F E AT U R E S
The Standard Evolves Once More: The Yamaha 02R96 Version2 Digital Mixing Console
Progress never stops at Yamaha, and new standards are constantly being established. The Yamaha 02R sparked the digital revolution back in 1995, and remained the professional standard until the release of the 02R96 in 2002. Now the 02R96 Version2 expands the envelope once more, redefining the state-of-the-art for digital audio production. With more than five times the processing power of the original 02R, the 02R96 Version2 represents a thorough revision that brings every aspect of the console up to date with today's most advanced production needs. And since the 02R96 inherits key features from Yamaha's flagship DM2000 Digital Production Console 96-kHz audio, surround monitoring, studio manger software, and DAW control it makes the most advanced technology for commercial sound and music production available to a broad range of engineers and facilities. Version2 adds features and functionality that place the 02R96 right at the forefront of todays production scene, delivering mixing performance, effects, surround capability, and operational efficiency that set it apart from all other consoles in its class.
Unprecedented 24-bit, 96-kHz Performance Throughout
Unlike conventional equipment that achieves operation in 96-kHz mode with reduced number of channels, the 02R96 imposes no such limitations at 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz. Full 96-kHz resolution with 32-bit internal processing and 58-bit accumulators is the standard. You get 56 channels of transparent, super-dynamic 24-bit/96-kHz audio, plus all the additional effects and processing youll ever need for most applications. Yamaha has included a comprehensive range of 96-kHz compatible stereo effects with 32-bit internal processing in the 02R96 plus several designed specifically for surround. And you can use as many as four individual effect processors simultaneously.

FX Edit Reverb 5.1

only saves space, but it also means that all operations can be carried out without having to move away from the monitoring sweet spot. Whats more, all available inputs, outputs, effects, and channel inserts can be assigned to any of the consoles channels or outputs via the 02R96s remarkably versatile, easy-to-use digital patching system. For example, any of the four effect processors can be assigned to an auxiliary buss for send-type operation, or inserted directly into any input channel as required. A direct out function also allows the signal from any of the 56 input channels to be routed directly to any digital or analog output. The eight auxiliary busses can also be patched to anywhere in the system. Centralized control means youll never have to run around to physically re-patch cables whenever you need to reconfigure the system, and patch setups you might want to use again can be stored in the patch library for instant recall at any time.

In Patch

Superlative Analog Head Amplifiers & Converters
Musikmesse International Press Award 2003 Best Mixing Desk - Project Studio
Top-quality Channel Compression, Gating, EQ and Delay Version2
All 56 input channels on the 02R96 feature flexible, independent
And what about critical A/D conversion? All onboard A/D and D/A conversion makes use of the finest 24-bit/96-kHz converters. This is particularly important in the 02R96 because it features head amplifiers derived from the
compression and gating/ducking processors for dynamics control. The 4-band parameter channel equalizers also offer extra versatility with switchable type I or type II EQ algorithms to deliver the type of EQ response you prefer. Even the channel delay goes beyond the norm, with a maximum delay of 453 milliseconds. Version2 even features comp/gate gain reduction metering on the meter display.

Channel View

19th Annual Technical Excellence & Creativity (TEC) Award Small Format Console Technology: Yamaha 02R96
acclaimed DM2000 some of the finest analog mic preamps available in any console, anywhere. The on-board converters ensure that you get an excellent digital representation of the warm, transparent output from these remarkable mic preamps. I/O capability is also in line with the rest of the consoles performance: four I/O slots accept a new range of 24-bit/96-kHz-capable MiniYGDAI digital and analog I/O cards as well as existing types.

Expandable Data Libraries
Setting up EQ, compression, and other parameters for a mix from
56 Channels in 3 Layers, Plus Extraordinary Patching Flexibility
One of the advantages of working with digital is that it allows maximum power and flexibility to be packed into minimum space. On the 02Rprecision 100-millimeter motorized channel faders can be instantaneously layer-switched to control any of 56 channels. Having all controls right in front of you at all times not 2 02R96
scratch can be a daunting task, so Yamaha has provided an extensive selection of presets in a range of libraries that can simply be selected and used unmodified, or edited to suit specific requirements. Libraries are provided for effects, compression, gating, EQ, I/O patching, and more. Of course, your own setups can be added to the libraries for instant recall whenever they are needed. 02R96 3
The 02R96 provides everything you need for 6.1 surround processing, panning and monitoring.
A Complete Surround Solution

Version2

Studio Manager Version 2 Software Supplied Version2
Control from a personal computer? Of course! And Yamaha even supplies the software. The 02R96 comes with the Studio manager application for both Macintosh and Windows platforms, allowing total control and management of all 02R96 parameters via a comprehensive graphic interface. Studio Manager Version2 offers even more advanced networking potential than the original version, functioning as a complete central management system for digital mixing.
The 02R96 provides everything required for a complete surround solution. All the facilities you need for surround processing, panning and monitoring including joystick are provided as standard equipment. The joystick is the perfect (and generally preferred) tool for smooth, continuous positioning of 5.1 or 6.1 surround sound for DVDs or other surround media. And since accurate monitoring is so essential to surround production, extra care was taken to ensure that the 02R96 offers the ideal mixing environment it includes a downmix matrix which can deliver 3-1 (LCRS) and stereo mixes while you are burning a surround mix to DVD, bass management, and speaker alignment facilities for optimum speaker system tuning.

