System Connections

Please be certain that this unit is unplugged from the AC outlet before making any connections. Since different components often have different terminal names, carefully read the operating instructions of the component connected. Be sure to observe the color coding when connecting audio, video and speaker cords. Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.

1. CONNECTING ANTENNAS

Change the position of the FM indoor antenna until you get the best reception of your favorite FM stations.
A 75 outdoor FM antenna may be used to further improve the reception. Disconnect the indoor antenna before replacing it with the outdoor one.
Place the AM loop antenna as far as possible from the receiver, TV set, speaker cords and the AC input cord and set it to a direction for the best reception. If the reception is poor with the AM loop antenna, an AM outdoor antenna can be used in place of the AM loop antenna.
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2. CONNECTING VIDEO COMPONENTS
The jacks of VIDEO 1 may also be connected to a DVD recorder or other digital video recording component. For details, refer to the operating instructions of the component to be connected. The jacks of VIDEO 2/VIDEO 3 can also be connected to an additional video component such as a cable TV tuner or satellite system. Connect the jacks of VIDEO 3 to the video component in the same way.
There are three types of video jacks (COMPONENT, SVIDEO, (composite) VIDEO) for analog video connections and the HDMI connectors for digital video and audio connections. Connect them to the corresponding video jacks according to their capability. For your reference, the excellence in picture quality is as follows : "HDMI > "COMPONENT" > "S-VIDEO" > "(composite) VIDEO". When making COMPONENT VIDEO connections, connect "Y" to "Y", "PB/CB" to "CB"(or "B-Y", "PB") and "PR/CR" to "CR"(or "R-Y", "PR"). When recording video program sources through VIDEO 1 OUT jacks or viewing ROOM 2 source through ROOM 2 OUT jacks, you must connect the (composite) VIDEO IN jacks to video playback components such as DVD player, cable TV tuner, etc. This unit is equipped with a function that up-converts composite video signals to S-Video signals or downconverts S-Video signals to composite video signals and outputs them from the MONITOR OUTs. After connecting the video components, you should set the video mode correctly, referring to the following table on page 6. (For details, refer to "When selecting the VIDEO MODE" on page 45.)

Notes : When using a conventional TV, to avoid interference with the TV picture, use only magnetically shielded front
1. TV or Screen 2. Front left speaker 3. Subwoofer 4. Center speaker 5. Front right speaker 6. Surround left speaker
7. Surround right speaker 8. Surround back left speaker 9. Surround back right speaker 10. Surround center speaker 11. Listening position
left and right and center speakers.
To obtain the best surround effects, the speakers except the subwoofer should be full range speakers.
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9. CONNECTING ROOM 2 OUTS
ROOM 2 playback feature allows you to play a different program source in another room as well as one source in the main room at the same time. For ROOM 2 playback, connect the ROOM 2 OUT jacks to the amplifier, TV, etc. installed in another room, or connect the ROOM 2 speaker terminals to the speakers. Because this receiver cannot drive the surround back speakers and the ROOM 2 speakers simultaneously, you should assign their power amplifier correctly depending on how to use them. (For details, refer to "When selecting the AMP ASSIGN" on page 40.) When the ROOM 2 (AUDIO) OUT jacks are not connected to the ROOM 2 amplifier, you can connect these jacks to audio recording equipment such as a tape deck, an MD recorder, etc. for analog audio recording. (For details, refer to "CONNECTING AUDIO COMPONENTS" on page 7.) Notes : To minimize hum or noise, use high quality connection cords. You cannot use the digital audio signal for ROOM 2 playback.
10. CONNECTING PC FOR UPGRADES
This receiver incorporates USB as well as RS-232C terminal that may be used in the future to update the operating software so that it will be able to support new digital audio formats, external control by using an external device and the like. Connect either USB or RS-232C terminal to your PC (you don't need to do both). Notes: Programming for upgrades and external control requires specialized programming knowledge and for that reason we recommend that it only be done by qualified installers. For more information on future upgrades and external control, visit the Sherwood web site at www.sherwoodamerica.com or contact your dealer. Do not disconnect the connection cable while updating the operating software, etc. Should this happen, it may be result in malfunction or cause damage to the unit.

