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Tamron AF 18-200MM F 3 5-6 3 Xr Diii Ld Aspherical Macro


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Manual - 1 page 

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Tamron AF 18-200MM F 3.5-6.3 Xr Diii Ld Aspherical Macro, size: 2.3 MB

 

Tamron AF 18-200MM F 3 5-6 3 Xr Diii Ld Aspherical Macro

 

 

User reviews and opinions

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Comments to date: 11. Page 1 of 1. Average Rating:
engelbmj 10:18pm on Sunday, October 24th, 2010 
I bought the Rebel XTi with a 35-135 about two weeks before a vacation to Yellowstone and the Tetons. I quickly realized I needed more zoom.
Charumathi 10:46am on Monday, October 18th, 2010 
A Reasonably good budget lens at a truly fantastic price! I happen to have this as well as its rival, the Canon 18-200. TAM AF18-200 This is a very good beginners lens, especially if you are into architecture, still life or portrait photography.
rcpao 2:38pm on Monday, October 4th, 2010 
this lense stays on my camera all the time "Good Value","High Quality","Durable" "unexpected" I bought this lens due to its versatile focal length. It allows me to carry a single lens for traveling light.
bigbarney58 7:16pm on Wednesday, July 14th, 2010 
This lens is so close in optical quality to the Nikon - and I have shot with that lens as well - that all but the most discerning will notice.
guy15s 7:27pm on Saturday, July 3rd, 2010 
Great Focus not sharp and fast but it gets the job done.. shots are awesome. very light, small. I would recommend to buy this if your on a budget.. This is ok lens not the best i am going to stick with my L series. I am not impressed buy i must admire rebate, I got my rebate in One week.
jayant7k 7:11pm on Thursday, June 24th, 2010 
Lens is slow and blurry. Use the 18-70 lens from the kit and crop pictures for better results. Had an old Tamron lens I liked so I bought this.
John Partlow 2:24pm on Thursday, June 17th, 2010 
Great for me at distance and speed I fitted the lens and immediately photographed a moving steam train. Terribly soft, buy a pair of lesser ranged Nikons This lens is great in most respects, ie size and handling, but optically its not so hot.
kennonk 6:26am on Monday, May 24th, 2010 
I purchased this lens after long and careful consideration: How often will I use it? What do I really need for the kind of photography I do? Bought this lens recently to replace two Nikon lenses I mainly use my camera when travelling abroad so having 1 lens instead of 2 is perfect - especi...
Jens (guest) 3:25pm on Tuesday, May 18th, 2010 
The lens is mated to a Sony A100 DSLR camera. It replaced the factory Sony 18-70mm lens. The flexibility of a zoom lens this size is just great. 2007-05-17 15:52:23 This lens is so close in optical quality to the Nikon - and I have shot with that lens as well - that all but the most discerning ...
JohnRW 10:03pm on Monday, April 26th, 2010 
get some good filter and flash. It does make a difference between a good picture and a great one. (just learned from trial and error. very good lens for beginners zoom range, pretty fast autofocus not sharp enough (sharpness I can compare just with my Canon EF Lens - 50 mm - F/1.
babbott9876 4:19am on Tuesday, April 13th, 2010 
This lens is not aimed at the more intense user, and there for performs perfactly for its user type intended. this is a great lens for the money its the second tamron lens I have purchased and would recommend them to anyone

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

AF18-200mm F/3.5-6.3 XR Di
LD Aspherical [IF] Macro new
[Equivalent to 28-300mm* ]
* When converted to 35mm lm format.
Introducing a powerful zoom range exclusively for digital cameras
Lens designed for exclusive use on digital cameras with smaller-size imagers.
*This lens is not designed for use with 35mm lm cameras and digital SLR cameras with image sensors larger than 24x16mm.

Model A14

For Canon AF, Konica Minolta AF-D, Nikon AF-D, and Pentax AF

http://www.t amron.com

(Equivalent to 28mm)
Exposure:F/11 Auto ISO100

(Equivalent to 209mm)

