PANAMA

Productos Superiores, S.A.
Calle Canfield-Albrook, Panama REP. DE PANAMA TEL: (507) 315-0101

NORWAY

Roland Scandinavia Avd. Kontor Norge
Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo NORWAY TEL: 273 0074

JORDAN

AMMAN Trading Agency
Prince Mohammed St. P.O. Box 825 Amman 11118 JORDAN TEL: (06) 4641200

MALAYSIA

Bentley Music SDN BHD
140 & 142, Jalan Bukit Bintang 55100 Kuala Lumpur, MALAYSIA TEL: (03) 2443333

URUGUAY

Todo Musica
Cuareim 1488, Montevideo, URUGUAY TEL: 5982-924-2335

KUWAIT

Easa Husain Al-Yousifi
P.O. Box 126 Safat 13002 KUWAIT TEL: 5719499

POLAND

P. P. H. Brzostowicz
UL. Gibraltarska 4. PL-03664 Warszawa POLAND TEL: (022) 19
PHILIPPINES G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue Makati, Metro Manila 1200, PHILIPPINES TEL: (02) 899 9801

VENEZUELA

Musicland Digital C.A.
Av. Francisco de Miranda, Centro Parque de Cristal, Nivel C2 Local 20 Caracas VENEZUELA TEL: (02) 285 9218

LEBANON

A. Chahine & Fils
P.O. Box 16-5857 Gergi Zeidan St. Chahine Building, Achrafieh Beirut, LEBANON TEL: (01) 335799

PORTUGAL

Tecnologias Musica e Audio, Roland Portugal, S.A.
RUA DE SANTA CARARINA 131 - 4000 Porto -PORTUGAL TEL: (02) 56
As of May 12, 2000 (EDIROL)

USING THE UNIT SAFELY

Used for instructions intended to alert the user to the risk of death or severe injury should the unit be used improperly. Used for instructions intended to alert the user to the risk of injury or material damage should the unit be used improperly. * Material damage refers other adverse effects respect to the home furnishings, as well animals or pets. to damage or caused with and all its to domestic
The symbol alerts the user to important instructions or warnings.The specific meaning of the symbol is determined by the design contained within the triangle. In the case of the symbol at left, it is used for general cautions, warnings, or alerts to danger. The symbol alerts the user to items that must never be carried out (are forbidden). The specific thing that must not be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the unit must never be disassembled. The q symbol alerts the user to things that must be carried out. The specific thing that must be done is indicated by the design contained within the circle. In the case of the symbol at left, it means that the powercord plug must be unplugged from the outlet.

Before using this unit, make sure to read the instructions below, and the Owners Manual.

... 002c

Make sure you always have the unit placed so it is level and sure to remain stable. Never place it on stands that could wobble, or on inclined surfaces.

... 008c

Do not open (or modify in any way) the unit or its AC adaptor.

... 003

Do not attempt to repair the unit, or replace parts within it (except when this manual provides specific instructions directing you to do so). Refer all servicing to your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page.

... 004

Be sure to use only the AC adaptor supplied with the unit. Also, make sure the line voltage at the installation matches the input voltage specified on the AC adaptors body. Other AC adaptors may use a different polarity, or be designed for a different voltage, so their use could result in damage, malfunction, or electric shock. Do not excessively twist or bend the power cord, nor place heavy objects on it. Doing so can damage the cord, producing severed elements and short circuits. Damaged cords are fire and shock hazards!

... 009

Never use or store the unit in places that are: Subject to temperature extremes (e.g., direct sunlight in an enclosed vehicle, near a heating duct, on top of heat-generating equipment); or are Damp (e.g., baths, washrooms, on wet floors); or are Humid; or are Exposed to rain; or are Dusty; or are Subject to high levels of vibration.

... 011

Do not allow any objects (e.g., flammable material, coins, pins); or liquids of any kind (water, soft drinks, etc.) to penetrate the unit.
Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Center, or an authorized Roland distributor, as listed on the "Information" page when: The AC adaptor or the powersupply cord has been damaged; or Objects have fallen into, or liquid has been spilled onto the unit; or The unit has been exposed to rain (or otherwise has become wet); or The unit does not appear to operate normally or exhibits a marked change in performance.

... 013

The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation.

