F E AT U R E S

The Standard Evolves Once More: The Yamaha 02R96 Version2 Digital Mixing Console
Progress never stops at Yamaha, and new standards are constantly being established. The Yamaha 02R sparked the digital revolution back in 1995, and remained the professional standard until the release of the 02R96 in 2002. Now the 02R96 Version2 expands the envelope once more, redefining the state-of-the-art for digital audio production. With more than five times the processing power of the original 02R, the 02R96 Version2 represents a thorough revision that brings every aspect of the console up to date with today's most advanced production needs. And since the 02R96 inherits key features from Yamaha's flagship DM2000 Digital Production Console 96-kHz audio, surround monitoring, studio manger software, and DAW control it makes the most advanced technology for commercial sound and music production available to a broad range of engineers and facilities. Version2 adds features and functionality that place the 02R96 right at the forefront of todays production scene, delivering mixing performance, effects, surround capability, and operational efficiency that set it apart from all other consoles in its class.
Unprecedented 24-bit, 96-kHz Performance Throughout
Unlike conventional equipment that achieves operation in 96-kHz mode with reduced number of channels, the 02R96 imposes no such limitations at 44.1 kHz, 48 kHz, 88.2 kHz or 96 kHz. Full 96-kHz resolution with 32-bit internal processing and 58-bit accumulators is the standard. You get 56 channels of transparent, super-dynamic 24-bit/96-kHz audio, plus all the additional effects and processing youll ever need for most applications. Yamaha has included a comprehensive range of 96-kHz compatible stereo effects with 32-bit internal processing in the 02R96 plus several designed specifically for surround. And you can use as many as four individual effect processors simultaneously.

FX Edit Reverb 5.1

only saves space, but it also means that all operations can be carried out without having to move away from the monitoring sweet spot. Whats more, all available inputs, outputs, effects, and channel inserts can be assigned to any of the consoles channels or outputs via the 02R96s remarkably versatile, easy-to-use digital patching system. For example, any of the four effect processors can be assigned to an auxiliary buss for send-type operation, or inserted directly into any input channel as required. A direct out function also allows the signal from any of the 56 input channels to be routed directly to any digital or analog output. The eight auxiliary busses can also be patched to anywhere in the system. Centralized control means youll never have to run around to physically re-patch cables whenever you need to reconfigure the system, and patch setups you might want to use again can be stored in the patch library for instant recall at any time.

In Patch

Superlative Analog Head Amplifiers & Converters
Musikmesse International Press Award 2003 Best Mixing Desk - Project Studio
Top-quality Channel Compression, Gating, EQ and Delay Version2
All 56 input channels on the 02R96 feature flexible, independent
And what about critical A/D conversion? All onboard A/D and D/A conversion makes use of the finest 24-bit/96-kHz converters. This is particularly important in the 02R96 because it features head amplifiers derived from the

User Defined Remote (Insert) Remote (Channel) Surround Edit Bass Management
I/O Expandability and Plug-in Capability Comprehensive Automation and Scene Control
The 02R96s real I/O versatility comes in the form of six MiniYGDAI expansion slots. The expansion slots are 24 bit/96 kHz compatible, so you can select I/O and processing cards to provide the input/output configuration and processing capabilities that are perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU format connectivity, or extra analog I/O capability, the appropriate Mini-YGDAI cards are available.
excellent precision. 02R96 5
for Production & Broadcast

DAW Integration

Integrated DAW Control The 02R96 has been designed to integrate tightly with leading digital audio workstations to create a complete production and mixing environment. Extensive support for Digidesigns Protools system provides full control of mixing and processing parameters, as well as transport/track-arming control and access to editing functions, directly from the 02R96 control surface.
from the consoles DAW layer, so you can simultaneously control a DAW and MMC recorders without having to switch layers. 8 direct locate keys are also provided for fast, easy location and cueing.

COMP276 (CHANNEL STRIP)

can be stored in any of four banks. This system means that you have a total of 96 channels and buses right in front of you in the space of 24.

