Remarque: Vous ne pouvez pas assigner de kit de batterie la partie Dual.
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Using the metronome

You can switch on the metronome when practising a new song. (1) Press the [METRONOME] button. The icon appears in the display and you hear the metronome sound. (2) Press and hold [METRONOME] to select the Metro TS function. (3) Use the []/[+] buttons to set another time signature. The possibilities are: 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 9/8. (4) Press another big button in the DATA ENTRY section to leave this function. (5) Press the [METRONOME] button again to switch the metronome off.

Utilizar el metrnomo

Puede activar el metrnomo si practica una nueva cancin. (1) Pulse el botn [METRONOME]. El icono aparece en la pantalla y oir el sonido de metrnomo. (2) Pulse y mantenga pulsado [METRONOME] para seleccionar la funcin Metro TS. (3) Utilice los botones []/[+] para ajustar otro comps. Las posibilidades son: 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 9/8. (4) Pulse otro botn grandes en la seccin DATA ENTRY para salir de esta funcin. (5) Pulse de nuevo [METRONOME] para volver esactivar el metrnomo.

Utilisation du mtronome

Vous pouvez utiliser le mtronome quand vous rptez un morceau. (1) Appuyez sur le bouton [METRONOME]. Licne saffiche et le mtronome se met compter. (2) Maintenez [METRONOME] enfonc pour choisir la fonction Metro TS. (3) Servez-vous des boutons []/[+] pour choisir la mtrique voulue. Voici les possibilits: 1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 9/8. (4) Appuyez sur un autre grand bouton de la section DATA ENTRY pour quitter cette fonction. (5) Appuyez de nouveau sur le bouton [METRONOME] pour dsactiver le mtronome.
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4. Playing with accompaniment (Arranger)
Let us now take advantage of the EXR-5s/EXR-3ss accompaniment function. This function is called Arranger.
4. Interpretar con acompaamiento (Arranger)
Aprovechemos ahora las ventajas de la funcin de acompaamiento del EXR-5s/EXR-3s. Esta funcin se denomina Arranger.
4. Jeu avec accompagnement (arrangeur)
Voyons prsent comment exploiter la fonction daccompagnement de lEXR-5s/EXR-3s. Cette fonction sappelle Arranger.

ARRANGER

START / STOP
Starting/using the Arranger
(1) Press the [ARRANGERBAND] button. ARRANGER The icon appears in the display and the keyboard is split into two halves. The keys you press in the left half are used to specify the key of the accompaniment. The right half of the keyboard allows you to play a tune to the accompaniment. (2) Press the [STARTSTOP] button to start Arranger playback. The [V-LINK] button now flashes to indicate the tempo and beats (BEAT function).

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Selecting Music Styles

The EXR-5s provides three memory areas for Music Styles (the EXR-3s has two): USER STL: (Memory 000) This is where a Music Style loaded from the Flash memory or floppy disk (MSA, MSD and MSE series, optional [EXR-5s only]) is temporarily stored. The data in this RAM memory are erased when you switch off the EXR-5s/ EXR-3s. (The EXR-3s doesnt have a floppy disk drive.) ROCK (001~008), DANCE (009~024), 8 BEAT (025~039), 16 BEAT (040~053), JAZZ (054~058), LATIN (059~066), TRADIT (067~073), BALLROOM (074~084): These are the Style families in the EXR-5s/EXR-3ss internal ROM memory. These Styles cannot be erased (but you can modify them in realtime using the Cover and Band Orchestrator functions, see pages 43 and 45). FLASH: (Memories 101~199) This is a Flash area inside the EXR-5s/EXR-3s that already contains 80 Styles when the EXR-5s/EXR-3s is shipped. You can expand the number of Styles in this area by copying more Styles from your computer (via USB) or by saving the Styles loaded from disk [EXR-5s only]. There are 99 Flash memory slots in all, but the actual number of Styles you can save there depends on the data size of the Styles. [EXR-5s only] DISK: (Memories 201~) This area refers to a floppy disk you inserted into the EXR-5ss drive. The number of available Styles depends on the floppy disk, of course. The Style you select is transferred to the EXR-5ss USER STL memory (see above), which is why it takes a little longer before you can use it. (You could, however, save it to a Flash memory, see p. 109.) (1) Press the [ARRANGER/BAND] button. ARRANGER Check whether the and a INTRO ORIGINAL FILL VARIATION ENDING icon are displayed. (2) Press the [STYLE] button.
Seleccionar estilos musicales
El EXR-5s proporciona tres reas de memoria para los Estilos Musicales (el EXR-3s dispone de dos): USER STL: (Memoria 000) Aqu es donde se guarda temporalmente un Estilo Musical cargado desde la memoria Flash o desde el disquete (series MSA, MSD y MSE, opcional [Slo el EXR-5s]). Cuando desactiva el EXR-5s/EXR-3s se borra la informacin de esta memoria RAM. (El EXR-3s no tiene unidad de disquete). ROCK (001~008), DANCE (009~024), 8 BEAT (025~039), 16 BEAT (040~053), JAZZ (054~058), LATIN (059~066), TRADIT (067~073), BALLROOM (074~084): Estas son las familias de estilos de la memoria ROM interna del EXR-5s/ EXR-3s. Estos Estilos no se pueden borrar (pero puede modificarlos a tiempo real utilizando las funciones Cover y Band Orchestrator, consulte las pginas 43 y 45). FLASH: (Memorias 101~199) sta es un rea Flash dentro del EXR-5s/EXR-3s que ya contiene 80 Estilos cuando el EXR-5s/ EXR-3s sale de fbrica. Puede ampliar el nmero de Estilos de este rea copiando ms Estilos desde el ordenador (a travs de USB) o guardando los Estilos cargados desde el disco [Slo el EXR-5s]. Hay 99 ranuras de memoria Flash en total, pero el nmero real de estilos que puede guardar all depende del tamao de la informacin de los estilos. [Slo el EXR-5s] DISK: (Memorias 201~) Esta rea se refiere al disquete que insert en la unidad del EXR-5s. El nmero de estilos disponibles depende del disquete, evidentemente. El estilo que seleccione se transfiere a la memoria USER STL del EXR-5s (consulte arriba), y por ello tarda un poco ms antes de poder usarlo. (No obstante, podra guardarlo en una memoria Flash, consulte la p. 109.) (1) Pulse el botn [ARRANGER/BAND]. ARRANGER Compruebe si se visualizan los iconos y INTRO ORIGINAL FILL VARIATION ENDING.

