Before using the FR-2/FR-2b in a foreign country, consult with your retailer, the nearest Roland Service Center or an authorized Roland distributor, as listed on the Information page.
Do not excessively twist or bend the adaptor cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards! Use only the attached power-supply cord. Also, the supplied power cord must not be used with any other device. This instrument, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the FR-2/FR-2b and consult an audiologist.
The FR-2/FR-2b should be located so that its location or position does not interfere with its proper ventilation.
Always grasp only the plug on the power-supply cord when plugging into or unplugging from, an outlet or this unit. At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the FR-2/FR-2b is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire.
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V-Accordion r Power supply
If used improperly, batteries may explode or leak and cause damage or injury. In the interest of safety, please read and observe the following precautions. Carefully follow the installation instructions for batteries, and make sure you observe the correct polarity. Avoid using new batteries together with used ones. In addition, avoid mixing different types of batteries. Remove the batteries whenever the unit is to remain unused for an extended period of time. Used batteries must be disposed of in compliance with whatever regulations for their safe disposal that may be observed in the region in which you live. Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed out of the reach of children. Never climb on top of, nor place heavy objects on the FR-2/ FR-2b. Never handle the adaptor or its plugs with wet hands when plugging into or unplugging from, an outlet or this unit. If you need to move the FR-2/FR-2b, take note of the precautions listed below. Make sure to have a firm grip, to protect yourself from injury and the instrument from damage. Disconnect the adaptor. Disconnect all cords coming from external devices. Before cleaning the FR-2/FR-2b, turn off the power and unplug the adaptor from the outlet. Whenever you suspect the possibility of lightning in your area, disconnect the adaptor from the outlet. Should you remove screws, make sure to put them in a safe place out of childrens reach, so there is no chance of them being swallowed accidentally.

Placement

Using the FR-2/FR-2b near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference. This device may interfere with radio and television reception. Do not use the FR-2/FR-2b in the vicinity of such receivers. Do not place the FR-2/FR-2b near devices that produce a strong magnetic field (e.g., loudspeakers). Install the FR-2/FR-2b on a solid, level surface. Noise may be produced if wireless communications devices, such as cell phones, are operated in the vicinity of this unit. Such noise could occur when receiving or initiating a call or while conversing. Should you experience such problems, relocate such wireless devices so they are at a greater distance from this unit or switch them off. Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle or otherwise subject it to temperature extremes. Also, do not allow lighting devices that are normally placed very close to the unit (such as a piano light), or powerful spotlights to shine upon the same area of the unit for extended periods of time. Excessive heat can deform or discolor the unit.

Repairs and data

Please be aware that all data contained in the instruments memory may be lost when it is sent for repairs. In certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data. Roland assumes no liability concerning such loss of data.

Additional precautions

When moved from one location to another where the temperature and/ or humidity is very different, water droplets (condensation) may form inside the FR-2/FR-2b. Damage or malfunction may result if you attempt to use the FR-2/FR-2b in this condition. Therefore, before using the FR-2/ FR-2b, you must allow it to stand for several hours, until the condensation has completely evaporated. Please be aware that the memory contents can be irretrievably lost as a result of a malfunction or the improper operation of the instrument. Use a reasonable amount of care when using the instruments buttons, other controls and jacks/connectors. Rough handling can lead to malfunctions.

Using the OUTPUT sockets

The FR-2/FR-2b needs to be connected to an amplification system. If you are using optional batteries and need to connect the FR-2/FR-2b to a PA system or mixer, we recommend using a wireless system to avoid having to use excessively long signal cables. You can also use a pair of headphones (Roland RH-30A, RH-200, RH-200S or RH-300).
Note: To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
OUTPUT L/MONO + R/MONO INPUT L+R

To a wall outlet

Use either a long signal cable (10m or more) or an optional wireless system (recommended).
Switching the power on and off
The power-on procedure depends on whether or not you are using optional batteries.
Note: If you decide to use rechargeable AA batteries, be aware that they cannot be recharged simply by leaving them in the FR-2/FR-2bs compartment and connecting the adaptor. You will need an external charging unit. Note: Once the connections have been completed, turn on the power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

