~Control Settings for the TASCAM DA-98HR Recorder
I. CONTROLS ON BACK II. CONTROLS ON LEFT SIDE III. CONTROLS ON FRONT IV. CONTROLS ON TOP V. CONTROLS ON RIGHT SIDE VI. CONTROLS ON BOTTOM
(ROSF-003E - 1 - 2008/07/24)
VII. Load Previously Saved Menu Settings From RAM a. GM9 / Setup / Load = [1] / [2] / [3] / [F] VIII. MENU SETTINGS i. MENU GROUP 0 a. Track Delay Time i. TRACK-1 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) ii. TRACK-2 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) iii. TRACK-3 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) iv. TRACK-4 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) v. TRACK-5 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) vi. TRACK-6 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) vii. TRACK-7 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) viii. TRACK-8 DELAY TIME: ________ (-200 to 7200 samples], [-4 to 150 msec], def 0) b. Input Patch i. TRACK-1 INPUT PATCH = [T] / [S] / [D] / [M] ii. TRACK-2 INPUT PATCH = [T] / [S] / [D] / [M] iii. TRACK-3 INPUT PATCH = [T] / [S] / [D] / [M] iv. TRACK-4 INPUT PATCH = [T] / [S] / [D] / [M] v. TRACK-5 INPUT PATCH = [T] / [S] / [D] / [M] vi. TRACK-6 INPUT PATCH = [T] / [S] / [D] / [M] vii. TRACK-7 INPUT PATCH = [T] / [S] / [D] / [M] viii. TRACK-8 INPUT PATCH = [T] / [S] / [D] / [M] c. Vari Speed = [Fix] / [Vari: ________ (-6.0% to 6.0%, step.1, def 0.0)] d. Memo 1: H____ M____ S____ F____ e. Memo 2: H____ M____ S____ F____ f. Locate Preroll: ________ (0min 0sec to 59min 59sec, step 1 sec, def 0min 0sec) MENU GROUP 1 a. Punch-in Point: H____ M____ S____ F____ b. Punch-out Point: H____ M____ S____ F____ c. Preroll Postroll i. Preroll: M____ S____ ii. Postroll: M____ S____ d. Crossfade Time: ________ (10ms to 200ms, step 10, def 10) e. Dither = [off] / [Rectangular] / [Triangler] f. Rec Mute i. TRACK-1 = [On] / [Off] ii. TRACK-2 = [On] / [Off] iii. TRACK-3 = [On] / [Off] iv. TRACK-4 = [On] / [Off] v. TRACK-5 = [On] / [Off] vi. TRACK-6 = [On] / [Off] vii. TRACK-7 = [On] / [Off] viii. TRACK-8 = [On] / [Off] MENU GROUP 2 a. Shuttle Mute = [Off] / [On] b. Shuttle Monitor = [Off] / [On] c. Sine Oscillator = [Off] / [440 Hz] / [1 kHz]
(ROSF-003E - 2 - 2008/07/24)
d. Level Meter Mode i. Peak Hold = [______ (0 to 9sec, step 1, def 1)] / [Continue] ii. Release = [Slow] / [Fast] / [Medium] e. TDIF Word Length = [16 bit] / [20 bit] / [24 bit] iv. MENU GROUP 3 a. Machine ID: _____ (1 to 16) b. Machine Offset: H____ M____ S____ F____.______ [sm] / [sf] (-2:00:00:00 to +2:00:00:00) c. Time Mode = [ABS] / [TC] d. Control Protocol = [9Pin] / [MIDI] / [Bus] / [off] e. Remote Track Arming = [enable] / [disable] f. Video Reference = [Auto] / [30F] / [29.97F] / [25F] / [24F] MENU GROUP 4 a. TC Chase Indiv. Rec = [enable] / [disable] b. Rechase Mode = [rechase] / [free] / [1 sec] / [2 sec] c. Error Bypass = [10 Frame] / [30 Frame] d. Timecode Offset: H____ M____ S____ F____.____ (-12:00:00:00 to +12:00:00:00, def 0) e. Park Position Test = [off] / [on] f. TC Accuracy = [Normal] / [Wider] MENU GROUP 5 a. TC Frame Mode System Frame Rate = [30 DF] / [30 NDF] / [29.97 DF] / [29.97 NDF] / [25 F] / [24 F] b. TC I/O Timing i. Input = [Analog] / [Digital] ii. Output = [Analog] / [Digital] c. Output TC Source = [TAPE] / [External (regen)] / [External (reshape)] d. Fast LTC Mode = [05 Frame] / [Leap] / [off] e. Video Resolve i. On/Off = [on] / [off] ii. Mode = [free] / [re-sync] f. Tape TC Mode i. Mode = [TcTrack] / [ABS] / [ABS-0fs] / [ABS-13] / [ABS-23] ii. Offset: H____ M____ S____ F____ MENU GROUP 6 a. Emulation Device = [PCM-7050] / [BVH-3000] / [BVU-950] / [BVW-75] / [PCM-800] / [BVH-2000] / [DVR-10] / [TASCAM] b. Record Delay: ______ ([0 to 9] / [Auto] c. Track Mapping ??????????????????????????? d. TC Record Enable = [disable] / [enable] e. Fast Wind Speed = [x 100] / [x 8] f. Cueup Tally = [Stop] / [Still] MENU GROUP 7 a. MTC Output i. Output = [on] / [off] ii. Fast Wind Mode = [on] / [off] iii. Stop = [on] / [off] b. Function Key Mode = [Menu] / [Locate] / [Position]

