ROBERT RACZKA cell (412) 320-1648 robertraczka@ymail.com website: www.robertraczka.com born Pottsville, Pennsylvania, 1955 Education B.F.A., Northern Arizona University, Flagstaff, 1978 B.S., Psychology, Northern Arizona University, Flagstaff, 1978 M.F.A., University of Florida, Gainesville, 1980 Experience Instructor, University of Texas at Arlington, 1980-81 Director of Exhibitions, Tyler School of Art of Temple University, Elkins Park, PA, 1984-85 Lecturer, Montgomery County Community College, Bluebell, Pennsylvania, 1986-87 Lecturer, California State University, Long Beach, 1988-89 Assistant Professor of Art and Gallery Director, Allegheny College, 1989-1995 Allegheny College Art-in-France Program, Summer 1990 Associate Professor of Art and Gallery Director, 1996-2004 Professor of Art and Gallery Director, 2004-2008 Teacher-Scholar Professorship of the Humanities, Allegheny College, 2005-2008 Emeritus Professor of Art, appointed in 2008 Awards Fellowship, Visual Art Criticism, Pennsylvania Council on the Arts, 1991 Faculty Research Grants, Allegheny College, 1995, 1996-97, 1997-98, 1998-99, 2002-2003, 2003-2004, 2004-2005 Special Project grants, Pennsylvania Council on the Arts, 1999-2001, 2002-2004 Exhibitions 2011 Pennsylvania Photography Biennial, Silver Eye Center for Photography, Pittsburgh (solo) Yard Works, Chatham University Art Gallery, Pittsburgh (March-April) 2010 (solo) dark & shiny night, 707 Penn Gallery, Pittsburgh Biennial 2010, Southern Alleghenies Museum of Art, Loretto, Pennsylvania 2009 (solo) Cultural Artifacts, Independence Foundation Gallery for the Visual Arts, Painted Bride Art Center, Philadelphia (solo) dark & shiny night, Buoy, Kittery, Maine Pittsburgh Biennial Selections, Center for Emerging Visual Artists, Philadelphia, (organized by the Pittsburgh Center for the Arts)
2008 Biennial 2008, Pittsburgh Center for the Arts and Pittsburgh Filmmakers Contained, Three Rivers Arts Festival, Pittsburgh Media Tonic 3, Pittsburgh Filmmakers You Are Here, SPACE Gallery, Pittsburgh Taste Matters, Future Tenant Gallery, Pittsburgh (artist/curator project) 2007 (solo) Road Trips, Moreau Art Galleries, St. Marys College, Notre Dame, Indiana (solo) American Brain, Pittsburgh Center for the Arts The Looking Glass, Silver Eye Center for Photography, Pittsburgh Summer Exhibition, Gallery 339, Philadelphia Face Control, La Vie, Pittsburgh Faculty Exhibit, Allegheny College Art Gallery, Meadville, Pennsylvania (also 1990-2006) 2006 (solo) Want Ads, Gardiner Art Gallery, Oklahoma State University, Stillwater A State of Independence: From the Walls to the Boards, Community Gallery at the Philadelphia Foundation (organized by Painted Bride Art Center), Philadelphia Articulating Spaces, University Art Gallery, Clarion University of Pennsylvania Summer Idylls, Gallery 339, Philadelphia Ten-Year Anniversary Exhibit, Artists Image Resource, Pittsburgh Benefit Auction Exhibit, Silver Eye Center for Photography, Pittsburgh Outside the Centers, On the Edge, Sharadin Art Gallery, Kutztown University of Pennsylvania; travel to Pennsylvania School of Art & Design, Lancaster; Erie Art Museum, Erie, PA; Southern Alleghenies Museum of Art, Loretto, PA (2006-2007) 2005 (solo) Nature Lover, Special Projects Gallery, The Brew House, Pittsburgh Torrid, Sharadin Art Gallery, Kutztown University, Kutztown, Pennsylvania Accelerating Sequence, Museum of Contemporary Art of Georgia, Atlanta (curated by Dan Talley) inkjet, Artists Image Resource, Pittsburgh Annual Invitational Exhibition, Three Rivers Arts Festival Gallery, Pittsburgh Media Tonic II, Pittsburgh Filmmakers Teaching Artists from Western Pennsylvania, Manchester Craftsmans Guild, Pittsburgh Visual Matter, East Ohio Street window projects, organized by Artists Image Resource, Pittsburgh New Names/New Work, Gallery 339, Philadelphia Art of the Park, Concept Art Gallery, Pittsburgh Project Artists Exhibition, Artists Image Resource, Pittsburgh Copilandia, sponsored by Centro de Arte de Sevilla for the arts festival Sevilla Entre Culturas, Sevilla, Spain Fifteen Photographers, Gallery 339, Philadelphia 2004 (solo) reverie and disorder, Pittsburgh Filmmakers Gallery, Pittsburgh, Pennsylvania (solo) Paxinos & vicinity, Penelec Gallery, Allegheny College, Meadville, Pennsylvania (solo) Found objects & found arrangements, Three Rivers Arts Festival Gallery, Pittsburgh Objects in/and Visual Culture, Zoller Gallery, Pennsylvania State University, University Park 81st Annual Spring Show, Erie Art Museum, Erie, Pennsylvania

Annual Invitational Exhibition, Three Rivers Arts Festival Gallery, Pittsburgh Environmental Art Exhibit, Erie Art Museum Annex, Erie, Pennsylvania casa, Fe Gallery, Pittsburgh The War Room, Artists Image Resource, Pittsburgh Sawtelle, the sequel, The Beaker Gallery, Tampa, Florida (curated by Bill Radawec) group, PROJECT, Wichita, Kansas (also, 1997, 1998, 1999, 2000, 2001) 2003 (solo) Architecture: Three Views, Gallery at the Art and Music Library, University of Rochester (solo) image/pattern/place, Westminster College Art Gallery, New Wilmington, PA (solo) less than one gravity, superior (an exhibition space), Cleveland, Ohio Sequel, domestic setting, Los Angeles Frozen Architecture, Laura Mesaros Gallery, West Virginia University, Morgantown Annual Invitational Exhibition, Three Rivers Arts Festival Gallery, Pittsburgh 48 Hours of Making Art, B.K. Smith Gallery, Lake Erie College, Painesville, Ohio VIIth International Biennial of Drawing and Graphic Arts, Municipal Museum 2002 (solo) Around Architecture, Chatham College Art Gallery, Pittsburgh (solo) Ornaments, Art Gallery, Westmoreland County Community College, Youngwood, Pennsylvania Collage/Assemblage/Montage, Pennsylvania School of Art & Design, Lancaster Things About Things, Zoller Gallery, Pennsylvania State University, University Park of Art, Gyor, Hungary (American section curated by Elaine A. King) Off the Walls, Pittsburgh Center for the Arts (also, 1999, 2000, 2001) 2001 (solo) Embellishments, PROJECT, Wichita, Kansas Photographs by artists, made for a variety of purposes, Artists Image Resource, Pittsburgh 2000 (solo) Cummings Art Gallery, Mercyhurst College, Erie, Pennsylvania Then and Now: A 30-Year Retrospective, Painted Bride Art Center, Philadelphia Snapshot, Contemporary Museum, Baltimore, Maryland 1999 (solo) An Ornamental Grammar, Tyler Gallery, Tyler School of Art of Temple University, Elkins Park, Pennsylvania Technology Print Invitational, Cummings Art Gallery, Mercyhurst College, Erie, Pennsylvania 76st Annual Spring Show, Erie Art Museum, Erie, Pennsylvania 1998 The 1998 Pittsburgh Biennial, Pittsburgh Center for the Arts Selections from The 1998 Pittsburgh Biennial, Clarion University, Clarion, Pennsylvania 1997 (solo) Untitled Installation (with Sallie McCorkle), Meadville Council on the Arts, Meadville, PA (solo) Bowman Gallery, Allegheny College, Meadville, Pennsylvania

