MT-90S

Music Player

A Tireless Music Tutor for Practice and Performance.
The MT-90S Music Player is a Standard MIDI Filebased Music Tutor featuring a new compact design and backlit LCD. Affordable and easy to operate, the MT-90S brings interactive music files to a wider range of music learners, enthusiasts and performers.
Compact music player with built-in speaker and GM2/GS-compatible sound source Plays back commercially available Standard MIDI File (SMF) disks via internal floppy drive Lightweight design permits practice anywhere; front-panel icons make operation simple Backlit LCD displays song title, tempo and lyrics of compatible SMF disks New Intro Countdown keeps performers on track by playing a countdown before the song melody begins Microphone input with echo effect for vocal lessons/karaoke performance
*Product appearance is subject to change without notice.
-------------------------------------------------------------- -------------------------------------------------------------Plays Back Standard MIDI Files SMF Lyric Display
Using the internal 3.5 disk drive, the MT-90S can load commercially available Standard MIDI File disks and play them back through the internal speaker. A high-quality GM2/GS sound engine provides realistic instrument sounds that make practice and performance fun. When used with compatible disks, the backlit LCD can display SMF song lyrics in real time. And by connecting a microphone, you can transform the MT-90S into an instant karaoke machine complete with a built-in echo effect.

MT-90S Specifications

<Sound Source (Conforms to GM2/GS)> q Max. Polyphony 64 voices q Tones 369 variations (incl.8 drum sets,1 SFX set) q Master Tuning 415.3 Hz ~ 466.2 Hz (0.1 Hz Step) q Transpose Playback Transpose (-24~+24 Half-steps) q Effects Reverb, Chorus <Sequencer> q Metronome Beat:2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8, Volume:10 levels, Metronome Pattern:11 patterns, Sounds:4 types q Tracks 5/16 tracks q Tempo Quarter note = 20---250 q Resolution 120 ticks per quarter note q Control Reset, Stop, Play, Bwd, Fwd, Track Select, Repeat,Marker, Count In,Metronome , Song Select, Tempo,+,- <Disk Drive (3.5 inch Micro Floppy Disk)> q Disk Format 720K bytes(2DD) / 1.44M bytes(2HD) q Playable Software Standard MIDI File (Format0/1), Roland Original Format (i-Format) <Others> q Rated Power Output 5 W x 1 q Speakers 10cm x 1 q Display Beat Indicator / 16 x 2 CharacterLCD q Connectors Output jacks (Stereo, RCA-Pin), Microphone jack (with echo), Headphone jack (Stereo Mini), MIDI IN connector, Start/Stop jack q Power supply AC117V/AC230V/AC240V q Power Consumption 2000mA(117V)/(230V)/(240V) q Dimensions 165 mm (W) x 189 mm (D) x 270 mm (H), 6-1/2 (W) x 7-3/8 (D) x 10-11/16 (H)inches q Weight 2.4 kg / 5lbs 5oz
*The specifications are subject to change.
-------------------------------------------------------------Portable and Easy-To-Use
The MT-90S features icon-based buttons and a backlit LCD display, making common operations such as playing songs, muting parts, or changing tempo and musical key as easy as using a metronome. Lightweight design and a built-in grip handle make it possible to practice virtually anywhere.

Status BnH 2nd bytes 42H 3rd byte vvH 0H-FH (ch.1-ch.16) 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON
Vibrato Depth (Controller number 77)
Status BnH 2nd byte 4DH 3rd byte vvH
n = MIDI channel number: 0H-FH (Ch.1-16) vv = Vibrato Depth Value (relative change): 00H-7FH (-64 - 0 - +63), Initial Value = 40H (no change) * Some Tones will not exhibit any change.
Not received when Rx.SOSTENUTO = OFF. (Initial value is ON)
Soft (Controller number 67)
Status BnH 2nd bytes 43H 3rd byte vvH 0H-FH (ch.1-ch.16) 00H-7FH (0-127) 0-63 = OFF, 64-127 = ON
Vibrato Delay (Controller number 78)
Status BnH 2nd byte 4EH 3rd byte vvH
Not received when Rx.SOFT = OFF. (Initial value is ON)
n = MIDI channel number: 0H-FH (Ch.1-16) vv = Vibrato Delay value (relative change): 00H-7FH (-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change.
Filter Resonance (Timbre/Harmonic Intensity) (Controller number 71)
Status BnH 2nd byte 47H 3rd byte vvH
Portamento control (Controller number 84)
Status BnH 2nd bytes 54H 3rd byte kkH 0H-FH (ch.1-ch.16) 00H-7FH (0-127)
n = MIDI channel number: 0H-FH(Ch.1-16) vv = Resonance value (relative change): 00H-7FH(-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change.
n = MIDI channel number: kk = source note number: * *
Release Time (Controller number 72)
Status BnH 2nd byte 48H 3rd byte vvH
n = MIDI channel number: 0H-FH(Ch.1-16) vv = Release Time value (relative change): 00H-7FH (-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change.
A Note-on received immediately after a Portamento Control message will change continuously in pitch, starting from the pitch of the Source Note Number. If a voice is already sounding for a note number identical to the Source Note Number, this voice will continue sounding (i.e., legato) and will, when the next Note-on is received, smoothly change to the pitch of that Note-on. The rate of the pitch change caused by Portamento Control is determined by the Portamento Time value.

Example 1.

On MIDI (Description) 90 3C 40 (Note on C4) B3C (Portamento Control from C4) 40 (Note on E4) 80 3C 40 (Note off C4) 40 (Note off E4) Result C4 on no change (C4 voice still sunding) glide from C4 to E4 no change E4 off
Attack time (Controller number 73)
Status BnH 2nd byte 49H 3rd byte vvH
n = MIDI channel number: 0H-FH (Ch.1-16) vv = Attack time value (relative change): 0H-7FH (-64 - 0 - +63), Initial value = 40H (no change) * Some Tones will not exhibit any change.