Changer les assignations de pistes
Si les fichiers de morceau nutilisent pas le systme GM (et ne correspondent donc pas aux assignations RIGHT, LEFT, BASS ou DRUM de la fonction Minus One), vous pouvez procder comme suit pour assigner dautres pistes (canaux MIDI) aux boutons COVER [RIGHT], [LEFT], [BASS] et [DRUMS]: (1) Appuyez sur le bouton [MINUSONE] pour activer la fonction du mme nom. (2) Maintenez le bouton [RIGHT], [LEFT], [BASS] ou [DRUM] enfonc. (3) Gardez ce bouton enfonc et utilisez les boutons []/[+] pour lui assigner le canal MIDI voulu. Exemple: Pour assigner le canal MIDI 10 au bouton [RIGHT], appuyez sur DATA ENTRY [+] jusqu ce que lcran se prsente comme ceci:
(4) Press [MINUSONE] again (or one of the big DATA ENTRY buttons) to switch the function of the same name back off again.
(4) Pulse [MINUSONE] de nuevo (o uno de los botones grandes DATA ENTRY) para volver a desactivar de nuevo la funcin del mismo nombre.
(4) Appuyez de nouveau sur [MINUSONE] (ou sur un des grand boutons DATA ENTRY) pour dsactiver la fonction du mme nom.
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6. Changing the Music Style or song orchestration
Your EXR-5s/EXR-3s is a novel arranger instrument and Standard MIDI File player with two functions for customizing the Styles or songs you play back via easy-to-use routines.
6. Cambiar el estilo musical o la orquestacin de la cancin
El EXR-5s/EXR-3s es un nuevo reproductor de Archivos MIDI Estndar e instrumento de acompaamiento con dos funciones para personalizar los estilos o canciones que reproduce a travs de las rutinas fciles de utilizar.
6. Changer lorchestration dun style ou dun morceau
LEXR-5s/EXR-3s est un instrument arrangeur et lecteur de fichiers Standard MIDI proposant deux fonctions pour personnaliser des styles musicaux ou des morceaux par le biais de routines simples utiliser.
The Cover function is derived from Rolands revolutionary DisCover 5 keyboard. The EXR-5s/EXR-3s provides five different templates you can select via the following buttons: [ACOUSTIC], [POP], [ROCK], [DANCE], and [ETHNIC].

Funcin Cover

La funcin Cover se deriva del revolucionario teclado del DisCover 5 de Roland. El EXR-5s/EXR-3s proporciona cinco plantillas diferentes que puede seleccionar mediante los siguientes botones: [ACOUSTIC], [POP], [ROCK], [DANCE] y [ETHNIC].

Fonction Cover

La fonction Cover provient du clavier rvolutionnaire DisCover 5 Roland. LEXR-5s/EXR-3s propose cinq modles diffrents, accessibles via les boutons suivants: [ACOUSTIC], [POP], [ROCK], [DANCE] et [ETHNIC].
The Cover function is available both for Style (see p. 28) and song playback (see p. 34). It provides masks that change the instrumentation of the selected song. Simply by selecting another preset, you can cause a reggae song (or Style) to be played back by a heavy metal band, etc. Even though the arrangement (rhythm, riffs) does not change, the overall character can be modified beyond recognition. (1) Press one of the COVER buttons. That button now lights (there is no indication in the display).