(4) (5) (6) (7)

You can also simply switch it off. Connect the FR-2/FR-2bs OUTPUT sockets to the external audio device (amplifier, mixing console, etc.). Turn the FR-2/FR-2bs [VOLUME] knob A from the POWER OFF position towards the right. Switch on the receiving audio device. Start playing.
Note: This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
If you are using the supplied adaptor
(1) Connect the supplied adaptor to the FR-2/ FR-2bs DC IN socket. (2) Connect the adaptor to a wall outlet that meets the specifications (see p. 28).
To switch off you system (8) Turn down the output volume of the receiving audio device or switch it off. (9) Turn the FR-2/FR-2bs [VOLUME] knob A all the way to the left (POWER OFF).
If you are using batteries
The adaptor should only be connected to a power source of the type marked on its label. For details on the power consumption, please refer to page 28.
(3) Turn down the output volume of the receiving audio device.
The FR-2b needs to be connected to an amplification system of some sort (unless you want to use headphones). (1) Install the required batteries into the FR-2/FR-2bs compartment (see p. 27). (2) Turn down the output volume of the receiving audio device. You can also simply switch it off. (3) Connect the FR-2/FR-2bs OUTPUT sockets to the external audio device using two 1/4 guitar cables.

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V-Accordion r Listening to the demo songs
Note: You can also connect headphones to the PHONES socket, in which case you do not need to establish an audio connection.
sound). Setting it allows you to choose a lighter or stronger inertia. Choose the setting that feels most comfortable for you.
(4) Turn the FR-2/FR-2bs [VOLUME] knob A from the POWER OFF position towards the right. (5) Switch on the receiving audio device. (6) Start playing. To switch off your system (7) Turn down the output volume of the receiving audio device, or switch it off. (8) Turn the FR-2/FR-2bs [VOLUME] knob all the way to the left (POWER OFF).

Bass strap

The FR-2/FR-2bs bass strap (used to move the bellows in and out) is made of fabric and fitted with a Velcro strip that allows you to adjust its slack:
Listening to the demo songs
One of the most striking aspects of your V-Accordion may be that it can play all by itself! It contains a series of demo songs that illustrate its wide variety of sounds and applications. Here is how to listen to the demo songs: (1) Switch on the FR-2/FR-2b. See Switching the power on and off on p. 10. (2) Press and hold the [SONGDEMO] button J. Playback starts automatically with the first demo song (there are 16 demo songs in all). At the end of the first song, the FR-2/FR-2b starts playing songs 2, 3 etc. You can also directly jump to the song youre interested in: (3) Use the [USERPROGDEC] and [METRONOMEINC] buttons H to select the demo song you want to listen to. (4) Use the [VOLUME] knob A to change the volume if it is too loud or too soft.
Note: All demo songs are copyright 2007 by Roland Europe. Public performance or recording of these songs is prohibited.

Treble section

The Treble section can be played using the 34-key piano keyboard (FR-2) or the 82 treble buttons (FR-2b). The sound it produces is determined by the register ([1]~[8]) you pressed last. This section can be used as accordion or to play an orchestral sound. (1) Connect the FR-2/FR-2b to an amplifier and switch it on. See p. 10. (2) Grab the FR-2/FR-2b, press a Treble register and start playing on the keyboard. Though the FR-2/FR-2b is an electronic musical instrument, it only produces sound when you move the bellows.
Note: When the FR-2/FR-2b is controlled via MIDI, there is no need to move the bellows.
(5) Press [SONGDEMO] J again to leave demo song mode.
Touring the FR-2/FR-2bs sections
Bellows resistance regulator
Your FR-2/FR-2b is equipped with a bellows resistance regulator knob that allows you to specify the bellows inertia (the force needed to push and pull it).
(3) Press the [SET] register E (it flashes blue). (4) Press one of the registers [1]~[8] F to select a Set memory. The [SET] button goes dark.
Note: If you dont press any register while the [SET] register flashes in blue, it will go dark again after a while. If you pressed the [SET] register by accident, press it again so that it goes dark. Note: See also the note about Set 5 on page 7.

