Sony TC-K615S
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User reviews and opinions
| fehretic |
5:26am on Thursday, September 30th, 2010 ![]() |
| Use it in my home business, never dissapointes, lots of features Having boys who are quite active in dirt bike riding, I needed a camera that could take good action shots. I am so happy with this camera. | |
| Maccesch |
4:22pm on Saturday, September 25th, 2010 ![]() |
| The S3 is a good camera. Infact, if you intend to use it primarily during the daytime, and outdoors, its not just good, its great! I love the camera overall, but in some situations the camera tells me I need a flash. | |
| David Graham |
3:25pm on Wednesday, September 1st, 2010 ![]() |
| I chose this camera over the more recent S5 because I thought it offered me a better overall package for what I expect. Battery life. Why are reviewers so kind to this camera?!? I am dismayed by the relatively kind treatment that this camera and its successor, the S5-IS. | |
| Flibustier |
7:49pm on Tuesday, August 24th, 2010 ![]() |
| Good camera in Natural Light I bought this camera in 2007. I took it to Georgia on Vacation and I got the hang of it quite quickly. good till the lens cap falls apart I have owned this camera for almost 3 yrs now... | |
| 1ramzes |
7:13am on Sunday, July 25th, 2010 ![]() |
| Excellent quality photographs Highly suseptable to water/moisture damage 12x optical zoom, add-on lenses, super quality prints, Battery Indicator comes on when batteries are almost dead | |
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Documents

3-758-576 -21 (2)
Operating Instructions
TC-K615S
1994 by Sony Corporation
WARNING
To prevent fire or shock hazard, do not expose the unit to rain or moisture.
INFORMATION This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. CAUTION You are cautioned that any changes or modifications not expressly approved in this manual could void your authority to operate this equipment. NOTICE FOR CUSTOMERS IN THE UNITED KINGDOM
A moulded plug complying with BS 1363 is fitted to this equipment for your safety and convenience. Should the fuse in the plug supplied need to be replaced, a 5 AMP fuse approved by ASTA or BSI to BS 1362, (i.e. marked with 2 or @ mark) must be used. If the plug supplied with this equipment has a detachable fuse cover, be sure to attach the fuse cover after you change the fuse. Never use the plug without the fuse cover. If you should lose the fuse cover, please contact your nearest Sony service station.
CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
This symbol is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.
This symbol is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
Owners Record The model and serial numbers are located on the rear of the unit. Record the serial number in the space provided below. Refer to them whenever you call upon your Sony dealer regarding this product. Model No. TC-K615S Serial No.
IMPORTANT
If the plug supplied is not suitable for the socket outlets in your home, it should be cut off and an appropriate plug fitted in accordance with the following instructions. The wires in this mains lead are coloured in accordance with the following code: Blue: Neutral Brown: Live As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying the terminals in your plug, proceed as follows: The wire which is coloured blue must be connected to the terminal which is marked with the letter N or coloured black. The wire which is coloured brown must be connected to the terminal which is marked with the letter L or coloured red. Do not connect either wire to the earth terminal in the plug which is marked by the letter E or by the safety earth symbol Y or coloured green or green-and-yellow. WARNING To prevent shock hazard, do not insert the plug cut off from the mains lead into a socket outlet. This plug cannot be used and should be destroyed.
K615S-21 02-06
Chapter 1 Getting Started
Table of Contents
Chapter 1 Getting Started Features... 3 Precautions... 4 Unpacking... 4 Checking the supplied accessories.. 4 Notes on installation.. 4 Checking the operating voltage.. 4 Hooking up the system... 5 Before you begin... 5 Hooking up an amplifier.. 5 Hooking up for tape dubbing... 5 Identifying the parts on the front panel. 6 Chapter 2 Playback Playing back.... 7 Locating a selection Multi-AMS (Automatic Music Sensor). 8 Locating a specific playback position Memory Play.. 9 Memorizing and locating a specific playback position. 9 The accuracy of the linear counter.. 9 Playing back automatically after rewinding Auto Play. 10 Chapter 3 Recording Recording... 10 Recording to a cassette... 10 Protecting a recording.. 12 Adjusting the recording level.. 12 Recording FM broadcasts with the Dolby NR system. 12 Monitoring the recorded sound... 13 What is the Dolby HX PRO system?.. 13 Calibrating the bias current and recording level. 14 Inserting a blank space during recording Record Muting... 15 Chapter 4 Additional Information Maintenance... 16 Cleaning the heads and tape path.. 16 Demagnetizing the heads.. 16 Specifications... 17 Troubleshooting guide.. 18
Features
For higher quality recording/playback Dolby* HX PRO system for higher linearity in the tapes high-range response during recording. B, C and S type Dolby* NR systems which reduce tape noise. Bias and recording level calibration to obtain the best recording conditions for every tape. Three-head system (separate recording, playback and erasing heads) to allow you instant monitoring of the recorded sound during recording. Quartz Locked Servo Control for greater stability and precision in capstan rotation. Sapphire Capstan Base to enhance stability in motor rotation for clear sound reproduction. Ceramic cassette holder for improved stability of tape running during playback and recording. For your convenience Multi-AMS and Memory Play functions for easy access to specific selections. For easier operation Easy-to-read linear counter showing the elapsed recording or playing time.
