SP 28-75mm F/2.8

XR Di LD Aspherical [IF] Macro (Model A09)
Thank you for purchasing the Tamron lens as the latest addition to your photographic equipment. Before using your new lens, please read the contents of this Owners Manual thoroughly to familiarize yourself with your lens and the proper photographing techniques for creating the highest quality images possible. With proper handling and care, your Tamron lens will give you many years of photographing beautiful and exciting pictures. NOMENCLATURE (Refer to Fig. 1, if not specified) 1. Lens hood 2. Hood attaching alignment mark 3. Hood attaching bayonet ring 4. Distance index 5. Focusing ring 6. Distance scale 7. Zoom ring 8. Focal length scale 9. Zoom/Aperture index mark 10. Lens attachment mark (Canon, Minolta Fig. 5) 11. AF-MF altering switch (Canon Fig. 5) 12. Lens mount/Lens mount contacts (Nikon) 13. Aperture ring (Nikon, Pentax Fig. 7) 14. F-number scale (Nikon, Pentax Fig. 7) 15. AE lock button (Nikon, Pentax Fig. 7) 16. F-number scale for finder display (Nikon) 17. Zoom ring lock switch (Fig. 3) 18. F-number index mark for long focal lengths (Fig. 1) SPECIFICATIONS A09 Focal Length 28-75 mm Maximum Aperture F/2.8 Angle of View Lens Construction 14/16 Minimum Focus Distance 0.33 m Maximum Magnification Ratio 1:3.9 (at 75 mm) Filter Size 67mm Length 92mm Diameter 73mm Weight 510 g * Lengths, diameters and weights listed are of lenses with Nikon mounts.
ATTACHING LENS TO CAMERA How to mount the lens Removing the rear cap of the lens, align the lens attachment mark on the lens barrel with its counterpart on the lens mount of the camera and insert the lens mount into the cameras mount opening. Rotate the lens clockwise until it click-locks. For Nikon models, align the lens attachment mark with the dot on the camera and rotate the lens counter-clockwise until it click-locks. How to detach the lens Pressing the lens release button of the camera down, turn the lens counter-clockwise (clockwise in case on Nikon), and lift the lens off the cameras lens mount. * For further details, please read the instruction manual of your camera. FOCUSING (Autofocus) (Ref. Figs. 1 & 2) Set the camera on the autofocus mode (AF). Press the shutter button lightly while viewing through the cameras viewfinder, the lens focuses automatically. An in-focus mark will light when lens focuses on the main subject sharply. Press the shutter button further to photograph. * Also, please read the cameras instruction booklet carefully. When set on AF mode, be very careful not to hinder the autofocusing movements of the lens. Such interference may cause a serious damage on the lens mechanism. Select between the autofocus and manual focus modes by the AF/MF mode selector switch on the lens barrel. * For further details, please read the instruction manual of your camera. FOCUSING (Manual Focus) (Ref. Fig. 2) Switch the focusing mode switch of the camera to manual focusing mode (MF) in case of Nikon, Minolta, or Pentax camera. In case of Canon, switch to MF on the AF-MF altering switch on the lens barrel. Focus manually, rotating the focusing ring while viewing through the cameras viewfinder. The main subject image in the viewfinder will be critically sharp on the viewfinder screen as lens focuses rightly. Press the shutter button lightly while operating the lens for focusing. The focus aid mark in the viewfinder will light up when the subject is in critical focus. Make sure the subject at infinity appears sharp in the finder when in focus. Because, the infinity position on the lens is made with certain allowance to assure right focus under a wide variety of photographing conditions. * For further details, please read the instruction manual of your camera. ZOOMING (Ref. Fig. 2) Rotate the zoom ring while viewing through the cameras viewfinder and compose your image with right focal length obtained.
ZOOM LOCK SWITCH (Ref. Fig 3 & 4) Models A09 are equipped with a newly developed zoom lock switch mechanisms, which prevent lens barrels from extending toward long focal length by their own weight while hung from shoulders. Activated, the switches at 28mm settings to stop the lens barrels from rotating and extending. How to activate the zoom lock switch mechanism 1. Locking: Set the lens to the 28-mm position. Move the zoom lock switch toward the camera for locking and zoom ring. In case of the model A09, the lens barrel is locked in position when the portion beneath Lock is shown in red and does not rotate or extend by its own weight. 2. Releasing: Push the switch away from your camera. The lens barrel is now free to rotate and extend for zooming. The zoom lock switch cannot be activated unless the lens is set to the 28-mm position. Do not force the lock switch or do not try to rotate the lens barrel while locked. The lens can be used at 28-mm setting for picture taking even when locked by the switch. The zoom lock mechanism is made to prevent the lens barrel from extending while carried around on the shoulder. When not locked, the zoom lens may change its focal length during a long exposure if used while in a low or high angle position. LENS APERTURE AND AE MODE (Ref. Fig. 7 & 8) Setting lens f-numbers with Canon & Minolta cameras Set the f-number with aperture setting device of the camera body in accordance with the selected photographing mode. * For further details, please read the instruction manual of your camera. Setting the f-numbers with Nikon & Pentax cameras Photographing in a programmed-AE or a shutter-speed-priority-AE mode, rotate the lens aperture ring to the minimum aperture setting position, in the case of a Nikon camera, and set on the A position in the case of a Pentax camera. The aperture ring will be locked in position automatically. When shooting in an aperture-priority-AE or manual-exposure mode, release the lens aperture ring by rotating the ring from the AE lock position and depressing the Aperture ring lock button. If your camera is a Nikon F401 or F50, you can set the aperture to any desired f-number, leaving the aperture ring at the minimum opening position. * The lens aperture varies with zooming movement. Cameras read the different lens openings and automatically adjust the exposure properly. * For further details, please read the instruction manual of your camera. LENS HOOD (Ref. Figs. 1, 9, 10 & 11) A bayonet-type lens hood is provided as a standard accessory. We recommend shooting with the hood attached whenever possible as the lens hood eliminates stray light, which is harmful to the picture. However, please be aware of the precautions written below when your camera is equipped with a built-in flash. Attaching the Lens Hood (Ref. Fig. 9 & 10)