Bass section

Orchestral sounds for the Treble section
The buttons in this section allow you to play both bass notes and chords. The chords use the (sound) register selected for the Bass section hence the name of this section. The real bass notes are assigned to the two highlighted rows. The remaining buttons are used to play chords. At the factory, three caps are installed on the black buttons in the following illustration. Feel free to remove them and to slide them over other buttons if that feels more comfortable.
Note: Only one orchestral sound can be selected at any one time.
(1) Press one of the registers [6]~[8] once or twice (it lights red). The b sounds can be selected by pressing the corresponding register twice. See page 7 (or the front panel) for the available sounds. (2) Play a few notes on the Treble keyboard.

Bb3 F#3

F3 C#3

C3 Ab3

G3 Eb3

D3 Bb3

E3 C3 FM Fm F7

B3 G3 CM Cm C7 Fdim

F#3 D3

C#3 A3

Ab3 E3

Eb3 B3 EM Em E7

Bb3 F#3 BM Bm B7 Edim

G3 Eb3 EbM Ebm Eb7 Abdim

F#M F#m

C#M C#m

AbM Abm

EbM Ebm

BbM Bbm

F#7 F#dim

C#7 C#dim

Ab7 Abdim

Eb7 Ebdim

Bb7 Bbdim

G7 Gdim

D7 Ddim

A7 Adim
Switching off the Orchestra part To return to a state where only the Treble accordion section sounds: (3) Press one of the registers [1]~[5] F once or twice (it lights green).

Bass buttons

Chord buttons*
(*) This can be changed to 3 bass and 3 chord rows. See Bass & Chord Mode on p. 23.
Orchestral sounds for the Bass section
The orchestral bass part can be used instead of the Bass section (thus replacing the accordion sound assigned to the bass rows). It only applies to the bass rows (the ones closest to the bellows) and has no effect on the chord buttons. (1) Press the [ORCHBASS] B button (it must light). (2) Check whether the [LEFTREGISTER] D button is dark. If it is not, press it. (3) Use the Bass registers to select the desired sound (the register you press lights green).

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FR-2/FR-2b V-Accordion Other practical functions
5. Other practical functions
Switching off sections you dont need
If, for some reason, you do not want one of the currently active parts to respond to your playing, you can switch it off: This may apply to any of the following combinations and mute the corresponding keys or buttons (where applicable):
Treble or Orchestra Treble or Orchestra Treble or Orchestra Treble or Orchestra + + + + Bass + Chord ORCH BASS + Chord ORCH BASS + ORCH CHORD Bass + ORCH CHORD
(Press the [SET] register twice to leave the FR-2/FR-2bs FUNCTION mode.) Setting the tempo Well assume that you are still in FUNCTION mode ([SET] E flashes slowly). To set this parameter at a later stage, press and hold the [SET] register until it starts flashing slowly. (1) Press the E2 key (i.e. the lowest E) or button 9. See p. 18 for the location. The [SET] register now flashes rapidly, and the Treble keyboard can once again be used to play notes.
Note: You can also select this parameter by pressing and holding the [METRONOMEINC] H button.
(1) To switch off a section you do not want to hear, hold down any single register for a while. Use a register in the Treble section to mute the Treble or Orchestra part; use a Bass register to mute the bass, chord, or any of the associated orchestral parts. (2) To switch a muted section back on, briefly pressing and puling down any of the associated registers.
(2) Use registers [1]~[8] F to select one of the following suggested values.

Metronome tempo

Largo (40 BPM) Adagio (72 BPM)
Moderato (120 BPM) Allegro (144 BPM) Presto (192 BPM) Prestissimo (208 BPM)

Larghetto (60 BPM) 6

Using the metronome
Your FR-2/FR-2b contains a metronome that may come in handy when you are practising new pieces, or during your accordion classes. You can set the time signature, the tempo and the level. Setting the time signature To set the time signature, proceed as follows: (1) Before changing this value, it might be a good idea to switch the metronome on by pressing the [METRONOMEINC] H button (it lights). (2) Press and hold the [SET] register until it starts flashing. The Treble keyboard can now be used to select the desired function. (3) Press the F2 key or button number 10. See p. 18 for the location. The [SET] E register flashes rapidly, and the Treble keyboard can once again be used to play notes. (4) Use registers [1]~[8] F to select one of the following settings.