* Dolby noise reduction and HX Pro headroom extension manufactured under license from Dolby Laboratories Licensing Corporation. HX Pro originated by Bang & Olufsen. DOLBY, the double-D symbol a and HX PRO are trademarks of Dolby Laboratories Licensing Corporation.
Precautions
On safety Should any solid object or liquid fall into the cabinet, unplug the unit and have it checked by qualified personnel before operating it any further. Unplug the unit from the wall outlet (mains) if it will not be used for a long time. To disconnect the cord, pull it out by grasping the plug. Never pull the cord itself. The unit is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off. AC power cord must be changed only at the qualified service shop. On operation When the unit is not used, turn the power off to conserve energy and to extend the useful life of your unit. Because of a safety mechanism, the function buttons will not operate if the cassette holder is not completely closed, if there is no cassette in the cassette holder, or if a cassette has been incorrectly inserted into the cassette holder. On head cleaning The head and tape path should be cleaned after every ten hours of operation. Dirty heads and a dirty tape path may cause: loss of high-frequency response loss of sound volume sound drop-out On cleaning the cabinet Clean the cabinet, panel and controls with a soft cloth slightly moistened with a mild detergent solution. Do not use any type of abrasive pad, scouring powder or solvents such as alcohol or benzine. If you have any questions or problems concerning your unit, please contact your nearest Sony dealer. For the customers in the U.S.A. For detailed safety precautions, see the leaflet IMPORTANT SAFEGUARDS.
Unpacking
Checking the Supplied Accessories
Make sure that the following accessories are included with your unit. Audio connecting cords (2)
Notes on Installation
Place the unit with the front panel facing you in a location with adequate air circulation to prevent overheating of the unit. Do not place the unit: near heat sources such as radiators or air ducts. in places subject to direct sunlight, excessive dust, mechanical vibration or shock. in an inclined position. on a rug or other soft surfaces that would block the ventilation holes on the bottom of the unit. Do not throw away the carton and the packing material They will come in handy when transporting the unit or shipping it for servicing.
Checking the Operating Voltage
Operate the unit only on 120 V AC, 60Hz (U.S.A. model) or 240 V AC, 50 Hz (U.K. and Australia models). Before connecting the unit to an AC (socket) outlet, be sure that the operating voltage of your unit is identical with that of your local power supply.
Hooking Up the System
Before You Begin
Turn off the power to all equipment to be connected before making any connection. Note that the red plug of the supplied connecting cord is for right-channel (R) connection and the white plug for leftchannel (L) connection. The connecting cords should be fully inserted into the jacks. A loose connection may cause hum pickup.
Hooking Up an Amplifier
Signal flow
Hooking Up for Tape Dubbing
LINE IN
LINE OUT
to an AC (socket) outlet to another tape deck from another tape deck
to a wall outlet (mains)
for recording
for playback
Amplifier
Another tape deck
REC OUT
TAPE INPUT
to an AC (socket) outlet
Identifying the Parts on the Front Panel
* Remote control sensor
REC LEVEL
dB 10 4
MEMORY
REC CAL
DOLBY NR
SOURCE TAPE
OFF B C S
DOLBY NR B C S FILTER TAPE TYPE I II IV
COUNTER
RESET MEMORY
MONITOR
PAUSE REC MUTE REC
CALIBRATION
0 AMS )
For details, refer to the page number(s) indicated in parentheses. POWER switch Peak level meter (page 12) TAPE TYPE indicator Linear counter (page 9) MEMORY indicator COUNTER buttons RESET button (page 9) MEMORY button (pages 9 and 10) Cassette holder DOLBY NR (noise reduction) switch (pages 7 and 10) MPX FILTER button (page 12) BIAS control (pages 14 and 15) REC (recording) LEVEL control for calibration (pages 14 and 15) REC (recording) LEVEL control (pages 11 and 12) BALANCE control (page 11) HEADPHONES jack (stereo phone jack) (page 7) CALIBRATION button (pages 14 and 15) MONITOR button (page 13) ! (EJECT) button ! Tape operation buttons p (stop) button 0 (rewind) (Multi-AMS**) button (play) button ) (fast-forward) (Multi-AMS**) button P PAUSE button R REC MUTE (record muting) button (page 15) r REC (recording) button * Remote control sensor You can remotely control this cassette deck with: A remote commander that came with a Sony amplifier or receiver if it has the g mark and cassette deck control capability. An optional Sony remote commander with the g mark and cassette deck control capability. ** AMS is an abbreviation for Automatic Music Sensor.
! ! ! ! ! !
MPX FILTER
BALANCE
HEADPHONES
Chapter 2 Playback
Playing Back
Follow the procedure below to play back a cassette. Specifying the tape type is unnecessary The deck has an automatic tape type detection system. To begin recording during playback While holding down the button, press the r button. The unit immediately begins recording without stopping the tape. This function is useful when editing previously recorded material. For headphone listening Insert the headphone plug to the HEADPHONES jack. Selecting TAPE mode with the MONITOR button is unnecessary The unit automatically enters TAPE mode and the TAPE indicator lights up. What is the Dolby NR system? The Dolby NR (noise reduction) system reduces tape hiss noise in low-level, high-frequency signals by boosting the signals during recording and lowering them during playback. The Dolby S NR system provides the highest reduction in tape hiss noise in both low and high frequencies.
