Recording with the EZ Recording Function... 26
1. Make Recording Settings.. 26 2. Recording... 27 3. Playing Back... 29 EZ Recording Parameter List.. 30
Cancelling an Operation (UNDO/REDO).. 48
Returning to the Previous State (UNDO)... 48 Canceling the Undo (REDO). 48
Viewing Information about the Song. 49
Viewing the Remaining Recording Time.. 49 Viewing Song Information. 49
Getting Ready to Record.. 31

Making Connections.. 32

Using the Cord Hook.. 33
Simple Recording (SONG SKETCH). 50
Switching to Song Sketch Mode. 50 Recording.. 50 Playback... 51 Erasing a WAV File.. 51 Naming a WAV File.. 52 Viewing Information about the WAV File.. 52
Turning the Power On/Off. 34
Turning the Power On.. 34 Turning the Power Off.. 34

Recording/Playback. 35

Recording.. 36
Creating a New Song (SONG NEW).. 36 Selecting a Song (SONG SELECT). 36 Selecting the Input Source.. 37 Adjusting the Input Sensitivity. 37 Adjusting the Recording Level. 38

BR800_e.book 9

Using Effects.. 53
Using Insert Effects.. 54
Effect Patches and Banks. 54 Turning the Insert Effect On/Off.. 55 Easily Creating an Insert Effect (EZ TONE)... 55 Editing the Insert Effect Settings. 56 Saving the Insert Effect Settings (Write)... 57 Changing the Location of the Insert Effect (LOCATION).. 58 Algorithm List.. 59 Parameter List.. 64
Creating an Original Arrangement.. 96
Inserting a Step... 98 Erasing a Step.. 98 Naming an Arrangement. 99 Copying an Arrangement. 100 Erasing an Arrangement.. 101
Delaying the Pattern/Arrangement Playback (OFFSET).. 102

Editing.. 103

Finding the Location at which a Sound Begins or Ends (Scrub/Preview). 104 Editing.. 105
Track Editing.. 105 Copying a Song (SONG COPY). 107 Erasing a Song (SONG ERASE). 107 Naming a Song (SONG NAME).. 108 Protecting a Song (SONG PROTECT).. 108 Saving a Song (SAVE CURRENT STATE). 109
Adding a Sense of Spaciousness.. 83
Adjusting the Loop Effect Depth. 83 Editing the Loop Effect.. 84 Parameter List.. 84
Adjusting the Tone of Each Track. 86
Editing the Track EQ. 86 Parameter List.. 86

Using Rhythm. 87

Overview of the Rhythm Section. 88
Patterns and Arrangements.. 88 About the Drum Sounds (Drum Kits). 89 Turning the Rhythm On/Off.. 90 Switching between Pattern Mode and Arrangement Mode.. 90

Mastering.. 111

Using Mastering in Creating a Song. 112
Editing the Mastering Effect Settings. 114 Saving the Mastering Effect Settings (Write).. 115 Parameter List... 115

Playing Patterns.. 91

Changing the Tempo. 92 Using [TAP TEMPO] Button to Set the Tempo... 92

Adjusting the Input Sensitivity
Adjust the input sensitivity as appropriate for your input source. Input INPUT 14 jacks Internal stereo microphones GUITAR/BASS jack LINE IN jack USB connector To adjust the sensitivity Use the INPUT SENS knob for each input to adjust the input sensitivity. Adjust the sensitivity so that the PEAK indicator lights briefly at the loudest sounds. Adjust the volume on the external device thats connected. The input sensitivity cannot be adjusted on the BR-800.
Editing Convenient Functions Using USB Mastering
Use the CURSOR [ ] [ ] buttons to move the cursor to INPUT, and use the dial to choose the input source that you want to record.
Press the [EXIT] button a number of times to return to the play screen.
Setting INPUT OFF MONO REC STEREO REC SIMUL REC 4TRACK REC
Explanation Input will be off (recording will not occur). Recording will occur on one track. Recording will occur on two tracks (stereo). Each input will be recorded on a separate track simultaneously. Four tracks will be recorded simultaneously.
Use the CURSOR [ ] [ ] buttons to move the cursor to MODE, and use the dial to choose the number of tracks that youll be recording.

