AD15VT-XL AD30VT-XL AD50VT-XL AD100VT-XL
IMPORTANT SAFETY INSTRUCTIONS
Read these instructions. Keep these instructions. Heed all warnings. Follow all instructions. Do not use this apparatus near water. Mains powered apparatus shall not be exposed to dripping or splashing and that no objects filled with liquids, such as vases, shall be placed on the apparatus. Clean only with dry cloth. Do not block any ventilation openings. Install in accordance with the manufacturers instructions. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet. (for USA and Canada) Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus. Only use attachments/accessories specified by the manufacturer. Unplug this apparatus during lightning storms or when unused for long periods of time. Turning off the power switch does not completely isolate this product from the power line so remove the plug from the socket if not using it for extended periods of time. Install this product near the wall socket and keep the power plug easily accessible. WARNINGThis apparatus shall be connected to a mains socket outlet with a protective earthing connection. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as powersupply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. Do not install this equipment on the far position from wall outlet and/ or convenience receptacle. Do not install this equipment in a confined space such as a box for the conveyance or similar unit. Excessive sound pressure from earphones and headphones can cause hearing loss. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
The lightning flash with arrowhead symbol within an equilateral triangle, is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product.
THE FCC REGULATION WARNING (for USA)
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: Reorient or relocate the receiving antenna. Increase the separation between the equipment and receiver. Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. Consult the dealer or an experienced radio/TV technician for help. Unauthorized changes or modification to this system can void the users authority to operate this equipment.

Notice regarding disposal (for EU)
If this crossed-out wheeled bin symbol is shown on the product or in the operating manual, you must dispose of the product in an appropriate way. Do not dispose of this product along with your household trash. By disposing of this product correctly, you can avoid environmental harm or health risk. The correct method of disposal will depend on your locality, so please contact the appropriate local authorities for details.
* Company names, product names, and names of formats etc. are the trademarks or registered trademarks of their respective owners.

Table of Contents

Introduction.... 4
Welcome aboard!... 4 Main features... 4 Signal path... 5 Valve Reactor Technology.. 5

Quick Start... 6

Setup.... 6 Checking out the preset programs.. 7 Switching between the channels of a program.. 7 Creating your own sounds... 7
The Guitarists Guided Panel Tour.. 8
A. Top Panel.... 8 B. Rear Panel... 11
About the three operating modes.. 13
Preset mode (selecting a preset program). 13 Channel Select mode (selecting a channel program). 13 Manual mode... 14
Creating and storing your own program.. 15
Creating your own program... 15 Adjusting the noise reduction... 16 Storing your program... 17 Checking the settings of a program (original values).. 17 Restoring the factory settings... 18
Using the VFS2 dual foot switch... 19 Amp models and effects... 20
XL Amp models.... 20 Effects... 25
Troubleshooting.... 29 Specifications... 31 Programmers Cheat Sheet... 32

Introduction

WELCOME ABOARD!
hanks for choosing the VOX AD15VT-XL, AD30VT-XL, AD50VT-XL or AD100VT-XL Valvetronix amp. To ensure a long and trouble-free relationship with your new amp, please read this manual carefully, use the amp as directed and keep the manual for future reference.

MAIN FEATURES

The XL-series uses Valve Reactor technology, and feature a power amp circuit containing a 12AX7 (ECC83) dual triode valve (vacuum tube) that would normally be used in a preamp. This allows the amp to produce the true sound and feel of a bona de all valve (tube) amp. Sophisticated modeling technology is used to provide eleven different amps. They range from classic vintage amps of the past to current expensive high-end valve amps, and are accessible at the turn of a knob. Eleven high-quality effects are built in and seven are multi effects that let you use two effects simultaneously plus Noise Reduction. You can store your favorite amp and effect settings as a program, which contain two different settings (CH1 and CH2). You can switch between these settings from the top panel, or by using the optional VFS2 foot switch connected to the rear panel (Channel Select mode). In addition, theres one preset program for each amp type (Preset mode). In Manual mode the sound you hear will reect the physical settings of the knobs. If you connect the optional VFS2 dual foot switch (sold separately), you can use it to switch programs or bypass effects. The power level control (The AD15VT-XL doesnt have this feature.) lets you adjust the output wattage of the power amp. This means that even when the master volume is turned up to the max to drive the Valve Reactor power amp, you can adjust the volume without losing any tone. The external speaker out jack (AD50VT-XL / AD100VT-XL only) lets you connect a guitar speaker cabinet (8 ohm) of your choice. The effect send/return jacks (AD100VT-XL only) allow you to connect your external effect processor in a loop connection.

SIGNAL PATH

Your guitar sound passes through the following sections. (You can refer to The Guitarists Guided Panel Tour while you read the explanation that follows.)

Power Amp model Effect

OCTAVE / COMP

Speaker

Pre Amp model

Choose one of 11 types

Effect
MODULATION DELAY / REVERB

Master Vol

Class A Class AB
Determined by the Pre Amp selection

VALVE REACTOR TECHNOLOGY

THE POWER (AMP) AND THE GLORY!
Since conventional modeling effects for line recording are not used directly with a speaker, they do not include a power amp circuit, output transformer, or speaker. In other words, they only have a preamp circuit. A real valve amp sound, however, is produced not just by the preamp, but also by the tone and distortion of the power amp, and by the constant changes in impedance that are created by the power amp driving the speakers. The XL-series contains an actual low-wattage valve power amp circuit, a virtual output transformer (patent applied for) that uses solid-state components to simulate an output transformer, and a dummy speaker circuit that simulates the varying impedance of a real speaker. This means that although its lowpower, the power amps used in both the XL-series has the same circuit structure of an actual all-valve (tube) amp. While much of the tone creation and shaping carried out is done in the digital domain, the Valve Reactor power amp is 100% analogue. The resulting journey your guitars signal takes through the analogue world of the power stage plays a major role in providing the all-important feel and tone of the original amps we modelled. The Valve Reactor power stage is, to all intents and purposes, a bona de valve (tube) push-pull power amplier, but in miniature. It utilizes a 12AX7 (ECC83) valve (a dual triode device meaning two valves in one) and is equipped with an output transformer, just like a real valve amp. The power amp output signal is designed to read the constantly changing impedance curve of the dummy speaker circuit system and feed this information back to the virtual output transformer just like an all valve amplier does. This information permits the behavior of the valve stage to vary with the speaker load (impedance), which is another important part of real world valve tone.
alve Reactor technology was rst used on the VOX AD60VT & AD120VT Valvetronix amps.
Apart from the vital valve tone this ingenious power amp design provides, it also allows us to replicate various circuit characteristics that are unique to the all-valve power stages of the amps weve modelled. These characteristics include: Class A or Class AB operation, Presence and Resonance (low end) control circuitry (both found in the negative feedback circuit that some, but not all, valve power amps have) and power output. Being able to match such vital characteristics helps ensure that each and every one of our models is as tonally authentic as possible as opposed to the usual close but no cigar norm of digital modeling. And just so you know, this patented in USA power amp technology is unique to VOX Valvetronix.

