Sharp MD-SR60 Manual
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User reviews and opinions
|John W. Terp||12:45am on Monday, May 10th, 2010|
|Sync mode can be turned off. Unit is fine for live recording An earlier review (July 9.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
email@example.com I joined Flatpick-L in 1995, and got on board the Plectrology team in 1998, helping with the distribution of disc 4 for Plec III. Our granddaughter, Ashley Grace Moore, wearing her Flatpick-L cap, is providing moral support. I enjoy acoustic guitars, and I am glad to be able to contribute to the flatpicking community by helping with Plectrology. Flatpickers are by and large always willing to help others and when we are gathered together, the music is great, and the fellowship is hard to beat. Plectrology is a good project, and I encourage each of you to submit a tune or two. Now that I am retired, I am beginning to work on something for Plectrology VIII, although as many of you know, I cannot carry a tune in a basket.
CHIEF NODA with AMY FOTHERINGHAM
A Nightingale Sang in Berkeley Square (E. Maschwitz / M. Sherwin; 3:21) Angels (C. Hall; 3:38)
Guitar: Martin 000-28. Notes: This year, I resort to digging up some old recordings that I did with a wonderful singer, Amy Fotheringham. We played together for about a year, and had one "official" show. The tracks are taken from the live recording of the gig at Loaf and Ladle in Exeter, New Hampshire, January 1994. A Nightingale Sang in Berkeley Square - This is a jazz standard, which happened to be the first tune we practiced together. Angels - Written by Chuck Hall, this is one of our favorite tunes. I played my Martin 000-28, fingerpicked (sorry), but I did use a flatpick during the gig.
New York, New York
Alabama Jubilee (trad.; 1:45)
Guitars: 1939 Martin D-18. 1963 Martin D-21 Recording: AKG C2000s microphone, Korg D16 digital recorder, Sony D-8 Dat Notes: No particular reason why I decided to record this tune other than I had been playing it quite a bit and been having fun with it.
4-4 4-5 4-6
Dont Let Nobody Tie You Down (R. Light; 2:15) Peer Music Ltd Spec Action Acct. Kinfolks In Carolina (M. Travis; 2:32) Unichappell Music, Inc. Spec Acct. You Wont Be Satisfied That Way (J. Davis & L. Ellis; 2:01) EMI Music Publishing
Musicians: Robin Bullock: - mandolin Olivier Christienne - fiddle, tenor vocal Pierre-Yves Ganne - bass Eric Gloaguen - banjo Philippe Perrard - guitar, lead vocal.thank you guys.
Guitar: 86' Martin HD28 1986, with Martin medium strings. Recording Equipment: The recording was done in a room by Eric Gloaguen with a Roland 8 digital tracks. Notes: Ive used a Golden Gate pick. Now I use a Wegen pick 1.5. Flatpicking guitar, bluegrass and oldtime music are my hobby for 30 years. I love Flatpick-L. Thank you to the Plec Team for their great work.
Schuyler, Virginia firstname.lastname@example.org
Lost Wages (T. Proutt; 4:53)
Guitar: Martin HD28. Band Members: Halfgrassd is Tom Proutt - lead and rhythm guitar HD28 T. J. Johnson - mandolin Joey Damiano- bass fiddle.
Recording: Recorded by Halfgrassd, Sept 27th, in Jeff Romanos studio, Greenwood, Va. Notes: This tune was cut live and will appear on our next CD. I live in Schuyler, Virginia, and enjoy the daily posts on the flatpick page.
T. J. Johnson, Joey Damiano, and Tom Proutt.
Ash Hollow (P. Riedesel; 1:57) Travelin Free (P. Riedesel; 3:01)
Guitars: My principal guitar is a 2000Martin D-42. My 97 Santa Cruz H makes a cameo appearance in the second song. Notes: Both numbers are original, and I do all the picking, singing, and tooting. Ash Hollow was a resting place along the Oregon Trail in western Nebraska, near where my parents grew up. The ruts may still be seen on what they called Windlass Hill. Travelin Free was one of those songs I got up in the middle of the night to write down. I tried not to miss any ramblin / gamblin /travelin man clichs before putting my own twist on it.
CLIFF ROBERTS & MARK COSGROVE
Southern Germany CRob@aol.com
4-10 Whistling Rufus (F. A. Mills; 4:06) Double Stop Music
Guitars: Martin LSV; Santa Cruz Custom D. Recording: Sony MZ-N707 MD Recorder, clip on microphone. Notes: Both Guitars are in Standard Tuning.1st solo is Cliff, then Mark, then both of us together. We played two of my Guitars. Mark is playing the Martin LSV, an older one with an Adirondak top. I am playing a Santa Cruz "Custom D". There were only maybe 10 or 12 of these made for a Guitar Shop here in Germany. The bracing and the sound hole have been modified and we both think it sounds MUCH better than a standard D. Now a little bit about how this happened. Mark and Liz have been staying at my place every time they've been over here for the past few years. They had been here about a week and were getting ready to leave. Liz was finishing packing and Mark and I were finishing our coffee. Then, out of the blue, Mark says, "Hey, let's record something for Plec!" Talk about being caught on the wrong foot! I wasn't even really awake yet! Two minutes later Mark had his Sony MZ-N707 MD Recorder on the table with a very small kind of a clip on Microphone like you see in TV shows. Then we just started playing! Mark said the first take was probably too long (over 6 min.) so we did it again and cut it down to about 4 min. Mark is really a joy to play anything with! He's got so many ideas and just seems to come up with something different every time! I was just glad to even get through the thing once! Actually, this is the first time I've ever really done this before and it was SO much fun that I went out and got a MD Recorder myself (the same one) and will definitely be doing some more of this in the future! I've got a couple other tunes I would really like to do with Mark the next time they're here. Mark has been a great source of inspiration and motivation and I will always be grateful for that! Thanks Mark!!!