Oscillator

Output Fader Group

Output Fader Master

Fader Solo Release and Pre-Fader with Pan Version2 Of particular interest to broadcast engineers will be the new fader solo release and pre-fader with pan functions included in Version2. Fader solo release allows instant, automatic switchover from solo source monitoring to mixing. Pre-fader with pan also provides a post-pan monitoring option.
Group Master Mute Version2 Version2 adds the capability to assign group master mute to the user defined keys. Any of the consoles inputs and outputs can be assigned to mute groups as required, then muting of the assigned group can be engaged or disengaged with one touch via the user defined keys a tremendous advantage in live sound applications.
Operation lock Version2 Theres even a password-protected operation lock feature that can be used to lock specified functions and parameters.

Input Mute Group

Output Mute Group
ADD-ON EFFECTS Capability
Transport Controls and eight direct locate keys Version2 Since the 02R96 will almost certainly be used with some sort of multitrack recorder tape, hard-disk, or DAW it has been provided with a comprehensive range of facilities for external machine control. The MMC protocol is supported, and control can be switched between MTR and master target machines. Version2 provides additional control capability with the ability to Machine Control remotely control MMC equipment directly Add-On Effects Version2 The DM2000 Version2 is compatible with Yamahas outstanding Add-On Effects series (sold separately). According to your signal-processing needs you could add the Channel Strip package with high-performance EQ and compression capability, or the Master Strip Package for extraordinarily accurate sonic reproductions of some of the finest tape decks of audios golden age. Theres also a Reverb Package featuring the latest REV-X reverb algorithms used in Yamahas outstanding SPX2000, and other effect packages that can contribute to your production arsenal in a big way.

Set up a password.

for Live SR
User Assignable Layer Version2 Using the User Assignable Layer feature you can create a custom layer to which any channels can be assigned in a preferred layout, and the setups
Scene Memory Version2 Scene Memory capability is an essential element of modern digital mixing consoles. With the 02R96 you can take a snapshot of just about any mix, effect and patch setup and store it in any of 99 scene memories. There are also fade time, and recall safe functions which can be applied globally as well as individually for each channel. Additional scene memories can be managed via memory cards or a computer running the supplied Studio Manager software. Like most other control sections, a DISPLAY key brings all scene parameters up on the LCD display panel. And for even greater versatility Version2 features a global paste function that lets you simultaneously paste selected parameters from one scene to multiple scenes your EQ and AUX settings from final rehearsal, for example, can easily be copied to all other scenes that will be used during the performance.

Surround Effects Built In The DM1000s internal digital effect system includes Reverb 5.1, Comp 5.1, Expand 5.1, and a number of other effects specifically designed for surround production. Reverb ER and REV can be panned via the joystick. One program even provides as many as 8 mono reverbs that can be used for 8-in/8-out processing. Bus EQ and dynamics can also be grouped for efficient surround processing.
* Some surround effects use as many as four effect processors.

Reverb 5.1

Yamaha Digital consoles DM2000V2, DM1000V2 & 02R96V2 are the worlds first digital consoles equipped with complete surround monitoring facilities built-in, eliminating the need to connect and feed the signal to external monitoring equipment and offer perfect solution used in combination with the Powered Monitor Speaker MSP10 STUDIO.
Known worldwide for high quality entertainment sound and picture, the THX pm3 (Professional Multi-Channel Mixing & Monitoring) Studio Certification Program addresses the need for reliable, translatable, and superior performance in professional multi-channel mixing and monitoring studios worldwide. THX has created a performance standard that focuses on the listening and viewing environment, selection of audio and video equipment, layout of the working area, and calibration. DM2000V2, DM1000V2 & 02R96V2 are included in the THX pm3 Approved Equipment list as Studio Monitoring Systems, and Powered Monitor Speaker MSP10 STUDIO as Front & Surround speakers.
Yamaha Digital Consoles have the following surround functions built-in. Surround production functions Fully compatible with 3-1, 5.1 and 6.1 surround processing, panning and monitoring Flexible surround bus set up Built-in Joy stick Graphical user interface and parameters to assist accurate surround PAN positioning and efficient moves of sound image. Built-in surround effects including Reverb 5.1, Comp 5.1, Expand 5.1 etc. THX pm3 Approved surround monitoring functions Downmix monitoring matrix Bass Management: comprehensive filter and attenuator setting and THX pm3 presets Monitor Alignment functions (Attenuator and delay for individual speakers) Build-in Oscillator Snap to 85dB SPL function
Instant AUX Monitoring (AUX/SOLO Link) Version2 Another feature that will be an advantage in live sound applications is instant AUX monitoring: solo monitor any desired AUX signal simply by pressing the AUX Select button. The ability to instantly switch to AUX without having to switch the master layer can be an enormous advantage for monitor control.
Gain Reduction Meter Version2 Version2 even features comp/gate gain reduction metering on the meter display. You can monitor gain reduction while simultaneously monitoring input levels on the meter bridge.