Align the index mark on the hood with the corresponding index mark (O or the top of the index line of the distance scale) on the lens. Press the hood lightly onto the hood attaching bayonet ring (Fig. 9, No. 1) and then rotate it clockwise to secure (Fig. 9, No. 2). The lens hood will be securely held as the mark TAMRON O comes to the top (Fig. 10, No. 3). When attaching the lens hood, hold the focusing and zoom control rings so that they are not rotated unintentionally. * Pay particular attention to align the hood attaching indices when using zoom lenses including wise-angle (i.e. 35mm or wider) settings. Improper attachment of a hood for wide-angle zoom lens may cause large shadowed areas in your pictures. Stowing Lens Hood a. Detach and reverse lens hood then, align alignment mark of lens hood (TAMRON O) with alignment mark of lens. (Fig. 11,a). b. Press lens hood evenly onto bayonet ring and turn hood clockwise until stop. When stopped, alignment mark of hood will be placed at top. DEPTH OF FIELD With a camera equipped with a depth-of-field-preview button or a aperture-stopdown mechanism, the depth-of-field can be directly observed on the viewfinder screen of your camera. For the operational details, read the instruction manual of your camera. * In case you need a depth-of-field table of your lens, please ask for it at a Tamron distributor or a service station. * You can also download a depth-of-field table of your interest from our website. Tamron URL: http://www.tamron.co.jp INFRARED PHOTOGRAPHY Please be aware that there is no infrared index line on any models listed on this owners manual, and therefore, practically no black-and-white infrared film can be used with these lenses. PRECAUTIONS IN SHOOTING The Tamron lenses, AP AF28-75mm (Model A09) employ an internal focusing (IF) system to achieve a remarkable minimum photographing distances of 0.33 meter (1.08 feet). Because of the characteristics of this optical design, the angles of view at distances other than infinity are wider than that of the lenses applying an ordinary focusing system. When the built-in flash on the camera is used, adverse photographic phenomena such as corner illumination fall-off or vignetting at the bottom part of the image may be observed, especially in wide-angle ranges. This is due to the inherent limitation of coverage of the built-in flash, and/or the relative position of the flash to the edge of the lens barrel, which causes shadows on the image. It is strongly recommended to use a suitable separate flash unit provided by the camera manufacturer for all flash photography. * For further details, please read the built-in flash article on the instruction manual of your camera.

When using the lens in the telephoto focal range, it may be necessary to use a tripod to avoid camera shake. Using high-speed film (ISO 400 or faster) with a fast shutter speed is also helpful to reduce the influence of camera shake. Tele-converters are efficient tools to add focal length to the photographers telephoto lenses including zoom lenses but cannot be recommended for use with wide-angle lenses or zoom lenses that cover wide-angle range focal lengths. * When a tele-converter is attached, the focal length of the lens becomes longer but the depth of field becomes shallower and it may be difficult to focus in AF mode. Therefore, focusing in MF (Manual Focusing) mode is recommended when a tele-converter is used. 2X tele-converters cannot be used with this lens. Do not use 2X tele-converters. Certain camera models may indicate the maximum and minimum aperture values of the lens as inappropriate numbers. This is inherent to the design of the camera and not an indication of an error. TO ENSURE LONG-TERM SATISFACTION Avoid touching the glass element surface. Use a photographic lens cloth or blower to remove dust from the lens element surface. When not using the lens, always place a lens cap on it for protection. Use a lens cleaning tissue or a lint cloth with a drop of cleaning solution to remove fingerprints or dirt on the glass lens surface with a rotary motion from the center to the edge. Use a silicon cloth to clean your lens barrel only. Mildew is an enemy of your lens. Clean the lens after shooting near water or in any humid place. Store your lens in a clean, cool and dry place. When storing the lens in a lens case, store it with a commercially available drying agent such as silica gel, and change the agent occasionally. If you find mildew on your lens, consult a repair shop or nearby photographic store. Do not touch the lens-camera interface contacts since dust, dirt and/or stains may cause contact failure between the lens and camera. When using your equipment [camera(s) and lens(es)] in an environment where the temperature changes from one extreme to the other, make sure to put your equipment temporarily in a case or a plastic bag for a length of time in order for the equipment to go through a gradual temperature shift. This will reduce potential equipment trouble.

on the page 26.

