8 (W) x 7-1/4 (D) x 1-1/8 (H) inches s Weight 700 g / 1lb 9 oz (excluding batteries) s Accessories Soft Case, Size AA alkaline dry cell batteries (6), TRS-XLR converter cable, Demo Card (Already inserted when the BR-600 is shipped), Owner's Manual, Separate sheet (About Memory Cards etc.), Roland Service (information sheet) s Options AC Adaptor: PSA series, Foot Switch: FS-5U, Pedal Switch: DP-2 (Roland), Expression Pedal: EV-5 (Roland), FV-300L/FV-500L/FV-500H * 0 dBu= 0.775 Vrms * The specifications are subject to change without notice.

Cet appareil numrique de la classe B respecte toutes les exigences du Rglement sur le matriel brouilleur du Canada.
DECLARATION OF CONFORMITY Compliance Information Statement
Model Name : Type of Equipment : Responsible Party : Address : Telephone : BR-600 Digital Recorder Roland Corporation U.S. 5100 S.Eastern Avenue, Los Angeles, CA 90040-2938 (323) 890-3700
In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit. Protect the unit from strong impact. (Do not drop it!)
Before moving the unit, disconnect the AC adaptor and all cords coming from external devices. Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet.
Do not force the units power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cordsthe total power used by all devices you have connected to the extension cords outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through. Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information sheet. Batteries must never be recharged, heated, taken apart, or thrown into fire or water.
Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet. If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions (p.24 ). Carefully follow the installation instructions for batteries, and make sure you observe the correct polarity.

111: Selection

Avoid using new batteries together with used ones. In addition, avoid mixing different types of batteries.
Remove the batteries whenever the unit is to remain unused for an extended period of time.
The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet. At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire. Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children.

Please be aware that the contents of memory can be irretrievably lost as a result of a malfunction, or the improper operation of the unit. To protect yourself against the risk of loosing important data, we recommend that you periodically save a backup copy of important data you have stored in the units memory on a memory card/computer.
Unfortunately, it may be impossible to restore the contents of data that was stored in the units memory or a memory card once it has been lost. Roland Corporation assumes no liability concerning such loss of data.
Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
Use a reasonable amount of care when using the units buttons, dials, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
Never strike or apply strong pressure to the display.
When connecting / disconnecting all cables, grasp the connector itselfnever pull on the cable. This way you will avoid causing shorts, or damage to the cables internal elements.
To avoid disturbing your neighbors, try to keep the units volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.
To prevent damage to the cards from static electricity, be sure to discharge any static electricity from your own body before handling the cards. Do not touch or allow metal to come into contact with the contact portion of the cards. Do not bend, drop, or subject cards to strong shock or vibration. Do not keep cards in direct sunlight, in closed vehicles, or other such locations (storage temperature: -25 to 85 C). Do not allow cards to become wet. Do not disassemble or modify the cards.

Copyright

Use only the specified expression pedal (EV-5, FV-500L, FV-500H; sold separately). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

Silencing the sound of specific tracks (Track Mute) (p. 47) During creation of Rhythm patterns, you can delete rhythm sounds you have input by holding down this button and pressing the Drum Pads.
Deleting Unneeded Drum Sounds (p. 147)

Rev0.10 20

Recording (p. 54)

fig.00-051

Display

fig.00-052

MEMORY CARD slot

Eject button

Information about items for which settings are available in volume level and menu screens, parameter settings screens, and other screens are displayed here. If the screen is difficult to view, see Adjusting the Display Contrast (p. 190). 1. MEASURE Displays the current position within the song. Indicated from left to right are the measure, beat, and clock. 2. TEMPO The Rhythm tempo is indicated here. 3. TIME Displays the time of the current position of the song (hours-minutes-seconds). 4. FRAME This indicates the frame number showing the current position in the song. This is set to 30 frames per second (non-drop). This is one type of what is called MTC (MIDI Time Codes). This slot is where memory cards (CompactFlash) are inserted when you want to save data. You cannot record unless you have a memory card inserted here. Eject button Press this button to eject the memory card.
Inserting the Memory Card (p. 30)
The explanations in this manual include illustrations that depict what should typically be shown by the display. Note, however, that your unit may incorporate a newer, enhanced version of the system (e.g., includes newer sounds), so what you actually see in the display may not always match what appears in the manual.