Exposure:F/8 Auto ISO100
200mm (Equivalent to 300mm)
At last, a powerful zoom range exclusively for digital cameras: The birth of a super high-power zoom designed to meet nearly
* 11.1x zoom yields 28-300mm range on digital cameras
* When converted to 35mm format
From snapshots at 28mm-equivalent wide-angle to 300mm-equivalent ultra telephoto for distant landscapes, and from close-up shots of flowers to portraiture of distant subjects, one single 11.1X zoom lens covers all your photographic needs. With this 11.1X versatile zoom lens in your bag, you can enjoy upbeat, stress-free photography without changing lenses.
Optimum Optical System Designed to Reach Digital SLR Cameras' Greatest Potential
Outstanding Resolution for High Quality Digital Images
This lens is exclusively designed for digital SLR photography, and provides high quality digital photos with its outstanding resolution and contrast.
Abundance of Special Glass Materials
Tamron uses special glass materials to achieve high quality digital images. The LD (Low Dispersion) glass minimizes "on-axis aberration" that degrades the sharpness in telephotography and "lateral chromatic aberration", an image degrading factor in wide-angle photography. In addition, large hybrid aspherical elements are used to compensate distortion.
Systematic Countermeasures against Ghosting and Flare with New Technologies
Ghosting and flare caused by aberrations are annoying factors in digital SLR photography, so Tamron has adopted various countermeasures against the problem including the employment of "Internal Surface Coatings" (i.e., multiple-layer coatings on cemented surfaces of plural elements) and new multiple-layer coating technology on ordinary elements in order to minimize reflections that occur when light enters through the front element and to reduce image degrading effects caused by the imagers themselves.
Peripheral Light Fall-off is Minimized
18mm (Equivalent to 28mm) 200mm (Equivalent to 300mm)
Peripheral light fall-off that is noticeable in digital images is minimized when compared to conventional lenses for lm cameras. The images are uniformly bright from center to periphery.

(Equivalent to 54mm)

(Equivalent to 155mm)

(Equivalent to 300mm)

Exposure: Aperture fully opened Auto ISO100 MFD : 0.45m Macro Magnication Ratio : 1:3.7

every photographic situation
Lightweight and Compact Design for Excellent Portability
Excellent portability and ease of use are assured with the compact, lightweight design from Tamron's original technologies accumulated as the pioneer of high power zoom lenses. The employment of Tamron's "XR" design, the key technology for downsizing high power zoom lenses, has resulted in a zoom lens that is as compact and lightweight as Tamron's acclaimed 28-300mm Di *.
*AF28-300mm F/3.5-6.3 XR Di (Model A061)

Model A14 Specications

Model Focal Length Angle of View Maximum Aperture Lens Construction Minimum Focus Distance Max.Mag.Ratio Overall Length Maximum Diameter Filter Size Weight Diaphragm Blades Minimum Aperture Standard Accessory Compatible Mount A14 18-200mm (Diagonal) 7533'-759' (Horizontal) 6536'- 638' (Vertical) 4621'- 415' F/3.5-6.elements in 13 groups 0.45m (17.7) 1:3.7 (at f=200mm, MFD:0.45m) 83.7mm (3.3")* (at maximum extension:149.4mm (5.9")*) 73.8mm (2.9") 62mm 398g (14oz.)* 7 F/22 Flower-shaped hood Canon AF, Konica Minolta AF-D Nikon AF-D, and Pentax AF
*Values given are for Nikon AF cameras.
LD Aspherical [IF ] Macro

Lens Construction

<15 elements in 13 groups>
As Close as 45cm (17.7")* for Macro Photography
* Distance from the sensor of the camera to the subject.
Effortlessly, you can get as close as 45cm to your subject with a 200mm telephoto setting for close-up shots. The maximum magnication ratio of 1:3.7* (at f=200mm, MFD 0.45m) enables you to ll the frame with a subject approximately the same size as an audiocassette tape. You can easily and conveniently enjoy close-up (macro) photography of owers and insects.
* The Max. Mag. Ratio of the 18-200mm (Model A14) is 1:3.7 while that of the 28-300mm (Model A061) is 1:2.9. However, since the lens is designed exclusively for digital SLR cameras with smaller-size imagers, the A14 can ll the frame the same way the A061 does on a 35mm SLR camera. The Max. Mag. Ratio of 1:3.7 is equivalent to 1:2.8 when converted to the 35mm lm format.
LD glass XR(Extra Refractive-Index)glass Aspherical Lens
What does the designation Di-II (designed for exclusive use on digital SLR cameras with smaller-size imagers) mean?

Designed to capture the optimum scope when used with a digital SLR camera
Digital SLR with smaller-size imager
Film and Digital Angles of View and Focal Lengths

Telephoto

35mm Film
Images taken with a digital SLR with a smaller-size imager are actually cropped to about 70% scope.
Same Focal Length 28mm Focal Point

image sensor

35mm Film 43.27mm

Digital: 200mm

Camera Principal point

Principal point

Angle of view Angle of view
Since the size of 35mm lm format is different from the image sensor of a digital camera, scopes captured are different even when focal lengths are the same (i.e., angles of view differ). The AF18-200mm Di-II is designed to have shorter focal lengths to achieve optimum angles of view in its wide-angle side.