**RPN** The RPN (Registered Parameter Number) messages are expanded control changes, and each function of an RPN is described by the MIDI Standard. To use these messages, you must first use RPN MSB and RPN LSB messages to specify the parameter to be controlled, and then use Data Entry messages to specify the value of the specified parameter. Once an RPN parameter has been specified, all Data Entry messages received on that channel will modify the value of that parameter. To prevent accidents, it is recommended that you set RPN Null (RPN Number = 7FH/7FH) when you have finished setting the value of the desired parameter.Refer to Section 3. "Examples of actual MIDI messages" <Example 4> (p. 12). On the MT-90s, RPN can be used to modify the following parameters. RPN MSB LSB 00H 00H Data entry MSB LSB mmH ---

01H 64H

01H 66H

18H rrH

1AH rrH

1CH rrH

1DH rrH

1EH rrH

Description Vibrato rate (relative change on specified channel) mm: 0EH-40H-72H (-50 - 0 - +50) Vibrato depth (relative change on specified channel) mm: 0EH-40H-72H (-50 - 0 - +50) Vibrato delay (relative change on specified channel) mm: 0EH-40H-72H (-50 - 0 - +50) TVF cutoff frequency (relative change on specified channel) mm: 0EH-40H-72H (-50 - 0 - +50) TVF resonance (relative change on specified channel) mm: 0EH-40H-72H (-50 - 0 - +50) TVF&TVA Env.Attack time (relative change on specified channel) mmF0EH-40H-72H (-50 - 0 - +50) TVF&TVA Env.Decay time (relative change on specified channel) mm: 0EH-40H-72H (-50 - 0 - +50) TVF&TVA Env.Release time (relative change on specified channel) mm: 0EH-40H-72H (-50 - 0 - +50) Pitch coarse of drum instrument (relative change on specified drum instrument) rr : key number of drum instrument mm: 00H-40H-7FH (-63 - 0 - +63 semitone) TVA level of drum instrument (absolute change on specified drum instrument) rr: key number of drum instrument mm: 00H-7FH (zero-maximum) Panpot of drum instrument (absolute change on specified drum instrument) rr : key number of drum instrument mm: 00H, 01H-40H-7FH (Ramdom, Left-Center-Right) Reverb send level of drum instrument (absolute change on specified drum instrument) rr : key number of drum instrument mm: 01H-7FH (zero-maximum) Chorus send level of drum instrument (absolute change on specified drum instrument) rr : key number of drum instrument mm: 01H-7FH (zero-maximum)

00H 01H

mmH llH

00H 02H

mmH ---

7FH 7FH

--- ---
Explanation Pitch Bend Sensitivity mm: 00H-18H (0-24 semitones), Initial Value = 02H (2 semitones) ll : ignored (processed as 00h) specify up to 2 octaves in semitone steps Master Fine Tuning mm, ll : 00 00H - 40 00H - 7F 7FH (-100 - 0 - +99.99 cents), Initial Value = 40 00H (0 cent) ll : ignored (processed as 00h) specify up to 2 octaves in semitone steps Refer to 4. Supplementary material, "About tuning" (p. 13) Master Coarse Tuning mm : 28H - 40H - 58H (-24 - 0 - +24 semitones), Initial Value = 40H (0 cent) ll : ignored (processed as 00h) RPN null Set condition where RPN and NRPN are unspecified. The data entry messages after set RPN null will be ignored. (No Data entry messages are required after RPN null). Settings already made will not change. mm, ll : ignored

qProgram Change

Status CnH 2nd bytes ppH 0H-FH (ch.1-ch.16) 00H-7FH (prog.1-prog.128)
n = MIDI channel number: pp = Program number: * *
Not received when Rx.PROGRAM CHANGE = OFF. (Initial value is ON) After a Program Change message is received, the sound will change beginning with the next Note-on. Voices already sounding when the Program Change message was received will not be affected.

qChannel Pressure

Status DnH 2nd bytes vvH 0H-FH (ch.1-ch.16) 00H-7FH (0-127)
n = MIDI channel number: vv = Channel Pressure: * *
Parameters marked "relative change" will change relative to the preset value. Parameters marked "absolute change" will be set to the absolute value of the parameter, regardless of the preset value.
Not received when Rx.CH PRESSURE (CAf) = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. With the initial settings there will be no effect.

qPitch Bend Change

Status EnH 2nd byte llH 3rd bytes mmH 0H-FH (ch.1-ch.16) 00 00H - 40 00H - 7F 7FH (-8192 - 0 - +8191)

When All Notes Off is received, all notes on the corresponding channel will be turned off. However if Hold 1 or Sostenuto is ON, the sound will be continued until these are turned off.
qOMNI OFF (Controller number 124)
Status BnH 2nd byte 7CH 3rd bytes 00H 0H-FH (ch.1-ch.16)

GM1 System On

This is a command message that resets the internal settings of the unit to the General MIDI 1 initial state. After receiving this message, the MT-90s will automatically be set to the proper condition for correctly playing a General MIDI score. Status F0H Byte F0H 7EH 7FH 09H 01H F7H * * Data byte 7EH, 7FH, 09H, 01H Status F7H
The same processing will be carried out as when All Notes Off is received.
qOMNI ON (Controller number 125)
Status BnH 2nd byte 7DH 3rd bytes 00H 0H-FH (ch.1-ch.16)
OMNI ON is only recognized as "All notes off"; the Mode doesntchange(OMNIOFFremains).'
Explanaton Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (General MIDI Message) Sub ID#2 (General MIDI 1 On) EOX (End Of Exclusive)
When this message is received, Rx.BANK SELECT will be OFF and Rx.NRPN will be OFF. There must be an interval of at least 50 ms between this message and the next message.