8. PRESET indicator 9. SLEEP indicator 10. ROOM 2 indicator 11. TUNED indicator 12. STEREO indicator 13. RDS indicators (Regional option for Europe, etc.)
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SETUP MIC JACK

To use Auto Setup function, connect the supplied microphone to the SETUP MIC jack.(For details, refer to "When selecting the AUTO SETUP" on page 48.) Notes: Because the microphone for Auto Setup is designed for use with this receiver, do not use a microphone other than the one supplied with this receiver. After you have completed the auto setup procedure, disconnect the microphone.

AUX IN JACK

The AUX IN jack can be connected to an additional audio component such as an MP3 player, etc. Note : When connecting this jack to an MP3 player, etc., you should use the stereo mini cord, not a mono mini cord.

VIDEO 4 IN JACKS

The VIDEO 4 IN jacks may be also connected to an additional video component such as a camcorder, a video game player, etc.
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Universal Remote Controls
This universal remote control can operate not only this receiver but also most popular brands of audio and video components such as CD players, tape decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc. To operate 7 components other than this receiver , you should enter the setup code for each component. (For details, refer to USING FUNCTIONS OF REMOTE CONTROL on page 18.) The numbered buttons on the remote control have different functions in different device modes. For details, refer to "FUNCTION TABLE of the NUMBERED BUTTONS" on the next page. Note : In such a case that some components do not have the REMOTE SENSOR which receives the remote signals, this remote control cannot operate them.
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FUNCTION TABLE of the NUMBERED BUTTONS.
Notes : Some functions for each component may not be available or may work differently. Depending on other kinds of components that are available for each DEVICE button, some functions may not be available or may work differently, too. For details about functions, refer to the operating instructions of each component.
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OPERATING COMPONENTS WITH REMOTE CONTROL
REMOTE CONTROL OPERATION RANGE
Use the remote control within a range of about 7 meters (23 feet) and angles of up to 30 degrees aiming at the remote sensor.
1. Enter the setup code for each

component other

2. Turn on the component you want to operate. 3. Press the DEVICE button on the

remote control

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When CD, AUX, VIDEO 1~ 4 is selected as an input source
If the AUDIO MODE is set to the mode other than "DIGITAL" for the corresponding input source on the INPUT SETUP menu, you cannot hear the sound from the selected digital input. (For details, refer to "SETTING THE INPUT SETUP" on page 44.)
6. Operate the selected component for playback.
When playing back the program sources with surround sound, refer to ENJOYING SURROUND SOUND on page 26.
7. Adjust the (overall) volume.
4. Press the AUDIO ASSIGN button.

Muting the sound

"AUD ~" is displayed for several seconds. "AUD ~" disappears, press the AUDIO ASSIGN button again.
5. Select the desired of the digital inputs connected
while displaying "AUD ~". "MUTE" flickers. To resume the previous sound level, press it again.
Listening with headphones
Each time the MULTI CONTROL knob is rotated or the CURSOR LEFT()/RIGHT() buttons are pressed, the corresponding input is selected as follows :
Notes: When the selected digital input is not connected or assigned, "o1", "c1", etc. (, meaning no digital signal input from it) or "d" (, meaning no audio assignment) flickers and no sound will be heard. The selected digital input is automatically assigned to the corresponding input source on the INPUT SETUP menu. (For details, refer to "SETTING THE INPUT SETUP" on page 44.) The sound from the component connected to the selected digital input can be heard regardless of the selected input source.
Ensure that the SPEAKER button is set to off. Depending on the signal format which is being input, you can listen in Dolby Headphone mode, stereo mode, etc. (For details, refer to "Listening in Dolby Headphone mode" on page 27). When the EXTERNAL IN is selected as an input source, only front left and front right channel signals can be reproduced through the headphones. Note: Be careful not to set the volume too high when using headphones.

DTS 96/24

Conventional surround formats used sampling frequencies of 48 or 44.1 kHz, so 20 kHz was about the maximum playback signal frequency. With DTS 96/24, the sampling frequency is increased to 96 or 88.2 kHz to achieve a wide frequency range of over 40 kHz. In addition, this format has a resolution of 24 bits, resulting in the same frequency band and dynamic range as 96kHz / 24 bit PCM signals. As with conventional DTS surround, DTS 96/24 is compatible with a maximum of 5.1 channels. DTS 96/24 is fully compatible with the conventional DTS surround format, so DTS 96/24 sources can be played using a conventional DTS 5.1 channel decoder. "DTS" and "DTS-ES I Neo:6" are registered trademarks of DTS, Inc. "96/24" is a trademarks of DTS, Inc.

