SR-JV80-09 Session Waves and Patch Data Onboard
There are total of 1,023 onboard sounds, including the user patches, presets A through E, and session sounds.
SR-JV80 Series Wave Expansion Boards Can Be Installed
A SR-JV80 series Wave Expansion Board can be installed, enabling expansion of sounds using the SRJV80 series.
Equipped with Computer Connector
By connecting the instrument to a computer, you can enjoy full-fledged editing.
Easy-to-understand, Easy-to-use Operations and Other Useful Features
You can use the CATEGORY/BANK knob to choose sounds by category. There is a Phrase Preview that lets you audition patches through phrases, using just the JV-1010.

Front and Rear Panel

Front Panel

fig.0-01

1. PHONES Jack
This is the jack for connecting headphones (sold separately). * Use headphones with an impedance of 8 to 150 Ohms.

2. VOLUME Knob

This adjusts the volume level for the OUTPUT jack and the PHONES jack. You can also check out a sound using the JV-1010 alone by pressing the VOLUME knob (Phrase Preview, p. 25). When in a mode other than the Patch mode, pressing the VALUE knob while holding down the VOLUME knob switches you to the Edit mode.

3. PART Knob

In the Patch mode, it changes the receive channel. In the Performance mode or the GM mode, it selects the Part to which settings are to be applied.

4. Display

Displays a variety of information about the operation being performed.

5. MIDI Indicator

Lights up when MIDI messages are received.

6. MODE Indicators

The indicator for the currently active mode lights up.

7. VALUE Knob

This changes the setting values for parameters. Turning the knob rapidly makes the value change in larger increments. Pressing the knob switches the mode. When in a mode other than the Patch mode, pressing the VALUE knob while holding down the VOLUME knob switches you to the Edit mode.

8. CATEGORY/BANK Knob

Used to switch the sound selection range. In the Edit mode, it is used to select the parameter to be set. For more information about the CATEGORY/BANK knobs functions in Edit mode, refer to the EDIT PARAMETER SELECT chart on the JV-1010s top panel.

9. POWER Switch

Pressed to switch the power on and off.

Rear Panel

fig.0-02

1. AC Adaptor Jack

Accepts connection of the supplied AC adapter.

2. Cord Hook

To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook, as shown in the illustration.

fig.1-06.e

Headphones
AC adaptor COMPUTER connector

MIDI IN MIDI keyboard

MIDI OUT
MIDI sequencer etc. Mixer etc. Monitor speakers (powered)

Stereo set etc.

Power amp

Cassette radio

Follow the steps described below to connect the JV-1010 and an external device.
Before making the connections, make sure the power to all equipment is switched off.
To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections.
Connect the included AC adaptor to the AC adaptor jack and plug the adaptor into a power outlet. Connect the JV-1010 and the external device as shown in the figure.
Connecting audio equipment: the OUTPUT jacks (L (MONO), R) Use audio cables (sold separately) to connect the audio device to the OUTPUT jacks on the JV-1010. Connecting a MIDI keyboard or sequencer: the MIDI connectors (IN, OUT, THRU) Use a MIDI cable (sold separately) to connect the MIDI OUT connector on the MIDI keyboard or sequencer to the MIDI IN connector on the JV-1010. Using headphones: the PHONES jack Plug the headphones (sold separately) into the PHONES jack on the front panel. Using a computer: the COMPUTER connector Use a computer cable (sold separately) to connect the computer to the COMPUTER connector on the JV-1010.
We recommend using a stereo connection in order to get the maximum performance from the JV1010, but for monaural use, make the connection to the L (MONO) OUTPUT jack.
For more information on making the connection with the computer, take a look at Connecting to a Computer (p. 38).
Switching the Power On and Off

Switching On the Power

Once the connections have been completed (p. 18), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
Before you switch on the power, check the following.
Are peripheral devices connected correctly? Is the volume level on the JV-1010 and the connected external equipment turned down all the way?

fig.1-07

Press the POWER switch on the JV-1010 to switch on the power.
After roland Jv-1010 is displayed, the unit starts up in the same state it was in when the power was last turned off.
If the power was turned off while in the Rhythm Set mode (RHYTHM), the unit starts up in the Performance mode (PERFORM).

fig.1-08

Switch on the power to the connected external equipment. Play sounds on the JV-1010 and turn the VOLUME knob to adjust the volume on the JV-1010 and the external equipment.

There are 128 patches stored in memory, which you can overwrite with patches you create yourself.
When using software for external MIDI devices, tone editors, and the like, you can transmit System Exclusive messages to rewrite USER content.

PRESET-AC, E

There are 512 patches stored in memory, which cannot be overwritten.
PRESET-D (GM [General MIDI])
These are patches for the General MIDI System, which is designed to standardize the specifications for MIDI functions for all manufacturers and models. There are 128 patches stored in memory, which cannot be overwritten.

Session

Already onboard is the data from the SR-JV80-09 Wave Expansion Board, which offers a selection of 255 patches, which cannot be overwritten.
WAVE-EXP (Wave Expansion Board installed in the slot)
Patches are stored in memory on the separately available Wave Expansion Board, and cannot be overwritten.
You cant choose a WAVEEXP patch unless a Wave Expansion Board is installed in the slot EXP-B. When no Wave Expansion Board is installed, - - appears on the display.
Auditioning Patches (Phrase Preview)
Right after returning settings to their factory defaults, the first patch of the currently selected Category and Bank (CATEGORY/BANK) plays. Some patches may not be sounded in a suitable range.
On the JV-1010, you can check out patches easily, since phrases are provided for each type of patch. Thanks to this, you dont need to have a MIDI keyboard or sequencer connected. In this section, well listen to patch sounds in the Patch mode.

fig.1-11

fig.1-12
Press the VALUE knob to choose the Patch mode (PATCH).
Holding down the VOLUME knob, the sound for the currently selected patch is played.
Playing Notes from a MIDI Keyboard
The JV-1010 receives and plays MIDI data from other instruments. When doing this, the transmitting instrument (the MIDI keyboard or the like) and the JV-1010 must be set to the same MIDI channel. Here well play sounds with both channels set to 1.

fig.1-13

The sound is distorted.

- Is a distortion-type effect being applied to the sound? If the sound for a specific patch or part is distorted, lower the volume level on that part (p. 44). When the overall sound is distorted, lower the volume level with the VOLUME knob.

The pitch has shifted.

- Has the JV-1010s tuning been shifted? Check the Master Tune value (p. 50). - Have the Coarse Tune and Fine Tune settings for the specific parts been made? Check the values for the Coarse Tune and Fine Tune settings (p. 44).
The JV-1010 does not output MIDI data.
- Is the COMPUTER switch on the JV-1010s rear panel set correctly? When outputting JV-1010 data through the COMPUTER connector, set the COMPUTER switch to PC-2 or Mac according to the computer and software being used (p. 38). The JV-1010 does not output data from the COMPUTER connector when the COMPUTER switch is set to MIDI. In this case, data is output from the MIDI OUT connector.
The sound is interrupted.
- Is the polyphony (maximum number of voices) being exceeded? When more than 64 voices are used simultaneously, the voices exceeding this limit of 64 are interrupted. Set a sufficiently high value as the Voice Reserve setting for parts you want to make sure are not interrupted (p. 44).
Songs are not played back correctly.
- Are you playing songs created for the GS format? While the JV-1010 is compatible with the General MIDI System, GS Format is not supported, so such songs may not play back correctly.