Simultaneous Downmix Capability Version2 Matrix mixing and bus-to-stereo functions can be used to provide 6.1 to 5.1, 5.1 to 3-1 (LCRS) downmix or 3-1 to stereo downmix while you are working on the 5.1 mix.
[THXD] THX DVD [THXF] THX Film [THXM] THX Music
This preset is configured for DVD-Video production. Use this preset when mixing and/or monitoring audio content not from a theatrical film source. The parameters cannot be changed. This preset is configured for Film pre-production. Use this preset when mixing and/or monitoring theatrical film-based content (such as a pre-mix for film). The parameters cannot be changed. This preset is configured for DVD-Music production. Use this preset when mixing and/or monitoring multi-channel music content (including DVD-Audio and SACD). Only one parameter can be changed. The LFE gain (AMP) can be set to +10dB (default) or 0dB. Select the level that complies with the standards of the target media. Please note: The LFE output gain on some DVD players, receivers, and/or decoders may already be set to +10dB. Select the 0dB setting only if the destination environment (home theatre, etc.) has the LFE gain set to 0dB. Otherwise, use the default setting.
Simultaneous Surround Source Monitoring Version2 Bus outs and any outputs you have assigned to the Assign key can be monitored simultaneously, for enhanced efficiency when working on multitrack stem mixes and other complex procedures.
The THX pm3 logo is a trademark of THX Ltd. which may be registered in some jurisdictions. All rights reserved. For more information on THX pm3, please visit THX website at http://www.thx.com. Visit Yamaha website at http://www.yamahaproaudio.com/ to find DM2000/1000, 02R96 surround set up manual, Quick Guide and Surround Tutorial Booklet.

H A R D WA R E

Fader & Encoder Mode

Refined Interface

The Yamaha 02R96 has been designed on the strength of past successes plus invaluable feedback from leading engineers and artists worldwide. It is the latest step in an ongoing evolution that makes more production power, creative potential, and operational efficiency available than ever before.
The FADER MODE keys allow the 02R96 faders to be instantaneously switched between fader and auxiliary level control, while the ENCODER MODE keys assign the console's rotary encoders for pan, send level, and other assignable control functions.This flexible system lets you set up the controls for the most efficient operation according to the signal flow and mixing task at hand. Version2 additionally includes a fader touch-sense function that allows automix parameter punch in/out operations to be carried with unprecedented speed and efficiency. 2

scenes. A numeric display right next to the STORE, RECALL, and UP/DOWN keys shows the current scene number 01 through 99. Additional scene memories can be managed via a computer running the supplied Studio Manager software. 6

Analog Input Section

User Defined Keys
These 16 keys can be assigned to control any functions you choose.You could, for example, individually mute surround monitor speakers, arm tracks on an MTR, etc. When the Pro Tools or Nuendo Remote Layer mode is selected, the USED DEFINED KEYS are automatically assigned to dedicated control functions by default. 7
Inputs 1 through 16 feature high-performance head amplifiers for microphone or line input that deliver a pristine signal to the consoles precision 24-bit/96kHz A/D converters. 48-volt phantom power for condenser microphones is individually switchable for each input, trim controls and pad switches facilitate optimum level matching with the source, and switchable inserts make it easy switch external analog processing gear into or out of the pre-A/D signal path while maintaining optimum signal quality in wired installations. Inputs 17 through 24 accept line-level signals singly (each input has an independent trim control) or in pairs for stereo input. 12 Meter Bridge The MB02R96 Peak Meter Bridge is a complete levelmonitoring station with 12 12-segment level meters that can be used to display pre-EQ, pre-fader, or postfader input channel signal levels. An additional eight meters display levels on the consoles eight busses. A separate 32-segment stereo meter is provided for the main stereo program. 13
Display Control Machine Control
The 02R96 has been provided with a comprehensive range of facilities for external machine control. MMC protocol is supported, and control can be switched between MTR and master target machines. The MACHINE CONTROL section features basic transport control in the familiar layout REW, FF, STOP, PLAY, and REC for fast, efficient transport operation, plus locator keys for easy cue access. 8
The DISPLAY ACCESS keys determine which type of data will be shown on the LCD panel a total of 12 selectable categories in addition to the DISPLAY keys provided for each of the 02R96 control sections. This approach minimizes the need to scroll through on-screen lists when you need access to a particular type of data. Below the display access keys are a group of EFFECTS/PLUG-IN keys that can be used to instantly bring the parameters for any of the four simultaneously-assignable effects to the display. Editing and selection of on-screen parameters is easy, too, via encoders located immediately below the display. 3