Film:300mm

Stadard

Focal Length

Lights
*The general image sensors (smaller-size imagers) are about 24mm x 16mm. However, the dimensions and effective size differ depending upon manufacturers.

27.9mm

Focal Point

Film/ Image Sensor

Digital: 50mm

23.2mm

Designed to t smaller-size imagers in order to reduce its diameter
Attempts to design shorter focal lengths inevitably result in a larger lens diameter. Tamron has solved this problem by designing the size of the lens image circle to match that of smaller-size image sensors. In the compact design, it is almost comparable to a lens offering the same angles of view in 35mm lm format. *When pictures are taken with a Di-II lens mounted on a 35mm lm camera, image corners become dark (ie., vignetting becomes noticeable).
Image circle for Di-II lenses Vignetting when used with a lm camera

General image sensor

Mirror

Film:78mm

about 15.5mm

General Image sensor

Digital: 18mm
*Film = 35mm format. *Digital = Digital cameras with smaller-size imagers.

Different Angles of View

Diagonal 7533'
Horizontal 6536' Equivalent

Diagonal 3111'

Horizontal 267' Equivalent

Diagonal 1553'

Designed for exclusive use on digital cameras with smaller-size imagers.
Di-II lenses are designed exclusively for digital SLRs with smaller-size imagers. This series of lenses are not designed for 35mm format cameras and digital SLR cameras with image sensors larger than 24 x 16mm.
NOTE:Vignetting occurs when pictures are taken with a Di-II lens mounted on a 35mm lm SLR camera or a digital SLR camera with a image sensor larger than 24 x 16mm.
Caution : Please read the instruction manual carefully before using the lens.

TAMRON USA, INC.

Quality Assurance Activities: At Tamron, quality management activities are performed in
compliance with ISO9001:2000 not only to assure product quality but to enhance customer satisfaction. promotes corporate activities that protect the earth's environment through the establishment of a quality assurance system that is compliant with ISO14001.

Head Office

TAMRON CO., LTD.
17-11, 7-chome, Takinogawa, Kita-ku, Tokyo, Japan 114-0023 TEL 03-3916-0131 FAX 03-3916-1860
Printed on 100% recycled paper

7533' Film:28mm

Horizontal 1314' Equivalent

Diagonal 759'

Horizontal 638' Equivalent

AF18-200mm (A14)

Equivalent

Horizontal 933'

Diagonal 10329'

SP AF11-18mm (A13)

Horizontal 6536'
* Will be available in 2005.
Categories of Tamron's Di (Digitally Integrated design) lens series
Exclusively for digital For lm & digital
Designed for use with both 35mm lm SLR cameras and digital cameras.
Di lenses are designed to t the characteristics of digital cameras as well as lm cameras by paying attention to countermeasures against ghosting and are through such advances as special coatings.
High Power Zoom AF18-200mm F/3.5-6.3 XR Di
SP AF11-18mm F/4.5-5.6 Di

LD Aspherical [IF]

AF28-300mm F/3.5-6.3 Lens XR Di

(Model A061)

LD Aspherical [IF] Macro
SP AF17-35mm Di (Model A05) SP AF28-75mm Di (Model A09) SP AF90mm Di (Model 272E) SP AF180mm Di (Model B01) SP AF200-500mm Di (Model A08)

Wide-angle Zoom

(Model A14) Equivalent to 28-300mm
(Model A13) Equivalent to 17-28mm
*The angles of view obtained by a Di lens mounted on a digital camera with smaller-size imagers differ from those obtained by the same lens mounted on a 35mm format lm camera.
10 Austin Boulevard Commack, NY 11725, U.S.A Tel. (631) 858-8400 Fax. (631) 543-3963 Website http://www.tamron.com

In Canada:

Amplis Foto 22 Telson Rd. Markham, Ont, L3R 1E5 Tel. (905) 477-4111 Fax. (905) 477-2502 E-mail info@amplis.com Website http://www.amplis.com
Environmental Protection: We recognize the signicance of our social responsibilities. Tamron

http://www.tamron.co. jp

A14-EG-111-U-0501-0200

doc1

AF18-270mm F/3.5-6.3 Di

LD Aspherical [IF] MACRO
[Equivalent to 28- 419mm*]
* When converted to full-size format.
The Ultimate All-In-One Zoom: Longest, Steadiest Lens On Earth
* In the category of photographic lenses designed exclusively for digital SLR cameras with smaller-size image; researched by Tamron, Aug. 2008 ** VC: Vibration Compensation Unit This lens is not designed for use with 35mm lm cameras and digital SLR cameras with image sensors larger than 24x16mm.
Lenses designed for exclusive use on digital cameras with smaller-size imagers.