GM2 System On

Status F0H Byte F0H 7EH 7FH 09H 03H F7H * *
Data byte 7EH, 7FH, 09H, 03H

Status F7H

qUniversal Realtime System Exclusive Messages

Master volume

Status F0H Byte F0H 7FH 7FH 04H 01H llH mmH F7H * Data byte 7FH, 7FH, 04H, 01H, llH, mmH Explanation Exclusive status ID number (universal realtime message) Device ID (Broadcast) Sub ID#1 (Device Control messages) Sub ID#2 (Master Volume) Master volume lower byte Master volume upper byte EOX (End Of Exclusive) Status F7H
Explanation Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (General MIDI Message) Sub ID#2 (General MIDI 2 On) EOX (End Of Exclusive)
When this message is received, the MT-90s will be able to receive the messages specified by General MIDI 2, and use the General MIDI 2 sound map. There must be an interval of at least 50 ms between this message and the next message.

GM System Off

"GM System Off" is a command message that resets the internal state of the MT-90s from the GM state to its native condition. The MT-90s will reset to the GS default state. Status F0H Byte F0H 7EH 7FH 09H 02H F7H * * Data byte 7EH, 7F, 09H, 02H Status F7H
The lower byte (llH) of Master Volume will be handled as 00H.

Master Fine Tuning

Status F0H Byte F0H 7FH 7FH 04H 03H llH mmH F7H Data byte 7FH, 7FH, 04H, 03H, llH, mmH Explanation Exclusive status ID number (universal realtime message) Device ID (Broadcast) Sub ID#1 (Device Control) Sub ID#2 (Master Fine Tuning) Master Fine Tuning LSB Master Fine Tuning MSB EOX (End Of Exclusive) Status F7H
Explanation Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (General MIDI Message) Sub ID#2 (General MIDI Off) EOX (End Of Exclusive)
When this message is received, the MT-90s will reset to the GS default state. There must be an interval of at least 50 ms between this message and the next message.

GS reset

GS Reset is a command message that resets the internal settings of a device to the GS initial state. This message will appear at the beginning of GS music data, and a GS device that receives this message will automatically be set to the proper state to correctly playback GS music data. Status F0H Byte F0H 41H 10H 42H 12H 40H 00H 7FH 00H 41H F7H * * Data byte 41H, 10H, 42H, 12H, 40H, 00H, 7FH, 00H, 41H Status F7H
mm, ll : 00 00H - 40 00H - 7F 7FH(-100 - 0 - +99.9 [cents])

Master Coarse Tuning

Status F0H Byte F0H 7FH 7FH 04H 04H llH mmH F7H llH : mmH : Data byte 7FH, 7FH, 04H, 04H, llH, mmH Explanation Exclusive status ID number (universal realtime message) Device ID (Broadcast) Sub ID#1 (Device Control) Sub ID#2 (Master Coarse Tuning) Master Coarse Tuning LSB Master Coarse Tuning MSB EOX (End Of Exclusive) ignored (processed as 00H) 28H - 40H - 58H (-24 - 0 - +24 [semitones]) Status F7
Explanation Exclusive status ID number (Roland) Device ID (dev: 00H-1FH (1-32), Initial value is 10H (17)) Model ID (GS) Command ID (DT1) Address MSB Address Address LSB Data (GS reset) Checksum EOX (End Of Exclusive)
When this message is received, Rx.NRPN will be ON. There must be an interval of at least 50 ms between this message and the next.

Exit GS mode

Status F0H Byte F0H 41H 10H 42H 12H 40H 00H : 7FH 7FH 42H F7H * Data byte 41H, 10H, 42H, 12H, 40H, 00H, 7FH, 7FH, 42H Explanation Exclusive status ID number (Roland) Device ID Model ID (GS) Command ID (DT1) Address MSB Status F7H

Scale/Octave Tuning Adjust
Status F0H Byte F0H 7EH 7FH 08H 08H ffH Data byte 7EH, 7FH, 08H, 08H, ffH, ggH, hhH, ssH. Status F7

pp=1 pp=2 pp=3 pp=4

ggH hhH ssH
Explanation Exclusive status ID number (Universal Non-realtime Message) Device ID (Broadcast) Sub ID#1 (MIDI Tuning Standard) Sub ID#2 (scale/octave tuning 1-byte form) Channel/Option byte1 bits 0 to 1 = channel 15 to 16 bit 2 to 6 = Undefined Channel byte2 bits 0 to 6 = channel 8 to 14 Channel byte3 bits 0 to 6 = channel 1 to byte tuning offset of 12 semitones from C to B 00H = -64 [cents] 40H =0 [cents] (equal temperament) 7FH = +63 [cents] EOX (End Of Exclusive)
Key-Based Instrument Controllers
Status F0H Byte F0H 7FH 7FH 0AH 01H 0nH kkH nnH vvH F7 nn=07H nn=0AH nn=5BH nn=5D Data byte 7FH, 7FH, 0AH, 01H, 0nH, kkH, nnH, vvH. Explanation Exclusive status ID number (universal realtime message) Device ID (Broadcast) Sub ID#1 (Key-Based Instrument Control) Sub ID#2 (Controller) MIDI Channel (00 - 0F) Key Number Control Number Value EOX (End Of Exclusive) Level vv = 00H-7FH 0 - 200% (Relative) Pan vv = 00H-7FH Left - Right (Absolute) Reverb Send vv = 00H-7FH 0 - 127 (Absolute) Chorus Send vv = 00H-7FH 0 - 127 (Absolute) Status F7H
This parameter affects drum instruments only.

qData transmission

MT-90s can receive the various parameters using System Exclusive messages. The exclusive message of GS format data has a model ID of 42H and a device ID of 10H (17), and it is common to all the GS devices.