1996 (solo) Hartnett Gallery, University of Rochester, Rochester, New York Subversive Domesticity, Edwin A. Ulrich Museum of Art, Wichita State University, Kansas Constellations, two-person show, Schanz Art Gallery, Erie, Pennsylvania 1995 Rezone, DiverseWorks, Houston, Texas Fugitive Traces, billboard and poster project, Three Rivers Arts Festival, Pittsburgh 1994 71st Annual Spring Show, Erie Art Museum, Erie, Pennsylvania 1993 (solo) Drawings, Sloan Gallery, Lock Haven University, Lock Haven, Pennsylvania 1992 Retroactive, University Gallery, University of Florida, Gainesville 1991 Nature, Normalcy, and Nonsense, National Gallery, Pittsburgh Center for the Arts 1988 The Photo Review Benefit, The Print Club, Philadelphia Views of Long Beach, Library Gallery, California State University, Long Beach 1987 Voices of Dissent, Painted Bride Art Center, Philadelphia The Radical Eye, Momenta Art, Philadelphia 1985 (solo) Photocollages, Painted Bride Art Center, Philadelphia 1984 21st Biennial, University Gallery, University of Delaware, Newark Philadelphia Photographers International, Cigna Gallery, Philadelphia, and The Free Library of Philadelphia; traveled to Tianjin Fine Arts College, Tianjin, China, and Bahia, Brazil Faces of the City, Art-in-City Hall, Philadelphia 1983 Jennigen/Groff, Panosian, Morgen and Raczka, Galerie Taub, Philadelphia 1981 (solo) Photography Gallery, University of Alabama, Tuscaloosa (solo) Creative Photography Gallery, University of Dayton, Ohio (solo) The Penland School, Penland, North Carolina Contemporary Photoworks, Downtown Center for the Arts, Albuquerque, New Mexico Three Photographers, Southern Light Gallery, Amarillo College, Amarillo, Texas The Bus Project, Cleveland Transit Authority and Cleveland State University Art Gallery, Cleveland, Ohio
1980 (solo) Blueprints of Progress, Grinter Gallery, University of Florida, Gainesville (solo) University Art Gallery, Northern Arizona University, Flagstaff M.F.A. Exhibition, University Gallery, University of Florida, Gainesville Alternatives 1980, Seigfred Gallery, Ohio University, Athens; traveled to Silver Image Gallery, Ohio State University, Columbus and Gallery A, Cleveland Faculty Exhibition, University Gallery, University of Texas at Arlington Light Sensitive, Thomas Center Gallery, Gainesville, Florida (also, 1981) Four Photographers, Photography Gallery, University of Alabama, Tuscaloosa Orange Blossom Special' Portfolio, Art Gallery, Florida School of the Arts, Palatka; traveled to Art Department Gallery, University of Florida and Gallery 121, Winter Park, Florida 1979 Southeast Photography Invitational, Museum of Arts and Sciences, Daytona Beach, Florida 1978 Light Images, Chrysler Museum, Norfolk, Virginia Self-Portraits, Northlight Gallery, Arizona State University, Tempe Collaboration, Art Gallery, Yavapai College, Prescott, Arizona Reviews "Photography Notes." Artspace, Albuquerque, New Mexico, April 1981: p. 58 (1 illus.) Donohoe, Victoria. "On Galleries." Philadelphia Inquirer, July 8, 1983: p. F-38 Donohoe, Victoria. "On Galleries." Philadelphia Inquirer, March 30, 1985: p. C-4 Goldsworthy, Jim. "Chuck Ilich, Richard Kleeman, Robert Raczka, George Roland." New Art Examiner, Chicago, September 1990: p. 49 Potter, Chris. "Fugitive Traces" review, New Art Examiner, November 1995, pp. 41-42 Merkle, Karen. "Time Is Running Out," Erie Daily Times, February 29, 1996, p. 4-S Wykoff, Gary. "Art for the Stars," Erie Daily Times, May 19, 1996, p. S-22 Thomas, Mary. "Biennial buzz," Pittsburgh Post-Gazette, April 3, 1998, Weekend Magazine p. 27 Shearing, Graham. "A Banner Biennial," Pittsburgh Tribune-Review, April 9, 1998, pp. 16-18 Potter, Chris. "What's It All About?", Pittsburgh City Paper, April 8-15, 1998. 8:14, pp. 38-39 Miller, Donald. "Searching for the edge in art shows," Pittsburgh Post-Gazette, Saturday, April 25, 1998, p. B-7 Merkle, Karen. "Art Meets Computer," Erie Daily Times, May 6, 1999, p. 18-S Donohoe, Victoria. The Arts. Philadelphia Inquirer, September 12, 1999, p. MC7 Rice, Robin. Gerrys Kids, Philadelphia City Paper, March 16-23, 2000, p. 34 Merkle, Karen Rene. "The Photo Transformed," Erie Daily News, November 2, 2000, p. 19-S Waller, Genevieve. Robert Raczka: Embellishments, Seen, Wichita, Kansas, February 2001, p. 7 Utter, Douglas Max. Light Touch (Robert Raczka @Superior Gallery), Angle Magazine, Cleveland, Ohio, May 2003, 1:3, p. 16. Shaw, Kurt. The order of Disorder, Pittsburgh Tribune-Review, 7:10, January 15, 2004, p. t-9, 3 color illus. Schneider, Carrie. Review of reverie and disorder: Pittsburgh Filmmakers Gallery, Pittsburgh City Paper, 14:2, January 15-21, 2004, pp. 27-28 Thomas, Mary. Beneath the surface, Pittsburgh Post-Gazette, October 14, 2004, pp. D-1, D-2, 1 color illus. Schneider, Carrie. Reverie and Disorder: Robert Raczka, The Photo Review, Langhorne, Pennsylvania,

26:4/27:1, 2004, pp. 42-43, 3 color illus. Slaven, Michael. Review of Found objects & found arrangements: Three Rivers Arts Festival Gallery, Pittsburgh, Art Papers, Atlanta, 29:1, January/February 2005, pp. 49-50, 1 illus. Shaw, Kurt. Mixing ink with creativity, Pittsburgh Tribune-Review, March 17, 2005 Rosoff, Libby. Photographys faces at 339, artblog, August 13, 2005. www.fallonandrosof.com/2005/08/photographys-faces-at-339.html Thomas, Mary. North Side, Downtown shows brim with creativity, Pittsburgh Post-Gazette, January 11, 2006, p. C3 May, Mike. exhibits + the arts, (preview of American Brain exhibit), Pittsburgh Magazine, February 2007, p. 30, 1 illus. Shaw, Kurt. Artists have mixed takes on existing imagery, Pittsburgh Tribune-Review, February 11, 2007, pp. F1, F5, 1 illus. Thomas, Mary. Centers concurrent shows offer a variety of artistic expression, Pittsburgh Post-Gazette, February 14, 2007, p. C-2 Flick, Sherrie, Ambivalence the Beautiful, Pittsburgh City Paper, March 7-14, 2007, p. 36 Grossi, Adam. Toys. Beer. Flags., Afterimage, Rochester, New York, 35:1, July/Aug. 2007, pp. 30-31 Guz, Savannah. Photographic Reflections, Pittsburgh City Paper, 17:34, August 22-29, 2007, p. 43 Kuntz, Melissa. Robert Raczka at Center for the Arts, Art in America, October 2007, p. 219 Thomas, Mary. Three Rivers Arts Festival highlights,(preview), Pittsburgh Post-Gazette, June 5, 2008, p. W-20 Guz, Savannah. Containment Policy, Pittsburgh City Paper, 18:25, June 18-25, 2008, p. 34 Thomas, Mary. `Gravity a flight of fancy at Biennial, Pittsburgh Post-Gazette, July 2, 2008, p. C-8 Bowman, Amy Joan. Placement Tests, Pittsburgh City Paper, July 30-August 6, 2008, p. 30 Shaw, Kurt. SPACE exhibit shows artists depictions of sense of place, Pittsburgh Tribune-Review, Thursday, July 31, 2008, TICKET p. 15 Talley, Dan R., Reviews: Philadelphia: Robert Raczka, Art Papers, Atlanta, May/June 2009, 33:3, p. 66 Shaw, Kurt. The beauty of the night, Pittsburgh Tribune-Review, May 23, 2010, p. F3 Exhibition Catalogs, Published Portfolios, and Artist's Projects Orange Blossom Special Portfolio, Florida Council on the Arts and University of Florida, 1980 (photographic portfolio in an edition of 25) Picture Paper. Santa Fe, New Mexico, no. 9, 1980: p. 25 (2 illus.) Photography and Language, Fallon, Nevada: Duck Down Press, 1981: p. 61 (1 illus.) Retroactive, University Gallery, University of Florida, Gainesville, 1992 (1 illus.) Promotional Copy, edited by Robin Kahn. (New York: S.O.S. Int'l.), 1993: p. 29 Fugitive Traces, essay by Vicky A. Clark, Three Rivers Arts Festival, Pittsburgh, 1995: n.p. (artist's statement and offset poster) Gulf Coast, University of Houston, Houston, Texas, VII:2, Summer/Fall 1995, pp. 77-80 (6 illus.) Subversive Domesticity, essay by Dana Self, Edwin A. Ulrich Museum of Art, Wichita, Kansas, 1996 (1 illus.) The 1999 Pittsburgh Biennial, Pittsburgh Center for the Arts, 1998 (artist's statement, 1 illus.) Technology Invitational, Cummings Art Gallery, Mercyhurst College, Erie, PA, 1999 (1 illus.) Then and Now: A 30-Year Retrospective, Painted Bride Art Center, Philadelphia, 2000 (2 illus.) Snapshot, Contemporary Museum, Baltimore, Maryland, 2000, digital catalog (CD-rom) Art in an After Post World, essay by Elaine A. King in VIIth International Biennial of Drawing and Graphic Arts, Municipal Museum of Art, Gyor, Hungary, 2003, pp. 100, 127-128 (illus.) Outside the Centers/On the Edge, Samek Art Gallery, Bucknell University, Lewisburg, PA, 2006 (illus.) Biennial 2008, Pittsburgh Center for the Arts and Pittsburgh Filmmakers, pp. 66-67 (2 illus.)