Metronome time signature

4 Andante (96 BPM)
Alternatively, use the [DEC] or [INC] H button to decrease or increase the value in steps of 1. You can also press and hold these buttons to quickly select a significantly higher or lower value. The setting range is q= 20~250.
Note: Press the [PAD/DEFAULT] G button or register [4] to return to the factory setting of the currently selected parameter.
(3) Press the [SET] E register once (so that it flashes slowly and proceed with the next parameter. (Press the [SET] register twice to leave the FR-2/FR-2bs FUNCTION mode.) Setting the metronome level Heres how to set the desired metronome level to ensure that it is neither too loud, nor too soft. Well assume that you are still in FUNCTION mode ([SET] flashes slowly). To set this parameter at a later stage, press and hold the [SET] register until it starts flashing slowly. (1) Press the (black) F#2 key (i.e. the lowest F#) or button 11. See p. 18 for the location. (2) Use registers [1]~[4] to select one of the following settings.

Metronome level

1/4 2/4 3/4 4/4

5/4 6/4 6/8 9/8

Off Low

3 Medium 4 High

(5) Press the [SET] E register once (so that it flashes slowly) and proceed with the next parameter.
Note: Press the [PAD/DEFAULT] G button to return to the factory setting.
(3) Press the [SET] E register twice to leave the FR-2/ FR-2bs FUNCTION mode.
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V-Accordion r Using the metronome
After setting the metronome parameters to your liking, you can start using the metronome: (4) Press the [METRONOMEINC] H button (it lights) to start the metronome. (5) Press it again to switch the metronome back off.

Pitch-related functions

Transpose function
The FR-2/FR-2b contains a Transpose function that allows you to change the key of the music you are playing. The advantage of this system is that you can play a song in E major (for example), while using the fingering of the C major scale (for example). This may come in handy when you are used to playing a given song in one key and suddenly need to play it in a different key. Lets look at an example:

Parameters

Master Tune [G1]/[1]

415~440~466 (Hz)

Default setting: 440
This parameter allows you to change the FR-2/FR-2bs overall tuning. The factory default, 440, represents the reference pitch used by all electronic musical instruments. The settings you can select with the registers are: 3 4

432 440

[G#1]/[2]
(2) Press the indicated key or Treble button. (Key names with a # symbol refer to black keys.) The [SET] register now flashes rapidly, and the Treble keyboard can once again be used to play notes. (3) Use registers [1]~[8] F to select one of the suggested values. There may be fewer than 8 registers for the parameter you select. Alternatively, use the [DEC] or [INC] button to select the desired turning. Sometimes, there are more options than can be selected with the 8 registers.
Dry, Classic, F-Folk, American L, American H, Nord Eur, German L, D-Folk L, Italian L, German H, Alpine, Italian H, D-Folk H, French, Scottish

Default setting: Dry

This parameter allows you to choose the system used for detuning the 8 reeds of the selected register. The settings you can select with the registers are:
Classic American L Nord Eur Alpine
Italian L D-Folk L French Scottish
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[A1]/[3]

Metronome Time Sign

[F2]/[10]

Default setting: 0
1/4, 2/4, 3/4, 4/4, 5/4, 6/4, 6/8, 9/8

Default setting: 4/4

This parameter allows you to transpose all sections of the FR-2/ FR-2b, so as to play in one key and sound in another. The settings you can select with the registers are:
This parameter allows you to set the metronomes time signature. The settings you can select are: 3 4

Metronome Level

[F#2]/[11]

5/4 6/4 6/8 9/8 OK

[B1]/[4]

C C# D D# E F POW

Off, Low, Medium, High

Default setting: Medium

This parameter allows you to change the metronomes level when it is too loud or too soft. See page 14 for details. 1 2

Reverb Level

Treble/Bass & Chord Balance

3 Medium 4 High OK

b1~63,0, t1~63
This parameter is used to set the balance between the Treble and Bass sections. When you select b1 (register [1]), the Treble section is inaudible, while pressing register [7] (t1) means that the Bass section is no longer audible. The settings you can select with the registers are: b60 b40 b20 0
[C2]/[5] [C#2]/[6] [D2]/[7] [D#2]/[8]

