The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled. The symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.
Before using this unit, make sure to read the instructions below, and the Owners Manual....
Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces....
Do not open or perform any internal modifications on the unit or its AC adaptor. (The only exception would be where this manual provides specific instructions which should be followed in order to put in place user-installable options; see p. 15.)....
Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page....
Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptors body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock....
Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!....
Never use or store the unit in places that are: Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are Damp (e.g., baths, washrooms, on wet floors); or are Humid; or are Exposed to rain; or are Dusty; or are Subject to high levels of vibration....
This unit, either alone or in combination with an amplifier and headphones or speakers, may be capable of producing sound levels that could cause permanent hearing loss. Do not operate for a long period of time at a high volume level, or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should immediately stop using the unit, and consult an audiologist....

Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation....
Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page when: The AC adaptor or the power-supply cord has been damaged; or If smoke or unusual odor occurs Objects have fallen into, or liquid has been spilled onto the unit; or The unit has been exposed to rain (or otherwise has become wet); or The unit does not appear to operate normally or exhibits a marked change in performance....
Always grasp only the output plug or the body of the AC adaptor when plugging into, or unplugging from, this unit or an outlet....
At regular intervals, you should unplug the AC adaptor and clean it by using a dry cloth to wipe all dust and other accumulations away from its prongs. Also, disconnect the power plug from the power outlet whenever the unit is to remain unused for an extended period of time. Any accumulation of dust between the power plug and the power outlet can result in poor insulation and lead to fire....
In households with small children, an adult should provide supervision until the child is capable of following all the rules essential for the safe operation of the unit....
Try to prevent cords and cables from becoming entangled. Also, all cords and cables should be placed so they are out of the reach of children....
Never climb on top of, nor place heavy objects on the unit....
Protect the unit from strong impact. (Do not drop it!)....
Never handle the AC adaptor body, or its output plugs, with wet hands when plugging into, or unplugging from, an outlet or this unit....
Do not force the units power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extension cordsthe total power used by all devices you have connected to the extension cords outlet must never exceed the power rating (watts/amperes) for the extension cord. Excessive loads can cause the insulation on the cord to heat up and eventually melt through....
Before moving the unit, disconnect the AC adaptor and all cords coming from external devices....

Before cleaning the unit, turn off the power and unplug the AC adaptor from the outlet (p. 9)....
Before using the unit in a foreign country, consult with your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page....
Whenever you suspect the possibility of lightning in your area, disconnect the AC adaptor from the outlet....
Install only the specified circuit board (SRX series). Remove only the specified screws (p. 15)....
Always turn the unit off and unplug the AC adaptor before attempting installation of the circuit board (SRX series; p. 9)....
Should you remove screws or rubber feet, make sure to put them in a safe place out of children's reach, so there is no chance of them being swallowed accidentally....

IMPORTANT NOTES

In addition to the items listed under USING THE UNIT SAFELY on page 2, please read and observe the following:

Maintenance

Power Supply
For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.
To clean the unit, use a dry, soft cloth; or one that is slightly dampened. Try to wipe the entire surface using an equal amount of strength, moving the cloth along with the grain of the wood. Rubbing too hard in the same area can damage the finish.
Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Placement

Repairs and Data
Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.
This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
Please be aware that all data contained in the units memory may be lost when the unit is sent for repairs. Important data should always be backed up in another MIDI device (e.g., a sequencer), or written down on paper (when possible). During repairs, due care is taken to avoid the loss of data. However, in certain cases (such as when circuitry related to memory itself is out of order), we regret that it may not be possible to restore the data, and Roland assumes no liability concerning such loss of data.

To avoid disturbing your neighbors, try to keep the units volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).
When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials.