The ultimate in reach, speed, and performance for dual SLR formats
This exciting new high-speed, high-performance F/2.8 telephoto zoom for full-frame and APS-C format SLRs delivers outstanding imaging performance in a remarkably convenient package plus best close-focusing ability in its classdown to 0.95m (37.4) ( 1:3.1 at 200mm ) throughout the range. Its wide aperture permits the use of faster shutter speeds in any light, and the effective use of shallow depth-of-field to achieve dramatic pictorial effects.
* The one-touch switchover function is available on Nikon and Canon mounts only. The Sony and the Pentax mounts require switchover in two steps. * Please see the Compatibility of Di series with built-in AF motor for Nikon with Nikon cameras on the page 26. *The lens shown is for CANON

MODEL A09

MODEL A001
67mm 92mm (3.6 in) 510g (18.0 oz.) 0.33m (13.0 in) canon NIKON pentax sony
2003-2004 European Lens of the Year
77mm 194.3mm (7.6 in) 1,150g (40.6 oz.) 0.95m (37.4 in) canon nikon pentax sony
Focal length: 10mm Exposure: F/22 at 1/40 sec ISO: 100
SP AF10-24mm F/3.5-4.5 Di II
The ultimate extended-range, ultra-wide-angle zoom lens!

Ultra-Wide-Angle Lens

These optical jewels provide the ultimate in angular coverage across the picture field. They are essential tools for creating intimate expansive views, working in tight interior spaces, or simply getting everyone into the picture. Among the favorite lenses of landscape, architectural and art photographers they deliver a
Wider and longer than others in its class, this compact, lightweight, highperformance lens for DSLRs with APS-C size sensors provides 35mm equivalent coverage from 16mm ultra-wide to 37mm semi-wide, a remarkable 2.4X zoom ratio. A stunning example of Tamrons innovative technology, it delivers superb image quality from corner to corner and close focusing (1:5 max. mag. ratio) using advanced aspherics and special LD and HID glass. With a maximum coverage of over 108, this state-of-the-art classic is the perfect solution for expanding your visual horizons.

MODEL B001

fresh perspective that spices up any picture portfolio.
77mm 86.5mm (3.4 in) 406g (14.3 oz.) 0.24m (9.4 in) canon nikon PENTAX sony
Long Telephoto Zoom Lenses
These long-focal-length lenses are optimized for high magnification to capture faraway details. They are essential tools for shooting birds, wildlife, sports, and eventsany situation where the photographer cant get close enough. They are also excellent for dramatic portraits and landscapes.

Focal length: 300mm Exposure: F/5.6 at 1/2000sec ISO: 400
SP70-300mm F/4-5.6 Di VC USD for Nikon, Canon SP70-300mm F/4-5.6 Di USD for Sony
A New Benchmark In Telephoto Zoom Lens Design
This premium, state-of-the-art, telephoto zoom lens is the culmination of decades of outstanding innovation in ultra-long-range zoom optics by Tamron. It provides professional and enthusiast users of full-frame and APS-C format digital SLR cameras with the ultimate in image quality and handling in the telephoto zoom class. Built to exacting SP (Superior Performance ) standards, it delivers ultra-high resolution across the image field at all focal lengths, along with the first-ever USD ( Ultrasonic Silent Drive ) for extraordinary auto-focusing speed and responsiveness. To assure razor sharp imaging when shooting handheld, the SP 70-300mm incorporates VC ( Vibration Compensation ), Tamrons exclusive low-friction tri-axial image stabilization system acclaimed for its unsurpassed anti-shake performance.
*The Sony mount does not include the VC image stabilization functionality, as the body of Sony digital SLR cameras includes image stabilization functionality. Consequently, the name of the Sony mounted lens, SP 70-300mm F/4-5.6 Di USD, does not include the VC description. * Please see the Compatibility of Di series with built-in AF motor for Nikon with Nikon cameras on the page 26.

