Waves SSL 4000 Collection

SSL G-Equalizer

1. Introduction
The unique sound of Solid State Logics 4000 Series analogue mixing consoles is sought after worldwide. Engineers of pop and rock music, broadcast transmissions and television post-production value the SSL 4000s flexible dynamics chain as much as the trademark SSL punchy sound. Waves and SSL engineers have worked together for over a year to recreate the sound characteristics of the classic SSL 4000 Series E and G Series consoles. Now, those who mix in the box can achieve the sound they thought theyd lost when they moved to the digital world. The SL4000 console was the first mixing desk to incorporate dynamics processing into every channel, as well as a master bus compressor in the consoles center section. The ability to 'patch' into the SL4000's master bus compressor and to control its sidechain from an internal sub-mix allowed sound engineers to discover unique, history-making applications of this console technology. Whether used to record instruments such as piano and drums or for final mixing, these innovative console sections - master bus compressor, EQ and dynamics - opened up a new world of opportunities. For years, workstation users have sought this unusual flexibility and signature sound. But conventional dynamics and EQ plug-ins couldnt produce the unique SSL color. The Waves SSL 4000 Collection is the result of a partnership between Waves Audio and Solid State Logic. These processors faithfully recreate the same EQ and dynamics characteristics which made legendary the SL4000 consoles. Plus, the interface accurately reflects the classic SSL console. Couple all of this with state-of-the art Waves software and you suddenly find yourself working with the same tools that have provided countless hit mixes for the world's best audio engineers.

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The Waves SSL 4000 Collection consists of three separate sections: The SSL E-Channel The SSL 4000 G-Master Bus Compressor The SSL G-Equalizer
2. Description of the SSL G-Equalizer
The SSL G-Equalizer is modeled after the rack-mounted version of SSLs G 292 EQ. The SSL G-Equalizer functions much like the E-Series EQ in Waves SSL E-Channel, so it is very easy to move back and forth between these two equalizers. This four-band equalizer offers marginally greater gain change than the E-Series EQ, and each EQ offers a slightly different equalization curve, so you will need to experiment with each equalizer to discover which best suits your specific needs. Veteran SSL users will already have their own ideas as to how to best pair the 242 EQ in the SSL E-Channel Strip with the SSL G 292-Equalizer. With a bit of experimentation you will discover how to best use each EQ, but we can offer a few generalizations with which to start:
In general, the SSL G-Equalizer allows you to create a more extreme EQ than with the E-Channel Strip. The E-Channel EQ typically allows for a narrower Q than the SSL G-Equalizer. The SSL G-Equalizer affords a bit more gain change than the E-Channel Strip.
Many engineers choose to use the E-Channels EQ for detail work and mixing, employing the SSL G-Equalizer as a downstream device to shape and give character to the sound. How you choose to use each of these EQs will depend on your program material as well as your own taste and style.

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3. SSL G-Equalizer Controls and Indicators
1. High pass filter (white knobs on the left) 18 dB/octave, 16 Hz 350 Hz. Filter in/out switch, with indicator. 2. Low frequency EQ section (black knobs) Shelving. Range 30 Hz 450 Hz. Gain range 17 dB. 3. Low medium frequency EQ section (blue knobs) Range 200 Hz 2.5 kHz. Q is continuously adjustable from 0.1 to 3.5. Gain varies from 20 dB when Q is set at 3.5, to 15 dB when Q is set at 0.1. The 3 button divides the selected frequency by three (e.g., if you have selected a center frequency of 300 Hz, pressing the 3 button will result in a frequency of 100 Hz.) 4. High medium frequency EQ section (green knobs) Range 600 Hz 7 kHz. As in the LMF EQ section, Q is continuously adjustable from 0.1 to 3.5. Gain varies from 20 dB when Q is set at 3.5, to 15 dB when Q is set at 0.1. The x3 button allows you to multiply the selected frequency by three. 5. High frequency EQ section (purple knobs) Range 1.5 kHz 16 kHz. Gain range 17 dB, shelving. 6. EQ IN (far right) The EQ IN button bypasses the EQ section but leaves the filter in (if engaged.) 7. Phase reverse () This button reverses the phase of the input signal. 8. Master Output (far right) Master Output fader controls overall output of the processor. 9. Trim button Above the meter display is a trim button (12). Pressing the trim button will trim the output level by the amount indicated on the button this trim will bring you to -0.1db in peak which is the full 24bit output level. A positive indication in this mode expresses how much headroom you have remaining. A negative display indicates how much you must reduce your signal to avoid digital clipping. 10. Analogue on/off. Classic analogue processors necessarily create more noise and harmonic distortions than modern digital devices. This is, in part, what gives analogue processors their desired sound. By default, all components of the SSL

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4000 Collection operate in a mode which enables emulation of the SSL console. However, there may be times when you prefer to use this plug-in without these special attributes. Switching off Analogue disables analogue emulation.
SSL G-Equalizer Indicators
Meter section The output meter indicates mono/stereo output level, displayed in dBFS. Note that all parameters for the SSL 4000 Collection processors are expressed in dBu, in keeping with the original analogue SSL 4000 console. Output levels, however, must be expressed in dBFS, since the processor operates in a digital environment.