For Canon, Nikon

Model B003
http://www.t amroneurope.com

18-270mm_E.indd Abs1:3

16.09.2008 14:26:46 Uhr
(Equivalent to 419mm) Exposure: F/9 Auto ISO200 WB: Auto
(Equivalent to 28mm) Exposure: F/9 Auto ISO200 WB: Auto
Get blur-free shots with VC Capture all of your precious m
Amazing Zoom Power of 15X Worlds First Achievement
As the pioneer of high power lenses, Tamron has steadily evolved its high power zoom lenses since 1992 by means of accumulated technologies from 7,1x to 10,7x to 15x! The lens covers an angle of view equivalent to that of a 28mm wideangle to a 419mm ultra telephoto with just one lens, letting the user capture once-in-alifetime images of panoramic landscape images or close-up pictures of children smiling, without having to get too close to the subject and without having to change lenses.
Amazing "15x" Zoom

Ultra Telephoto 270mm

18mm (Equivalent to 28mm)
270mm (Equivalent to 419mm)

(Equivalent to 310mm)

(Equivalent to 419mm)
*In the category of photographic lenses designed exclusively for digital SLR cameras with smaller-size imager; researched by Tamron, Aug. 2008

18-270mm_E.indd Abs1:4

16.09.2008 14:26:58 Uhr
AF18-270mm F/3.5-6.3 Di VC
Model B003 For Canon, Nikon

Specications

Model Focal Length Maximum Aperture Angle of View (Equivalent to APS-C size)
(Equivalent to 419mm) Exposure: F/40 Auto (1/15sec.) ISO200 WB: Auto Hand-held
Lens Construction Minimum Focus Distance Max.Mag.Ratio Overall Length Maximum Diameter Filter Size Weight Diaphragm Blades Minimum Aperture Standard Accessory Compatible Mount
B003 18-270mm F/ 3.5-6.3 Diagonal: 7533'-555' Horizontal: 6536'-455' Vertical: 4621'-310' 18 elements 13 groups 0.49m (19.3) 1:3.5 (at f=270mm, MFD:0.49m) 101.0mm (3.9")* 79.6mm (3.1") 72mm 550g (19.5oz.)* 7 F/22F/40 (18-270mm) Flower-shaped hood Canon, Nikon**
* Values given are for Nikon cameras. ** The Nikon mount is a NII version for use with Nikon cameras which require a built-in motor.

Lens Construction

<18 elements 13 groups >
(Equivalent to 419mm) (Equivalent to 54mm) Exposure: F/13 Auto (1/15sec.) ISO1000 WB: Auto Hand-held
Exposure:F/8 Auto ISO400 WB: Auto Minimum Focus Distance: 0.49m ( Macro Magnication Ratio: 1:3.5)

LD glass

Hybrid Aspherical Lens

AD glass

indoors and out, dawn to dusk s moments with the 18-270 VC
Features Advanced VC Mechanism Highly Evaluated for Its Hand-shake Compensation Performance
The highly evaluated VC (Vibration Compensation) mechanism originally developed by Tamron delivers exceedingly stabilized viewnder images for remarkable hand-held photography without annoying motion delay. The VC mechanism exhibits its camera-shake compensation performance to the maximum extent at dusk, in dimly-lit indoor situations, or in hand-held shooting at the ultra-telephoto settings. VC (Vibration Compensation) Unit Structure

VC actuator Steel balls Magnet and yoke Gyro sensor for detecting pitching Control circuit board
Vibration Compensation mechanism

OFF ON

Driving coil and position detection sensor VC Lens (Compensation Optical System)
(Equivalent to 419mm) Exposure F/29 1/50sec.
VC microcomputer Gyro sensor for detecting yawing

Focal Length

18-270mm_E.indd Abs1:5

16.09.2008 14:27:55 Uhr

Full-size format

What does Di II mean?

Digital SLR with APS-C size imager
Designed to capture the optimum scope when used with a APS-C digital camera
Since the size of full-size format is different from the APS-C size imager, scopes captured are different even when focal lengths are the same (i.e., angles of view differ). The AF18-270mm Di-II is designed to have shorter focal lengths to achieve optimum angles of view in its wideangle side.