Dolby Digital

Dolby Digital is the multi- channel digital signal format developed by Dolby Laboratories. Discs bearing the includes the recording of up to 5.1 channels of digital signals, which can reproduce much better sound quality, spatial expansion and dynamic range characteristics than the previous Dolby Surround effect.

Dolby Digital EX

This mode creates the back (sometimes also referred to as surround center) signals from the surround left and right signals in Dolby Digital 5.1 channel source using a matrix decoder and provides 6.1 channel surround playback. For the best results, this mode should be selected during playback of sources(bearing the ) recorded in Dolby Digital EX. With this additional channel, you can experience more dynamic and realistic moving sound especially. When Dolby Digital EX sources are decoded with a Dolby Digital EX decoder, the format is automatically detected upon decoding and the Dolby Digital EX mode is selected. However, some Dolby Digital EX sources may be detected as Dolby Digital sources. In this case, the Dolby Digital EX mode should be selected manually to play these sources.

DTS Neo : 6 surround

This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals to the high precision digital matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1channel surround playback. DTS Neo : 6 surround includes two modes for selecting the optimum decoding for the signal source.
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Dolby Pro Logic IIx surround Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1 channel sources and extends to 7.1channel surround playback. It delivers the most natural, full range and immersing 7.1 channel listening experience. Dolby Pro Logic IIx surround includes three modes as follows : Dolby Pro Logic IIx Movie When enjoying movies, this mode allows you to further enhance the cinematic quality by adding processing that emphasizes the sounds of the action special effects. Dolby Pro Logic IIx Music When listening to music, this mode allows you to further enhance the sound quality by adding processing that emphasizes the musical effects. Dolby Pro Logic IIx Game When playing games, this mode allows you to further enhance the dynamic surround effects by adding processing that emphasizes the surrounded and exciting sound. Dolby Pro Logic II surround This mode applies conventional 2-channel signals such as digital PCM or analog stereo signals as well as Dolby Surround signals, etc. to surround processing to offer improvements over conventional Dolby Pro Logic circuits. Dolby Pro Logic II surround includes Dolby Pro Logic II Movie, Dolby Pro Logic II Music and Dolby Pro Logic II Game like Dolby Pro Logic IIx surround. Dolby Virtual Speaker This mode creates a virtual surround sound field using as few as two front speakers, allowing you to experience listening from 5.1 channel speakers. This mode is effective not only for 5.1 channel sources but also for stereo(2 channel) sources. Dolby VIrtual Speaker includes two listening mode as follows: Dolby Virtual Speaker Reference The width of the front sound image is defined by the actual distance between front speakers. Dolby Virtual Speaker Wide The width of the front sound image seems to extend beyond the front speakers.

Manufactured under license from Dolby Laboratories. Dolby, Pro Logic and the double-D symbol are trademarks of Dolby Laboratories.
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ENJOYING SURROUND SOUND