Mt. Pleasant, South Carolina email@example.com 4-11 Ragtime Annie (trad.; 2:37) 4-12 New Camptown Races (F. Wakefield; 3:02) Wynwood Music Co., Inc. 4-13 Slocum Hollow (B. Baldassari; 2:22) (we also call it the DR Chipper tune) Integrated
Copyright Group Inc, A/C Slocum Hollow Songs Musicians: Bass - on cuts 1,2,3 Nancy Robins (my precious wife).\ Mandolin - on cuts 1,2,3 - Stephen Schabel (on loan from the Homeboy Discount Band). Banjo - on cuts 2, 3 - Ray Murphy (on loan from the Homeboy Discount Band).
Instruments: Gill's 1999 Martin D-18GE Bass - Kay '62 C-1 Mandolin - Randy Wood F-5 Banjo - Stelling Bellflower
Recording: Recorded live at our house on a rainy Saturday - portable Sony minidisc R-37 with a homemade stereo mic (Radio Shack parts) Notes: As always, enjoy participating with the Flatpick community around the world! Guitar - Gill Robins, Bass - Nancy Robins, Banjo - Ray Murphy, Mandolin - Stephen Schabel
firstname.lastname@example.org website: www.toobluemusic.com
4-14 The Leaving Kind (
1997 Betsy Rome. From the CD: A Little On the Blue Side by Too Blue; 2:58) Performed by Too Blue: Betsy Rome: guitar, harmony vocals Joan Harrison: banjo, lead vocals Jack Murphy: bass Michael Sassano: mandolin Guest: Joyce Andersen: fiddle
Too Blue: (left to right) Joan Harrison, Michael Sassano, Jack Murphy, Betsy Rome
Guitar: 1985 Santa Cruz Tony Rice, Brazilian rosewood. Recording information: Engineered by Michael Rome, NARAS Produced by Betsy Rome. Digitally recorded in 24-bit stereo on Tascam MX2424. Mixed in ProTools on Macintosh. Mastered by Mark Donahue at SoundMirror, Boston MA. Microphones: Neumann KM-184 for all instruments except bass. CAD-200 for bass. AT-4033 for vocals.
Notes: Thanks to. Flatpick-L members: Chief Noda and Mark Cashman for microphones Ted Blankenship for recording advice Jim Hurst for liner notes and guidance, and the rest of the Flatpick-L for your continued support & friendship.
ED & IKE SMITH (The Smith's)
Rupert, Idaho email@example.com Ed Smith <firstname.lastname@example.org>
4-15 Days of Elijah (R. Mark; 1:52)
Integritys Hosanna Music
4-16 Looking into Holiness (arr. by E.
Smith; 3:02) Guitars: 98 Whitaker 14-string Dreadnought Custom 2002 McCollum 20-String Harp Guitar
Recording: We took the plunge and recorded at SoundTrax Studio in Wendell, Idaho. That was a fun experience! Ed played a custom 1998 Whitaker 14-string Dreadnought on the tune Days of Elijah. Ed played a custom 2002 McCollum 20-String Harp Guitar on the tune Looking into Holiness. Ike played the harmonica on both tunes. The 14-string Dreadnought is tuned bBeEaAdDgGbbee, and the Harp guitar is tuned the same, with the Bass strings tuned GAADEF (low to high) on the bass strings. X-pickin' 14-stringer - I love that Smoky Mountain Music!
STEVE SNYDER & SKIP STAPLES
Cape Hatteras, North Carolina
4-17 Uncle Hermans Hornpipe (trad.) / Ten Miles to Deep Gap (J. Lawrence) (3:51)
Musicians: Steve Snyder - lead; Skip Staples - rhythm Guitars: Gallagher Custom Doc Watson (Skip) Martin HD28 (Steve)
Recording: We recorded this at our good buddy Scott Fransons home/studio on Pro Tools. Notes: Skip and I wanted to record some tunes done by our heroes. So, we chose Uncle Hermans Hornpipe (traditional), because of the great version by Dan Crary and Norman Blake on Jammed if I Do and Ten Miles to Deep Gap (Jack Lawrence), because Jack taught me this tune a few years ago. Its also the tune that Jack was asked once after playing it, Is that a real song, or did you just make it up? Skip kicks off Uncle Hermans Hornpipe then leaves the rest of the lead for me to take to the end of Ten Mile to Deep Gap. After 3 years of Skip asking me if I got my Plectrology submission in, I can finally say yes. He introduced me to my first experience in a studio and I loved it. Thanks Skip!