POWER ON
ON OFF
1 Turn on the amplifier and select the tape
function.
2 Insert a cassette with the side to be
played facing outward.
REC MUTE
3 Set DOLBY NR to the same position that
was used when the cassette was recorded.
DOLBY NR OFF B C S
4 Press to start playback.
To stop playback, press the p button. To stop playback momentarily, press the P button. To restart playback, press the P or button. To fastwind a tape rightward, press the ) button in stop mode. To fastwind the tape leftward, press the 0 button in stop mode.
Note The Dolby HX PRO system is effective only during recording, not during playback.
K615S-21 07-12
Locating a Selection Multi-AMS (Automatic Music Sensor)
Through its ability to detect the blank space between selections, the Multi-AMS function allows you to skip up to 30 selections while fast forwarding or reversing to the beginning of a specific selection.
Changing the indicated number of selections to be skipped Press the 0 or ) button at any time, even during MultiAMS operation.
During playback, press ) or 0 as many times as the number of selections to be skipped. For selections after the current one: Press ) the required number of times. For selections before the current one: Press 0 the required number of times*. * Pressing 0 once locates the beginning of the current selection.
: Beginning of the selection
Previous selection
Current selection
Next selection
Each time the unit detects a blank space, the indicated Multi( AMS number decreases by one. The ( indicator flashes during Multi-AMS operation. When the beginning of the specified selection is reached, the counter indication appears again and playback automatically restarts.
The Multi-AMS number may change as you are setting it due to the detection of blank spaces as the unit bigins to fastwind. The Multi-AMS may fail to detect the start of a selection in the following cases: If you press the ) button immediately before the selection or the 0 button immediately after the start of the selection. If there is noise in the space before the selection. If the space before the selection is less than four seconds long. The Multi-AMS will treat the following as blanks: A long pause in the music A passage of low frequencies or very low volume A gradual increase or decrease in volume
Locating a Specific Playback Position Memory Play
Memorizing and Locating a Specific Playback Position
The Memory Play function allows you to use the counter to record a specific position on a cassette for fast relocation and automatic playback later. Returning to the memorized position while the unit is stopped Memory Stop If you press only the 0 button when the MEMORY indicator is on and the unit is stopped, the tape rewinds and then stops when the counter reaches 0.00. Be sure that the unit is stopped before turning the Memory Stop function on, otherwise the Multi-AMS function will operate. To turn off the Memory Play function Press the MEMORY button, so that the MEMORY indicator disappears.
1 Press MEMORY to turn on the Memory
Play function.
2 Press RESET to reset the counter at the
position to be memorized. The position is memorized.
3 While holding down , press 0 to
return to the memorized position.
Note on Memory Play/Stop The tape acutually rewinds to slightly short of 0.00. Do not turn off the power while using the counter Turning the power off, then on again resets the counter to 0.00.
The Accuracy of the Linear Counter
Since the counter is not a digital clock, it will differ from the actual elapsed playback or recording time by a few minutes, depending on such factors as tape length and hub size.
Chapter 3 Recording
Playing Back Automatically After Rewinding Auto Play
The Auto Play function automatically starts playing back a cassette after fastwinding it to the beginning.
Recording
Recording to a Cassette
Follow the procedure below to record a source on a cassette.
1 Make sure the MEMORY indicator is off.
If not, press MEMORY.
Goes off.
1 Insert a cassette with the side to be
recorded facing outward. (Refer to pages 14 to 15 to calibrate the bias current and recording level if desired.)
2 While holding down , press 0.
2 Set DOLBY NR.
3 Press r to enter the recording pause
4 Play the program source to be recorded.
5 Turn REC LEVEL to adjust the recording
level.
If playback starts instead of recording when you press r The record-protect tab for that side has been removed. To record on this cassette, cover the hole with plastic tape. (See Protecting a Recording on page 12.) Selecting MONITOR mode is unnecessary The unit automatically enters source mode and the SOURCE indicator lights up. If you wish to monitor the recorded sound, press the MONITOR button to select TAPE mode. Checking the recording time on a tape To check the remaining recording time on a tape: 1 Press the RESET button to reset the counter to 0.00. 2 Press the ) button to advance the tape to its end. The number on the counter shows the approximate recording time. To check the total recording time of a tape, first rewind the tape to its beginning, then follow the same steps as above. (See The Accuracy of the Linear Counter on page 9.)
See Adjusting the Recording Level on page 12.
6 Turn BALANCE to adjust the balance.
7 Restart the program source, if required. 8 Press P or to start recording.
To stop recording Press the p button.
Protecting a Recording
To protect a recording on side A or B Break out the respective tab.
Side A
Adjusting the Recording Level
The proper recording level, which differs according to the tape type, is indicated on the peak level meters for each tape type. Adjust the REC LEVEL control as high as possible without exceeding the recommended range for the inserted tape. Peak level meter recording by tape type Recommended maximum peak level meter readings.
Tab for side B
Tab for side A
dB 0 +2 +4 +6 +8
To record on a cassette that is protected Cover the respective hole with tape.
for Type I or Type II tape for Type IV tape
When using Type II or Type IV cassettes Be careful not to cover the detector slots which are necessary for automatic tape-type detection.