Rev0.10 21

Rear Panel
1. MIC2 jack (TRS 1/4 phone type) These jack allows a mic to be connected (p. 34). * If the connection has been made to the GUITAR/BASS and the MIC2 jacks, the MIC2 jack is given priority. * Connecting a mic to MIC2 switches off the onboard stereo mic. 2. MIC1 jack (TRS 1/4 phone type) These jacks allow a mic to be connected (p. 34). * Connecting a mic to MIC1 switches off the onboard stereo mic. The pin assignment for the MIC1 and the MIC2 jack is as shown below.
When the foot switch is used, you can start/stop playback, punch in/out, and more. When an expression pedal is used, you can control the depth of insert effects with your foot.
Using a Foot Switch or Expression Pedal (p. 191) 7. POWER switch This is the power switch. It turns the power of the BR-600 on/off (p. 31). 8. DC IN (AC Adaptor) jack
Connect an AC adaptor (PSA series; sold separately) to this jack.

Guitar Bass Vocal

Mixing down to two tracks
Finishing the song with levels optimized

Keyboard

INPUT : Only the instrument sounds or other input sources are recorded to the tracks. Sounds played back from other tracks are not recorded. BOUNCE : As the sounds on different tracks are played back, they are recorded together onto another track. In Bounce mode, you can play back eight tracks simultaneously and record them all to a single, separate V-Track. When the input source is selected with INPUT SELECT, you can also include those sounds in the recording. You can further include the sounds from the Rhythm in the recording as well.
Mastering (p. 111) Mastering Tool Kit Patch List (p. 207)

Rev0.10 45

Procedure

fig.00-530

When you finish recording, press [STOP]. The REC TRACK button lights alternately in orange and green, indicating that track contains recorded data.
* During updating, Keep power on! appears in the upper line of the display, while the lower line shows what is being processed.
You cannot play back sounds recorded for less than one second.
Press [REC MODE] repeatedly until INPUT is indicated for REC MODE at the left of the screen. The BR-600 will now enter Input mode.

fig.00-540

How the Tracks Are Organized The BR-600 features eight audio tracks that can be used for recording and playback. Tracks are independent mono tracks. Tracks 5/6 and 7/8 are linked as stereo tracks. Tracks 5/6 and 7/8 are fixed as left/right tracks, respectively, while fader movements, Loop Effects, and other processes are applied in common to both tracks.
These two tracks thus make a convenient bounce Press [REC]. [REC] flashes in red and the BR-600 enters the recording standby state. destination (p. 65). Tracks 7/8 can also be used for mastering (p. 111). In addition to, and separate from the audio tracks, the BR-600 also includes dedicated stereo tracks for playback of the internal rhythms (p. 132).

fig.00-550

Press [PLAY]. [PLAY] lights in green, the [REC] and REC TRACK buttons now light solidly instead of flashing in red, and recording begins.

fig.00-560

Rev0.10 46
Playing Back Recorded Music

fig.00-561

Silencing the sound of
specific tracks (Track Mute)
During playback, hold down [DELETE/MUTE] and press a REC TRACK button that is lit in green and orange alternating or green. The REC TRACK button will change to blinking in orange or green, and the sound of that track will be muted (silenced). If you repeat the same operation, the button will return to its previous lit state and the sound of that track will once again be heard.

fig.00-570

Press [ZERO] to move to the time location 00:00:0000.0.
Press [PLAY]. [PLAY] lights in green, and playback begins. Use the TRACK faders to adjust the volume separately for each track.