Error Messages

An error message appears in the display when an error in operation occurs, or if an operation cannot be processed correctly. When this occurs, continue by following the instructions indicated in the error message.
coE (MIDI Communication Error)

fig.coE

noP (No Patch)

fig.noP

Situation:

Action:

und (User Memory Damaged)

fig.und

bFL (MIDI Buffer Full)

fig.bFL

Situation: Action:
USER data has been damaged. Restore the factory settings with the Factory Reset procedure.

btL (Battery Low)

Situation: Action: More MIDI messages were received in a short time than could be processed correctly. Reduce the amount of MIDI messages that are transmitted.

fig.btL

cSE (MIDI Check Sum Error)

fig.cSE

Battery power used for saving parameter settings has been used up. Take the JV-1010 to your dealer or nearby Roland Service to have the battery exchanged.
A system exclusive message that was received had an incorrect check sum value. Correct the check sum value.

rdE (Receive Data Error)

fig.rdE
A system exclusive message was not properly received. Repeated appearance of this same error message means that there is a problem with the MIDI message. Check the content of the received system exclusive message.
There is a problem with the MIDI cable connected to the JV-1010s MIDI IN connector or with an external device. However, this message is also displayed when the power for the external device is turned off. Check to make sure the MIDI cable is firmly and properly connected. Otherwise confirm that there is no short in the MIDI cable (try switching the MIDI cable to check this).
If no expansion board is installed, then an expansion board patch or rhythm set is specified from the external MIDI device. Reselect the patch and rhythm set.

Patch List

USER (User Group)
No. Name Voice Key Assign POLY POLY POLY POLY POLY POLY POLY POLY POLY SOLO POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY SOLO POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY SOLO POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY SOLO POLY POLY POLY SOLO POLY POLY No. Name Voice Key Assign POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY SOLO POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY POLY SOLO POLY POLY Tremendously St.Concert CyberTrance2 SessionNyln2 ViennaStrgs3 R&R Brass Velo Power Super Tenor Breathy Humz Ow Bass Dunes Celestial 2 Tone Wh.Solo Poly Brs Combing Slow SA Rhodes 5 Adrenaline DanceStack 1 Flying Waltz East Europe Silky Way Techno Dream Raverborg Pan Pipes Pretty Bells Glistening Metal Solo StateXLChrd2 Raggatronic ChristmasFlt Acc.de Paris DreamVoices2 VintageCall2 Trancing Pad OldiesOrgan2 X.? Whistle Analog Drama BPF Lead Clean Tele Earth Blow Pulsatronic Funky Slap Echo Rhodes pp Harmonium Blue Notes Aurora Breathy Brs Enlighten Tube Smoke Perelandra SquareLead 2 Shadows Organizer Full Orchest Bon dmoov! Sugar Bell 2 Players EP 4pole Bass Octapad Tria Bells Wire Pad SingingMini Heirborne Trumpet Steel Away D-50 Stack Solo Strat Soap Opera Sop.Sax mf Dimensional Blusey OD Stacc.Heaven PhaseBlipper Pure Tibet Afterlife Perky B JUNO Power! SessionBrass JX SqrCarpet Phaser MC Sweep Clav 2 BluesHarp Scat Flute 5thPad 2 Belfry Chime Atmos Harp DesertCrystl December Sky Upright Pno Darkshine Exotic Velo Atlantis 2 Creamy Morning Lite DanceStack 5 D50FantaPerc Resojuice Silicon Str Keep :-) Sm.Brass Grp Echo Piano HeavenlyPad Sequalog Solo Steel Spectrum Mod Delicate EP Triumph Brs Flute 2.2 Bell Pad JustLovely 2 GR500 TmpDly Dawn 2 Dusk Gluey Pad SquareKeys 3 Arasian Morn Dlight Perky Noize Mod DirtyWav Moving Glass Sci-Fi Str OD 5ths Far East Phobos Cyber Dreams Cave 2 Helium Queen Rain Forest Crowds

BPD (BRIGHT PAD) Bright Pad Synth
No. Name Voice Preset No. XP-A:179 XP-A:178 XP-A:177 PR-E:109 PR-E:110 PR-E:112 PR-D:103 PR-C:101 PR-C:064 PR-C:104 PR-E:111 PR-E:113 PR-C:055 PR-C:057 PR-C:058 XP-A:190 PR-C:056 PR-E:108 PR-C:080 PR-C:082 PR-D:094 PR-D:104 PR-C:065 PR-C:066 PR-E:114 PR-C:073 PR-C:074 PR-D:095 PR-E:115 XP-A:121 Phazeslopad Jet Stack Combing Slow Spectrum Mod Stringsheen Mod DirtyWav Echo Drops 5th Sweep Greek Power MG Sweep GR500 TmpDly Silicon Str Vintage Orch Gigantalog PWM Strings Ultra Cheez JUNO Strings JUNO Power! Pivotal Pad Fantawine Metal Pad Star Theme Harmonicum D-50 Heaven D50FantaPerc Heirborne Hush Pad Halo Pad Rotodreams Mahoroba
SPD (SOFT PAD) Soft Pad Synth
No. Name Voice Preset No. PR-E:093 PR-C:070 PR-E:094 PR-C:071 PR-C:072 PR-E:099 PR-E:098 PR-D:090 PR-C:059 PR-C:068 PR-E:100 PR-C:060 PR-D:051 PR-D:052 XP-A:191 PR-E:107 XP-A:186 PR-C:053 PR-E:103 PR-C:083 PR-E:092 PR-C:069 PR-C:084 PR-E:105 PR-C:085 PR-C:087 PR-D:093 PR-E:106 PR-C:063 PR-C:062 PR-C:086 PR-E:097 PR-E:101 PR-E:095 PR-C:078 PR-E:096 XP-A:176 PR-C:079 PR-C:077 PR-C:075 PR-C:076 PR-D:096 PR-C:081 PR-C:091 PR-C:092 PR-C:088 PR-C:089 PR-C:090 PR-D:098 PR-E:102 PR-E:104 XP-A:238 Earth Blow Square Pad JX SqrCarpet JP-8 Hollow JP-8Haunting Silky Way Rich Dynapad Warm Pad Warmth Pop Pad Gluey Pad ORBit Pad Syn.Strings1 Syn.Strings2 Juno-60 Pad Octapad Poly Swell E-Motion Pad Translucence Glassy Pad Glass Blower Dreamesque Moving Glass Dlight Glasswaves ShiftedGlass Bowed Glass December Sky Pulse Pad Pulsify Shiny Pad Analog Drama BandPass Mod Dimensional Phaze Str Jupiterings Fazed String Jet Str Ens Phaze Pad Jet Pad 1 Jet Pad 2 Sweep Pad 3D Flanged Dawn 2 Dusk Aurora Chime Pad Spin Pad Rotary Pad Soundtrack Soundtraque Darkshine DEMO 5thPad

VOX (VOX) Vox, Choir

No. Name Voice Preset No. PR-C:016 PR-C:018 PR-C:022 PR-C:019 XP-A:023 PR-D:055 PR-C:017 PR-D:053 PR-E:091 PR-C:020 PR-C:021 PR-C:023 PR-C:024 PR-C:025 PR-C:027 PR-C:028 PR-D:092 XP-A:029 PR-C:030 PR-C:029 PR-C:033 PR-C:026 XP-A:031 XP-A:030 XP-A:028 XP-A:032 XP-A:033 XP-A:170 PR-C:031 PR-D:054 PR-C:032 XP-A:025 XP-A:021 XP-A:026 XP-A:239 XP-A:022 XP-A:024 XP-A:027 Dark Vox Angels Sing Beauty Vox Pvox Oooze Dream Voices SynVox RandomVowels Choir Aahs Enlighten Longing. Arasian Morn Mary-AnneVox Belltree Vox Vox Panner Glass Voices Tubular Vox Space Voice PercussiVox Wavox Velo Voxx Vocal Oohz Spaced Voxx Phase Mmhs Mysteriouso Ivory Mist AmbientStory Venus Phase Vox Doos Voice Oohs Synvox Comps Chorale Str+Choir3 Space Men DEMO Choir Breathy Humz Mmmms Choir Mm+Aah

ETHNIC (Ethnic Group)

PLK (PLUCKED) Plucked (Harp etc.)
No. Name 017 Sitar Drone Split Sitar Dulcimer Santur East Europe Dulcitar Harp On It Harp Harp Atmos Harp Shamisen Jamisen Koto Ethnopluck Kalimba Pilgrimage Voice Preset No. 4 PR-A:101 PR-A:102 PR-D:105 PR-A:105 PR-D:016 PR-E:040 PR-E:041 PR-C:049 PR-C:050 PR-D:047 PR-E:042 PR-D:107 PR-A:104 PR-D:108 PR-A:103 PR-D:109 PR-E:043