Type II cassette Type IV cassette
Tips on recording level adjustment Setting the recording level too low will produce a hissing sound, while setting it too high will produce distortion. Generally, the proper recording level for high and low frequencies is lower than that for middle frequencies. When recording program sources with many high and low frequencies, set the level to a relatively low position, then make adjustments according to the recording results.
Detector slots Tab Tab Tab
Detector slots Tab
Cassette care Avoid touching the tape surface of a cassette to prevent contamination of the heads by dirt, dust, or oil on the skin. Keep cassettes away from equipment with magnets, such as speakers and amplifiers, as erasure or distortion on the recorded tape could occur. Do not expose cassettes to direct sunlight, extremely cold temperatures or moisture. Note on cassettes longer than 90 minutes We do not recommend the use of cassettes longer than 90 minutes except for long continuous playback.
Recording FM Broadcasts With the Dolby NR System
If your tuner does not have an MPX filter, or, if equipped, the filter is not working effectively, set the MPX FILTER button to ON (the FILTER indicator appears) when recording FM broadcasts with the Dolby NR system. The MPX filter eliminates remnants of the 19-kHz stereo carrier and 38-kHz subcarrier signals which may impair the operation of the Dolby NR system. Be sure to turn on the DOLBY NR switch since the MPX filter will not function otherwise.
Monitoring the Recorded Sound
As this unit has three separate heads for recording, playback and erasure, you can check the quality of a recorded sound by comparing it with the input source signal. To listen to the input source signal, press the MONITOR button to turn on the SOURCE indicator. To listen to the sound recorded on the tape, press the MONITOR button to turn on the TAPE indicator. Comparing the recorded sound with the sound source While recording, use this monitoring function to check that there is no distortion due to excessive level settings or sound degradation due to head contamination.
MONITOR setting Band Recording head SOURCE Signal flow
REC LEVEL LINE IN SOURCE MONITOR TAPE
LINE OUT HEADPHONES
Playback head
The source signal can be monitored. Band Recording head TAPE Playback head
REC LEVEL LINE IN SOURCE MONITOR TAPE LINE OUT HEADPHONES
The recorded signal can be monitored.
What Is the Dolby HX PRO System?
The Dolby HX PRO system provides precise bias control during recording to reduce distortion and improve linearity in the high-frequency range. The result is recorded sound that is highly faithful to the original. Since the HX PRO system operates only during recording, the same highquality sound is produced even during playback on other tape decks. The HX PRO system is independent from the Dolby NR system and is unaffected by the Dolby NR setting.
K615S-21 13-15
Calibrating the Bias Current and Recording Level
Although the ATS (Automatic Tape Selection) system in your unit sets the appropriate equalization characteristics and bias current for each tape type, you may be able to obtain even better results by doing the bias current and recording level calibration function described below.
BIAS REC LEVEL
Follow the procedure below to calibrate the bias current and recording level.
Adjusts the bias current within a range of about 20 %
Adjusts the recording level within a range of about 3 dB
Bias reduced () Output level in dB Bias increased (highfrequency response suppressed)
2 Press CALIBRATION.
Bias reduced (highfrequency response boosted)
Bias increased (+) Frequency in Hz
The peak level meters for adjusting the bias and recording level appear in the display window.
By changing the bias, you can tailor the response to your liking, for example by slightly emphasizing the upper or lower end. The frequency response of metal tape is much less affected by changes in the bias current than other tape types, and in some cases is uneffected. The adjustment range of this deck (about 20 %) may therefore not be wide enough to allow adjustment for all tapes. Recording level calibration Even when the recording level is adjusted correctly, a tape with low sensitivity will result in a low playback level. The REC LEVEL calibration control allows you to compensate for sensitivity differences among tapes to equalize both recording and playback levels. This is especially important when using the Dolby NR system, since the system is most effective when recording and playback levels are the same.
3 Press r , then P or to turn on the
recording test tones.
Playback level for an 8-kHz signal
Playback level for a 400-Hz signal
Notes You cannot monitor the sound during the calibration operation. It takes 2 to 3 seconds for the test tone level to stabilize.
Bias calibration Choosing the proper bias current for a tape ensures minimum distortion and flat frequency response. Lowering the bias current boosts high-frequency response, but also results in higher distortion. Raising the bias, on the other hand, reduces distortion, but also dampens high-frequency response. You thus obtain proper bias when the bias current and high-frequency response are well balanced.
recorded facing outward.
Inserting a Blank Space During Recording Record Muting
The Record Muting function allows you to insert a foursecond blank between selections to enable proper MultiAMS operation (see page 8), or to replace unwanted recorded material with a blank of any length.
4 Adjust BIAS until both meters indicate
equal playback levels.
A high reading on the upper meter indicates a low bias current.
A low reading on the upper meter indicates a high bias current.
OFF B
REC MUTE REC
An equal reading on both meters indicates the proper bias current condition.
1 While recording, press and release R.
5 Adjust REC LEVEL for calibration until
both meters reach the recommended level.
The REC indicator starts flashing. During this time, no incoming signals are recorded on the tape. After four seconds, the P indicator lights up and the unit enters recording pause mode.
Recommended level
2 Press P to resume recording.
The bias current is now properly adjusted and the tape sensitivity compensation has been set. Press p , then press CALIBRATION to turn the calibration function off (the display returns to normal). Rewind the tape and start the actual recording.
