Whenever you suspect the possibility of lightning in your area, pull the plug on the power cord out of the outlet...
Whenever you've removed any screws whether it be when connecting something to the ground terminal, or when installing a rack-mount adaptor or desk-stand mountbe sure to place the screws out of reach of small children, so they won't be swallowed accidentally.
Before using the unit in a foreign country, consult with your retailer, the nearest EDIROL/Roland Service Center, or an authorized EDIROL/Roland distributor, as listed on the "Information" page...
DO NOT play a CD-ROM disc on a conventional audio CD player. The resulting sound may be of a level that could cause permanent hearing loss. Damage to speakers or other system components may result...

IMPORTANT NOTES

291b 402
In addition to the items listed under IMPORTANT SAFETY INSTRUCTIONS and USING THE UNIT SAFELY on pages 2, 3 and 4, please read and observe the following:
Never use benzine, thinners, alcohol or solvents of any kind, to avoid the possibility of discoloration and/or deformation.

Power Supply

Use a reasonable amount of care when using the units buttons, sliders, or other controls; and when using its jacks and connectors. Rough handling can lead to malfunctions.
Do not use this unit on the same power circuit with any device that will generate line noise (such as an electric motor or variable lighting system).
Never strike or apply strong pressure to the display.
A small amount of noise may be heard from the display during normal operation.
Before connecting this unit to other devices, turn off the power to all units. This will help prevent malfunctions and/or damage to speakers or other devices.
When connecting / disconnecting all cables, grasp the connector itselfnever pull on the cable. This way you will avoid causing shorts, or damage to the cables internal elements.

Placement

A small amount of heat will radiate from the unit during normal operation.
Using the unit near power amplifiers (or other equipment containing large power transformers) may induce hum. To alleviate the problem, change the orientation of this unit; or move it farther away from the source of interference.

207 209

MacOS is a trademark of Apple Computer, Inc. GS ( XG ( ) is a registered trademark of Roland Corporation. ) and XGlite ( ) are trademarks of YAMAHA Corporation.
OMS is a registered trademark of Opcode Systems, Inc. FreeMIDI is a trademark of Mark of the Unicorn, Inc. All product names mentioned in this document are trademarks or registered trademarks of their respective owners.

Introduction

Thank you, and congratulations on your choice of the Edirol SD-80 Studio Canvas.

How to read this manual

The documentation for the SD-80 consists of a Getting Started, a Owners Manual, and Additional Information (PDF) on the included CD-ROM. The Getting Started takes you through the steps you need to follow in order to get ready to use the SD80 with your computer. Please read this first. The Owners Manual explains how to use all the basic features of the SD-80. After you have made settings for the SD-80 as described in the Getting Started, and have verified that it produces sound correctly, refer to the Owners Manual as necessary, depending on the purpose you have in mind. Additional Information explains various settings you can make in order to take full advantage of the SD-80s functionality. Read this material as necessary. In order to read the Additional Information PDF file, you will need the Adobe Acrobat Reader. The most recent version of the Adobe Acrobat Reader can be downloaded from the Adobe Systems Incorporated website. http://www.adobe.com/ (This URL may change without notice.) Letters and numbers enclosed in [ ] indicate buttons on the panel of the SD-80. Areas enclosed by a gray rectangular frame contain supplementary explanations for a function, or tips for operation. If the SD-80 does not operate as you expect, refer to "Troubleshooting" (p. 71).

Main features

High performance MIDI sound generator with powerful synthesizer engine and high quality waveforms in a slim body!! 32-part, 128-voice polyphony 1050 tones, 30 drum sets and 3 units of Multi Effects Optical/Coaxial Digital output (S/P DIF) 2-stereo/4-mono multi-outputs 2-port external MIDI IN/OUT Multi-purpose design (Desktop / Rack-mount type) Professional quality sound in a compact body New generation of Studio Canvas Digital The SD-80 follows a world leading technology of synthesizer sound engines and high quality waveforms. The professional-quality MIDI tone module has 1050 MIDI instruments sounds, 30 drum sets, and also GM2/GS/XGlite compatible standard sounds. It is capable of 32-part 128-voice polyphony and 3 units of multi effects, including guitar distortion, organ with rotary speaker, and modulated electric piano. Studio use? Or on your desktop The SD-80s GM2/GS/XGlite compatible sound selections are suitable for studio use. The versatile mounting tabs allow the SD-80 to be rack-mounted for studio use, or vertically mounted for desktop use. USB connection to computer is quick and easy for use with Mac or PC. Maintain the highest quality sounds by sending MIDI digitally through optical/coaxial digital output or assign multiple analog outputs through 2-stereo/4-mono channels. The SD-80 is equally at home on your desktop or in your rack. Provides tons of connection options like USB, Coaxial S/P DIF, Optical S/P DIF and _ phone jacks to make the sound of your own. SD-80 Editor Software SD-80 ships with a powerful software editor that can control the SD-80s sound parameters by a graphical interface. The software editor provides control over tone editing, patch changes, and effect parameters that can be preserved. SD-80 also has built-in memory for preserving user patches.