... 102d

Always grasp only the plug or the body of the AC adaptor when plugging into, or unplugging from, an outlet or this unit.

Sound Module Setup.... 10 Desk Top Music Setup... 11
Powering Up... 12 Setting the MIDI Channel (MIDI Transmit Channel).. 12 Selecting Sounds on a GS Sound Module (Sending Program Change/Bank Select Messages).. 13 Features Useful When Playing.. 15 Changing Octaves... 16 Controlling a Sound Module with the DATA ENTRY Slider. 17 Troubleshooting... 23 Specifications.... 26

IMPORTANT NOTES

In addition to the items listed under USING THE UNIT SAFELY on page 3, please read and observe the following:

Power Supply

Maintenance
Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
The AC adaptor will begin to generate heat after long hours of consecutive use. This is normal, and is not a cause for concern.
For everyday cleaning wipe the unit with a soft, dry cloth or one that has been slightly dampened with water. To remove stubborn dirt, use a cloth impregnated with a mild, non-abrasive detergent. Afterwards, be sure to wipe the unit thoroughly with a soft, dry cloth.
Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Additional Precautions

Placement
This device may interfere with radio and television reception. Do not use this device in the vicinity of such receivers.
Use a reasonable amount of care when using the units buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
Do not expose the unit to direct sunlight, place it near devices that radiate heat, leave it inside an enclosed vehicle, or otherwise subject it to temperature extremes. Excessive heat can deform or discolor the unit.
Never strike or apply strong pressure to the display.
To avoid possible breakdown, do not use the unit in a wet area, such as an area exposed to rain or other moisture.
When connecting / disconnecting all cables, grasp the connector itselfnever pull on the cable. This way you will avoid causing shorts, or damage to the cables internal elements.
Do not allow objects to remain on top of the keyboard. This can be the cause of malfunction, such as keys ceasing to produce sound.
To avoid disturbing your neighbors, try to keep the units volume at reasonable levels. You may prefer to use headphones, so you do not need to be concerned about those around you (especially when it is late at night).

When you need to transport the unit, package it in the box (including padding) that it came in, if possible. Otherwise, you will need to use equivalent packaging materials. When you turn on the power, never push keys or buttons. This can be the cause of malfunction.

s About the PC-70

The Roland PC-70 is a MIDI keyboard controller. It does not contain any sound-generating circuitry, since it is designed to provide for the convenient transmission of Program Change and Bank Select messages, as well as a variety of other MIDI messages (such as reverb and chorus information) to an external sound module. It is particularly suited for controlling sound modules that comply with the GS Format. (Called simply GS sound modules in the following.)
s What is the General MIDI?
General MIDI is a set of recommendations which seeks to provide a way to go beyond the limitations of proprietary designs, and standardize the MIDI capabilities of sound generating devices. Sound generating devices and music files that meet the General MIDI standard bear the General MIDI logo ( ). Music files bearing the General MIDI logo can be played back using any General MIDI sound generating unit to produce essentially the same musical performance.
s What is the General MIDI 2?
The upwardly compatible General MIDI 2 ( ) recommendations pick up where the original General MIDI left off, offering enhanced expressive capabilities, and even greater compatibility. Issues that were not covered by the original General MIDI recommendations, such as how sounds are to be edited, and how effects should be handled, have now been precisely defined. Moreover, the available sounds have been expanded. General MIDI 2 compliant sound generators are capable of reliably playing back music files that carry either the General MIDI or General MIDI 2 logo. In some cases, the conventional form of General MIDI, which does not include the new enhancements, is referred to as General MIDI 1 as a way of distinguishing it from General MIDI 2.

s What is the GS Format?

The GS Format ( ) is Rolands set of specifications for standardizing the performance of sound generating devices. In addition to including support for everything defined by the General MIDI, the highly compatible GS Format additionally offers an expanded number of sounds, provides for the editing of sounds, and spells out many details for a wide range of extra features, including effects such as reverb and chorus. Designed with the future in mind, the GS Format can readily include new sounds and support new hardware features when they arrive.