Contents

USING THE UNIT SAFELY...2 IMPORTANT NOTES...4 Main Features...7 Panel Descriptions....8
Front Panel..... 8 Rear Panel..... 8

Basic Operation...9

Turning the Power ON/OFF.... 9 Turning On the Power.... 9 Turning Off the Power.... 9 Listening to the Demo Songs.... 9 Changing the Mode.... 9 Playing the MX-200s Sounds from the Organ... 10 Try Playing Sounds from the Organ... 10 Switching Tones with the MX-200.... 11 Adjusting the Master tuning on the MX-200... 11 Selecting Temperament on the MX-200... 12 Switching the Reverb Type.... 12
Advanced Ways to use...13
Switching Tones with MIDI.... 13 Tone Map..... 13 Selecting Tones from the Organ.... 13 Switching Tones from the Organ Keyboard.... 14 Part Mute..... 14 Rhythm Sets..... 14 Tremulant Effect..... 14 Using SRX Wave Expansion Boards.... 15 Cautions When Installing an Wave Expansion Board... 15 How to Install a Wave Expansion Board... 15 Check to make sure the board has been installed properly.. 16 Using a Sequencer.... 16
Setting up your MX-200..17
Getting Ready to Play.... 17 Attaching the Rubber feet... 17 Attaching to the Lower Part of the Organ... 17 Connecting to the Organ.... 18 When Connecting Only the MX-200... 18 When Using the MX-200 Connected to an MR-200... 19 When Using the MX-200 Connected to a PR-300S.. 20 Tuning the Power ON/OFF.... 21 Turning On the MX-200.... 21 Turning Off the MX-200.... 21 Restoring the Factory Settings (Factory Reset)... 21 Listening to the Demo Songs.... 21
Adjusting your Organ...22
Making Original Settings.... 22 Selecting How the MX-200 is Used... 22 Adjusting Equalizer..... 22 Settings for Each Individual Part.... 23 EQ ON/OFF..... 23 Part Type..... 23 Part Mute..... 23 Part Level..... 23 Part Pan.... 23 Part Coarse Tune..... 23 Part Fine Tune..... 23 Part Reverb Send Level.... 23 Part Chorus Send Level.... 23 Part Output Level (DRY SEND)... 23 Storing the Settings Within the MX-200 (Write Operation)... 24 Recording the Settings to an External Sequencer... 24 Recording the Settings.... 24 Calling Up the Settings from the Sequencer.... 24 Other Settings..... 25 Making USB and MIDI Related Settings... 25 Checking the Program Version.... 25 Using the MX-200 as a General MIDI 2/GS Sound Module.. 26 Entering GM2 Mode.... 26 Initializing the Sound Generator for General MIDI System Basic Settings. 26 Preventing the MX-200 From Switching to GM2 Mode... 26

1. USB Connector

This connector is used for servicing of the MX-200. It is not used in ordinary operation.

2. PHONES Jack

This is the jack for connecting headphones (sold separately). * Use headphones with an impedance of 8 to 150 Ohms.

1. AC Adaptor Jack

Accepts connection of the supplied AC adaptor.

2. Ground Terminal

Depending on the circumstances of a particular setup, you may experience a discomforting sensation, or perceive that the surface feels gritty to the touch when you touch this device, microphones connected to it, or the metal portions of other objects, such as guitars. This is due to an infinitesimal electrical charge, which is absolutely harmless. However, if you are concerned about this, connect the ground terminal (see figure) with an external ground. When the unit is grounded, a slight hum may occur, depending on the particulars of your installation. If you are unsure of the connection method, contact the nearest Roland Service Center, or an authorized Roland distributor, as listed on the Information page. Unsuitable places for connection Water pipes (may result in shock or electrocution) Gas pipes (may result in fire or explosion) Telephone-line ground or lightning rod (may be dangerous in the event of lightning)
The sounds output from this jack are only those sounds produced by the MX-200. The sounds produced in combination with the organ are output from the organs headphone jack (may not be applicable with certain models).

3. VOLUME Knob

This adjusts the volume level for the OUTPUT jack and the PHONES jack. Pressing the [VOLUME] knob switches the MX-200 to Demo mode. Additionally, holding down the [VOLUME] knob and pressing the [VALUE] knob (8) switches the MX-200 to Edit mode. Also, press this knob to exit Edit mode.

4. PART Knob

This switches the part for which a tone is selected. In Tune mode, this switches the reverb type.

5. Display

Displays a variety of information about the operation being performed.