Professional Activities Published reviews and essays including Artweek, Artspace, New Art Examiner, The Photo Review, Afterimage, L.A. Weekly, Art issues, High Performance, Art Papers, Ceramics: Art and Perception, American Craft, and Sculpture. Also, exhibition essays including Fullerton Museum Center and Los Angeles Center for Photographic Studies, Allegheny College, Carnegie Museum of Art, Pittsburgh Center for the Arts, Kemper Museum of Contemporary Art, and University of Akron. 1980Curated and organized exhibitions for Allegheny College; Carnegie Museum of Arts Forum Gallery; Erie Art Museum; Pittsburgh Center for the Arts; Brew House, Pittsburgh; University of Akron; Artists Image Resource, Pittsburgh; and SPACE Gallery, Pittsburgh, 1989Lectures and panels including Carnegie Museum of Art, University of Akron, University of Rochester, Erie Art Museum, Pittsburgh Center for the Arts, Pennsylvania State University, Tyler School of Art of Temple University, Painted Bride Art Center, West Virginia University, Oklahoma State University, Pittsburgh Filmmakers, and SPACE Gallery, Pittsburgh.

ROBERT RACZKA cell (412) 320-1648 robertraczka@ymail.com website: www.robertraczka.com born Pottsville, Pennsylvania, 1955 Education B.F.A., Graphics/Photography, Northern Arizona University, Flagstaff, 1978 B.S., Psychology, Northern Arizona University, Flagstaff, 1978 M.F.A., Photography, University of Florida, Gainesville, 1980 Experience Instructor, University of Texas at Arlington, 1980-81 Director of Exhibitions, Tyler School of Art of Temple University, Elkins Park, PA, 1984-85 Lecturer, Montgomery County Community College, Bluebell, Pennsylvania, 1986-87 Lecturer, California State University, Long Beach, 1988-89 Assistant Professor of Art and Gallery Director, Allegheny College, 1989-1995 Allegheny College Art-in-France Program, Summer 1990 Associate Professor of Art and Gallery Director, 1996-2004 Professor of Art and Gallery Director, 2004-2008 Teacher-Scholar Professorship of the Humanities, Allegheny College, 2005-2008 Professor Emeritus, 2008-present Awards Fellowship, Visual Art Criticism, Pennsylvania Council on the Arts, 1991 Faculty Research Grants, Allegheny College, 1995, 1996-97, 1997-98, 1998-99, 2002-2003, 2003-2004, 2004-2005 Special Project grants, Pennsylvania Council on the Arts, 1999-2001, 2002-2004 Exhibitions 1978 Light Images, Chrysler Museum, Norfolk, Virginia Self-Portraits, Northlight Gallery, Arizona State University, Tempe Collaboration, Art Gallery, Yavapai College, Prescott, Arizona 1979 Southeast Photography Invitational, Museum of Arts and Sciences, Daytona Beach, Florida 1980 (solo) Blueprints of Progress, Grinter Gallery, University of Florida, Gainesville (solo) University Art Gallery, Northern Arizona University, Flagstaff M.F.A. Exhibition, University Gallery, University of Florida, Gainesville Alternatives 1980, Seigfred Gallery, Ohio University, Athens; traveled to Silver Image Gallery,
Ohio State University, Columbus and Gallery A, Cleveland Faculty Exhibition, University Gallery, University of Texas at Arlington Light Sensitive, Thomas Center Gallery, Gainesville, Florida (also, 1981) Four Photographers, Photography Gallery, University of Alabama, Tuscaloosa Orange Blossom Special' Portfolio, Art Gallery, Florida School of the Arts, Palatka; traveled to Art Department Gallery, University of Florida and Gallery 121, Winter Park, Florida 1981 (solo) Photography Gallery, University of Alabama, Tuscaloosa (solo) Creative Photography Gallery, University of Dayton, Ohio (solo) The Penland School, Penland, North Carolina Contemporary Photoworks, Downtown Center for the Arts, Albuquerque, New Mexico Three Photographers, Southern Light Gallery, Amarillo College, Amarillo, Texas The Bus Project, Cleveland Transit Authority and Cleveland State University Art Gallery, Cleveland, Ohio 1983 Jennigen/Groff, Panosian, Morgen and Raczka, Galerie Taub, Philadelphia 1984 21st Biennial, University Gallery, University of Delaware, Newark Philadelphia Photographers International, Cigna Gallery, Philadelphia, and The Free Library of Philadelphia; traveled to Tianjin Fine Arts College, Tianjin, China, and Bahia, Brazil Faces of the City, Art-in-City Hall, Philadelphia 1985 (solo) Photocollages, Painted Bride Art Center, Philadelphia 1987 Voices of Dissent, Painted Bride Art Center, Philadelphia The Radical Eye, Momenta Art, Philadelphia 1988 The Photo Review Benefit, The Print Club, Philadelphia Views of Long Beach, Library Gallery, California State University, Long Beach 1990 Faculty Exhibit, Allegheny College Art Gallery, Meadville, Pennsylvania (also 1991-2007) 1991 Nature, Normalcy, and Nonsense, National Gallery, Pittsburgh Center for the Arts 1992 Retroactive, University Gallery, University of Florida, Gainesville 1993 (solo) Drawings, Sloan Gallery, Lock Haven University, Lock Haven, Pennsylvania 1994
71st Annual Spring Show, Erie Art Museum, Erie, Pennsylvania 1995 Rezone, DiverseWorks, Houston, Texas Fugitive Traces, billboard and poster project, Three Rivers Arts Festival, Pittsburgh 1996 (solo) Hartnett Gallery, University of Rochester, Rochester, New York Subversive Domesticity, Edwin A. Ulrich Museum of Art, Wichita State University, Kansas Constellations, two-person show, Schanz Art Gallery, Erie, Pennsylvania 1997 (solo) Untitled Installation (with Sallie McCorkle), Meadville Council on the Arts, Meadville, PA (solo) Bowman Gallery, Allegheny College, Meadville, Pennsylvania group, PROJECT, Wichita, Kansas (also, 1998, 1999, 2000, 2001, 2004) 1998 The 1998 Pittsburgh Biennial, Pittsburgh Center for the Arts Selections from The 1998 Pittsburgh Biennial, Clarion University, Clarion, Pennsylvania 1999 (solo) An Ornamental Grammar, Tyler Gallery, Tyler School of Art of Temple University, Elkins Park, Pennsylvania Technology Print Invitational, Cummings Art Gallery, Mercyhurst College, Erie, Pennsylvania 76st Annual Spring Show, Erie Art Museum, Erie, Pennsylvania Off the Walls, Pittsburgh Center for the Arts (also, 2000, 2001, 2002) 2000 (solo) Cummings Art Gallery, Mercyhurst College, Erie, Pennsylvania Then and Now: A 30-Year Retrospective, Painted Bride Art Center, Philadelphia Snapshot, Contemporary Museum, Baltimore, Maryland 2001 (solo) Embellishments, PROJECT, Wichita, Kansas Photographs by artists, made for a variety of purposes, Artists Image Resource, Pittsburgh 2002 (solo) Around Architecture, Chatham College Art Gallery, Pittsburgh (solo) Ornaments, Art Gallery, Westmoreland County Community College, Youngwood, Pennsylvania Collage/Assemblage/Montage, Pennsylvania School of Art & Design, Lancaster Things About Things, Zoller Gallery, Pennsylvania State University, University Park 2003 (solo) Architecture: Three Views, Gallery at the Art and Music Library, University of Rochester (solo) image/pattern/place, Westminster College Art Gallery, New Wilmington, PA (solo) less than one gravity, superior (an exhibition space), Cleveland, Ohio Sequel, domestic setting, Los Angeles Frozen Architecture, Laura Mesaros Gallery, West Virginia University, Morgantown Annual Invitational Exhibition, Three Rivers Arts Festival Gallery, Pittsburgh