MODEL A005

62mm 142.7mm (5.6 in) 765g (27.0 oz.) 1.5m (59.0 in) canon nikon sony
Focal length: 70mm Exposure: F/4 at 1/15sec ISO: 400

AF70-300mm F/4-5.6 Di

Focal length: 295mm Exposure: F/5.6 at 1/400sec ISO: 400

LD MACRO

SP AF 200-500mm F/5-6.3 Di

LD (IF)

Setting the standard for lightweight long-range zooms
Designed for optimum handling ease and portability (it weighs only 458g <16.2oz.> ), its ideal for handheld shooting with full-frame and APS-C format SLRs. Its unsurpassed close-focusing ability (down to 0.95m (3.1 feet) or 1:2 in macro mode ) makes it perfect for nature and portrait photography.
*Please see the Compatibility of Di series with built-in AF motor for Nikon with Nikon cameras on the page 26.

A remarkable ultra-telephoto lens for serious shooters
A powerful zoom for capturing close, detailed views of faraway subjects, this high-magnification beauty is the perfect choice for nature and sports shooters. Remarkably light and compact, it compresses the apparent distance between objects within the frame, giving stunning pictorial effects.
*Please see the Detachable Filter Effect Control on the page 23.

MODEL A17

LENGTH WEIGHT Minimum focus distance mount compatible
116.5mm (4.6 in) 458g (16.2 oz.)
1.5m (59.0 in) / 0.95m (37.4 in) macro

MODEL A08

Filter Diameter
86mm 224.5mm (8.8 in) 1,226g (43.2 oz.) 2.5m ( 98.4 in) canon NIKON sony

canon NIKON pentax sony

Focal length: 90mm Exposure: F/10 at 1/80 sec ISO: 200
SP AF90mm F/2.8 Di MACRO 1:1

Macro Lenses

These exquisite prime lenses provide extraordinary performance in the extreme close-up (macro) range down to 1:1 ( life-size ) at the image plane, and their telephoto focal lengths provide a longer, more convenient working distance. They also work splendidly as general-purpose telephoto lenses.
An enhanced version of the classic portrait macro
The latest version of the venerable Tamron 90mm Macro, this lens is widely used by naturalists and other pros who need top imaging performance plus a longer lens-to-subject ( working) distance to enable easier lighting and access to skittish subjects. Improved resolution, chromatic correction, and coatings make it a superb choice for full-frame or APS-C format SLRs. *The one-touch switchover function is available on Nikon and Canon mounts only.
The Sony and the Pentax mounts require switchover in two steps.
Focal length: 90mm Exposure: F/10 at 1/60 sec ISO: 200

MODEL 272E

55mm 97mm (3.8 in) 400g (14.1 oz.) 0.29m (11.4 in) canon NIKON pentax sony
Focal length: 60mm Exposure : F/ 2.2 at 1/250 sec ISO: 160
Focal length: 180mm Exposure: F/22 at 1/200 sec ISO: 100

SP AF60mm F/2 Di II

LD (IF) MACRO 1:1

SP AF180mm F/3.5 Di

Unique new high-speed F2 1:1 Macro with classic portrait potential
This exciting new lens is the first in its class to combine topnotch macro shooting performance down to 1:1 ( life-size on-sensor image ) with unequalled depth of field control and extended low-light shooting ability thanks to is ultra-wide F2 aperture. With a 35mm-equivalent focal length of 93mm, its a superb choice for portraits and its two LD glass elements and internal focusing (IF) endow it with exceptional imaging performance.

Superior performance and features in a long tele macro
This unique high-performance telephoto macro lens is equally at home in the field and in the studio, providing outstanding image quality at all distances, plus an extra-long working distance for unsurpassed subject access. An advanced optical design incorporating special LD glass and internal focusing (IF), it has a handy Filter Effect Control (FEC) ring for adjusting polarizing filters and an AF/MF ring for easier switching from *The one-touch switchover function is available on Nikon and Canon mounts only. manual to auto-focus.
The Sony mount requires switchover in two steps.

MODEL G005

80mm (3.1 in) 390g (13.8 oz.) 0.23m (9.1 in) canon NIKON sony

MODEL B01

72mm 165.7mm (6.5 in) 920g (32.5 oz.) 0.47m (18.5 in) canon nikon sony

Tamron Lens Technology

The Inside Edge: Innovative Ideas In Pursuit Of Optical Perfection
For over half a century Tamron has been recognized as a leading innovator in cutting-edge optical design, and acclaimed for its mastery of the underlying mechanical and electronic technologies that make todays amazing lenses possible. Developing practical, compact, easy-to-use lightweight zoom lenses with incredible zoom ranges, apertures and close focusing ability, that also deliver world-class imaging performance, is not simply a matter of refining existing ideasit entails creative thinking at the highest level. Here is a definitive list that explains each of the original proprietary design concepts used in todays state-of-the-art Tamron lenses.
Digitally Integrated Lenses For Top Imaging Performance
Di ( Digitally Integrated Design ) is a Tamron designation that applies to lenses that have been optimized for digital capture using advanced multi-coating techniques and optical designs that assure excellent image quality across the entire picture field. Because of these characteristics, Di lenses provide outstanding performance on cameras with full-frame and APS-C format sensors as well as on 35mm film.
Introducing "VC" - Tamron's Unique Vibration Compensation Mechanism
Tamron's unique VC ( Vibration Compensation) mechanism uses a proprietary actuator and algorithms to deliver an extremely stable viewfinder image with excellent tracking. The mechanism uses a three-coil system to electromagnetically drive the lens element that compensates for vibration, which glides smoothly on three steel bearings with little friction. This simple mechanical structure is one of the secrets to Tamron's compact lenses.