3. Chord Hook

To prevent the inadvertent disruption of power to your unit (should the plug be pulled out accidentally), and to avoid applying undue stress to the AC adaptor jack, anchor the power cord using the cord hook.

fig.Cordhook

6. MIDI Indicator
Lights up when MIDI messages are received.

7. MODE Indicator

This indicates the currently selected mode.

8. Value Knob

Used to change the value that is set for a parameter. You can also press this knob to alternate between MX mode and Tune mode. In Tune mode, this adjusts the overall global tuning. Pressing the [VALUE] knob while holding down the [VOLUME] knob (3) switches the MX-200 to Edit mode.
4. MIDI Connectors (In, Out, Thru)
These connectors are used to connect the MX-200 with other devices for sending and receiving MIDI messages. MIDI IN: MIDI OUT: This receives information from other MIDI instruments. This sends information from the MX-200.

9. TONE CATEGORY Knob

This selects the tone category. In Edit mode, this knob is used to select the parameter to be set. In Tune mode, it is used for switching the temperament.
MIDI THRU: This sends out, unaltered, information received from MIDI IN.
5. OUTPUT Jack (L (MONO), R)
These are for stereo (L/R) output of audio signals to an amp or a mixer. For monaural output, connect to the left (L) jack. Two types of jacks are provided for the OUTPUT jacks, 1/4 phone jacks (L (MONO), R) and RCA phono jacks (L, R).

Basic Operation

Turning the Power ON/OFF

Turning On the Power

* Once the connections have been completed (pp. 1820), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.

Changing the Mode

You can use the MX-200s panel controls to switch among six modes. The modes have the following functions.

MX Mode

Used for selecting the tones to be used in each part.

Tune Mode

Used for setting the tuning and temperament and the reverb type. * When the MX-200 is switched to Tune mode, the current tuning setting is displayed, followed by the reverb type, the temperament, then the tuning again.
1. Press the MX-200s [POWER] button to turn on

the power to the MX-200.

fig.Power

Lower Position ON

3. Set MSB to 65 and LSB to 0. Select a number for
the PGM as well so that OFF no longer appears in the display.

Tremulant Effect

Tremulant is an effect that adds a trembling effect to the sound. While this effect is generally known as vibrato, with pipe organs, this particular effect is obtained through the use of special boxes that change the air pressure. With the MX-200, tones in the Tone List (p. 28) appended with (*1) are linked with the organ, so the tremulant effect will be automatically applied when the tremulant is switched on by means of the organs controls. * If the organ features two MIDI output systems, the MX-200 must be connected with the organs Sequencer Out. * The organ must be set so that the tremulant is included in the stops. However, some tones already have the tremulant applied. (Example) The FLUE #011 tone is the FLUE #004 tone with tremulant added.
How to Switch Tones Using the Quick Key Map
1. Hold down the (SET) piston and press the desired

MIDI coupler.

The MIDI coupler lamp flashes, and the selected tone is enabled.
2. Play a key on the keyboard.
The tone is switched, without the note for that key being played, and the MIDI coupler lamp stops flashing and remains lit.

Quick Key Map Mode

In selecting tones with the keyboard as described above, if the (SET) piston is held down and one of the keys on the keyboard is pressed, the unit switches to Quick Key Map mode, and the MIDI coupler continues to flash. You can perform as usual in this mode, but you can also change tones by holding down the (SET) piston and pressing a key on the keyboard. To view the key map itself, see p. 44.
Using SRX Wave Expansion Boards
The MX-200 is equipped with one slot, which accepts a Roland SRX Series Wave Expansion Board. Installing a Wave Expansion Board allows you to increase the number of MX200 tones you can use.
How to Install a Wave Expansion Board
1. Before installing the Wave Expansion Board,
switch off the power to the MX-200 and any connected equipment.
2. Detach the cover on the upper portion of the MX200. Loosen the screw on the upper portion of the cover.
The Wave Expansion Board can be installed by removing the top cover.