48 Hours of Making Art, B.K. Smith Gallery, Lake Erie College, Painesville, Ohio VIIth International Biennial of Drawing and Graphic Arts, Municipal Museum of Art, Gyor, Hungary (American section curated by Elaine A. King) 2004 (solo) reverie and disorder, Pittsburgh Filmmakers Gallery, Pittsburgh, Pennsylvania (solo) Paxinos & vicinity, Penelec Gallery, Allegheny College, Meadville, Pennsylvania (solo) Found objects & found arrangements, Three Rivers Arts Festival Gallery, Pittsburgh Objects in/and Visual Culture, Zoller Gallery, Pennsylvania State University, University Park 81st Annual Spring Show, Erie Art Museum, Erie, Pennsylvania Annual Invitational Exhibition, Three Rivers Arts Festival Gallery, Pittsburgh Environmental Art Exhibit, Erie Art Museum Annex, Erie, Pennsylvania casa, Fe Gallery, Pittsburgh The War Room, Artists Image Resource, Pittsburgh Sawtelle, the sequel, The Beaker Gallery, Tampa, Florida (curated by Bill Radawec) 2005 (solo) Nature Lover, Special Projects Gallery, The Brew House, Pittsburgh Torrid, Sharadin Art Gallery, Kutztown University, Kutztown, Pennsylvania Accelerating Sequence, Museum of Contemporary Art of Georgia, Atlanta (curated by Dan Talley) inkjet, Artists Image Resource, Pittsburgh Annual Invitational Exhibition, Three Rivers Arts Festival Gallery, Pittsburgh Media Tonic II, Pittsburgh Filmmakers Teaching Artists from Western Pennsylvania, Manchester Craftsmans Guild, Pittsburgh Visual Matter, East Ohio Street window projects, organized by Artists Image Resource, Pittsburgh New Names/New Work, Gallery 339, Philadelphia Art of the Park, Concept Art Gallery, Pittsburgh Project Artists Exhibition, Artists Image Resource, Pittsburgh Copilandia, sponsored by Centro de Arte de Sevilla for the arts festival Sevilla Entre Culturas, Sevilla, Spain Fifteen Photographers, Gallery 339, Philadelphia 2006 (solo) Want Ads, Gardiner Art Gallery, Oklahoma State University, Stillwater A State of Independence: From the Walls to the Boards, Community Gallery at the Philadelphia Foundation (organized by Painted Bride Art Center), Philadelphia Articulating Spaces, University Art Gallery, Clarion University of Pennsylvania Summer Idylls, Gallery 339, Philadelphia Ten-Year Anniversary Exhibit, Artists Image Resource, Pittsburgh Benefit Auction Exhibit, Silver Eye Center for Photography, Pittsburgh Outside the Centers, On the Edge, Sharadin Art Gallery, Kutztown University of Pennsylvania; travel to Pennsylvania School of Art & Design, Lancaster; Erie Art Museum, Erie, PA; Southern Alleghenies Museum of Art, Loretto, PA (2006-2007) 2007 (solo) Road Trips, Moreau Art Galleries, St. Marys College, Notre Dame, Indiana (solo) American Brain, Pittsburgh Center for the Arts The Looking Glass, Silver Eye Center for Photography, Pittsburgh Summer Exhibition, Gallery 339, Philadelphia

Face Control, La Vie, Pittsburgh 2008 Biennial 2008, Pittsburgh Center for the Arts and Pittsburgh Filmmakers Contained, Three Rivers Arts Festival, Pittsburgh Media Tonic 3, Pittsburgh Filmmakers You Are Here, SPACE Gallery, Pittsburgh Taste Matters, Future Tenant Gallery, Pittsburgh, 2008 (artist/curator project) 2009 (solo) Cultural Artifacts, Independence Foundation Gallery for the Visual Arts, Painted Bride Art Center, Philadelphia (solo) dark & shiny night, Buoy, Kittery, Maine Pittsburgh Biennial Selections, Center for Emerging Visual Artists, Philadelphia, (organized by the Pittsburgh Center for the Arts) 2010 (solo) dark & shiny night, 707 Penn Gallery, Pittsburgh Biennial 2010, Southern Alleghenies Museum of Art, Loretto, Pennsylvania 2011 (solo) Yard Works, Chatham University Art Gallery, Pittsburgh (March-April) Pennsylvania Photography Biennial, Silver Eye Center for Photography, Pittsburgh Reviews "Photography Notes." Artspace, Albuquerque, New Mexico, April 1981: p. 58 (1 illus.) Donohoe, Victoria. "On Galleries." Philadelphia Inquirer, July 8, 1983: p. F-38 Donohoe, Victoria. "On Galleries." Philadelphia Inquirer, March 30, 1985: p. C-4 Goldsworthy, Jim. "Chuck Ilich, Richard Kleeman, Robert Raczka, George Roland." New Art Examiner, Chicago, September 1990: p. 49 Potter, Chris. "Fugitive Traces" review, New Art Examiner, November 1995, pp. 41-42 Merkle, Karen. "Time Is Running Out," Erie Daily Times, February 29, 1996, p. 4-S Wykoff, Gary. "Art for the Stars," Erie Daily Times, May 19, 1996, p. S-22 Thomas, Mary. "Biennial buzz," Pittsburgh Post-Gazette, April 3, 1998, Weekend Magazine p. 27 Shearing, Graham. "A Banner Biennial," Pittsburgh Tribune-Review, April 9, 1998, pp. 16-18 Potter, Chris. "What's It All About?", Pittsburgh City Paper, April 8-15, 1998. 8:14, pp. 38-39 Miller, Donald. "Searching for the edge in art shows," Pittsburgh Post-Gazette, Saturday, April 25, 1998, p. B-7 Merkle, Karen. "Art Meets Computer," Erie Daily Times, May 6, 1999, p. 18-S Donohoe, Victoria. The Arts. Philadelphia Inquirer, September 12, 1999, p. MC7 Rice, Robin. Gerrys Kids, Philadelphia City Paper, March 16-23, 2000, p. 34 Merkle, Karen Rene. "The Photo Transformed," Erie Daily News, November 2, 2000, p. 19-S Waller, Genevieve. Robert Raczka: Embellishments, Seen, Wichita, Kansas, February 2001, p. 7 Utter, Douglas Max. Light Touch (Robert Raczka @Superior Gallery), Angle Magazine, Cleveland, Ohio, May 2003, 1:3, p. 16. Shaw, Kurt. The order of Disorder, Pittsburgh Tribune-Review, 7:10, January 15, 2004, p. t-9, 3 color illus. Schneider, Carrie. Review of reverie and disorder: Pittsburgh Filmmakers Gallery, Pittsburgh City Paper, 14:2, January 15-21, 2004, pp. 27-28