Rev0.10 47

Recording an additional performance Overdubbing while listening to an existing performance (Overdubbing)
Recording an additional performance while listening to an existing performance
The tracks for which the REC TRACK button is lit in green (or alternately in orange and green) are tracks that already have data recorded on them. The process of listening to a previously recorded performance while you record additional material on another track is called overdubbing. By recording the bass, guitar, and vocals on different tracks, you can then adjust the volumes of each instrument with respect to one another, change the left-right sound balance, exchange data, and perform other operations.

fig.00-580

Press [PLAY]. The [REC] and REC TRACK button indicators change from flashing in red to being continually lit and recording begins. [PLAY] lights up. Only what you are currently playing is recorded to the new track. The music that is being played back is not recorded.
* If you use the REC LEVEL dial to turn down the volume of the input source during recording, the sound will be recorded in the audio track at a low volume, so that noise will be more apparent when you raise the volume of the audio track for playback. If you want to lower the sound of the input source that you are monitoring, lower the volume with the MASTER fader. To change the volume of the music being played back, use the TRACK fader for the respective tracks.
When you finish recording, press [STOP].
Press one of REC TRACK [1][7/8] to select the track to which to record. The status of each track can be determined from the indicator on the button. Off : Green : Red : No recorded data exists on the track. Recorded data exists on the track. The track is selected for recording.
Note that recording sounds to a track that already contains recorded material erases the previous recording. You cannot play back sounds recorded for less than one second.

Press [REPEAT] at the point where you want the repeat to begin (A).

fig.01-202

The [REPEAT] begins to flash, telling you that the repeat start point (A) has been registered.
Press [REPEAT] at the point where you want the repeat to end (B).

fig.01-580

The [REPEAT] lights up, indicating that the repeat portion has been registered.
If you want to cancel the repeat, press [REPEAT] once more. The repeat is cancelled, and the [REPEAT] goes out.

Rev0.10 58

Setting the Repeat Portion with Accurate Timing
Normally, the repeat start and end points are registered at the exact position where [REPEAT] is pressed. This may make it difficult for you to set the repeat portion exactly as you desire. If this is the case, you can use the quantize function to have the time [REPEAT] is pressed be adjusted to the timing of the song. The quantize function allows you to set the timing in one-measure units. Perform the procedure given below to use the quantize function.
Changing the tempo after having made the quantize function settings in a repeated portion will result in timing discrepancies between the repeat start and end points and the beginnings and ends of measures.
You can set the repeat portion to one measure by pressing [REPEAT] twice at the same position. When the repeat portion is set, you can use the following functions to edit your recorded track data. - Copying the repeated portion (AB) (p. 77) - Moving the repeated portion (AB) (p. 80) - Erasing the repeated portion (AB) (p. 83) Before using these functions, you can use the quantize function to set the repeat portion with accurate timing.
Press CURSOR [ ][ ] to move the cursor to SYS, and press [ENTER].
Press CURSOR [ ][ ] to select AB Qtz, and turn the TIME/VALUE dial to turn the setting on. When off, the quantize function will not work.
Press [UTILITY] (or press [EXIT] repeatedly) to return to the Play screen.

Rev0.10 59

Re-recording Only a Mistake (Punch-in/out)

In bounce mode, you can play back eight tracks simultaneously and record them all to a single, separate V-Track. When input sources are selected with INPUT SELECT, you can have those sounds recorded together. Furthermore, you can include the sounds from the Rhythm in the recording.
TRACK 8-V1 TRACK 7-V1 TRACK 6-V1 TRACK 5-V1 TRACK 4-V1 TRACK 3-V1 TRACK 2-V1 TRACK 1-V1

7,10 2,9

5 3,8,10 7,9
Set the pan for tracks 1 and 2 to the locations you desire, set the pan for track 3 all the way to the left (L50), and the pan for track 4 all the way to the right (R50).

RHYTHM

Adjusting the Perception of Stereo for the Sound (Pan) (p. 49)

Track 18

Rhythm
Play back the song and adjust the volumes for the tracks 1 to 4 using the REC TRACK faders. The overall volume is adjusted by the MASTER fader. At this time, raise the volume as high as possible without allowing the sound to distort. Lower the faders for the tracks that you do not want to mix.