fig.Exp1.e

Driver
A wave board designed exclusively for use with the MX-200 comes installed in Slot B. Do not remove this board. Removing this board will prevent the MX-200 from functioning correctly.
Cautions When Installing an Wave Expansion Board
To avoid the risk of damage to internal components that can be caused by static electricity, please carefully observe the following whenever you handle the board. Before you touch the board, always first grasp a metal object (such as a water pipe), so you are sure that any static electricity you might have been carrying has been discharged. When handling the board, grasp it only by its edges. Avoid touching any of the electronic components or connectors.

fig.Connect3.e

PR-300S
MIDI OUT IN (1CH) THRU IN START/ STOP ORGAN
EXT CONTROL PUNCH METRONOME IN/OUT EXPRESSION VOLUME

OUTPUT R L (MONO) PHONES

DC IN 9V 1200mA
Connect the PR-300S to the organ when playing back commercial SMF data or data created for use with the PR-300S. When recording and playing back performances with the MX-200 and the organ, connect the MX-200 to the organ.
Make the following settings when using the MX-200 in combination with the PR-300S: Set the MX-200s Tuning (p. 11) to 440.0 Hz. Set the MX-200s RECEIVE GM2 ON (p. 25) setting to OFF. Preventing the MX-200 From Switching to GM2 Mode (p. 26) Set all of the PR-300Ss MIDI channels to EXTERNAL (Ext). For instructions on making these settings, refer to the PR-300S Owner's Manual.
Note the following points when making these connections. You cannot record performances in SMF format, nor can you play back SMF data. Using the Rodgers organs tremulant stop does not apply the tremulant effect to the MX-200s tones (the tremulant effect may be obtained by selecting a tone that includes tremulant). The above connection is not available with Rodgers Insignia Series organs, as they feature only one MIDI OUT.

Tuning the Power ON/OFF

Turning On the MX-200
Once the connections have been completed (pp. 1820), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices.
Restoring the Factory Settings (Factory Reset)
When using the MX-200 for the first time, reset the unit to its original factory settings. The following procedure resets all of the settings stored in the MX-200 to the original factory settings.

the power.

2. Turn on the power to other connected devices.
As the result of executing the following procedure, all data stored within the unit will revert to the original factory condition. Do not perform this procedure after youve adjusted the settings to match your organ.
1. Hold down [VOLUME] and press [VALUE] to

enter Edit mode.

The EDIT MODE indicator lights.

Turning Off the MX-200

1. Turn off the power to the connected devices. 2. Press the MX-200s [POWER] button to turn off

2. Put the sequencer in record mode. 3. Hold down [VOLUME] and press [VALUE] to

Other Settings

Making USB and MIDI Related Settings
3. Turn [PART] to select the parameter. 4. Turn [VALUE] to select the desired setting. 5. Press [VALUE] to set (write) the value. 6. Press [VOLUME] to exit Edit mode.

Description

PART Knob Position 6 Parameter Value
PERFORMANCE CONTROL CHANNEL

116, OFF

USB DESCRIPTOR

VEN, GEN

MIDI-USB THRU RECEIVE GM2 ON

OFF, ON OFF, ON

When MIDI messages from an external device are used to switch the MX-200s Organ Type setting, set the external devices transmission channel and this channel setting to the same channel. * After Factory Reset, this is set to OFF. Do not change this setting unless you have a particular need to do so. This parameter will be used with future expansions. Although it normally does not affect operations, keep it set to VEN anyway. VEN (VENDOR): Select this setting. GEN (GENERIC): Do not select this setting. This parameter will be used with future expansions. Ordinarily, you should keep this set at OFF. This setting determines whether GS RESET, GM SYSTEM ON, and GM 2 SYSTEM ON MIDI messages are received (ON), or not (OFF) (p. 26). * This is normally set to ON. Set this to OFF only when recording the MX-200s tones while using the MX-200 in combination with a PR-300S.
* With these parameters, changes in the settings are not reflected until the power is turned off and then on again. Furthermore, only the MX-200 can be used to make the settings.
Checking the Program Version
3. Turn [PART] to 5 (VER.DISPLAY).
The program version (number) is displayed.
4. Press [VOLUME] to exit Edit mode.
Using the MX-200 as a General MIDI 2/GS Sound Module
The MX-200 features a GM2 modea convenient way to play back or create General MIDI score data (music files for General MIDI sound module).
Initializing the Sound Generator for General MIDI System Basic Settings