Quick Start

nce youve satised your primal urge to play, Id like to urge you to give this manual a chance its been written by a fellow guitar nut and this amp boasts some killer bells n whistles that warrant your interest. In short, itll be worth your while, we promise. This said, heres the Quick Start enjoy! I look forward to taking you through the amp in more detail once youre done.
HINT: If youre not sure of the location of a control or switch referred to in this Quick Start section, you can refer to the illustrations in the section entitled The Guitarists Guided Panel Tour (page 8).
1. Turn the MASTER volume control on the amp all the way down. 2. Plug one end of the supplied power cord into the AC power connector on the rear panel, and plug the other end into a wall outlet. 3. Plug your guitar into the INPUT jack on the top panel. 4. Turn on the POWER switch. 5. Slowly raise the MASTER volume to adjust the volume.
HINT: The rear panel POWER LEVEL control controls the output level of the power amp, letting you adjust the volume while keeping that great-sounding power-amp distortion! (The AD15VT-XL doesnt have this feature.) NOTE: You wont hear any sound for a few seconds while the valves warm up. This isnt a malfunction, this is how a tube operates normally.
CHECKING OUT THE PRESET PROGRAMS
1. Press the top panel PRESET button. The PRESET LED will light (this means youre in Preset mode). 2. Turn the AMP selector to select an amp type. For each amp type you select, a preset containing a typical sound for that type will be selected; i.e., the GAIN, VOLUME, TREBLE, MIDDLE, BASS, and effect settings will be switched automatically. If you want to hear the amp without effects, press the effect bypass button.
SWITCHING BETWEEN THE CHANNELS OF A PROGRAM
1. Press the top panel CH (Channel) button. The CH1 or CH2 LED will light, and the program assigned to the corresponding channel will be recalled (Channel Select mode). 2. CH1 and CH2 will alternate each time you press the CH button.
HINT: You can store your favorite settings in each channel of the program. For details, see Storing your program (page 17).

CREATING YOUR OWN SOUNDS

1. Press the top panel MANUAL button. The MANUAL LED will light (youre in Manual mode).
HINT: You can also create your own sounds in Preset mode or Channel Select mode. However, the process is a bit easier to understand in Manual mode, since the positions of all knobs (except the EDIT 1 knob) are exactly what youre hearing. In other words, what you see is what you get!
2. Use the AMP selector to select an amp, and adjust the GAIN, VOLUME, TREBLE, MIDDLE, and BASS accordingly. 3. If you want to use an effect, use the EFFECTS selector to select an effect type, and use the EDIT 1 knob to adjust the depth of the effect. For modulation-type effects like CHORUS or TREMOLO, or the DELAY/REVERB effect, just press the TAP button twice to set the modulation speed or the delay/ reverb time to the corresponding interval it doesnt get much easier than that! If you dont want to use an effect, press the BYPASS button. You can edit more effect parameters but youll have to read the manual to nd out how. 4. When youve come up with a sound you like, write it as described in Storing your program (page 17).

The Guitarists Guided Panel Tour
In this chapter were going to take a look at the top and rear panels of your Valvetronix amp.

A. Top Panel

1. INPUT SECTION
This is where you plug in your guitar.

2. AMP SECTION

Heres where you make your settings. AMP selector switch This selects one of the amp type models. As mentioned earlier, each model replicates the preamp (with its gain and tonal response), the power amp operation (class A or AB), negative feedback circuitry (or lack thereof), and the response of the tone controls and their placement within the circuit. For details, turn to Amp models and effects (page 20). Preset mode (when the PRESET LED is lit) lets you select preset programs that contain typical sound and effect settings for each amp type. GAIN This adjusts the preamp gain. Higher settings will give you more distortion VOLUME This adjusts the volume.
TREBLE, MIDDLE, and BASS This trio of knobs allow you to dial in the exact amount of high, mid, and low frequencies. Also, as youd expect (and hope!), the exact manner in which each one of these controls behaves and also interacts with the others is dependant on the amp model selected. Turn to the Amp models and effects section (page 20) for more information.
NOTE: In keeping with the originals, certain models will produce almost no sound if all of these three tone controls are turned all the way down (counter-clockwise). NOTE: Not all of the original amps that we modeled actually have all three of the Treble, Middle, and Bass controls. In such cases, we allow you to use all three knobs to effectively increase the tonal range of the original. Turn to the Amp models and effects section (page 20) for more information.
MASTER This adjusts the volume that is output from the preamp to the Valve Reactor power amp. This will vary the amount of distortion created by Valve Reactor.
NOTE: The MASTER volume control is NOT programmable. NOTE: The GAIN control also affects the amount of distortion. For some settings, there may be virtually no distortion.

3. EFFECT SECTION

Here you can make settings for effects and noise reduction. For details on each effect, refer to Amp models and effects (page 20). EFFECTS Selects the type of effect. You can use the TAP button, EDIT 1 knob and Bypass button to adjust the parameters of each effect. When you select an effect type, the effect parameters will be initialized and Effect Bypass will be defeated. EDIT 1 Use this to adjust the parameters of each effect. By using this knob in conjunction with the TAP and BYPASS buttons as described below, you can adjust three different parameters. (That is, if the BYPASS LED is dark.) Turn EDIT 1 (without pressing a button) (EDIT 1) Turn EDIT 1 while pressing TAP (EDIT 2) Turn EDIT 1 while pressing BYPASS (EDIT 3) If the BYPASS LED is lit (the effect is bypassed), you can hold down the TAP button and turn the EDIT 1 knob simultaneously to adjust the noise reduction sensitivity.

WRITE button Use this button to save a new program into CH1 or CH2. Refer to Storing your program (page 17).

5. POWER SWITCH

When the power is on, the indicator located above the switch will be lit.

B. Rear Panel

AD15VT-XL/AD30VT-XL/AD50VT-XL

AD30VT-XL/AD50VT-XL only

AD50VT-XL only

AD100VT-XL

AC power This is where you connect the included power cord. FOOT SW You can connect the optional VFS2 dual foot switch (sold separately) here, and use it to switch programs or bypass the effect while you perform. POWER LEVEL This adjusts the output wattage of the power amp.
AD30VT-XL: less than 0.1 W 30 W AD100VT-XL: less than 0.2 W 100 W NOTE: The AD15VT-XL doesnt have this control. NOTE: The power level setting isnt saved as part of the program. AD50VT-XL: less than 0.15 W 50 W
This control lets you get that highly desirable, fat, warm sound of the Valvetronix power stage being driven hard (a common trait of all great valve power amps), at various levels. This will enable you to play comfortably in a small room or compromising your all-important tone. LINE/PHONE Use this jack if youre plugging directly in to a mixer, recording device, or if youre using headphones. The output from this jack is taken from immediately before the ValveReactor power amp, and the character of the guitar amp cabinet is applied to it.
NOTE: Connecting headphones to this jack will mute the internal speaker.
EXTERNAL SPEAKER OUT jack You can connect a guitar speaker cabinet to this jack.
NOTE: Sound will not be output from the internal speaker if you use the EXTERNAL SPEAKER OUT jack. NOTE: The AD15VT-XL and AD30VT-XL dont have this jack. Important: To ensure that your system works correctly, you must observe the following points. a) Dont use an external speaker whose impedance is other than 8 ohms. b) Dont connect a speaker whose rated input capacity is less than 50 watts (100 watts for the AD100VT-XL). The speaker may be destroyed if you ignore this caution not recommended! c) You must use a speaker cable to connect an external speaker. Dont use a shielded cable like the one you use to connect a guitar to an amp. d) You must turn off the power before connecting the cable. Connecting the cable while the power is turned on may damage your amp.
LOOP SEND jack, RETURN jack These are loop jacks that you can connect to your external effect processor. Connect the SEND jack to the input of your external effect processor. Connect the RETURN jack to the output of your external effect processor.
NOTE: The AD100VT has these jacks.
About the three operating modes
he XL-series contains eleven preset programs. To select one of these, enter Preset mode (which simply means, press the PRESET button) and turn the AMP selector.