About the Sounds Contained in a GS Sound Module
A GS sound module contains 128 basic sounds (Capital Tones) and a number of Variation Tones. The mapping for the Capital Tones is compatible with Level 1 of the General MIDI System. Capital Tones are stored in Bank 0, while the Variations are stored in Banks 1 through 127. The selection of Variation Tones that are made available will be different depending on the sound module. You should check the manual for any module you are going to use, and familiarize yourself with the sound collection it contains.
About the Drum Sets Provided by a GS Sound Module
The Drum Channel (ch. 10) provides for the use of several Variation Sets in addition to the basic Drum Set (Standard Set: PC #1). Drum Sets are selected using Program Change messages. The types of Variation Sets that are made available will be different depending on the sound module. Refer to the manual for the module you are using so you know what kinds of drum sets it contains. * If a Variation Tone or Variation Drum Set you have requested is not found in the GS module you are using, the module may not sound at all, or an incorrect sound may be played.

s Main Features

Superb Playability and Expressiveness
Since this standard 49-key keyboard also provides response to velocity, it allows you to express even the finest nuances. In addition, an Octave Shift feature allows you to conveniently shift the soundable range up or down by an octave. Moreover, it is equipped with a pitch/modulation wheel, and provides a jack for connecting a damper pedal.
Complete Range of Control Features
Since the keyboard provides for sound selections that use combinations of Program Change and Bank Select messages (value for CC 00 and CC 32), you can also select any of the Variation Tones that may be available on a GS sound module. In addition, a variety of continuous controllers (Control Changes) can be assigned to the data entry slider. The slider can then be used for variable control over the desired parameter (reverb or chorus depth, for example) on a GS sound module. Viewing the contents of the LED display allows you to operate easily and precisely.
Makes Desk Top Music (DTM) More Enjoyable
The PC-70 is very compact, so it requires only a minimal amount of desktop space. The keyboard is sure to become an invaluable part of any DTM setup, since it can be used for real-time or step recording, as well as for practice while listening to minus-one playback.

Panel Descriptions

fig.Panel.e [1] PITCH / MODULATION Wheels [2] OCTAVE UP / DOWN / STANDARD Buttons [3] MIDI / SELECT Button [4] DISPLAY(LED)
[5] DATA ENTRY Slider [6] MIDI CHANNELS (1 to 16)
[7] AFTERTOUCH [8] VELOCITY [9] CHORUS LEVEL [10] REVERB LEVEL [11] PANPOT [12] VOLUME [13] CC SELECT(Select Control Change) [14] CC32 [15] CC00 [16] PC(Program Change) [17] NUMERIC ENTRY Section (0 to 9)
[23] POWER Switch [22] AC Adapter Jack [21] SUSTAIN SWITCH Jack [20] MIDI OUT Connector [18] CANCEL [19] ENTER
How to Connect the AC Adaptor
The PC-70 can be powered by an AC adaptor. Be sure to use only the attached AC adaptor. Using any other adaptor may cause malfunction or electric shock. 1. 2. Check that the unit is OFF. Connect the AC adaptor to the AC Adaptor jack, then connect the plug to a power outlet.
* To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. * If the unit is to remain unused for an extended period of time, unplug the AC adaptor.

Setting Up the PC-70

The PC-70 is a MIDI controller. Although it contains no sound-generating circuitry of its own, it can effectively control external units (sound module, computer, etc.) by transmitting a wide variety of MIDI messages. To ensure maximum benefit from your system, be sure to read this manual and the manuals for all external equipment.

s Sound Module Setup

Connect between the MIDI OUT connector on the PC-70 and the MIDI IN connector on the sound module. * To prevent malfunction and/or damage to speakers or other devices, always turn down the volume, and turn off the power on all devices before making any connections. fig.PC70-SC.e

MIDI OUT

INPUT jacks
Monitor speakers (self-powered)

MIDI IN

OUTPUT jacks
LINE IN jacks, AUX jacks, or TAPE IN jacks

Sound Module

Stereo set, etc.

s Desk Top Music Setup

* When connecting your computer with a sound module, use only a cable which is designed for the model of computer you are using and its particular kind of connector. * If the sound module has a COMPUTER switch, make sure it is set to the appropriate position. The correct position will vary depending on the type of computer, the way you are connecting with it, and the requirements of the software you are using.
Computer Connected Using the Serial Connector on the Sound Module

fig.PC70-Serial.e

RS-232C Connector Computer Cable

Computer Connector

Computer Switch
(Select one that is sutable for your computer.)