TRACK 8-V2 TRACK 7-V2

Separate V-Track
Press [REC MODE] repeatedly until BOUNCE indicator lights up. The input source is automatically muted. This prevents the input source from being mixed in and recorded during bounce recording.
If you want to mix in the sound of the Rhythm as well, increase the Rhythm fader. If you do not want to record the Rhythm, lower the fader.
If you want to save the settings in the currently selected song, hold down [STOP], and press [REC].
Use CURSOR [ ][ ] and the TIME/VALUE dial to select the recording-destination track/V-Track. Here, set this to 78V2 (V-Track 2 of Tracks 7/8). When using bounce recording, you can record the sounds with insert effects (p. 92), loop effects (p. 118), Track EQ (p. 121), or Pitch Correction (p. 123) applied. When using the insert effects, refer to Changing the destination Insert Effects are Connected (p. 95). If you wish to mix an input source as part of the bounce recording, press [INPUT SELECT] to select the desired input source. At this time, you can apply loop effects (p. 118) to the sound of the input source.

fig.01-290

(When bouncing while recording in mono) If you turn the TIME/VALUE dial at this time, the screen for specifying the track for mono recording is displayed.

fig.01-300

After pressing [ZERO] to return to the time location 00:00:00-00.0, press [REC] and then press [PLAY] to start bounce recording.
When you are finished recording, press [STOP].
Lower all TRACK faders except those for Tracks 7 and 8, press [PLAY], and then check the sounds bounced to Tracks 7 and 8.
* The pan for tracks 7 and 8, where the music was bounced, is set all the way to the left and right respectively.
Loading Songs Created with the BR-900CD/BR-864/BR-532

fig.03-040

Use CURSOR [ ][ ] to select a parameter, and turn the TIME/VALUE dial to edit the value.
If you would like to edit another effect, press [EXIT] to return to the previous screen, and repeat steps 56.
When effect patches in the SIMUL bank are selected, GTR and MIC appear. Move the cursor to GTR to modify a guitar-use effect, or to MIC to modify an effect for use with a mic, then press [ENTER].

fig.03-050

If you wish to save the current effect settings, perform the procedure described in Saving insert effect settings, next.
Edited effect settings are temporary. If you exit the Edit Effect screen without saving the effect patch you changed, TMP appears next to the indication of the bank. Be aware that if you select a new effect patch while TMP is displayed, the altered effect patch is returned to its original settings and the changes are lost.
Saving Insert Effects Settings (Write)
Follow the procedure below to enter a name (patch name) for an effect that youve modified, and save it as a new effect patch. * If you do not need to change the patch name, go to Step 4 after entering the Effect screen.
Turn the TIME/VALUE dial to select the number to which to write the new effect patch.
After youve selected the destination, press [ENTER]. After the save has been completed, you are returned to the Effect screen.
At the Effect screen, press CURSOR [ ] to move the cursor to NAME, and press [ENTER]. The Patch Name Setting screen appears in the display.

fig.03-080

You cannot save an effect patch during the recording or playback of a song.
Use CURSOR [ ][ ] and the TIME/VALUE dial to enter the patch name.
* Press [ENTER] to switch between uppercase and lowercase.
After you have completed entering the effect settings and patch name as desired, press [EXIT] to return to the Effect screen.
Press CURSOR [ ][ ] to move the cursor to WRITE, and press [ENTER]. The Write screen appears in the display.

fig.03-090

Rev0.10 94
Changing the destination Insert Effects are Connected
By default, the insert effect is inserted immediately after the input source. The reason for this is to allow for the effectsprocessed (wet) sound to be recorded and monitored. However, sometimes you want to change the connection order. On the BR-600, you can accommodate a wide variety of situations by changing the point to which the insert effects are connected. Follow the procedure below to change where insert effects are connected.

INPUT<REC DRY> :

The sound is monitored through the insert effect but is recorded without the effect (dry). Use this when you wish to try out various effects after recording.

fig.03-120

TRACK 1 (REC)
TRACK 18, 1 2, 3 4, 5 6, :
The insert effect can be applied to the playback of a track (or pair of tracks). Use this when you wish to try out effects after recording the dry sound, or when you wish to apply effects only to a specific track.

Sustain (with BOSS-Cmp, D-Comp) 0 100
Boosts low-level signals, adjusting the time over which sounds are sustained. Higher values deepen the effect, resulting in a longer sustain.

On/Off Sustain

This parameter turns the compressor effect on/off.
This adjusts the depth of the effect. Higher settings values result in longer sustain times. Set this to a lower value when using compression for the limiter effect.