E.ORGAN

No. 015 PC MSB LSB 126 Tone Name Rocker Spin Soft Perky Soft B Ballad B Perky B Full Stops Gospel Spin D-50 Organ Surfs Up! Church Harmony Cathedral Wedding Mass MX Church Organ 1 MX Church Organ 2 MX Church Organ 3 PC 20 MSB LSB 0 0
* The PC, MSB, and LSB appearing to the right of the Tone Name are the PC, MSB, and LSB used in the Quick Key Map (p. 44).

Tone List STRINGS

No. 033 PC MSB LSB 127 Tone Name Expressimo MX Strings Wide Strings Film Octaves Orchestral Strings Harmonic Strings My Orchestra Full Orchestra Lush Strings 2 Fat Strings Ultra Smooth Strings Ensemble Contrabass Section Octave Strings 1 Octave Strings 2 Slow Octave Strings Full Tremolo Marcato Chamber Strings Chamber Quartet Full Chamber Strings Violin/Cello 1 Baroque 1 Baroque 2 Lead 4x Violins Full Pizzicato mp Orchestral Pizzicato Bass Pizzicato Violin/Cello 2 Warm Violin Slow Violin/Cello Real Cello Warm Cello PC MSB LSB (52) 66 (65) Mild Trombone Trombone MX Tuba Full Saxz Sax Choir Breathy Sax Soprano Sax mf Alto Sax Solo Alto Sax MX DynoTenor Swingin Bari Pan Pipes The Andes Lochscapes Soprano Recorder Harmo Blues MX Ocarina 0

CHIMES

No. PC MSB LSB Tone Name Chime Bells Tubular Bells MX Glocken Soft Celesta Celestabox Handbell Belfry Chime Church Bell 2020 Bell 2.2 Bell Pad Stacc.Heaven Morning Lite Holiday Cheer Music Bells PC MSB LSB 0 0
No. 005 PC MSB LSB 127 Tone Name Real Choir Boys Choir Stereo Choir Boys Choir Ooh Spaced Voxx PC 53 MSB LSB 0 0
No. 015 PC MSB LSB 127 Tone Name Concert Bass Drum Snare Roll Orchestral Snare Crash Cymbal Ride Cymbal Triangle MX Timpani 1 MX Timpani 2 Timpani Roll Orchestral Percussion Set True Vibe Warm Vibes Ambience Vibe Dyna Marimba MX Xylophone PC 14 MSB LSB 0 0
No. PC MSB LSB Tone Name Orchestral Brass Brassy Symphony Valve Job Fanfare Soft Symphony Voyager Brass Massed Horns Slow Dark Brass French Horn Section Soft Horns Bright Horn English Horn Wood Symphony Chamber Woods Swell Ensemble Fifes Wind Wood Wind Multi Flute Tender Flute Oboe Vibrato Oboe mf MX Clarinet Bass Clarinet Clarinet mp Bassoon/English Horn New R&R Brass Ceremonial MX Trumpet Cup Mute Harmon Mute Mellow Horn PC MSB LSB 0 0

*2 *2 *2 *3

*2: Played only in the low-frequency range *3: Played only with the fifth lowest key

