Waves SSL 4000 Collection
SSL 4000 E-Channel SSL 4000 G-Channel

1. Introduction

The unique sound of Solid State Logics 4000 Series analogue mixing consoles is sought after worldwide. Engineers of pop and rock music, broadcast transmissions and television postproduction value the SSL 4000s flexible dynamics chain as much as the trademark SSL punchy sound. Waves and SSL engineers have worked together for over a year to recreate the sound characteristics of the classic SSL 4000 Series E and Series G consoles. Now, those who mix in the box can achieve the sound they thought theyd lost when they moved to the digital world. The SL4000 console was the first mixing desk to incorporate dynamics processing into every channel, as well as a master bus compressor in the consoles center section. The ability to 'patch' into the SL4000's master bus compressor and to control its sidechain from an internal sub-mix allowed sound engineers to discover unique, history-making applications of this console technology. Whether used to record instruments such as piano and drums or for final mixing, these innovative console sections - master bus compressor, EQ and dynamics - opened up a
new world of opportunities. For years, workstation users have sought this unusual flexibility and signature sound. But conventional dynamics and EQ plug-ins couldnt produce the unique SSL color. The Waves SSL 4000 Collection is the result of a partnership between Waves Audio and Solid State Logic. These processors faithfully recreate the same EQ and dynamics characteristics which made legendary the SL4000 consoles. Plus, the interface accurately reflects the classic SSL console. Couple all of this with state-of-the art Waves software and you suddenly find yourself working with the same tools that have provided countless hit mixes for the world's best audio engineers.
The Waves SSL 4000 Collection consists of three separate sections: The SSL E-Channel/ G-Channel The SSL 4000 G-Master Bus Compressor The SSL G-Equalizer
2. Description of the SSL 4000 E-Channel/ G-Channel plug-in

SSL E-Channel

The Waves SSL E-Channel is modeled after the SL4000 E Series console, combining the dynamics section of the SL4000 channel strip with the Black Knob 242 EQ. The only obvious change from the hardware original is that the EQ and Dynamics sections are side-by-side rather than inline, to better conform to computer screens.

SSL G-Channel

The Waves SSL G-Channel is modeled after the SL4000 G Series console, combining the dynamics section of the SL4000 channel strip with the 383 G EQ. The only obvious change from the hardware original is that the EQ and Dynamics sections are side-by-side rather than inline, to better conform to computer screens.

Dynamics Section

The dynamics section consists of a soft-knee compressor/limiter and an expander/gate. Dynamics can be switched to pre-equalizer (default) or post-equalizer (CH OUT.) Although the same gain change circuitry is used for both the compressor/limiter and the expander/gate, two dedicated level indicators illustrate activity for each device. Automatic gain make-up, calculated from the Ratio and Threshold settings, is applied by the compressor to maintain a steady output level. The default compressor attack time is program sensitive, responding to the audio materials wavefront. The dynamics sections threshold circuitry uses variable hysteresis, which allows the signal to decay below its opening level. (Hysteresis is the lag between making a change in input, such as increasing or decreasing power, and the response or effect of that change. Thus, the thresholds variable hysteresis circuitry allows for program-dependent dynamic processing.)

Equalizer Section

The equalizer is a four-band device which can be routed to the processors output or to the dynamics sections sidechain. Q can be adjusted in the LMF and HMF ranges. At the top of the

section is the High Pass (18 dB/octave) filter and the Low Pass (12 dB/octave) filter. Normally, low pass and high pass filters follow the same path as the entire EQ section. However, when SPLIT is selected, the low pass and high pass filters are placed before the dynamics processors in the chain. The equalizer can be switched into the dynamics sidechain to afford simple deessing and other frequency-controlled dynamics processing by selecting DYN S-C at the foot of the section. In the E-Channel LF and HF shelves can be reshaped to bell curves by pressing BELL. The Q of the LF and HF bells are calculated based on frequency settings and are not user-definable. In the G-Channel Lf and HF are fixed shelfs, the LMF /3 will devide the LMF frequency by 3, and the HMFx3 will Multiply the HMF frequency by three. SSL Channel Latency The channel strip has a latency of one sample.