4-18 America the Beautiful (K. Bates / W. Ward; 1:46) 4-19 Pickin' the Guitar (N. Lucas; 3:04)
Guitar: 73 Martin D-35 Recording Information: I recorded these 2 tunes using Cool Edit Pro really not knowing at all what I was doing! Chief Noda helped me get them in proper format. Notes: All tunes were played solo on my 1973 D-35 which has been worked on by our own Bryan Kimsey as well as local luthier Troy Greene.
America the Beautiful I learned out of FPM from Harold Streeter's column. Pickin' the Guitar I learned from Beppe Gambetta's arrangement at SKFC 2001. I still have rough edges around the tunes but Ill get them ironed out in time.
MIKE TATAR Jr.
Santa Cruz, CA email@example.com
4-20 TV Tone (M. Tatar; 2:36))
Guitar: Martin D-18 or Santa Cruz D Recording: The recording was made with a Sound Professionals stereo omni microphone mounted in an otter box and run into a Sharp MD-SR60 mini-disk recorder. Unfortunately, the mic works too well and picks up everything, including a TV that was probably 30 feet away in another room. Recording equipment belongs to fellow Pickle, Pat Chin. Notes: Mike is the fiddle player for Ron Spears and Within Tradition, but is also a multi-instrumentalist who plays mandolin and guitar. He made this recording in the living room of his parents' house in Poway, CA after a jam session. Mike was either playing his father's Martin D-18 or Pat Chin's Santa Cruz D.
PORTABLE MINIDISC RECORDER
Thank you for purchasing this SHARP product. For the best performance, read this manual carefully. It will guide you in operating your SHARP product.
Telephone number for Customer support
Do not hesitate to call us
**00-TOP/BOTTOM 3 02.07.2000, 10:01 AM
Special Notes... 2-3 Precautions... 4 Names of Controls and Indicators.. 5-6 Accessories... 7
Advanced Recording... 15-19 Recording from a Microphone. 20-22 Advanced playback.. 23-24 Checking displays... 25-26 Battery Power... 27-28 Hold Function... 29 Using with other equipment. 30
Inserting a MiniDisc... 8 Connections.. 9-10
Titling a MiniDisc.. 31-34 Editing a recorded MiniDisc.. 35-37 Changing default settings.. 38
Recording... 11-12 Playback.. 13-14
Other Features and Caution. 39 MiniDisc System Limitations.. 40 Error Messages.. 41-42 Troubleshooting.. 43-44 Maintenance... 44 Specifications... 45 Index... 46 TERMS OF GUARANTEE.. Back cover
**01-INPORTANT INTRODUCTION 2 02.07.2000, 10:02 AM
NOTE FOR USERS IN THE U.K.
SERVICE INFORMATION In the unlikely event of your equipment requiring repair, please contact the dealer or supplier from whom it was purchased. Where this is not possible, please contact the telephone number listed below. You will then be given details of how to obtain service. 0345-125387 Please note; all calls will be charged at local rate. Certain replacement parts and accessories may be obtained from our main parts distributor. WILLOW VALE ELECTRONICS LTD. MANCHESTER 0161-682-1415 READING 01189-876444 In the unlikely event of this equipment requiring repair during the guarantee period, you will need to provide proof of the date of purchase to the repairing company. Please keep your invoice or receipt, which is supplied at the time of purchase.
q The supplied AC adaptor contains no user ser-
viceable parts. Never remove covers unless qualified to do so. It contains dangerous voltages, always remove mains plug from the main outlet socket before any service operation or when not in use for a long period. DEUTSCH q The AC adaptor supplied with the MD-SR60E must not be used with other equipment. q To prevent fire or shock hazard, do not expose FRANAIS this appliance to dripping or splashing liquids. No objects filled with liquids, such as vases, shall be placed on the apparatus. ESPAOL q Never use an AC adaptor other than the one specified. Otherwise, problems or serious hazards may be SVENSKA created.
**01-INPORTANT INTRODUCTION 3 02.07.2000, 10:02 AM
Special Notes : continued Special Notes
q At full volume, prolonged listening to a personal stereo q It is not recommendable to put the MiniDisc into a rear
pocket, as this may damage the product when sitting.
may damage the users hearing. This model complies with the law if used with the correct headphones (model number RPHOH0005AWZZ). If the headphones are damaged in any way, please order using the model number given above. q Use the Portable Minidisc Recorder only in accordance with the instructions given in this manual and do not attempt to interfere with the interlock switch or make any other adjustment as this may result in exposure to hazardous radiation.
q Recording and playback of any material may require
consent, which SHARP is unable to give. Please refer particularly to the provisions of the Copyright Act 1956, the Dramatic and Musical Performers Protection Act 1958, the Performers Protection Acts 1963 and 1972 and to any subsequent statutory enactments and orders. q This equipment complies with the requirements of Directives 89/336/EEC and 73/23/EEC as amended by 93/68/EEC. q US and foreign patents licensed from Dolby Laboratories Licensing Corporation. q The letters in brackets contained in the model number indicate the colour of the product only. Operation and specifications are unaffected.