GS Sound Module

Computer
Computer Connected Using the MIDI IN Connector on the Sound Module

fig.PC70-MPU.e

Computer Switch (MIDI)

MIDI IN MIDI OUT

Powering Up
* Once the connections have been completed (p. 10), turn on power to your various devices in the order specified. By turning on devices in the wrong order, you risk causing malfunction and/or damage to speakers and other devices. Power to the various devices should be turned on in the appropriate order. First, turn on the units from which MIDI messages will originate (computer, PC-70). Next, turn on the sound module, then the audio reproduction equipment. This units power switch [23] is located on its rear panel. Power off your system in the reverse order. * This unit is equipped with a protection circuit. A brief interval (a few seconds) after power up is required before the unit will operate normally.
Setting the MIDI Channel (MIDI Transmit Channel)
To control the sound module, set the MIDI channel the PC-70 will use to transmit on to the same channel the module is using to receive on. If the sound module is multitimbral, set the channel on the PC-70 so it matches the MIDI channel of the Part in the module that you wish to control. fig.MidiCh.e

MIDI Channel

[Procedure] 1. 2. 3. Press MIDI/SELECT [3] (LED will show SEL). Select the MIDI channel by pressing one of the 16 keys in the MIDI channel section [6]. Press MIDI/SELECT [3] again to confirm your selection.
Selecting Sounds on a GS Sound Module (Sending Program Change/Bank Select Messages)
Program Change/Bank Select messages are used for changing Tones for an ordinary instrument Part, and for changing Drum Sets for the Drum Part (GS: ch. 10).
Changing Sounds in a GS Sound Module
To change Tones in a GS module, you need to send the Bank Select message (consists of the values for Controller Numbers [CC] 00 and 32) together with the Program Number. The value of Controller Number 00 (MSB) and that of Controller Number 32 (LSB) work together as a pair to specify a Bank. The Program Number that comes immediately after completes the switch to the desired sound. On the PC-70, these three messages are always sent as one set: Value of Controller Number 00 (MSB) Value of Controller Number 32 (LSB) Program Number xx * You can conveniently refer to the GS/GM sound group list printed on the upper-right part of the PC-70s panel when specifying a Program Number. [Procedure] 1. 2. 3. 4. 5. 6. 7. 8. 9. Set the MIDI transmit channel to match that of the desired Part (in the sound module). Press MIDI/SELECT [3] (LED will show SEL). Press the G#4 black key (CC 00) [15]. Select the value of Controller Number 00 by pressing keys in the NUMERIC ENTRY section [17]. Press ENTER [19]. Press the F#4 black key (CC 32) [14]. Select the value of Controller Number 32 by pressing keys in the NUMERIC ENTRY section [17]. Press ENTER [19]. Press the A#4 black key (Program Change [PC]) [16].

Altering the Timbre of Notes Currently Being Played (Channel Aftertouch)
The keyboard on the PC-70 cannot transmit Channel Aftertouch messages. However, such messages can be transmitted by assigning the Channel Aftertouch function to the DATA ENTRY slider on the PC-70. Channel Aftertouch is a function that lets you alter notes (that have already been played) by applying additional pressure on the keys. The PC-70 can create this Aftertouch effect simply move the DATA ENTRY slider after Aftertouch has been assigned to it. fig.aftertouch.e

Aftertouch

[Procedure] 1. 2. 3. 4. Set the MIDI transmit channel to match that of the desired Part. Press MIDI/SELECT [3] (LED will show SEL). Press the F3 white key (AFTER TOUCH) [7]. Press MIDI/SELECT [3] again to confirm your selection. Now, when you move the DATA ENTRY slider, Channel Aftertouch messages (with a value reflecting the sliders position) will be transmitted.
* A GS sound module will not respond to Aftertouch messages while it remains set at its factory defaults. For details, refer to the owners manual for the sound module you are using. Computer users should consult the owners manual for their software, since it may be possible to select a response for Channel Aftertouch within the software.
Changing the Velocity Sensitivity: Velocity
Whenever a key is pressed on the instrument, the value for velocity will be transmitted along with the note information. The following setting allows you to choose the sensitivity of the response to velocity (range of possible change). fig.VeloCurv.e