Routing in SSL Channel

3. SSL 4000 Channel Controls and Indicators
Dynamics Sections Controls (top to bottom) 1. Compressor (white knobs) a. The compressors Ratio/Slope can be set from 1 to infinity (limiter). b. The Threshold is variably adjustable from +10 dB to -20 dB. c. When the Attack time switch is set to Slow (F.ATK off,) attack time is autosensing and program dependent. In the Fast setting (F.ATK,) attack time will be forced to 1 ms. d. Release time is adjustable from 0.1 sec to 4 seconds. 2. Expander/Gate (green knobs) a. The expanders Threshold is variable from -30 dB to +10 dB b. Range is variable from dB. c. When the Attack time switch is set to Slow (F.ATK off,) attack time is autosensing and program dependent. In the Fast setting (F.ATK,) attack time is 1 ms. d. Release time is adjustable from 0.1 sec to 4 seconds. e. The GATE switch toggles the section from an expander (default mode) into a gate.
3. Dynamics to (DYN TO)switches a. BYPASS will bypass the entire dynamics section. Note that selecting BYPASS does not result in a signal which is flat, but rather one which mimics the flat response of the SSL channel strip hardware. b. CH OUT moves the dynamics to the output of the E-Channel, making it post-EQ.

SSL E EQ Section Controls (top to bottom) 1. Low and High Pass filters (white knobs): Low pass: 18 dB/octave, 15 Hz 350 Hz (-3 dB point) High pass: 12 dB/octave, 3 kHz 20 kHz (-3 dB point) Turning the knob completely to the left bypasses the filter. When SPLIT is selected, the low pass and high pass filters are placed before the dynamics processors in the chain. 2. High frequency EQ section (red knobs): Range 1.5 kHz 16 kHz. Gain range is 18 dB for bell shape, 16.5 dB for shelving. Selecting BELL changes the HF EQ from shelf to bell shape. 3. High medium frequency EQ section (green knobs): Range 600 Hz 7 kHz. As in the LMF EQ section, Q is continuously adjustable from 0.1 to 3.5. Gain varies from 18 dB when Q is set at 3.5 to 15 dB when Q is set at 0.1. 4. Low medium frequency EQ section (blue knobs): Range 200 Hz 2.5 kHz. Q is continuously adjustable from 0.1 to 3.5. Gain varies from 18 dB when Q is set at 3.5 to 15 dB when Q is set at 0.1. 5. Low frequency EQ section (black knobs): Range 30 Hz 450 Hz. Gain range 16.5 dB, shelving, 18 dB, bell shape. SSL G EQ Section Controls (top to bottom) 1. Low and High Pass filters (white knobs): Low pass: 18 dB/octave, 15 Hz 350 Hz (-3 dB point) High pass: 12 dB/octave, 3 kHz 20 kHz (-3 dB point) Turning the knob completely to the left bypasses the filter. When SPLIT is selected, the low pass and high pass filters are placed before the dynamics processors in the chain. 2. High frequency EQ section (red knobs): Range 1.5 kHz 16 kHz. Gain range is 17 dB shelving. 3. High medium frequency EQ section (green knobs): Range 600 Hz 7 kHz. As in the LMF EQ section, Q is continuously adjustable from 0.1 to 3.5. Gain varies from 18 dB when Q is set at 3.5 to 15 dB when Q is set at 0.1. Pushing the HMF X3 will multiply the frequency by 3. 4. Low medium frequency EQ section (blue knobs): Range 200 Hz 2.5 kHz. Q is continuously adjustable from 0.1 to 3.5. Gain varies from 18 dB when Q is set at 3.5 to 15 dB when Q is set at 0.1. Pushing the LMF /3 will divide the frequency by 3. 5. Low frequency EQ section (black knobs): Range 30 Hz 450 Hz. Gain range 17 dB, shelving. 6. EQ TO switches a. BYPASS This button bypasses the EQ section. Note that selecting BYPASS does not result in a signal which is flat, but rather one which mimics the flat response of the SSL channel strip hardware. b. DYN S-C The filters can be switched into the dynamics sidechain to afford simple de-essing, etc. by selecting DYN S-C.