OPEN DECK (MASTER STRIP)

REV-X (REVERB)

User Assignable Layer

for Broadcast
Locator (Locate Memory) Locator (Machine Control) Remote (User Difined)
Advanced Automix Function
Automix Static Insert Version2 Versatility is further enhanced in Version2 with an automix static insert function that allows pre-defined parameter settings to be punched in and out to, for example, adjust the EQ for a short dialog sequence during preproduction.
Versatile Channel Pairing and Grouping Functions Version2 In addition to being able to pair faders horizontally, corresponding faders in layers1 and 2 can be vertically paired, allowing each physical channel fader to be used for stereo channel control. Up to 24 stereo channels can thus be controlled from a single layer with a whole list of linked parameters.
Fader Group Master Version2 Grouped faders can now be operated in a more VCA-like manner, with easy adjustment of fader balance within the group. Used with the user-assignable layer feature this functionality delivers significant advantages in live sound applications.

Surround Effects Built In The DM1000s internal digital effect system includes Reverb 5.1, Comp 5.1, Expand 5.1, and a number of other effects specifically designed for surround production. Reverb ER and REV can be panned via the joystick. One program even provides as many as 8 mono reverbs that can be used for 8-in/8-out processing. Bus EQ and dynamics can also be grouped for efficient surround processing.
* Some surround effects use as many as four effect processors.

Reverb 5.1

Yamaha Digital consoles DM2000V2, DM1000V2 & 02R96V2 are the worlds first digital consoles equipped with complete surround monitoring facilities built-in, eliminating the need to connect and feed the signal to external monitoring equipment and offer perfect solution used in combination with the Powered Monitor Speaker MSP10 STUDIO.
Known worldwide for high quality entertainment sound and picture, the THX pm3 (Professional Multi-Channel Mixing & Monitoring) Studio Certification Program addresses the need for reliable, translatable, and superior performance in professional multi-channel mixing and monitoring studios worldwide. THX has created a performance standard that focuses on the listening and viewing environment, selection of audio and video equipment, layout of the working area, and calibration. DM2000V2, DM1000V2 & 02R96V2 are included in the THX pm3 Approved Equipment list as Studio Monitoring Systems, and Powered Monitor Speaker MSP10 STUDIO as Front & Surround speakers.
Yamaha Digital Consoles have the following surround functions built-in. Surround production functions Fully compatible with 3-1, 5.1 and 6.1 surround processing, panning and monitoring Flexible surround bus set up Built-in Joy stick Graphical user interface and parameters to assist accurate surround PAN positioning and efficient moves of sound image. Built-in surround effects including Reverb 5.1, Comp 5.1, Expand 5.1 etc. THX pm3 Approved surround monitoring functions Downmix monitoring matrix Bass Management: comprehensive filter and attenuator setting and THX pm3 presets Monitor Alignment functions (Attenuator and delay for individual speakers) Build-in Oscillator Snap to 85dB SPL function
Instant AUX Monitoring (AUX/SOLO Link) Version2 Another feature that will be an advantage in live sound applications is instant AUX monitoring: solo monitor any desired AUX signal simply by pressing the AUX Select button. The ability to instantly switch to AUX without having to switch the master layer can be an enormous advantage for monitor control.
Gain Reduction Meter Version2 Version2 even features comp/gate gain reduction metering on the meter display. You can monitor gain reduction while simultaneously monitoring input levels on the meter bridge.

GATE GR and COMP GR buttons
Flexible Surround Bus Setup Version2 In version2 the 02R96 surround bus is no longer fixed, but can be freely configured to accommodate a wide variety of surround mixing needs.