*VC is loaded on B005(17-50mm), B008(18-270mm), A20(28-300mm) and A005 (70-300mm/except Sony mount).
XR glass, with its superior light-bending power, makes it possible to design a short-barrel lens with the same light-gathering ability (aperture value) as a long-barrel lenseven with a smaller lens diameter. By using this principle Tamron has been able to shorten the length of the entire optical system and produce lighter, more compact lenses of the same speed, and also to provide greater zoom ranges in lenses that are much more convenient to carry and hand-hold.
Taken under the same conditions using a vibrating table

OFF ON

Hybrid Aspherical Elements Provide the Ultimate in Image Quality and Compactness
Tamron uses several hybrid aspherical lens elements in the 18-250mm, 17-50mm VC, 17-50mm, 28-75mm, 28-300mm ( XR Di and VC ) and other lenses bearing the Aspherical designation. These innovative optics allow us to achieve the ultimate in image quality, and at the same time produce lenses that offer remarkable zoom ranges in extraordinarily compact packages, By perfecting these cutting-edge advances for series production, Tamron has advanced the state of optical design, and virtually eliminated spherical aberration and image distortion from the high-power-zoom series. Through the effective application of Hybrid Aspherical Technology, one lens element can take the place of multiple elements without compromising performance. This is what allows us to produce remarkably compact long-range lenses that deliver a uniformly high level of image quality at all focal lengths and apertures.
Digitally Integrated Lenses Optimized For APS-C Format Digital SLR Cameras
Di II is the designation Tamron applies to lenses designed for exclusive use on digital SLR cameras with APS-C format image sensors. All Di II lenses are optimized to meet the performance characteristics of this popular class of cameras, providing maximum resolution concentrated within the image field and assuring that light rays at the edges of the frame reach the sensor at favorable angles, thereby minimizing peripheral light falloff. In addition, all lenses bearing this designation incorporate effective measures to increase light transmission and eliminate ghosting and flare, which are particularly noticeable with digital cameras. Tamrons advanced multi-coatings are applied not only to external and internal lens surfaces, but also to surfaces in between cemented lens elements. Finally, Di II lenses are offered in a wide array that includes the focal length ranges most desired by DSLR shooters.

Focal length: 300mm Exposure: F/9 at 1/30 sec
VC (Vibration Compensation) Unit Structure [ for Model A20]
Special Glass For Better Performance And More Compact Lens Designs
XR (Extra Refractive Index ) glass can bend light rays at steeper angles, thereby decreasing the physical length of the lens while enhancing imaging performance by minimizing optical aberrations. This has allowed Tamron to develop a line of shorter, smaller-diameter, lighter lenses without sacrificing lens speed, and actually upgrading image quality compared to older designs. XR glass is costlier than conventional glass but it yields enhanced optical power distribution, making possible many of the outstanding and innovative lens designs that bear the XR designation. More compact lenses with the same speed: Its all in the barrel
barrel (rear view) long barrel (optics) barrel (side view)
Compensation for Spherical Aberration

Image plane

Spherical lens element Image plane
Super Performance For Discriminating Shooters
Tamron SP ( Super Performance) series is a line of ultra-high-performance lenses designed and manufactured to the exacting specifications demanded by professionals and others who require the highest possible image quality. In creating SP lenses Tamrons optical designers put their foremost priority on achieving superior performance parametersthey are all designed to a higher standard with little regard for cost constraints. As a result, Tamron lenses bearing the SP designation feature impressive and innovative designs that have established an enviable reputation for excellence among those knowledgeable photographers that demand the very best.

Aspherical lens element

Distortion Correction (Barrel type)
Unbalanced height of oblique incident light rays causes distortion at the image plane. Tamron's aspherical lens design continuously varies the refracting angles of these unbalanced light rays.
Spherical Surface Aspherical Surface The corrected height of incident light rays at the image plane The uncorrected height of incident light rays through a spherical lens element Image plane

short barrel (optics)

Compensation effect with an aspherical lens element (schematic illustration)
Low Dispersion (LD) Glass For Greater Lens Sharpness
Low dispersion (LD) glass elements in a lens help reduce chromatic aberration, the tendency of light of different colors to come to different points of focus at the image plane. Chromatic aberration reduces the sharpness of an image, but glass with an extremely low dispersion index, has less of a tendency to separate (diffract) a ray of light into a rainbow of colors. This characteristic allows the lens designer to effectively compensate for chromatic aberration at the center of the field (on axis), a particular problem at long focal lengths (the telephoto end of the zoom range), and for lateral chromatic aberration (toward the edges of the field ) that often occurs at short focal lengths (the wideangle end of the zoom range).