Threshold (with Rack160)

Attack
Adjust this as appropriate for the input signal from your bass. The compression effect is applied to input above the level set here. The smaller the value set here, the lower the level at which the limiter effect kicks in.
Adjusts the strength of the attack. Larger values will result in a sharper attack, creating a more clearly defined sound.

Input (with VtgRack)

Adjusts the volume.
Controls the input level. Increasing the value will produce a deeper effect.
Ratio (with Rack160) (with VtgRack)

1:1 20:1, INF:1 4:1 20:1

Rev0.10 102
Adjusts the limiter compression ratio. Higher ratio create a stronger compression effect.
Attack Time (with VtgRack)
This adjusts the amount of time it takes for the compression ratio set in Ratio to be reached once compression begins, as the input level exceeds the set threshold level. The larger the value set here, the more rapidly compression is applied.
This creates a thicker sound by applying a delayed sound to the direct sound.
Release Time (with VtgRack)
This parameter turns the delay effect on/off.
This adjusts the time from when the signal level drops below the threshold until when the compression is removed. The lower the values set, the more rapidly the compression is released, and the more clearly the sound from the next string played is heard.
This Parameter selects the type of delay. * This parameter cannot be selected with the "VO+GT AMP" and "VO+AC.SIM" algorithms. SINGLE : This is a simple delay. TAP : The delayed sound is panned across the left and right channels. This will be effective when stereo recording.

Tone (with BOSS-Cmp)

-50 +50
Adjusts the tone. The higher the value set, the more the high frequencies are boosted, resulting in a harder sound.

De-esser

Useful for reducing sibilant or S sounds produced by a vocalist.
Dly Tme SINGLE : ms, TAP : ms
This parameter adjusts the delay time (i.e., the interval for which sound is delayed).
This parameter turns the de-esser effect on/off.

Feedback

Sibilant
Adjusts the sensitivity relative to the input volume, which controls how the effect is applied.

Smpl Rate

Modify the sample rate.

OFF, 1/2 1/32 OFF, 15 1

Modify the number of data bits. If this is turned off, the number of data bits will be unchanged. If an extremely low number of bits is selected, loud noise may appear even when there is no sound, depending on the input source. In such cases, raise the threshold of the noise suppressor.

Post Fltr

This filter decreases the digital distortion produced by lo-fi. By turning this off, you can create an extremely lo-fi sound.

Fx Level

Adjust the volume of the lo-fi sound.

Dir Level

Adjusts the volume of the direct sound.
When RADIO or PLAYER is selected Tuning 0 100
This is a parameter for RADIO. It simulates the sounds that occur when you adjust the tuning frequency of an AM radio.

Modify Fil

This is a filter featuring a wide range of possible settings (modifiable filter). Select different types to get a variety of different filter effects. OFF : The modify filter will not be used. LPF : The effect will function as a low pass filter. BPF : The effect will function as a band pass filter. HPF : The effect will function as a high pass filter.

Wow Flt

This is a parameter for PLAYER. It simulates the wow and flutter which occur when the speed of the turntable is not constant.

This simulates noise.

100:0 0:100

Filter

Adjusts the filter.

Cutoff F

Adjust the cutoff frequency.
This adjusts the volume balance of the direct and effect sounds.

Resonance

Adjust the resonance.
Adjust the volume level of the sound that has passed through the modify filter.

Noise Suppressor

This effect reduces the noise and hum. Since it suppresses the noise in synchronization with the envelope of the sound (the way in which the sound decays over time), it has very little effect on the sound, and does not harm the natural character of the sound.
Determines the depth of the Phaser effect.

Manual

Adjusts the center frequency of the phaser effect.

On/Off Threshold

This parameter turns the noise suppressor effect on/off.
Adjust this parameter as appropriate for the volume of the noise. If the noise level is high, a higher setting is appropriate. If the noise level is low, a lower setting is appropriate. Adjust this value until the decay of the sound is as natural as possible. * High settings for the Threshold parameter may result in there being no sound when you play with your instruments volume turned down.

Pitch Shifter

This effect changes the pitch of the original sound (up or down) within a range of two octaves. * This effect can be used when the MODULATION Type parameter is set to PITCH SFT.