(ROSF-003E - 3 - 2008/07/24)
c. MIDI/Bus ID: ________ ([1 to 127] / [Receive All]) d. Locate Position (Function Key) i. F1: H____ M____ S____ F____ ii. F2: H____ M____ S____ F____ iii. F3: H____ M____ S____ F____ iv. F4: H____ M____ S____ F____ v. F5: H____ M____ S____ F____ vi. F6: H____ M____ S____ F____ vii. F7: H____ M____ S____ F____ viii. F8: H____ M____ S____ F____ ix. F9: H____ M____ S____ F____ x. F10: H____ M____ S____ F____ ix. MENU GROUP 8 a. Generate Start Time: H____ M____ S____ F____ b. Generate Mode = [Stop] / [Run] / [Reset] / [Continue] c. TC Frame Mode System Frame Rate = [30 DF] / [30 NDF] / [29.97 DF] / [29.97 NDF] / [25 F] / [24 F] d. Fs Shift Mode = [off] / [Pull Down 30NDF] / [Pull Up 29.97NDF] / [Pull Up 29.97 DF] / [Pull Down 30DF] e. TC Record Source = [External TC] / [Generator TC] / [Tape] f. Tape TC Mode i. Source = [TcTrack] / [ABS] / [ABS-0fs] / [ABS-13] / [ABS-23] ii. Offset: H____ M____ S____ F____ MENU GROUP 9 a. Cleaning Mode = [off] / [on] b. Power-on Message: __________________________________________________ (max 20 chars) c. Error Mute = [mute] / [no mute] MENU GROUP A a. Clock Mode = [Auto] / [Individual] b. AES x2 I/O Mode = [dual line] / [high speed] c. Cbit Mode = [Normal] / [No Warning] d. Device Type Select = [DA-38] / [DA-88] / [DA-98] / [DA-78HR] / [DA-98HR] e. AES/EBU Clock ???????? MENU GROUP B a. Output Patch i. CHANNEL-1 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] ii. CHANNEL-2 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] iii. CHANNEL-3 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] iv. CHANNEL-4 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] v. CHANNEL-5 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] vi. CHANNEL-6 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] vii. CHANNEL-7 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] viii. CHANNEL-8 = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] b. Output Word Length = [16 bit] / [24 bit] c. Mix Input Select i. Trk-1 1. Source = [T] / [S] / [D]
(ROSF-003E - 4 - 2008/07/24)
2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] ii. Trk-2 1. Source = [T] / [S] / [D] 2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] iii. Trk-3 1. Source = [T] / [S] / [D] 2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] iv. Trk-4 1. Source = [T] / [S] / [D] 2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] v. Trk-5 1. Source = [T] / [S] / [D] 2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] vi. Trk-6 1. Source = [T] / [S] / [D] 2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] vii. Trk-7 1. Source = [T] / [S] / [D] 2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] viii. Trk-8 1. Source = [T] / [S] / [D] 2. Ch = [1] / [2] / [3] / [4] / [5] / [6] / [7] / [8] d. Mix Down i. Channel-1 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1) ii. Channel-2 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1) iii. Channel-3 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1) iv. Channel-4 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1) v. Channel-5 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1) vi. Channel-6 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1) vii. Channel-7 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1)