Notes: Before surround playback, first perform the speaker setup procedure, etc. on the OSD menu for optimum performance. (For details, refer to "SETTING THE SPEAKER/ROOM EQ SETUP" on page 48.) When playing digital signals from the Dolby Digital program source or selecting the surround mode such as Dolby Pro Logic II /Dolby Pro Logic IIx Music, Dolby Headphone, Dolby Virtual Speaker modes, you can adjust their parameters for optimum surround effect. (For details, refer to "SETTING THE SOUND PARAMETER" on page 57.) When the EXTERNAL IN is selected as an input source, the surround modes cannot be selected.
Depending on how to select a surround mode, select the auto surround mode or the manual surround mode. Each time this button is pressed, the mode changes as follows :
Auto surround mode : The optimum surround mode will be ("AUTO" lights up.) automatically selected depending on the signal format being input. Manual surround mode : You can select the desired of different ("AUTO" goes off.) surround modes selectable for the signal being input with using the MULTI CONTROL knob or the SURROUND MODE UP/DOWN ( / ) buttons.
Notes : Even when the auto surround mode is selected and the same type of digital signal format is being input, the optimum surround mode may vary depending on whether the speaker type is set to "NO" or not. When the auto surround mode is selected, the surround modes other than the optimum surround mode cannot be selected. When selecting the manual surround mode with pressing the SURROUND MODE button on the front panel. Select the desired surround mode.
Each time the MULTI CONTROL knob is rotated or the SURROUND MODE UP / DOWN ( >/< ) buttons are pressed, the surround mode changes depending on the input signal format as follows :
Signal format being input Dolby Digital EX 6.1 channel sources, Dolby Digital 5.1 channel sources Dolby Digital 2 channel sources DTS ES Discrete/Matrix 6.1 channel sources DTS sources, DTS 96/24 sources PCM (multi-channel) sources* 96 kHz PCM (2 channel) sources PCM (2 channel) sources, Analog stereo sources
Selectable surround mode <DOLBY DIGITAL EX, DOLBY D + PLIIx MUSIC>, (DOLBY D + PLIIx MOVIE), DOLBY DIGITAL, DOLBY VS REF, DOLBY VS WIDE <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE, DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE <corresponding DTS ES mode, DTS + PLIIx MUSIC>, (DTS + PLIIx MOVIE), DTS, DOLBY VS REF, DOLBY VS WIDE corresponding DTS mode, DOLBY VS REF, DOLBY VS WIDE, <DTS + NEO:6, DTS + PLIIx MUSIC>, (DTS + PLIIx MOVIE) MULTI PCM, <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC>, DOLBY VS REF, DOLBY VS WIDE <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE, DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE, NEO:6 CINEMA, NEO:6 MUSIC, THEATER, HALL, STADIUM, ROOM, PANORAMA, CLASSIC, MULTI CH STEREO

Displaying the audio information
You can check the audio information on the input source. During playback,
Each time this button is pressed, the sleep time changes as follows:

30 --- 90 OFF

Unit : minutes
Each time this button is pressed, the display mode changes as follows :

signal

Surround Input Volume mode source
While operating the sleep timer, "
" lights up. When the EXTERNAL IN is selected as an input source, the surround mode is not displayed. When RDS tuner function is available in your country, for details on the FM mode information, see "DISPLAY" on page 33.
Adjusting the brightness of the fluorescent display
Each time this button is pressed, the brightness of the fluorescent display changes as follows:

ON dimmer OFF

In the display OFF mode, pressing any button will cancel the display OFF mode.
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ROOM 2 SOURCE PLAYBACK

This function allows enjoying one source in the main room and playing another in a different room at the same time. When you connect the multi-room system kit to the IR IN jack of this receiver, you can control this receiver with not only the universal remote control unit but also the ROOM 2 remote control unit in a different room, too. (For details, refer to "CONNECTING MULTI-ROOM SYSTEM KIT" on page 12 and "ROOM 2 Remote Controls" on page 21.) Notes: The analog signals from the EXTERNAL INs and the digital signals cannot be output to the different room, meaning no playback in a different room. You cannot play the ROOM 2 source in any surround mode. When using the buttons on the front panel. When using the buttons on the remote control unit.
1. Press the ROOM 2 button.
ROOM 2 ~ is displayed for several seconds. Each time this button is pressed, the ROOM 2 mode changes as follows : OFF : To turn off the ROOM 2 function. ("R2" goes off.) ON : To turn it on. ("R2" lights up.) Note : When the ROOM 2 mode is set to OFF, you cannot adjust the ROOM 2 volume.
1. Press the ROOM 2 button to enter the ROOM 2 mode.
ROOM 2 ~ is displayed for several seconds. When the ROOM 2 setting mode disappears, press the ROOM 2 button again.
2. Select the desired mode while displaying the ROOM 2
setting mode. Each time these buttons are pressed, the mode changes as follows : ROOM 2 ~ : To turn on or (ROOM 2 mode) off the ROOM 2 function. IN ~ : To select the desired ROOM 2 source. (ROOM 2 input) VOL ~ : To adjust the volume on the power (ROOM 2 volume) amplifier assigned to "BACK ROOM 2" or "ROOM 2". Note : When the ROOM 2 mode is set to OFF, the ROOM 2 input and the ROOM 2 volume cannot be selected