On/Off Type

This parameter turns the pitch shifter effect on/off.

Release

Adjusts the time from when the noise suppressor begins to function until volume reaches 0.
Selects either manual pitch shifter MANUAL or pedal pitch shifter PEDAL. MANUAL : This is a simple pitch shifter. PEDAL : The effect will function as a pedal pitch shifter. The effect of the wah pedal can be obtained by operating the Expression pedal. For a detailed explanation, see When Using an Expression Pedal (p. 191).

Octave

This adds a note one octave lower, creating a richer sound.
This parameter turns the octave effect on/off.

Oct Level Dir Level

This adjusts the volume of the sound one octave below.

-24 DETUNE +24

Phaser
By adding varied-phase portions to the direct sound, the phaser effect gives a whooshing, swirling character to the sound. * This effect can be used when the MODULATION Type parameter is set to PHASER.
Adjusts the amount of pitch shift (the amount of pitch change) in semitone steps. By selecting DETUNE, you can add a slightly pitch-shifted sound to the input sound, producing a detune effect. * This effect can be used when the P.Shift Type parameter is set to MANUAL.

D:E Separation

100:0 0:100 -50 +50
This parameter turns the phaser effect on/off.
This sets the rate of the Phaser effect.
Adjusts the diffusion. The panning of the direct sound and effect sound can be spread to left and right. This will be effective when stereo output is used. * This effect is obtained with stereo recording (using two tracks).

PUNCH : Switches punch in and out alternately each time you press the foot switch. FX : The insert effect will alternate between on and off each time you press the foot switch. Not operational while Pitch Correction is in use.
When Using an Expression Pedal
The expression pedal functions according to the effect settings, as shown below. Functions as a wah pedal when the Type for Wah (p. 110) is set to PEDAL. Functions as a volume pedal when Foot Volume (p. 104) is set to ON. The expression pedal functions as a pitch shifter pedal when Type for the Pitch Shifter (p. 106) is set toPEDAL. *
Tuning an Instrument (Tuner)
The BR-600 has a built-in chromatic tuner function that allows you to tune your instrument quickly. The built-in tuner supports both guitar and bass guitar. As an example here, we will explain how to use the tuner to tune your guitar. * It is not possible to play back or record while using the tuner. Check the following points before you begin. That your guitar is connected to the GUITAR/BASS jack. That [GUITAR] indicator on the INPUT SELECT button is lit. Adjust the GUITAR/BASS/MIC2 dial to correct the input sensitivity (p. 36). If [GUITAR] indicator is off, press [GUITAR] to turn it on.
Explanation of the indications

that appear while tuning

When the built-in tuner of the BR-600 is used, the reference pitch is shown in the upper left of the display, and the note name in the right. The lower part will display a tuning guide to indicate the difference between the input sound and the displayed note.

fig.06-080

Reference Pitch

Note Name

Tuning Guide
If the difference between the input pitch and the correct pitch is less than +/-50 cents, the tuning guide will indicate the amount of the difference. While viewing the tuning guide, adjust the tuning so that is positioned midway between the two sides.

Changing to the Tuner

Confirm that [PAD] is not lit, then press [TUNER] to display the Tuner screen.

fig.06-070

Tuning
To exit the tuner, press [TUNER] once again (or press [EXIT]) to return to the Play screen. Play a note using the string you are tuning. The screen will indicate the note name that is closest to the pitch of the string you played. * Cleanly play a single note only on the string you wish to tune.
You cannot switch from the Tuner screen to other screens (except the Play screen).
Continue tuning until the pitch name of the string you are tuning appears in the display. Normal tuning