BR800_e.book 38

Adjusting the Recording Level
Heres how to adjust the volume of the recording on the track.
Selecting the Track(s) for Recording
Press one of the track 17/8 [REC] buttons to select the track(s) on which recording will occur. The indicators on the buttons show the track status as follows. Indicator Unlit Lit Blinking

fig.Rec01.eps

Lower the [MASTER] fader.
Turn the [REC LEVEL] knob to approximately the center position, and slowly raise the [MASTER] fader.
Explanation Track that will not be recorded Track that will be recorded Track that will be loop-recorded (p. 41)
Use the [REC LEVEL] knob to adjust the recording level. Adjust the level so that the INPUT level meter moves within the range of -12 (between -24 and -6)0 dB.
Try to record at the highest volume possible before the sound begins to distort. If you want to decrease the monitoring volume, lower the [MASTER] fader.

By pressing the [REPEAT] button twice at the same location, you can set the repeat region to a single measure.
Use the CURSOR [ ] [ ] buttons to move the cursor to SYSTEM, and press the [ENTER] button.
Use the CURSOR [ ] [ ] buttons to move the cursor to AB QUANTIZE, and use the dial to change the setting to ON. If this if OFF, Quantize will not be applied.

D_System_AB.eps

If you use Quantize when specifying the repeat region, and you change the tempo after making the setting, the repeat start/end points will no longer match the beginning and end of the measure.

BR800_e.book 45

Play back the song, and use the [REC LEVEL] knob to adjust the volume of the input source. While listening to compare the track to be re-recorded with the input source, use the [REC LEVEL] knob to adjust the input source so that there is no difference in volume.
While the track plays, you can punch-in to switch from playback to record; then you can punch-out to resume playback, all without stopping. Punch-in at the point where you want to start re-recording, and then punch-out when you want to stop re-recording.

fig.01-170

Playback Time
Move to a position in the song earlier than the point where you want to start re-recording, and then press the [PLAY] button to start playback.
On the BR-800, you can use either manual punch-in/out or auto punch-in/out.
At the moment you want to start re-recording, press the [REC] button. Punch-in will occur, and youll be in record mode.
This method lets you use the [REC] button or a foot switch to perform punch-in/out operations. * When using manual punch-in/out, make sure that there is at least 1.0 seconds between punch-in and punch-out.
When you want to punch-out, press the [REC] button once again (or press the [PLAY] button). Each time you press the [REC] button, youll alternate between punching-in and punching-out; you can repeat this procedure as many times as you like if there are other regions that you want to re-record.

BR800_e.book 47

Recording
Use the CURSOR [ ] [ ] buttons to move the cursor to DISP, and turn the dial to choose the units in which youll specify the locations. Setting TIME MEASURE Explanation Specify the locations in units of time. Specify the locations in units of measures. In this example, well explain how to specify the auto punch-in/out locations beforehand, and then re-record a specified region of the previously recorded track 1.
After specifying the time in the procedure above, a + may appear to show that there is a discrepancy between the actual current position and the position displayed. If you specify the locations using measures, specify the locations at each screen using the dial to eliminate the discrepancy.
Use the CURSOR [ ] [ ] buttons to move the cursor to IN, and turn the dial to specify the punchin location.
You can move to the current location by pressing the [ENTER] button.
Move to a location earlier than where you want to start re-recording.
Use the CURSOR [ ] [ ] buttons to move the cursor to OUT, and turn the dial to specify the punch-out location.
Press the [REC] button to enter recording-standby mode, and then press the [PLAY] button. Punch-in will automatically occur at the location you specified; re-record your performance. Playback will automatically resume at the punch-out location you specified.
Press the [EXIT] button a number of times to return to the play screen. The display will indicate A. PUNCH, indicating that the punch-in/out locations have been specified.
When youve finished recording, press the [STOP] button to stop.

BR800_e.book 48

Cancelling an Operation (UNDO/REDO)
There may be times when you would like to cancel the result of an operation; for example, when recording, you might not have been able to record as you intended, or you might have made a mistake when making editing settings. In such cases, you can use Undo. Undo means to return to the state prior to the most recent operation. If you decide to cancel Undo, you can use Redo. For example, lets suppose that you were using punch-in recording, and recorded the same region twice in succession. If you wanted to cancel the most recent recording and return to the state just after the first recording, you would execute the Undo operation. After executing Undo, you could execute Redo to cancel the Undo and return to the state just after the second recording.
Returning to the Previous State (UNDO)
Use the CURSOR [ ] [ ] buttons to move the cursor to UNDO/REDO, and press the [ENTER] button. The UNDO/REDO will appear.