**01-INPORTANT INTRODUCTION 4 02.07.2000, 10:02 AM
q Do not wear your headphones when you are crossing q
Storing the unit
Avoid using or leaving the unit in the following places. q Places exposed to direct sunlight for many hours (especially in cars with the doors and windows closed) or near heaters. (The cabinet may deform, change colour or the unit may malfunction.) q Places exposed to water. DEUTSCH q Places exposed to excessive dust. q Places where temperatures are excessively high or low. FRANAIS q Places (bathrooms) where the humidity is extremely high.
q Places with strong magnetic
q q q q
streets or near traffic. Do not use your headphones whilst driving a motor vehicle, it may create a traffic hazard and may be illegal. Remember to obey all of the safety rules in your area. Do not play the unit at a high volume. Hearing experts advise against extended listening at high volume levels. If you experience ringing in your ears, reduce the volume or discontinue use. No naked flame sources, such as lighted candles, should be placed on the apparatus. Attention should be drawn to the environmental aspects of battery disposal. The apparatus is designed for use in moderate climate.
fields such as TVs or loudspeakers. q Places exposed to vibration.
To avoid accidental electric shock or other possible problems, observe the precautions listed below. q Do not disassemble or modify the unit. q Do not drop or subject the unit to shock. q Do not use the unit near open flames. q Do not spill liquid on the unit. q Do not use an external power supply, other than the 5V DC supplied with this unit, as it may damage it. q SHARP is not responsible for damage due to improper use. Refer all servicing to a SHARP authorised service centre.
q Places where sand can easily enter
the inside of the unit (beaches etc.).
NEDERLANDS q If the unit is used near radio tuners or TVs, noise and/or picture interference may result. If you experience these problems, move the unit away from such devices. ENGLISH
**01-INPORTANT INTRODUCTION 5 02.07.2000, 10:02 AM
Names of Controls and Indicators
1. Volume Up/Cursor Button (13, 32) 2. Volume Down/Cursor Button (13, 32) 3. Edit/Auto Mark/Time Mark Button (18, 22, 31-37) 4. Display/Character Select Button (25, 26, 31) 5. Remote Control/Headphones/Line Output Socket (13) 6. Optical/Line Input Socket (9, 10) 7. Microphone Input Socket (20) 8. Record/Track Mark Button (11) 9. Stop/Power Off/Charge Button (12, 14, 27) 10. Play/Pause Button (11, 13) 11. Enter/Fast Play/Synchro Button (15, 24, 31-37) 12. Fast Forward/Recording Level Up/Name Select Button (11, 23, 31, 38) 13. Fast Reverse/Recording Level Down/ Name Select Button (11, 23, 31, 38) 14. Bass/Delete Button (13) 15. Mode Button (16, 24, 38) 16. Open Lever (8) 17. 5V DC Input Socket (9, 27) 18. Battery Cover (27, 28) 19. Hold Switch (29)
**02-PREPARATION 9 02.07.2000, 10:05 AM
To connect to a stereo system with AUDIO OUT or LINE OUT sockets
AC 230-240V 50/60Hz To the DC IN 5V socket
To the wall socket Red : To Right To the OPTICAL/ LINE IN socket
To a stereo system with AUDIO OUT or LINE OUT sockets. (See left. Analogue connection) Note: If the audio system has only one pair of socket then they are usually input only and recording via this connection is not possible.
White : To Left
**02-PREPARATION 10 02.07.2000, 10:05 AM
Connections : continued
To connect to a stereo system with DIGITAL OUT or OPTICAL OUT sockets
To the wall socket
To the OPTICAL/ LINE IN socket
To a stereo system with a "DIGITAL OUT" socket. (See left. Digital connection) Compared to analogue connection recording, it allows high-quality recording. Some audio systems do not have a DIGITAL OUT socket. Check before connecting.
**02-PREPARATION 11 02.07.2000, 10:05 AM
Playback Pause Playback
Check that the HOLD switch on the back is released.
Notes: q Changing the volume level whilst recording does not affect the recording. q You cannot adjust the bass level whilst recording. Caution: q Whilst TOC or TOC EDIT! is displayed, do not do any of the following. Do not jerk or bump the unit. Do not unplug the AC adaptor. Do not remove the rechargeable battery or an alkaline battery. Do not subject the unit to shock. Otherwise, tracks may not be recorded properly.
**03-BASIC OPERATION 12 02.07.2000, 10:03 AM
Recording : continued
Press the REC button. Begin playback on the stereo system connected to this unit. Press the REC LEVEL (5 or 4) button 5 to adjust the recording level (only analogue connection).
q Adjust the recording level so that the maximum
To interrupt recording Press the 06 button.
q The track number will be increased by one each time
**03-BASIC OPERATION 15 02.07.2000, 10:03 AM
Playback sound-actuated recording (Synchronized recording)
Recording automatically starts or pauses by detecting sound from the stereo system (Synchronized recording).
Press the REC button. Begin playback on the stereo system connected to this unit. Press the REC LEVEL ( 5 or 4 ) button to adjust the recording level (only analogue connection). Press the PAUSE button on the stereo system to enter the playback pause mode.
Press the ENTER/SYNC button. Begin playback on the stereo system. Recording will begin automatically.
To interrupt recording:
q When the stereo system is stopped, the unit will enter
the synchro recording pause mode. When playback is resumed, the recording will be resumed. q If a silence lasts for 3 seconds or more, the recording will be paused (Pause function does not work for approximately 10 seconds after a recording starts). q When the unit receives sound again, recording automatically starts.