Polyphony and voices

Each of the SD-80s sounds consist of units called voices. There is a limit to the number of voices that can be used, and the SD-80 is able to use 128 voices simultaneously. Some sounds (instruments) use more than one voice ("Instrument list (GM2 / Native mode)" (p. 95)). The main reason that an instrument uses some voices is so that velocity can be used to shift between different sounds, or so that multiple sounds can be layered to create a richer tone. When you attempt to play more than 128 voices on the SD-80, the most-recently played note will be given priority, and the oldest of the currently-sounding notes will be turned off one by one. If you are using only instruments that consist of only one voice, you will be able to play 128 notes simultaneously. However, if you use instruments that consist of two or four voices, fewer than 128 notes can be played simultaneously. Even if a MIDI note-off message is received, a voice will continue to be used as long as that note continues to sound. You need to remain aware of this, particularly when using sounds that have a long release time.
Specifying the function of the MIDI connectors
The SD-80 has two modes in which MIDI data is transferred differently: USB mode and MIDI mode. The mode is switched automatically depending on the connector you use.

USB mode

fig.7-2
MIDI messages received at the MIDI IN connectors will not be passed directly to the internal sound generator. They will be sent via USB to the computer (sequencer software). This means that if you have started up in USB mode, playing an external MIDI keyboard connected to a MIDI IN connector will not play the SD-80s internal sound generator. In order for the MIDI messages received at the MIDI IN connectors to be passed to the internal sound generator, you must turn on the Thru function of your software running on your USB-connected computer. Thru is a function by which MIDI messages received from the SD-80s USB connector are retransmitted back to the SD-80s USB connector. If the Thru function is turned on, the MIDI messages received at the MIDI IN connectors will pass through the computer and be passed to the SD-80s internal sound generator, causing sound to be produced. The number of internal sound generator parts that can be controlled from the USB connector will depend on the capabilities of your sequencer software. This means that even if you connect the SD-80 to your computer via USB, you will not necessarily be able to use all 32 parts. Please carefully read the owners manual for your sequencer software. The USB indicator will light.

fig.5-06

fig.5-06a_67.2

Press [PAGE Number.

] until the display indicates Inst
Turn the [VALUE] dial to select a capital sound. The sound name and Inst Number shown in the display will also change. Press [PAGE ] until Variation appears. In GS mode, this will be displayed with Bank. Turn the [VALUE] dial to select a variation sound. The sound name and Inst Number shown in the display will also change. Press [INST] once again to return to the main screen.
Convenient functions You can also use the following method to select a sound. After step 1, if you turn the [VALUE] dial, any sound in the current sound set can be selected.

Selecting a drum set

If the part type is Drum Set, use the following procedure to select a drum set. First make sure that the part type is Drum. For details on how to set the part type to Drum, refer to "Selecting the type of part (INST/ DRUM)" (p. 24). For details on the drum sets that are available, refer to "Instrument list (GM2 / Native mode)" (p. 95). Drum sets do not have variation sounds.

fig.5-07

fig.5-07a_67.2
Turn the [VALUE] dial to select a drum set. The drum set name shown in the display will change.

Muting/soloing a part

You can mute a specified part so that it will not sound. This is convenient when you want to play along to a backing provided by the SD-80 (minus-one playing). Conversely, you can solo a specified part so that the remaining parts will be muted. Heres how to mute/solo a part. Solo takes priority between solo and mute settings. This means that if you specify Solo for a part that was previously muted, Mute will be defeated for that part, and it will be set to Solo. Even if you subsequently cancel Solo, that part will not return to Mute. If you want to mute that part once again, use the procedure described in Muting a part.

Muting a part

fig.5-08
1. Press [INST]. The button will light. Press [PART ] or [PART ] to select the part that you want to mute.

fig.5-08a_67.2

When you hold down [SHIFT] and press [PART ], the part you selected in step 2 will be muted. The bar graph of a muted part will be displayed as shown in the diagram at right. When you press [SHIFT]+[PART ] once again, muting will be defeated.

Part parameters (GM2 mode, Native mode)
Inst Type INST, DRUM The part mode can be switched between Inst and Drum Set. Select INST for parts that will play conventional instrumental sounds (Inst parts). Select DRUM for parts that will play percussion or drum sounds (Drum parts). For a drum part, each different MIDI note number will play a different sound (instrument), allowing you to play a variety of percussion instrument sounds from a single part ("Drum set list (GM2 / Native mode)" (p. 105)). Each part 116 can be set either as an Inst part (to play a conventional sound), or a Drum part (to play a drum set). Modulation Depth Specifies the depth of vibrato. 010127
Volume [cc#7] 0100127 Adjusts the volume of each part. Increasing this value will make the sound louder. The overall volume of the entire SD-80 is adjusted by the [VOLUME] knob. If the [VOLUME] knob is set to the minimum position, there will be no sound even if you raise this level parameter. Panpot [cc#10] L64063R Adjusts the pan (localization of the sound image; effective when stereo output is used) of the part. * For some sounds, a small amount of sound may be heard from the opposite speaker even if this parameter is set to far right or far left. * In a drum set, the pan setting of each individual percussion sound is fixed. When you edit the pan setting of a drum part, the overall panning of the entire drum set will change.
Portamento SW [cc#65] ON/OFF, (PATCH: Native mode only) Turn this ON when you want to use portamento. Portamento Time [cc#5] 0127, (PATCH: Native mode only) Adjusts the time over which the next pitch will be reached. Portamento is a function that changes the pitch smoothly from one note to the next. Portamento will be switched on/off when a Portamento message is received. Portamento Time specifies the speed of the pitch change. A Portamento Control message can be received to specify the source note number (the previously played note). * When you apply portamento by playing a note that is below the currently played note, the range of the effect may be limited (approximately two octaves).