HINT: Adjust the noise reduction so that you dont hear noise when youre not playing your guitar.
6. If you want to use an effect, press the BYPASS switch once again to turn bypass off (the BYPASS LED goes dark). 7. Select an effect, and make adjustments. For example if you want to add delay, turn the EFFECT selector to DELAY. If the selector is already set to DELAY, youll have to turn it to a different effect and then back to DELAY. Use the TAP button or EDIT 1 knob to adjust the delay time and delay level (the amount of delayed sound). DELAY TIME: DELAY LEVEL: DELAY FEEDBACK: Press the TAP button twice (at the desired interval), or hold down the TAP button and turn EDIT 1. Turn EDIT 1 (without pressing any button). Turn EDIT 1 while holding down the BYPASS button.
HINT: For details on the effects, refer to Amp models and effects (page 20).
8. When youve come up with a sound you like, store the program.
NOTE: In Preset or Channel Select mode, the changes you made will be lost if you switch to a different program or Manual mode or turn off the power without storing the program rst. NOTE: The effect bypass setting isnt stored as part of the program.
ADJUSTING THE NOISE REDUCTION
Heres how to adjust the noise reduction.
NOTE: The noise reduction setting is part of each program. In Preset and Channel Select modes, your setting will be lost if you switch to a different program or to Manual mode (or turn off the power) without storing your edited program rst.
1. Press the BYPASS button to make the BYPASS LED light. 2. Hold down the TAP button and turn the EDIT 1 knob to adjust the noise reduction sensitivity. Turning the knob toward the right will produce greater noise reduction (less noise). If you turn the knob all the way to the left, noise reduction will be off, and wont do anything (more noise).
NOTE: Depending on the guitar youre using, excessively high noise reduction settings may cause notes to be cut off in an unwanted manner!
3. If you want to use effects, press the BYPASS button to make the BYPASS LED go dark and the effect(s) will be heard.

STORING YOUR PROGRAM

When youve come up with a sound you like, you should store (write) the program. 1. Press the WRITE button. The CH1 or CH2 LED will blink. 2. Press the CH button to select the channel in which you want to store your program. The program will be stored in the channel whose indicator is blinking.
HINT: If, during this process, you decide that you really dont want to store the program, you can press the TAP button to cancel at this point. The LED will stop blinking, and youll return to the mode in which you were.
3. Press the WRITE button once again. Your program will be saved in the specied channel, and the LED of the destination channel will stop blinking and remain lit.

NOTE: The program that was previously stored in that channel will be overwritten; in other words, the settings that used to be stored in the channel you selected in step 2 will be erased. NOTE: The effect bypass setting isnt stored as part of the program. NOTE: If youre creating your sound in Preset or Channel Select mode, your changes will disappear if you switch to a different program or to Manual mode before storing.
CHECKING THE SETTINGS OF A PROGRAM (ORIGINAL VALUES)
If you want to nd out exactly what settings are saved in a preset or user program, you can use the Original Value function. When youre turning a knob to adjust the value of a parameter, and the value at that moment matches the value that is saved in the program (i.e., the original value), the PRESET LED will blink if youre in Preset mode, or the channel LED will blink if youre in Channel Select mode.
HINT: When youve found a program you like, and want to know just what settings it contains, simply use this Original Value function! NOTE: Since the top panel MASTER volume, the rear panel POWER LEVEL control are not programmed, the original value display will not occur for these settings. Also, the Original Value function doesnt operate in manual mode.
RESTORING THE FACTORY SETTINGS
Heres how you can restore the factory settings.
NOTE: If you do this, the programs you saved in the channels will be completely erased, and will be reset to the factory settings. NOTE: Effect and noise reduction settings made in the Manual mode will also be erased.
1. Turn the power off. 2. While holding down both the CH and WRITE buttons, turn the power on. When the CH1 and CH2 LEDs begin blinking, release these two buttons.
HINT: If you decide to abort this operation, press the TAP switch at this point.
3. When you press the WRITE switch, the CH1 and CH2 LEDs will change from blinking to lit. Initialization will be completed in a few seconds, and the amp will switch to Preset mode.
NOTE: Never turn off the power while initialization is taking place.
Using the VFS2 dual foot switch
f the optional VFS2 dual foot switch (sold separately) is connected to the rear panel FOOT SW jack, you can use it to switch programs or turn effect bypass on/off.
VFS2 left switch (switch 1): Switches channel programs VFS2 right switch (switch 2): Switches bypass on/off, or turn Manual mode on
SWITCHING THE CHANNEL PROGRAM (SWITCH 1)
Each time you press the VFS2s left switch (switch 1), youll alternate between CH1 and CH2.

Amp CRUNCHED (AC30TB) Original tone controls Treble and Bass controls

TUBE TALK

Us Brits call em valves while our US cousins call em tubes. as the saying goes: England and America are merely two countries divided by a common language! Anyway, call em what you will, these wondrous glass bottles lie at the tonal heart of each of our 11 models. As all the amps weve modeled hail from one of the two countries just mentioned, in honor of their heritage, the descriptions of all English amps will employ the words valve and valves, while the American ones will be tubular!
QUESTION: Whats the difference between an ECC83 preamp valve and a 12AX7 preamp tube? ANSWER: Nothing! Theyre the same exact thing namely the most popular preamp tube in ampland. ECC83 is the British name, 12AX7 (a.k.a. 7025) is the American.

POWER AMP ACCURACY

As already touched on a couple of times, what happens in the power stage of any good tube amp is of paramount importance to the way the amp sounds, feels and behaves. The way the power amp operates (Class A or Class AB), the power tubes used (EL84s,EL34s, 6L6s), the exact nature of the negative feedback loop circuitry, and how the power stage interacts (a relationship called damping) with the speaker(s) it is driving all these things play a vital role in the creation of tone. And, thanks to our patented in USA Valve Reactor Technology all these important bases are faithfully and accurately covered. For example: if you choose the amp model CRUNCHED an amp with a Class A power stage and no negative feedback thats exactly what your Valve Reactor power amp recongures itself to emulate. And, as an added bonus, thanks to our rear panel POWER LEVEL control you can adjust the output power (Wattage) to best suit the size of the room youre playing in. (The AD15VT-XL doesnt have this feature.)

TURN IT UP!

Truly great, all-valve amps have one thing in common they invariably sound at their best when theyre cranked to the max! Its got nothing to do with eardrum shattering decibels either; its just that when the power valves are driven hard, they denitely impart a unique tone and width to the overall sound. Thanks to the awesome accuracy of our Valve Reactor power amp, the same is also true of your Valvetronix combo. For this reason, we heartily recommend that you crank the sucker up as often as possible. And, as already pointed out, thanks to our unique POWER LEVEL control (not provided on the AD15VT-XL), you can adjust the output Wattage to suit every occasion from bedroom, to garage, to gig. and all points in-between. So, what are you waiting for select, crank and enjoy! This all said, lets take a look at each of our amp models.

CHORUS

This models the rich sound of an analog chorus unit. TAP EDIT2 [TAP+EDIT 1] SPEED SPEED Sets the modulation speed in a range of 0.1.10 [Hz]. This lets you use the knob to make ne adjustments to the parameter.
HINT: In the CHORUS+DELAY combination effect, the SPEED parameter is already set to the optimal value.
EDIT3 MIX [BYPASS+EDIT 1]
Adjusts the mix amount of the effect.