When selecting the TONE CONTROL
OFF : To listen to a program source without the tone effect. ("DIRECT" indicator lights up.)
ON : To adjust the tone for your taste. ("DIRECT" indicator goes off.) When the TONE CONTROL is set to ON to adjust the tone (bass and treble). Press the ENTER button to enter the tone adjustment mode.
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Continued. Press the CURSOR UP()/DOWN() buttons to select the desired tone mode.
. Press the CURSOR LEFT()/RIGHT() buttons to adjust the selected tone as desired. The tone level can be adjusted within the range of -10 ~ +10 dB. In general, we recommend the bass and treble to be adjusted to 0 dB (flat level). Extreme settings at high volume may damage your speakers. To complete tone adjustment, repeat the above steps and.
When selecting the CINEMA EQ
OFF : To turn off the cinema EQ function.
ON : To compensate for edgy or shrill movie sound tracks.
When selecting the BACKGROUND
BLACK : To display the black as the color background of the momentary OSD and the OSD menu.
BLUE : To display the blue. Note : Only when no video signals are input into this unit, the selected background color will be displayed.
When selecting the MOMENTARY OSD
ON : To turn on the OSD function that shows the status corresponding to each operation on this unit momentarily. OFF : To turn it off. Note : The momentary OSD cannot be displayed via the COMPONENT MONITOR OUT and the HDMI MONITOR OUT jacks.
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When selecting the OSD POSITION ADJUST
You can adjust the position of the momentary OSD and the OSD menu that are displayed on the monitor TV.

ENTER button.

2. Press the CURSOR UP()/DOWN()/LEFT()/RIGHT() buttons to adjust the position of the momentary
OSD and the OSD menu as desired.
1. Press the CURSOR UP()/DOWN() buttons to select the OSD POSITION ADJUST, then press the
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SETTING THE INPUT SETUP

This menu allows you to make the various settings depending on how to use the input sources connected to this receiver.
When selecting the items other than NAME
1. Press the CURSOR UP()/DOWN() buttons to select the desired input source, then press the ENTER
button. Example: When selecting the VIDEO 1
When selecting the menu of page 2 or page 1. Press the CURSOR UP()/DOWN() buttons to select "GO TO NEXT ~ ", then press the ENTER button.

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When selecting the SPEAKER CONFIGURATION
1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER CONFIGURATION, then press the
2. Press the CURSOR UP()/DOWN() buttons to select the desired speaker.
3. Press the CURSOR LEFT()/ RIGHT() buttons to set the selected speaker as desired.
YES/NO: Select the desired depending on whether the speakers are connected or not. 2CH/1CH: Select the desired depending on the number of speakers connected to SURROUND BACK/ MULTI channels.
Notes : When speakers are not set to "NO", you should set their distances from listening position and crossover frequencies according to their frequency characteristics. (For details, refer to "When selecting the SPEAKER DISTANCE" on page 51 and "When selecting the SPEAKER CROSSOVER" on page 52.) When the "SURROUND" is set to "NO", "BACK/MULTI" cannot be set to "2CH" or "1CH". When the surround back channels' power amplifier is assigned to "BI-AMP" or "ROOM 2", the "BACK/MULTI" cannot be selected. (For details, refer to "When selecting the AMP ASSIGN" on page 40.)
4. Repeat the above steps 2 and 3 until the speakers are all set as desired.
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When selecting the SPEAKER DISTANCE
1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER DISTANCE, then press the ENTER

button.

Note : You cannot select the subwoofer and the speakers set to "NO".
When selecting the desired unit You can select either METERS or FEET. Once a unit is selected, the distances are automatically changed in the selected unit. When setting the distance You can set the distance within the range of 0.1 ~ 9.0 meters in 0.1 meter intervals (or 0.5 ~ 30 feet in 0.5 feet intervals).
4. Repeat the above steps 2 and 3 until the distances are all set as desired.
About the speaker distance When enjoying multi-channel surround playback with Dolby Digital and DTS sources, etc., it is ideal that the center, surround and surround back speakers should be the same distance from the main listening position as the front speakers. By entering the distance between the listening position and each speaker, the delay times of center, surround and surround back speakers are automatically adjusted to create an ideal listening environment virtually as if the center, surround and surround back speakers were at their ideal locations respectively.