D_Undo.eps

After executing Undo, only Redo can be executed. Undo applies to audio data recorded on a track.
To execute Undo, press the [ENTER] button. When you press the [ENTER] button, the most recent recording or editing operation will be cancelled. If you decide not to Undo, press the [EXIT] button.

fig.03-020.eps

Adding a Sense of Spaciousness (p. 83) Adjusting the Tone of Each Track (p. 86)
Not only can you use an insert effect during recording, you can also apply an effect to the sound of each track during mixdown. For details, refer to Changing the Location of the Insert Effect (LOCATION) (p. 58).

Effect Patches and Banks

By calling up effect patches, you can switch the effects used by the insert effect and the parameters of each effect. The BR-800 provides a variety of effect patches suitable for use with vocals and a variety of instruments. These effect patches are organized by their type into six banks.

fig.03-010.eps

BR-800 Preset Patch User Patch

SD Card

Song Patch
Song patches (S) cannot be selected if no SD card is inserted.

8TRACK COMP

MICROGUITAR PHONE

SIMUL 4INPUT

Preset Patch User Patch Song Patch
P01. P80 U01. U80 S01. S80
P01. P30 U01. U30 S01. S30
P01. P25 U01. U25 S01. S25
P01. P15 U01. U15 S01. S15
P01. P05 U01. U05 S01. S05
When the BR-800 is shipped from the factory, each banks user patches (U) and song patches (S) contain the same patches as the preset patches (P).

BR800_e.book 55

The EZ TONE screen will appear.
Press the [EFFECTS] button. The [EFFECTS] button will light, and the insert effect will turn on.
Use the [CURSOR] buttons to operate the tone grid to get the desired sound.

fig.effect_on_off.eps

For the GUITAR bank

EZ-Tone_Guitar1-e.eps

Suitable for soloing

Soft sound

Hard sound
Press the [EFFECTS] button once again to turn the insert effect off. The [EFFECTS] button will go out.

EZ-Tone_Guitar2-e.eps

Suitable for backing

More body-resonance

Warm sound

Bright sound

EZ Tone makes it easy to create your sound without having to edit parameters in detail. * EZ Tone is not available if 4INPUT or 8TRACK COMP is selected as the effect bank (p. 54).

Less body-resonance

For the MICROPHONE or LINE banks

Delay sound: loud

EZ-Tone_Mic-e.eps
Press the [EFFECTS] button. The EFFECT screen will appear.

Heres how to assign a name (patch name) to the effect settings you edited, and save them as a new effect patch.
Press the [EFFECTS] button.
Use the CURSOR [ ] [ ] buttons to move the cursor to NAME/WRITE, and press the [ENTER] button. The write screen will appear.

D_Effect_Write.eps

Use the CURSOR [ ] [ ] buttons to move the cursor to the effect whose parameters you want to edit, and press the [ENTER] button. The parameter edit screen for that effect will appear.

D_Effect_Comp.eps

If you want to enter a patch name, press the CURSOR [ ] button. If you dont need to change the patch name, proceed to step 6.

D_Effect_Name.eps

Use the CURSOR [ ] [ ] buttons to select a parameter, and use the dial to edit its value.
If there are other effects that you want to edit, press the [EXIT] button to return to the previous screen, and repeat steps 56.
Use the CURSOR [ ] [ ] buttons and the dial to enter the desired patch name.
When youve finished entering the patch name, press CURSOR [ ].
If you want to save the current effect settings, proceed as described in Saving the insert effect settings (the following section).
Using the CURSOR buttons and the dial, choose the Effect Patch that is to become the destination of the write.
Once youve specified the destination at which to write the effect patch, press the [ENTER] button. The confirmation message Are you sure? will appear.
If youre sure you want to save the settings, press the [ENTER] button. If you decide to cancel without saving, press the [EXIT] button. When the data has been written, you will return to the EFFECT screen. * The display will indicate Keep power on! while the data is being updated. Do not turn off the power while this message is shown.
Use the CURSOR [ ] [ ] buttons to move the cursor to each effect, and use the dial to specify the on/off status of each effect.
Saving the Insert Effect Settings (Write)

BR800_e.book 58

Changing the Location of the Insert Effect (LOCATION)
The BR-800 lets you change the location of the insert effect, allowing you to use it for a variety of different purposes.