Rear Panel

Channel Strips

Selected Channel Section

The SELECTED CHANNEL controls are the hands-on channel controls for the currently selected input and output channel, with analog-style buttons and knobs for direct, easy access to every single parameter. Need to adjust the high-mid frequency a little? Just grab the HIGH-MID encoder and turn. And while were on the subject of EQ, note that individual numeric displays are provided for each of the four EQ bands, displaying precise frequency and dB values immediately below the encoders so you dont have to refer to the LCD display. All of the sub-sections within the SELECTED CHANNEL section also feature DISPLAY keys that instantly bring the corresponding parameters up on the LCD display. 4

The 24 channel strips on the 02R96 panel provide access to the most essential operations for the corresponding channels. Depending on the currently selected layer, the channel strips will control channels 1 through 24, channels 25 through 48, or channels 49 through 56 as well as the eight AUX sends and eight busses (the Master Layer). Also the channel faders and encoders will function according to the settings in the FADER MODE and ENCODER MODE sections. In addition to a fader and rotary encoder, each channel strip includes a channel ON/OFF key, a SOLO key, and AUTO key to turn mix automation on or off for that channel, and a SEL key which assigns the channel as the consoles Selected Channel. Detailed control for the currently selected channel dynamics, EQ, buss assignment, panning and surround positioning, is available via the SELECTED CHANNEL controls. 9

Monitor Section

Master & Layer Section
The 02R96 MONITOR section features separate, multiple source selectors for the studio and control room sends, solo capability, separate source selectors and level control for surround monitoring, a DIMMER switch, and a TALKBACK section complete with slate capability.The 02R96 also offers advanced surround monitoring capability.
* Rear panel shown with optional I/O cards installed.
In addition to the master stereo fader with its own ON, SEL and AUTO keys, the master section includes keys for input channel layer selection (1-24, 25-48, or MASTER) as well as a selector for remote control. 10
A quick look at the rear panel should tell you that the 02R96 is designed for serious production. Balanced XLR and TRS connectors are provided for inputs 1 through 16, in addition to insert jacks (insert switches are provided on the console). Line-input channels 17 through 24 feature balanced TRS inputs.Then there are balanced analog studio, stereo, control room, and monitor outputs as well as eight balanced omni outputs. Analog 2-track inputs are provided in addition to digital 2-track inputs and outputs featuring both AES/EBU and coaxial connectors. On-board sample rate conversion allows CD players and other digital sources connected to the digital input to be monitored or routed to an input channel without having to be synchronized to the system clock. A wide range of synchronization and control options are available via word clock inputs and outputs, SMPTE and MTC time code inputs, MIDI connectors, and both serial and USB TO HOST connectors. Cascade in and output connectors allow two 02R96 consoles to be cascaded to provide up to 112 channels. Even the cooling fan is specially designed for ultra-quiet operation so that machine noise doesnt interfere with critical monitoring or recording operations.

Data Entry

Scene Memory
Heres where you can store all console parameters as a new scene, or instantly recall previously-stored

Large cursor, INC/DEC, and enter keys are complemented by a data entry dial that lets you spin in values quickly and easily.The data entry dial also doubles as a shuttle/scrub dial for recorder or DAW control.

STUDIO

MANAGER

VERSION

SAMPLE

A P P L I C AT I O N S

Studio Manager Version 2
The 02R96 Studio Manager application has undergone a significant evolution and has been reborn as Studio Manager Version2. The hybrid Windows/Macintosh Studio Manager application has been rewritten as a host application which hosts the 02R96 Editor which actually controls the 02R96 console, and which can be used simultaneously with other editors for professional digital audio gear such as the DM2000 Version2 digital mixer or the SPX2000 professional multi-effect processor. Simply connect the console to a computer via its TO HOST port (combined USB/serial), and the computer functions as comprehensive control center for the entire system. You can even open and close Studio Manager version2 windows from the 02R96 console controls, for seamless system integration and optimum operation efficiency in any application.