(1) Appuyez sur le bouton [REC]. (2) Appuyez sur FAMILY [][] pour obtenir laffichage suivant:

Keyboard 120 001

The RECORD and track icons flash. (3) To create a split, press the [SPLIT] button.
Los iconos de pista y RECORD parpadean. (3) Para crear una divisin, pulse el botn [SPLIT].
Licne RECORD et les icnes de pistes clignotent. (3) Pour crer un partage, appuyez sur le bouton [SPLIT].
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r EXR-5s/EXR-3s (4) Activate the metronome (if necessary), and set the desired tempo with the [TAPTEMPO] button or []/[+]. You can also record without metronome if you like.
Note: If you assign a Drum Set to the Main part, your drum performance is recorded onto track 16.
(4) Active el metrnomo (si fuera necesario), y ajuste el tempo deseado con el botn [TAPTEMPO] o []/[+]. Tambin puede grabar sin el metrnomo si lo desea.
Nota: Si asigna un grupo de percusin a la parte Main, la interpretacin de percusin se grabar en la pista 16.
(4) Activez le mtronome (si ncessaire) et rglez le tempo comme bon vous semble avec le bouton [TAPTEMPO] ou [ ]/[+]. Si vous le voulez, vous pouvez aussi enregistrer sans mtronome.
Remarque: Si vous assignez un kit de batterie la partie Main, votre partie de batterie est enregistre sur la piste 16.

Single recording mode

This mode is only available if the EXR-5s/EXR-3ss song memory already contains data. When you press [REC], the RECORD icon and the icon of the first empty track flash. You could therefore record a new part straight away. (If all tracks already contain data, Track 1 will be selected.) You can, however, also substitute an already recorded part with a new version. (1) Press the [REC] button. (2) Press FAMILY [][] to select Single. (3) Use the SELECT [][] or numeric buttons to select the track you wish to record to. You can only select one track at a time (hence the name Single). If you select a track that already contains data, your new version will overwrite the existing one. (4) If necessary, assign the desired Tone to the part you are about to record (see p. 62). If you select track [10], you can select Drum Sets rather than Tones. Track 10 is reserved for drum parts.
Note: If you use the Single recording mode for adding parts to a Standard MIDI File recorded with another instrument or sequencer, track 16 (or any other track defined as second drum track) may also use a Drum Set that can be changed. Note: Even though the Main part can be used for recording all tracks in Single mode, the MFX only applies to track/MIDI channel 4.

Split part (sound effect/percussion sound) Parte Split (efecto de sonido/sonido de percusin) Partie Split (effet sonore/son de percussion)
Main part (melodic sound) Parte Main (sonido meldico) Partie Main (son mlodique)
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Transpose

The Transpose function changes the pitch of the notes and chords you play. Instead of figuring out what other keys you need to press to accommodate the singer or an instrumentalist, you can set the required Transpose value and go on playing the song the way you practised it, while sounding in a different key. There are two transpose functions: one (USRTrnsp) whose setting can be saved to a User Program, and a second one (GLBTrnsp) that applies to all sections and whose setting is added to (or subtracted from) the USR Transp value. Its setting is never saved. Let us begin with the USRTrnsp function, which is assigned to the [TRANSPOSE] button:

Transposicin

La funcin Transpose cambia la afinacin de las notas y acordes que se interpretan. En lugar de suponer qu otras teclas deber pulsar para adaptar el cantante o un instrumentalista, puede ajustar el valor Transpose necesario y continuar reproduciendo la cancin como haca mientras suena en un tono diferente. Existen dos funciones transpose: una (USRTrnsp) cuyo ajuste se puede guardar como un Programa de Usuario, y una segunda (GLBTrnsp) que se aplica a todas las secciones y cuyo ajuste se aade al (o se resta del) valor USR Transp). Su ajuste nunca se guarda. Empezaremos con la funcin USRTrnsp, que est asignada al botn [TRANSPOSE]:

Transposition

La fonction Transpose change la hauteur des notes et des accords jous. Si vous devez changer de tonalit pour un chanteur ou un autre instrument, vous naurez aucun mal trouver les notes jouer: il suffit de dfinir la valeur Transpose et de jouer votre morceau comme dhabitude pour obtenir la tonalit spcifie. Il existe en fait deux fonctions de transposition, une (USRTrnsp) dont le rglage peut tre sauvegard dans un programme utilisateur et une autre (GLBTrnsp) qui sapplique toutes les sections. Son rglage est ajout (ou soustrait) la valeur USR Transp. Ce rglage nest pas sauvegard. Commenons par la fonction USRTrnsp, assigne au bouton [TRANSPOSE]:

TRANSPOSE

00 USRTrnsp 120
(1) Press the [TRANSPOSE] button. The display now looks as shown in the middle. (2) Use the []/[+] and/or numeric buttons ([0]~[9]) to set the desired transposition interval. The setting range is 12~12 semitones. A semitone is one step between a white and a black key (or two adjacent white keys, i.e. between E/F and B/C).