Thomas, Mary. Beneath the surface, Pittsburgh Post-Gazette, October 14, 2004, pp. D-1, D-2, 1 color illus. Schneider, Carrie. Reverie and Disorder: Robert Raczka, The Photo Review, Langhorne, Pennsylvania, 26:4/27:1, 2004, pp. 42-43, 3 color illus. Slaven, Michael. Review of Found objects & found arrangements: Three Rivers Arts Festival Gallery, Pittsburgh, Art Papers, Atlanta, 29:1, January/February 2005, pp. 49-50, 1 illus. Shaw, Kurt. Mixing ink with creativity, Pittsburgh Tribune-Review, March 17, 2005 Rosoff, Libby. Photographys faces at 339, artblog, August 13, 2005. www.fallonandrosof.com/2005/08/photographys-faces-at-339.html Thomas, Mary. North Side, Downtown shows brim with creativity, Pittsburgh Post-Gazette, January 11, 2006, p. C3 May, Mike. exhibits + the arts, (preview of American Brain exhibit), Pittsburgh Magazine, February 2007, p. 30, 1 illus. Shaw, Kurt. Artists have mixed takes on existing imagery, Pittsburgh Tribune-Review, February 11, 2007, pp. F1, F5, 1 illus. Thomas, Mary. Centers concurrent shows offer a variety of artistic expression, Pittsburgh Post-Gazette, February 14, 2007, p. C-2 Flick, Sherrie, Ambivalence the Beautiful, Pittsburgh City Paper, March 7-14, 2007, p. 36 Grossi, Adam. Toys. Beer. Flags., Afterimage, Rochester, New York, 35:1, July/Aug. 2007, pp. 30-31 Guz, Savannah. Photographic Reflections, Pittsburgh City Paper, 17:34, August 22-29, 2007, p. 43 Kuntz, Melissa. Robert Raczka at Center for the Arts, Art in America, October 2007, p. 219 Thomas, Mary. Three Rivers Arts Festival highlights,(preview), Pittsburgh Post-Gazette, June 5, 2008, p. W-20 Guz, Savannah. Containment Policy, Pittsburgh City Paper, 18:25, June 18-25, 2008, p. 34 Thomas, Mary. `Gravity a flight of fancy at Biennial, Pittsburgh Post-Gazette, July 2, 2008, p. C-8 Bowman, Amy Joan. Placement Tests, Pittsburgh City Paper, July 30-August 6, 2008, p. 30 Shaw, Kurt. SPACE exhibit shows artists depictions of sense of place, Pittsburgh Tribune-Review, Thursday, July 31, 2008, TICKET p. 15 Talley, Dan R., Reviews: Philadelphia: Robert Raczka, Art Papers, May/June 2009, 33:3, p. 66 Shaw, Kurt. The beauty of the night, Pittsburgh Tribune-Review, May 23, 2010, p. F3 Exhibition Catalogs, Published Portfolios, and Artist's Projects Orange Blossom Special Portfolio, Florida Council on the Arts and University of Florida, 1980 (photographic portfolio in an edition of 25) Picture Paper. Santa Fe, New Mexico, no. 9, 1980: p. 25 (2 illus.) Photography and Language, Fallon, Nevada: Duck Down Press, 1981: p. 61 (1 illus.) Retroactive, University Gallery, University of Florida, Gainesville, 1992 (1 illus.) Promotional Copy, edited by Robin Kahn. (New York: S.O.S. Int'l.), 1993: p. 29 Fugitive Traces, essay by Vicky A. Clark, Three Rivers Arts Festival, Pittsburgh, 1995: n.p. (artist's statement and offset poster) Gulf Coast, University of Houston, Houston, Texas, VII:2, Summer/Fall 1995, pp. 77-80 (6 illus.) Subversive Domesticity, essay by Dana Self, Edwin A. Ulrich Museum of Art, Wichita, Kansas, 1996 (1 illus.) The 1999 Pittsburgh Biennial, Pittsburgh Center for the Arts, 1998 (artist's statement, 1 illus.) Technology Invitational, Cummings Art Gallery, Mercyhurst College, Erie, PA, 1999 (1 illus.) Then and Now: A 30-Year Retrospective, Painted Bride Art Center, Philadelphia, 2000 (2 illus.) Snapshot, Contemporary Museum, Baltimore, Maryland, 2000, digital catalog (CD-rom) Art in an After Post World, essay by Elaine A. King in VIIth International Biennial of Drawing and Graphic Arts, Municipal Museum of Art, Gyor, Hungary, 2003, pp. 100, 127-128 (illus.)

Outside the Centers/On the Edge, Samek Art Gallery, Bucknell University, Lewisburg, PA, 2006 (illus.) Biennial 2008, Pittsburgh Center for the Arts and Pittsburgh Filmmakers, pp. 66-67 (2 illus.) Collections Buchanan, Ingersoll & Rooney PC, Attorneys, Miami Jacksonville Art Museum, Jacksonville, Florida Lock Haven University, University Art Collection, Lock Haven, Pennsylvania Museum of Fine Arts, St. Petersburg, Florida Municipal Museum of Art, Gyor, Hungary Northern Arizona University, University Art Museum, Flagstaff Oklahoma State University, University Art Collection, Stillwater University of Florida, Art Department Collection, Gainesville West Virginia University, University Art Collection, Morgantown Lectures and Panels "The Gaze and Art," presented as part of a panel in conjunction with The Peep Show, The Birmingham Loft, Pittsburgh, 1992 "Effected Desire," curator's lecture, Carnegie Museum of Art, Pittsburgh, 1992 - Allegheny College, Meadville, Pennsylvania, 1992 - Seton Hill College, Greensburg, Pennsylvania, 1992 Artist's Lecture, Lock Haven University, Lock Haven, Pennsylvania, 1993 "Between," curator's lecture, University of Akron, Akron, Ohio, 1994 "Considering The 1996 Carnegie International," Mercyhurst College, Erie, Pennsylvania, 1996 Artist's Lecture, Hartnett Gallery, University of Rochester, New York, 1996 "What Is Art's Tradition, Anyway?," Edinboro University of Pennsylvania, 1996 "Church/Theater/Circus," panelist and moderator for "Rethinking Regionalism in Visual Art," Carnegie Museum of Art, Pittsburgh, 1996 "Why Do We Like Technology So Much?", panelist and moderator in conjunction with technologyculture exhibit, Erie Art Museum, Erie, Pennsylvania, 1997 "perspectives: conversation with the curator and artists," in conjunction with Environments, Pittsburgh Center for the Arts, 1997 "Recent Projects: Art, etc.", School of Art, Pennsylvania State University, 1998 Artist's gallery talk, Pittsburgh Center for the Arts, 1998 Artists lecture, Tyler School of Art of Temple University, Elkins Park, Pennsylvania, 1999 Visual Arts Symposium, panelist and moderator, in conjunction with Then and Now: A 30-Year Retrospective, Painted Bride Art Center, Philadelphia, 2000 "A memoir," panelist and moderator, in conjunction with 15XXX, University of Akron, 2000 Artist's lecture, Cummings Art Gallery, Mercyhurst College, Erie, Pennsylvania, 2000 Visiting artist: critiques and lecture Lyricism and Intention in Contemporary Art, Indiana University of Pennsylvania, 2002 Artists lecture, Zoller Gallery, Pennsylvania State University, University Park, 2002 Charles Teenie Harris: A photojournalist in context, Slippery Rock University, Slippery Rock, Pennsylvania, 2002 Digital imaging for art, Westmoreland County Community College, Youngwood, Pennsylvania, 2002 Visiting artist: critiques and artists lecture, West Virginia University, Morgantown, 2003 Artists lecture, Westminster College, New Wilmington, Pennsylvania, 2003 Artists lecture, Studio Art Seminar, Carnegie Mellon University, Pittsburgh, 2003 Whom does this stuff speak?, panel presentation at Objects in/and Visual Culture Conference, Pennsylvania State University, University Park, 2004