INPUT <REC DRY>

This setting lets you monitor the sound that has passed through the insert effect, but the sound unprocessed by the effect (i.e., the dry sound) will be recorded. Use this setting if you want to try out various effects after recording.

fig.03-120.eps

In the EFFECT screen, press the CURSOR [ ] button to move the cursor to LOCATION, and press the [ENTER] button. The LOCATION screen will appear.

BOSS COMP HI-BAND COMPRESSOR LIMITER LIGHT D-COMP ORANGE FAT
-[COMP/LM]-[COMP/LM]-[COMP/LM]-[COMP/LM]=[COMP/LM]= =[COMP/LM]=

Compressor/Limiter

MILD BOSS LIM RACK 160 D
VTG RACK U This models a UREI 1178. Adjusts the range (time) over which low-level signals are boosted. Larger values will result in longer sustain.

SUSTAIN *1

BR800_e.book 65

Parameter/ Range

Explanation
Explanation This limiter lets you divide the input signal into four separate bandsultra low, low, high, and ultra high frequency rangesand apply different settings to the low and high frequency ranges. You can set the frequencies separating each band using the XOVER F L, M, and H parameters.
XOVER F M XOVER F L XOVER F H

ATTACK

0100 Adjusts the strength of the picking attack when the strings are played. Higher values result in s sharper attack, creating a more clearly defined sound. Adjusts the tone. Adjust this as appropriate for the input signal from your guitar. When the input signal level exceeds this threshold level, limiting will be applied. This selects the compression ratio used with signals in excess of the threshold level. Adjusts the time from when the signal level drops below the threshold until when limiting is removed. Adjusts the volume. NATURAL

TONE *1

-50+50

THRESHOLD *2

MULTI BAND LIMITER
Ultra Low High Frequency Range Frequency Range Low Frequency Range Frequency

RATIO *2

Ultra High Frequency Range

RELEASE *2

0100 The limiter is applied neither to the ultra low range, which is critical to the basss sound, nor to the ultra high range, which affects the nuance of the attack. This compressor is configured using the same frequency divisions as MULTI BAND, but with simplified parameter settings. Adjusts the range (time) over which low-level signals are boosted. Larger values will result in longer sustain. Adjusts the strength of the picking attack when the strings are played. Higher values result in s sharper attack, creating a more clearly defined sound. Adjusts the tone. When the input signal level exceeds this threshold level, limiting will be applied. This selects the compression ratio used with signals in excess of the threshold level. Higher values create a stronger compression effect.
0100 *1 Setting available when MODE is set to COMPRESSOR. *2 Setting available when MODE is set to LIMITER.
With BASS MULTI algorithms
Parameter/ Range Explanation
OFF, ON Turns the COMPRESSOR/LIMITER effect on/off.

ATTACK *2

NOISE SUPPRESSOR

This effect reduces the noise and hum picked up by guitar pickups. Since it suppresses the noise in synchronization with the envelope of the guitar sound (the way in which the guitar sound decays over time), it has very little effect on the guitar sound, and does not harm the natural character of the sound. Parameter/ Range Explanation
OFF, ON Turns the EQUALIZER effect on/off. This sets the frequency at which the low cut filter begins to take effect. When FLAT is selected, the low cut filter will have no effect. Adjusts the low frequency range tone. Specifies the center of the frequency range that will be adjusted by the LO-MID G.

LOW CUT (Low Cut Filter)

FLAT, 55Hz800Hz
OFF, ON Turns the NOISE SUPPRESSOR effect on/ off. Adjust this parameter as appropriate for the volume of the noise. If the noise level is high, a higher setting is appropriate. If the noise level is low, a lower setting is appropriate. Adjust this value until the decay of the guitar sound is as natural as possible. * High settings for the threshold parameter may result in there being no sound when you play with your guitar volume turned down.