[G2]/[12]

Default setting: 48

t20 t40 t60

This parameter allows you to set the volume of the reverb effect with respect to the accordion and/or orchestral sounds. It applies to all sections that are currently switched on. The settings you can select with the registers are: (no reverb) 96 127

Orchestra Level Pad Sound Level Orchestra Bass Level Orchestra Chord Level

OK OK OK OK

40~Std~40

Default setting: Std

Reverb Type

[G#2]/[13]

These parameters allow you to set the level of the ORCHESTRA, BASS or CHORD orchestral sound, or of the PAD function for a better balance with the other available sections. In that case, you can change its volume: The settings you can select with the registers are (for both parameters): 13 0

[E2]/[9]

Room 1~3, Hall 1~2, Plate, Delay, Panning Dly

Default setting: Plate

This parameter allows you to specify what kind of effect the Reverb processor should generate. The available options are: [1] Room1 [2] Room2 [3] Room3 [4] Hall1 [5] Hall2 These reverbs simulate the reverberation of a room. They provide a well-defined spacious reverberation. These types simulate the reverberation of a concert hall with a deeper reverberation than the Room reverbs. This effect type simulates a plate reverb (a studio device using a metal plate to simulate natural Reverb). This is a conventional delay that produces echo effects. This is a special delay in which the delayed sounds move left and right. It is effective when you are listening in stereo.

+13 +13 +40

Metronome Tempo

[6] Plate

20~250
Default setting: 120 [7] Delay [8] PanningDly
This parameter allows you to set the metronome tempo. The settings you can select with the registers are: 3 Largo (40 BPM)) Larghetto (40 BPM) Adagio (72 BPM) Moderato (120 BPM) Allegro (144 BPM) Presto (192 BPM) Prestissimo (208 BPM)
(The numbers between [ ] refer to the Treble registers.)
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Chorus Level

[A2]/[14]

Bellows Curve

[B2]/[16]

Default setting: 16

This parameter allows you to set the volume of the chorus effect with respect to the accordion and/or orchestral sounds. It applies to all sections that are currently switched on. The settings you can select with the registers are: (no chorus) 96 127

[A#2]/[15]

Fixed Low [1], Fixed Med [2], Default setting: Standard Fixed High [3], X-Light [4], Light [5], Standard [6], Heavy [7], X-Heavy [8] This parameter allows you to adapt the FR-2/FR-2bs expressive potential to your playing style. If you think the sounds dont respond the way you would like them to, try another curve that better translates your movements. There are three Fixed curves that always use the same value, no matter how hard or lightly you push/pull the bellows (no dynamic control). Low means that a low value is used, Med represents a medium value and High a high value. The remaining settings do depend on the strength with which you push/pull the bellows, but in different ways: Light means that you do not need to push/pull hard to achieve a meaningful effect. X-Light requires even less strength (the X stands for extra). Standard refers to a normal response. Heavy provides a greater variety of nuances and X-Heavy is even more detailed. It would be a good idea to select each curve without the Fixed addition, play a few notes, select the next curve, etc. until you find the response that feels just right.

The strength/speed with which the bellows is pressed or pulled influences the sound which corresponds to an acoustic accordions response. This effect can be translated into a MIDI message most external instruments understand. If you want to use the bellows for expressive purposes, switch this parameter on (register [2]). If you dont (because the external instrument is too sensitive and therefore changes its volume too often), switch it off (register [1]).

MIDI Out/In [C4]/[24]

Out, In

Default setting: Out

This parameter allows you to set the function of the FR-2/FR-2bs MIDI socket. Select Out (register [1]) if you want to play on the FR-2/FR-2bs keyboards and transmit the MIDI data generated by your playing to an external device. If you select In (register [2]) here, the FR-2/FR-2bs sound source can no longer be played via its keyboards.
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Note: See p. 21 for the MIDI channels the FR-2/FR-2bs parts use.