Portamento Time (Controller number 5)
status 2nd byte 3rd byte BnH 05H vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Portamento Time: 00H - 7FH (0 - 127) * Portamento Time will change.
Bank Select (Controller number 0,32)
status 2nd byte 3rd byte BnH 00H mmH BnH 20H llH n=MIDI channel number: 0H - FH (ch.1 - ch.16) mm,ll=Bank number: 00 00H - 7F 7FH (bank.1 - bank.16384) * * Not received when the Receive Program Change or Receive Bank Select (SYSTEM) is OFF. Not received in GM mode.
Data Entry (Controller number 6, 38)
status 2nd byte 3rd byte BnH 06H mmH BnH 26H llH n=MIDI channel number: 0H - FH (ch.1 - ch.16) mm,ll= the value of the parameter specified by RPN/NRPN mm=MSB, ll=LSB
Volume (Controller number 7)
status 2nd byte 3rd byte BnH 07H vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Volume: 00H - 7FH (0 - 127)
Balance (Controller number 8)
status 2nd byte 3rd byte BnH 08H vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Balance: 00H - 7FH (0 - 127)
Panpot (Controller number 10)
status 2nd byte 3rd byte BnH 0AH vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Panpot: 00H - 40H - 7FH (left - center - right) * Adjust the stereo location over 128 steps, where 0 is far left, 64 is center, and 127 is far right. However this is not received when the Pan Control Switch is OFF.
Sound Controller 4 (Controller number 73)
status 2nd byte 3rd byte BnH 49H vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=control value: 00H - 40H - 7FH (-128 - 0 - +126) * The Filter Envelope Time 1 (PATCH), The Level Envelope Time 1 (PATCH) will change relatively.
Expression (Controller number 11)
status 2nd byte 3rd byte BnH 0BH vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=Expression: 00H - 7FH (0 - 127) * If the Volume Control Source (SYSTEM) is set to VOL&EXP, the volume of the Part corresponding to the MIDI channel of the received message will be adjusted. However this is not received if the Receive Volume (PATCH) is OFF. In GM mode, the volume can always be controlled.
Sound Controller 5 (Controller number 74)
status 2nd byte 3rd byte BnH 4AH vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=control value: 00H - 40H - 7FH (-64 - 0 - +63) * The Cutoff Frequency (PATCH) will change relatively.
General Purpose Controller 5 (Controller number 80)
Hold 1 (Controller number 64)
status 2nd byte 3rd byte BnH 40H vvH n=MIDI channel number: 0H - FH (ch.1 - ch.16) vv=control value: 00H - 7FH (0 - 127) 0-63=OFF, 64-127=ON * Not received when the Receive Hold-1 (PATCH) is OFF.

|++| |# 00 2C | 0000 aaaa | Patch Tempo 20 - 250 | | | 0000 bbbb | | | 00 2E | 0aaa aaaa | Patch Level 0 - 127 | | 00 2F | 0aaa aaaa | Patch Pan 0 - 127 (L64 - 63R)| | | 0aaa aaaa | Analog Feel 0 - 127 | | | 0000 aaaa | Bend Range Up 0 - 12 | | | 00aa aaaa | Bend Range Down 0 - 48 (0 - -48) | | | 0000 000a | Key Assign Mode 0 - 1 (POLY,SOLO)| | | 0000 000a | Solo Legato 0 - 1 (OFF,ON) | | | 0000 000a | Portamento Switch 0 - 1 (OFF,ON) | | | 0000 000a | Portamento Mode 0 - 1 *6 | | | 0000 000a | Portamento Type 0 - 1 (RATE,TIME)| | | 0000 000a | Portamento Start 0 - 1 *7 | | | 0aaa aaaa | Portamento Time 0 - 127 | | 00 3A | 0000 aaaa | Patch Control Source - 15 *8 | | 00 3B | 0000 aaaa | Patch Control Source - 15 *8 | | 00 3C | 0000 00aa | EFX Control Hold/Peak 0 - 2 *9 | | 00 3D | 0000 00aa | Control 1 Hold/Peak 0 - 2 *9 | | 00 3E | 0000 00aa | Control 2 Hold/Peak 0 - 2 *9 | | 00 3F | 0000 00aa | Control 3 Hold/Peak 0 - 2 *9 | | | 0000 000a | Velocity Range Switch 0 - 1 (OFF,ON) | | | 0000 0aaa | Octave Shift 0 - 6 (-3 - +3) | | | 0000 00aa | Stretch Tune Depth 0 - 3 (OFF,1 - 3)| | | 0000 000a | Voice Priority 0 - 1 *10 | |++| | | 0000 aaaa | Structure Type 1&- 9 (1 - 10) | | | 0000 00aa | Booster 1&- 3 *11 | | | 0000 aaaa | Structure Type 3&- 9 (1 - 10) | | | 0000 00aa | Booster 3&- 3 *11 | |++| | | 0000 000a | Clock Source 0 - 1 *12 | | | 0aaa aaaa | Patch Category 0 - 127 *13 | |+| |Total size | 00 4A | ++ *1 *2 *3 *4 *5 *6 *7 *8 *9 *10 *11 *12 *13 MIX, <DIRECT-1>, <DIRECT-2> OFF, SYS-CTRL1, SYS-CTRL2, MODULATION, BREATH, FOOT, VOLUME, PAN, EXPRESSION, PITCH BEND, AFTERTOUCH MIX, REV, MIX+REV ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DLY 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000, BYPASS NORMAL, LEGATO PITCH, NOTE OFF, SYS-CTRL1, SYS-CTRL2, MODULATION, BREATH, FOOT, VOLUME, PAN, EXPRESSION, PITCH BEND, AFTERTOUCH, LFO1, LFO2, VELOCITY, KEYFOLLOW, PLAYMATE OFF, HOLD, PEAK LAST, LOUDEST 0, +6, +12, +18 PATCH, SYSTEM NO ASSIGN, AC.PIANO, EL.PIANO, KEYBOARDS, BELL, MALLET, ORGAN, ACCORDION, HARMONICA, AC.GUITAR, EL.GUITAR, DIST.GUITAR, BASS, SYNTH BASS, STRINGS, ORCHESTRA, HIT&STAB, WIND, FLUTE, AC.BRASS, SYNTH BRASS, SAX, HARD LEAD, SOFT LEAD, TECHNO SYNTH, PULSATING, SYNTH FX, OTHER SYNTH, BRIGHT PAD, SOFT PAD, VOX, PLUCKED, ETHNIC, FRETTED, PERCUSSION, SOUND FX, BEAT&GROOVE, DRUMS, COMBINATION (038)