To create a blank longer than four seconds Press the R button for the specified length of time. After four seconds, the REC indicator flashes at a faster rate. When you release the R button, the P indicator lights up and the unit goes into recording pause mode. Press the P button to resume recording.
Chapter 4 Additional Information
Maintenance
Cleaning the Heads and Tape Path
Clean all surfaces over which the tape travels after every ten hours of operation to guard against: low-quality sound a decrease in sound level excessive wow, flutter or drop-out incomplete erasure impairment of recording function To obtain high-quality recorded sound, we recommend cleaning before every recording.
Demagnetizing the Heads
After 20 to 30 hours of use, or when you notice hiss and/or loss of high frequencies, the residual magnetism built up on the heads should be removed.
Turn off the power. Demagnetize the heads with any commercially available demagnetizer.
Refer to the instruction manual of the demagnetizer for detailed instructions.
Press to open the cassette holder. With the unit turned off, wipe the heads, the pinch roller and the capstan with a cotton swab slightly moistened with alcohol or commercially available cleaning fluid for tape decks.
Capstans
Recording head Playback head Erasing head Pinch rollers
Do not insert a cassette until the cleaned areas are completely dry.
K615S-21 16
Specifications
Recording system Fast winding time Bias Heads 4-track 2-channel stereo Approx. 90 sec. (with Sony C-60 cassette) AC bias Erasing head 1 (F&F head) Recording head 1 (SD head) Playback head 1 (SD head) Capstan motor 1 (DC servo motor) Reel motor 1 (DC motor) General Power requirements Model for U.S.A.: 120 V AC, 60 Hz Model for the United Kingdom and Australia: 240 V AC, 50 Hz 23 W Approx. 310 mm (w/h/d) (17 47/8 121/4 inches) including projecting parts and controls Approx. 4.3 kg (9 lbs 8 oz)
Motors
Power consumption Dimensions
Signal-to-noise ratio (at peak level and weighted) Cassette Type IV Type II Type I (Dolby NR off) 61 dB 59 dB 57 dB S/N ratio improvement (approximate values) With Dolby B NR on : 5 dB at 1 kHz; 10 dB at 5 kHz With Dolby C NR on : 15 dB at 500 Hz; 20 dB at 1 kHz With Dolby S NR on : 10 dB at 100 Hz; 24 dB at 1 kHz Harmonic distortion 0.4% (with Type I, 160 nWb/m, 315 Hz, 3rd H.D.) 1.5% (with Type IV, 250 nWb/m, 315 Hz, 3rd H.D.)
Supplied accessories Audio connecting cords (2) Optional accessory Wireless remote commander RM-J701 Design and specifications are subject to change without notice.
Frequency response (Dolby NR off) 20 - 20,000 Hz (3 dB, IEC) 20 - 16,000 Hz [3 dB (4dB Type IV cassette recording)] Type II cassette Type I cassette 20 - 18,000 Hz (3 dB, IEC) 20 - 17,000 Hz (3 dB, IEC)
Type IV : Sony Type IV (METAL) Type II : Sony Type II (HIGH) Type I : Sony Type I (NORMAL) Wow and flutter 0.065% W.Peak (IEC) 0.045% W.RMS (NAB) 0.12% W.Peak (DIN) Sensitivity 0.16 V
Inputs Line inputs (phono jacks) Outputs Line outputs (phono jacks) Input impedance 47 k ohms
Rated output level Load impedance Output level
0.5 V at a load impedance of 47 k ohms Over 10 k ohms 1 mW at a load impedance of 32 ohms
Headphones (stereo phone jack)
K615S-21 17-19
Troubleshooting Guide
The following trouble checks will help you correct the most common problems encountered with your tape deck. Should any problems persist after you have made these checks, consult your nearest Sony dealer. Before proceeding with these trouble checks, verify that: The power cord is firmly connected. The amplifier connections are firmly made. The heads, capstan and pinch roller are clean. The amplifier controls and switches are correctly set.
Function Buttons and Tape Transport Problems
Symptom The function buttons do not work. Cause The cassette holder is not fully closed. The cassette is not properly inserted. You press the button immediately after turning on the power. The r button does not work. There is no cassette in the holder. Remedy Close the holder completely. Insert the cassette correctly. Wait until the P indicator stops flashing. Insert a cassette.
The record-protect tab has been removed from the cassette. The automatic shut-off mechanism operates before the end of the tape. The tape is slack. The cassette shell is deformed. The Memory Play function is on.
Cover the hole with tape (page 12).
Take up the tape slack. Use another cassette. Press the MEMORY button to turn off the function.
Excessively loud tape transport noise during fast winding.
This noise is caused by the cassette and is not a mechanical problem.
Recording and Playback Problems
Symptom Recording or playback cannot be made or there is a decrease in sound level. Cause The heads are either dirty or magnetized. Improper connection. Improper setting of the amplifier controls. Excessive wow, flutter or drop-out. The head, capstan or pinch roller is dirty. The erasing head is dirty. The heads are magnetized. Remedy Clean or demagnetize the heads (page 16). Make connections properly (page 5). Set the amplifier controls to the appropriate positions. Clean in accordance with instructions on page 16. Clean the erasing head (page 16). Demagnetize the heads (page 16).