Data set 1 DT1

This is the message that actually performs data transmission, and is used when you wish to transmit the data. Status F0H Byte F0H 41H 10H 42H 12H aaH bbH ccH ddH : : eeH sum F7H * Data byte 41H, 10H, 42H, 12H, aaH, bbH, ccH, ddH,. eeH, sum Status F7H
Explanation Exclusive status ID number (Roland) Device ID Model ID (GS) Command ID (DT1) Address MSB: upper byte of the starting address of the transmitted data Address: middle byte of the starting address of the transmitted data Address LSB: lower byte of the starting address of the transmitted data Data: the actual data to be transmitted. Multiple bytes of data are transmitted starting from the address.
Data Checksum EOX (End Of Exclusive)
The amount of data that can be transmitted at one time depends on the type of data, and data can be received only from the specified starting address and size. Refer to the Address and Size given in Section 2 (p. 8). Data larger than 128 bytes must be divided into packets of 128 bytes or less. If "Data Set 1" is transmitted successively, there must be an interval of at least 40 ms between packets. Regarding the checksum please refer to section 3 (p. 13).

Refer to "System exclusive messages related to Mode settings" (p. 4). 10 00-40 VOICE RESERVE Part 10 (Drum Part) Part 1 Part 2 Part 3 Part 4 Part 5 Part 6 Part 7 Part 8 Part 9 Part 11 : Part 0
01 11# 12# 13# 14# 15# 16# 17# 18# 19# 1A# :# 1F# *
The sum total of voices in the voice reserve function must be equal to or less than the number of the maximum polyphony. The maximum polyphony of the MT-90s is 64. For compatibility with other GS models, it is recommended that the maximum polyphony be equal or less than 24.

REVERB MACRO

35 * *
00-07 00-07 00-7F 00-7F 00-7F
REVERB CHARACTER REVERB PRE-LPF REVERB LEVEL REVERB TIME REVERB DELAY FEEDBACK0
00: Room 1 01: Room 2 02: Room 3 03: Hall 1 04: Hall 2 05: Plate 06: Delay 07: Panning Delay 0-7 0-7 0-127 0-127 -127

Hall 2

REVERB MACRO is a macro parameter that allows global setting of reverb parameters. When you select the reverb type with REVERB MACRO, each reverb parameter will be set to the most suitable value. REVERB CHARACTER is a parameter that changes the reverb algorithm. The value of REVERB CHARACTER corresponds to the REVERB MACRO of the same number. 01 00-07 CHORUS MACRO 00: Chorus 1 01: Chorus 2 02: Chorus 3 03: Chorus 4 04: Feedback Chorus 05: Flanger 06: Short Delay 07: Short Delay (FB) 0-7 0-127 0-127 0-127 0-127 0-127 0-Chorus 3

01 3A 3B 3C 3D 3E 3F *

00-07 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
CHORUS PRE-LPF CHORUS LEVEL CHORUS FEEDBACK CHORUS DELAY CHORUS RATE CHORUS DEPTH CHORUS SEND LEVEL TO REVERB
CHORUS MACRO is a macro parameter that allows global setting of chorus parameters. When you use CHORUS MACRO to select the chorus type, each chorus parameter will be set to the most suitable value.

qPart Parameters

MT-90s has 16 parts. Parameters that can be set individually for each Part are called Part parameters. If you use exclusive messages to set Part parameters, specify the address by Block number rather than Part Number (normally the same number as the MIDI channel). The Block number can be specified as one of 16 blocks, from 0 (H) to F (H). The relation between Part number and Block number is as follows. x.BLOCK NUMBER (0-F), Part 1 (MIDI ch = 1) x = 1 Part 2 (MIDI ch = 2) x = 2 : : : Part 9 (MIDI ch = 9) x = 9 Part10 (MIDI ch = 10) x = 0 Part11 (MIDI ch = 11) x = A Part12 (MIDI ch = 12) x = B : : : Part16 (MIDI ch = 16) x = F Address (H) 40 1x 1x 01# 40 1x 1x 1x 1x 1x 1x 1x 1x 1x 0A * Size (H) Data (H) 00-7F 00-7F 00-10 00-01 00-01 00-01 00-01 00-01 00-01 00-01 00-01 Parameter TONE NUMBER Rx. CHANNEL Rx. PITCH BEND Rx. CH PRESSURE (CAf) Rx. PROGRAM CHANGE Rx. CONTROL CHANGE Rx. POLY PRESSURE (PAf) Rx. NOTE MESSAGE Rx. RPN Rx. NRPN Description CC#00 VALUE 0-127 P.C. VALUE 1-128 1-16, OFF OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON OFF/ON Default Value (H) Description Same as the Part Number 01 ON 01 ON 01 ON 01 ON 01 ON 01 ON 01 ON 00 (01*) OFF (ON*)

40 1x 1x 1A 40 1x 1B 40 1x 1C 40 1x 1D 40 1x 1E 40 1x 1F 40 1x 1x 1x 1x 23 * *
When "GM1 System On" is received, Rx.BANK SELECT will be set OFF. When "GS RESET" is received, Rx.BANK SELECT will be set ON. 0C 00-01 00-01 0E-72 0E-72 0E-72 0E-72 0E-72 0E-72 0E-72 0E-72 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F Rx.BANK SELECT LSB TONE REMAIN TONE MODIFY 1 TONE MODIFY 2 TONE MODIFY 3 TONE MODIFY 4 TONE MODIFY 5 TONE MODIFY 6 TONE MODIFY 7 TONE MODIFY 8 SCALE TUNING C SCALE TUNING C# SCALE TUNING D SCALE TUNING D# SCALE TUNING E SCALE TUNING F SCALE TUNING F# SCALE TUNING G SCALE TUNING G# SCALE TUNING A SCALE TUNING A# SCALE TUNING B OFF/ON 00 OFF/ON 01 -50 - +Vibrato rate (= NRPN# 8) -50 - +Vibrato depth (= NRPN# 9) -50 - +TVF cutoff frequency (= NRPN# 32) -50 - +TVF resonance (= NRPN# 33) -50 - +TVF&TVA Env.attack (= NRPN# 99) -50 - +TVF&TVA Env.decay (= NRPN# 100) -50 - +TVF&TVA Env.release (= NRPN# 102) -50 - +Vibrato delay (= NRPN# 10) -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 -64 - +63 [cent] 40 OFF ON 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent] 0 [cent]
40 1x 1x 1x 1x 1x 1x 1x 1x 1x 1x 1x 1x 41# 40 1x 42# 40 1x 43# 40 1x 44# 40 1x 45# 40 1x 46# 40 1x 47# 40 1x 48# 40 1x 49# 40 1x 4A# 40 1x 4B# *
SCALE TUNING is a function that allows fine adjustment to the pitch of each note in the octave. The pitch of each identically-named note in all octaves will change simultaneously. A setting of 0 cent (40H) is equal temperament. Refer to section 3. Supplementary material, "The Scale Tune Feature"(p. 13). 28-58 00-7F 00-7F 00-7F MOD PITCH CONTROL MOD TVF CUTOFF CONTROL MOD AMPLITUDE CONTROL MOD LFO1 RATE CONTROL-24 - +24 [semitone] -9600 - +9600 [cent] -100.0 - +100.0 [%] 10.0 - +10.0 [Hz] 0 [semitones] 0 [cent] 0 [%] 0 [Hz]