1-3-2.Patch Tone

++ | Offset | | | Address | Size | Description Data (Value) | |+| | | 0000 000a | Tone Switch 0 - 1 (OFF,ON) | | | 0000 00aa | Wave Group Type 0 - 2 *1 -> | | | 0aaa aaaa | Wave Group ID 0 - 127 -> | |# | 0000 aaaa | Wave Number 0 - 254 -> | | | 0000 bbbb | (001 - 255)| | | 0000 00aa | Wave Gain 0 - 3 *2 | | | 0000 000a | FXM Switch 0 - 1 (OFF,ON) | | | 0000 00aa | FXM Color 0 - 3 (1 - 4) | | | 0000 aaaa | FXM Depth 0 - 15 (1 - 16) | | | 0000 0aaa | Tone Delay Mode 0 - 7 *3 | | 00 0A | 0aaa aaaa | Tone Delay Time 0 - 127 | |++| | 00 0B | 0aaa aaaa | Velocity Cross Fade 0 - 127 | | 00 0C | 0aaa aaaa | Velocity Range Lower 1 - 127 *4 | | 00 0D | 0aaa aaaa | Velocity Range Upper 1 - 127 *5 | | 00 0E | 0aaa aaaa | Keyboard Range Lower 0 - 127 *6 | | 00 0F | 0aaa aaaa | Keyboard Range Upper 0 - 127 *7 | | | 0000 000a | Redamper Control Switch 0 - 1 (OFF,ON) | | | 0000 000a | Volume Control Switch 0 - 1 (OFF,ON) | | | 0000 000a | Hold-1 Control Switch 0 - 1 (OFF,ON) | | | 0000 000a | Pitch Bend Control Switch 0 - 1 (OFF,ON) | | | 0000 00aa | Pan Control Switch 0 - 2 *8 | | | 000a aaaa | Controller 1 Destination - 18 *9 | | | 0aaa aaaa | Controller 1 Depth - 126 (-63 - +63)| | | 000a aaaa | Controller 1 Destination - 18 *9 | | | 0aaa aaaa | Controller 1 Depth - 126 (-63 - +63)| | | 000a aaaa | Controller 1 Destination - 18 *9 | | 00 1A | 0aaa aaaa | Controller 1 Depth - 126 (-63 - +63)| | 00 1B | 000a aaaa | Controller 1 Destination - 18 *9 | | 00 1C | 0aaa aaaa | Controller 1 Depth - 126 (-63 - +63)| | 00 1D | 000a aaaa | Controller 2 Destination - 18 *9 | | 00 1E | 0aaa aaaa | Controller 2 Depth - 126 (-63 - +63)| | 00 1F | 000a aaaa | Controller 2 Destination - 18 *9 | | | 0aaa aaaa | Controller 2 Depth - 126 (-63 - +63)| | | 000a aaaa | Controller 2 Destination - 18 *9 | | | 0aaa aaaa | Controller 2 Depth - 126 (-63 - +63)| | | 000a aaaa | Controller 2 Destination - 18 *9 | | | 0aaa aaaa | Controller 2 Depth - 126 (-63 - +63)| | | 000a aaaa | Controller 3 Destination - 18 *9 | | | 0aaa aaaa | Controller 3 Depth - 126 (-63 - +63)| | | 000a aaaa | Controller 3 Destination - 18 *9 | | | 0aaa aaaa | Controller 3 Depth - 126 (-63 - +63)| | | 000a aaaa | Controller 3 Destination - 18 *9 | | 00 2A | 0aaa aaaa | Controller 3 Depth - 126 (-63 - +63)| | 00 2B | 000a aaaa | Controller 3 Destination - 18 *9 | | 00 2C | 0aaa aaaa | Controller 3 Depth - 126 (-63 - +63)|

Calculating the checksum as shown in <Example 2>, we get a message of F10 6A 00 1F F7 to be transmitted. <Example 4> Retrieving the Temporary Performance data together with all Temporary Part and Rhythm Set data (RQ1) * When a data transfer is executed in Utility mode, the data that is accessed will be the same as that which is transmitted when the Type parameter is set to PERFORM and the Source parameter is set to TEMP: +PATCH The Parameter Address Map gives the following start addresses for Temporary Performance, Performance Mode Temporary Patch and Performance Mode Temporary Rhythm. 00 00H Temporary Performance 00 00H Performance Mode Temporary Patch (part 1) : 00 00H Performance Mode Temporary Patch (part 9) 00 00H Temporary Rhythm Setup 02 0A 00 00H Performance Mode Temporary Patch (part 11) : 02 0F 00 00H Performance Mode Temporary Patch (part 16) The Patch offset addresses are as follows. 00 00H Patch Common 10 00H Patch Tone 1 : 16 00H Patch Tone 4 Since Patch Tone has a size of 01 01H, we add this size to the start address of Performance Mode Temporary Patch (Part 16) Tone 4, to get: 02 0F +) 0F 17 00H 00H 01H 01H
The values in the above table are in units of 1 cent. Convert these values to hexadecimal, and transmit them as exclusive data. For example to set the Scale Tune of Part 1 to an Arabian-type scale, transmit the following data. F3A 6D 3E 34 0D 38 6B 3C 6F 0F 76 F7

ASCII Code Table

On the JV-1010, the following ASCII code set is used for processing data such as the Patch Name and the Performance Name. ++++++++++++ | D | H | Char || D | H | Char || D | H | Char | ++++++++++++ | 32 | 20H | SP || 64 | 40H | @ || 96 | 60H | ` | | 33 | 21H | ! || 65 | 41H | A || 97 | 61H | a | | 34 | 22H | " || 66 | 42H | B || 98 | 62H | b | | 35 | 23H | # || 67 | 43H | C || 99 | 63H | c | | 36 | 24H | $ || 68 | 44H | D || 100 | 64H | d | | 37 | 25H | % || 69 | 45H | E || 101 | 65H | e | | 38 | 26H | & || 70 | 46H | F || 102 | 66H | f | | 39 | 27H | ` || 71 | 47H | G || 103 | 67H | g | | 40 | 28H | ( || 72 | 48H | H || 104 | 68H | h | | 41 | 29H | ) || 73 | 49H | I || 105 | 69H | i | | 42 | 2AH | * || 74 | 4AH | J || 106 | 6AH | j | | 43 | 2BH | + || 75 | 4BH | K || 107 | 6BH | k | | 44 | 2CH | , || 76 | 4CH | L || 108 | 6CH | l | | 45 | 2DH | - || 77 | 4DH | M || 109 | 6DH | m | | 46 | 2EH |. || 78 | 4EH | N || 110 | 6EH | n | | 47 | 2FH | / || 79 | 4FH | O || 111 | 6FH | o | | 48 | 30H | 0 || 80 | 50H | P || 112 | 70H | p | | 49 | 31H | 1 || 81 | 51H | Q || 113 | 71H | q | | 50 | 32H | 2 || 82 | 52H | R || 114 | 72H | r | | 51 | 33H | 3 || 83 | 53H | S || 115 | 73H | s | | 52 | 34H | 4 || 84 | 54H | T || 116 | 74H | t | | 53 | 35H | 5 || 85 | 55H | U || 117 | 75H | u | | 54 | 36H | 6 || 86 | 56H | V || 118 | 76H | v | | 55 | 37H | 7 || 87 | 57H | W || 119 | 77H | w | | 56 | 38H | 8 || 88 | 58H | X || 120 | 78H | x | | 57 | 39H | 9 || 89 | 59H | Y || 121 | 79H | y | | 58 | 3AH | : || 90 | 5AH | Z || 122 | 7AH | z | | 59 | 3BH | ; || 91 | 5BH | [ || 123 | 7BH | { | | 60 | 3CH | < || 92 | 5CH | \ || 124 | 7CH | | | | 61 | 3DH | = || 93 | 5DH | ] || 125 | 7DH | } | | 62 | 3EH | > || 94 | 5EH | ^ |++++ | 63 | 3FH | ? || 95 | 5FH | _ | ++++++++ D: decimal H: hexadecimal * SP indicates space.

* 1 O X is selectable. * 2 Recognized as M=1 even if M1. * 3 Can be changed settings. * 4 Transmitted to an external MIDI device when a GM Data Transfer command is executed. * 5 Transmitted to an external MIDI device when a Data Transfer command is executed, or an RQ1 has been received.
Mode 2 : OMNI ON, MONO Mode 4 : OMNI OFF, MONO O : Yes X : No
Mode 1 : OMNI ON, POLY Mode 3 : OMNI OFF, POLY

Specifications

JV-1010: 64 Voice Synthesizer Module (Conforms to General MIDI System)

Number of Parts

16 (Part 10 is Rhythm Part)

Connectors

Output Jacks (L(Mono), R) Headphones Jack MIDI Connectors (IN, OUT, THRU) Computer Connector (Mac, PC-1, PC-2, MIDI)

Maximum Polyphony

64 voices

Effects

EFX: 40 sets Reverb: 1 set (8 types) Chorus: 1 set

DC 9V (AC Adaptor)

Current Draw

430 mA

Patches: 895 (640 same as the JV-2080 + 255 from Session) Performances: 64 Rhythm Sets: 18 (10 same as the JV-2080 + 8 from Session)

Dimensions

218 (W) x 237 (D) x 45 (H) mm 8-5/8 (W) x 9-3/8 (D) x 1-13/16 (H) inches

User Memory

Patches: 128 Performances: 32 Rhythm Sets: 2

Weight

1.4 kg / 3 lbs 2 oz (excluding AC Adaptor)

Accessories

Owners Manual AC Adaptor (ACI/ACB Series) CD-ROM (SoundDiver JV/XP, Reference Manual) Rubber Feet
Wave Expansion Boards (sold separately)
Max. 1 Board * Each Wave Expansion Board includes Patches / Rhythm Sets that make use of the waves on the board.