FLANGER

A model of a truly classic anger that unchained a highly inuential modern guitarist who many hail as the godfather of two-handed tapping. TAP SPEED Sets the modulation speed in a range of 0.1.10 [Hz]. EDIT2 SPEED This lets you use the knob to make ne adjustments [TAP+EDIT 1] to the parameter. EDIT3 RESONANCE Adjusts the amount of resonance. [BYPASS+EDIT 1]

TREMOLO

This effect is based on the highly acclaimed tremolo circuit found in an amplier modeled for one of our amp models, FUNKED. TAP SPEED SPEED EDIT2 [TAP+EDIT 1] EDIT3 DEPTH [BYPASS+EDIT 1] Sets the tremolo speed in a range of 2.5.10 [Hz]. This lets you use the knob to make ne adjustments to the parameter. Adjusts the tremolo depth.

ROTARY

This models a rotary speaker. TAP SPEED Sets the rotational speed of the speaker in a range of 0.8.10 [Hz]. This lets you use the knob to make ne adjustments to the parameter. By adjusting this parameter you can make the rotational speed change automatically in response to the volume of your guitar. If you use this function, set the SPEED to a slow setting.
EDIT2 SPEED [TAP+EDIT 1] EDIT3 SENS [BYPASS+EDIT 1]
This is a model of one of the most respected analogue tape echo machines ever made. In the original the echo is produced by a playback head and the exact delay time is set by varying the motor speed. Many professionals prefer these lo- units because of the warm, dark echoes they produce. TAP TIME EDIT1 MIX EDIT2 TIME [TAP+EDIT 1] EDIT3 FEEDBACK [BYPASS+EDIT 1] Sets the delay time in a range of 1.1486 [ms]. Adjust the mix amount of the delayed sound. This lets you use the knob to make ne adjustments to the parameter. Adjusts the amount of feedback.
HINT: In the CHORUS+DELAY combination effect, the FEEDBACK parameter is already set to the optimal value. WARNING! If you crank up the FEEDBACK too much, an uncontrollable, cascading runaway of echoes will occur. So, use your ears and your common sense when setting this!

REVERB

A model of the most popular spring reverb system used in guitar amps. TAP TIME EDIT1 MIX EDIT2 TIME [TAP+EDIT 1] HI DAMP EDIT3 [BYPASS+EDIT 1] Sets the reverb time in a range of 0.8.8 [seconds]. Adjusts the mix amount of the reverb sound. This lets you use the knob to adjust the reverb time. Adjusts the dampening of the high-frequency range.
HINT: In combination effects, the TIME and HI DAMP parameters are already set to optimal values.

Troubleshooting

1.The amp isnt powering up when the POWER switch is ON. Is the power cable plugged into the AC power connector on the rear panel of the amp? Is the power cable plugged into an AC outlet? Is the AC outlet switched on and actually working? Does the power cable work? 2. Theres no sound coming from the amp Is your guitar turned up? Are both ends of your guitar cable plugged into where they should be? Is your guitar cable working? Is the top panel MASTER volume turned up? Do you have headphones or anything else plugged into the amps rear panel LINE/PHONE jack? If yes, unplug! (If youre using the AD50VT-XL/AD100VT-XL) Could a cable be connected to the rear panel [EXTERNAL SPEAKER OUT] jack? Disconnect this jack if youre not using an external speaker. If you dont hear sound from a connected external speaker, make sure that your speaker cable and external speaker are not broken or malfunctioning. Check the settings of the GAIN, VOLUME, TREBLE, MIDDLE and BASS. On certain amp types, if the TREBLE, MIDDLE, and BASS controls are all turned down, there will be little or no sound coming from the amp due to the way the circuit of the original works. If youre in Manual mode (the MANUAL LED lit), turn the following controls above their minimum setting: GAIN, VOLUME, TREBLE, MIDDLE, and BASS. (AD100VT-XL users) Could a cable be connected to only the LOOP [RETURN] jack of the rear panel? Connect the cable from the LOOP [SEND] jack to your external effect unit, and connect the output of that effect unit to the LOOP [RETURN] jack. Adjust the output level of your external effect unit to an appropriate volume.

3. The amp doesnt seem very loud Is your guitar turned up? Is the amps MASTER volume turned down low? (If youre using the AD30VT-XL/AD50VT-XL/AD100VT-XL) Is the POWER LEVEL knob on the rear panel turned down?
Check the settings of the GAIN, VOLUME, TREBLE, MIDDLE, and BASS controls. On certain amp types, if the TREBLE, MIDDLE, and BASS controls are all turned down, there will be little or no sound coming from the amp due to the way the circuit of the original works. If youre in Manual mode (the MANUAL LED lit), turn the following controls above their minimum setting: GAIN, VOLUME, TREBLE, MIDDLE, and BASS.
4. Theres no sound heard from the LINE/PHONE jack when you use it. Check that the top panel MASTER volume isnt turned all the way down. Make sure sound is coming from the amp. IMPORTANT NOTE: Youll need to unplug your headphones or cable from the LINE/PHONE jack to do this, since plugging something into this jack automatically mutes the amps speakers. If theres still no sound from the amp, go to page 29 Theres no sound coming from the amp. If you do hear sound, check the headphones or cable you are hooking up to this jack.
5. You cant hear any effects. Check that the BYPASS LED isnt lit. If it is lit, the effect is bypassed. Press the BYPASS button to disengage it; the BYPASS LED will go off. Is the EDIT 1 knob turned down too low? Adjust the EDIT 1 knob.

Specications

Number of amp types: Number of effects: Noise reduction: Number of programs: Input/output jacks Top panel: Rear panel: preset, 2 channel 1 x INPUT 1 x FOOT SW jack, 1 x LINE/PHONE jack (AD50VT-XL/AD100VT-XL only) EXTERNAL SPEAKER OUT jack x 1 (AD100VT-XL only) LOOP SEND jack x1, LOOP RETURN jack x 1 maximum 15W RMS @ 8 ohms maximum 30W RMS @ 8 ohms maximum 50W RMS @ 8 ohms maximum 100W RMS @ 8 ohms 1 x VOX original (10 inch 8 ohm) 1 x VOX original (12 inch 8 ohm) VOX original (12 inch, 16 ohm) x 2 VOX original (12 inch, 16 ohm) x 2 24-bit 24-bit 44.1 kHz AC, local voltage AD15VT-XL: 23W AD30VT-XL: 45W AD50VT-XL: 52W AD100VT-XL: 100W Dimensions (W x D x H): AD15VT-XL: 428 x 224 x 430 (mm)/16.85" x 8.82" x 16.93" (inches) AD30VT-XL: 456 x 224 x 483 (mm)/17.95" x 8.82" x 19.02" (inches) AD50VT-XL: 673 x 265 x 485 (mm)/26.50" x 10.43" x 19.95" (inches) AD100VT-XL: 684 x 268 x 553 (mm)/26.93" x 10.55" x 21.77" (inches) Weight AD15VT-XL: 11 kg/24.25 lbs. AD30VT-XL: 13.5 kg/29.76 lbs. AD50VT-XL: 23 kg/50.71 lbs. AD100VT-XL: 29 kg/63.93 lbs. Included items: Options (sold separately): * power cable VFS2 dual foot switch

Power amp output AD15VT-XL: AD30VT-XL: AD50VT-XL: AD100VT-XL: Speaker AD15VT-XL: AD30VT-XL: AD50VT-XL: AD100VT-XL: Signal processing A/D conversion: D/A conversion: Sampling frequency: Power supply requirements: Power consumption
Appearance and specications of this product are subject to change without notice. URL = http://www.voxamps.co.uk

Programmers Cheat Sheet

Wanna remember how you set up your favourite programs? Well this is the place to do it! Simply do as follows:

1. 2. 3.