(5) Utilice FAMILY [][] para seleccionar otro parmetro Function. (6) Contine con el paso (3). (7) Pulse otro botn grandes en la seccin DATA ENTRY para salir de esta funcin.
(5) Utilisez les boutons FAMILY [][] pour slectionner un autre paramtre Function. (6) Poursuivez avec ltape (3). (7) Appuyez sur un autre grand bouton de la section DATA ENTRY pour quitter cette fonction.
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KB SET parameters

I Kbd Touch*
(1~127, Default setting: 110) Use this parameter to set the EXR-5s/EXR-3ss fixed velocity value that will be used when the KEY TOUCH icon is not displayed. See p. 71.
Note: This parameter can also be selected by pressing and holding [KEYBOARDTOUCH].

Parmetros KB SET

(1~127, Ajuste por defecto: 110) Utilice este parmetro para ajustar el valor de la velocidad fijada del EXR-5s/EXR-3s que se utilizar cuando no se visualice el icono KEY TOUCH. Consulte la p. 71.
Nota: Este parmetro tambin puede seleccionarse pulsando y manteniendo pulsado [KEYBOARDTOUCH].
Paramtres des effets KB SET
(1~127, Rglage par dfaut: 110) Ce paramtre permet de rgler la valeur de toucher fixe de lEXR-5s/EXR-3s utilise quand licne KEY TOUCH nest pas affiche. Voyez p. 71.
Remarque: Vous pouvez aussi choisir ce paramtre en maintenant enfonc [KEYBOARDTOUCH].

I MstrTune (Master Tune)

(427.4~452.6, Default setting: 440.0) This parameter allows you to change the EXR-5s/EXR-3ss overall tuning, which may be necessary when you accompany a singer, an acoustic instrument, or when you play to a recording on CD or cassette.
I MstrTune (Afinacin Master)
I MstrTune (accord global)

I USRTrnsp*

(12~12, Default setting: 0) Use this parameter to transpose the EXR-5s/EXR-3s in semitones. If youre not sure what transposition is, see p. 67. This parameter can also be selected by pressing the [TRANSPOSE] button.
(427.4~452.6, Ajuste por defecto: 440.0) Este parmetro le permite cambiar la afinacin general del EXR-5s/EXR-3s, lo cual puede ser necesario para acompaar a un cantante, a un instrumento acstico, o cuando toque en una grabacin en CD o en cassette.
(427.4~452.6, Rglage par dfaut: 440.0) Ce paramtre permet de changer laccord global de lEXR-5s/EXR-3s, ce qui peut se rvler ncessaire quand vous accompagnez un chanteur, un instrument acoustique ou quand vous jouez en accompagnant une cassette ou un CD.

Note: You can also select this parameter by pressing and holding the [ARRANGER/BAND] button.
I KeySplit* (punto de divisin)
I KeySplit* (point de partage)
(48~84, Ajuste por defecto: 60) Utilice este parmetro para ajustar el punto de divisin para el modo Arranger y la parte Split. La nota que se defina aqu es la nota ms baja que puede tocar con la parte Main. El nmero hace referencia a una nota. 60 corresponde a la nota C4.
Nota: Tambin puede seleccionar este parmetro pulsando y manteniendo pulsado el botn [ARRANGER/BAND].
(48~84, Rglage par dfaut: 60) Ce paramtre sert rgler le point de partage du mode Arranger et de la partie Split. La note que vous spcifiez ici est la note la plus grave que vous pouvez jouer avec la partie Main. Le numro fait rfrence une note. 60 correspond la note C4.
Remarque: Vous pouvez aussi choisir ce paramtre en appuyant sur le bouton [ARRANGER/BAND] et en le maintenant enfonc.
I SpltHold* (Hold function for the Split part)
(On/Off, Default setting: Off) The SpltHold function memorizes the chords you play while the Split part is on and holds the corresponding notes until you play another chord.
I SpltHold* (Funcin Hold para la parte Split)
I SpltHold* (fonction Hold de la partie Split)
I SpltInt* (Split Chord Intelligence)
(On/Off, Default setting: Off) When you activate the [SPLIT] button, the EXR-5s/EXR-3ss Split Chord Intelligence function allows you to play major chords by pressing just one key, minor chords by pressing two keys, and more complex chords by pressing three keys. This system thus follows Arranger control, which is why it would be a good idea to select On whenever ARRANGER you are using the Split part while the icon is displayed.
(On/Off, Ajuste por defecto: Off) La funcin SpltHold memoriza los acordes interpretados mientras la parte Split est activada, y mantiene las notas correspondientes hasta que toca otro acorde.
(On/Off, Rglage par dfaut: Off) La fonction SpltHold mmorise les accords que vous jouez quand la partie Split est active et maintient ces notes jusqu ce que vous jouiez un autre accord.