Options

Wave Expansion Boards: SR-JV80 series Rack Mount Adaptor: RAD-50

Display

7 segments, 3 characters (LED)
* In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.

Preset Memory

Computer Cable Wiring Diagrams
For Apple Macintosh (Sold separately: RSC-15APL)
mini DIN, 8-pin, male mini DIN, 8-pin, male HSKo HSKi TXDGND RXDTXD+ GPi RXD+ mini DIN, 8-pin, male HSKo HSKi TXDGND RXDTXD+ GPi RXD+

mini DIN, 8-pin, male 8

For PC (9-pin) (Sold separately: RSC-15AT)
mini DIN, 8-pin, male mini DIN, 8-pin, male HSKo HSKi TXDGND RXD5 D-sub, 9-pin, female 7 RTS 8 CTS 3 TXD 5 GND 2 RXD D-sub, 9-pin, female 5 1

For PC (25-pin)

mini DIN, 8-pin, male mini DIN, 8-pin, male HSKo HSKi TXDGND RXD5 D-sub, 25-pin, female 4 RTS 5 CTS 2 TXD 7 GND 3 RXD D-sub, 25-pin, female 13 1

AC adaptor jack...12, 19

CATEGORY/BANK knob..11 Computer cable..40 COMPUTER connector..12, 19, 40 COMPUTER switch..12, 39 Mac....39 MIDI...41 PC-2...39 Connection...18 Connecting to the COMPUTER connector.38 Connecting with MIDI connectors..41 Cord hook..12
External MIDI device Changing a performance from an external MIDI device...34 Changing a rhythm set from an external MIDI device...36 Changing patches from an external MIDI device 32 Transmitting settings to an external MIDI device 48

Factory Reset..21

GM Entering GM mode...31 General MIDI system..10 GM mode..31 GM score data...31 Initializing GM mode..46
DEMO...22 Demo song Composer profiles..23 Demo play...22 Listening to demo songs..22 Desktop music...38 Display....11 - - -..17, 24, 27, 3031 ALL....22 bFL...53 btL...53 coE...53 cSE...53 dtr...48 Fct...21 Gin...46 int...47 noP...53 Ply...22 PrA...28 rdE...53 Sur..21, 4648 und...53 USr...27 DTM...38
MIDI connectors (IN, OUT, THRU)..12, 19 MIDI indicator...11, 26 MIDI interface...41 MIDI keyboard...26 MODE indicator...11 Multitimbral sound generator..42
OUTPUT jacks (L (MONO), R).12, 19
PART Coarse Tune...45 Level...44 Pan...45 PART knob...11 Patch...24 Auditioning patches..25 Changing patches from an external MIDI device 32 Choosing patches..27 Choosing patches by bank..27 Choosing patches by category..28 Patch mode...25 PRESET-AC, E..24 PRESET-D...24 Session..24 USER...24 WAVE-EXP...24 PERFORM...43 Performance Changing a performance from an external MIDI device...34 Performance control channel..34 Performance mode...43 PHONES jack..11, 19 Phrase preview...25 POWER switch...11, 20
Edit mode..44 Error message bFL...53 btL...53 coE...53 cSE...53 noP...53 rdE...53 und...53
Rack-mount adaptor..14 Receive channel..49 RHYTHM..30 Rhythm set...29 Changing a rhythm set from an external MIDI device...36 PRESET-AC, E..29 PRESET-D...29 Rhythm set mode..30 Session..29 USER...29 WAVE-EXP...29 Rubber feet...14
SYSTEM Master Tune...50 Perform Ctrl CH..34, 49

Tuning...50

USER...27 UTILITY Data Transfer...48 Factory Reset...45 GM Initialize..46 Initialize...47
VALUE knob..11 VOLUME knob..11, 20
Wave expansion board Installing a wave expansion board.15 SR-JV80 series..15 WAVE-EXP...17

For EU Countries

CAUTION
Apparatus containing Lithium batteries

NOTICE

This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
Cet appareil numrique de la classe B respecte toutes les exigences du Rglement sur le matriel brouilleur du Canada.
When you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.

Information

AFRICA

Al Fanny Trading Office

9, EBN Hagar A1 Askalany Street, ARD E1 Golf, Heliopolis, Cairo 11341, EGYPT TEL: 20-2-417-1828

SINGAPORE

Swee Lee Company
150 Sims Drive, SINGAPORE 387381 TEL: 846-3676

PANAMA

SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook, Panama City, REP. DE PANAMA TEL: 315-0101

Roland Italy S. p. A.

Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

ISRAEL

Halilit P. Greenspoon & Sons Ltd.
8 Retzif Ha'aliya Hashnya St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666

CRISTOFORI MUSIC PTE LTD

Blk 3014, Bedok Industrial Park E, #02-2148, SINGAPORE 489980 TEL: 243 9555

PARAGUAY

Distribuidora De Instrumentos Musicales
J.E. Olear y ESQ. Manduvira Asuncion PARAGUAY TEL: (021) 492-124

NORWAY

Roland Scandinavia Avd. Kontor Norge
Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo NORWAY TEL: 273 0074

JORDAN

AMMAN Trading Agency
245 Prince Mohammad St., Amman 1118, JORDAN TEL: (06) 464-1200

REUNION

Maison FO - YAM Marcel
25 Rue Jules Hermann, Chaudron - BP491 Ste Clotilde Cedex, REUNION ISLAND TEL: (0262) 218-429

TAIWAN

ROLAND TAIWAN ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung Shan N.Road Sec.2, Taipei, TAIWAN, R.O.C. TEL: (02) 2561 3339

VIDEO Broadcast S.A.

Portinari 199 (ESQ. HALS), San Borja, Lima 41, REP. OF PERU TEL: (01) 4758226

POLAND

P. P. H. Brzostowicz
UL. Gibraltarska 4. PL-03664 Warszawa POLAND TEL: (022) 19

KUWAIT

Easa Husain Al-Yousifi
Abdullah Salem Street, Safat, KUWAIT TEL: 243-6399

SOUTH AFRICA

That Other Music Shop (PTY) Ltd.
11 Melle St., Braamfontein, Johannesbourg, SOUTH AFRICA P.O.Box 32918, Braamfontein 2017 Johannesbourg, SOUTH AFRICA TEL: (011) 403 4105

THAILAND

Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2, Bangkok 10100, THAILAND TEL: (02) 2248821

URUGUAY

Todo Musica S.A.
Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335

PORTUGAL

Tecnologias Musica e Audio, Roland Portugal, S.A.

Introduction

Supplemental Notes
May 1, 2000 SN119 v1.0 The JV-1010 is an amazingly compact 64-voice synth module packed with great sounds. Its simple front-panel controls provide quick access to the parameters youll most often want to usesee the JV-1010 Owners Manual to learn about its operation. The JV-1010s front panel only hints at the powerful synthesis engine inside. The Emagic SoundDiver software included with your JV-1010 allows you to unlock this hidden power. To use your SoundDiver software, youll need a personal computer. Youll find both MacOS and Windows versions of SoundDiver on the enclosed JV-1010/XP-30 CD-ROM. SoundDiver allows you to create your own JV-1010 sounds, or edit factory sounds to suit your needs. SoundDiver also acts a librarian you can use for organizing and storing your JV-1010 sounds on your computers hard drive or on a removable drive.
Using the JV-1010 with SoundDiver

Tip Tip

Topics
The SoundDiver software bundled with the JV-1010 is a special version that works only with Roland JV and XP instruments. The full version of SoundDiverwhich supports many, many more instrumentscan be purchased separately. For more information, call Emagic at (530) 4771051 or visit their Web site at: http://www.emagic.de/english/index.html. From time to time, Emagic updates SoundDiver JV/XP. You can download free SoundDiver JV/XP updates from Emagics Web site.
Well discuss the following topics in this Supplemental Note: Setting up the JV-1010, your computer and SoundDiver Moving sounds back and forth between SoundDiver and your JV-1010 Constructing sound libraries using SoundDiver Creating audition recordings for trying out sounds Editing patches in SoundDiver Editing performances in SoundDiver Editing rhythm sets in SoundDiver Organizing your sounds using SoundDiver SoundDivers advanced window-management features
2000 Roland Corporation U.S.