Image plane Regular Optical Glass
control the dispersion factors of a specific wavelength. This enhanced level of control results much lower levels of on-axis (central) chromatic aberration for telephoto lenses (or zooms used at telephoto settings) and a significant reduction of lateral (peripheral) chromatic aberration for wide-angle lenses (or zooms used at wideangle settings).

Regular Optical Glass

of advantages. Theyre smaller and lighter and also provide faster and quieter operation than DC motors for improved AF performance. Compared with their predecessors, their actuator system allows far greater flexibility in lens design, reducing the overall size and weight of the lens.
*PZD is loaded on B008 (18-270mm).

Zoom Lock (ZL) Feature

Integrated Focus Cam Design For Optimizing Internal Focusing
Tamrons Integrated Focus Cam is a precision mechanical component that optimizes the coordinated movement of the Internal Focusing (IF) system with the Multiple-Cam Zoom Mechanism. This ingenious Focus Cam is designed to insure seamless and precise positioning of all the highly sophisticated internal elements within the lens and coordinate them with the convenient external zoom and focus controls that comprise the user interface.
Tamrons quality assurance and environmental protection activities
ISO Standards ISO stands for the International Organization for Standardization. These international standards include the ISO 9000 family of standards relating to quality system management, and the ISO 14000 series for certification of environmental management systems. Certification of environment and quality control are also being applied to all Tamron.
Possesses a relatively uniform partial dispersion ratio. AD glass Extremely large partial dispersion ratio relative to a specific wavelength zone
Another original Tamron mechanical engineering concept is the Zoom Lock ( ZL ), a simple convenience feature that prevents undesired extension (creep) of the lens barrel when carrying the camera / lens unit on a neck strap. This enhances responsiveness in the field and helps protect the lens.

Designed to Fit AF Cameras from Major Camera Makers
Tamrons AF lenses fit AF models by four major camera makers. Please be sure to select the appropriate mount for your camera.
For Canon AF For Nikon AF
Environment Tamron has been assertively addressing concerns about the earth's environment through the reduction of environmental load in business operations based on the ISO 14001. Specifically, Tamron has promoted the Green Procurement policy for abrogating harmful substances from the beginning and reinforcing positive environmental programs. At Tamron, we have addressed such issues as energy savings and waste reduction and recycling for reducing environmental loads generated from the manufacture of products. Such activities promote the development of high quality, compact and environmentally friendly products to satisfy customers. In addition, from 2004, Tamron issued Environmental Reports to introduce its socially responsible philosophy and practices for environmental preservation. For further details, please visit Tamron's website at http://www.tamron.co.jp/en/envi/top/index. html
The difference in partial dispersion factors between normal optical glass and AD glass elements (typical diagram)

Ultrasonic Silent Drive

Ultrasonic Silent Drive (USD) is an ingeniously upgraded auto-focus-drive system developed by Tamron to deliver the extraordinary autofocusing (AF) speed and precision needed to capture every nuance high-speed sports action, along with virtually noiseless operation as required for discreet picture taking. Based on advanced motor technology and newly developed software, it employs a piezoelectric ceramic element to generate two high-frequency ultrasonic vibrations on the motors stator ring. This in turn causes the adjacent metallic rotor to rotate by means of deflective traveling waves when voltage of a specific frequency is applied. This advanced electronically controlled autofocus system is linked to a precision focusing helical that moves the lens to the precise focus point. The result: A remarkable new level of AF speed, accuracy, smoothness, and silence.
*USD is loaded on A005 (70-300mm).
Advanced BBAR lens coating technology: The Key to attaining the highest image quality
AFMF Auto-focus/Manual focus (AF/MF) Switch Mechanism on the Focus Ring
The ability to switch quickly between auto-focus ( AF ) and manual focus (MF ) is a great asset in many types of shooting, especially sports and nature photography. This is easily accomplished with Tamrons ingenious AF/MF system. By simply sliding the focus ring back and forth between the two positions you can select either the AF or the MF focusing position. In manualfocus mode Tamron lenses provide smooth, precise manual focusing by turning their wide, well-textured focusing rings.