(ROSF-003E - 5 - 2008/07/24)
viii. Channel-8 1. Level: ______ (0 to 127, step 1) 2. Pan: [L] / [C] / [R]: ______ (63 to 0 to 63, step 1) 3. Master Level: _______(0 to 127, step 1) xiii. MENU GROUP D a. Io Board ClkRange = [Narrow] / [Wide]
IX. Saving Settings to RAM a. MG-9 / Setup, Save = [1] / [2] / [3] X. Error and Status Information a. MG-9 / Block Error Rate b. MG-2 / Analog Ref Level c. MG-E / Ext TC d. MG-E / Tape TC e. MG-E / Gen TC f. MG-E / Abs Diff g. MG-E / Rel Diff h. MG-E / ABS Time i. MG-F / Sys Ver j. MG-F / Servo Ver k. MG-F / Dr Search l. MG-F / Front Ver m. MG-F / Dr Total n. MG-D / User bits o. MG-D / Input Board Info. p. MG-D / Output Board Info,
(ROSF-003E - 6 - 2008/07/24)

Curr J78_041 Tascam DA-98HR UK

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Professional 24-bit Multitrack Recorder DA-98HR

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The 24-bit TASCAM DA-98HR represents the pinnacle of DTRS evolution
Since its introduction in 1993, TASCAM's DTRS modular digital multitrack recorders have become a worldwide standard for all facets of the recording industry. With a rare combination of the finest audio quality and a practical recording medium, DTRS recorders can be found everywhere from personal and project studios to post-production suites and scoring stages around the globe. The DA-98HR represents the pinnacle of evolution for DTRS recorders. Its 24-bit audio bit depth, sample rates of up to 192kHz, confidence monitoring capability and a new simplified operating system with one-touch commands and clear status displays make the DA-98HR the new standard for professional audio production.

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highlights Selectable 16 bit or 24 bit recording format Selectable sampling frequency mode, 44.1/48kHz 8 track, 88.2/96kHz 4 track, 176.4/192kHz 2 track Backwards compatibility with existing DTRS recordings Synchronisation up to 16 units (synchronise with DA-38, DA-88, DA-98 and DA-78HR) Comprehensive LCD Display Function keys for software control for each setting Direct access keys to the main menu Individual track input monitor select switch Confidence monitoring Selectable reference level (with optional IF-AN98HR) Jog Shuttle wheel for accurate search Onboard 2-track mix function On-tape data memory for set-up information Advanced internal electronic patchbay 4U rackmountable Optional 44.1/48/88.2/96kHz switchable analogue I/O board IF-AN98HR