LOW GAIN

-20+20dB 20.0Hz 10.0kHz

THRESHOLD

LOW-MID F (Low Middle Frequency)

LOW-MID Q (Low Middle Q)

0.516 Adjusts the width of the area affected by the EQ centered at the LO-MID F. Higher values will narrow the area. Adjusts the low-middle frequency range tone. Specifies the center of the frequency range that will be adjusted by the HI-MID G. Adjusts the width of the area affected by the EQ centered at the HI-MID F. Higher values will narrow the area. Adjusts the high-middle frequency range tone. Adjusts the high frequency range tone. This sets the frequency at which the high cut filter begins to take effect. When FLAT is selected, the high cut filter will have no effect. Adjusts the overall volume level of the equalizer.
LOW-MID G (Low Middle Gain)

-20+20dB

RELEASE
0100 Adjusts the time from when the noise suppressor begins to function until the noise level reaches 0.
HI-MID F (High Middle Frequency)

20.0Hz 10.0kHz

HI-MID Q (High Middle Q)
HI-MID G (High Middle Gain)

HIGH GAIN

HIGH CUT (High Cut Filter)

DEPTH *3

0100 *1 Setting available when TYPE is set to DISTORTION. *2 Setting available when TYPE is set to STROBE or FLANGER. *3 Setting available when TYPE is set to CHORUS.

DOUBLE/HARMONY

Produces a double-tracked effect or harmony effect. You can layer up to two parts (PART 1 and PART 2).
PART2DBL (Part 2 Double) *1

PART2LEVEL *2

What is double-tracking? This is a popular recording studio technique in which a vocalist records a melody, then overdubs a second performance of the same melody along with the first recording. When the two performances are played back together, it gives the effect of a thick and rich single voice. Parameter/ Range Explanation

PART2GENDER *2

PART2PAN
CB, CmBm Specifies the key of the song youre singing.
OFF, ON Turns the DOUBLE/HARMONY effect on/off. Produces a double-tracking effect.
*1 Setting available when TYPE is set to DOUBLE. *2 Setting available when TYPE is set to -1OCT +1OCT or UNISON.

PART1TYPE

DOUBLE

BR800_e.book 82

LOW CUT
This filter cuts out vocal pop and other unwanted low-band noise. Parameter/ Range Explanation

FILTER *3

0100 This parameter adjusts the filter. This adjusts the balance of the direct and effect volumes. This filter reduces the amount of digital distortion. When turned off, it allows you to create an intense lo-fi sound that includes digital distortion. This parameter allows you to modify the sampling rate. Modifies the number of data bits. When turned off, the number of data bits will remain unchanged. If an extremely low number of bits is selected, certain input sources may result in loud noises being input, even when there is no input sound. In such a case, raise the noise suppressors threshold. This filter reduces the amount of digital distortion produced by the lo-fi. By turning this off, you can create an extremely lo-fi sound. Adjusts the overall volume of the lo-fi sound. Adjusts the volume of the direct sound.

D:E *3

100:00:100
OFF, ON Turns the LOW CUT effect on/off. This parameter sets the frequency below which vocal pop and other undesirable lower-range noises will be filtered out.

PRE FILTER *4

SAMPLE RATE *4

OFF, 1/21/32

This effect is used to produce a lo-fi sound. Parameter/ Range Explanation

BIT *4

OFF, ON Turns the LO-FI effect on/off.

OFF, 151

Select the type of lo-fi box. The audio will sound as if it is being played on an AM radio. By adjusting TUNING, you can simulate the transient sounds that would occur as you adjust the radios tuning frequency. The audio will sound as if it is being played on a gramophone. Needle noise caused by scratches and dust on the record is also simulated. This setting allows you to create a lo-fi sound by lowering the sample rate and/or decreasing the number of bits. A bank of series-connected real-time modify filters allow the sound to be freely reshaped. This parameter is used with the RADIO setting. It simulates the transient sounds that would occur as you adjust the AM radios tuning frequency. This parameter is used with the VINYL setting. It simulates the wow and flutter that occur when the speed of the turntable is not constant. This parameter is used to simulate noise.

POST FILTER *4

E.LEVEL (Effect Level) *4
D.LEVEL (Direct Level) *4
MODIFY FIL (Modify Filter) *4
Select the effect of modify filter. OFF LPF BPF HPF No modify filter will be used. A low-pass filter will be used. A band-pass filter will be used. A high-pass filter will be used. This parameter adjusts the cutoff frequency. This parameter adjusts the resonance. Adjusts the volume level of the sound that has passed through the modify filter.