Master Section Controls and Indicators On the bottom right of the SSL Channel Strip are the master gain controls and level indicator. 1. Level Indicator Levels are expressed in dBFS, although all parameters are expressed as dBu. 2. INPUT and OUTPUT switches above the meter allow you to toggle the level indicator between input and output. 3. An Input Trim Button enables you to trim the input to the channel by 18db. The plug-in is aligned so that -18 dBFS = 0. 4. The Output Fader controls the output level of the processor. 5. Analogue on/off. Classic analogue processors necessarily create more noise and harmonic distortions than modern digital devices. This is, in part, what gives analogue processors their desired sound. By default, all components of the SSL 4000 Collection operate in a mode which enables emulation of the SSL analogue console. However, there may be times when you prefer to use this plug-in without these special attributes. Switching off Analogue disables analogue emulation. 6. Phase Reverse () This button reverses the phase of the input signal.

4. The Waves System Bar

All Waves plug-ins share a common feature, the Waves System Bar, which takes care of most administrative functions you will encounter while working with Waves plug-ins. Since the Waves System Bar is the same on practically all Waves plug-ins, you will always know how to file, compare, load and copy the parameters of a Waves plug-in, even if you have never before worked with that particular processor. Commands common to all Waves plug-ins: Undo undoes the last performed action. Redo redoes the last undone action. There are 6 levels of undo and redo. Setup A/B toggles between two sets of parameters within the same processor useful when comparing different parameter settings in order to achieve optimal results. Copy A->B copies the current settings to the second setup register. Save used for saving presets in the Waves file format (.xps) There are two options for saving: Save to new file: creates a new.xps file wherein multiple presets can be saved. Save into preset menu: saves the preset into the default list of the plug-in. Load allows recalling presets from files. Once a file is selected, its first preset will load and become active. Other presets in the file will be listed under the presets name in the Load menu. You can also load factory presets and user presets (saved using Save into preset menu.) Pressing the ? button will open the manual for the plug-in you are using.

Waves SSL 4000 Collection

SSL G-Equalizer

1. Introduction
The unique sound of Solid State Logics 4000 Series analogue mixing consoles is sought after worldwide. Engineers of pop and rock music, broadcast transmissions and television post-production value the SSL 4000s flexible dynamics chain as much as the trademark SSL punchy sound. Waves and SSL engineers have worked together for over a year to recreate the sound characteristics of the classic SSL 4000 Series E and G Series consoles. Now, those who mix in the box can achieve the sound they thought theyd lost when they moved to the digital world. The SL4000 console was the first mixing desk to incorporate dynamics processing into every channel, as well as a master bus compressor in the consoles center section. The ability to 'patch' into the SL4000's master bus compressor and to control its sidechain from an internal sub-mix allowed sound engineers to discover unique, history-making applications of this console technology. Whether used to record instruments such as piano and drums or for final mixing, these innovative console sections - master bus compressor, EQ and dynamics - opened up a new world of opportunities. For years, workstation users have sought this unusual flexibility and signature sound. But conventional dynamics and EQ plug-ins couldnt produce the unique SSL color. The Waves SSL 4000 Collection is the result of a partnership between Waves Audio and Solid State Logic. These processors faithfully recreate the same EQ and dynamics characteristics which made legendary the SL4000 consoles. Plus, the interface accurately reflects the classic SSL console. Couple all of this with state-of-the art Waves software and you suddenly find yourself working with the same tools that have provided countless hit mixes for the world's best audio engineers.