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The DA-98HR records 24-bit audio with sample rates up to 192kHz
System integration in music and video systems is simple - the DA-98HR provides all standard industry connections. The two expansion slots for the optional IF-AN98HR 48/96kHz fs analogue I/O boards
At the head of the TASCAM DTRS range, the DA-98HR is both the ultimate modular multitrack recorder and the perfect master-controller for system-users. With a built-in chase-synchroniser and enhanced menu-driven control software to ease complex tracking and synchronisation, the TASCAM DA-98HR is optimised to command modular digital multitrack systems comprising any combination of other DTRS recorders. The addition of a DA-98HR to an existing system introduces the latest control ideas and enhancements to the entire system. HIGH RESOLUTION BIT DEPTH AND SAMPLE RATES The DA-98HR will record and playback with the stunning audio quality found in 24-bit resolution. It is also capable of working with higher sampling frequencies. In addition to its standard operating mode of eight tracks at 44.1 or 48kHz rates, the DA-98HR can also function as a fourtrack recorder for 96kHz rates, or even as a stereo master deck for 192kHz frequencies. This flexibility allows you to
choose the type of digital recording quality that fully meets your needs without any loss of recording time. For compatibility with other DTRS machines, the DA-98HR will also recognize and work with 16-bit data as well. In a mixed system that uses both high resolution and 16-bit machines, the DA-98HR will output 16-bit data from the TDIF interface to older decks. CONFIDENCE MONITORING ENSURES ACCURACY The DA-98HR offers Confidence Monitoring, a system that verifies the integrity of the material you print to tape during the mastering and playback process. The audio you are hearing is exactly what is being recorded on tape. This important function virtually eliminates the possibility of encountering mistakes after the fact. You can trust that your master recordings and archive copies are completely free of glitches or dropouts of any kind.
INTERFACING FOR PROFESSIONAL FACILITIES The DA-98HR offers both serial (RS-422, P2) and parallel control I/O, so integrating it into systems that require transport automation in both music and post production recording is easily accomplished. A SMPTE time code reader/generator is built in as standard equipment, as are MIDI jacks for MMC and MTC. Time-code generation is enhanced with the ability to sync. time code to ABS time, making searching and frame-matching accurate and instinctive. A video sync jack is added for locking to blackburst, and a digital audio interface for AES/EBU transmission is also included in addition to the DA-98s standard 8-channel TDIF interface.

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The DA-98HR's front panel combines familiar transport controls with a wide variety of dedicated buttons that ensure quick and efficient operation. A comprehensive LCD display and data/jog wheel allow fast entry of numeric values.

CONTROL MENUS The group of fifteen advanced control menus give you access to all system functions and options at the front panel. Navigation is simple: a top menu lists the menu groups and as you scroll through with the cursor keys, a summary of each groups contents is shown for easy identification. In addition, there are direct access keys to main menu functions. Input Monitor switches positioned directly under each tracks record select switch allow easy toggling between Source/Tape levels, simplifying the process of comparing the two signals. REFERENCE LEVELS The DA-98HR (with optional IF-AN98HR) has a switchable reference level for quickly establishing compatibility with the prevailing reference level in your recording environment. This features is supported by an internal tone generator to allow settings to be checked.
ELECTRONIC PATCHBAY The more machines and tracks you are using, the better this feature gets. You can route any input to any track without touching the connectors. Patching and repatching are unnecessary. For the acquisition and delivery of audio for picture, high-end music recording and special applications like surround encoding, the DA-98HR offers a peerless solution for engineers and studio owners who prefer the advantages of working with tape-based digital audio. SOLID DESIGN The DA-98HR is designed for demanding, 24-hour use. It is encased in a sturdy all-metal chassis made to withstand working on location. P2 protocol, Front Panel access to all machine set-up parameters, a menu-driven control environment, a comprehensive LCD display screen, self-illuminated transport control, individual input monitor switches, switchable reference levels and more.
By adding a PLL circuit to both the DAC and ADC, use of OS-CON (OS-CON is well-known for huge capacitance, low Equivalent Serial Resistance, long life, as well as excellent high-frequency and temperature characteristics) and a switchable Low Pass Filter at either Hi-Fs or Standard Fs, the optional Analog to Digital and Digital to Analog boards promise to give the DA-98HR incredible sound quality. Designed to take the music recording and post production world into the next millenium, the DA-98HR is the finest modular digital multitrack recorder ever made.

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DTRS - the common currency for professional multitrack recording since 1993
The first DTRS recorder, the DA-88, was introduced in 1993. Still in use around the world today, the DA-88's performance improved with the release of Version 4 operating system in 1997. That same year, TASCAM released the DA-38, an economical DTRS recorder designed for music project recording. The next DTRS machine was the DA-98 which introduced the Confidence Monitoring feature, allowing it to be used in the most professional environments. In 2000, TASCAM premiered its two newest additions to the DTRS series: the DA-78HR and the DA-98HR. Both recorders keep all the great features which made their predecessors some of the most popular recording devices in history, and added the benefit of high-resolution 24-bit audio quality.
16-bit 24-bit DA-38 DA-88