DIGITAL

TUNING *1

CUTOFF F *4

RESONANCE *4 GAIN *4

0 +24 dB *1 *2 *3 *4

WOW FLUTTER *2

NOISE *3

Setting available when TYPE is set to RADIO. Setting available when TYPE is set to VINYL. Setting available when TYPE is set to RADIO or VINYL. Setting available when TYPE is set to DIGITAL.

BR800_e.book 83

Adding a Sense of Spaciousness
By making use of the BR-800s onboard Loop Effects, you can add a sense of spaciousness and depth to your sounds. You can adjust the effect depth by adjusting the send level from each input or track to the loop effect. Since each input and track has its own independent send level, you can make adjustments separately; for example, you might apply deep reverberation to the vocal, but shallow reverberation to the drums.

MID GAIN (Middle Gain)

MID FREQ (Middle Frequency)

20Hz10kHz

MID Q (Middle Q)
Use the CURSOR [ ] [ ] buttons and the dial to turn each tracks EQ on or off.
* You can move the cursor to each track by pressing that tracks Track [REC] button.
Press the [ENTER] button. The EQ parameter edit screen will appear. 400Hz16kHz

D_EQ_Edit.eps

If you adjust the equalizer while listening to the sound, you may notice a clicking noise. This is not a malfunction. If the noise is objectionable, make adjustments while the sound is not playing. Use the CURSOR [ ] [ ] buttons to select a parameter, and use the dial to edit the value.
For more about the track EQ parameters, refer to Parameter List (p. 86).
When youve finished editing, press the [EXIT] button a number of times to return to the play screen.
The track EQ does not have patches. Track EQ settings are saved as part of the song data.

BR800_e.book 87

BR800_e.book 88
Overview of the Rhythm Section
The BR-800 provides a dedicated rhythm generator that is separate from the audio tracks 17/8. You can use this rhythm as a guide during recording, or create an original rhythm backing by arranging various internal rhythms to match the structure of your song. The preset patterns include patterns for intro, verse, fill, and ending. The various types can be distinguished by the characters at the end of the pattern name. (Ex) ROCK1-IN (intro) Broadly speaking, the BR-800s rhythms consist of patterns and arrangements. ROCK1-V1 (verse 1) ROCK1-V2 (verse 2) ROCK1-F1 (fill 1) ROCK1-F2 (fill 2) ROCK1-E (ending)
Patterns and Arrangements

Patterns

Typically, a drummer playing in a band repeatedly plays fixed sequences one or two measures in length. On the BR-800, these basic repeated units are called patterns. An example of a pattern For a four-beat rhythm, performance data such as the following will be played repeatedly.

fig.04-onpu.eps

Preset Pattern List (p. 145) IN (intro) These patterns are suitable for an intro (introduction). V (verse) 1, 2 These are the main patterns. 1 is the basic pattern, and 2 is a variation of 1.
Snare drum Repeat Kick drum Pattern
F (fill) 1, 2 These are ornamental patterns inserted between phrase changes. Choose 1 or 2 depending on the pattern that will follow the fill. E (ending) These patterns are suitable for the end of a song.

Song patterns (S001S100)

One hundred patterns can be stored for each song on an SD card.
* You cant edit the preset patterns or rewrite the data.
Preset patterns (P001P327)
The BR-800 provides 327 preset patterns (P001P327) that are suitable for various musical styles such as rock or jazz. * You cant edit these patterns or rewrite the data.

To turn off the tuner, press the [EXIT] button.
Tune your instrument so that the correct note name of the string youre tuning appears in the display. Standard tuning
If you dont want sound to be heard while youre tuning, lower the [MASTER] fader.
7th 6th 5th 4th 3rd 2nd 1st string string string string string string string Guitar B E A D G B E Bass B E A D G

BR800_e.book 131

If the difference is within 50 cents of the correct pitch, the tuning guide will show the difference between your instrument and the displayed pitch. If your instrument is sharp

D_Tuner_E_high.eps

When tuning an instrument, the reference pitch is conventionally given as the frequency of the A4 note (middle A on a piano keyboard). You can adjust the tuners reference pitch in the range of 435445 Hz. In the TUNER screen, you can use the dial to set the reference pitch. With the factory settings, this is set to 440 Hz.
If your instrument matches the displayed pitch The reference pitch setting is saved within the BR-800.