Faxback# 21100

Page 1

Supplemental Notes

Recalling the Factory Presets
In order to ensure that what we describe in the following pages conforms to what you experience, lets start by resetting your JV-1010 to its factory settings before proceeding. To reset the JV-1010: 1. Repeatedly press the VALUE knob to switch to any mode other than Patch, as indicated by the LED to the left of the knob. 2. While holding down the VOLUME knob, press the VALUE knob. 3. Turn the CATEGORY/BANK knob to select PIANOthe display shows Fct, for Factory Reset. 4. Press the VALUE knobthe display asks if youre sure (Sur) you wish to proceed. 5. Press the VALUE knob once more to execute the factory reset.
Setting the JV-1010s COMPUTER Switch
The JV-1010 can be connected to your computer using MIDI or by using a direct serial connection if your computer provides serial ports. Youll need to decide which connection method is best for you.
ProsSince you can connect multiple MIDI devices to a computer using a multi-port MIDI interface or patcher, you can integrate the JV-1010 in an existing computer/MIDI setup. Youll be able to play the JV-1010 from a MIDI keyboard or other MIDI controller as you work in SoundDiver. ConsYoull need a computer MIDI interface and two MIDI cables.

Serial

ProsYoull only need a single serial cable. ConsMany modern computers lack serial ports.
Since MIDI allows you to play the JV-1010 from a controller while working in SoundDiver, we recommend using a MIDI connection. We also strongly recommend the use of a MIDI controller when editing. Once youve selected the connection method you want to use, you must set the JV-1010s rear-panel COMPUTER switch accordingly: Select MIDI to connect the JV-1010 to a computer MIDI interface using MIDI cables. Select PC-2 to connect the JV-1010 to a serial port on a PC. Select Mac to connect the JV-1010 to a serial port on a Mac. If you wish to use both serial and MIDI communication at the same time, set the JV-1010s COMPUTER switch to PC-2 or Mac, depending on the type of computer you have. Now that the COMPUTER switch is set, youre ready to connect the JV-1010 to your computer, and to install the necessary software. This setup will take a few moments, but only needs to be done once. Youll then be able to quickly launch and use SoundDiver whenever you want.

Page 2

Cabling
With either method, youll need to connect the required cables purchased separatelybetween the JV-1010 and your computer.
MIDIConnect one end of one MIDI cable to the JV-1010s MIDI OUT jack, and the other end to the MIDI IN jack of your MIDI interface. Using the other MIDI cable, connect the MIDI OUT of your interface to the MIDI IN of the JV-1010.

5 pins

WARNING
If youre using a multi-port MIDI interface or MIDI patcher, consult its manual for connection details.
SerialConnect one end of the serial cable to the serial port of your computer and the other to the JV-1010s serial port.
If you have problems connecting a cable, make sure youre using the correct type of cable. There are no special audio connections required for using the JV-1010 with SoundDiver (see p. 18 of the JV-1010 Owners Manual).

8 pins

Preparing Your Computer
Before proceeding, make sure your computer is ready to support the connection method youve selected. The files youll need are all supplied on the JV-1010/XP-30 CD-ROM. If you run into problems not covered below, consult your computers documentation for further information.
PC Only: Roland Serial MIDI Drivers
Make sure the proper serial/MIDI driver is installed. See Roland Serial Driver on p. 5 of the JV-1010/XP-30 CD-ROM booklet to learn which driver to use. Installation instructions are on the booklets p. 6.
MacOS Only: Serial and MIDI Connections
If youre using a serial connection, make sure the required extensions are enabledlaunch the Extensions Manager in your Control Panels folder, select the ALL extension set, and then restart the Mac if youre not sure which extensions you need. If youre using MIDI, make sure that any MIDI software required by your MIDI interface is installedconsult its documentation to learn more.
MIDI works best on the Mac with AppleTalk turned off. OMS OMS is a suite of MacOS MIDI programs that allow you to manage multiple MIDI devices connected to your computer. Some MIDI interfaces and sequencing programs require OMS, or use it to communicate with other MIDI-based programsconsult the documentation for your MIDI interface and MIDI programs to see if you need OMS. Neither the JV-1010 or SoundDiver require OMS. Its supplied on the JV-1010/XP-30 CD-ROM for your convenience should you need it. Page 7 of the JV-1010/XP-30 CD-ROM booklet provides installation instructions. Setting for OMS describes how to set up a Mac that has modem and printer portsif yours has USB ports instead, consult the OMS documentation or your interfaces manual for help.

Page 3

Installing SoundDiver

PC Users:

1. Insert the JV-1010/XP-30 CD-ROM into your computers CD-ROM drive. 2. Access the CD-ROM drive and launch the CD-ROM. 3. Double-click the SoundDiver folder. 4. Double-click the setup.exe. icon. 5. Follow the instructions on screen. 6. Click Close when the installation is complete.

Mac Users:

1. Insert the JV-1010/XP-30 CD-ROM into your computers CD-ROM drive. 2. Double-click the JV-1010/XP-30 CD-ROMs icon on the desktop. 3. Double-click the SoundDiver JV/XP folder. 4. Double-click the SoundDiver JV/XP Installer. 5. Follow the instructions onscreen. 6. Click Quit to leave the installer.
Launching SoundDiver for the First Time
If everything is properly hooked-up and installed, the first time you launch SoundDiver, it will ask you a series of questions, search your system for the JV-1010, and ask if you want to copy its user patches, performances and rhythm sets into SoundDiver. 1. Begin by locating SoundDiver on your hard drivenot on the CDROMand double-clicking its icon. If your computers sound is turned on, when SoundDiver launches youll hear a small splashing soundit is SoundDiver, after alland a welcome screen will appear. 2. Read the welcome screen and click the OK button for a big splash. SoundDiver often uses sounds to help you know whats going on or whats just happened. 3. Next, SoundDiver will ask you to select the language youd like to use. In most cases, youll want to click Autothis makes the program use the language your computer uses.
4. If OMS is installed on your computer, SoundDiver will ask you if you want to use it. Click Use Now if you want to decide each time you launch SoundDiver, or Always if youll always want to use OMS. If you dont want to use OMS, click one of the other buttons.

Page 4

Launching SoundDiver for the First Time (Continued)
5. A screen appears providing information about your connections. Read it and click OK. 6. If SoundDiver presents its preferences window, click OK. SoundDiver will now take a few moments to look for your JV-1010. When it finds it, it will ask:
7. Click OK to copy the user patches, performances and rhythm sets in your JV-1010 into SoundDiver. When the data has been copied into SoundDiver, youll hear another sound effect, and the Memory Manager window will appear. If SoundDiver shows:
Double-check your connectionsand your OMS setup if youre using OMSand click Retry. If you get the same message, read the next section of this Supplemental Note. Otherwise, skip to the following section.

Manually Configuring SoundDiver
If youre sure that theres nothing wrong with your setup, you can click Manually in the dialog above to configure SoundDiver yourself. Its worth pointing out, however, that if the automatic setup doesnt work, you may also experience problems with the manual setup. Check your connections again before clicking Manually. When you proceed with the manual configuration, SoundDiver first asks you to select the model youd like to install.
Heres what to do: 1. Click the JV-1010 button. The Memory Manager windowwhich well describe in detail in the next sectionappears with no entries in the JV-1010s user memory, and no Out Port select in the parameter area to the left of the screen. All of the other settings are already in place for the JV-1010. 2. From the Out Port pop-up menu, select the interface or computer port to which your JV-1010 is connected. 3. Next, type Command-A (MacOS) or Ctrl-A (Windows) to select all of the user memory locations. 4. Type Command-R (MacOS) or Ctrl-R (Windows) to request the user patches, performances and rhythm sets from the JV-1010.