Filter

You can adjust the tonal character of the sound by editing the filter values. The filters of the SD-80 are a type called Low Pass Filters, which pass the region of sound that lies below a specified frequency. This frequency is called the Cutoff Frequency. By adjusting the cutoff frequency, you can make the sound brighter or darker. The cutoff frequency will also change over time according to an envelope. By adjusting the filter and envelope, you can create sounds that have movement and expression.

Reverb Level 0127 Specifies the output level of the signal that has passed through the reverb. Reverb Source COMMON, PART 132 Reverb parameters (reverb type, reverb time, etc.) exist both outside the sound (COMMON) and within the sound (PATCH). This setting specifies which set of parameters the reverb unit will use. Output Assign 1, 2 Selects the output jacks for the reverb. You can select either OUTPUT 1 or OUTPUT 2 stereo outputs.
When Reverb Type is set to 1 (Reverb)
The following parameters can be edited when Reverb Type is set to 1 (Reverb). Type (Reverb/Delay Type) Specifies the type of reverb (or delay). Value ROOM 1 ROOM 2 STAGE 1 STAGE 2 HALL 1 HALL 2 DELAY PAN-DELAY Explanation Reverb with short duration and high density Reverb with short duration and low density Reverb with a greater amount of subsequent reverberation Reverb with strong early reflections Reverb with a transparent character Rich reverb Conventional delay Delay with reflections that pan (move) between left and right
Time (Reverb/Delay Time) 0127 When the Type is ROOM 1HALL 2 this adjusts the duration of the reverb. When the Type is DELAY or PAN-DELAY, this specifies the delay time. Increasing this value will produce a more spacious feeling.
HF Damp (Reverb/Delay HF Damp) Specifies the frequency above which the high-frequency component of the reverb sound will be cut. Lowering this value will cause a greater portion of the high-frequency range to be cut, producing a softertoned reverb sound. If no cutting is desired, set this to BYPASS. Values: 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
Feedback (Delay Feedback) 0127 When the Type is DELAY or PAN-DELAY, this specifies the amount of delay sound that will be returned (fed back) to the input of the delay. Raising this value will cause the delay to continue repeating for a greater number of times.
When Reverb Type is 2 (Room), 3 (SRV Hall), or 4 (SRV Plate)
Pre Delay (Pre Delay Time) 0.0100 ms Specifies the amount of time that is to pass after the original sound is heard before the reverb begins to sound. Time (Reverb Time) 0127 Specifies the length of time over which the reverb sound will decay. Size 18 Adjusts the size of the room/hall. Higher settings will simulate a larger space. High Cut (High Cut Frequency) Specifies the frequency above which the high-frequency component of the final output sound will be cut. If no cutting is desired, set this to BYPASS. Range: 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500 Hz, BYPASS Density (Reverb Density) 0127 Adjusts the density of the reverb sound. Higher settings will produce a denser sound. Diffusion (Reverb Diffusion) 0127 Adjusts the way in which the density of the reverb sound will change over time. With higher settings of this parameter, the sound will become denser as time passes. The effect of this parameter is easy to notice with longer Reverb Time settings. LF Damp Freq (LF Damp Frequency) Specifies the frequency below which the low-frequency component of the reverb sound will be cut. Range: 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz LF Damp Gain -360 dB Adjusts the amount of attenuation for LF Damp. With a setting of 0, LF Damp will have no effect. HF Damp Freq (HF Damp Frequency) Specifies the frequency above which the high-frequency component of the reverb sound will be cut. Range: 4000, 5000, 6400, 8000, 10000, 12500 Hz HF Damp Gain -360 dB Adjusts the amount of attenuation for HF Damp. With a setting of 0, HF Damp will have no effect.

Using MFX in Native mode

If you switch the sound generator to Native mode, you will be able to control the sound and MFX independently. In order to apply MFX to the sound of a specific part, you must do the following two things. These are part parameters. Press the [INST] button, and then use the [PAGE ] button to select the editing screen. Select the location (source) of the parameters used by MFX. Send the output of the part to MFX.
Select the location of the parameters used by MFX
MFX A SOURCE (MFX A source) MFX B SOURCE (MFX B source) COMMON, PART 132 COMMON, PART 132
MFX C SOURCE (MFX C source) COMMON, PART 132 MFX parameters (e.g., algorithm, reverb type, distortion type) exist both within the sounds (COMMON) and outside them. For each of the three MFX units, you can specify which parameters the unit will use. COMMON: One of the three sets of parameters stored outside the sounds will be used. A part whose Part Output MFX Select setting is set to MFX will use the effect settings you specify, and will not be affected by the effect settings of the sound that is called up for that part. The parameters stored within the sound called up for that part will be used. Parts whose Part Output MFX Select setting is set to MFX will be processed by the MFX effect settings of the part referenced by MFX. When another sound is called up for the part that is referenced, MFX A will operate according to the MFX settings of the newly requested sound, and the previously mentioned parts will also be processed by these effect settings.