Guest critic, Carnegie Mellon University, Pittsburgh, 2004 Visiting artist residency and artists lecture, Oklahoma State University, Stillwater, 2006 Artists lecture, Pittsburgh Filmmakers, 2007 Artists gallery talk, Pittsburgh Center for the Arts, 2007 Artists gallery talk, SPACE Gallery, Pittsburgh, 2008 Professional Activities Juror, 2nd National Exhibit by Blind Artists, Woodmere Art Museum, Philadelphia, 1985 Contributing Editor (California), New Art Examiner, 1988 Visual Arts Organizations Advisory Panel, Pennsylvania Council on the Arts, 1992, 1993, 1995, 2001 Advisory Panel, Photography Fellowships, Maryland State Arts Council, 1992 Contributing Editor, The Photo Review, 1992-94 Instructor, "Writing About Art," Museum Studio, Carnegie Museum of Art, Pittsburgh, 1994 Juror, Alumni Artists Exhibition, McDonough Museum of Art, Youngstown State University, Ohio, 1995 Juror, Zeitgeist, Group A, Pittsburgh Center for the Arts, 1997 Contributing Editor, New Art Examiner, 1999-2000 Juror, Student Art Exhibit, Pennsylvania State University, University Park, 2000 Juror, Myers School of Art Juried Student Exhibition, University of Akron, Ohio, 2003, 2006 Site Juror, Artists Market, Three Rivers Art Festival, Pittsburgh, 2003 Juror, Annual Student Exhibition, Mercyhurst College, Erie, Pennsylvania, 2004 Juror, Panorama Juried Art Exhibit, Erie Summer Festival of the Arts, Blasco Public Library, Erie, 2005 Publications: Articles, Reviews, Essays (by Robert Raczka) 1980 Artweek (Oakland) "Two Sides of Flatness," (Johnnie Ross and Debora Hunter: Delahunty Gallery) Sept. 17, 1980, p.16 "Icons in Fingerpaint," (T.L. Solein: Fort Worth Art Museum) November 29, 1980, p. 16 "Lightweight Designer," (Carlotta Corpron: Amon Carter Museum) December 13, 1980, p. 11 Artspace (Albuquerque) "Houston at Dallas: 500 Exposition Gallery," December 1980, pp. 50-51 Texas Arts Revue (Dallas) Nicholas Wood: Structure and Mystery, Winter 1980, pp. 28-Artweek (Oakland) "Tackling a Difficult Game," (Vincent Falsetta: 500 Exposition Gallery) January 17, 1981, p. 20 "Decorative Vignettes," (Claudia DeMonte: Fort Worth Art Museum) January 17, 1981, p. 20 "Jack Welpott's Urban Formalism," (Jack Welpott: DW Gallery) February 28, 1981, p. 15 "Through a Window from Childhood," (Lee N. Smith III: Fort Worth Art Museum) Mar. 7, 1981, pp. 3-4 "Nicholas Wood: Evolution of a Theme,"(Nicholas Wood: Delahunty Gallery) March 21,1981, p.6 "Dada on Paper," (Dada: Berlin/Cologne/Hanover: Fort Worth Art Museum) April 11,1981, p. 16 "Comics in Relief," (Music from Nancy: Fort Worth Art Museum) May 16, 1981, p. 14 Artspace (Albuquerque) "Aycock/Holste/Singer: Fort Worth Art Museum," April 1981, pp. 74-75 "Stephen Dennie and Nic Nicosia: 500 Exposition Gallery," Fall 1981, pp. 62-63 "Linnea Glatt," Summer 1981, pp. 21-23 Texas Arts Revue (Dallas)

A Right Field, Spring 1981, pp. 24-25 Roberto Munguia, Fall 1981 Art Voices South (West Palm Beach, Florida) Albert Scherbarth, September/October 1981, p. New Art Examiner (Chicago) "Tabu Dada: Philadelphia Museum of Art," February 1984, p. 16 "Five Painters: Galerie Taub," March 1984, p. The Photo Review (Philadelphia) "Marion Post Wolcott: FSA Photographs and The Restless Decade: John Guttmann's Photographs of the Thirties," Winter 1986, pp. 20-21 "Six of One, Half Dozen of Another," (Recent Philadelphia Photography: Swarthmore College and In Color: Haverford College), Spring 1986, pp. 10-14 "Black Sun Rising," (Black Sun, The Eyes of Four: Philadelphia Museum of Art), Fall 1986, pp. 6-9 "Twelve on 20 x 24," (Freedman Gallery: Albright College), Fall 1986, pp. 10, 18 "Robert Capa's World," (Robert Capa: A Biography and Robert Capa: Photographs), Fall 1986, pp. 19-21 "Another Arbus," (Diane Arbus Magazine Work: 1960-1971: Philadelphia Museum of Art) Winter 1986/Spring 1987, pp. 24-25 "Joel-Peter Witkin," (Joel-Peter Witkin: Forty Photographs and Joel-Peter Witkin), Winter 1986/ Spring 1987, p. New Art Examiner (Chicago) "Philadelphia Collects, Art Since 1940: Philadelphia Museum of Art," January 1987, pp. 57-58 "Body Electric, Four Currents: Temple Gallery," February 1987, pp. 54-55 "Italo Scanga: Institute of Contemporary Art," March 1987, p. 47 "Art Press Review: Aperture," Summer 1987, pp. 17-18 "Machinations: Momenta Art," September 1987, p. 51 "Artists' Installations: Art-in-City Hall," November 1987, p. 50 "Chris Burden: Hoffman Borman Gallery," December 1987, p. 58 "LACE Annuale," December 1987, p. New Art Examiner (Chicago) "Jeffrey Vallance: Rosamund Felsen Gallery," January 1988, p. 62 "Buzz Spector: Roy Boyd Gallery," January 1988, p. 62 "ART/LA 87: Second run outperforms debut," February 1988, pp. 36-37 "Judith Joy Ross: Pennsylvania Academy of Fine Arts," February 1988, p. 62 "Mike Kelley: Rosamund Felsen Gallery," February 1988, p. 66 "Art Press Review: Los Angeles Press," March 1988, pp. 17-18 "Wallace Berman: L.A. Louver Gallery," April 1988, p. 60 "Ulay and Marina Abramovic: Burnett Miller Gallery," April 1988, pp. 60-61 "The Analytical Theatre: New Art from Britain: University Art Museum," May 1988, p. 51 "MoCA sights local art in 'Striking Distance'," June 1988, pp. 39-40 "That's Progress: Beyond Baroque," Summer 1988, p. 49