To stop recording:
**04-USEFUL FEATURES 1 16
Press the s/:OFF button.
02.07.2000, 10:03 AM
Advanced Recording : continued
Double time recording in monaural mode
When recording in monaural long-play mode the available recording time will be doubled. Monaural long-play recordings can be replayed at double speed, to play at double speed see page 24.
Press the MODE button whilst the recording is paused.
Monaural longplay mode
Notes: q When the unit is stopped after a recording has been made in this mode, the recording mode will return to the stereo mode automatically. q If input is from a stereo source, the sounds from the left and right channels will be combined. q Although the monitor sound you hear in the headphones whilst recording is in stereo, recording will be monaural. q MiniDiscs recorded in the monaural long-play mode may not play on other MiniDisc players.
**04-USEFUL FEATURES 02.07.2000, 10:03 AM
To start recording from the middle of track
You can erase a portion of a track and make a new recording.
q All of the tracks that follow the newly recorded track will be erased.
During playback, press the 06 button at the point where you want to begin recording. Press the REC button.
q To cancel the operation, press the s/:OFF button.
Press the ENTER/SYNC button.
q All of the tracks and track names will be erased,
following the point where the playback is paused.
This unit incorporates a sampling rate converter. When this unit is connected to digital equipment such as digital radios or DAT tape recorders that use a different sampling frequency (32 kHz or 48 kHz), recordings can still be made. (The sampling frequency of this unit is 44.1 kHz.)
First track Second track
2. When recording from a CD or a MiniDisc using the digital connection, track numbers will be created at the same points as on the CD or MiniDisc (Synchro marker function).
First track Second track Third track
Note for digital recording
You can not copy a MiniDisc that you recorded from digital inputs to another MiniDisc or DAT. It is prevented by the SCMS (Serial Copy Management System). Recording from analogue inputs is not affected. Digital signals Digitally recorded MIniDisc Cannot record
q Track numbers may not be created in proper places,
depending on the source to be recorded from, such as signals with noise. q The track numbers on the playback side may not match the track numbers recorded on the MiniDisc.
CD player, MiniDisc player, etc. Digital connection
Recording from a Microphone
To record from a microphone
Connect a stereo microphone to the MIC IN socket. Insert a recordable MiniDisc (page 8). Press the REC button. Press the REC LEVEL ( 5 or 4 ) button to adjust the recording level.
Level meter indicator
To the MIC IN socket
sound volume from the source makes the reading swing between 4 dB and 0 dB. Stereo microphone (commercially available)
To interrupt a recording Press the 06 button whilst recording.
q To resume recording, press the 06 button again.
The track number will be increased by one each time you interrupt a recording.
Recording from a Microphone : continued
Sound-actuated recording (Mic Synchronized recording)
About pause function
The unit automatically pauses when the microphone does not pick up any sound for 3 seconds or more. (Pause function does not work for approximately 10 seconds after a recording starts.) When the microphone picks up sound again, recording starts automatically. Notes: q Whilst making a mic recording, do not connect anything to the OPTICAL/LINE IN socket on the main unit. q To use a microphone, be sure it is a plug-in-power type microphone. When a plug-in-power type microphone is plugged in, the main unit will provide power for the microphones operation. If a different type of microphone is plugged in, it may not operate properly or it may cause the unit to malfunction. q Insert the plug firmly. If you dont, the recording will not be made properly. q Use a microphone with a 3.5 mm (1/8") diameter stereo mini plug.
Press the REC button. Press the REC LEVEL ( 5 or 4 ) button to adjust the recording level.
Press the ENTER/SYNC button to select the recording sensitivity.
MIC SYNC H : Recording starts when the unit detects 24 dB or more (The unit can start recording from quiet sounds). MIC SYNC L : Recording starts when the unit detects 12 dB or more.
When a sound, such as person speaking, is picked up by the microphone, recording will begin automatically.
q If the unit starts recording too often from low unwanted noises, set the microphone input to MIC SYNC L. q Recording sensitivity can be changed, whilst recording.
When recording from the microphone, track numbers will be created automatically at regular intervals (default setting: approximately every 5 minutes). During a mic synchro recording, the unit pauses when a silence lasts for 3 seconds or more, and creates a track number.
Example: Set to 5 minutes.
Changing intervals between tracks
When a recording is paused or whilst recording
Press the EDIT button repeatedly.
During a mic manual recording
q Timed auto marks will be created every 5 minutes. q If you change the timed auto mark setting whilst re-
(A mark is created every 3 minutes.)
(No marks are created.)
cording, a mark will be created after the setting time from that point.
Track number 1 Track number 2 Track number 3 Track number 4 (A mark is created every 5 minutes.) (A mark is created every 10 minutes.)
q The interval between marks may vary slightly com-
pared with the actual recording time.
During a mic synchro recording
If a silence lasts for 3 seconds or more, a timed auto mark will be created 5 minutes after the previous mark is created.
: Track number which is created by the timed auto mark function. : Track number which is created when a silence lasts for 3 seconds or more during synchro recording.
Creating track numbers manually Press the REC button whilst recording.
Track Track number 1 number 2
Track Track number 3 number 4
Track number 5
5 minutes 1 minute
To locate the desired portion
For audible fast forward: Press and hold down the 4 button during playback. For audible fast reverse: Press and hold down the 5 button during playback.
q Normal playback will resume when the 5 or 4
button is released.