Indicate where all the knobs are set by drawing a line in the empty circles. Indicate which MODULATION, DELAY & REVERB effects are being used by colouring in the relevant LED Don't forget to make notes on NR, TAP TEMPO and POWER LEVEL in the areas indicated!
WORD TO THE WISE: Theres only four panels you can ll out here so do
yourself a favor by photocopying it and then keep a blank master so you can make more copies whenever you like

PROGRAM NAME:

EDIT2[TAP+EDIT 1]: /TAP NOTE:

EDIT3[BYPASS+EDIT 1]:

NR (NOISE REDUCTION):

POWER LEVEL

AD15VT-XL/AD30VT-XL/ AD50VT-XL/AD100VT-XL
IMPORTANT NOTICE TO CONSUMERS
This product has been manufactured according to strict specifications and voltage requirements that are applicable in the country in which it is intended that this product should be used. If you have purchased this product via the internet, through mail order, and/or via a telephone sale, you must verify that this product is intended to be used in the country in which you reside. WARNING: Use of this product in any country other than that for which it is intended could be dangerous and could invalidate the manufacturer's or distributor's warranty. Please also retain your receipt as proof of purchase otherwise your product may be disqualified from the manufacturer's or distributor's warranty.

AC15CC1 1x12" combo with VOX custom GSH12-30 speaker
AC15CC1X 1x12" combo with Celestion AlNiCo Blue speaker
History in the making Why has the AC30 been an icon for decades? Its the amplifiers unique, warm tone, its harmonic chime, its player friendly response and feel, and its primeval circuit design. With its straightforward what you see is what you get control format, the AC30 was a hit with artists from the very beginning. Back then, VOX owned the 60s British Invasion and to this day the AC30 is widely used by guitarists performing in a huge range of musical styles. With a number of modern enhancements including blendable channels, a true bypass FX loop, spring reverb, and master volume to name just a few, the AC30 Custom Classic is an evolution of the original that is sure to become a classic in its own right.
AC30CC1 1x12" combo with Celestion neodymium NeoDog speaker AC30CC2 2x12" combo with VOX custom GSH12-30 speakers AC30CCH 30-Watt head AC30CC2X 2x12" combo with Celestion AlNiCo Blue speakers
V212BN 2x12" extension cabinet with VOX custom GSH12-30 speakers V212BNX 2x12" extension cabinet with Celestion AlNiCo Blue speakers V412BN 4x12" extension cabinet with VOX custom GSH12-30 speakers
Two blendable channels, a first Not only does the AC30 Custom Classic include two channels, it also offers the ability to blend those channels together. The Top Boost Channel serves up that classic AC30 tone, while our new expanded Normal Channel now offers two modes Normal and Bright which allow you to achieve the sounds of an assortment of vintage AC30s. Use the channels individually or blend them together for increased tonal flexibility to create a unique sound and feel thats all your own.
The AC15: when less is more First introduced in 1958, the AC15 15-Watt combo has been the amp of choice for countless guitar players throughout the world. Like its big brother the AC30 Custom Classic, this flexible, combo amp is equipped with a number of modern features like master volume, global reverb, and tremolo. The AC15CC1 offers an array of useful controls including fully variable tremolo Speed and Depth, foot-switchable tremolo and reverb with the included VF002 footswitch, Bass, Treble, Volume controls, and switchable impedance (8 or 16 Ohms).

Tube complement

AC30 Series: 4 x EL84/6BQ5; 3 x 12AX7/ECC83; 1 x GZ34 AC15 Series: 2 x EL84/6BQ5 & 2 x 12AX7/ECC83

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The Custom Classic series is the culmination of over 45 years of high quality guitar amplifier design and fabrication. VOX has taken the best AC30 designs and added a number of useful features to create the most tonally flexible and affordable AC30 to date.
An evolution in tone When we set out to create the AC30 Custom Classic, we started from our most highly acclaimed model to date, the AC30 Hand Wired. With twin inputs (High and Low) and a Master Volume circuit, all of these amps offer highly interactive Bass and Treble tone controls, as well as the VOX Tone Cut control (which varies the presence in the power amp section) for even greater tonal variety. We also included Classic Tremolo with variable Depth control and a versatile spring reverb with Level and Tone controls, as well as a Dwell switch that varies the amount of drive going into the reverb for high or low gain sounds.

Control freaks rejoice! The AC30 Custom Classic is fully equipped with well thought out and easy-to-use controls. With a Custom/Normal EQ switch, Tone control, and Dwell switch for the spring reverb, Master Volume, fully variable Tremolo on all channels and a true bypass Effects Loop, weve thought of everything! Weve even included a switchable cathode resistor that lowers power output and increases tube life. Of course, the AC30 Custom Classic comes with our standard controls like Treble, Bass, Tone, Volume, Standby and more.
Attaining the highest standards The Custom Classic series is produced in our vertically integrated manufacturing facility under the supervision of UKbased VOX R&D Ltd. What this means to you is that we have total control of the design, the quality, and the sound of your amplifier. Our factory is capable of many processes not found in most guitar amplifier factories. We design and manufacture our own transformers, speakers (except for the venerable VOX Blue which is manufactured by Celestion), and cabinets, and we build our own electronics. All components have been designed, manufactured, or selected so that the performance and sound of your Custom Classic is second to none.
Multiple configurations The Custom Classic series comes in our most expansive array of models ever to cover a variety of needs and player preferences. Select from these configurations:
For a complete list of specifications, dimensions and weights, go to www.voxamps.co.uk

CLASSIC TONE

Location: Royal Albert Hall, London, is one of the most famous concert venues in the world.

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CLASSIC PLUS RANGE

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SHIFT INTO OVERDRIVE
The VOX Classic Plus range of all-tube amplifiers marries the classic VOX tone and chime of rock and roll legend with a versatile high-gain channel that goes beyond anything in VOXs 50 year history and into all-new VOX sonic territory. With available 50and 100-Watt heads and the AC50CP2 50-Watt combo, the EL34-powered Classic Plus range delivers amps that do it all from the 50s to tomorrow. Sound big? You bet. What do 50 years of classic VOX sonic history sound like? Play one. >>
Two channels, endless possibilities The Classic Plus is a channel-switching valve pre- and power-amp guitar amplifier that can produce many flavours of tone, from pristine clean to impressive high gains, and all points between. The two channels have a variety of wide-ranging controls to help you create the sound textures that you desire. Channel 1 covers classic VOX AC30 tones, from sparkling clean to raunchy overdrive. The EQ on this channel is of the interactive passive format that is historic to VOX Top Boost amplifiers and boasts the addition of the famous Tone Cut control, which musically rolls off high end as it is turned up.