I SpltDual

(Auto/Manual, Default setting: Auto) Normally, the Tone assignment for the Split and Dual parts changes whenever you select another sound for the Main part. Though this may be great in several situations, it can become rather impractical, when you are used to switching the Dual part (or Split part) on and off in the course of a song. In such cases, select Manual to preserve your own sound selection for the Split or Dual part.

I Main Vol*, Dual Vol*, SpltVol*: Volume

Main Vol

(0~127, Default setting: 127 Main/110 Dual/100 Split) These three parameters allow you to set the volume of the Main, Dual, and Split parts respectively. Please note that the settings you make here have no effect if you used BALANCE [ACCOMP] to set the maximum volume for the Arranger/Song parts.
Note: The volume of the Dual part can also be set by holding down [DUAL] while pressing [ACCOMP] or [KEYBOARD]. The same is true of the Split part, except that you need to press and hold [SPLIT].
(0~127, Ajuste por defecto: 127 Main/110 Dual/100 Split) Estos tres parmetros permiten ajustar el volumen de las partes Main, Dual y Split, respectivamente. Tenga en cuenta que los ajustes definidos aqu no tendrn efecto si utiliza BALANCE [ACCOMP] para ajustar el volumen mximo para las partes del Arranger/ Cancin.
Nota: El volumen de la parte Dual tambin se puede ajustar manteniendo pulsado [DUAL] mientras pulsa [ACCOMP] o [KEYBOARD]. Sucede lo mismo con la parte Split, pero hay que pulsar y mantener pulsado [SPLIT].
(0~127, Rglage par dfaut: 127 Main/110 Dual/100 Split) Ces trois paramtres permettent de rgler respectivement le volume des parties Main, Dual et Split. Notez que les rglages effectus ici nont aucun effet si vous avez utilis BALANCE [ACCOMP] pour rgler au maximum le volume des parties de larrangeur/du morceau.
Remarque: Vous pouvez aussi rgler le volume de la partie Dual en maintenant [DUAL] enfonc tout en appuyant sur [ACCOMP] ou [KEYBOARD]. Cette mthode sapplique aussi la partie Split, sauf que dans ce cas, vous maintenez [SPLIT] enfonc.
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I Auto Bass*: status and volume
I Auto Bass*: estado y volumen
(OFF, 0~127, Default setting: OFF) Whenever the Split part is active, this parameter allows you to set the volume of the Auto Bass part (in which case the Auto Bass part is switched on). This part sounds monophonic bass notes based on the chords you play. If the Bass Inversion function (see p. 60) is off, the Auto Bass part sounds the root notes (fundamentals) of the chords you play with your left hand (using the Split part). The Auto Bass part can also be added to the EP Chord part (see below), and then follows the same rules as that part. The Auto Bass volume and status can be set independently for Split use and EP Chord use. In either case, select off if you dont need the Auto Bass part.

I AccDrums*, AccBass*, Accomp1*~Accomp6*: volume
(0~127, Default setting: 100 AccDrums/100 AccBass/ 100 Accomp1~6) These three parameters allow you to set the volume of three Music Style sections: the drums, the bass and the Accomp parts (1~6). You can use these parameters if you think the original mix of the selected Music Style is not quite right.
(OFF, 0~127, Ajuste por defecto: OFF) Siempre que la parte Split est activada, este parmetro le permite ajustar el volumen de la parte Auto Bass (en el caso que la parte Auto Bass est activada). Esta parte hace sonar notas de bajo monofnicas basadas en los acordes que toque. Si la funcin Bass Inversion (consulte la p. 60) est desactivada, la parte Auto Bass hace sonar las notas fundamentales de los acordes que toque con la mano izquierda (utilizando la parte Split). La parte Auto Bass tambin se puede aadir a la parte EP Chord (consulte a continuacin), y luego sigue las mismas reglas que esa parte. El estado y el volumen de Auto Bass se pueden ajustar independientemente para Split use y EP Chord use. En ambos casos, seleccione off si no necesita la parte Auto Bass.
I Auto Bass*: statut et volume
(OFF, 0~127, Rglage par dfaut: OFF) Quand la partie Split est active, ce paramtre permet de rgler le volume de la partie Auto Bass (qui est alors active). Cette partie sonne des notes de basse monophoniques en se basant sur les accords que vous jouez. Si la fonction Bass Inversion (voyez p. 60) est coupe, la partie Auto Bass produit les toniques (fondamentales) des accords que vous jouez de la main gauche (avec la partie Split). La partie Auto Bass peut aussi tre ajoute la partie EP Chord (voyez ci-dessous); elle obit alors aux mmes rgles que cette partie. Vous pouvez rgler le volume et le statut dAuto Bass indpendamment pour lutilisation Split et lutilisation EP Chord. Dans les deux cas, choisissez off si vous navez pas besoin de la partie Auto Bass.
I AccDrums*, AccBass*, Accomp1*~Accomp6*: volumen