PART 132:

Specifying the output destination of the part
PART OUTPUT ASSIGN MFX, 1, 2, 1L, 1R, 2L, 2R, PATCH Specify where the output signal of the part will be sent. MFX: Output to MFX. 1: Output the unprocessed sound from OUTPUT 1, without using MFX. 2: Output the unprocessed sound from OUTPUT 2, without using MFX. 1L: Output the unprocessed sound from the L jack of OUTPUT 1. 1R: Output the unprocessed sound from the R jack of OUTPUT 1. 2L: Output the unprocessed sound from the L jack of OUTPUT 2. 2R: Output the unprocessed sound from the R jack of OUTPUT 2. PATCH: The settings of the patch (instrument) will be applied. If the patch is set to use MFX, the sound will be sent to MFX. If not, the DRY sound will be output. * Select 1L, 1R, 2L, or 2R when you want to use the output jacks as four parallel outputs. PART OUTPUT MFX SELECT MFX A, MFX B, MFX C Selects which of the three MFX units the sound will be sent to when MFX is selected for Part Output Assign. PART DRY SEND LEVEL Specifies the output level of the part when MFX is not used (i.e., when Part Output Assign is set to DRY). This setting is ignored when MFX is used.

Chorus (System Effect)

Parameter Chorus Type Mod Rate Mod Depth Feedback Send to Reverb Chorus Type Modulation Rate Modulation Depth Feedback Send to Reverb Value Chorus1, Chorus2, Chorus3, Chorus4, FB Chorus, Flanger 0127 0127

EQ (Equalizer)

Parameter EQ Switch EQL Low Frequency EQR Low Frequency EQL Low Gain EQR Low Gain EQL High Frequency EQR High Frequency EQL High Gain EQR High Gain EQ Switch EQL Low Frequency EQR Low Frequency EQL Low Gain EQR Low Gain EQL High Frequency EQR High Frequency EQL High Gain EQR High Gain Value Off, On 200, 400Hz 200, 400Hz -15+15 -15+15 2000, 4000, 8000Hz 2000, 4000, 8000Hz -15+15 -15+15
Effect parameter (Native mode)
Parameter Reverb Type Reverb Level Reverb Type Reverb Level Value 0(Off), 1(Reverb), 2(Room), 3(SRV Hall), 4(SRV Plate)(*1) 0127
(*1) When Reverb Type is set to 1 (Reverb) Parameter Type Time HF Damp Feedback Reverb/Delay Type Reverb/Delay Time Reverb/Delay HF Damp Delay Feedback Value **3 0127
*2: ROOM1, ROOM2, STAGE1, STAGE2, HALL1, HALL2, DELAY, PAN-DELAY *3: 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS
(*1)When Reverb Type is 2 (Room), 3 (SRV Hall), or 4 (SRV Plate) Parameter Pre Delay Time Size High Cut Density Diffusion LF Damp Freq LF Damp Gain HF Damp Freq HF Damp Gain Pre Delay Time Reverb Time Size High Cut Frequency Reverb Density Reverb Diffusion LF Damp Frequency LF Damp Gain HF Damp Frequency HF Damp Gain Value 0.0100 ms *0127 *5 -360 dB *6 -360 dB
*4: 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000, 5000, 6400, 8000, 10000, 12500 Hz, BYPASS *5: 50, 64, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1000, 1250, 1600, 2000, 2500, 3200, 4000 Hz *6: 4000, 5000, 6400, 8000, 10000, 12500 Hz
Parameter Chorus Type Chorus Output Select Chorus Level Chorus Parameter 1-12 Chorus Type Chorus Output Select Chorus Level Chorus Parameter 1-12 Value 0(Off), 1(Chorus), 2(Delay)(*7) MAIN, REV, MAIN+REV 0127
(*7)When Chorus Type is 1 (CHORUS) Parameter Rate Depth Feedback Phase Pre Delay Type Cutoff freq Chorus Rate Chorus Depth Chorus Feedback Phase Chorus Pre Delay Filter Type Cutoff Frequency Value 0.0510.00 Hz 0180 degrees 0.0100 ms OFF, LPF, HPF *8
*8: 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz
(*7)When the Chorus Type is 2 (DELAY) Parameter Center Left Right HF Damp Feedback Center Left Right Delay Center Delay Left Delay Right HF Damp Feedback Delay Center Level Delay Left Level Delay Right Level Value 2001000 ms, note value 2001000 ms, note value 2001000 ms, note value *9 -98+98% 0127
*9: 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS

1-9 OFF, LPF, HPF 200 - 8000 Hz (*1) 0 - - 127 LP, EP, SP, RND 200 - 8000 Hz, BYPASS (*2) Disc Noise Level 0 - 127 EQ Low Gain -15 - +15 dB EQ High Gain -15 - +15 dB Balance D100:0E - D0:100W Output Level 0 - 127 Output Pan L64 - 63R
0-8 0-- - - 127 0-- - - - - - - 127
(*1) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz (*2) 200, 250, 315, 400, 500, 630, 800, 1000, 1250, 1600, 2000, 2500, 3150, 4000, 5000, 6300, 8000 Hz, BYPASS

49:3Voice Pitch Shifter

Coars Pitch1 Coars Pitch2 Coars Pitch3 Fine Pitch1 Fine Pitch2 Fine Pitch3 PS Mode PS Feedback1 PS Feedback2 PS Feedback3 PS PreDelay1 PS PreDelay2 PS PreDelay3 Balance Level1 Level2 Level3 Pan1 Pan2 Pan3 Output Level
-24 - +12 semitone -24 - +12 semitone -24 - +12 semitone -100 - +100 cent -100 - +100 cent -100 - +100 cent 1, 2, 3, 4, 5 -98 - +98% -98 - +98% -98 - +98% 0.0 - 500 ms 0.0 - 500 ms 0.0 - 500 ms D100:0E - D0:100W 0 - - - 127 L64 - 63R L64 - 63R L64 - 63R 0 - 127
0 - - - - - - 100 0-- - - - - - - - - - - - - - 127

52:Speaker Simulator

SP Type Mic Setting Mic Level Mic DirectLevel Output Level

(*1) 1, 2, - - - 127

0 - 15 0-- - - 127
(*1) Small 1, Small 2, Middle, JC-120, Built In 1, Built In 2, Built In 3, Built In 4, Built In 5, BG Stack 1, BG Stack 2, MS Stack 1, MS Stack 2, Metal Stack, 2 Stack, 3 Stack

53:Overdrive 2

OD Drive OD Tone AmpSim Switch AmpSim Type EQ Low Gain EQ High Gain Output Level Output Pan

50:LoFi Compress

0 - - 127 OFF, ON SMALL, BUILT-IN, 2-STACK, 3-STACK -15 - +15 dB -15 - +15 dB 0 - 127 L64 - 63R
0 - - 127 0-1 0-- - - - 127
LoFi Type PreFilter Type PostFilter1 Type PostFilter2 Type PostFilter2 CutOff EQ Low Gain EQ High Gain Balance Output Level Output Pan
1-9 1-6 1-6 OFF, BPF, LPF 200 - 8000 Hz (*1) -15 - +15 dB -15 - +15 dB D100:0E - D0:100W 0 - 127 L64 - 63R
0-8 0-5 0-5 0-- - - - - - 127

54:Distortion 2

DS Drive DS Tone AmpSim Switch AmpSim Type EQ Low Gain EQ High Gain Output Level Output Pan

55:Stereo Compressor

COMP Attack COMP Sustain COMP PostGain EQ Low Gain EQ High Gain Output Level
0 - - 127 0, +6, +12, +18 dB -15 - +15 dB -15 - +15 dB 0 - 127

0 - - 127 0-- - - 127

59:Isolator

56:Stereo Limiter

LM Threshold LM Ratio LM Release LM PostGain EQ Low Gain EQ High Gain Output Level
0 - 127 1.5:1, 2:1, 4:1, 100:- 127 0, +6, +12, +18 dB -15 - +15 dB -15 - +15 dB 0 - 127
0 - 127 0-- 127 0-- - - 127
Boost/Cut Low Boost/Cut Mid Boost/Cut High AntiPhaseLow SW AntiPhaseLow Lev AntiPhaseMid SW AntiPhaseMid Lev LowBoost SW LowBoost Lev Output Level
-60 - +4 dB -60 - +4 dB 60 - +4 dB OFF, ON 0 - 127 OFF, ON 0 - 127 OFF, ON 0 - - 127

250Hz Gain 500Hz Gain 1000HzGain 1250HzGain 2000HzGain 3150HzGain 4000HzGain 8000HzGain Band Width Q Output Level
-15 - +15 dB -15 - +15 dB -15 - +15 dB -15 - +15 dB -15 - +15 dB -15 - +15 dB -15 - +15 dB -15 - +15 dB 0.5, 1.0, 2.0, 4.0, 8.- 127
0 - - - - - - - - 30 0-- 127

89:3D Auto Spin

AutoSpin Azimuth AutoSpin Speed AutoSpin Clockwise AutoSpin Turn Output Mode Output Level
L180 - R180 (*1) 0.05 - 10.0 Hz, note*2 -, + OFF, ON SPEAKER, PHONES 0 - 127
0 - - 222 0-1 0-1 0-- 127
(*1) L180, L168, L156, L144, L132, L120, L108, L96, L84, L72, L60, L48, L36, L24, L12, 0, R12, R24, R36, R48, R60, R72, R84, R96, R108, R120, R132, R144, R156, R168, R180

90:3D Manual

AutoSpin Azimuth L180 - R180 (*1) Output Mode SPEAKER, PHONES Output Level 0 - 127