Surround Bus setup

Surround Pan Positioning
Surround Monitor Setup (THX pm3 Monitor Flow)

for Surround Production

Up to 6.1 Surround Monitoring & Processing The 02R96 surround features are fully compatible with 3-1, 5.1 and 6.1 surround processing, panning and monitoring requirements. With the 02R96 you can also change the order of the surround channel to bus out assignment according to project requirements. And since accurate monitoring is so essential to surround production, extra care was taken to ensure that the 02R96 offers the ideal mixing environment it includes a downmix matrix which can deliver 3-1 (LCRS) and stereo mixes while you are burning a surround mix to DVD, bass management, and speaker alignment facilities for optimum speaker system tuning. The 02R96 will even handle multiple surround stem mixes with ease.
Snap to SPL 85dB Version2 A Snap to 85dB function instantly sets the surround monitor level to the standard 85dB SPL. You can use a short-cut key to set levels instantly and precisely to the theater-standard of 85dB SPL.

Snap to SPL

THX Bass Management Presets:
The following presets have been approved by THX Ltd. for use in THX pm3 Certified Studios*. They are designed to provide dedicated parameters for the proper playback of multi-channel audio content in bass managed systems and to be compatible with subwoofer-satellite type consumer systems.
* Use of a THX preset does not permit a studio to use the designation THX pm3 Certified Studio. The THX pm3 Studio Certification Program uses performance and design specifications to create calibrated environments for optimum sound and picture presentation. For more information, visit the THX website at http://www.thx.com
Simultaneous Downmix Capability Version2 Matrix mixing and bus-to-stereo functions can be used to provide 6.1 to 5.1, 5.1 to 3-1 (LCRS) downmix or 3-1 to stereo downmix while you are working on the 5.1 mix.

Analog Input Section

User Defined Keys
These 16 keys can be assigned to control any functions you choose.You could, for example, individually mute surround monitor speakers, arm tracks on an MTR, etc. When the Pro Tools or Nuendo Remote Layer mode is selected, the USED DEFINED KEYS are automatically assigned to dedicated control functions by default. 7
Inputs 1 through 16 feature high-performance head amplifiers for microphone or line input that deliver a pristine signal to the consoles precision 24-bit/96kHz A/D converters. 48-volt phantom power for condenser microphones is individually switchable for each input, trim controls and pad switches facilitate optimum level matching with the source, and switchable inserts make it easy switch external analog processing gear into or out of the pre-A/D signal path while maintaining optimum signal quality in wired installations. Inputs 17 through 24 accept line-level signals singly (each input has an independent trim control) or in pairs for stereo input. 12 Meter Bridge The MB02R96 Peak Meter Bridge is a complete levelmonitoring station with 12 12-segment level meters that can be used to display pre-EQ, pre-fader, or postfader input channel signal levels. An additional eight meters display levels on the consoles eight busses. A separate 32-segment stereo meter is provided for the main stereo program. 13
Display Control Machine Control
The 02R96 has been provided with a comprehensive range of facilities for external machine control. MMC protocol is supported, and control can be switched between MTR and master target machines. The MACHINE CONTROL section features basic transport control in the familiar layout REW, FF, STOP, PLAY, and REC for fast, efficient transport operation, plus locator keys for easy cue access. 8
The DISPLAY ACCESS keys determine which type of data will be shown on the LCD panel a total of 12 selectable categories in addition to the DISPLAY keys provided for each of the 02R96 control sections. This approach minimizes the need to scroll through on-screen lists when you need access to a particular type of data. Below the display access keys are a group of EFFECTS/PLUG-IN keys that can be used to instantly bring the parameters for any of the four simultaneously-assignable effects to the display. Editing and selection of on-screen parameters is easy, too, via encoders located immediately below the display. 3