Incomplete erasure. Increased noise or poor reproduction in high frequencies. Unbalanced tone in high frequencies.
Improper setting of the DOLBY NR switch. The unit is placed near a television set.
During playing back, set the switch to the same position used in recording. Move the unit away from the television set. Rerecord the tape if you can, and insert a blank space of four seconds before the selection using the R button (page 15).
The specified selection cannot be located even when Multi-AMS is on.
There is noise in the space before the selection. The space before the selection is less than four seconds long. The ) ( or 0 ) button was pressed immediately before the beginning of the following selection.
Playback begins in the middle of the selection when Multi-AMS is on.
The selection contains one of the following: a long pause a passage of low frequencies or very low volume a gradual increase or decrease in volume.
While the tape is playing, press the ) or 0 button again.
Symptom Hum noise. Cause The unit is stacked on or under the amplifier. The recording was made near equipment such as a television set or a color monitor, and interference has affected the recording on the tape and the Dolby NR system. Remedy Separate the unit.
Noise is recorded.
Move the unit away from the television set or color monitor.
Sony Corporation Printed in Japan1994 by Sony Corporation
Operaes facilitadas
Contador linear de fcil leitura indica o tempo decorrido de gravao e de leitura. * Reduo de rudo Dolby e HX Pro headroom extension fabricadas sob licena de Dolby Laboratories Licensing Corporation. HX Pro desenvolvida por Bang & Olufsen. DOLBY, o smbolo dos dois D a e HX PRO so marcas de Dolby Laboratories Licensing Corporation.
Para facilitar la operacin
Contador lineal de fcil lectura que muestra el tiempo transcurrido de grabacin o de reproduccin. * Reduccin de ruido Dolby y HX Pro headroom extension fabricados bajo licencia de Dolby Laboratories Licensing Corporation. HX Pro producido por Bang & Olufsen. DOLBY, el smbolo de la D doble a y HX PRO son marcas de Dolby Laboratories Licensing Corporation.
Precautions
On safety
Should any solid object or liquid fall into the cabinet, unplug the unit and have it checked by qualified personnel before operating it any further. Unplug the unit from the wall outlet if it will not be used for a long time. To disconnect the cord, pull it out by grasping the plug. Never pull the cord itself. The unit is not disconnected from the AC power source (mains) as long as it is connected to the wall outlet, even if the unit itself has been turned off. AC power cord must be changed only at the qualified service shop.
Prcautions
Scurit
Si un solide ou un liquide pntrait lintrieur du coffret, dbrancher lappareil et, avant de le remettre en service, le faire vrifier par un technicien comptent. Dbrancher lappareil au niveau de sa prise secteur si lon prvoit une longue priode dinutilisation. Pour dbrancher le cordon, le saisir par sa fiche et ne jamais tirer sur le cordon proprement dit. Mme sil est mis hors tension, lappareil nest pas dconnect de la source dalimentation secteur tant quil reste branch sur une prise secteur. Le cordon dalimentation secteur ne doit tre chang que par un technicien comptent.
On operation
When the unit is not used, turn the power off to conserve energy and to extend the useful life of your unit. Because of a safety mechanism, the function buttons will not operate if the cassette holder is not completely closed, if there is no cassette in the cassette holder, or if a cassette has been incorrectly inserted into the cassette holder.
Fonctionnement
Quand lappareil nest pas en service, le mettre hors tension pour conomiser llectricit et prolonger la dure de vie de ses composants. Par action dun mcanisme de scurit, les touches de fonction seront inoprantes si le logement de cassette nest pas compltement referm, si aucune cassette nest en place ou si la cassette est mal installe.
On head cleaning
The head and tape path should be cleaned after every ten hours of operation. Dirty heads and a dirty tape path may cause: loss of high-frequency response loss of sound volume sound drop-out
El AMS mltiple puede no detectar el comienzo de una cancin en los casos siguientes:
Si presiona la tecla ) inmediatamente antes de la cancin o la tecla 0 inmediatamente despus del comienzo de la misma. Si hay ruido en el espacio anterior a la cancin. Si el espacio anterior a la cancin dura menos de cuatro segundos.
O Multi-AMS poder no detectar o incio de uma msica nos seguintes casos:
se a tecla ) for premida imediatamente antes do incio da msica ou a tecla 0 premida imediatamente aps o incio da msica; se houver rudos no espao anterior msica; se o espao anterior msica for de menos de 4 segundos.
La fonction multi-AMS considre les cas suivants comme des passages vierges:
Une longue pause au cours de la musique Un passage basse frquence ou enregistr un niveau de volume rduit. Une augmentation ou une diminution progressive du volume sonore.
El AMS mltiple tratar lo siguiente como espacios en blanco:
Una pausa larga en la msica Un pasaje de bajas frecuencias o de volumen muy bajo Un aumento o disminucin gradual del volumen
O Multi-AMS considera como espao em branco:
uma longa pausa numa msica; uma passagem com baixas frequncias ou um volume muito baixo; um aumento/diminuio gradual do som.
Locating a Specific Playback Position Memory Play
The Memory Play function allows you to use the counter to record a specific position on a cassette for fast relocation and automatic playback later.