I Song1~Song16: volume

(64~0~63) These volume parameters apply to the respective tracks of the song you are currently playing back. In most cases, you may want to change the volume of track 4 (melody), 2 (bass) or 10 (drums). Finding another track (1, 5~9, 11~16) thats too loud or too soft may take some time, because their usage is more or less free. Be aware, however, that not all Standard MIDI Files use all 16 tracks that are available (so that changing the volume of track 16 may produce no audible change at all, for example). These are relative parameters: the value you set here is subtracted from (negative values) or added to (positive values) the song parts volume. Note that the upper limit (defined by the MIDI standard) is 127. It may thus be impossible to increase the volume of a track (because it already uses 127). Select 0 if you like a tracks volume the way it is.

(0~127, Default setting: 100) This parameter allows you to set the Reverb Send Level for the Split part. Select 0 if the Split part may not be processed by this effect.

I Chr SPLIT*

(0~127, Ajuste por defecto: 100) Este parmetro le permite ajustar el nivel de envo de reverberacin a la parte Split. Seleccione 0 si la parte Split no se puede procesar por este efecto.
(0~127, Rglage par dfaut: 100) Ce paramtre sert rgler le niveau denvoi de rverb (Reverb Send) pour la partie Split. Choisissez 0 si vous ne voulez pas traiter la partie Split avec cet effet.
(0~127, Default setting: 0) This parameter allows you to set the Chorus Send Level for the Split part. If you want this part to be processed by the Chorus effect, you need to select a value different from 0.
(0~127, Ajuste por defecto: 0) Este parmetro le permite ajustar el Nivel de Chorus enviado a la parte Split. Si desea que el efecto Chorus procese esta parte, debe seleccionar un valor diferente a 0.
(0~127, Rglage par dfaut: 0) Ce paramtre sert rgler le niveau denvoi de chorus (Chorus Send) pour la partie Split. Si vous voulez traiter cette partie avec leffet Chorus, veillez choisir une valeur autre que 0.
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I Pan SPLIT*

(Rnd, R63~0~L63, Default setting: 0) This parameter allows you to set the stereo position of the Split part (i.e. its placement between the left and right speakers). Rnd means that the stereo position changes randomly for each note you play. Values starting with L correspond to the left speaker. 0 refers to the center, and values starting with R correspond to the right speaker.
(Rnd, R63~0~L63, Ajuste por defecto: 0) Este parmetro le permite ajustar la posicin estreo de la parte Split (es decir. su situacin entre los altavoces izquierdo y derecho). Rnd significa que la posicin estreo cambia aleatoriamente para cada nota que toque. Los valores que empiezan con L corresponden al altavoz izquierdo. 0 hace referencia al centro, los valores que empiezan con R corresponden al altavoz derecho.
(Rnd, R63~0~L63, Rglage par dfaut: 0) Ce paramtre dtermine le panoramique de la partie Split (sa position entre les enceintes gauche et droite). Pour Rnd, la position stro change de manire alatoire chaque note joue. Les valeurs commenant par L correspondent lenceinte gauche. 0 correspond au centre et les valeurs commenant par R lenceinte droite.

KB SCALE parameters

I Scale C*~Scale B* (Scale Tune)

Parmetros KB SCALE

(64~63, Default setting: 0 for all notes) These parameters allow you to stray away from the usual semitone-interval scale (used in western music) by changing the pitch of the notes so as to accommodate other musical cultures or tuning methods (oriental, baroque music, etc.). As you will notice, you can change the pitch of every note of one octave (C, C#, D, Eb, E). The settings you make here apply to all notes of the same name (i.e. to every C, every C#, etc.). Most of the time, you will probably select the value 50 or 50 as they correspond exactly to half a semitone up or down (quarter tone). Other settings may also be interesting, though.