Sample Applications

Computer-based 96-kHz Recording
In this system the Yamaha 02R96 and a Digidesign Protools HD2 Accel setup are combined in a powerful recording and production system that provides as many as 64 input channels with up to 192 tracks at 48 kHz or up to 96 tracks at 96 kHz. Add to this the 02R96s advanced control surface features, and you have an extraordinarily powerful, efficient computer-based hard-disk recording system. You can combine the 02R96 with Steinbergs Nuendo or emagics Logic Audio workstation software, too. While the 02R96 functions as an advanced control surface for the software, it can also handle critical audio processing tasks as well as monitoring.
*Operation up to 96-kHz. Audio Interface(s) 192 I/O* HD Core card with I/O Unit HD Accel card with I/O Unit Signal Signal Mini-YGDAI Cards MY16-AE x 2 Mics Guitars etc.
Synthesizer Word Clock USB Tone Generator 02R96

Macintosh or PC

Connection with 96-kHz recorders

Although the 02R96 handles 96-kHz audio as standard, most of the currently available digital recorders can handle 96-kHz audio only in double channel mode (using 2 tracks to make one). In this configuration, the 02R96 uses one channel for one (96-kHz) track, but twice the number of I/O connections must be used. MY8-AT/TD/AE cards work in double channel mode to handle 96-kHz audio. The MY16-AT/TD/AE cards can handle 16 channels of 44.1 / 48-kHz audio or up to 8 channels of 96-kHz audio in double channel mode. With the latest equipment that handles 96-kHz audio as standard (in double speed mode like the 02R96) you can make standard connections using the MY8-AE96 card. MY8-AE96 card can work either in double speed or double channel mode.
DVD Authoring (6.1 Surround Monitoring)
Studio Manager V2 Host Window Library Window Meter Window Surround Editor Window

Stem Mix Monitoring

With the 02R96 monitoring stem mixes for film or video is easy. Even if your dialog, sound effects, music, and Foley sources are all in the form of 6.1 mixes, they can be combined and processed via the 02R96 without the need for any extra monitoring facilities.
Both the 02R96 and Yamahas MSP10 STUDIO powered monitor speakers have been officially approved for use in THX pm3 Certified Studios, and are thus ideal choices for the most advanced DVD authoring applications. In the system shown here the 6.1 program is monitored via powered monitors and a subwoofer connected to the consoles OMNI outputs (the 02R96 also includes bass management facilities for full-range playback). At the same time surround encoders and decoders can be inserted in the system to burn a stereo mix as well as the surround mix to Lt/Rt Master.

TASCAM DA Series etc.

Dialog
Discrete Master Recording

Layer Window

Patch Editor Window

MSP10 STUDIO

(Powered SP)

(Sub Woofer)

02R96 Editor
significant updates include:
Patch Editor-Effect Window Master Window
The 02R96 Editor runs under the Studio Manager Version2 host application, and offers features and functionality that have been refined and updated for professional-level control. Some of the most

Selected Channel Window

Mini-YGDAI Cards MY8-TD (TASCAM Signals)
OMNI Out TASCAM DA Series etc.
Mini-YGDAI Cards MY16-TD x 2 (TASCAM Signals)

OMNI Out

MY16-AE x 2 (AES/EBU)

SPX 2000 Editor (REV-X)

Mini-YGDAI Cards MY8-AE (96) (AES / EBU) etc. Insert Surround Encorder Surround Decoder

Down Mix

Sound Editing
Master Fader Window provides independent master fader display and control. Meter Window shows levels on all 56 channels. A new Automix Library Window has been added to the library windows. Layer Window allows selection and display of effects and other sources above the panel pan controls. Selected Channel Window adds graphic gate displays and long-stroke channel metering. Patch Edit Window is now resizable, and displays effect block inputs and outputs. Effect Editor Window adds Add-On Effects interface and fine control.

Lt/Rt Master

OPTIONS

ADD-ON

EFFECTS

Options

The 02R96s real I/O versatility comes in the form of four mini-YGDAI expansion slots. The expansion slots are 24 bit/96-kHz compatible, so you can select mini YGDAI plug-in cards to create the input/output configuration thats perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU connectivity, extra analog I/O capability, or other functions, the appropriate cards are available.
Go to www.yamahaproaudio.com to check Guidance on the use of Mini-YGDAI cards
Software packages are available for adding unique and valuable effect programs to the 02R96 internal effect programs. You can edit, store and recall ADD-ON EFFECTS on the console in the usual way. In addition, a special GUI is available in the 02R96 editor to manage these effects.

CHANNEL STRIP PACKAGE

(AE-011)
MASTER STRIP PACKAGE (AE-021)
The Master Strip Package Open Deck employs Virtual Circuitry Modeling technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders.
Employs VCM technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders. The Open Deck provides models of four machine types: Swiss 70, Swiss 78, Swiss 85, and American 70. You can even combine different record and playback decks for a wider range of variation. You also have a choice of old and new tape types, tape speed, bias, and EQ settings that can vary the focus of the sound, distortion, and saturation characteristics.

REVERB PACKAGE (AE-031)

The REV-X programs feature the richest reverberation and smoothest decay available, based on years of dedicated research and development.

Reverb ADD-ON EFFECTS employing the latest REV-X algorithms first introduced in Yamahas SPX2000 Professional Multi Effect Processor. The REV-X programs feature the richest reverberation and smoothest decay available, based on years of dedicated research and development. Hall, Room, and Plate programs are provided. The Hall and Room programs have a very open sound, while Plate delivers a brighter tonality that is ideal for vocals.