Memorizing and Locating a Specific Playback Position
Press MEMORY to turn on the Memory Play function. Press RESET to reset the counter at the position to be memorized. The position is memorized.
While holding down , press 0 to return to the memorized position.
Returning to the memorized position while the unit is stopped Memory Stop
If you press only the 0 button when the MEMORY indicator is on and the unit is stopped, the tape rewinds and then stops when the counter reaches 0.00. Be sure that the unit is stopped before turning the Memory Stop function on, otherwise the Multi-AMS function will operate.
To turn off the Memory Play function
Press the MEMORY button, so that the MEMORY indicator disappears.
Note on Memory Play/Stop
The tape actually rewinds to slightly short of 0.00.
Do not turn off the power while using the counter
Turning the power off, then on again resets the counter to 0.00.
The Accuracy of the Linear Counter
Since the counter is not a digital clock, it will differ from the actual elapsed playback or recording time by a few minutes, depending on such factors as tape length and hub size.
Adjusting the Recording Level
The proper recording level, which differs according to the tape type, is indicated on the peak level meters for each tape type. Adjust the REC LEVEL control as high as possible without exceeding the recommended range for the inserted tape.
Peak level meter recording by tape type
Fig. A shows the recommended maximum peak level meter readings. a) for Type I or Type II tape b) for Type IV tape
Tips on recording level adjustment
Setting the recording level too low will produce a hissing sound, while setting it too high will produce distortion. Generally, the proper recording level for high and low frequencies is lower than that for middle frequencies. When recording program sources with many high and low frequencies, set the level to a relatively low position, then make adjustments according to the recording results.
Recording FM Broadcasts With the Dolby NR System
If your tuner does not have an MPX filter, or, if equipped, the filter is not working effectively, set the MPX FILTER button to ON (the FILTER indicator appears) when recording FM broadcasts with the Dolby NR system. The MPX filter eliminates remnants of the 19-kHz stereo carrier and 38-kHz subcarrier signals which may impair the operation of the Dolby NR system. Be sure to turn on the DOLBY NR switch since the MPX filter will not function otherwise.
Rglage du niveau denregistrement
Le niveau denregistrement appropri qui varie selon le type de bande est affich par les indicateurs de niveau de crte pour chaque type de bande. Rgler la commande REC LEVEL aussi haut que possible sans dpasser la plage recommande pour la bande utiliser.
Ajuste del nivel de grabacin
El nivel de grabacin apropiado, que vara de acuerdo con el tipo de cinta, est indicado en los medidores de nivel de pico para cada tipo de cinta. Ajuste el control REC LEVEL al valor ms alto posible, pero sin sobrepasar el margen recomendado para el tipo de cinta del cassette insertado.
Ajuste do nvel de gravao
O nvel apropriado de gravao, que varia de acordo com o tipo da fita, indicado nos medidores de nvel de pico. Ajuste REC LEVEL ao nvel mais elevado possvel sem se exceder da faixa recomendada para a fita inserida.
Nvel de pico para cada tipo de fita
A fig. A mostra o registo mximo recomendado no medidor de nvel de pico para cada tipo de fita. a) para cassetes TYPE I ou TYPE II b) para cassetes TYPE IV
Monitoring the Recorded Sound
As this unit has three separate heads for recording, playback and erasure, you can check the quality of a recorded sound by comparing it with the input source signal. To listen to the input source signal, press the MONITOR button to turn on the SOURCE indicator. (Fig. A ) To listen to the sound recorded on the tape, press the MONITOR button to turn on the TAPE indicator. (Fig. B ) Fig. A and B show the MONITOR switch setting and their respective signal flow. a) Band b) Recording head c) Playback head
MONITOR SOURCE
REC LEVEL LINE IN SOURCE MONITOR LINE OUT HEADPHONES
Comparing the recorded sound with the sound source
MONITOR TAPE a) b)
While recording, use this monitoring function to check that there is no distortion due to excessive level settings or sound degradation due to head contamination.
What Is the Dolby HX PRO System?
The Dolby HX PRO system provides precise bias control during recording to reduce distortion and improve linearity in the high-frequency range. The result is recorded sound that is highly faithful to the original. Since the HX PRO system operates only during recording, the same highquality sound is produced even during playback on other tape decks. The HX PRO system is independent from the Dolby NR system and is unaffected by the Dolby NR setting.
Ecoute du son enregistr
Comme cet appareil est dot de trois ttes spares pour lenregistrement, la lecture et leffacement, il est possible de vrifier la qualit du son enregistr en le comparant avec le signal de la source dentre. Pour couter le signal de la source dentre, appuyer sur le slecteur MONITOR de sorte que le tmoin SOURCE sallume. (Fig. A ) Pour couter le son enregistr sur la bande, appuyer sur le slecteur MONITOR de sorte que le tmoin TAPE sallume. (Fig. B ) Les Fig. A et B illustrent le rglage du slecteur MONITOR et le parcours respectif de leur signal. a) Bande b) Tte denregistrement c) Tte de lecture
Escucha del sonido grabado
Como esta unidad posee tres cabezas separadas para grabacin, reproduccin, y borrado, usted podr comprobar la cualidad del sonido grabado comparndolo con la seal de la fuente de entrada. Para escuchar la seal de la fuente de entrada, presione la tecla de MONITOR de forma que se encienda el indicador SOURCE. (Fig. A ) Para escuchar el sonido grabado en la cinta, presione la tecla de MONITOR de forma que se encienda el indicador de TAPE. (Fig. B ) En las figuras A y B se muestra el ajuste de la tecla selectora MONITOR y su respectivo flujo de seal. a) Banda b) Cabeza grabadora c) Cabeza reproductora
Mettre hors tension. Dmagntiser les ttes avec un dmagntiseur en vente dans le commerce. Pour plus dinformations, consulter le mode demploi du dmagntiseur utilis.