40 2x 2x 2x 2x 03

40 2x 2x 2x 2x 2x 2x 2x 0A 40 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 1A 40 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 2A 40 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 3A 40 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 4A 40 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 2x 5A
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 40-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 28-58 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F
MOD LFO1 PITCH DEPTH MOD LFO1 TVF DEPTH MOD LFO1 TVA DEPTH MOD LFO2 RATE CONTROL MOD LFO2 PITCH DEPTH MOD LFO2 TVF DEPTH MOD LFO2 TVA DEPTH BEND PITCH CONTROL BEND TVF CUTOFF CONTROL BEND AMPLITUDE CONTROL BEND LFO1 RATE CONTROL BEND LFO1 PITCH DEPTH BEND LFO1 TVF DEPTH BEND LFO1 TVA DEPTH BEND LFO2 RATE CONTROL BEND LFO2 PITCH DEPTH BEND LFO2 TVF DEPTH BEND LFO2 TVA DEPTH CAf PITCH CONTROL CAf TVF CUTOFF CONTROL CAf AMPLITUDE CONTROL CAf LFO1 RATE CONTROL CAf LFO1 PITCH DEPTH CAf LFO1 TVF DEPTH CAf LFO1 TVA DEPTH CAf LFO2 RATE CONTROL CAf LFO2 PITCH DEPTH CAf LFO2 TVF DEPTH CAf LFO2 TVA DEPTH PAf PITCH CONTROL PAf TVF CUTOFF CONTROL PAf AMPLITUDE CONTROL PAf LFO1 RATE CONTROL PAf LFO1 PITCH DEPTH PAf LFO1 TVF DEPTH PAf LFO1 TVA DEPTH PAf LFO2 RATE CONTROL PAf LFO2 PITCH DEPTH PAf LFO2 TVF DEPTH PAf LFO2 TVA DEPTH CC1 PITCH CONTROL CC1 TVF CUTOFF CONTROL CC1 AMPLITUDE CONTROL CC1 LFO1 RATE CONTROL CC1 LFO1 PITCH DEPTH CC1 LFO1 TVF DEPTH CC1 LFO1 TVA DEPTH CC1 LFO2 RATE CONTROL CC1 LFO2 PITCH DEPTH CC1 LFO2 TVF DEPTH CC1 LFO2 TVA DEPTH CC2 PITCH CONTROL CC2 TVF CUTOFF CONTROL CC2 AMPLITUDE CONTROL CC2 LFO1 RATE CONTROL CC2 LFO1 PITCH DEPTH CC2 LFO1 TVF DEPTH CC2 LFO1 TVA DEPTH CC2 LFO2 RATE CONTROL CC2 LFO2 PITCH DEPTH CC2 LFO2 TVF DEPTH CC2 LFO2 TVA DEPTH

0-600 [cent] 0-2400 [cent] 0-100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] 0-24 [semitone] -9600 - +9600 [cent] -100.0 - +100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100.0 - +100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100.0 - +100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100.0 - +100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -24 - +24 [semitone] -9600 - +9600 [cent] -100.0 - +100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%] -10.0 - +10.0 [Hz] 0-600 [cent] 0-2400 [cent] 0-100.0 [%]
47 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 2 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [semitones] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%] 0 [Hz] 0 [cent] 0 [cent] 0 [%]