D_Tuner_E_just.eps

If your instrument is flat

D_Tuner_E_low.eps

Repeat steps 13 to tune each string of your instrument.
If youre tuning a guitar that has a whammy bar, tuning one string might cause the other strings to drift out of tune. Start by tuning each string to the approximate pitch so that the correct note name is displayed, and then retune each string successively as many times as needed.
While watching the tuning guide, tune your instrument so that the center indicator is lit.
Specifying the Tuners Reference Pitch

BR800_e.book 132

Mixing the Sound from an Audio Device (LINE IN MIX)
Line In Mix is a function that allows the input from LINE IN to be mixed with the output from LINE OUT. By using Line In Mix you can avoid having to use an external mixer. The sound of your external audio device will be mixed inside the BR-800 with the BR-800s own output.

fig.06-130.eps

BR800_e.book 153

Numerics
4-INPUT MULTI... 64 8-TRACK COMP/LIM... 64 Copying Arrangement.. 100 Song... 107 Track... 105 Cord hook... 33 COSM... 11
A.GUITAR MULTI... 60 AC adaptor... 18 ACOUSTIC PROCESSOR.. 80 ACOUSTIC SIM... 59 ACOUSTIC SIMULATOR... 79 AMP... 68 Arrangement Copying... 100 Created... 96 Erasing.... 101 Erasing a step.. 98 Inserting a step... 98 Naming.... 99 Play... 93 Tempo... 94 Arrangement mode... 90 Audio interface... 119 AUTO PUNCH IN/OUT.. 46 Auto punch-in... 46 Auto punch-out... 46
DBL DELAY... 73, 78 DC IN... 18 DEFRETTER... 7374 DELAY... 79 Display... 15, 128 DISTORTION... 67 DOUBLE/HARMONY... 81 Drum kit... 95 DYNAMICS.... 80
E.GUITAR MULTI... 59 Effect Insert effect... 54, 83 Loop effect... 83 Mastering effect.. 112 Track EQ... 86 Effect patch... 54 EFFECTS... 14, 5557 ENHANCER... 73 ENTER... 14 EQ.... 86 EQUALIZER... 72 ERASE... 101 Erasing Arrangement.. 101 Song... 107 Song Sketch... 51 Track... 106 EXIT... 14, 50 EXP PEDAL... 129 EZ REC... 14, 26 EZ Recording... 26 EZ TONE.... 55
BACKUP... 123 BANK 4INPUT.... 64 8TRACK COMP... 64 GUITAR... 59 LINE.... 61 MICROPHONE... 61 SIMUL... 62 Banks... 54 BASS MULTI... 60 BASS SIM... 7374 Bass Simulator.. 7374 Battery... 19
CATEGORY.... 30 CENTER CANCEL... 135 CHO/DLY... 83 CHORUS... 73, 78 CHORUS/DELAY... 85 COMPRESSOR/LIMITER... 64 Connection... 32 Contrast.... 128 Control surface... 120 COPY... 100
Factory Reset... 136 Factory-set... 136 FF.... 13 FLANGER... 73, 76 FOOT SW/EXP PEDAL.. 17 FOOT SWITCH... 46, 129 Frame... 15

BR800_e.book 154

GTR SIM... 73 Guitar Simulator... 73 GUITAR TO BASS.. 60, 79 GUITAR/BASS... 16
NAME... 115 Naming Arrangement... 99 Insert effect.. 57 Mastering effect.. 115 Song... 108 Song Sketch... 52 NOISE SUPPRESSOR... 72

Headphone... 16, 133

INFORMATION SD CARD.. 138 Information Song... 49 Song Sketch... 52 INPUT... 17, 37, 58 INPUT SENS... 12 Input source.... 37 Insert effect... 54 Naming.... 57 Setting... 56
OCTAVE.... 73, 75 OFFSET... 102 OUTPUT... 133 Overdubbing... 42
P SHIFTER... 73 PAN... 40, 73, 77 Pattern.... 88 Play... 91 Tempo... 92 Pattern mode... 90 PEAK.... 12 PHASER.... 73, 76 PHRASE TRAINER.. 134 PITCH... 131 PITCH CORRECT.. 80 PITCH SHIFTER... 75 PLAY.... 13 Play screen... 15 Playback Song... 41 Song Sketch... 51 POWER... 18 Preset Arrangement.. 144 Preset Pattern... 145 Preview... 104 Protect... 108 punch-in... 45 punch-out... 45

KIT.... 95