0 - 30 0-- 127

87:Isolator 2
(*1) L180, L168, L156, L144, L132, L120, L108, L96, L84, L72, L60, L48, L36, L24, L12, 0, R12, R24, R36, R48, R60, R72, R84, R96, R108, R120, R132, R144, R156, R168, R- - - 64 0-- 127 0-- 127 0-1 0-- - 127 0-- 24 0-- - 127
Boost/Cut Low Boost/Cut Mid Boost/Cut High AntiPhase LowSW AntiPhase Lev AntiPhase MidSW AntiPhase Lev Filter Switch Filter Type Filter Cutoff Filter Resonance Filter Slope Filter Gain LowBoost Switch LowBoost Level Output Level
-60 - +4 dB -60 - +4 dB -60 - +4 dB OFF, ON 0 - 127 OFF, ON 0 - 127 OFF, ON OFF, LPF, HPF 0 - - 127 -12, -24 dB 0 - 24 dB OFF, ON 0 - - 127

note*1

(Sixteenth note), (Half-note triplet), (Eighth-note triplet), (Dotted eighth note), (Half note), (Dotted sixteenth note), (Quarter note), (Eighth note),

(Half-note triplet),

(Dotted quarter note),

note*2

(Sixty-fourth-note triplet), (Thirty-second note), (Sixteenth note), (Eighth note), (Quarter note), (Sixty-fourth note), (Sixteenth-note triplet), (Eighth-note triplet), (Quarter-note triplet), (Half-note triplet), (Thirty-second-note triplet), (Dotted thirty-second note), (Dotted sixteenth note), (Dotted eighth note), (Dotted quarter note), (Whole note), (Double note) (Half note),
(Whole-note triplet), (Double-note triplet),

(Dotted half note), (Dotted whole note),
Instrument list (GM2 / Native mode)

Classic Set

Piano 1 Piano 1w Piano 1d Piano 2 Piano 2w Piano 3 Piano 3w Honky-tonk Honky-tonk w E.Piano 1 Detuned EP1 Dyno Rhodes 60s E.Piano E.Piano 2 Detuned EP2 E.Piano 2v EP Legend EP Phase Harpsichord Coupl hps Harpsi w Harpsi o Clav Pulse Clav

Voices

Contemp Set Voices
Ac.Piano Ac.Piano w Mild Piano Rock Piano Rock Piano w E.Grand Pf E.Grand Pf w Old Honky Old Honky w Soft Rhodes Fat Rhodes Rhodes Wide Wurly Soft FM E.Piano Soft FM EP SA E.Piano EP Legend 2 EP Phase 2 Harpsi 2 Coupl hps 2 Harpsi 2 w Harpsi 2 o Atack Clav 1 AnalogClav 1

Solo Set

St.Piano 1 St.Piano 1w European Pf St.Piano 2 St.Piano 2w SA Piano SA Piano w St.Honky St.Honky w Tremo Rhodes Sweet Tynes Tremo Dyno Tremo Wurly FM Hard EP Brite FM EP Brite FM EP2 EP Legend 3 EP Phase 3 St.Harpsichd St.Coupl hps St.Harpsi w St.Harpsi o Atack Clav 2 AnalogClav 2

Enhance Set Voices

SD Piano SD Piano w Classic Pf Enh.Piano 2 Enh.Piano 2w Enh.E Grand Enh.E Grandw Brite Honky Brite Honkyw Stage 73 NY Rhodes Phase Dyno Whirly Chorus EP Phase FM EP Wah FM EP Enh.Legend Phasing EP Enh.Harpsi Enh.Coupl hp Enh.Harpsi w Enh.Harpsi o Comp Clav Wah Ana.Clav 2 2

Chromatic percussion

Celesta Glockenspiel Music Box Vibraphone Vibraphone w Marimba Marimba w Xylophone Tubular-bell Church Bell Carillon Santur
Celesta 2 Glocken 2 Music Box 2 Vibraphone 2 Vibraphone2w Marimba 2 Marimba 2 w Xylophone 2 Tubular-bel2 Church Bell2 Carillon 2 Santur 2
St.Celesta St.Glocken St.Music Box St.Vibra St.Vibra w St.Marimba St.Marimba w St.Xylophone St.Tubular St.Church St.Carillon St.Santur
SpaceCelesta 3 Trem.Glocken 3 Panning Box Trem.Vibra Trem.Vibra w 2
Enh.Marimba 3 Enh.Marimbaw 3 Enh.Xylophon 4 Trem.Tubula Echo Church Trm.Carillon Enh.Santur 4 3
Organ 1 Detuned Or1 Organ 60 Organ 4 Organ 2 Detuned Or2 Organ 5 Organ 3 Church 1 Church 2 Church 3 Reed Organ Puff Organ Accordion F Accordion I Harmonica Bandneon
Perky Ballad B Happy 60s Tone Wheel Jazz Organ 1 Perc.Organ 1 Dist.JzOrg 1 Organ 3 fast Pipe Organ 1 LargeChurch1 SmallChurch1 Reed Organ 2 Organ Flute French Acc It Muset Harmonica 2 Bandneon 1 2
Roller Rocker Soft60Organ Full Stops Jazz Organ 2 Perc.Organ 2 Dist.JzOrg 2 Rock Organ Pipe Organ 2 LargeChurch2 SmallChurch2 Reed Organ 3 Theater St.FrenchAcc St.It Muset St.Harmonica St.Bandneon