Page 5

The Memory Manager
SoundDivers Memory Manager window displays the user patches, performances and rhythm sets in your JV-1010. Dont worry if what you see looks different than what you see aboveyoull soon learn why. After SoundDiver requested the JV-1010s memory contents, it copied all of the user-bank patches, performances and rhythm sets. If you change anything in the JV-1010, you can always request its entire memory contents again, or just what youve changed. Well describe this procedure later on.
All of the JV-1010s many patches and performances couldnt possibly fit on your monitor at the same time. Use the Memory Manager windows scroll bars and buttons to see everything in your JV-1010. SoundDiver already knows about the JV-1010s permanent, preset patches. Heres how to view them in the Memory Manager, as shown in the screenshot above: Presets button To view the patches in Preset Banks A-E, click the Memory Manager windows Presets button. To view the patches on the JV-1010s built-in Session expansion board, click the EXP-A/EXP-B button. If youve installed an optional wave expansion board, click on the NO next to EXP-B in the Memory Manager EXP-A/EXP-B window and select the card youve installed. In the Memory Manager window, you can copy, move and delete patches, performances and rhythm sets. Editing also begins here when you double-click a patch, performance or rhythm set name, its editor window opens, as well see in a moment.

button

You can quickly open the Memory Manager window at any time by typing Command-3 (MacOS) or Ctrl-3 (Windows). Each of SoundDivers windowssuch as the Memory Manager windowhas its own menus. You may be surprised to see that the JV-1010 contains 32 user performances. You can edit these in SoundDiver and select them on the JV-1010 using Bank Select and Program Change messages (see p. 35 in the JV-1010 Owners Manual to learn more.) Using the JV-1010 with SoundDiver Faxback# 21100 Page 6

SoundDiver Libraries

As you change things in the Memory Manager window, SoundDiver can transmit those changes immediately to the JV-1010. As a result, its possible to erase things in the JV-1010 that you want to keep. Its therefore a good idea to keep a safety copy of anything important using SoundDivers Library feature. You can always re-load a library and the patches, performances and/or rhythm sets it containsback into the JV-1010.
The full version of SoundDiver allows you to save patches and so on from different devices in the same library so that you can have everything you need for a particular project in a single convenient library file. You may also find it convenient to create libraries containing a particular type of sound such as, for example, your piano patches. Lets save the current patches, performances and rhythm sets in a library file: 1. Click on the Entry menu in the Memory Manager window, and select Build Library and All Entries. SoundDiver will re-scan the JV-1010 to make sure the Memory Manager accurately reflects the current contents of the JV-1010. A new library window will appear containing the current contents of the JV-1010s user memory, with all of the contents selected. In our example, the library will be named JV-1010#1. Use the windows scroll bars and buttons or widen the window to view its contents. 2. Select Save as. in the File menu to store the library on your hard drive You can re-name it if you wish when you save it.
Recently saved libraries can be quickly accessed from SoundDivers Windows menu.

Setting Up SoundDiver

Now that weve safely stashed our patches, performances and rhythm sets on our hard drive, there are three important settings we need to enable: 1. Click on the MIDI menu and select MIDI Thrua checkmark will appear next to MIDI Thru to show that its been activated. MIDI Thru sends any MIDI data received by your computer, such as notes coming from a connected MIDI keyboard, to the JV-1010 so that you can play the patch, performance or rhythm set youre working on. 2. In the same menu, check AutoSurf. AutoSurf automatically sends any changes you make in SoundDiver to the JV-1010. 3. And finally, in the same menu, make sure that AutoPlay is checked. When AutoPlay is active, SoundDiver sends a sample note or more, as well seeto the JV-1010 when you select a new patch, performance or rhythm set, or when you change a parameter value during editing. This lets you hear what youve done.

Page 7

The SoundDiver Sequencer
With a connected MIDI controller, you can record into SoundDivers built-in sequencer, and use the recording to audition patches and edits.
We recommend that you limit the size of your recording to one bar. Longer passages can become annoying when auditioning patches. 1. Click the Windows menuignore the number next to Windows for now; well explain it later onand select Sequencer, or type Command-7 (MacOS) or Ctrl-7 (Windows) to display the Sequencer window. 2. Click the Sequencer windows Record buttonthe sequencer starts counting but does not actually begin recording until you play something on your MIDI controller. 3. Play the phrase you wish to record, and then press Stop. 4. Click Play to listen to your recording. 5. If youre satisfied, return to the Memory Manager window. If not, rerecord the phrase, and then go back to the Memory Manager. 6. Click on any patch name in the Memory Manager windowsince AutoPlay is on, SoundDiver plays the phrase youve just recorded using the just-selected patch. The Sequencer window always floats to the front so that it remains visible at all times. To close the window, click its close boxdont worry: this does not erase your recorded phrase.

The Overview button is turned on.
Tremendouslys editor window opens in overview mode. Overview mode provides a simplified view of the patchs parameters to get you started. You can also see parameters that apply to the entire patch, such as its name and category, structure, tone selections and so on. The individual tone parameters are grouped into sections represented by icons. This Supplemental Note describes how to use SoundDiver. Patch, performance and rhythm set programming is a separate, much deeper subject. To learn about programming the JV-1010, use your browser to check out the parameter_reference.htm file in the JV-1010 Reference Manual folder on the JV-1010/XP-30 CD-ROM. SoundDiver contains brief, built-in explanations of the JV-1010s parameters. Click on a parameterso that it blinksand press the Help key on your keyboard to learn what the parameter does. You can reveal a tones parameters by clicking on the desired section in the overview. Each tones parameter sections are presented in a horizontal row running from left to right. 2000 Roland Corporation U.S. Using the JV-1010 with SoundDiver Faxback# 21100 Page 9
Lets look at the Amplifier parameters associated with the Shakuhachi tonethese parameters control and shape the volume of the shakuhachi sound in Tremendously: 1. Click on Shakuhachis TVA box as shown here. TVA stands for Time Variant Amplifier.
The Amplifier parameters for all four tones appear.
For now, well turn off the other tones so that we can hear the shakuhachi clearly. 2. Scroll to the left and click the green number bar to the left of the other three tones. The buttons will turn gray, indicating that the tones have been de-activatedtheir parameters will also be hidden. Well turn the tones back on later when were done exploring.
When you dont want to turn off any tones, you can reduce the onscreen visual clutter by re-sizing the editor window and using its scroll bars and buttons so that only the parameters you want to work with are visible. 3. Scroll rightward, back to the Amplifier parameters. Youll see AMPLIFIER above them. As you can see, some of the parameters in an editor window are shown as knobs, faders, sliders and other graphic representations, and some are simply numeric values. In many cases, parameters can be edited in more than one way. This lets you work using the technique that makes most sense to you. We can learn how to edit in SoundDiver by playing with the parameters in this editor window. If youve got a MIDI controller, try playing the shakuhachi as we go along to hear how its sound changes when we alter its parameter values. The shakuhachi is played by Middle C and the keys above it. The parameters well be experimenting with are numbered in the screenshot on the next page so that you can easily find them.

Page 11

The Patch Setup Window
SoundDiver also lets you edit the parameters that determine the JV-1010s behavior when its in Patch mode. To view these parameters, scroll the window to the right and doubleclick the Setup buffer.

PANEL MODE switch

The window that appears also serves as the performance setup window, according to the setting of its PANEL MODE switch. For now, click the switch to make sure its set to PATCH. In this window you can set Patch modes: basic tuning pitch table MIDI channel response to MIDI controllers timing reference for its patch LFOs way of handling lingering notes when you change patches effects on/off switches
You can also determine the nature of SoundDivers AutoPlay feature when the JV-1010 is in Patch mode.
The Performance Setup Window
While were here, lets check out the performance setup window. Click the PANEL MODE toggle switch to select PERFORMANCE.