Presence boost, but, if you turn the control down, it will also introduce a high frequency cut filter that can be used to defuzz the preamp distortion, making it less aggressive and sweeter. Since the channels of the Classic Plus are totally independent, you do not need to compromise to achieve your desired tonal palette. Its almost like being able to mix and match two completely different amplifiers! Total, tonal control The Classic Plus range is packed with features and controls that meld the best of VOXs history with modern conveniences. The Classic Plus features a long spring, high-quality Spring Reverb with individual, foot-switchable level control for each channel, plus series FX looping with selectable level control and bypass switching. The Bypass slide switch will either engage the loop (switch ON) or disconnect the effects loop circuitry from the rest of the amplifier (switch OFF). With the Loop switch in the OFF position, the Send jack socket is still operational and can therefore be used to send the signal to another device such as a tuner or slave amplifier. The Loop Level switch allows the loop to be used at two different signal levels (approximately +4dBV (high) and -10dBV (low)). This will enable a wide range of devices to be connected to the amplifier. Channel switching and on/off reverb control is managed with the supplied VF002 dual footswitch.
ground lift switching. To enable great sounding connection into PA or recording equipment, the DI also features a speaker emulating Low Pass Filter (LPF) network. This can be switched into or out of circuit as required.
Another great plus of the DI circuit is that it is post the power amplifiers phase inverter valve, and before the Output Master Volume control. No matter how loud or quiet your stage level is, you have totally independent control of the DI output level. You can even turn the Master Volume totally off and use the DI output for silent recording for those midnight sessions. Power trio The Classic Plus range is comprised of the 50-Watt AC50CPH head (4 x 12AX7/ECC83, 2 x EL34B), the 100-Watt AC100CPH head (4 x 12AX7/ECC83, 4 x EL34B), and the 50-Watt AC50CP2 combo (4 x 12AX7/ECC83, 2 x EL34B). The AC50CP2 comes loaded with two VOX original design 12" speakers voiced for maximum performance with the Classic Plus. Pair either of the heads with VOXs V412BN cabinet, and youve got an unbeatable tone machine. No matter how you play, theres a Classic Plus for you. And with their combination of unmatched tone, flexibility and ultra-cool looks, the Classic Plus range is at home on any size stage. Plug in and hear them roar!

Included items: Power cable, VF002 footswitch

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Go direct The Classic Plus range features extensive direct recording and line out capabilities from both balanced XLR and unbalanced 1/4" outputs with rotary level control and
Find out more at www.voxamps.co.uk Previous page, the AC50CPH shown on a V212BN cabinet and the AC100CPH shown on a 412BN cabinet. Shown here, the AC50CP2 and the AC100CPH control panel.
Channel 2 picks up where Channel 1 leaves off, delivering everything from modern blues and classic rock tones all the way to high-gain classic metal sounds and fluid lead tones. While Channel 2s EQ controls are also of the interactive passive format, they are centered on different frequencies to enhance the higher gain capabilities of Channel 2. The Channel 2 Bright Switch brings in an extra capacitor (switch down) across the Gain control to boost the high-mid and upper frequencies and is particularly effective on lower gain settings. The Bright Switch is great for giving extra bite and clarity to muddy sounding humbuckers. The Fat Switch adds extra gain and focuses the mid range of the guitar and amp, which helps produce a singing tone when playing lead lines. The Presence Control circuit is another unique feature to the AC range. It combines the traditional active power amp feedback circuit with a passive circuit within Channel 2s preamp. This not only focuses the

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TED SABLAY WITH THE KILLERS

WAH-WAH PEDAL

www.thekillersmusic.com

SAMS TONE

By Andrew Mantuano and Jenn Plonski Photo by Torey Mundkowsky
Shortly after landing the gig with The Killers, Sablay started his own search for the perfect tour companion in a guitar amp. He admits the search was not the swiftest, but like many things, patience is a virtue. It got to the point where I was at the music store every day trying out different amp combinations, and eventually I got the VOX AC30CC2X Custom Classic. It was perfect, especially for the role Im playing in all of this. I think that Dave Keuning (guitar) even used some VOX amps for the recording of Sams Town. Ted continues, We use it for textural stuff, and sometimes Ill take over a melody line once he has already started it. I just really like it. Its great

The Killers dubbed their fan club The Victims and rightly so, as experiencing one of The Killers synth-and-guitar-heavy concerts will surely get you aching for another dose. These Grammynominated rockers are widely described as, The best British band to come out of America. With the extremely successful, multi-platinum debut album Hot Fuss, and the most recent release, Sams Town, already following in similar fashion, Ted Sablay knew he was up for a challenge. No big sweat. The multi-talented guitarist/keyboardist has joined The Killers on their current tour promoting Sams Town to aid in making the live show sound more akin to the album itself. As Ted explains, Ive known the guys for a while, and with the Sams Town album, there is a lot more going on instrument-wise than on the first album. They needed someone who could play guitar and keyboards, and since we were already friends, it just worked itself out.

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Finding the right help to take on tour can be an arduous process, but the Vegas-based band knew they werent taking a gamble choosing Sablay. Were all from Vegas, and I played with drummer Ronnie Vannucci, Jr. in a couple of bands and have jammed with the guys before. It just worked out to the point where I could come out with them, but Im not the new member or anything. Were all around the same age, and knew each other from the Vegas music scene.
when the signal needs to be really sharp, dry, and forceful. We just keep on going back to that AC30. Although he keeps the AC30 running throughout the show, its during Sablays favorite song to perform When You Were Young that he believes the AC30 truly shines. Once Dave gets over to the lead melody, Im doing all the chords so you get a lot of the open strings with that chiming, shimmering sound, he tells us. Showing absolutely no sign of being a rookie, this is actually Sablays first major tour. He reveals, Now that Im touring, I wish I had done it sooner. Its great because music has been my thing my entire life. In my mid-20s, I got to the point where I couldnt play as much music as I wanted, and now I can again. It was great of The Killers to have me do this. Even though Sablay is touring with an internationally renowned band, he doesnt let the lights and crowds get to his head. Ive been in the mindset of keeping a low profile, so to speak. Im really here to serve their songs.
For More information on The Killers and their current tour, check out
THE ORIGINAL WAH-WAH PEDAL
V847-A Wah-Wah pedal Theres only one way to get the real sound and feel of the classic Wah-Wah pedal that changed electric guitars in the 60s the reissue VOX V847-A. Based on the specifications of the original pedal used by the most influential guitarists of the late 60s and 70s, this Wah-Wah is totally authentic right from its classy chrome top to its musical and sweet taper. An original-style vinyl carrying case is also included. Added to the V847-A is an AC input to connect a 9V power supply and a new buffered input jack to preserve the guitars bypassed tone.

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VALVETRONIX AD CHROME & XL SERIES Want to sound famous fast? Plug into a Valvetronix. VOX Valvetronix amps give you the feel and response of real tube-powered tone and the flexibility to have a collection of the best amp sounds in one versatile amp. Valvetronix amplifiers deliver an incredible range of tones with a modern twist on traditional VOX styling and design. Everything you want is right here, whether your thing is clean twang, raunchy blues, classic crunch or aggressive metal. Thats because weve modeled a collection of awesome amps, from vintage to modern, from the ultra rare to the most popular, iconic amps. And now players have two flavours of Valvetronix amps to choose from. If you want to crank the sound of real U.S. and British amps, rock a Valvetronix AD Chrome amp. If you think youre ready for some genuinely deviant tones, like Buzzsaw, Thrashed and Molten, blast a new Valvetronix AD-XL in dark grey with industrial black grille.
THE WORD ON THE STREET FOR REAL TONE.
plus Noise Reduction. New for the XL series is an Octave effect for massive lead tones. Effect parameters are fully adjustable and a Tap button makes it easy to set your delay time or modulation speed. Store amp and effects settings Store your favorite amp and effect settings as a program. There are two program locations for your own sounds (CH1 and CH2) plus manual mode, which defaults to the sound of the amp as its knobs are set at any given time. Switch between these settings from the top panel, or by using the optional VFS2 footswitch connected to the rear panel. In addition, there is a preset program for each amp type to get you started with 11 stage-ready sounds right out of the box.
Easily select the preset sound you want The Preset mode gives you a tonal starting point for customizing your sound. Just enter the Preset mode (all it takes is the touch of a button), choose an amp model, modify it and save your modded version to CH1 or CH2. Its that simple.