REV-X HALL

16 I/O Series
This Package includes 5 models that employ VCM (Virtual Circuitry Modeling) technology to recreate the sound and characteristics of several classic compression and EQ units from the 70s.
Includes five models that employ VCM technology to recreate the sound and characteristics of classic compression and EQ units from the 70s. Fine-tuned by leading engineers, and featuring carefully selected parameters in a simple interface. Compressor 276 (mono)/Compressor 276S (stereo): Recreate the fast response, frequency characteristics, and tubeamp saturation of the most in-demand analog compressors for studio use. Compressor 260 (mono)/Compressor 260S (stereo): Features faithful modeling of the solid-state VCA and RMS detection circuitry of the late 70s for live sound reinforcement applications.

MY16-AT

16 channel ADAT format I/O

MY16-AE

16 channel AES/EBU format I/O

MY16-TD

16 channel TDIF format I/O

MY16-mLAN

mLAN format I/O

96-kHz Series

MY8-AD96
8 channel Analog Input Card

MY8-DA96

8 channel Analog Output Card

MY8-AE96

8 channel AES/EBU format I/O

MY8-AE96S

8 channel AES/EBU format I/O (w/Sample rate converter)
Equalizer 601: Delivers the unique characteristics of 70s analog EQ circuitry, featuring graphical editing capability on both the console and PC displays.
Compressor 276 (mono) Compressor 276S EQ601 American 70 with New

Standard Series

Swiss 85 with New

MY8-AE

MY8-AT
8 channel ADAT format I/O

MY8-TD

8 channel TDIF format I/O

MY8-AD24

8 channel Analog Input Card (24 bit)
Compressor 260(mono)/Compressor 260S Swiss 70 with New REV-X PLATE

REV-X ROOM

MY4-AD
4 channel Analog Input Card (24 bit)

MY4-DA

4 channel Analog Output Card (20 bit)
SURROUND POST PACKAGE (AE-041)

Coming Soon

What is ISSP?
ISSP stands for Interactive Spatial Sound Processing, and is a new sound effect system created originally by Yamaha. Designed through comprehensive and extensive research, this technology offers unparalleled reality, operability and originality. It delivers unprecedented soundfield positioning and highly realistic sound source movement effects, with simple operation that allows simulations.

Plug-in DSP card

Developed, Manufactured & Supported by:
The Y96K contains many of Waves greatest hits, including Waves Renaissance Compressor and EQ, TrueVerb reverb, L1 Ultramaximizer, SuperTap delay, and DeEsser. These processors are all available in addition to your on-board effects. Y96K
Waves Effects and ADAT I/O
For details, go to Y96K product page at www.yamahaproaudio.com

www.waves.com

Exclusively distributed worldwide by:
The Surround Post Package uses Yamahas Interactive Spatial Sound Processing technology that takes full advantage of the 96-kHz audio DSP power of the Yamaha digital consoles. The AE-041 will include three effect programs: Room ER, Auto Doppler and Field Rotation. These unique effect programs not only can vastly simplify the complex operation in Post-Production requirements, but also can be used creatively in the musical context.
VINTAGE STOMP PACKAGE (AE-051)

What is VCM technology?

VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. Its capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.

MB02R96

Peak Meter Bridge

SP02R96

Side Pad
In this package Virtual Circuitry Modeling technology delivers faithful models of classic much-in-demand stomp boxes from the 70s that helped shape the sound of music history. The AE-051 package will include three phaser models: the MAX100, Vintage Phaser, and Dual Phase. Although the vintage equipments are hard to come by, they are in considerable demand for both live performance and studio production. All models feature graphical user interfaces that reflect the image of the times.
The names of programs or menus incorporated in ADD-ON EFFECTS are for descriptive purposes only. Reference to product names, trademarks, artists and songs is made for the sole purpose of identifying products and sounds studied for modeling and describing the sound nuances Yamaha attempted to create through use of its proprietary technology. Such reference does not constitute representations that they physically possess equal qualities, and does not imply any cooperation or endorsement by such manufacturers or artists. The products, trademarks are the property of their respective owners.
S P E C I F I C AT I O N S

ANALOG OUTPUT SPEC

Specifications

GENERAL SPECIFICATIONS

Number of scene memories Sampling Frequency 99 Internal External 44.1kHz, 48kHz, 88.2kHz, 96kHz Normal rate 44.1kHz-10% - 48kHz+6% Double rate 88.2kHz-10% - 96kHz+6% Power Requirements U.S./Canada H B Height Depth Width 34 kg 10-35C -20-60C AC Cable CD-ROM (Studio manager) Digital audio interface card (MY16, MY8, MY4 series) PEAK METER BRIDGE: MB02R96 SIDE PANEL: SP02RV 230 V 230 V 200W 200W 200W 60Hz 50Hz 50Hz

Crosstalk (@ 1kHz) Input Gain=Min.