PC 013 CCXG Set Celesta Glockenspiel Music Box Orgel Vibraphone Vibraphone KSP Marimba Marimba KSP Sine Marimba Balimba Log Drums Xylophone Tubular Bells Church Bells Carillon Dulcimer Dulcimer 2 Cimbalom Santur Elements 2
PC 049 CCXG Set Strings 1 Stereo Strings Slow Strings 60's Strings Orchestra Orchestra 2 Tremolo Orchestra Velocity Strings Strings 2 Stereo Slow Strings Legato Strings Warm Strings Kingdom Synth Strings 1 Synth Strings 2 Choir Aahs Stereo Choir Mellow Choir Choir Strings Voice Oohs Synth Voice Synth Voice 2 Choral Analog Voice Orchestra Hit Orchestra Hit 2 Impact Elements 2

014 015

030 031
PC 017 CC000 XG Set Elements Drawbar Organ 1 Detuned Drawbar Organ 2 60's Drawbar Organ 60's Drawbar Organ 70's Drawbar Organ 60's Drawbar Organ 16+2"2/Organ Bass 1 70's Drawbar Organ Cheezy Organ 2 Drawbar Organ Percussive Organ 1
PC 033 CCXG Set Elements Acoustic Bass 1 Jazz Rhythm 2 Velocity Crossfade Upright Bass 2 Finger Bass 1 Finger Dark 2 Bass & Distorted Electric Guitar2 Finger Slap Bass 2 Finger Bass Modulated Bass 2 Pick Bass Muted Pick Bass 1 1

054 055

PC 061 CCXG Set Trumpet Warm Trumpet Trombone Trombone 2 Tuba Muted Trumpet French Horn French Horn Solo French Horn 2 Horn Orchestra Elements 1
Charang Lead Distorted Lead Voice Lead Fifths Lead Big Five Bass & Lead Big & Low Fat & Perky Soft Whirl Mogul Distance
PC 105 CCXG Set Sitar Detuned Sitar Sitar 2 Tamboura Banjo Muted Banjo Rabab Gopichant Oud Shamisen Koto Taisho-kin Kanoon Kalimba Bagpipe Fiddle Shanai Tinkle Bell Bonang Altair Gamelan Gongs Stereo Gamelan Gongs Rama Cymbal Agogo Steel Drums Glass Percussion Thai Bells Woodblock Castanets Taiko Drum Gran Cassa Melodic Tom Melodic Tom 2 Real Tom Rock Tom Synth Drum Analog Tom Electronic Percussion Reverse Cymbal Elements 1
Brass Section 1 Trumpet & Trombone Section 2 Synth Brass 1 Resonant Synth Brass Synth Brass 2 Soft Brass Choir Brass 2
PC CC000 XG Set New Age Pad Fantasy Warm Pad Poly Synth Pad Choir Pad Itopia Bowed Pad Metallic Pad Halo Pad Sweep Pad Elements 2 2

063 064

PC CC000 XG Set Soprano Sax Alto Sax Sax Section Tenor Sax Breathy Tenor Sax Baritone Sax Oboe English Horn Bassoon Clarinet Elements 1 1

095 096

PC 097 CCXG Set Rain African Wind Carib Sound Track Prologue Crystal Synth Drum Comp Popcorn Tiny Bells Round Glockenspiel Glockenspiel Chimes Clear Bells Chorus Bells Soft Crystal Air Bells Bell Harp Gamelimba Atmosphere Warm Atmosphere Hollow Release Nylon Electric Piano Nylon Harp Harp Vox Atmosphere Pad Brightness Goblins Goblins Synth Creeper Ritual To Heaven Night Glisten Bell Choir Echoes Sci-Fi Elements 2

Radex Sound Equipment Ltd. 17, Diagorou Street, Nicosia, CYPRUS TEL: (022) 66-9426
EDIROL (Europe) Ltd. Studio 3.Power Road London W4 5PY U. K. TEL: +44 (0)5949 FAX:+44 (0)5948 http://www.edirol.com/europe Deutschland TEL: 20 France TEL: 371 Italia TEL: 02 93778329
Parsons Music Ltd. 8th Floor, Railway Plaza, 39 Chatham Road South, T.S.T, Kowloon, HONG KONG TEL: 2333 1863
Rivera Digitec (India) Pvt. Ltd. 409, Nirman Kendra Mahalaxmi Flats Compound Off. Dr. Edwin Moses Road, Mumbai-400011, INDIA TEL: (022) 2493 9051
Roland Brasil Ltda. Rua San Jose, 780 Sala B Parque Industrial San Jose Cotia - Sao Paulo - SP, BRAZIL TEL: (011) 4615 5666
MOCO INC. No.41 Nike St., Dr.Shariyati Ave., Roberoye Cerahe Mirdamad Tehran, IRAN TEL: (021) 285-4169
Roland Italy S. p. A. Viale delle Industrie 8, 20020 Arese, Milano, ITALY TEL: (02) 937-78300