To locate the beginning of a track
To move to the beginning of the next track: Press the 4 button during playback. To re-start the track being played: Press the 5 button during playback. To locate the next track: Press the 4 button whilst the unit is stopped. To locate the previous track: Press the 5 button whilst the unit is stopped.
q To skip a number of tracks at one time, press the 5
q When the end of the last track is reached during fast
forward, the unit will enter the pause mode. When the beginning of the first track is reached during fast reverse, the unit will enter the playback mode.
or 4 button repeatedly until the desired track number is shown. q When you press the 06 button, play back starts from the beginning of the track.
**04-USEFUL FEATURES 02.07.2000, 10:05 AM
Advanced playback : continued
Random play or repeat play
During playback, press the MODE button repeatedly to select the playback mode. RANDOM Random play RANDOM Repeat play of tracks in random order Repeat play of all of the tracks Repeat play of a single track 1 No display Normal playback
To play at double speed (Mono recording only)
Press the ENTER/SYNC button whilst a MiniDisc recorded in the monaural long-play mode is being played.
q If a track recorded in the stereo mode is reached during
fast playback, the fast playback mode will be cancelled.
q Depending on the contents recorded on a MiniDisc, it
may be difficult to hear them.
To interrupt fast playback
Press the 06 button during playback. When the 06 button is pressed again, the unit will resume fast playback.
To return to normal playback
Notes: q If the playback mode is selected whilst stopped, press the 06 button to start playback. q When TOC is displayed, random play or repeat play is impossible. q In random play the unit will select and play tracks automatically. (You cannot select the order of the tracks.) After all of the tracks have been played once each in random order, the unit will stop automatically. q During random, random repeat, or single track repeat play, you can forward or reverse the MiniDisc only within the track being played. q During random play, the unit cannot find the beginning of any track which has been played. q Repeat play lasts until you stop the unit.
To check the elapsed time and remaining time of the track To check the remaining recording time and the total playing time
Whilst in the stop mode, press the DISP button.
Each time the button is pressed, the display will change as follows: Total number of tracks Disc name
During playback, press the DISP button.
Each time the button is pressed, the display will change as follows:
Track number Track name
Elapsed playback time
Remaining recording time
Remaining playback time Notes: q If the disc name or the track name was not originally recorded on the MiniDisc, NO NAME will be displayed. q Remaining recording time will not be displayed with a play-back only MiniDisc. q Elapsed playback time and remaining playback time may be different from the actual time.
Press the 5 or 4 button repeatedly to select the letter.
Press the ENTER/SYNC button to enter it.
Position where the next letter will be entered Cursor
q The unit will enter the character input mode. q To cancel the operation, press the s/:OFF
To enter more letters, repeat steps 3 - 5. When the name has been completely entered, press the EDIT button.
**05-ADVANCED FEATURES 32 02.07.2000, 10:04 AM
Titling a MiniDisc : continued
To erase a charactor
Press the VOL + or VOL button to move the cursor to the character you want to erase, and then press the BASS button.
To add characters
Put the unit in the character input mode. (Perform steps 1 - 2 on page 31.) Press the VOL + or VOL button to move the cursor to the right of the character, where you want to add a new character.
To enter a space
Press the VOL + button to move the cursor to the right.
K L M N , /
Select the character to add. (Perform steps 3 - 4 on page 31.)
A B C D E F G H
O P Q R S T U V W X Y Z. a o b c r d s e t 5 f u g h i j y 0 / k l z. ! : " ;
v w x .
m n , / # $ < =
Press the EDIT button.
Numbers and symbols
% & ' ( ) > ? @ _ `
: indicates a space.
**05-ADVANCED FEATURES 33 02.07.2000, 10:04 AM
Stamping titles from another MiniDisc
When there are 2 MiniDiscs on which the same tracks are recorded, you can transfer the character information (disc and track names) of the Master MiniDisc to another MiniDisc (for stamping).
Master MiniDisc operation
Insert a Master MiniDisc.
Do not mistake the Master MiniDisc for the target one.
1. What is a master MiniDisc?
A recordable MiniDisc that contains tracks and character information. (You can not transfer the information from a playback-only MiniDisc.)
Whilst in the stop mode, press the EDIT button to select NAME STAMP.
2. What is a MiniDisc for stamping?
A MiniDisc that contains the same tracks in the same order as the master MiniDisc. (Make sure that the total number of tracks of the master MiniDisc and the one for stamping are the same.)
When the unit displays CHANGE MD, remove the master MiniDisc.
q Remove it without turning off the power. Or the
operation will be cancelled.
**05-ADVANCED FEATURES 34 02.07.2000, 10:04 AM
Operation of the MiniDisc for stamping
Load a MiniDisc for stamping.
Notes: q If the total number of tracks on the master MiniDisc does not match that on the MiniDisc for stamping, the unit will display "Can't STAMP" and turn off the power.