"Connie Hatch, Mary Kelly: LACE," October 1988, p. 56 "Doug Huebler: La Jolla Museum of Contemporary Art," November 1988, pp. 45-46 "Aimee Rankin: Michael Kohn Gallery," December 1988, pp. 56-57 The Photo Review (Philadelphia) "Postcards from Home," ("Twelve Photographers Look at US," Philadelphia Museum of Art) Winter 1988, pp. 6-9 Afterimage (Rochester) "East Meets West," (I Want to Take Picture by Bill Burke and East/West: A Book of Fortune by Steven Cortright) March 1988, p. 19 "Writing on the Wall," (Image and Text: The Women's Building) May 1988, pp. 19-20 "Where the Doys Are," (Tactical Positions: LACE) October 1988, p. 17 "The Next Generation," (New Strategies: Jan Kesner Gallery) November 1988, pp. 19-20 L.A. Weekly "Robert Mapplethorpe: Blum Helman Gallery," September 30, 1988, p. 45 "Garry Winogrand: Jan Kesner Gallery," October 7, 1988, p. 55 "James Surls: L.A. Louver Gallery," December 2, 1988, p. 59 "Art Critics' Picks: Catherine Opie," December 9, 1988, pp. 24-25 "Art Critics' Picks: Millie Wilson," December 9, 1988, pp. 30-32 Exhibition Brochures and Catalogs "At About Now," in Re:Presentation - Conception/Perception, Fullerton: Fullerton Museum Center and Los Angeles Center for Photographic Studies, New Art Examiner (Chicago) "Ray Kass: Hewlett Gallery," December 1989, p. 43 The Photo Review (Philadelphia) "Books: Between by Victor Burgin," Winter 1989, pp. 18-19 Afterimage (Rochester) "Models of Resistance," (Photography/Politics: Two, ed. Patricia Holland, Jo Spence, and Simon Watney) February 1989, pp. 19-20 L.A. Weekly "Paul Laster: Pence Gallery," March 31, 1989, p. 140. "Martin Puryear: Margo Leavin Gallery," May 5, 1989, p. 126 "Acceptable Entertainment: Municipal Art Gallery," June 16, 1989, p. 122 Art issues. (Los Angeles) "Judie Bamber, Tony Greene, Carol Vena-Mondt: Jan Baum Gallery," No. 6, September/October 1989, p. New Art Examiner (Chicago) "James Welling: Beaver College Art Gallery," February 1990, p. 50 "Silvia Taccani: Bruce Gallery," June 1990, p. 54 Afterimage (Rochester) "Getting Lucky," (Lucky magazine) May 1990, pp. 19-20 "Illusions of Mastery," (Nancy Barton and Michael Glass: Hallwalls) October 1990, pp. 20-21 Exhibition Brochures and Catalogs "Tomorrow Today: Fragments Regarding Fragments," in Electronic Expressions, Allegheny College Art Galleries, 1990 Exhibition essay in Mary Jean Kenton: A Survey, 1973-1990, Allegheny College Art Galleries, 1990

"Vessel/Form/Sculpture," in Units: New Ceramic Sculpture, Allegheny College Art Galleries, 1990; reprinted as "Units: New Ceramic Sculpture," Ceramics Monthly, May 1991, pp. 20, The Photo Review (Philadelphia) "Letter from Pittsburgh: The Continuing Saga of Photography and Art," Fall 1991, pp. 10-14 Afterimage (Rochester) "Geography as War," (Alfredo Jaar: Carnegie Mellon Art Gallery) March 1991, p. 17 Art Papers (Atlanta) "Report from Pittsburgh," March/April 1991, p. 73 "Points of Departure: Origins in Video (at Carnegie Museum of Art)," July/August 1991, pp. 62-63 High Performance (Santa Monica) "From There to Here: Tracking Video's Pioneers," (Points of Departure: Origins in Video, Carnegie Museum of Art), Summer 1991, pp. 70-72 The Penn State Journal of Contemporary Criticism "Mary Jean Kenton's Freedom (with limits)," No. 3, 1991, pp. 34-38. Reprinted in revised form in No. 5 (anthology issue), 1994, pp. 58-61 Exhibition Brochures and Catalogs Exhibition essay in Making Sense, Allegheny College Art Galleries, 1991 "Filling Space, With Meaning and Taste," in Sculpture Invitational, Westminster College Art Gallery, New Wilmington, Pennsylvania, 1991, pp. 2-4 "Art is a kind of container," in Hard Choices/Just Rewards II, Johnstown Art Museum, Johnstown, Pennsylvania, 1991, p. The Photo Review (Philadelphia) "Thomas Eakins' Photographs," ("Thomas Eakins Rediscovered: At Home, At School, At Work," Pennsylvania Academy of Fine Arts) Spring 1992, pp. 10-13 Art issues. (Los Angeles) "Pittsburgh FAX: Carnegie International 1991," No. 21, January/February 1992, p.31 "Unidentified Objects Found in Storage at the Guggenheim Museum," (humor) No. 23, May/June 1992, p. 40 Art Papers (Atlanta) "The Independent Group: Postwar Britain and the Aesthetics of Plenty (at Albright-Knox Art Gallery)," January/February 1992, pp. 59-60 The Penn State Journal of Contemporary Criticism "Artifice and Edifice," (Carnegie International 1991, Carnegie Museum of Art) No. 4, 1992, pp. 54-55 "Making Sense of the International: A Roundtable Discussion," No. 4, 1992, pp. 56-65 Reprinted in No. 5 (anthology issue), 1994, pp. 72-77 Exhibition Brochures and Catalogs Exhibition essay in Cutting, Allegheny College Art Galleries, 1992 Exhibition essay in Painting-Like, Allegheny College Art Galleries, 1992 Exhibition essay in Effected Desire, Forum Gallery, Carnegie Museum of Art, Pittsburgh, New Art Examiner (Chicago) "Shigehiko Hongo, Hewlett Gallery," Summer 1993, pp. 41-42 "Veronica Ryan: Wood Street Galleries," September 1993, p.37 "David Ireland: Mattress Factory," September 1993, p. 37

"David Lloyd Brown: Harlan Gallery," December 1993, pp. 34-35 "Geo Raica: Emily Davis Gallery," December 1993, p. 35 Afterimage (Rochester) "Right Garde." (Culture Wars, ed. Richard Bolton) March 1993, pp. 14-15 "Irradiating Suburbia." (Nancy Floyd: Pittsburgh Filmmakers), May 1993, pp. 15-New Art Examiner (Chicago) "Pier Marton: Carnegie Museum of Art," May 1994, p. 55 "Enthusiasm and Ambivalence at the Warhol Museum," October 1994, pp. 20-25 Exhibition Brochures and Catalogs Exhibition essay in Material & Substance, Allegheny College Art Galleries, 1994 Exhibition essay in Between, University of Akron and Allegheny College Art Galleries, 1994 Exhibition essay in In and Around the Body, Allegheny College Art Galleries, New Art Examiner (Chicago) "All Tomorrow's Parties: Remembering the Velvet Underground: The Andy Warhol Museum," October 1996, pp. 45-46 "John Latham: Mattress Factory," November 1996, p. 37 Books: Thinking About Exhibitions, edited by Reesa Greenberg, Bruce W. Ferguson and Sandy Nairne, December/January 1996/97, p. 46 Art issues. (Los Angeles) "Positions Available," (humor), Summer 1996, p. 48 Exhibition Brochures and Catalogs Exhibition essay in Movements: Contemporary Native American Art, Allegheny College Art Galleries, New Art Examiner (Chicago) "Dan Friedman: Andy Warhol Museum," February 1997, p. 51 "Yayoi Kusama: Mattress Factory," March 1997, pp. 42-43 "Terra Bomba: Exit Art/The First World," April 1997, pp.47-48 Books: Environmental Aesthetics: Ideas, Politics and Planning by J. Douglas Porteous, September1997, p. 73 Books: Jeff Wall edited by Kerry Brougher and Jeff Wall by Thierry de Duve, et. al., December 1997/January 1998, pp. 69-70 Exhibition Brochures and Catalogs Exhibition essay in Environments, Pittsburgh Center for the Arts, New Art Examiner (Chicago) Books: Pierre et Gilles: The Complete Works, 1976-1996, essays by Bernard Marcade and Dan Cameron, February 1998, p. 61 "Teiji Furuhashi: Wood Street Galleries," March 1998, p. 59 "Post-Irony and Other Drivel," July/August 1998, p. 16 Books: Visions of Suburbia, edited by Roger Silverstone, July/August 1998, p. 58 "Mariko Mori: The Andy Warhol Museum," November 1998, p. 46 Exhibition Brochures and Catalogs