r01 (PC: 1) MX ORCHESTRA ----------------------------BD Roll Concert BD 1 OrchSnr Roll Orch Snr Gong Tam Tam Grongkas Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Timpani 2 Crash Cymbal Cymbal Hit MalletCymbal CymbalScrape OrchestraHit Orch Hit f Orch Hit Maj Orch Hit Min OrchPrc Hit Perc Hit 2 Finger Cym 2 Wind Chime 2 JingleBell 2 Sleigh Bell Church Bells Mute Triangl Open Triangl TunedBlockHi TunedBlockLo Tambourine Castanets 1 Castanets 2 Slapstick Ratchet Perc Hit 1 Timp Roll p Timp Roll f F.Horn Rip Harp Maj Up Harp Maj Dwn TubularBells TubularBells TubularBells TubularBells TubularBells TubularBells TubularBells TubularBells TubularBells TubularBells TubularBells TubularBells Applause Metronome 2 R8 Click Metronome 1 -----------------
r02 (PC: 2) MX GS ASSIGN Close HiHat2 Pedal HiHat2 Open HiHat2 Ride Cymbal SticksSide R8 Click Metronome 2 Metronome 1 Concert BD ConcertBD Mt Side Stick Concert Snr Castanets Concert Snr Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Timpani Tambourine Splash Cym Cowbell Con.Cymbal2 Vibraslap Concert Cym Bongo High Bongo Low Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo High Agogo Low Cabasa Maracas ShortWhistle Long Whistle Short Guiro Long Guiro Claves Woodblock H Woodblock L Mute Cuica Open Cuica MuteTriangl OpenTriangl ShakerCabasa Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo Applause -------------------------------------------------------------

MSB: 92 LSB: 127

MSB: 86 LSB: 64
r06 (PC: 3) XV TECHNO KIT ----TechnoKick 6 TechnoKick 5 TechnoClHH 4 TechnoKick 4 TechnoSNGhst TechnoKick 3 TechnoClHH 3 TechnoKick 2 TechnoKick 1 TechnoStick TechnoSN Clap TechnoSN 2 TechnoTom1 L TechnoClHH 1 TechnoTom2 L TechnoClHH 2 TechnoTom1 M TechnoOpHH TechnoTom2 M TechnoTom1 H TechnoCrCym TechnoTom2 H TechnoCym TechnoRvSNRl 808 Crash TechnoBrSlap TechnoNzStik TechnoClHH 5 TechnoSNRoll TechnoRvJzRl TechnoSiren TechnoLoop TechnoLoNz TechnoRdCym TechnoCowbel TechnoTel TechnoTimpni TechnoClHH 6 TechnoRvOHit TechnoRvTHit TechnoRvBHt1 TechnoRvBHt2 TechnoWBlock TechnoKick 7 TechnoClHH 7 TechnoRim 1 TechnoRim 2 TechnoBrRoll TehcnoIcRain TechnoThrill TechnoSN 3 TechnoWCrak TechnoScrach TechnoBNz TechnoSN 4 TechnoPunch TehcnoPlink TechnoRvRoll TechnoOSC TechnoNz 1 TechnoTkHit TechnoBubble TechnoNz 2 TechnoNz 3 TechnoNz 4 TechnoPwChrd TechnoBckHit TechnoNz 5 R8 Click TechnoNz 6 Hand Claps TechnoKick 8 TechnoKick 9 TechnoSN 5 TechnoClHH 8

r13 (PC: 1) GS STANDARD High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Kick Drum2 Kick Drum1 Side Stick Snare Drum1 Hand Clap Snare Drum2 Low Tom2 Closed Hi-hat Low Tom1 Pedal Hi-hat Mid Tom2 Open Hi-hat Mid Tom1 High Tom2 Crash Cymbal1 High Tom1 Ride Cymbal1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo Mute High Conga Open High Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short Hi Whistle Long Low Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----
r14 GM2 ROOM High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick Standard KK1 Side Stick Standard SNHandClap Elec Snare 3 Room Tom 5 Close HiHat2 Room Tom 5 Pedal HiHat2 Room Tom 2 Open HiHat2 Room Tom 2 Room Tom 2 Crash Cym.1 Room Tom 2 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----