qDrum Setup Parameters

* * m: Map number (0 = MAP1, 1 = MAP2) rr: drum part note number (00H-7FH) Size (H) Data (H) 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-01 00-01 Parameter PLAY NOTE NUMBER LEVEL ASSIGN GROUP NUMBER PANPOT REVERB SEND LEVEL CHORUS SEND LEVEL Rx. NOTE OFF Rx. NOTE ON Description Pitch coarse TVA level (= NRPN# 26) Non, 1-127 -64 (RANDOM), -63 (LEFT) - +63 (RIGHT) (= NRPN# 28, except RANDOM) 0.0-1.0 (= NRPN# 29) Multiplicand of the part reverb depth 0.0-1.0 (= NRPN# 30) Multiplicand of the part chorus depth OFF/ON OFF/ON
Address (H) 41 m1 rr 41 m2 rr 41 m3 rr 41 m4 rr 41 m5 rr 41 m6 rr 41 m7 rr 41 m8 rr *
When the Drum Set is changed, DRUM SETUP PARAMETER values will all be initialized.
Section 3. Supplementary material
qDecimal and Hexadecimal table
In MIDI documentation, data values and addresses/sizes of exclusive messages etc. are expressed as hexadecimal values for each 7 bits. The following table shows how these correspond to decimal numbers. ++++++++++++ | Dec. | Hex. || Dec.| Hex. || Dec. | Hex. || Dec. | Hex. | ++++++++++++ | 0 | 00H || 32 | 20H || 64 | 40H || 96 | 60H | | 1 | 01H || 33 | 21H || 65 | 41H || 97 | 61H | | 2 | 02H || 34 | 22H || 66 | 42H || 98 | 62H | | 3 | 03H || 35 | 23H || 67 | 43H || 99 | 63H | | 4 | 04H || 36 | 24H || 68 | 44H || 100 | 64H | | 5 | 05H || 37 | 25H || 69 | 45H || 101 | 65H | | 6 | 06H || 38 | 26H || 70 | 46H || 102 | 66H | | 7 | 07H || 39 | 27H || 71 | 47H || 103 | 67H | | 8 | 08H || 40 | 28H || 72 | 48H || 104 | 68H | | 9 | 09H || 41 | 29H || 73 | 49H || 105 | 69H | | 10 | 0AH || 42 | 2AH || 74 | 4AH || 106 | 6AH | | 11 | 0BH || 43 | 2BH || 75 | 4BH || 107 | 6BH | | 12 | 0CH || 44 | 2CH || 76 | 4CH || 108 | 6CH | | 13 | 0DH || 45 | 2DH || 77 | 4DH || 109 | 6DH | | 14 | 0EH || 46 | 2EH || 78 | 4EH || 110 | 6EH | | 15 | 0FH || 47 | 2FH || 79 | 4FH || 111 | 6FH | | 16 | 10H || 48 | 30H || 80 | 50H || 112 | 70H | | 17 | 11H || 49 | 31H || 81 | 51H || 113 | 71H | | 18 | 12H || 50 | 32H || 82 | 52H || 114 | 72H | | 19 | 13H || 51 | 33H || 83 | 53H || 115 | 73H | | 20 | 14H || 52 | 34H || 84 | 54H || 116 | 74H | | 21 | 15H || 53 | 35H || 85 | 55H || 117 | 75H | | 22 | 16H || 54 | 36H || 86 | 56H || 118 | 76H | | 23 | 17H || 55 | 37H || 87 | 57H || 119 | 77H | | 24 | 18H || 56 | 38H || 88 | 58H || 120 | 78H | | 25 | 19H || 57 | 39H || 89 | 59H || 121 | 79H | | 26 | 1AH || 58 | 3AH || 90 | 5AH || 122 | 7AH | | 27 | 1BH || 69 | 3BH || 91 | 5BH || 123 | 7BH | | 28 | 1CH || 60 | 3CH || 92 | 5CH || 124 | 7CH | | 29 | 1DH || 61 | 3DH || 93 | 5DH || 125 | 7DH | | 30 | 1EH || 62 | 3EH || 94 | 5EH || 126 | 7EH | | 31 | 1FH || 63 | 3FH || 95 | 5FH || 127 | 7FH | ++++++++++++ * * Decimal values such as MIDI channel, bank select, and program change are listed as one (1) greater than the values given in the above table. A 7-bit byte can express data in the range of 128 steps. For data where greater precision is required, we must use two or more bytes. For example, two hexadecimal numbers aa bbH expressing two 7-bit bytes would indicate a value of aa x 128 + bb. In the case of values which have a sign, 00H = -64, 40H = 0, and 7FH = +63, so that the decimal expression would be 64 less than the value given in the above chart. In the case of two types, 00 00H = -8192, 40 00H = 0, and 7F 7FH = +8191. For example if aa bbH were expressed as decimal, this would be aa bbH - 40 00H = aa x 128 + bb - 64 x 128. Data marked "nibbled" is expressed in hexadecimal in 4-bit units. A value expressed as a 2-byte nibble 0a 0bH has the value of a x 16 + b.

From the preceding table, since 12H = 18 and 34H = x 128 + 52 = 2356
<Example3> What is the decimal expression of the nibbled value 0A 0D ?
From the preceding table, since 0AH = 10, 03H = 3, 09H = 9, 0DH = 13 ((10 x 16 + 3) x 16 + 9) x 16 + 13 = 41885
In other words, the above messages specify a value of 0C 00H for RPN parameter number 00 00H on MIDI channel 4, and then set the RPN parameter number to 7F 7FH. RPN parameter number 00 00H is Pitch Bend Sensitivity, and the MSB of the value indicates semitone units, so a value of 0CH = 12 sets the maximum pitch bend range to }12 semitones (1 octave). (On GS sound sources the LSB of Pitch Bend Sensitivity is ignored, but the LSB should be transmitted anyway (with a value of 0) so that operation will be correct on any device.) Once the parameter number has been specified for RPN or NRPN, all Data Entry messages transmitted on that same channel will be valid, so after the desired value has been transmitted, it is a good idea to set the parameter number to 7F 7FH to prevent accidents. This is the reason for the (B3) 64 7F (B3) 65 7F at the end. It is not desirable for performance data (such as Standard MIDI File data) to contain many events with running status as given in <Example 4>. This is because if playback is halted during the song and then rewound or fast-forwarded, the sequencer may not be able to transmit the correct status, and the sound source will then misinterpret the data. Take care to give each event its own status. It is also necessary that the RPN or NRPN parameter number setting and the value setting be done in the proper order. On some sequencers, events occurring in the same (or consecutive) clock may be transmitted in an order different than the order in which they were received. For this reason it is a good idea to slightly skew the time of each event (about 1 tick for TPQN = 96, and about 5 ticks for TPQN = 480). * TPQN: Ticks Per Quarter Note
<Example4> What is the nibbled expression of the decimal value 1258?
16) 1258 16) 78. 10 16) 4. 14 0. 4 Since from the preceding table, 0 = 00H, 4 = 04H, 14 = 0EH, 10 = 0AH, the answer is 0E 0AH.
qExample of an Exclusive message and calculating a Checksum
Roland Exclusive messages are transmitted with a checksum at the end (before F7) to make sure that the message was correctly received. The value of the checksum is determined by the address and data (or size) of the transmitted exclusive message.
qThe Scale Tune Feature (address: 40 1x 40)
The scale Tune feature allows you to finely adjust the individual pitch of the notes from C through B. Though the settings are made while working with one octave, the fine adjustments will affect all octaves. By making the appropriate Scale Tune settings, you can obtain a complete variety of tuning methods other than equal temperament. As examples, three possible types of scale setting are explained below.