Exhibition essay in Kyoung Ae Cho: Rearrangements, Kemper Museum of Contemporary Art, Kansas City, Missouri Exhibition essay in Michael Shaughnessy: Tir Dchais (homeland), Kemper Museum of Contemporary Art, Kansas City, Missouri 1999 New Art Examiner (Chicago) Books: Most Art Sucks: Five Years of Coagula, edited by Tom Patchett, March 1999, p. 67 Post-Conceptual Reality: An Interview with Madeleine Grynsztejn, October 1999, pp. 37-39 The Architecture of Reassurance: Designing the Disney Theme Parks; at Andy Warhol Museum, November 1999, p. 43. Reprinted on SIRS Mandarin Publishing website (www.sirs.com). Romancing the Brain: at Pittsburgh Center for the Arts, December 1999, p. 57 Ceramics: Art and Perception (Sydney, Australia) Centeredness and Longing: The Ceramics of David Joy, Number 36, 1999, pp. 48-50 The Photo Review (Philadelphia) Books: Seeing Is Believing by Vik Muniz, 22: 3 & 4, Summer and Fall 1999, pp. 48-New Art Examiner (Chicago) Books: Billboard: Art on the Road, organized by Laura Steward Heon, Peggy Diggs, and Joseph Thompson, February 2000, p. 64 Margery Amdur: at Hewlett Gallery, March 2000, 27:6, pp. 53-54 Books: Two-Way Mirror Power: Selected Writings by Dan Graham on His Art, edited by Alexander Alberrro, March 2000, 27:6, p. 60 Manna in The Desert: An Interview with Paula Marincola, April 2000, 27:7, pp. 14-16 Geo Raica: at Emily Davis Gallery, May 2000, 27:8, p. 61 Painting Function: Making It Real; at SPACES, June 2000, 27:9, pp. 45-46 Books: Dismal Science, Photo Works 1972-1996, by Allan Sekula, June 2000, 27:9, p. 51 Maritza Mosquera: at Foreland Street Studio, July/August 2000, 27:10, p. 47 American Craft (New York, NY) Material Taken Beyond, April/May 2000, 60:2, pp. 56-59 Sculpture (Washington, D.C.) Asian Artists in Residence: The Mattress Factory, March 2000, 19:2, pp. 76-77 Nancy Davidson: Institute of Contemporary Art, April 2000, 19:3, p. 71 Against Design: Institute of Contemporary Art, June 2000, 19:5, pp. 78-79 "Marie Ange Guilleminot: The Fabric Workshop and Museum," October 2000, 19:8, pp. 67-68 "Achieving Failure: Gym Culture 2000: Cleveland Center for Contemporary Art," November 2000, 19:9, pp. 69-70 The Photo Review (Philadelphia, PA) Books: William Eggleston: The Hasselblad Award 1998 and 2 by William Eggleston, 23:3, Summer 2000, pp. 50-51 Exhibition Brochures and Catalogs Interview/discussion between Vicky A. Clark and Robert Raczka, The 2000 Pittsburgh Biennial, Pittsburgh Center for the Arts Exhibition essay in 15XXX, Emily Davis Gallery, University of Akron, Ohio, Sculpture (Washington, D.C.) "Pipilotti Rist: at Luhring Augustine Gallery," January/February 2000, 20:1, pp. 60-61

Structurally Sound: at SPACES, June 2001, 20:5, pp. 76-77 Paul McCarthy: at New Museum, et. al., September 2001, 20:7, pp. 74-75 Orchestral Maneuvers: at Wood Street Galleries, November 2001, 20:9, pp. 71-72 New Art Examiner (Chicago) Kevin Mullins: at Dolphin Gallery, July/August 2001, 28:10, pp. 96-97 The Photo Review (Philadelphia, PA) Community and Eloquence: The Photographs of Charles Teenie Harris, Summer 2001, 24:3, pp. 2-7 Dream Street: W. Eugene Smiths Pittsburgh Photographs, Fall 2001, 24:4, pp.2-5 Without Sanctuary: Lynching Photography in America, Fall 2001, 24:4, pp. 14-16. Exhibition Brochures and Catalogs Exhibition essay in Kojo Griffin, Kemper Museum of Contemporary Art, Kansas City, Missouri 2002 Sculpture (Washington, D.C.) Krista Hoefle: Appearance and Desire, January/February 2002, 21:1, pp. 14-15. Popular CultureS: at The Andy Warhol Museum, April 2002, 21:3, pp. Jim Campbell: at Wood Street Galleries, May 2002, 21:4, pp. 74-75 Richard Paul Gribenas: at Pittsburgh Center for the Arts, September 2002, 21:7, pp. 91-Exhibition Brochures and Catalogs From performance art to the performative in art: a new understanding emerges, Vicky A. Clark and Robert Raczka, The 2003 Pittsburgh Biennial, Pittsburgh Center for the Arts 2007 The Photograph Collector (Langhorne, PA) Review of William Eggleston in the Real World, January 15, 2007, 28:1, pp. 1-2. Exhibitions Curated/Organized Mary Jean Kenton: A Survey, 1973-1990, Bowman & Penelec Galleries, Allegheny College, 1990 Units: New Ceramic Sculpture, Penelec Gallery, Allegheny College, 1990 From Avant to Post: Prints from the Collection of Albright-Knox Art Gallery, Bowman, Penelec & Megahan Galleries, Allegheny College, 1991 Making Sense, Bowman, Penelec & Megahan Galleries, Allegheny College, 1991 Effected Desire, Forum Gallery, Carnegie Museum of Art, Pittsburgh, 1992 Painting-Like, Bowman, Penelec & Megahan Galleries, Allegheny College, 1992 Cutting, Penelec & Megahan Galleries, Allegheny College, 1992 Material & Substance, Bowman, Penelec & Megahan Galleries, Allegheny College, 1994 In and Around the Body, Bowman & Penelec Galleries, Allegheny College, 1994
Between, Emily Davis Gallery, University of Akron, Ohio, 1994; Bowman, Penelec & Megahan Galleries, Allegheny College, 1995 Movements: Contemporary Native American Art, Penelec Gallery, Allegheny College, 1996 technologyculture, Erie Art Museum, Erie, Pennsylvania, 1996-97 Environments, Pittsburgh Center for the Arts, 1997 8-Hour Drawings, I-IX, Bowman, Penelec & Megahan Galleries, Allegheny College, 1999-2007 The 2000 Pittsburgh Biennial, Pittsburgh Center for the Arts, co-curator with Vicky Clark 15XXX, Emily Davis Gallery, University of Akron, Ohio, 2000 Systems, Brew House SPACE 101, Pittsburgh, 2000 Photographs by artists, made for a variety of purposes, Artists Image Resource, Pittsburgh, 2001 The 2003 Pittsburgh Biennial, Pittsburgh Center for the Arts, co-curator with Vicky Clark The War Room, Artists Image Resource, Pittsburgh, 2004 inkjet, Artists Image Resource, Pittsburgh, 2004 Photography Plus, Bowman & Megahan Galleries, Allegheny College, 2005 8-Hour Projects I-II, Bowman, Penelec & Megahan Galleries, Allegheny College, 2007, 2008 Big Food Pictures, Bowman Gallery, Allegheny College, 2008 You Are Here, SPACE Gallery, Pittsburgh, 2008 Materialisms, Bowman & Penelec Galleries, Allegheny College, 2009 Drawn in a Day, SPACE Gallery, Pittsburgh, 2010 (JulyAugust) On the Wall, Painted Bride Art Center, Philadelphia, 2010 (SeptemberOctober)