Arranger Control

[E4]/[27]

Program Change TX

[D4]/[26]
This is a MIDI filter, i.e. a parameter that allows you to specify whether or not the given MIDI type should be transmitted. TX, as you know, is short for transmission. This means two things: (1) the filter only applies to program changes sent by the FR-2/ FR-2b, and (2) it is only meaningful when the MIDI Out/In parameter is set to Out. Program change messages are used to select sounds or memories on the receiving instrument simply by recalling another sound (or memory) on the transmitting instrument. The FR-2/FR-2b transmits program changes when you select Sets (on the Basic Channel) and registers (on the MIDI channel assigned to the section for which you are selecting a different register). Select Off if you dont need that. All of the FR-2/FR-2bs registers transmit program change/bank select clusters when pressed. And when you set the MIDI Out/In parameter to IN, the FR-2/FR-2b also receives those messages.
This parameter specifies which MIDI note numbers are sent by the Chord row buttons. You may have noticed that the chords generated by the FR-2/FR-2b (and indeed any accordion) are incomplete, because players are expected to supply the bass notes via the bass rows. That information is fine if the resulting MIDI events you record with a sequencer are sent back to the FR-2/FR-2b. But if you want to control an arranger keyboard (like Rolands E-series), the patchy chord information may cause the music style patterns to play in the wrong key. If you experience such problems, switch this parameter on (register [2]). To record chord information that will be sent back to the FR-2/FR-2b at a later stage (with the bass notes sent on channel 2), however, switch this parameter off (register [1]).

10. Restoring the factory defaults
You can reset the FR-2/FR-2b to its factory settings, which means that your own settings (including the User Programs) are replaced by the settings the FR-2/FR-2b contained when you first got it. We recommend using this function as sparsely as possible: your own settings cannot be archived externally, and there is no way to restore them after initializing the FR-2/FR-2b. (1) Switch off the FR-2/FR-2b by turning the [VOLUME] A knob all the way to the left (POWER OFF). (2) Hold down [SET] and Treble register [8] while switching the FR-2/ FR-2b back on. When all settings have been initialized, all Treble registers briefly flash in red. The FR-2/FR-2b now again sounds and behaves like when you first bought it.
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V-Accordion r Using optional batteries
11. Using optional batteries
Your FR-2/FR-2b has a compartment that contains a special holder unit into which you can install 8 optional AA-type batteries. You can therefore play your instrument without connecting the supplied adaptor. The battery case is connected to the FR-2/FR-2b by means of a cable with a padded connector strip. You can disconnect the cable from the battery case by pulling off the padded connector strip.
Installing and removing batteries
The FR-2/FR-2b provides a battery compartment with a special holder unit into which 8 AA-type (R6) batteries can be installed. By pressing [SET] + register [3] (BATT), you can check the battery status. If all registers (the green and red ones) are lit, the batteries are fully charged. If only the red registers light, the remaining battery life is about 1 hour. (You may need to hold down [SET] to check the battery status). If the [PAD] button and only the last two ORCHESTRA registers light during this operation, the FR-2/FR-2b is powered by the supplied adaptor. If the [REC] button lights, the batteries are used to power the FR-2/FR-2b.
Note: Please see page 6 for notes on battery handing.
(1) Switch off the FR-2/FR-2b. (2) Remove the cover from the FR-2/FR-2bs battery compartment by pressing the two tabs and lifting the cover.
Note that this is unnecessary if you manage to install (or remove) the batteries without disconnecting the strip. (4) Insert 8 AA-type (R6) batteries into the compartment (4 on either side), taking care to orient them in accordance with the + and indications.
You should now see a tab that allows you to remove the battery case: (5) Insert the case with the 8 batteries into the compartment. (6) Close the FR-2/FR-2bs battery compartment.
Note about rechargeable batteries
Certain batteries can be recharged several times before they need to be replaced with a new ones. Note that it is normal for the batteries to last increasingly shorter as time goes by. At the end of their life cycle, they may only last one hour, for example. But that is a gradual process.