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Adjust the power amp output A power level control (not available on the AD15VT or AD15VT-XL) adjusts the output wattage of the power amp. This means that even when the master volume is turned up all the way to drive the Valve Reactor power amp, you can adjust the volume without losing the sense and feeling of drive thats unique to tube amps. You can get great cranked tube tone without waking up the neighbours!

requirements: AC, local voltage Included items: power cable
Option (sold separately): VFS2 dual footswitch
Find audio clips, more info and a complete list of www.voxamps.co.uk/valvetronixxl
specifications at www.voxamps.co.uk/valvetronix and
Shown from left to right: AD50VT, AD100VT, AD30VT, AD100VTH on V412BK cabinet, AD15VT on AD50VT212
Location: CBGB, New York, NY, home of underground rock since 1973. Sadly, CGBG closed just days after these photos were taken.

VALVETRONIX AD CHROME

The AD100VTH and V412BK cab The AD100VTH 100-Watt head and V412BK 4x12" cabinet deliver bone-crushing volume and true tube-powered tone in a bold, no nonsense package. With four 30 Watt/8 Ohm speakers, the V412BK cabinet is a perfect match for the

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VALVETRONIX XL EXTREME LEAD The VOX engineering team practically threw out the rule book in voicing the new XL range, modding EQs, hot-rodding gain levels, and even switching the model of a historically Class AB hi-gain head to Class A. The result is an amplifier range that delivers VOXs hottest hard rock and metal sounds to date; all of them based on legendary amps.
Shown from left to right: AD15VT-XL, AD100VT-XL, AD30VT-XL, AD50VT-XL
World-class modeling with tube power The AD series delivers an amazing collection of 11 great amp tones including the VOX AC15 and AC30 plus a virtual amp locker of legendary amps. Selecting the model and dialling in the tone you want is as easy as it gets just turn the knobs!
AD100VTH 100-Watt head. And with its sturdy construction, rugged good looks, and high sound pressure level capabilities, its also an ideal choice for teaming up with any other tube, solid-state or hybrid head.
Eleven amps sounds Sophisticated modeling technology is used to provide 11 different amps, including classic vintage amps of the past, costly, modern high-end amps and high-gain hybrids, all accessible at the turn of a knob. Some of these include F unked, modeled on a classic American black-faced 2x12" combo; Buzzsaw, inspired by the British-made 50-Watt head that created the sounds of 70s hard rock and metal; Thrashed, modeled on a 1983, all tube, single channel, master volume 100-Watt head; R aged, based on the high gain channel of a modern, all-tube 100 Watter, with boosted bass and mid frequencies and even more gain; M olten, based on VOXs US Hi-Gain model but capable of even more
DA5, DA10 & DA20 DIGITAL AMPLIFIERS

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VOXs DA series of battery-powered amplifiers combine great tone and go-anywhere portability! If youre looking for a truckload of guitar tones, these amps deliver whether its a clean sound, raucous crunch, or full-tilt shred and all points in between. New to the line are the DA10 and DA20 Digital Amps. Based on the popular DA5 Digital Amp, the new 10-Watt DA10 and 20-Watt DA20 combine higher power with the same great tone. And like the DA5, both new amps offer the option of running on battery power, so you can take the jam session literally anywhere!

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Play it anywhere, any way! The DA series amps can be powered by the included AC adapter or by six C batteries. A built-in output power switch (MAX, 1.5W, 0.5W) helps extend battery life from 18 hours at 5 Watts all the way to 30 hours at.5 Watts. The output power switch also lets you play at lower volume without losing any tone or feel.

ROCK THEN ROLL

Classic Version Shown from left to right: DA10, DA20 Shown from left to right: DA20, DA10, DA5
Thats not the only trick these tone machines have to offer. They come equipped with an AUX IN that allows you to connect an external audio device such as a CD or MP3 player, plus a MIC INPUT to connect a microphone. Just plug your guitar in, and you can play and sing along with your favorite band or recording! Great for practicing and recording All DA amps are equipped with a combination Line/Headphone output so you can connect to a headphone, mixer or recorder. The amps emulated line out provides a full, realistic sound whether youre recording direct or listening through headphones. And since plugging into the jack defeats the speaker output, you can practice when you want, where you want, and as loud as you want in total privacy.
Loaded with tone, at home or to go All DA amps offer 11 distinctive sound styles ranging from clean to high gain, 11 great sounding, digital effects, a knob-based control panel thats really easy to use, plus a whole lot more. Designed to take the show on the road, the DA amps can be cranked up at 5 Watts on battery power.
Great sounding effects The versatility of the DA series extends to a full complement of 11 digital effects. All amps feature auto-wah, chorus + delay, chorus + reverb, compressor, compressor + chorus, compressor + phaser, delay, flanger + reverb, reverb, rotary + reverb, and tremolo + reverb. Theres also a Tap Button that makes it easy to set the delay time or modulation speed. And like the larger AD series or Valvetronix amps, editing the effects parameters on the DA series amps is simple. Double up the tone The DA10 and DA20 are each equipped with two VOX original design speakers. The DA10 is loaded with 2 x 6.5" speakers, while the DA20 packs a punch with 2 x 8" speakers. The DA5 packs a 1 x 6.5" speaker. With the VOX DA amplifiers, you dont have to sacrifice great tone for portability and ease of use!
DA5, DA10 & DA20 Specifications: Number of amp types: 11 Number

of effects: 11 plus noise reduction Input/output jacks: INPUT, AUX IN, MIC INPUT, LINE/PHONE Power Supply: Six C batteries or local AC
voltage Dimensions (W x D X H)/Weight: DA5: 10.51" x 7.05" x 10.51"/7.72 lbs.; DA10: 15.28" x 7.28" x 12.40"/16.53 lbs.; DA20: 18.23" x
9.05" x 14.88"/22.49 lbs.
Find out more at www.voxamps.co.uk

PATHFINDER 10/15R

Specifications: Dimensions/Weight: (W x D x H) 14.96" x 6.69" x 10.24"/10 lbs.
Pathfinder 15R With the classic good looks of its bigger brothers, the 15-Watt, 1 x 8" Pathfinder 15R combo packs a profusion of VOX style and sound into a highly compact and affordable package. The Pathfinder 15R houses a wonderful sounding vintage Tremolo effect and is extremely versatile when it comes to tone. Its distinctive top panel features a Gain Boost switch plus controls for Volume, Gain, Treble, Bass, Reverb, Tremolo Speed and Tremolo Depth. Both the Gain Boost and the built-in Tremolo are foot-switchable via an optional, VOX VFS2 dual footswitch. The Pathfinder 15R comes with a specially voiced 8" VOX Bulldog speaker and a Headphone output. The rear panel also has a specially filtered Line Out jack for recording/live work and an External Speaker output.
Specifications: Dimensions/Weight: (W x D x H)15" x 7" x 14"/19 lbs. Optional Accessories: VC0V1 cover; VFS2 Dual Footswitch
There was no way I was going back to Canada with my tail between my legs, says Pat Travers regarding his move to London at the ripe age of 20 with hopes of fulfilling his dream. With a successful music career now spanning 30 years, a devoted fan base, and an extensive tour on the horizon, its safe to say that this guitar hero has fulfilled it.
Pat was born in Toronto, Canada in April of 1954. At around age 12, Pat began his musical journey and selftaught his way toward guitar greatness. Pats earliest bands were Red Hot and Merge, playing at clubs in the Quebec area. While performing with Merge, Pat caught the eyes and ears of 50s artist Ronnie Hawkins, who soon invited Pat to perform with him. After a year touring with Ronnie, Pat decided to focus on satisfying his true desire of becoming a star in his own band.
That decision found Pat moving to London. He remarks, When I went to England, I was going to start a new band. I had no intention of being the main singer, it just sort of happened. I never really found anyone I liked so I just ended up singing. Pat laid those vocals and his scorching guitar tracks down on a demo that would soon earn him a recording contract with Polydor Records. From there, the ball kept rolling, more albums were released, touring returned him to North America as well, and his acclaim as a blues-driven guitarist, lyricist, and overall musician grew. He adds, We were a trio initially, for the first three albums. Then I decided the stuff I was writing always had two guitar parts in it. I wanted to re-create that live, so we got Pat Thrall in the band and that made a big difference.