Camera Principal ray

Full-size format and APS-C size imager Angles of View and Focal Lengths

Telephoto

Images taken with a digital SLR with an APS-C size imager are actually cropped to about 70 % scope.
Same Focal Length 28mm Focal Point

image sensor

Full-size format: 419mm

Principal ray

Angle of view Angle of view

APS-C size imager: 270mm

Standard

Lights

3111' APS-C size imager: 50mm Full-size format: 78mm

43.27mm

*The general image sensors (smaller-size imagers) are about 24mm x 16mm. However, the dimensions and effective size differ depending upon manufacturers.

27.9mm

Focal Point

Film/ Image Sensor

23.2mm
Designed to t APS-C size imagers in order to reduce its diameter
Attempts to design shorter focal lengths inevitably result in a larger lens diameter. Tamron has solved this problem by designing the size of the lens image circle to match that of APS-C size imagers. In the compact design, it is almost comparable to a lens offering the same angles of view in fullsize format. *When pictures are taken with a Di-II lens on a full-size format, image corners become dark (ie., vignetting becomes noticeable).
Image circle for Di-II lenses Vignetting when used with a full-size format camera

APS-C size imager

Mirror

about 15.5mm

full-size format

Full-size format: 28mm

*APS-C size imager = Digital cameras with smaller-size imagers, about 15.5mm x 23.2mm. *Full-size format = 24mm x 36mm

Different Angles of View

Diagonal 7533'
Horizontal 6536' Equivalent

Diagonal 3111'

Horizontal 267' Equivalent

Diagonal 1553'

Horizontal 1314' Equivalent

Diagonal 759'

Designed exclusively for digital cameras with APS-C size imagers.
Di-II lenses are designed exclusively for digital SLRs with APS-C size imagers. This series of lenses are not designed for 35mm lm cameras and digital SLR cameras with image sensors larger than 24 x 16mm.
SP AF10-24mm F/3.5-4.5 Di (Model B001) AF18-250mm F/3.5-6.3 Di (Model A18) SP AF17-50mm F/2.8 XR Di (Model A16) AF18-270mm F/3.5-6.3 Di VC (Model B003) AF18-200mm F/3.5-6.3 XR Di (Model A14) AF55-200mm F/4-5.6 Di (Model A15)
NOTE: Vignetting occurs when pictures are taken with a Di-II lens mounted on a full-size format SLRs camera or a digital SLRs with a image sensor larger than 24 x 16mm.
Caution: Please read the instruction manual carefully before using the lens.
Manufacturer of precise and sophisticated optical products for a broad range of industries.
Quality Assurance Activities: At Tamron, quality management activities are performed in compliance with ISO9001:2000 not only to assure product quality but to enhance customer satisfaction. Environmental Protection: We recognize the signicance of our social responsibilities. Tamron promotes corporate activities that protect the earths environment through the establishment of a quality assurance system that is compliant with ISO 14001.

Head Office

TAMRON Europe GmbH
Robert-Bosch-Str. 9, 50769 Kln, Germany, Tel. +49 (0)221 970325-0, Fax +49 (0)221 970325-4

18-270mm_E.indd Abs1:2

7533' APS-C size imager: 18mm
Horizontal 638' Equivalent

Diagonal 555'

Horizontal 455' Equivalent
Categories of Tamron's Di lens series

Lens Series

Digitally integrated design.
Di lenses are designed to t the characteristics of digital cameras as well as lm cameras by paying attention to countermeasures against ghosting and are through such advances as special coatings.
SP AF28-75mm F/2.8 XR Di (Model A09) AF28-200mm F/3.8-5.6 XR Di (Model A031) AF28-300mm F/3.5-6.3 XR Di VC(Model A20) AF28-300mm F/3.5-6.3 XR Di (Model A061)
SP AF70-200mm F/2.8 Di (Model A001) AF70-300mm F/4-5.6 Di Macro 1:2 (Model A17) SP AF200-500mm F/5-6.3 Di (Model A08) SP AF90mm F/2.8 Di Macro 1:1(Model 272E) SP AF180mm F/3.5 Di Macro 1:1(Model B01)

NOTE: The angles of view obtained by a Di lens mounted on a digital camera with smaller-size imagers differ from those obtained by the same lens mounted on a full-size format SLRs.

www.tamroneurope.com

09.2008

16.09.2008 14:29:04 Uhr

 

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