Note: Carbon and alkaline batteries should not be used.
Weight (without straps or optional batteries): FR-2: FR-2b: 7.5kg 7.5kg
Supplied accessories External AC adaptor Owners Manual Reference caps for the treble buttons (FR-2b) Straps Battery holder (pre-installed in compartment) Replaceable traforo covers: 6 Options Accordion soft bag AA-type batteries (8) from third-party suppliers
Note: In the interest of product improvement, the specifications and/ or appearance of this unit are subject to change without prior notice.
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Appendix

13. Appendix

Demo Songs

# SONG TITLE* PERFORMED BY
MIDI Program change messages

BANK SELECT

MSB CC00 LSB CC 32

PROGRAM CHANGE

SECTION
01 Birdy Waltz 02 Bal Musette 03 Swingin The Blues 04 Forro de Janeiro 05 Tango Dancers 06 Eastern Wind 07 Sax On The Phone 08 Bossagroove Aada 10 Bandofunk 11 Iida 12 Finnish Waltz 13 Hot And Brisk 14 Bezaubernder Sinaklia 15 O Sole Mi (Traditional) 16 Edelweiss
Ludovic Beier Ludovic Beier Ludovic Beier Ludovic Beier Ludovic Beier Ludovic Beier Ludovic Beier Marko Rsnen Marko Rsnen Marko Rsnen Marko Rsnen Marko Rsnen Petri Ikkel Sergio Scappini Sergio Scappini Sergio Scappini

0 0

BANK SELECT AND PROGRAM CHANGE TX 1~10 1~5 1~5 1~5 1~6 1~SET RX CLASSIC JAZZ I FOLK D FOLK F FOLK SP FOLK BANDONEON ALPINE Treble Register Bass Register Orch Bass Register Orch Chord Register Orchestra Register Set Bassoon Bandon Clarinet Oboe Master Harmon Musette Celeste Piccolo Organ String Violin Clarinet Sax Flute Organ 16'/8'/8-4'/4'/2' 8'/4'/2' 16'/2' Acoustic Bowed Fingered Fretless Tuba Mix St. Strings Chorus Organ Steel Guitar St. Orch Brass Choir

TREBLE REGISTER RX

ORCHESTRA REGISTER RX
[*] Copyright 2007 Roland Europe Spa. All rights reserved. Unauthorized use of the demo songs for purposes other than private enjoyment is a violation of applicable laws. The performance data of the demo songs are not transmitted via MIDI.

BASS REGISTER RX

PAD Sets

Set [1] (Folk) 048*

Snare Ghost Snare Tambourine Bass Drum HiHat Conga Op Conga Slap Bass Drum Jazz Snare Pedal HiHat Ride Cymbal Tom Hi Tom Lo Tamorra 3 Tamorra 1 Tamorra 2 Conga Op Conga Slap Pandeiro 4 Pandeiro 5 Pandeiro 3 Bass Drum Hi Bongo Lo Bongo

Note no.

Set [5] (Pop) 044
Pop Stick Snare Bass Drum HiHat Closed HiHat Open Snare Roll Concert Snare/ OpenTriangl Concert BD Concert Cym. Timpani Techno Kick TR-909 Snare 909 Clap TR-909 Kick/ Tambourine 909 Tom Op 909 Tom Lo Big Gong Udo Long Tabla Na Req Dum Timl Paila Conga Slide Mut Pandeiro

41

ORCH BASS REGISTER RX

ORCH CHORD REGISTER RX

Set [2] (Jazz) 0444
Set [6] (Orchestra) 0449 Note no.
Set [3] (Tarantel) 048 Note no.

Set [7] (TR-909) 0431

Set [4] (Latin) 048

Set [8] (Ethnic) 0450

[*] Drum Kit address. First digit= CC00, second digit= CC32, third digit= PC
FR-2+b GB.book Page 30 Tuesday, August 7, 2007 11:19 AM
FR-2/FR-2b V-Accordion Appendix
MIDI Implementation Chart
[V-Accordion] Model: FR-2/FR-2b
Function. Transmitted Recognized Remarks
7 Parts: 1= Treble, 2= Bass, 3= Chord, 4= Orchestra, 5= Orchestra Bass, 6= Orchestra Chord, 10= Pad, 1 Logical part: 13= Basic MIDI Channel for SET change
Date: July 2007 Version: 1.00