TRINIDAD

AMR Ltd Ground Floor Maritime Plaza Barataria Trinidad W.I. TEL: (868)638 6385
Comercial Fancy II S.A. Rut.: 96.919.420-1 Nataniel Cox #739, 4th Floor Santiago - Centro, CHILE TEL: (02) 688-9540
Roland Scandinavia Avd. Kontor Norge Lilleakerveien 2 Postboks 95 Lilleaker N-0216 Oslo NORWAY TEL: 2273 0074
Halilit P. Greenspoon & Sons Ltd. 8 Retzif Haaliya Hashnya St. Tel-Aviv-Yafo ISRAEL TEL: (03) 6823666
PT Citra IntiRama J1. Cideng Timur No. 15J-150 Jakarta Pusat INDONESIA TEL: (021) 6324170
Todo Musica S.A. Francisco Acuna de Figueroa 1771 C.P.: 11.800 Montevideo, URUGUAY TEL: (02) 924-2335

COLOMBIA

Centro Musical Ltda. Cra 43 B No 25 A 41 Bododega 9 Medellin, Colombia TEL: (574)3812529
MUSIC HOUSE CO. LTD. FREDDY FOR MUSIC P. O. Box 922846 Amman 11192 JORDAN TEL: (06) 5692696
MX MUSIC SP.Z.O.O. UL. Gibraltarska 4. PL-03664 Warszawa POLAND TEL: (022) 19
Instrumentos Musicales Allegro,C.A. Av.las industrias edf.Guitar import #7 zona Industrial de Turumo Caracas, Venezuela TEL: (212) 244-1122

NORTH AMERICA

CANADA
Roland Canada Music Ltd. (Head Office) 5480 Parkwood Way Richmond B. C., V6V 2M4 CANADA TEL: (604) Roland Canada Music Ltd. (Toronto Office) 170 Admiral Boulevard Mississauga On L5T 2N6 CANADA TEL: (905) 362 9707
Cosmos Corporation 1461-9, Seocho-Dong, Seocho Ku, Seoul, KOREA TEL: (02) 3486-8855

CURACAO

Zeelandia Music Center Inc. Orionweg 30 Curacao, Netherland Antilles TEL:(305)5926866
Roland Iberia, S.L. Portugal Office Cais das Pedras, 8/9-1 Dto 4050-465, Porto, PORTUGAL TEL: 00 60
EASA HUSAIN AL-YOUSIFI & SONS CO. Abdullah Salem Street, Safat, KUWAIT TEL: 243-6399

MALAYSIA/ SINGAPORE

FOR IMMEDIATE RELEASE Contact: Tara Callahan Roland Corporation US tarac@rolandus.com 323-890-3718
EDIROL BY ROLAND RELEASES LEOPARD COMPATIBLE DRIVERS Los Angeles, CA, November 1, 2007In coordination with Apples October 26 Leopard roll-out, Roland is proud to announce full Mac OS 10.5 (Leopard) compatibility for 38 EDIROL products after releasing driver updates earlier this month. EDIROL by Roland Product Manager Michael Barrett explains, We are always striving to equip our customers with the latest, most up-to-date technology as it happens. Were thrilled that we were able to synchronize our own research and development efforts with the release of the Leopard operating system. These new driver updates give our Mac users access to all of the operational improvements intrinsic in Mac OS 10.5, and will help to simplify the creative process. The Leopard compatible list includes the following EDIROL devices: EDIROL Supports Mac OS 10.5 (Leopard) USB 2.0 Audio Devices: M-16DX, UA-101 USB 2.0 mode, UA-1000 USB 1.1 Audio Devices: M-100FX, PCR-1, PCR-A30, SC-D70, SD-90, UA-1EX, UA-3FX, UA-4FX, UA-5, UA-20, UA-25, UA101 USB 1.1 mode, UA-700, UR-80 USB MIDI Devices: UM-1 Series, UM-2 Series, UM-3EX, UM-550, UM-880, PC-50, PC-300, PCR-300, PCR-500, PCR800, PCR-M1, PCR-M30, PCR-M50, PCR-M80, PCR-30, PCR-50, PCR-80, SC-8820, SC-8850, SD20, SD-80, SK-500 The FA-101 and FA-66 FireWire audio interfaces use Apples native drivers built into the Macintosh OS X platform, including Leopard.
* Existing EDIROL MIDI Drivers were tested and found to be fully compatible with Mac OS 10.5. * Please check the Leopard compatibility of your audio/MIDI application and its system requirements when you use your EDIROL audio/MIDI device with Mac OS 10.5. Roland is a world leader in the design, manufacture and distribution of electronic musical instruments, professional audio equipment, multimedia products and music accessories. For more information, contact Roland Corporation U.S., 5100 S. Eastern Ave., P.O. Box 910921, Los Angeles, CA 90091-0921, (323) 890-3700 (x3718 - for media use only), www.RolandUS.com/EDIROL.