2TR OUT DIGITAL

24 bit *3
0.5Vpp/75 0.5Vpp/75 RS422

RCA Pin Jack

*1 Total Harmonic Distortion is measured with a 6dB/octave filter @80kHz. *2 Hum & Noise are measured with a 6dB/ octave filter @12.7kHz equivalent to a 20kHz filter with infinite dB/octave attenuation.

3 CASCADE OUT

24 bit *3 -
RCA Pin Jack D-SUB Half Pitch Connector 68P (Female)
Available Mini-YGDAI card specifications
Maker Yamaha Model MY8-AT MY8-AE MY8-TD MY8-AD24 MY4-AD MY4-DA MY8-AD96 MY8-DA96 MY8-AE96S MY8-AE96 MY16-AT MY16-AE MY16-TD MY16-mLAN Function Digital I /O Digital I /O Digital I /O A to D In A to D In D to A Out A to D In D to A Out Digital I /O Digital I /O Digital I /O Digital I /O Digital I /O mLAN Interface IN OUT Format 8 ADAT 8 AES/EBU 8 TDIF 8 AES/EBU 8 AES/EBU 16 ADAT 16 AES/EBU 16 TDIF 16 IEEE 1394 Res / Freq 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 20 bit 44.1/48 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24bit, 44.1/48kHz Connector Toslink x 2 D-sub 25pin D-sub 25pin TRS x 8 XLR x 4 XLR x 4 D-sub 25pin D-sub 25pin D-sub 25pin D-sub 25pin Toslink x 2 D-sub 25pin D-sub 25pin 1394 6pin Note Can handle 96 kHz by double channel mode Can handle 96 kHz by double channel mode Can handle 96 kHz by double channel mode Replacing MY8-AD (20 bit 44.1/48 kHz)
*1 Effects 53 ~ 61 are optional Add-On Effects. These effects become fully available after installation and authorization. Prior to installation effects 53 ~ 61 function in demo mode only.

ANALOG INPUT SPEC

Input INPUT A/B 1-16 PAD GAIN -60 dB 3k 26 INPUT 17-24 -16 dB -34 dB +10 dB INSERT IN 1-16 2TR IN ANALOG 1 [L, R] 2TR IN ANALOG 2 [L, R] 10k 10k 10k 600 Lines 600 Lines 600 Lines Actual Load Impedance For Use With Nominal 50-600 Mics & 600 Lines Input level Sensitivity *1 -70 dB (0.245 mV) -26dB (38.8mV) 0dB (775mV) 4k 600 Lines -44dB (4.89mV) 0dB (775mV) -6dB (388mV) +4dB (1.23V) -10dBV (0.316 V) Nominal -60dB (0.775mV) -16dB (0.123V) +10dB (2.45V) -34dB (15.5mV) +10dB (2.45V) +4dB (1.23 V) +4dB (1.23 V) -10dBV (0.316 V) Max. before clip -46dB (3.88mV) -2dB (616mV) +24dB (12.28V) -20dB (77.5mV) +24dB (12.28V) +18dB (6.16V) +18dB (6.16V) +4dBV (1.58V) Phone Jack (TRS) *4 Phone Jack (TRS) (Balanced) *3 RCA pin jack (Unbalanced) Phone Jack (TRS) (Balanced) *3 A: XLR-3-31 type (Balanced) *2 B: Phone Jack (TRS) (Balanced) *3 Connector

Yamaha DM2000/02R96 Version2 Upgrade Guide
This document explains how to upgrade the DM2000/02R96 Version2 system software. System software Version2 (2.0 or later) should be installed on the DM2000/02R96 beforehand.
Precautions (please be sure to read these precautions)
The user assumes full responsibility for the upgrade. Back up important data before upgrading. If you fail to follow these instructions properly, or turn off the DM2000/02R96 or disconnect the USB cable while the upgrade is in progress, the DM2000/02R96 may be damaged. This software is for upgrading the DM2000/02R96 system software from a computer via USB. MIDI drivers other than the Yamaha USB-MIDI driver cannot be used. If the upgrade fails while the new system software is being transferred to the DM2000/02R96 due the power being turned off, the USB cable disconnected, etc., when the DM2000/02R96 is turned back on again it will startup in download mode, not normal mode. In this case you should reconnect the cable and perform the upgrade again. If the DM2000/02R96 does not work properly after upgrading, and youve tried upgrading several times, please contact your Yamaha dealer. This software and its documentation is copyright Yamaha Corporation. Reproducing or modifying all or part of this software or its documentation without permission is strictly prohibited. The screen shots in this guide are for use with this upgrade procedure only and may be different to the actual screen shots. Windows is a registered trademark of Microsoft Corporation. Apple, Mac, and Power Macintosh are registered trademarks and Mac OS is a trademark of Apple Corporation, Inc. OMS is a trademark of Opcode Systems, Inc. SmartMedia is a trademark of Toshiba Corporation. All other trademarks are the property of their respective holders and are hereby acknowledged.