Basic Channel

Default Changed

1~16 1~16, Off

Mode Note Number Velocity After Touch Pitch Bend
Default Message Altered True Voice Note ON Note OFF Keys Chs
Mode 3 ***** ***** 0~127 ***** O O X X X 00,93 O X X O X X X
Mode 3 ***** 0~127 0~127 O O X X X O X X O X X X Bank Select Volume Panpot Expression Hold 1 Reverb Send Chorus Send Recognized: 1~10:

Control Change

Program Change

True #

O 0~127
1~6: Treble Registers 1~5 Bass registrs 1~5 Orchestra Bass 1~5 Orchestra Chord 1~6 Orchestra 1~8 Set
System Exclusive System Common System Real Time Song Position Pointer Song Sel Tune Clock Commands All Sounds Off Reset All Controllers Local On/Off All Notes Off Active Sense Reset

O X X X X X X X X X O X

Aux Messages
Notes Mode 1: OMNI ON, POLY Mode 3: OMNI OFF, POLY
*1 O X is selectable *2 Recognized as M=1 even if M1 Mode 2: OMNI ON, MONO Mode 4: OMNI OFF, MONO O: Yes X: No
FR-2+b GB.book Page 31 Tuesday, August 7, 2007 11:19 AM

14. Information

When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

AFRICA

Al Fanny Trading Office 9, EBN Hagar Al Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828

PHILIPPINES

FR-2/FR-2b

V-Accordion
The Amazing Ultra-Light V-Accordion
The FR-2 series V-Accordions offer the incredible digital advantages of Rolands Physical Behavior Modeling technology, providing true tone and characteristics of the worlds best accordions, but they are significantly lighter than previous models. Perfect for students, stage keyboard players, and traveling musicians.

I FR-2

I FR-2b
G Choice of keyboard types: piano (FR-2) or button (FR-2b) G PBM (Physical Behavior Modeling) enables the true tone and expressive characteristics of the worlds finest accordions G Additional sounds onboard, including piano, organ and strings
G Eight user programs for instant storage and recall of your favorite settings G Lightweight for young students and traveling performers G Pad function for triggering percussion sounds and rhythms G Song function for minus one play-along fun G Battery powered for convenience and portability

Lightweight Champion

At almost half the weight of the flagship V-Accordion, the FR-2/FR-2b is portable and comfortable. Whether youre a student or a professional musician, at home or on stage, your shoulders and back will love this instrument!
Adjustable Bellows Pressure
The improved Bellows Resistance Regulator on the FR-2/FR-2b V-Accordion allows you to fine-tune the bellows pressure according to your strength, ability, and personal style another FR-2/FR-2b advantage for comfort and playability.

Portable Power

Powered by eight standard AA batteries (sold separately), the FR-2/FR-2b will set you free in any situation. Roland recommends rechargeable AA batteries to keep you powered and recharged show after show.

Visual Sheets

Choose your look with the six included decorative sheets, or personalize the FR-2/FR-2b with your name or a picture of your band. Unleash your artistic potential.

Performance Parameters

The FR-2/FR-2b has five pads for adding percussive excitement to your performance. Use them as drum pads or to trigger rhythms via Loop Playback Mode. Theres also a Song function for minus one play-along fun. The FR-2/FR-2b contains eight user programs for instant storage and recall of your favorite settings.

Options

Protect your FR-2/FR-2b on the road with the attractive BAG-FR-3, a custom-made gig bag for V-Accordions. And dont forget to bring along Rolands CM-30 amp or CUBE Street for clean, clear amplification. Its the perfect FR-2/FR-2b performance partner.

I BAG-FR-3

Connections
The connection options of the FR-2/FR-2b allow you to perform in any situation. A headphone output is provided for private practice. The Line output lets you plug into amplifiers and mixers onstage or in the studio. MIDI output allows you to play external keyboards and other MIDI-compatible instruments from your V-Accordion.

Amplification

Rolands CM-30 CUBE Monitor is an ideal choice to amplify the FR-2/FR-2b. Its light, small, and affordable, but don't be fooled: The CM-30 can sing loud and proud. And, for those who like to take their show on the road, the battery-powered Roland CUBE Street Amplifier is the ultimate portable solution.