Desconecte la alimentacin. Desmagnetice las cabezas con un desmagnetizador adquirido en una tienda del ramo. Con respecto a los detalles, consulte el manual de instrucciones del desmagnetizador.
Desligue a alimentao. Desmagnetize as cabeas com um desmagnetizador comercializado no mercado. Consulte o manual do desmagnetizador para maior detalhes.
Specifications
Recording system Fast winding time Bias Heads Motors 4-track 2-channel stereo Approx. 90 sec. (with Sony C-60 cassette) AC bias Erasing head 1 (F&F head) Recording head 1 (SD head) Playback head 1 (SD head) Capstan motor 1 (DC servo motor) Reel motor 1 (DC motor)
Spcifications
Systme denregistrement Dure de bobinage rapide Polarisation Ttes Moteurs Stro 4 pistes 2 canaux Env. 90 sec. (avec cassette Sony C-60) Polarisation CA Tte deffacement 1 (tte F&F) Tte denregistrement 1 (SD) Tte de lecture 1 (SD) Moteur de cabestan 1 (Servomoteur CC) Moteur de bobine 1 (Moteur CC)
Signal-to-noise ratio (at peak level and weighted) Cassette (Dolby NR off) Type IV 61 dB Type II 59 dB Type I 57 dB
Rapport signal/bruit (au niveau de crte et pondr) Cassette (Dolby hors service) Type IV 61 dB Type II 59 dB Type I 57 dB
S/N ratio improvement (approximate values) With Dolby B NR on: 5 dB at 1 kHz; 10 dB at 5 kHz With Dolby C NR on: 15 dB at 500 Hz; 20 dB at 1 kHz With Dolby S NR on: 10 dB at 100 Hz; 24 dB at 1 kHz Harmonic distortion 0.4 % (with Type I, 160 nWb/m 315 Hz, 3rd H.D.) 1.5 % (with Type IV, 250 nWb/m 315 Hz, 3rd H.D.)
Amlioration du rapport signal sur bruit (valeurs approximatives) Dolby B en service: 5 dB 1 kHz; 10 dB 5 kHz Dolby C en service: 15 dB 500 Hz; 20 dB 1 kHz Dolby S en service: 10 dB 100 Hz; 24 dB 1 kHz Distorsion harmonique 0,4 % (avec cassette Type I, 160 nWb/m, 315 Hz, 3. H.D.) 1,5 % (avec cassette Type IV, 250 nWb/m, 315 Hz, 3. H.D.)
Frequency response (Dolby NR off) Type IV cassette Type II cassette Type I cassette 20 - 20,000 Hz (3 dB, IEC) 20 - 16,000 Hz [3 dB (4 dB recording)] 20 - 18,000 Hz (3 dB, IEC) 20 - 17,000 Hz (3 dB, IEC)
Rponse en frquence (Dolby hors service) Cassette Type IV Cassette Type II Cassette Type I 20 - 20.000 Hz (3 dB, IEC) 20 - 16.000 Hz [3 dB (4 dB enregistrement)] 20 - 18.000 Hz (3 dB, IEC) 20 - 17.000 Hz (3 dB, IEC)
Insert a cassette. Cover the hole with tape (page 32).
The automatic shut-off mechanism operates before the end of the tape.
The tape is slack. The cassette shell is deformed. The Memory Play function is on.
Take up the tape slack. Use another cassette. Press the MEMORY button to turn off the function.
Excessively loud tape transport noise during fast winding.
This noise is caused by the cassette and is not a mechanical problem.
Recording and Playback Problems
Recording or playback cannot be made or there is a decrease in sound level.
The heads are either dirty or magnetized.
Clean or demagnetize the heads (pages 46,48). Make connections properly (page 12). Set the amplifier controls to the appropriate positions. Clean in accordance with instructions on page 46. Clean the erasing head (page 46). Demagnetize the heads (page 48).
Improper connection. Improper setting of the amplifier controls.
Excessive wow, flutter or drop-out.
The head, capstan or pinch roller is dirty.
Incomplete erasure. Increased noise or poor reproduction in high frequencies. Unbalanced tone in high frequencies.
The erasing head is dirty. The heads are magnetized.
Improper setting of the DOLBY NR switch.
During playing back, set the switch to the same position used in recording. Move the unit away from the television set. Rerecord the tape if you can, and insert a blank space of four seconds before the selection using the R button (page 44).
The unit is placed near a television set. The specified selection cannot be located even when Multi-AMS is on. There is noise in the space before the selection. The space before the selection is less than four seconds long. The ) ( or 0 ) button was pressed immediately before the beginning of the following selection. Playback begins in the middle of the selection when Multi-AMS is on. The selection contains one of the following: a long pause a passage of low frequencies or very low volume a gradual increase or decrease in volume.
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