Just Temperament (Keytone C) 0 -8 +4 +16 -14 -2 -10 +2 +14 -16 +14 -12
Arabian Scale -6 +45 -2 -12 -51 -8 +43 -4 +-10 -49
The values in the table are given in cents. Refer to the explanation of Scale Tuning on page 8 to convert these values to hexadecimal, and transmit them as exclusive data. For example, to set the tune (C-B) of the Part1 Arabian Scale, send the data as follows: F3A 6D 3E 34 0D 38 6B 3C 6F 0F 50 F7
<Example> Set the tuning of MIDI channel 3 to A4 = 442.0 Hz
Send RPN#1 to MIDI channel 3. From the above table, the value is 45 03H. B00 MIDI ch.3, lower byte of RPN parameter number: 00H (B2) (MIDI ch.3) upper byte of RPN parameter number: 01H (B2) (MIDI ch.3) upper byte of parameter value: 45H (B2) (MIDI ch.3) lower byte of parameter value: 03H (B2) 64 7F (MIDI ch.3) lower byte of RPN parameter number: 7FH (B2) 65 7F (MIDI ch.3) upper byte of RPN parameter number: 7FH

qTone List

MT-90s TONE LIST CC0 / CC32 / PC# 00h / 00h / 00h 08h / 00h / 00h 10h / 00h / 00h 00h / 00h / 01h 08h / 00h / 01h 00h / 00h / 02h 08h / 00h / 02h 00h / 00h / 03h 08h / 00h / 03h 00h / 00h / 04h 08h / 00h / 04h 10h / 00h / 04h 18h / 00h / 04h 00h / 00h / 05h 08h / 00h / 05h 10h / 00h / 05h 00h / 00h / 06h 08h / 00h / 06h 10h / 00h / 06h 18h / 00h / 06h 00h / 00h / 07h 00h / 00h / 08h 00h / 00h / 09h 00h / 00h / 0Ah 00h / 00h / 0Bh 08h / 00h / 0Bh 00h / 00h / 0Ch 08h / 00h / 0Ch 00h / 00h / 0Dh 00h / 00h / 0Eh 08h / 00h / 0Eh 09h / 00h / 0Eh 00h / 00h / 0Fh 00h / 00h / 10h 01h / 00h / 10h 08h / 00h / 10h 09h / 00h / 10h 10h / 00h / 10h 12h / 00h / 10h 20h / 00h / 10h 21h / 00h / 10h 00h / 00h / 11h 01h / 00h / 11h 08h / 00h / 11h 20h / 00h / 11h 00h / 00h / 12h 00h / 00h / 13h 08h / 00h / 13h 10h / 00h / 13h 00h / 00h / 14h 00h / 00h / 15h 08h / 00h / 15h 00h / 00h / 16h 01h / 00h / 16h 00h / 00h / 17h 00h / 00h / 18h 08h / 00h / 18h 10h / 00h / 18h 20h / 00h / 18h 00h / 00h / 19h 08h / 00h / 19h 09h / 00h / 19h 10h / 00h / 19h 20h / 00h / 19h 00h / 00h / 1Ah 08h / 00h / 1Ah 00h / 00h / 1Bh 08h / 00h / 1Bh 00h / 00h / 1Ch 08h / 00h / 1Ch 10h / 00h / 1Ch 00h / 00h / 1Dh 00h / 00h / 1Eh Tone Name Piano 1 Piano 1w Piano 1d Piano 2 Piano 2w Piano 3 Piano 3w Honky-tonk Honky-tonk 2 E.Piano 1 Detuned EP 1 E.Piano 1v 60sE.Piano E.Piano 2 Detuned EP 2 E.Piano 2v Harpsichord Coupled Hps. Harpsi.w Harpsi.o Clav. Celesta Glockenspiel Music Box Vibraphone Vibes w Marimba Marimba w Xylophone Tubular-bell Church Bell Carillon Santur Organ 1 Full Organ 1 Detuned Or.1 Full Organ 4 Pop Organ 1 Pop Organ Full Organ 4 Organ 1 Organ 2 Jazz Organ 3 Detuned Or.2 Jazz Organ 1 Rock Organ 2 Church Org.1 Church Org.2 Church Org.3 Reed Organ Accordion Fr Accordion It Harmonica Harmonica Bandoneon Nylon-str.Gt Ukulele Nylon Gt.o Nylon Guitar Steel-str.Gt 12-str.Gt Nylon+Steel Mandolin Steel Gt.2 Jazz Guitar Hawaiian Gt. Clean Gt. Chorus Gt. Muted Gt. Funk Gt. Funk Gt.2 Overdrive Gt DistortionGt Voices 1 Tone No. 65 CC0 / CC32 / PC# 08h / 00h / 1Eh 00h / 00h / 1Fh 08h / 00h / 1Fh 10h / 00h / 1Fh 00h / 00h / 20h 00h / 00h / 21h 00h / 00h / 22h 00h / 00h / 23h 00h / 00h / 24h 00h / 00h / 25h 00h / 00h / 26h 01h / 00h / 26h 08h / 00h / 26h 00h / 00h / 27h 08h / 00h / 27h 10h / 00h / 27h 00h / 00h / 28h 08h / 00h / 28h 00h / 00h / 29h 00h / 00h / 2Ah 00h / 00h / 2Bh 00h / 00h / 2Ch 00h / 00h / 2Dh 00h / 00h / 2Eh 00h / 00h / 2Fh 00h / 00h / 30h 08h / 00h / 30h 00h / 00h / 31h 00h / 00h / 32h 08h / 00h / 32h 00h / 00h / 33h 00h / 00h / 34h 20h / 00h / 34h 00h / 00h / 35h 00h / 00h / 36h 00h / 00h / 37h 00h / 00h / 38h 00h / 00h / 39h 01h / 00h / 39h 00h / 00h / 3Ah 00h / 00h / 3Bh 00h / 00h / 3Ch 01h / 00h / 3Ch 00h / 00h / 3Dh 08h / 00h / 3Dh 00h / 00h / 3Eh 08h / 00h / 3Eh 10h / 00h / 3Eh 00h / 00h / 3Fh 08h / 00h / 3Fh 10h / 00h / 3Fh 00h / 00h / 40h 00h / 00h / 41h 00h / 00h / 42h 00h / 00h / 43h 00h / 00h / 44h 00h / 00h / 45h 00h / 00h / 46h 00h / 00h / 47h 00h / 48h / 00h 00h / 00h / 49h 00h / 00h / 4Ah 00h / 00h / 4Bh 00h / 00h / 4Ch 00h / 00h / 4Dh 00h / 00h / 4Eh 00h / 00h / 4Fh 00h / 00h / 50h 01h / 00h / 50h 08h / 00h / 50h 00h / 00h / 51h 01h / 00h / 51h 08h / 00h / 51h 00h / 00h / 52h 00h / 00h / 53h Tone Name Feedback Gt. Gt.Harmonics Gt. Feedback Gt.Harmonics Acoustic Bs. Fingered Bs. Picked Bs. Fretless Bs. Slap Bass 1 Slap Bass 2 Synth Bass 1 SynthBass101 Synth Bass 3 Synth Bass 2 Synth Bass 4 Rubber Bass Violin Slow Violin Viola Cello Contrabass Tremolo Str PizzicatoStr Harp Timpani Strings Orchestra Slow Strings Syn.Strings1 Syn.Strings3 Syn.Strings2 Choir Aahs Choir Pop Voice SynVox OrchestraHit Trumpet Trombone Trombone 2 Tuba MutedTrumpet French Horns Fr.Horn 2 Brass 1 Brass 2 Synth Brass1 Synth Brass3 AnalogBrass1 Synth Brass2 Synth Brass4 AnalogBrass2 Soprano Sax Alto Sax Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Piccolo Flute Recorder Pan Flute Bottle Blow Shakuhachi Whistle Ocarina Square Wave Square Sine Wave Saw Wave Saw Doctor Solo Syn.Calliope Chiffer Lead Voices Tone No. 68