**06-REFERENCES 40 02.07.2000, 10:04 AM
MiniDisc System Limitations
The unit may have the following symptoms whilst recording or editing. The unit is not out of order. SYMPTOM LIMITATIONS DISC FULL or TOC FULL appears More than 255 tracks (maximum) cannot be recorded regardless of the reeven though the MiniDisc still has re- cording time. cording time left. If the MiniDisc is recorded or edited repeatedly or if it has scratches (recording skips scratched parts), you may not be able to record the maximum tracks above. The remaining recording time does not The unit does not count non-recorded portions that last 12 or fewer seconds increase even though you erased tracks. to display the remaining recording time. The time may not increase even if you erase short tracks. The total of the recorded time and the One cluster (approximately 2 seconds) is the minimum unit for recording. remaining time does not match the maxi- For example, a 3-second track uses 2 clusters (approximately 4 seconds). mum recordable time. Therefore, the actual recordable time may be shorter than the displayed time. Combine function does not work. A MiniDisc on which recording and editing are repeated may not allow the combine function. One track is divided and recorded in separate places on a repeatedly recorded or edited MiniDisc. Sound may skip.
Sound skips in fast reverse/forward.
A track number is created in the middle A track number may be created if there are scratches or dust on the MiniDisc. of a track.
**06-REFERENCES 41 02.07.2000, 10:04 AM
ERROR MESSAGES BATT EMPTY BLANK MD
q The battery is run down. q Nothing is recorded. q You tried to record from a copy proq q q q q
q Charge the rechargeable battery or replace the alka-
line battery (or use the AC adaptor for power).
q Replace the disc with a recorded disc. q Record using the analogue cable. q Change the stop position of the track and then edit it. q Reload the disc. q Replace it with another recorded disc. q Re-record or replace it with another recordable disc. q Check the number of tracks. q Replace the disc with another recordable disc.
Cant COPY Cant EDIT Cant READ (*) Cant REC Cant STAMP Cant WRITE DEFECT DISC FULL Er-MD (**) HOLD LOCKED NO DISC
hibited MiniDisc. A track cannot be edited. The disc data cannot be read because the disc is damaged. Recording cannot be performed correctly due to vibration or shock. Stamp function does not work. Cannot save the TOC information correctly to a MiniDisc. (A large portion of the disc has been damaged.) The disc is scratched.
q If the sound you hear is not right, record again. q Replace the disc with another recordable disc. q Replace it with another recordable disc.
q The disc is out of recording space. q The microprocessor has reported a
q To have it repaired, go to the distributor where you purchased the unit. system fault and the unit is out of order. q Return the HOLD switch to its original position. q The unit is in the hold mode. q You removed a MiniDisc whilst re- q Turn off the power and remove the MiniDisc. cording or editing. q Load a disc. q A disc has not been loaded.
Number or symbol appears in (*) position.
**06-REFERENCES 42 02.07.2000, 10:04 AM
Error Messages : continued
ERROR MESSAGES NO SIGNAL
q Poor connection of the digital cable. q No output signal comes out from the
q Connect the digital cable securely. q If the portable CD player has a function to prevent sound
connected unit to playback.
q You recorded on a playback-only q q
skips, deactivate it.
q Playback with the connected unit. q Replace it with a recordable disc. q Use one of the specified power sources. q Move the write protection tab back to its original position. q Replace it with a recordable MiniDisc.
POWER ? PROTECTED
TEMP OVER TOC FORM (**) TOC FULL Tr. Protect
disc. Improper power is being supplied. The write protection tab of a MiniDisc is set to the protected position. You tried to record on a playbackonly disc. Since a track number is currently being located or written to, the unit cannot accept your command. The temperature is too high. There is an error in the recording signal. There is no space left for recording character information (track names, disc names, etc.). The track has been protected from being erased. A disc which contains data other than music was played. There is an error in the signal recorded on the disc.
q Wait for a while and try the operation again.
q Turn off the power, and wait for a while. q Erase all of the tracks, and then record again. q Replace it with another recordable disc.
q Edit the track with the device on which it was recorded. q A disc which contains non-music data cannot be
q Replace it with another recorded disc.
**06-REFERENCES 43 02.07.2000, 10:04 AM
Many potential problems can be resolved by the owner without calling a service technician. If something seems to be wrong with this product, check the following before calling your authorised SHARP dealer or service centre. PROBLEM CAUSE
In the following cases, condensation may form inside the unit. q Shortly after turning on a heater. q When the unit is placed in a room where there is excessive steam or moisture. q When the unit is moved from a cool place to a warm place. To remove condensation: Remove the MiniDisc and leave the unit for approximately 1 hour. The condensation should evaporate and the unit will work properly.
When the unit becomes dirty Clean it with a soft cloth. When the unit is excessively dirty, use a soft cloth dampened in water (external surfaces only). Clean the plugs and the connecting socket. If the plugs or sockets are dirty, noise may be heard. Cleaning will prevent noise. Cautions:
q Do not use chemicals for cleaning (petrol, paint thinner,
etc.). It may damage the cabinet finish. q Do not apply oil to the inside of the unit. It may cause malfunctions.
**06-REFERENCES 45 02.07.2000, 10:04 AM
As a part of our policy of continuous improvement, SHARP reserves the right to make design and specification changes for product improvement without prior notice. The performance specification figures indicated are nominal values of production units. There may be some deviations from these values in individual units.