PC: 26 [CC32: 2] TR-808/909 C9 -----------10 -------------------------------------------------------20 -------------------------------------------------------27 High-Q Slap Scrtch PushMtrnm. Bell TR-909 Kick TR-808 Kick 47 C59 C71 C83 C95 CSplash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo ---------------------------------------------------------------------------------------------------Ride Bell Tambourine Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Hoo Hoo Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo ---------------------------------------------------------------------------------------------------Ride Cymbal ReverseCymbl 808 Tom Crash 808 Tom 2 Synth Drum 2 Crash Cym.1 Synth Drum 2 808__ohh 808 Tom 2 CR-78 ohh Synth Drum 2 TR-909 OHH 808 Tom Tom Crash 808 Tom 2 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. 808cowbe Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo 808 Conga 808 Conga 808 Conga High Timbale Low Timbale Agogo Agogo Cabasa 808marac ShrtWhistle LongWhistle Short Guiro Long Guiro 808clave Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo ---------------------------------------------------------------------------------------------------808__chh 808 Tom 2 808__chh Synth Drum 2 TR-909 CHH 808 Tom 2 808__chh 808 Tom 2 CR-78 chh Synth Drum 2 TR-909 CHH 808 Tom Tom 2 Synth Drum Tom 2 808clap 909 Snare 1 Real Tom 6 Jazz Clsd.HH Real Tom 6 Jazz Pedl.HH Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo ---------------------------------------------------------------------------------------------------808clap Elec Snare 1 909Clap 909Snare2 Hand clap2 Jazz Snare 808 Snare 1 Power SnareSnare Jazz Snare Rimshot Side Stick Side Stick Side Stick Dance Kick 2 Elec Kick Kick 909 Kick2 Jazz Kick 2 Jazz Kick 1 Mtrnm. Bell Mtrnm. Bell Mtrnm. Bell 35 CMtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Jazz Snare 1 Hand clap2 Jazz Snare 2 Real Tom 6 Jazz Clsd.HH Real Tom 6 Pedal HiHat Real Tom 4 Jazz Open HH Real Tom 4 Real Tom 1 Crash Cym.1 Real Tom 1 Ride Cymbal China Cymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo ---------------------------------------------------------------------------------------------------SquareClick Mtrnm.Click SquareClick Mtrnm.Click SquareClick Mtrnm.Click SquareClick Mtrnm.Click SquareClick Mtrnm.Click Sticks Sticks Sticks Sticks Sticks Scrtch Pull2 Scrtch Pull2 Scrtch Pull2 ScratchPull ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 2 Jazz Kick 1 Side Stick Brush Swirl Brush Slap1 Brush Swirl Lite Tom 4 Brs Chh Lite Tom 4 Pedal HiHat Lite Tom 4 Brush Ohh Lite Tom 4 Lite Tom 4 Brush Crash Lite Tom 4 Brush Ride China Cymbal Brush RideBL Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo ---------------------------------------------------------------------------------------------------Slap Scrtch Push2 Slap Scrtch Push2 Slap ScratchPush Slap ScratchPush Slap ScratchPush ScratchPull High-Q High-Q High-Q High-Q High-Q Snare Roll Finger Snap Snare Roll Finger Snap Snare Roll Snap Snare Roll Finger Snap Snare Roll Finger Snap Snare Roll Finger Snap -----------Four --------------------------------------------Three -------------------------------------------------------Snare Roll Finger Snap Jazz Clsd.HH Pedal HiHat Jazz Open HH Ride Cymbal Sticks SquareClick Mtrnm.Click Mtrnm. Bell Jazz Kick 1 Concert BD Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym. Cowbell Con.Cymbal2 Vibraslap Concert Cym. Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica Mute Triangl Open Triangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause --------------------------------------------------------------------------------------------------------------One Two ---------------------------------------------------------------------------------------------------ShutHi --------------------------------------------23 C--------------------------------------------Ha ShutHa ---------------------------------------------------------------------------------------------------Ah -------------------------------------------------------TR-909 OHH -----------------------------------------------------------------------------------------------------------------------------------------------Finger Snap Tambourine Castanets Crash Cym.1 Snare Roll Concert Snr Concert Cym. Concert BD Jingle Bell Bell Tree Bar Chimes Wadaiko Wadaiko Rim Shimedaiko Atarigane Hyoushigi Ohkawa H kotsuzumi L Kotsuzumi Ban_Gu Big Gong Small Gong Bend Gong RAMA Cymbal RAMA Cymbal Gamelan Gong Udo_Short Udo_Long Udo_slap Bendir Req_Dum Req_tik Tabla_Te Tabla_Na Tabla_Tun Tabla_Ge Tabla Ge Hi Talking Drum Bend tlk_drm Caxixi DJembe Djembe_rim Low Timbale Timbl Paila High Timbale Cowbell Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga MtLow Conga Slap Conga Lo Opn Conga Slide Mut Pandiero Opn Pandiero Open Surdo Mute Surdo Tamborim Agogo Agogo Shaker Low Whistle Low Whistle Mute Cuica Open Cuica Mute Triangl Open Triangl Short Guiro Long Guiro Cabasa Up Cabasa Down 17 --------------------------------------------SimpleKick TR-909 OHHsh ------------------------------------------------------------------------------------------------------------------------------------HipHop Kick -----------------------------------------------------------------------------House Kick TR-808 Kick -------------------------------------------------------------------------------------------------------------------------909 Kick 3 -------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Std.1 Kick1 Std.1 Kick2 Std.2 Kick1 Std2 Kick2 Kick 1 Kick 2 Soft Kick Jazz Kick 1 Jazz Kick 2 Concert BD Room Kick 1 Room Kick 2 Power Kick1 Power Kick2 Elec Kick 2 Elec Kick 1 Elec. Kick TR-808 Kick TR-909 Kick Dance Kick 2 Std.1 Snare1 Std.1 Snare2 Std.2 Snare1 Std.2 Snare2 Tight Snare Concert Snr Jazz Snare 1 Jazz Snare 2 Room Snare 1 Room Snare 2 Dance Snare1 Power Snare1 Rev.Snare Power Snare2 Elec Snare 1 Dance Snare2 Elec Snare 2 House Snare Elec. Snare Elec Snare Snare Snare Snare Snare 2 Brush Swirl Brush Tap Brush Slap1 Brush Slap2 Brush Slap Brush Swirl Brush Swirl Long Swirl -------------------------------------------------------11 C--------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------Scrtch Push2 Scrtch Pull2 Gt.CutNoise2 Gt.CutNoise2 Dist.CutNoiz Dist.CutNoiz Bass Slide Pick Scrape High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Gt.FretNoise Gt.Cut Noise Gt.Cut Noise String Slap Fl.KeyClick Laughing Screaming Punch Heart Beat Footsteps Footsteps Applause DoorCreaking Door Scratch Wind Chimes Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane Helicopter Starship Gun Shot Machine Gun Lasergun Explosion Dog Horse-Gallop Bird Rain Thunder Wind Seashore Stream Bubble Kitty Bird 2 Growl Applause 2 Telephone 1 Telephone 2 ----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------DANCE New TR-909 Jazz Kit JAZZ BRUSH ORCHESTRA ETHNIC KICK & SNARE SFX