1. Press the CURSOR UP()/DOWN() buttons to select the desired channel.
When adjusting the LFE LEVEL. Press the CURSOR UP()/DOWN()buttons to select the LFE LEVEL SETUP, then press the ENTER button.
. Press the CURSOR UP()/DOWN() buttons to select the desired program source.
2. Press the CURSOR LEFT()/RIGHT() buttons to adjust the level of the selected channel or program
source's LFE as desired. The LFE level can be adjusted within the range of -10 ~ 0 dB and other channel levels within the range of -15 ~ +15 dB In general, we recommend the LFE level to be adjusted to 0 dB.(However, the recommended LFE level for some early DTS software is -10 dB.) If the recommended levels seem too high, lower setting as necessary.
3. Repeat the above steps 1 and 2 to adjust each channel level.
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You can memorize the adjusted channel levels into preset memory("REFERENCE 1", "REFERENCE 2") and recall the memorized whenever you want.
1. After performing the steps 1 ~ 3 in "Adjusting the current channel level" procedure on page 55, press the
CURSOR UP()/DOWN() buttons to select a channel (, not the MODE (memory mode) and the LFE LEVEL SETUP), then press the ENTER button.
The "REFERENCE 1" indication flickers.
2. Press the CURSOR LEFT()/RIGHT() buttons to select the desired preset memory, then press the
Each time the CURSOR LEFT() or RIGHT() button is pressed, "REFERENCE 1" or "REFERENCE 2" is selected. The adjusted channel levels have now been memorized into the selected memory.
1. Press the CURSOR UP()/DOWN() buttons to select the MODE(memory mode).
"CALIBRATE" may be displayed instead of "REFERENCE 1" or "REFERENCE 2".
2. Press the CURSOR LEFT()/RIGHT() buttons to select the desired one of REFERENCE 1 and
REFERENCE 2. Then the channel levels memorized into the selected preset memory are recalled.
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SETTING THE SOUND PARAMETER
NIGHT MODE : To adjust the dynamic range compression that makes faint sound easier to hear at low volume levels. DOLBY PLII MUSIC : To adjust the various surround parameters for optimum surround effect. DOLBY HEADPHONE : To select the desired listening mode for Dolby Headphone mode. DOLBY VIRTUAL SPEAKER : To select the speaker layout to be used actually for each Dolby Virtual Speaker mode.
When selecting the NIGHT MODE

| 110W/110W

1 Vp-p 1 Vp-p | 0.286 Vp-p | 0.5 Vp-p | 0.5 Vp-p | 1.0 Vp-p
FM TUNER SECTION Tuning frequency range | 87.5~108 MHz Usable sensitivity, THD 3%, S/N 26 dB | 12.8 dBf 46 dB quieting sensitivity, mono/stereo | 20.2 / 45.3 dBf Signal to noise ratio, 65 dBf, mono/stereo | 70 / 65 dB Total harmonic distortion, 65 dBf,1 kHz, mono/stereo | 0.5 / 0.8 % Frequency response, 30 Hz~15 kHz | 3 dB Stereo separation, 1 kHz | 32 dB Capture ratio | 4.0 dB IF rejection ratio | 60 dB AM TUNER SECTION Tuning frequency range | 522~1611 kHz Usable sensitivity | 500 V/m Signal to noise ratio | 40 dB Selectivity | 25 dB GENERAL Power supply | 230 V ~ 50 Hz Power consumption | 370 W Switched AC outlet | TOTAL 100 W (0.43 A) max. Dimensions (WHD, including protruding parts) | 440141370 mm(17-3/85-1/214-1/2 inches) Weight (Net) | 10.1 kg (22.3 Ibs)
Note: Design and specifications are subject to change without notice for improvements.
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Setup Code Table

ADMIRAL AKAI ALBA ALBIRAL ALCATEL AMSTRAD ANAM ARC EN CIEL ARISTONA ARTHUR MARTIN ASA ATLANTIC AUDIOSONIC AUSIND AUTOVOX BAIRD BASICLINE BAUR BEKO BLAUPUNKT BRANDT BRION VEGA BRUNS BSR BUSH CENTURY CGE CIHAN CLARIVOX CONDOR CONTEC CONTINENTAL EDITION CROSLEY CROWN CTC CLATRONIC DAEWOO DECCA DEGRAAF DIXI DRYNATRON DUAL DUAL-TEC DUMONT ELBE ELBIT 049 ELCIT 123 ELMAN ELTA EMERSON ERRES EUROPHON FISHER FORGESTONE FORMENTI FORTRESS FRABA FRONTECH FUJITSU FUNAI GBC GEC GELOSO GOLDSTAR GOODMANS GORENJE GREATZ GRANADA GRUNDIG 081 HANSEATIC HANTAREX HEMMERMANN HIFIVOX HINARI HITACHI FERGUSON FIDELITY FINLUX 109 127