4. The Waves System Bar

All Waves plug-ins share a common feature, the Waves System Bar, which takes care of most administrative functions you will encounter while working with Waves plug-ins. Since the Waves System Bar is virtually identical on all Waves plug-ins, you will always know how to file, compare, load and copy the parameters of a Waves plug-in, even if you have never before worked with that particular processor. Commands common to all Waves plug-ins: Undo undoes the last performed action Redo redoes the last undone action, there are 6 levels of undo/redo. Setup A/B toggles between two sets of parameters within the same processor useful when comparing different parameter settings in order to achieve optimal results Copy A->B copies the current settings to the second setup register Save used for saving presets in the Waves file format (.xps) There are two options for saving: Save to new file: creates a new.xps file wherein multiple presets can be saved. Save into preset menu: saves the preset into the default list of the plug-in. Pressing the ? button will open the manual for the plug-in you are using.

24 Bit Studio Plugin/Software Synthesizer Listing
Equalizers: Avid EQ 3 (1, 4, & 7 band) Sonnox Oxford EQ Waves V-Series VEQ3 (3 band) Waves V-Series VEQ4 (4 band) Waves LFE 360 (5.1) Waves Linear Phase Broadband EQ Waves Linear Phase Lowband EQ Waves Q10 Paragraphic EQ Waves Renaissance EQ (2, 4, & 6 band) Waves SSL EQ Compressors: Avid Compressor/Limiter 3 (stereo, 5.1) Avid Expander/Gate (stereo, 5.1) Avid Smack! Compressor (stereo, 5.1) Avid Maxim Limiter Massey De:Esser Sonnox Oxford Dynamics Sonnox Oxford SuprEsser Waves V-Series VComp Compressor Waves C1 Compressor Waves C1 Compressor/Gate Waves De-Esser Waves L1 Ultramaximizer Waves L2 Limiter Waves Linear Phase Multiband Compressor Waves Renaissance Compressor Waves Renaissance Axx Waves SSL Master Buss Compressor Waves C360 Compressor (5.1) Waves L360 Compressor (5.1) Waves MV360 Compressor (5.1) Channel Strips: Waves SSL G Channel EQ/Compressor/Gate Waves SSL E Channel EQ/Compressor/Gate Reverbs: Audio Ease Altiverb 6 Sonnox Oxford Reverb Trillium Labs Space Reverb Waves IR-L Convolution Reverb Waves R360 Reverb (5.1) Waves Renaissance Reverb Waves TrueVerb Dither: IDR Dither IDR 360 Dither (5.1) POWr Dither Sound Field Reprocessing/Metering: WavesM360 Manager (5.1) Waves S360 Imager (5.1) Waves S1 Stereo Imager Avid SurroundScope (5.1) Waves Dorrough Metering (stereo, 5.1) Harmonic Reprocessing: Avid Eleven Native Instruments Guitar Rig 4 SansAmp PSA-1 Distortion Massey TD-5 Analog Delay Massey TapeHead Waves GTR 3 o GTR 3 Tool Rack o GTR Amp o GTR Amp2Cab o GTR Stomp (up to 6 stompboxes) Waves Super-Tap Sound Replacement: Avid Sound Replacer WaveMachine Labs Drumagog (drum replacer) Vocal/Instrument Tuning: Antares Auto-Tune Celemony Melodyne Software Synthesizers: Native Instruments Absynth 5 (stereo, 5.1) Native Instruments Battery 3 (stereo, 5.1) Native Instruments FM8 Native Instruments Kontakt 4 (stereo, 5.1) Native Instruments Massive Native Instruments Reaktor 5 Rewire for Propellerheads Reason Avid DB-33 Avid Hybrid Avid Structure Avid Vacuum Avid Xpand2
Note: Listed are Avid-designed and third-party DSP plugins for use with Avid Pro Tools v9, the preferred digital audio workstation of 24 Bit Productions. Should your project require the use of Apple Logic 9 or Apple Final Cut Studio, please contact ian@24bitproductions.com for further info on the use of Apple-designed DSP plugins and synthesizers designed for use only in these Apple products. All plugins listed above are compatible with Logic 9 and Final Cut Pro Studio, with the exception of those listed with the Avid, Sonnox, Massey and Trillium Labs brands.
24 bit productions LLC 30 west 36th st. minneapolis, mn 55408 (612) 770-3078 www.24bitproductions.com