Image plane LD glass

For Pentax AF

Di II Lens designed for exclusive use on digital SLR cameras with APS-C size imagers Di
Lens with this mark features optical systems designed to meet the performance characteristics of digital SLR cameras
SP Tamron Super Performance series features high-performance specs VC Lens with this mark uses vibration compensation mechanism PZD Lens with this mark uses Piezo Drive IF
Lens with this mark uses internal focusing system
ZL Lens with this mark uses zoom-lock mechanism USD Lens with this mark uses Ultrasonic Silent Drive XR Lens with this mark uses XR element(s) LD Lens with this mark uses LD element(s) AD Lens with this mark uses AD element(s)
MODEL G005 MODEL A08 MODEL 272E MODEL B01

SP AF60mm F/2 DiII

LD [IF] MACRO 1:1

Di II SP LD IF

SP AF200-500mm F/5-6.3 Di

LD [IF]

Di SP LD IF ZL

SP AF90mm F/2.8 Di

MACRO 1:1

Di SP AFMF

*The lens for Nikon / Sony is "D" Compatible. *Nikon [272E NII] mount does not have an aperture ring.
ASL Lens with this mark uses aspherical element(s) XLD Lens with this mark uses XLD element(s)
AFMF Lens with this mark uses Auto-focus/Manual focus switch mechanism
Hybrid Aspherical Lens Glass Molded Aspherical Lens LD element AD element XR ( Extra Refractive index ) glass
XLD ( Extra Low Dispersion ) glass
Different Angles of View with Different Focal Lengths
Taken with a full-size camera
Taken with an APS-C size digital camera
*Tamrons conversion value is 1.55x
10mm (Equivalent to 16mm)
18mm (Equivalent to 28mm)
24mm (Equivalent to 37mm)
28mm (Equivalent to 43mm)
35mm (Equivalent to 54mm)
50mm (Equivalent to 78mm)
90mm (Equivalent to 140mm)
135mm (Equivalent to 209mm)
200mm (Equivalent to 310mm)
270mm (Equivalent to 419mm)
300mm (Equivalent to 465mm)
500mm (Equivalent to 775mm)

Lens Specifications

MODEL B001 B005 A16 A14 B008 A15 G005

LENSES

FOCAL LENGTH

MAXIMUM APERTURE

Lens Construction (Groups/ Elements)
( )=the figures when used on APS-C sized digital camera

ANGLE OF VIEW Horizontal

Diagonal

Vertical

TYPE OF ZOOMING

DIAPHRAGM BLADES

MINIMUM APERTURE

MINIMUM FOCUS

in. (m)

MAX MAG. RATIO

FILTER SIZE (mm)

WEIGHT OZ. (g)

ACCESSORY DIAMETER X LENGTH in. (mm) Lens Hood Case

(83.2x86.5) (79.6x94.5)

MOUNT For Canon For Nikon (See Note) For Pentax For Sony

REMARKS

SP AF10-24mm F/3.5-4.5 Di II LD Aspherical [IF] SP AF17-50mm F/2.8 XR Di II VC LD Aspherical [IF] SP AF17-50mm F/2.8 XR Di II LD Aspherical [IF] AF18-200mm F/3.5-6.3 XR Di II LD Aspherical [IF] MACRO 18-270mm F/3.5-6.3 Di II VC PZD AF55-200mm F/4-5.6 Di II LD MACRO SP AF60mm F/2 DiII LD [IF] MACRO 1:1

10-24mm 17-50mm 17-50mm 18-200mm 18-270mm 55-200mm 60mm
F/3.5-4.5 F/2.8 F/2.8 F/3.5-6.3 F/3.5-6.3 F/4-5.6 F/2
9--19 13-16 13-15 13-16 9--14
108 44-78 45-78 45-75 33-75 33-28 28-26 11
98 28-68 37-68 37-65 36-65 36-23 49-21 53
75 19-49 1-49 1-46 21-46 21-16 1-14 25
ROTATION ROTATION ROTATION ROTATION ROTATION ROTATION -
9.4 (0.24) 11.4 (0.29) 10.6 (0.27) 17.7 (0.45) 19.3 (0.49) 37.4 (0.95) 9.1 (0.23)
1:5.1 1:4.8 1:4.5 1:3.7 1:3.8 1:3.5 1:1
14.3 (406) 20.1 (570) 15.5 (440) 14.3 (405) 15.9 (450) 10.4 (295) 13.8 (390)

3.3X3.4 3.1X3.7

AB001 AB003 DA09 AD06 DA18 DA15 HG005
: Stands for a flower shaped hood. AF motor is built-in for Nikon models. Aperture ring is not equipped. AF motor is not built-in on Nikon model. When Nikon models are used with D40, D40X, D60, D3000, D3100, and D5000 the lenses function only in the manual focus mode. Note: Because Nikon mounts may/may not have built-in AF motors, please refer to this table for the model in question.