Slider position: minimum

Velocity value

Slider position: center

Slider position: maximum

Strength of key touch

fig.velocity.e

Velocity

[Procedure] 1. 2. 3. 4. Set the MIDI channel to match that of the Part (sound module) to be controlled. Press MIDI/SELECT [3] (LED will show SEL). Press the F#3 black key (VELOCITY) [8]. Press MIDI/SELECT [3] again to confirm your selection. Move the DATA ENTRY slider to select the minimum value, thus setting the desired range for velocity. With the slider at its maximum, velocity values within the entire 1127 range can be generated.
Changing the Chorus Depth: Chorus Send Level (CC 93)
This function allows you to set the Chorus depth for each Part. fig.chorus.e

Chorus Depth

[Procedure] 1. 2. 3. 4. Set the MIDI transmit channel to match that of the desired Part. Press MIDI/SELECT [3] (LED will show SEL). Press the A#3 black key (CHORUS LEVEL) [9]. Press MIDI/SELECT [3] again to confirm your selection. Now you can use the DATA ENTRY slider to select the value transmitted for the Chorus Send Level (Effect 3 Depth).
* When a sound module other than a GS module is being used, the relevant parameter may not correctly respond to CC 93 messages.
Changing the Reverb Depth: Reverb Send Level (CC 91)
This function allows you to set the Reverb depth for each Part. fig.reverb.e

Reverb Depth

[Procedure] 1. 2. 3. 4. Set the MIDI transmit channel to match that of the desired Part. Press MIDI/SELECT [3] (LED will show SEL). Press the G#3 black key (REVERB LEVEL) [10]. Press MIDI/SELECT [3] again to confirm your selection. Now you can use the DATA ENTRY slider to select the value transmitted for the Reverb Send Level (Effect 1 Depth).
* When a sound module other than a GS or General MIDI module is being used, the relevant parameter may not correctly respond to CC 91 messages.
Setting the Sound Location: Panpot (CC 10)
When the module is connected so its sounds are produced in stereo, this parameter determines the stereo placement (L/R) of the individual sounds produced. For the Drum Part (ch. 10), it alters in a relative manner the overall Panpot setting for percussive instruments (the overall orientation of the Drum Part on a GS module). fig.pan.e
[Procedure] 1. 2. 3. 4. Set the MIDI transmit channel to match that of the desired Part. Press MIDI/SELECT [3] (LED will show SEL). Press the C#4 black key (PANPOT) [11]. Press MIDI/SELECT [3] again to confirm your selection. Now you can use the DATA ENTRY slider to set the value to be transmitted for the Panpot. With the slider at the center, the sound will be oriented in the center. When pulled all the way forward, the sound will be heard from the extreme left. When pushed completely back, the sound will come from the right.
Changing the Volume: Volume (CC 07)
This function allows you to adjust the volume level for each Part. fig.volume.e

Volume

[Procedure] 1. 2. 3. 4. Set the MIDI transmit channel to match that of the desired Part. Press MIDI/SELECT [3] (LED will show SEL). Press the D#4 black key (VOLUME) [12]. Press MIDI/SELECT [3] again to confirm your selection. Now you can use the DATA ENTRY slider to set the value that will be transmitted for the Volume.
Assigning Other Controllers (CC 00 to 127) to the DATA ENTRY Slider
By assigning a controller number to the DATA ENTRY slider, the slider can be used for controlling a wide range of features on your sound module. Any controller numbered from 0 to 95 (Continuous Controllers) can be assigned. Since the PC-70 isnt equipped with a display which allows you to monitor data when transmitting it, it is not suited for operations which involve Registered and Non-Registered Parameter Numbers. Controllers 00 through 95 (Continuous Controllers) Controller No. Control Function 0. Bank Select MSB 1. Modulation 2. Breath Controller 3. Undefined 4. Foot Controller 5. Portamento Time 6. Data Entry (Used with RPN/NRPN) 7. Main Volume 8. Balance 9. Undefined 10. Panpot 11. Expression Pedal 12. Effect Control 1 13. Effect Control Undefined 16. General Purpose Controller 1 17. General Purpose Controller 2 18. General Purpose Controller 3 19. General Purpose Controller Undefined 32. Bank Select LSB 3363 LSB for controllers 1-31 64. Hold 1 (Damper) 65. Portamento 66. Sostenuto 67. Soft Pedal 68. Undefined 69. Hold 2 (Freeze) 7079 Undefined 80. General Purpose Controller 5 81. General Purpose Controller 6 82. General Purpose Controller 7 83. General Purpose Controller Undefined 91. Effect 1 (External Effect) Depth (GS/General MIDI: Reverb Send Level) 92. Effect 2 (Tremolo) Depth 93. Effect 3 (Chorus) Depth (GS: Chorus Send Level) 94. Effect 4 (Celeste) Depth 95. Effect 5 (Phaser) Depth