NAM.... 88 NAME... 114, 127, 151, 157 NEW... 35 Noise.... 105 Noise Suppressor.. 96100, 106 NOTE... 128
Oct Level... 106 Octave... 97, 106 OFF... 105, 107, 128 Offset.... 202 ON... 107 Onboard Stereo Microphone.. 36 Optimize... 87 OS.... 162 Output... 117 Output Gain... 115 Overdubbing... 48
Pad Sens... 201 Pan.... 49, 56 PAN-SQR... 109 PAN-TRI... 109 Patch Name... 94, 114 Pattern.. 4043, 133 Copy... 152 Create... 144 Delete Drum Sound.. 147 Erase... 153 Metronome Volume.. 147 Name... 151 Play.... 142 REAL... 145 Realtime Recording.. 144145 Rehearse... 146 SMF Import... 144 Step Recording.. 144, 148 Tempo... 142 Pattern Mode.. 40, 134 PCR.... 207 Peak.... 110 PEAK indicator.. 16 PEDAL... 106, 110 Perception Of Stereo... 49 Phaser... 9699, 106 PHRASE TRAINER.. 195196 Phrase Trainer... 195 PickUp... 101 PIEZO... 101
Pitch.... 106 PITCH CORRECTION.. 124 Pitch Correction... 123124 Name... 127 Save.... 127 Pitch Shifter... 9699, 106 PLAY.... 191 Playback... 47 PLAYER.... 105 Polarity... 110 Post Fltr... 105 Power Save... 200201 Pre Dly... 102, 120 Pre Filter... 105 PreAmp... 100 Preamp... 9698 Presence.... 107 Preset Arrangement.. 42, 134, 208 Preset Patch.. 39, 92, 111, 123, 126 Preset Pattern.. 42, 133 Preview... 7374 Preview SW... 202 Protect.... 88 PRT.... 89 PUNCH... 191 Punching In... 60 Punching Out... 60

Quantize... 59

Rack160... 102 RADIO... 105 Rate... 102, 104, 106, 109, 120 Ratio... 102 REC LEVEL... 16 Recording... 44, 54 Recording Level... 37 Recording Mode... 45 Recording Time... 54, 69 Recover... 165, 179 Redo... 64 Reference Pitch... 193 REGGAE... 137 Release... 106, 117 Release Time... 103 Remain Inf... 201 Remaining memory... 69 REPEAT... 5859 Repeat.... 58
Repeating Playback... 58 Resonance... 104106 REV... 51, 118119 Rev Send... 120 Rev Time... 120 REVERB.... 120 RHR.... 146 RHY.... 198 RHYTHM... 37, 95 Rhythm... 40 Ring Modulator... 99, 108 RiseTme.... 108 ROLAND Folder.. 162 ROOM.... 120, 137
S EFX.... 198 Saving Memory... 87 Scrub.... 73 Scrub Point... 74 Send Level... 5051, 119 Sens... 103104, 110, 116 Separation.. 103104, 106 Sibilant... 103 silenced... 47 SIMUL... 36, 44, 55 SINGLE... 103 SLDN... 107 Slow Attack... 96 SMF.... 173 import... 184 SMF Folder.... 162 SMF Import... 172 SML... 38, 206 Smooth... 126 Smpl Rate... 105 Smth... 129 Soft Clip.... 117 Song Copy... 86 End... 33 Erase... 86 Frame... 33 Name... 88 Protect... 88 Save... 89 Start... 33 Sub-Frame... 33 Song Arrangement... 42, 134 Song Name... 88 Song New... 35 Song Patch... 39, 92, 111, 123
Song Pattern... 42, 133 SongKit... 137 Speaker Simulator.. 9698, 100, 108 SplitH... 116 SplitL.... 116 STD.... 101, 137 STD (LV1)... 54, 69 STEP... 148 Step... 154 STEREO MULTI... 99 Stereo Track... 46 Stereophonic Sense... 56 Sub Mixer... 201 Sustain... 102 SYS... 197
TAP... 103 TAP(TEMPO)... 142143 Thres... 117 Threshold.. 102, 106 Time Stretch... 195 TME/MES... 7576, 79, 8283 TO... 74, 202 TONE... 175 Tone... 50, 103, 120 Tone Load... 138, 174, 186 TONELOAD Folder.. 162 Top-Hi... 101 Top-Mid.... 101 TOUCH... 110 TRACK... 95 Track Copy... 75, 7778 Erase.... 8284 Exchange... 85 Move... 7981 Track EQ... 50, 121 Track Mute... 47 Treble... 107 Tremolo/Pan... 9699, 109 TRM-SQR... 109 TRM-TRI... 109 Tuning.... 105, 192 Type.. 51, 102103, 105108, 110, 118, 120, 126