System Requirements

Windows OS: Computer: Memory: Hard disk: Display: Macintosh OS: Computer: Memory: Hard disk: Display: Mac OS 9.0 - 9.2.2, Mac OS X 10.2 or higher Power Macintosh G3/233 MHz or higher that features a USB port Available memory of 16 MB or more (Turn off the virtual memory.) Available space of 10 MB or more 1024 x 768 pixels, 256 colors or more (32,000 colors or more recommended) Windows 98SE, Me, 2000, XP Home Edition, XP Professional PC that features a USB port and an Intel Pentium or Celeron-family processor of 433 MHz or higher 128 MB or more Available space of 10 MB or more 1024 x 768 pixels, 256 colors or more (High Color 16-bit or more recommended)

Contents of the folder

Windows DMUpgrade.exe Dm2k.pgm or 02r96.pgm Other files Macintosh DM2K_patchE or 02r96_patchE Dm2k.pgm or 02r96.pgm System software installer System software of DM2000 or 02r96 System software installer System software of DM2000 or 02r96 Other files are necessary for installer. (Keep all files on the folder.)

DM2000 users

DM2000 users can upgrade system software by using a SmartMedia disk. Required Devices One SmartMedia (8 - 128 MB) formatted on the DM2000 SmartMedia writer that copies the files from the computer to a SmartMedia Upgrading the System Software 1. After you download and decompress the upgrading software files, select and copy the file called dm2k.pgm to a SmartMedia that was formatted on the DM2000. At this time, do not copy any files other than dm2k.pgm. 2. Turn off the power to the DM2000. 3. Insert the SmartMedia (to which you copied the dm2k.pgm file) into the CARD slot, then turn on the power to the DM2000. 4. Count down starts and the upgrading process begins. The upgrade takes about 2 minutes. While the upgrade is in progress, do not turn off the DM2000 or remove the SmartMedia. 5. When the message Completed appears, and the DM2000 has rebooted itself in normal mode in about five seconds, the upgrade is complete.
Upgrading the System Software
1. Start the computer and check to see if the following steps are complete. Installing the Yamaha USB-MIDI Driver in the computer Connecting the computer and the console using a USB cable Backing up the data in the user memories in the console

Note: Before starting the upgrade program, quit all other programs. While the upgrade is in progress, do not start any other programs or switch between windows. Note: If your computer enters Sleep or Energy Save mode, data transfer to the DM2000/02R96 may stop, so disable these functions to prevent this from happening. Note: Do not connect any USB devices other than the DM2000/02R96, USB mouse or USB keyboard. Connect the DM2000/02R96 directly to a USB port on your PC, not via a USB hub.
2. While pressing and holding down the [REC] button in the transport section on the DM2000 (or the MACHINE CONTROL [REC] button on the 02R96), turn on the power to the console. Continue holding down the [REC] button until FLASH UPDATE appears on the display. 3. Double-click DMUpgrade.exe (or DM2K_patchE or 02R96_patchE for Mac OS) The installer window opens.
Click [Next]. The following I/O port setting window opens.
5. Make sure that YAMAHA USB IN 0-1 is selected for the Input port and that YAMAHA USB OUT 0-1 is selected for the output port, then click [Next]. A window indicating the installation progress opens, and the system software is installed. The installation process takes a few minutes (10 minutes on Mac OS X). If you are using Mac OS 9, select DM2000-1 (or 02R96-1) for the Input port, and DM2000-1 (or 02R96-1) for the output port. Note that the port names vary with the OMS setup files. 6. When the installation is complete, the following window opens and the DM2000 reboots itself in normal mode.

Error Message List

Errors in connection to the console Unable to connect to the console. Make sure that the power to the console is turned on and that the console and the computer are connected via the USB cable. If the console is in normal operation mode, press and hold down the [REC] button and turn on the power to the console to place it in Flash Update mode. Make sure that the Flash Update in the console has been updated to V2.0. If you are using Mac OS 9, make sure the OMS setup is correct. If the error persists, turn off and on the power to the console and restart the installer. Installer cannot proceed because there is no access key, which is needed for installation. The access key is not written in the console. Install the version2 system software using a DM2000V2K/02R96V2K package beforehand. This application does not correspond to the console. This message appears when the installer is not compatible with the console, for example when you used a DM2000 installer to upgrade the 02R96. This version has already been installed. No need to install. To cancel installation, click [Do not install]. To install and overwrite the current software, click [Reinstall]. Cancel installation if there is no problem in operating the console. Error Messages on the Console Protocol Error Vendor Error This message appears when the FLASH UPDATE is not V2.00 or later. Install the version2 system software using a DM2000V2K/02R96V2K package beforehand. Please grant authority The access key is not written in the console. Install the version2 system software using a DM2000V2K/02R96V2K package beforehand.