Controllers 96 and above (NRPN/RPN, Channel Mode Messages) Controller No. Control Function 96. Data Increment 97. Data Decrement 98. Non-Registered Parameter Number LSB 99. Non-Registered Parameter Number MSB 100. Registered Parameter Number LSB 101. Registered Parameter Number MSB 102120 Undefined 121127 Reserved for Channel Mode Messages fig.controller.e

Select CC

[Procedure] 1. 2. 3. 4. 5. 6.

Numeric Key Pad

Set the MIDI transmit channel to match that of the desired Part. Press MIDI/SELECT [3] (LED will show SEL). Press the F4 white key (CC SELECT) [13]. Select the Controller Number by pressing keys in the NUMERIC ENTRY section [17]. Press ENTER [19]. Press MIDI/SELECT [3] again to confirm your selection. Now you can use the DATA ENTRY slider to transmit the value of the specified Controller Number.

Troubleshooting

Q: The unit cannot be switched on; or it doesnt work at all. A: Check if you are using the attached AC adaptor. Use only the attached adaptorusing any other adaptor may result in damage, malfunction or electric shock. Q: The sound module does not respond to the movement of the DATA ENTRY slider. A: Check if the correct function is assigned to the DATA ENTRY slider. Also, note that the module will sometimes not respond if the slider is moved only slightly. If you are unsure, pull the slider all the way down first and then set it to the desired position. Q: The sound you have requested cannot be selected. A: Some GS modules, such as those in the Sound Canvas series, have a switch which allows you to turn on or off the reception of Program Change messages and/or Bank Select messages. Be sure this switch is turned ON. A: Could the sound module have received a GM System On message (the message that orders a module to function as a General MIDI sound module) before you sent Bank Select messages? Since Bank Selects are not recognized in the General MIDI System Level 1 specifications, the module will ignore them if it is currently behaving as a General MIDI device. To correct this situation, send a GS Reset message (which retrieves the GS default settings), or simply switch the module off, then on again. * The PC-70 cannot transmit GS Reset messages.
A: When specifying the change in sound, did you supply the complete set of values (values for CC 00/CC 32 and Program Number)? When a change in sound is made using the PC70, the complete set of three values (value for CC 00 and CC 32, then the Program number) is transmitted, even if only the Program Number has been specified. Note also that the values for a sound selection remain stored in memory until the next sound has been successfully selected. So, if even one out of the complete set of three values is mistakenly not supplied, part of the previous values could be sent along with the newly specified ones. As a result, you might not obtain the sound you hoped for. A: Does your computer music application use Program Numbers 0 to 127 for sound selection? Since the PC-70 uses numbers 1 to 128, you may need to add one to the number being selected to obtain the correct sound. Q: The GS module does not respond to Aftertouch messages. A: A GS sound module will not respond to Aftertouch messages when its in its default mode. Therefore, you need to set the Aftertouch parameters using Exclusive messages. (Refer to the MIDI Implementation for the sound module in question.) If using a computer-based system, you may be able to easily make the required settings using the software.

aDawliah Universal Electronics APL Corniche Road, Aldossary Bldg., 1st Floor, Alkhobar, SAUDI ARABIA P.O.Box 2154, Alkhobar 31952 SAUDI ARABIA TEL: (03) 898 2081
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MARTINIQUE

Musique & Son Z.I.Les Mangle 97232 Le Lamantin Martinique F.W.I. TEL: 426860 Gigamusic SARL 10 Rte De La Folie 97200 Fort De France Martinique F.W.I. TEL: 715222
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NICARAGUA

Bansbach Instrumentos Musicales Nicaragua Altamira D'Este Calle Principal de la Farmacia 5ta.Avenida 1 Cuadra al Lago.#503 Managua, Nicaragua TEL: (505)277-2557
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As of December 10, 2005 (EDIROL-1)