with Version 4

DA-78HR

DA-98HR

PROGRESS WITHOUT OBSOLESCENCE The DA-98HR continues TASCAMs track record of delivering dynamic progression and innovation while at the same time avoiding obsolescence of earlier DTRS machines. Each new product advance has enabled system refreshment rather than system replacement. In the realm of competitive and fast-moving technology, such security of your investment is a rare virtue indeed. The DA-98HR, when used as a system master controller, is able to apply the very latest control ideas and enhancements to an entire system of existing DTRS machines. UNIVERSAL MEDIA Worldwide commitment to the common currency of Hi8 tape in multitrack digital audio is now very high. The evolution to 24-bit high resolution recording, with backward compatibility to 16-bit archives, using a proven
and universally available media, will ensure that industrystandard DTRS maintains its lead as the optimum multitrack format. Hi8 tape is a readily available, compact and economical media - a PAL 90 tape provides 113 minutes of recording time, and fits in your pocket. Archiving is easy because you can store more work on a tape and the transport can locate accurately and quickly for retrieval. FAST AND RELIABLE Nothing comes close to the speed and ease of operation of TASCAM DTRS. The precision tape transport has been designed, manufactured and refined by TASCAM specifically for this application. It offers flawless tape handling, error-free reproduction, reliable operation and it is exceptionally fast. Location is frame accurate to memorised points while fast, precise manual searching is optimised by the variable speed shuttle wheel in
conjunction with standard transport controls. COUNT ON THE RELIABILITY The advanced technology employed makes TASCAM DTRS a particularly robust format because tracking data is combined with the audio data. This means you can be sure that playback and recording are securely taking place as each type of data cannot be read without the other. Any threat to this condition is dynamically monitored by an error-checking system which displays the rate of error and identifies the affected heads. MODULAR. HARDWARE OR SOFTWARE? DTRS provides the choice of using machine hardware or tape software to build up tracks. Up to 16 DTRS units can be connected together to give 128 synchronised tracks. Alternatively, because of the sample accurate sync capability, an infinite number of tracks can be generated

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Input Monitor switches positioned directly under each tracks record select switch allow easy toggling between Source/Tape levels, simplifying the process of comparing the two signals.
Space for two IF-AN98HR 8-channel analogue I/O cards
Self-illuminated transport controls
using as few as two DTRS machines. When one machine is synchronised with another, 14 tracks can be used for recording while the remaining pair carry synchronised guide tracks mixed down from the original 14. By dubbing this guide track onto a third tape in digital sync, overdubs on a third and in turn fourth tape (and so on) will be perfectly synchronised with the original 14 tracks. There is, therefore, no limit to how many synchronised first-generation tracks you can create for a given song. A vast choice of material can be gathered, from which you can select only the very best of every instrument or performance. Even if the best passages of a particular instrument exist on different tracks and tapes, the seamless drop-ins, internal digital copy and patchbay facilities will allow you to create the perfect performance for mastering. DTRS users do not compromise - they do not need to.
main features Selectable 16-bit or 24-bit recording format Selectable sampling frequency modes 44.1/48kHz (8-track), 88.2/96kHz (4-track), 176.4/192kHz (2-track) Backwards compatibility with existing DTRS recordings Synchronisation up to 16 units (Synchronise with DA-38, DA-88, DA-98 and DA-78HR) RS-422 (SONY P-2) Parallel control IN/OUT (D-sub 37pin) MIDI IN/OUT/THRU Supports MMC Time code In/Out with on-board SMPTE synchronizer TDIF-1 digital audio interface (D-sub 25 pin) 8 ch AES/EBU digital audio interface (D-sub 25 pin) Word Sync IN/OUT/THRU Video Sync IN/THRU Comprehensive LCD Display Self-illuminated transport control keys 10-point direct locate memory plus MEMO 1 and 2 Repeat function between two MEMO points Function keys for software control for each setting Direct access keys to the main menu 10 locate point keys Numeric keys Individual track input monitor select switch Confidence Monitoring Selectable reference level (with IF-AN98HR) Adjustable peak hold and release time level meter Jog Shuttle wheel for accurate search On-board 2-track mix function Machine offset in sub-frame or sample rate accuracy Auto Punch I/O in sub-frame or sample rate accuracy On-tape data memory for set-up information Track slip from -200 to +7200 samples 6% pitch control Seamless punch I/O with digital cross fade Built-in digital tone oscillator Advanced internal electronic patchbay A/B head playback error rate display function 4U rack mountable Optional 44.1/48/88.2/96kHz switchable analogue I/O board