CONTROL CHANNEL

Not much changes in the window, since most of the Patch mode parameters have identical counterparts in Performance mode. The new parameter that appears is CONTROL CHANNEL, which sets the JV-1010s performance control channel. Its an important parameter since it selects the MIDI channel on which the JV-1010 will receive program changes that select the performances in its preset and user memory. Youll need to set this parameter in order to select different performances in SoundDivers Memory Manager. Set CONTROL CHANNEL to a MIDI channel you seldom use for patch control, such as Channel 16, and close the performance setup window. 2000 Roland Corporation U.S. Using the JV-1010 with SoundDiver Faxback# 21100 Page 12
Editing a Performance in SoundDiver
If you dont know what a JV-1010 performance is, see p. 42 in the JV-1010 Owners Manual. SoundDiver offers two ways of editing a performance: The Temporary Performance feature lets you quickly select patches for a performances 16 parts, much as you would from the JV-1010s front panel. This performance cannot be saved to a user performance memory location. The performance editor window provides access to all of the performance parameters for more detailed editing, and lets you create a performance that can be stored in the JV-1010s user memory.
Building a Temporary Performance
A temporary performance can be a great time-saver when you want to assign patches to parts without regard for the part parameters. Heres how it works. The 16 parts are represented by the 16 Temp Patches fields at the top of the Memory Manager window.
The first 10 parts are in the bottom row, while the next six are above them. To build your performance, all youve got to do is place the desired patch into the desired field. There are two ways to do this: Click in a parts field. A small E will appear in its upper-right corner to show that its selected. Click the desired patch name to select the patchin a moment, it will appear in the parts field. Option-drag (MacOS) or Windows-drag (Windows) the desired patch name into the part.

Using the Performance Editor Window
The procedure for editing a performance stored in the JV-1010s user memory is the same as the procedure for editing a patch: 1. Double-click the user performance called EasternSplit. When you do this, the performance is copied into SoundDivers Temp Perform buffer, and its editor window opens.
The performance editor window has no overview mode.

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Editing a Performance in SoundDiver (Continued)
2. You can set a performances parameters using the same techniques you used earlier for patch editing. 3. When you close the editor window, the performance Close Editor window appears, offering to copy your edits into the original performances user memory location. Click Dont Store for now.
If you want to create a performance from scratch, we recommend starting with the Preset performance called Pop Set 1this performance has its 16 parts set to MIDI channels 1-16, respectively, and its parameter settings make it a good starting point for programming. Before you can do this, however, youll have to copy Pop Set 1 into SoundDiver. Well describe how to do this a little later on.
XVII. Editing a Rhythm Set
Once again, the method for editing a rhythm set is the same as for editing a patch or performancewhen you double-click the rhythm set you want to edit, its copied into the Temp Rhythm buffer and its editor window opens. Scroll the Memory Manager window to the right to view the rhythm sets, and double-click the user rhythm set called HouseDrumSet. The rhythm set editor window opens in its overview mode.
In a rhythm set, each note plays a different percussion patch. Click the note on the displayed piano keyboard corresponding to the note you want to edit, and the parameters for the entire rhythm set are displayed.

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Copying Presets into SoundDiver
Up to now, weve been describing how to edit patches, performances and rhythm sets in the JV-1010s user memory. When we first launched SoundDiver, all of these patches, performances and rhythm sets were copied into the Memory Manager. You can also copy patches, performances and rhythm sets from the JV-1010s preset memory into SoundDiver. You can tell if a patch, performance or rhythm set has been copied into SoundDiver by its appearance in the Memory Manager. If its name is gray, it has not yet been copied, and must be retrieved from the JV-1010 before it can be edited.
Youll notice that some patches are in bold gray typeboldface signifies that copies of the patch can be found in the JV-1010s user patch bank. There are two ways to copy a patch, performance or rhythm into SoundDiver: You can double-click it, and answer OK to the dialog box that appears. It will be copied into SoundDiver, copied again into the appropriate buffer, and its editor window will open. Use this method when you want to start editing immediately. You can click its name once and type Command-R (MacOS) or CtrlR (Windows) to request it from SoundDiver. It will be copied into the Memory Manager and its name will no longer be gray. Use this method when retrieval from the JV-1010 is all you need to do right now. You can also use this method when you want to retrieve several items at once by drag-selecting their grayed names, or Shiftclicking (MacOS) or Ctrl-clicking (Windows) them. You can actually copy anything from the JV-1010s memory at any time: To copy all of its patchesyou dont need to do this right now, since SoundDiver already did this when we first launched ityou can type Command-A (MacOS) or Ctrl-A (Windows) to Select All, and then Command-R (MacOS) or Ctrl-R (Windows) to request everything from SoundDiver. If you configured SoundDiver manually back on p. 5, youve already done this. You can click along the top edge of any bank in the Memory Manager to select its contents and then type Command-R (MacOS) or Ctrl-R (Windows). Note that doing so will replace the banks current contents with whatever is currently in the JV-1010. This will be of most concern when selecting a user memory bank.

Screensets

Heres an even-more-powerful feature. You may have noticed the number next to the Windows menu. This number shows you SoundDivers current screenset. There are 90 user-definable screensets in SoundDiver. Each one can contain a particular view that youve chosen. Heres how they work. Right nowif you followed the instructions in the previous sectionyouve got three mini-editor windows on your monitor. 1. Notice the number next to the word Windows in the menu bar at the top of your screen. For most users this will be a 1, though it may not be, for reasons that will be made clear in a moment. Whatever the number is, remember it: its the currently selected screenset. 2. Now lets pick another. On your keyboards numeric keypad, type 27. Well use this number for our example, though any number other than the one shown next to Windows will do in real practice. 3. Notice how SoundDivers windows have all disappeared although its menus remainthats because this screenset has not yet been used. 27 is now visible next to Windows. 4. Open the Memory Manager.

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Window Control (Continued)
5. Now, heres the fun part. Again using the numeric keypad, type the number that was originally next to Windows back at Step 1. Bang! Your mini-editors are back because we recalled the screenset that was active when we set them up. 6. Type 27theres the view of the Memory Manager we had when Screenset 27 was last active. If Windows was not followed by a 1 back in Step 1, its likely that you hit one of the keys in the numeric keypad while SoundDiver was launched and had already switched screensets without realizing it. Your screensetsalong with your other current SoundDiver settings are stored in a Preferences file on your computers hard drive. You can save different Preference files for different SoundDiver situations by using the File menus Save Prefs as. command. When you want to use the specially saved preferences, just double-click them to launch SoundDiver. If you choose not to use this command, SoundDiver will automatically save its preferences in your System Folders Preferences folder (MacOS) or in SoundDivers Diver folder (Windows.) Before proceeding, quit SoundDiver.
The Next Time You Launch SoundDiver

When you re-launch SoundDiver, something new will happen: 1. Launch SoundDiver. The standard welcome screen appears. 2. If OMS is installed on your computer, SoundDiver may present the dialog we saw earlier asking if you want to use OMS. Click the desired button in response. SoundDiver will next present a dialog we havent seen before:
Since SoundDiver doesnt know how long its been since it was last launched, its reminding you that its loaded the patches, performances and rhythm sets that were in the JV-1010s memory the last time you were in SoundDiver, and that its possible that this no longer corresponds to the JV-1010s current contents. In our casehaving been in SoundDiver only moments ago, we can be sure the JV-1010s contents havent changed. If youre not sure that whats in the Memory Manager still matches whats in the JV-1010, you can save the contents of the Memory Manager to a library for safekeeping and request the contents of the JV-1010s user memory. 3. Click OK to proceed, or click No Further Warnings if you never want to see this reminder again.
We recommend clicking OK. This is a useful reminder, after all.

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XXII. Moving On.
SoundDiver is packed with great features beyond those we have room to describe here. Fortunately, it has extensive built-in documentation that can help you master the program. As mentioned earlier, SoundDiver also provides information about the JV-1010s parameters: To view SoundDivers own built-in documentation, select SoundDiver Features. from the Apple Menu (MacOS) or SoundDiver Features. from the Help menu (Windows). To view the built-in JV-1010 help, widen the Memory Manager window to expose the Help button, and click it. To truly master JV-1010 programming, theres no substitute for the information-packed files in the JV-1010 Reference Manual folder on the JV-1010/XP-30 CD-ROM. We highly recommend these documents. Programming your JV-1010 can be a rewarding musical experience and lots of fun, and SoundDiver is terrific way to get the most out of this powerful little box. Enjoy!
For the latest info on new products, support documents, upcoming Roland events and more, visit our Website, www.rolandus.com, or www.rolandgroove.com.
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SoundDiver, Logic and Emagic are trademarks of Emagic GmbH. Mac, MacOS are trademarks of Apple Computer, Inc. Windows is a trademark of Microsoft, Inc.

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