CC0 / CC32 / PC# 00h / 00h / 54h 00h / 00h / 55h 00h / 00h / 56h 00h / 00h / 57h 00h / 00h / 58h 00h / 00h / 59h 00h / 00h / 5Ah 00h / 00h / 5Bh 00h / 00h / 5Ch 00h / 00h / 5Dh 00h / 00h / 5Eh 00h / 00h / 5Fh 00h / 00h / 60h 00h / 00h / 61h 00h / 00h / 62h 01h / 00h / 62h 00h / 00h / 63h 00h / 00h / 64h 00h / 00h / 65h 00h / 00h / 66h 01h / 00h / 66h 02h / 00h / 66h 00h / 00h / 67h 00h / 00h / 68h 01h / 00h / 68h 00h / 00h / 69h 00h / 00h / 6Ah 00h / 00h / 6Bh 08h / 00h / 6Bh 00h / 00h / 6Ch 00h / 00h / 6Dh 00h / 00h / 6Eh 00h / 00h / 6Fh 00h / 00h / 70h 00h / 00h / 71h 00h / 00h / 72h 00h / 00h / 73h 08h / 00h / 73h 00h / 00h / 74h 08h / 00h / 74h 00h / 00h / 75h 08h / 00h / 75h 00h / 00h / 76h 08h / 00h / 76h 09h / 00h / 76h 00h / 00h / 77h 00h / 00h / 78h 01h / 00h / 78h 02h / 00h / 78h 00h / 00h / 79h 01h / 00h / 79h 00h / 00h / 7Ah 01h / 00h / 7Ah 02h / 00h / 7Ah 03h / 00h / 7Ah 04h / 00h / 7Ah 05h / 00h / 7Ah 00h / 00h / 7Bh 01h / 00h / 7Bh 02h / 00h / 7Bh 03h / 00h / 7Bh 00h / 00h / 7Ch 01h / 00h / 7Ch 02h / 00h / 7Ch 03h / 00h / 7Ch 04h / 00h / 7Ch 05h / 00h / 7Ch 00h / 00h / 7Dh 01h / 00h / 7Dh 02h / 00h / 7Dh 03h / 00h / 7Dh 04h / 00h / 7Dh 05h / 00h / 7Dh 06h / 00h / 7Dh 07h / 00h / 7Dh
Tone Name Charang Solo Vox 5th Saw Wave Bass & Lead Fantasia Warm Pad Polysynth Space Voice Bowed Glass Metal Pad Halo Pad Sweep Pad Ice Rain Soundtrack Crystal Syn Mallet Atmosphere Brightness Goblin Echo Drops Echo Bell Echo Pan Star Theme Sitar Sitar 2 Banjo Shamisen Koto Taisho Koto Kalimba Bagpipe Fiddle Shanai Tinkle Bell Agogo Steel Drums Woodblock Castanets Taiko Concert BD Melo. Tom 1 Melo. Tom 2 Synth Drum 808 Tom Elec Perc. Reverse Cym. Gt.FretNoise Gt.Cut Noise String Slap Breath Noise Fl.Key Click Seashore Rain Thunder Wind Stream Bubble Bird Dog Horse-Gallop Bird 2 Telephone 1 Telephone 2 DoorCreaking Door Scratch Windchime Helicopter Car-Engine Car-Stop Car-Pass Car-Crash Siren Train Jetplane

Voices 2

Tone No. 214
CC0 / CC32 / PC# 08h / 00h / 7Dh 09h / 00h / 7Dh 00h / 00h / 7Eh 01h / 00h / 7Eh 02h / 00h / 7Eh 03h / 00h / 7Eh 04h / 00h / 7Eh 05h / 00h / 7Eh 00h / 00h / 7Fh 01h / 00h / 7Fh 02h / 00h / 7Fh 03h / 00h / 7Fh