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Specifications Recording format:.DTRS/DTRS-HR format, 4-rotary head digital recorder Tape:.Hi-8 ME or MP Tracking system:.ATF (Automatic Track Finding) Erasure system:.Overwrite Maximum recording time:.108 minutes with NTSC standard "120" tape 113 minutes with PAL/SECAM standard "90" tape Fast winding:.80 seconds (100 times play speed, using Ptape) Shuttle speed:.1/4 to 8 times play speed Positioning accuracy:.within a sample Number of recording channels:.8 plus sub-code area Sub-code:.Set up information, ABS time and SMPTE Time code Quantization:.16-bit or 24-bit linear Sampling frequency:.44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4 kHz, 192kHz Error correction:.Double-encoded, Reed-Solomon code Modulation system:.8-10/1-7 (DTRS/DTRS-HR) Pitch control:.6% Emphasis:.50/15s (playback only) Cross-fade time:.10 to 200ms (in 10 ms steps) Track delay:.Can be set in samples or ms (switchable) -200 to 7,200 samples in (1 sample steps) / -4 to 150ms. (1ms steps) Sync clock:.Internal, Word In, Video In, AES/EBU Offset:.2 hours (in sub-frame or sample accuracy) A/D Converter (Optional):.24 bit 128 times Delta-Sigma over-sampling D/A Converter (Optional):.24 bit 128 times Delta-Sigma over-sampling Digital inputs/outputs:.D-sub 25-pin x 1 Format:.TDIF-1 Digital inputs/outputs.D-sub 25-pin x 1 Format:.PRO AES3-1992 (AES/EBU) Time code input:.XLR-3 Balanced (female) Impedance:. 10k Level:.0.5Vp-p to 10.0Vp-p Time code output:.XLR-3 Balanced (male) Impedance:.100 Level:.2.0Vp-p Remote sync in/sync out:.D-sub 15-pin (female) Word sync input/thru:.BNC, 75 (THRU auto terminated) Word sync output:.BNC, 75 at TTL level Video input/thru:.BNC, 75 (THRU auto terminated) MIDI in/out/thru.DIN connector, 5-pin RS-422:.D-sub 9-pin x 1 Control inputs/outputs:.D-sub 37-pin x 1 Level meter outputs:.D-sub, 15-pin x 1 Power requirements:.AC100V/50-60Hz, AC120V/60Hz, AC230V/50Hz Power consumption:.Main unit: 30W Main unit with IF-AN98HR:.46W Dimensions (W x H x D):.482 x 176 (or 187 including feet) x 356mm
Audio specification with IF-AN98HR Sampling frequency:.44.1kHz, 48kHz, 88.2kHz, 96kHz Frequency response Fs=44.1kHz, 48kHz:.20Hz to 20kHz 0.5dB Fs=88.2kHz, 96kHz:.20Hz to 40kHz 1.0dB Dynamic range:.Better than 110dB (1kHz, Fs=48kHz, Input level=full scale -60dB) Signal-to-Noise ratio:.Better than 110dB (1kHz, Fs=48kHz, Input level=full scale -60dB ) Total harmonic distortion:.Less than 0.004% (1kHz, Fs=48kHz, Input level=full scale -60dB) Channel separation:.Better than 95dB (1kHz) Analog inputs:.D-sub 25-pin, balanced Nominal input level:.+4dBu Impedance:.10k Maximum input level:.20dBu, 22dBu, 24dBu, selectable Analog outputs:.D-sub 25-pin, balanced Nominal output level:.+4dBu Impedance:. 100 Maximum output level:.20dBu, 22dBu, 24dBu, selectable