Rechargeable Nickel-Metal Hydride battery (AD-N70BT) x 1 DC 5V: AC adaptor (AC 230 - 240V, 50/60 Hz) DC 1.5V: Commercially available, AA size (LR6), alkaline battery x 1 DC 4.5V: Separately available car adaptor, AD-CA20X (for cars with a 12-24V DC negative earth electrical system) Power consumption: 7 W (AC adaptor) Output RMS; 20 mW (10 mW + 10 mW) power: (0.2% T.H.D.) Charging Approx. 3.5 hours (90 %) time: Approx. 5.5 hours (fully charged) (When using the AC adaptor included with the unit) Battery life: When using the rechargeable When using a commercially battery (fully charged) inavailable, high capacity, AA cluded with the unit size (LR6), alkaline battery Continuous recording: Continuous recording: Approx. 4.5 hours Approx. 3 hours Continuous play: Continuous play: Approx. 6.5 hours Approx. 7 hours q The continuous recording time is for analogue inputs when the volume level is set to VOL 0. q The continuous play time shows the value when the volume level is set to VOL 15. q The above values are the standard values when the unit is charged and used at an ambient temperature of 20C (68F). q The operating time when using an alkaline battery may be different, depending on the type and manufacturer of the battery, and on the operating temperature.
Power source: DC 1.2V:
Input sensitivity: Recording level MIC H MIC L LINE Output level:
Reference input level 0.25 mV 2.5 mV 100 mV
Input impedance 10 k ohms 10 k ohms 20 k ohms
Specified Maximum Load output output level impedance 10 mW + 10 mW 16 ohms Headphones 250 mV (-12 dB) 10 k ohms LINE Dimensions: Width: 99.9 mm (3-15/16) Height: 22.9 mm (29/32) Depth: 77.9 mm (3-3/32) Weight: 191 g (0.42 lbs.) with rechargeable battery Input socket: Line/optical digital, microphone (powered by the main unit) Outputsocket: Headphones (impedance: 16 ohms)/remote control unit
s MiniDisc Recorder
Type: Signal readout: Audio channels: Portable MiniDisc recorder Non-contact, 3-beam semi-conductor laser pick-up Stereo 2 channels/monaural (long-play mode) 1 channel Frequency response: 20 20,000 Hz ( 3 dB) Rotation speed: Approx. rpm Error correction: ACIRC (Advanced Cross Interleave ReedSolomon Code) Coding: ATRAC (Adaptive Transform Acoustic Coding), 24-bit computed type Recording method: Magnetic modulation overwrite method Sampling frequency:44.1 kHz (32 kHz and 48 kHz signals are converted to 44.1 kHz, and then recorded.) Wow and flutter: Unmeasurable (less than 0.001% W. peak)
02.07.2000, 10:04 AM
Connections.. 9,10 Insert a MiniDisc.. 8
Disc name.. 31 Stamping titles.. 33,34 To add characters.. 32 To combine tracks.. 36 To divide a track... 36 To erase a character.. 32 To erase all of the tracks at once.. 35 To erase tracks one at a time. 35 To move track.. 37 Track name.. 31
Double time recording in monaural mode. 16 Recording from a microphone.. 20 Sound-actuated recording. 21 Synchronized recording.. 15 To start recording from the middle of track.. 17
Bass control.. 14 Random play... 24 Repeat play.. 24 To play at double speed.. 24 Volume control.. 14
Battery level.. 26 Battery Power.. 27,28 Default settings.. 38 Hold function... 29 Listening through a car stereo.. 30 Listening through a stereo system. 30 Remaining playing time.. 25 Remaining recording time. 25 Total playing time.. 25 Track numbers.. 19
Erase-prevention tab. 8 Resuming auto play.. 39 TOC.. 11,12 Timed auto mark.. 22
**06-REFERENCES 47 02.07.2000, 10:04 AM
TERMS OF GUARANTEE
Subject to the terms listed below, Sharp Electronics (U.K.) Ltd. (hereinafter called the Company) guarantee to provide for the repair of, or at its option replace this Sharp Equipment, or any component thereof, (other than batteries), which is faulty or below standard, as a result of inferior workmanship or materials. The conditions of this guarantee are: 1. The guarantee shall only apply to defects which occur within one year from the date of purchase, provided that this equipment is sent to the repair address within this period. 2. This guarantee covers equipment intended for private domestic use only. This guarantee does not apply to equipment used in the course of a business, trade or profession. 3. The guarantee does not cover MiniDiscs or batteries. 4. This guarantee does not cover any faults or defects caused by accident, misuse, fair wear and tear, neglect, tampering with the equipment, or any attempt at adjustment or repair other than by a Service Facility appointed by Sharp. 5. In the unlikely event of a defect occuring, the product must be returned to the Companys repair centre with proof of purchase. A postage paid label and a fault report form are supplied with the product for this purpose. It is your responsibility to ensure that the packaging is adequate, and to obtain proof of posting. Further details of the repair service, which is available after the guarantee period on a chargeable basis, and additional report forms and labels can be obtained by telephoning 0099. 6. No person has any authority to vary the terms or conditions of this guarantee. 7. This guarantee is offered as an additional benefit to the consumers statutory rights and does not affect these rights in any way.
SHARP ELECTRONICS (U.K.) LTD.
Sharp House, Thorp Road, Newton Heath, Manchester, M40 5BE
02.07.2000, 10:01 AM
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