(PC: 9)

r15 GS ROOM
r16 (PC: 17) GM2 POWER High-Q Slap ScratchPush ScratchPull Sticks SquareClick Mtrnm.Click Mtrnm. Bell Mix Kick Power Kick1 Side Stick Dance SnareHandClap Elec Snare 3 Rock Tom 4 Close HiHat2 Rock Tom 4 Pedal HiHat2 Rock Tom 4 Open HiHat2 Rock Tom 4 Rock Tom 1 Crash Cym.1 Rock Tom 1 Ride Cymbal ChinaCymbal Ride Bell Tambourine Splash Cym. Cowbell Crash Cym.2 Vibraslap Ride Cymbal Bongo High Bongo Lo Mute H.Conga Conga Hi Opn Conga Lo Opn High Timbale Low Timbale Agogo Agogo Cabasa Maracas ShrtWhistle LongWhistle Short Guiro Long Guiro Claves Woodblock Woodblock Mute Cuica Open Cuica MuteTriangl OpenTriangl Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----
r17 (PC: 17) GS POWER High Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Kick Drum2 MONDO Kick Side Stick Gated SD Hand Clap Snare Drum2 Room Low Tom2 Closed Hi-hat Room Low Tom1 Pedal Hi-hat Room Mid Tom2 Open Hi-hat Room Mid Tom1 Room Hi Tom2 Crash Cymbal1 Room Hi Tom1 Ride Cymbal1 Chinese Cymbal Ride Bell Tambourine Splash Cymbal Cowbell Crash Cymbal2 Vibra-slap Ride Cymbal2 High Bongo Low Bongo Mute High Conga Open High Conga Low Conga High Timbale Low Timbale High Agogo Low Agogo Cabasa Maracas Short Hi Whistle Long Low Whistle Short Guiro Long Guiro Claves High Wood Block Low Wood Block Mute Cuica Open Cuica Mute Triangle Open Triangle Shaker Jingle Bell Bell Tree Castanets Mute Surdo Open Surdo -----

Setup Parameters

Parameter PERFORMANCE CONTROL CHANNEL USB DESCRIPTOR MIDI-USB THRU RECEIVE GM2 ON Value 116, OFF VEN, GEN OFF, ON OFF, ON Factory Setting OFF VEN OFF ON Page p. 25

Tune Mode Parameters

Parameter TEMPERAMENT REVERB TYPE Value EQUAL, MEAN-TONE, PYTHAGOREAN, KIRNBERGER, WERCKMEISTER I, WERCKMEISTER III, YOUNG I, YOUNG III OFF, ROOM, STAGE, SMALL HALL, MEDIUM HALL, SMALL CHURCH, MEDIUM CHURCH, LARGE CHURCH, CATHEDRAL Factory Setting EQUAL SMALL CHURCH Page p. 12 p. 12
Preset (P01, P02) Settings
PART TONE PIANO 016: Stereo Harpsichord STRINGS 005: Orchestral Strings STRINGS 013: Contrabass Section OTHERS 001: Harp STRINGS 021: Full Chamber Strings CHOIR 001: Real Choir STRINGS 028: Bass Pizzicato STRINGS 001: Expressimo PIANO 001: Grand MX r01: Orch. Kit EQ TYPE MUTE LEVEL PAN C.T F.T REV CHO DRY

ton OFF ON rhy 127

PIANO 001: Grand MX

P01: ON P02: OFF

For more on P01 and P02, refer to Selecting How the MX-200 is Used (p. 22).

Demo Song List

1. Hymnus
by Hector Olivera 2003 Roland Corporation An original work composed especially for the MX-200. Passages with brilliant trumpet tones resound like celestial music.

2. MX-200 Overture

by Hector Olivera 2003 Roland Corporation Another work composed for the MX-200, this is a rhythmically expressive ensemble piece. Enjoy the interplay of flowing strings entwined with brass and piano sounds.

3. Sinfonia No. 29

by Johann Sebastian Bach (Original Arrangement by Dan Miller) A typical Bach piece. The characteristic reverberation of the brass makes this piece stand out.

4. Jesu, meine Freude

by Johann Sebastian Bach (Original Arrangement by Mauro Goia) Another example representative of Bachs works. This arrangement begins with soft, quiet tones, then builds as greater numbers of pipes are gradually added.
* All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.

Error Messages

An error message appears in the display when an error in operation occurs, or if an operation cannot be processed correctly. When this occurs, continue by following the instructions indicated in the error message. Display Situation More MIDI messages were received in a short time than could be processed correctly. Action Reduce the amount of MIDI messages that are transmitted.