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The Waves SSL 4000 Collection consists of three separate sections: The SSL E-Channel The SSL 4000 G-Master Bus Compressor The SSL G-Equalizer
2. Description of the SSL G-Equalizer
The SSL G-Equalizer is modeled after the rack-mounted version of SSLs G 292 EQ. The SSL G-Equalizer functions much like the E-Series EQ in Waves SSL E-Channel, so it is very easy to move back and forth between these two equalizers. This four-band equalizer offers marginally greater gain change than the E-Series EQ, and each EQ offers a slightly different equalization curve, so you will need to experiment with each equalizer to discover which best suits your specific needs. Veteran SSL users will already have their own ideas as to how to best pair the 242 EQ in the SSL E-Channel Strip with the SSL G 292-Equalizer. With a bit of experimentation you will discover how to best use each EQ, but we can offer a few generalizations with which to start:
In general, the SSL G-Equalizer allows you to create a more extreme EQ than with the E-Channel Strip. The E-Channel EQ typically allows for a narrower Q than the SSL G-Equalizer. The SSL G-Equalizer affords a bit more gain change than the E-Channel Strip.
Many engineers choose to use the E-Channels EQ for detail work and mixing, employing the SSL G-Equalizer as a downstream device to shape and give character to the sound. How you choose to use each of these EQs will depend on your program material as well as your own taste and style.

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3. SSL G-Equalizer Controls and Indicators
1. High pass filter (white knobs on the left) 18 dB/octave, 16 Hz 350 Hz. Filter in/out switch, with indicator. 2. Low frequency EQ section (black knobs) Shelving. Range 30 Hz 450 Hz. Gain range 17 dB. 3. Low medium frequency EQ section (blue knobs) Range 200 Hz 2.5 kHz. Q is continuously adjustable from 0.1 to 3.5. Gain varies from 20 dB when Q is set at 3.5, to 15 dB when Q is set at 0.1. The 3 button divides the selected frequency by three (e.g., if you have selected a center frequency of 300 Hz, pressing the 3 button will result in a frequency of 100 Hz.) 4. High medium frequency EQ section (green knobs) Range 600 Hz 7 kHz. As in the LMF EQ section, Q is continuously adjustable from 0.1 to 3.5. Gain varies from 20 dB when Q is set at 3.5, to 15 dB when Q is set at 0.1. The x3 button allows you to multiply the selected frequency by three. 5. High frequency EQ section (purple knobs) Range 1.5 kHz 16 kHz. Gain range 17 dB, shelving. 6. EQ IN (far right) The EQ IN button bypasses the EQ section but leaves the filter in (if engaged.) 7. Phase reverse () This button reverses the phase of the input signal. 8. Master Output (far right) Master Output fader controls overall output of the processor. 9. Trim button Above the meter display is a trim button (12). Pressing the trim button will trim the output level by the amount indicated on the button this trim will bring you to -0.1db in peak which is the full 24bit output level. A positive indication in this mode expresses how much headroom you have remaining. A negative display indicates how much you must reduce your signal to avoid digital clipping. 10. Analogue on/off. Classic analogue processors necessarily create more noise and harmonic distortions than modern digital devices. This is, in part, what gives analogue processors their desired sound. By default, all components of the SSL

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4000 Collection operate in a mode which enables emulation of the SSL console. However, there may be times when you prefer to use this plug-in without these special attributes. Switching off Analogue disables analogue emulation.
SSL G-Equalizer Indicators
Meter section The output meter indicates mono/stereo output level, displayed in dBFS. Note that all parameters for the SSL 4000 Collection processors are expressed in dBu, in keeping with the original analogue SSL 4000 console. Output levels, however, must be expressed in dBFS, since the processor operates in a digital environment.

4. The Waves System Bar

All Waves plug-ins share a common feature, the Waves System Bar, which takes care of most administrative functions you will encounter while working with Waves plug-ins. Since the Waves System Bar is virtually identical on all Waves plug-ins, you will always know how to file, compare, load and copy the parameters of a Waves plug-in, even if you have never before worked with that particular processor. Commands common to all Waves plug-ins: Undo undoes the last performed action Redo redoes the last undone action, there are 6 levels of undo/redo. Setup A/B toggles between two sets of parameters within the same processor useful when comparing different parameter settings in order to achieve optimal results Copy A->B copies the current settings to the second setup register Save used for saving presets in the Waves file format (.xps) There are two options for saving: Save to new file: creates a new.xps file wherein multiple presets can be saved. Save into preset menu: saves the preset into the default list of the plug-in. Pressing the ? button will open the manual for the plug-in you are using.