Pathfinder 10 The 1 x 6.5" Pathfinder 10s tone-filled 10 Watt output makes this amp perfect for home practice, backstage warm-up and recording. The Clean/Overdrive switch allows you to instantly change between clean and dirty sounds. With a press of this switch you can go from a crystal clear jangle to VOXs uniquely warm distortion; or from a slightly crunchy bluesy tone to a high-gain roar. With the Pathfinder 10s headphone/output jack, you can practice late at night without disturbing your neighbours, or use the headphone jack as a specially filtered Line Out that is great for recording without having to worry about perfect mic placement or expensive mics. The Pathfinder 10 also features controls for Gain, Treble, Bass and Volume plus a Clean/Overdrive switch.
By Evan OBrien and Jamie Foster

OWN THE TONE

TONE ON TOUR
Keep up with Pat Travers and his band at www.pattraversonline.com

PAT TRAVERS

One piece of equipment that Pat will surely be taking on his upcoming tour is his VOX Valvetronix ToneLab LE. With superb amp modeling, effects, and real tube-driven tones in a compact pedal unit, Pat knows his sound will be right, night after night. He says, I love all the effects that go through the loop the choruses, the delays. That really sounds like what my original rig was all about. I had a couple of stomp boxes and a wah pedal, I also had a limiter gate in there, too. Now theyre all gone because its in the ToneLab LE. Everything that took up an entire rack is in one small pedal. I have all the pre-amps I want, and all the other effects which are great too. Having used the predecessor ToneLab SE for years, Pat was not only expecting the killer VOX tones hed been used to, but was delighted to find newer sounds, functions, and improvements in design. He states, One thing thats cool about the new ToneLab is that it has five different output settings; three for amp-in, and two for line. The second one for line has a three band Master EQ section, perfect for adjusting to different PA situations or slightly different amps. Its great to be able to tweak the overall sound a little bit on any channel, without having to go in and update everything separately. Pats accompanying guitarist, Kirk McKim, also picked up a ToneLab LE and made it part of his rig. I use it one way but my other guitar player, Kirk, uses it completely different than I do. You just have to find what works for you.
Read and hear more at www.voxamps.co.uk

TONELAB LE

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COOLTRON PEDALS

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Since 1957 VOX has been the sound behind many of the worlds most influential musicians. VOX cables continue this tradition of tone.
Class A Cables With VOX Class A cables nothing comes between you and your tone. Audiophile grade materials and technology give you the lowest possible signal loss, distortion and noise. Class A Cables are available for Electric Guitar (EGC), Acoustic Guitar (AGC) and Electric Bass (EBC), and have been specially tuned and optimized for these instruments. All Class A Cables come in two lengths 19.5 feet and 13 feet. Multi-gauge coaxial cable geometry optimized and specially tuned for electric guitar, bass and acoustic guitar. Pure oxygen-free copper for maximum signal transfer. Polypropylene dielectric enables stronger signals and better high frequencies. 24K gold-plated connectors for long life and corrosion resistance. Braided cloth jacket for long life with superior flexibility. Includes cloth carrying bag. VCC Vintage Coiled Cable The classic curly cable, the VCC has been part of some of the most historic moments in rock and roll history. A unique multi-gauge design uses individual conductor types that are optimized for their particular frequency ranges, resulting in a reliable coiled cable that is truly musical. VCC cables are available in black, blue, red, silver and white and are 9 meters (29.5 feet) long. VGS VOX Rock Guitar/Bass Cable Specially selected, tuned stranded conductors give optimum performance and classic rock sound. The VGS cable is available in 3 meters (9.8 feet) and 5 meters (16.4 feet). VOX Amp Covers Protect your amp with our custom-made heavy-duty, lined covers. Available for these models: AC30CC, AD60VTX, AD120VTX, AD212, AD412, Pathfinder 15R, T-25, V212BN, V412BNX.
The COOLTRON series of effect pedals are seven professional true bypass stompboxes that use a 12AU7 preamp-type tube at low voltage to deliver the kind of tone that, until now, would have been impossible to achieve in a battery-powered pedal.
Brit Boost (CT03BT) Give your tone extra muscle with the Brit Boost pedal. The Treble Boost setting pumps up the treble and upper middle frequencies, just like youd expect from a vintage Treble Booster pedal.
Specifications: Tube: 12AU7 Power: 4 x AA batteries (allows 16 hours of operation) Dimensions (W x D x H): 6.63" x 6.12" x 2.52" Weight (without batteries): approx. 2.3 lbs. Options: 9V AC adapter
VibraVOX (CT06TR) Named after VOXs first amplifier tremolo circuit, the VIBRAVOX brings the signature Vibrato/Tremolo sound of the original 1958 VOX AC30 to any amplifier, in a dual mode stompbox design. Duel Overdrive (CT07DO) Double the drive with the Duel Overdrive pedal. With two tube-driven overdrive circuits based on our own Big Ben Overdrive pedal, the Duel Overdrive provides footswitchable access to two sounds from a trunk-full of classic and modern tones.

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Big Ben Overdrive (CT02OD) Preserve your amps warm, silky tone while pushing your sound into overdrive! The tube-powered Big Ben Overdrive pedal responds to your playing dynamics and cranks out that extra firepower when you really dig in and want to cut through.

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Go to www.voxamps.co.uk to read the full story of Cooltron technology!
Bulldog Distortion (CT01DS) With dual channels the VOX Bulldog Distortion pedal adds extra bite to your fret-burning maneuvers. Gain 1 dishes out vintage distortion while Gain 2 packs a more modern, aggressive sound with slightly scooped mids. Both are adjustable from subtle to completely over the top.
See voxamps.co.uk for more details.
Stock varies in each country. Please check availability with your local dealer.
amPlug AC30, for signature VOX AC30 top boost tone
Find out more at voxamps.co.uk
Any time. Anywhere. With up to fifteen hours of battery life, its easy to take amPlug anywhere. In addition to practicing at home, its a great way to warm up before a live performance or on the road. Theres also an AUX input jack so you can jam along with your CD/MP3 player. amPlug is your fastest ticket to great toneanytime, anywhere!
Introducing amPlug the headphone guitar amp that lets you enjoy serious guitar sound, fast. Jamming late at night? Dont want to wake the neighbours? Maybe you want to work out a lick with your MP3 player without taking the time to set up your amp. amPlug is the answer. Simply plug this palm-sized headphone guitar amp directly into your guitar, and enjoy serious guitar sound anywhere, anytime. Its even available in three different sound styles: VOX AC30, Classic Rock, based on a UK-made amplifier head, and Metal, based on a California-made high-gain amplifier head.

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amPlug Classic Rock delivers the sound of a British 100-Watt head
amPlug Metal delivers U.S. metal high-gain tone
Great tone, too Even with its ultra-compact size, amPlug reproduces the complex and warm distortion that is distinctive of a vacuum tube, as well as the powerful high gain produced by a large amp stack. Using all new analog modeling technology, amPlug delivers full-fledged amp sound.