055 111

050 109

052 111

109 136

116 111

102 040

111 043

114 145

050 124

136 132

088 075

108 109

112 139

050 116

132 057

HYPER IMPERIAL INGELEN
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INNO HIT INTERFUNK IRRADIO ITT
JVC KTV KAISUI KARCHER KENDO KENNEDY KORTING KRIESLER LENOIR LOEWE OPTA LOGIK LUMA LUXOR MAGNADYNE MAGNAFON MARANTZ MATSUI McMICHAEL MEMOREX METZ MINERVA MISTRAL MITSUBISHI MIVAR MULTITECH MURPHY MAONIS NATIONAL NEC NECKERMANN NEI NIKKAI NOBLEX NOBLIKO NOGAMATIC NOKIA

123 135

083 154

060 060

046 010

005 031

014 045

045 018

046 029

018 031

018 054

050 031

054 038

016 052

056 007

040 052
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THOMSON THORNFERGUSON

ABC 052
TOSHIBA TOTELEVISION UHER ULTRA VOX UNITECH UNIVERSUM URANYA VECTOR VICTOR VIDITAL WESTING HOUSE WARDS YAMAHA ZANUSSI ZENDER ZOPPAS
DENON GE JVC LG MAGNAVOX MITSUBISHI ONKYO PANASONIC PHILIPS PIONEER PROSCAN RCA SAMSUNG SHERWOOD SONY THOMSON TOSHIBA VIETA YAMAHA ZENITH 010
Allegro Archer Bell&Howell Century Citizen Comtronics Contec Easten Emerson Everquest Focus Garrard Gemini General Instrument GoldStar Goodmind Hamlin Hitachi Hytex Jasco Jerrold Movie Time NSC Oak Optimus Panasonic Philips Pioneer Popular Mechanics RCA Radio Shack Recoton Regal Regency Rembrandt Sherwood SL Marx Smasung Scientific Atlanta Signal Signature Sprucer Starcom

021 033

031 025

021 020

011 021
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Stargate Starquest TV86 Teleview Tocom Tusa Unika United Artists Universal Viewstar Zenith Zentek

024 022

ALBA AMSTRAD ARCON ARISTONA ASTRA BLAUPUNKT BUSH CH.MASTER CITY COM DDC DYNASAT ECHOSTAR EMME ESSE FAIT FERGUSON FINLUX FRACARRO FTE GOLDSTAR GRAETZ GROTHUSEN GRUNDIG HINARI HIRSCHMANN HITACHI INGELEN ITT ITT-NOKIA JERROLD KATHREIN KOSMOS KRIESLER LENCO LUXOR 019 027

041 007

016 013
MAGAI MARANTZ MASPRO METZ MINERVA MULTISTAR MURATO NEC NEIRU NOKIA NORSAT PACE PANASONIC PHILIPS PHONOLA PROSAT PYE QUADRAL QUELLE RADIOLA REDIFFUSION SABA SALORA SAMSUNG SAT PARTNER SATPORTNER SCHAUB LORENZ SCHNEIDER SHERWOOD SIEMENS SIERA SILVA SKY STARCOM STARSAT TECHNISAT TELEFUNKEN TELESYSTEM THORNFERGUSON TRIAD UNIDEN UNITED CABLE VTECHNOLOGY VORTEC ZENDER

003 022

036 021

021 037

R-772(G)2007.9.174:43PM 70
ADCOM AIWA AKAI AUDIO ARC EN CIEL DENON FISHER H/K JVC KENWOOD MARANTZ MONDIAL NAD NAKAMICHI NIKKO ONKYI PANASONIC PHILPS PIONEER RCA REALISTIC SANSUI SHARP SHERWOOD SONY TEAC TECHNICS VICTOR YAMAHA 022

AUX-TAPE/MD

SHERWOOD 000(for tape deck) 015 016(for MD recorder)

AUX-LD

DAEWOO DENON GOLDSTAR KENWOOD MAGNAVOX OPTIMUS PANASONIC PHILIPS POINNEER RCA REALISTIC SAMSUNG SHARP TECHINCS TOSHIBA YAMAHA 003 008

008 009

005 011