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Music Styles

Name Rock: SteadyRk Big Rock HeavyRck PowerRck ShufleRk ElecRock* DynoRock ThumpRck* Latin: LuvBossa MidBossa UpBossa UpSamba DiscSamb Salsa Merengue Bachata 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 3/4 3/4 4/4 6/8 4/4 4/4 4/4 4/4 4/4 4/128 4/4 4/4 4/4 4/4 4/4 4/4 4/4 2/4 Traditional: 67 Cool6_Oldie6_Poprock 70 GoGoRock 71 PolkaPop* 72 CntryPop 73 Schlager Ball Room: 74 70sDisco* 75 BigSamba 76 Cha-Cha* 77 Mambo* 78 SwingFox 79 Rockin 80 Boogie 81 Twist 82 EngWltz 83 WWaltz 84 Tango 104 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/104 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 JzBallad BigBand* JazzClub BgBndBld 30BigBnd* 120 4/4 4/4 4/4 4/4 4/4 Dance: 9 FeverDnc 10 80sTekno 11 EuroDnce 12 IbizaDnc* 13 KeepOnDc 14 90sTekno* 15 DJTechno 16 HrdTekno 17 90sHouse 18 BigHouse 19 ClubHous 20 HipnHop* 21 NowHipHp* 22 Cool Rap 23 PianoRap* 24 Twostep* 8Beat: 25 PianoBal 26 Soul Bal* 27 ClassBal 28 StoryBal 29 HappyBal 30 SimpleBl 31 AlClapBl* 32 LayBakBl 33 MorninBl 34 PoppinBl 35 UKLiteBl 36 Cute Pop 37 UpTempBl 38 SmilePop 39 German P* 16Beat: 40 Easy Pop 41 Soul Pop 42 WayURPop 43 NightPop 44 Cool Pop 45 Guitar P 46 LatinPop 47 LightPop 48 USGroove 49 FeelGood 50 Busy Pop* 51 Groovy P 52 VibeyPop 53 SunnyPop Jazz: 58 Tempo Time sign. Name Tempo Time sign. 180 Orgswing Gipsyswn Acstsmba Trdrhmba Rhumba Gospel Gosplbld Gosplpop Gspshout Holiday1 Holiday2 Holiday3 Orchslfox Pop_fox Fox_band Foxtrot Shuffle Blues R&B Blboogie Charlest Folkvalz Musette Slwaltz Jazzwltz AusWaltz Beguine Auspolka Slwpolka Polka March4_4 March6_8 Reggae 4/4 4/4 4/4 4/4 4/4 6/8 6/4 4/4 4/4 4/4 3/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 4/4 3/4 3/4 3/4 3/4 3/4 4/4 4/4 4/4 4/4 4/4 4/4 4/120 140

SWEDEN HONDURAS

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TURKEY UKRAINE

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FINLAND

Ant Muzik Aletleri Ithalat Ve Ihracat Ltd Sti Siraselviler Caddesi Siraselviler Pasaji No:74/20 Taksim - Istanbul, TURKEY TEL: (0212) 2449624 Gigamusic SARL 10 Rte De La Folie 97200 Fort De France Martinique F.W.I. TEL: 715222 TIC-TAC Mira Str. 19/108 P.O. Box Munkachevo, UKRAINE TEL: (03131) 414-40

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U.A.E.

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Casa Veerkamp, s.a. de c.v. Av. Toluca No. 323, Col. Olivar de los Padres 01780 Mexico D.F. MEXICO TEL: (55) 5668-6699 Instrumentos Musicales S.A. Av.Santa Fe 2055 (1123) Buenos Aires ARGENTINA TEL: (011) 4508-2700
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