2.9X3.3

(73.8x83.2) (73.8x83.7)

2.9X 3.5

(74.4x88.0)

2.8X3.3

(71.6x83.0)

2.9X3.1

(73x80)
*Length is the distance between the mount face and the tip of the lens. *Weight and Diameter x Length figures are for Nikon mount. The Sony mount does not include the VC image stabilization functionality, as the body of Sony digital SLR cameras includes image stabilization functionality. Consequently, the name of the Sony mounted lens, 18-270mm F/3.5-6.3 Di II PZD, does not include the VC description.
*The lens for Nikon/Sony is D compatible.
MODEL A09 A061 A20 A001 A005 A17 A08 272E B01
LENSES SP AF28-75mm F/2.8 XR Di LD Aspherical [IF] MACRO AF28-300mm F/3.5-6.3 XR Di LD Aspherical [IF] MACRO AF28-300mm F/3.5-6.3 XR Di VC LD Aspherical [IF] MACRO SP AF70-200mm F/2.8 Di LD [IF] MACRO SP70-300mm F/4-5.6 Di VC USD AF70-300mm F/4-5.6 Di LD MACRO SP AF200-500mm F/5-6.3 Di LD [IF] SP AF90mm F/2.8 Di MACRO 1:1 SP AF180mm F/3.5 Di LD [IF] MACRO 1:1
For the Nikon model, please see < > in the list above.
28-75mm 28-300mm 28-300mm 70-200mm 70-300mm 70-300mm 200-500mm 90mm 180mm
F/2.8 F/3.5-6.3 F/3.5-6.3 F/2.8 F/4-5.6 F/4-5.6 F/5-6.3 F/2.8 F/3.5
14-16 13-15 13-18 13-18 17-12 9-13 10-13 9-10 11-14

75 23-32 11

( 52 58-) (52 58-5 20)

65 28-26 59

(45 0-17 35) (45 0-4 26)

46 15-18 7

(30 34-11 29) (30 34-2 35)
ROTATION ROTATION ROTATION ROTATION ROTATION ROTATION ROTATION -

13.0 (0.33) 19.3 (0.49) 19.3 (0.49) 37.4 (0.95) 59.0 (1.5)
59.0 (1.5) 37.4 (0.95)/Macro
1:3.9 1:2.9 1:3 1:3.1 1:4 1:2 Macro 1:5 1:1 1:1
18.0 (510) 14.8 (420) 19.6 (555) 40.6 (1,150) 27.0 (765) 16.2 (458) 43.2 (1,226) 14.1 (400) 32.5 (920)

2.9X3.6

(73x92)
DA09 AD06 DA20 HA001 HA005 DA17 DA08 2C9FH DB01
: Stands for a flower shaped hood. AF motor is built-in for Nikon II models. Please refer to the table for "[Compatibility of Di series with built-in AF motor for Nikon with Nikon cameras]". Aperture ring is not equipped. AF motor is not built-in on Nikon model. When Nikon models are used with D40, D40X, D60, D3000, D3100, and D5000 the lenses function only in the manual focus mode.
Do not attach 2X tele-converters

75 23-75 23-8 15

(52 58-5 20) (22 33-7 59) (22 33-5 20) (22 33-5 20) (7 59-3 12) (17 37)

65 28-65 28-6 52

(45 0-4 26)

46 15-46 15-4 21

(30 34-2 35)

(73x83.7) (78.1x99)

3.1X3.9
(89.5x194.3) (81.5x142.7) (76.6x116.5) (93.5x224.5)
34 21-34 21-34 21-12 21-27 2

(8 52)

28 51-10 17

(18 49-6 38)

19 16-6 31

(12 22-4 15)

3.5 X 7.6

28 51-6 52

(18 49-4 26) (18 49-4 26) (6 38-2 39)

19 16-4 21

(12 22-2 35) (12 22-2 35) (4 15-1 28)

3.2 X5.6 3.0X4.6 3.7X8.8

(71.5x97)
Detachable tripod mount / Filter Effect Control With tele-converters, use the manual focus Detachable tripod mount

28 51-10 17-22 37

(14 41) (7 22)

19 16-6 31-15 6

(9 31) (4 34)
98.4 (2.5) 11.4 (0.29) 18.5 (0.47)

2.8X3.8

(84.8x165.7)

3.3X6.5

*Length is the distance between the mount face and the tip of the lens. *Entire length is the distance between the tip of the lens and the tip of the protrusion. Weight and Diameter x Length (Entire length) figures are for Nikon mount. The Sony mount does not include the VC image stabilization functionality, as the body of Sony digital SLR cameras includes image stabilization functionality. Consequently, the name of the Sony mounted lens, SP 70-300mm F/4-5.6 Di USD, does not include the VC description.
Note: Because Nikon mounts may/may not have built-in AF motors, please refer to this table for the model in question.
[Model A20 Attention in the use and compatibility]

Tamron, an acknowledged leader in the surveillance arena, has pioneered such epoch-making advances as vari-focal lenses and innovative new CCTV cameras that are tailored to the special requirements of the security industry.

Projection Lenses

Tamron manufactures high performance projection lenses optimized for a wide variety of devices including data projectors for business, home theater projectors, and rear projection TVs that all play a vital role in the digital age.

TLG-EG-855-I-0101- 0000