Rear Panel

Channel Strips

Selected Channel Section

The SELECTED CHANNEL controls are the hands-on channel controls for the currently selected input and output channel, with analog-style buttons and knobs for direct, easy access to every single parameter. Need to adjust the high-mid frequency a little? Just grab the HIGH-MID encoder and turn. And while were on the subject of EQ, note that individual numeric displays are provided for each of the four EQ bands, displaying precise frequency and dB values immediately below the encoders so you dont have to refer to the LCD display. All of the sub-sections within the SELECTED CHANNEL section also feature DISPLAY keys that instantly bring the corresponding parameters up on the LCD display. 4
The 24 channel strips on the 02R96 panel provide access to the most essential operations for the corresponding channels. Depending on the currently selected layer, the channel strips will control channels 1 through 24, channels 25 through 48, or channels 49 through 56 as well as the eight AUX sends and eight busses (the Master Layer). Also the channel faders and encoders will function according to the settings in the FADER MODE and ENCODER MODE sections. In addition to a fader and rotary encoder, each channel strip includes a channel ON/OFF key, a SOLO key, and AUTO key to turn mix automation on or off for that channel, and a SEL key which assigns the channel as the consoles Selected Channel. Detailed control for the currently selected channel dynamics, EQ, buss assignment, panning and surround positioning, is available via the SELECTED CHANNEL controls. 9

Monitor Section

Master & Layer Section
The 02R96 MONITOR section features separate, multiple source selectors for the studio and control room sends, solo capability, separate source selectors and level control for surround monitoring, a DIMMER switch, and a TALKBACK section complete with slate capability.The 02R96 also offers advanced surround monitoring capability.

* Rear panel shown with optional I/O cards installed.
In addition to the master stereo fader with its own ON, SEL and AUTO keys, the master section includes keys for input channel layer selection (1-24, 25-48, or MASTER) as well as a selector for remote control. 10
A quick look at the rear panel should tell you that the 02R96 is designed for serious production. Balanced XLR and TRS connectors are provided for inputs 1 through 16, in addition to insert jacks (insert switches are provided on the console). Line-input channels 17 through 24 feature balanced TRS inputs.Then there are balanced analog studio, stereo, control room, and monitor outputs as well as eight balanced omni outputs. Analog 2-track inputs are provided in addition to digital 2-track inputs and outputs featuring both AES/EBU and coaxial connectors. On-board sample rate conversion allows CD players and other digital sources connected to the digital input to be monitored or routed to an input channel without having to be synchronized to the system clock. A wide range of synchronization and control options are available via word clock inputs and outputs, SMPTE and MTC time code inputs, MIDI connectors, and both serial and USB TO HOST connectors. Cascade in and output connectors allow two 02R96 consoles to be cascaded to provide up to 112 channels. Even the cooling fan is specially designed for ultra-quiet operation so that machine noise doesnt interfere with critical monitoring or recording operations.

Data Entry

Scene Memory
Heres where you can store all console parameters as a new scene, or instantly recall previously-stored
Large cursor, INC/DEC, and enter keys are complemented by a data entry dial that lets you spin in values quickly and easily.The data entry dial also doubles as a shuttle/scrub dial for recorder or DAW control.

STUDIO

MANAGER

VERSION

SAMPLE

A P P L I C AT I O N S

Studio Manager Version 2
The 02R96 Studio Manager application has undergone a significant evolution and has been reborn as Studio Manager Version2. The hybrid Windows/Macintosh Studio Manager application has been rewritten as a host application which hosts the 02R96 Editor which actually controls the 02R96 console, and which can be used simultaneously with other editors for professional digital audio gear such as the DM2000 Version2 digital mixer or the SPX2000 professional multi-effect processor. Simply connect the console to a computer via its TO HOST port (combined USB/serial), and the computer functions as comprehensive control center for the entire system. You can even open and close Studio Manager version2 windows from the 02R96 console controls, for seamless system integration and optimum operation efficiency in any application.

Sample Applications

Computer-based 96-kHz Recording
In this system the Yamaha 02R96 and a Digidesign Protools HD2 Accel setup are combined in a powerful recording and production system that provides as many as 64 input channels with up to 192 tracks at 48 kHz or up to 96 tracks at 96 kHz. Add to this the 02R96s advanced control surface features, and you have an extraordinarily powerful, efficient computer-based hard-disk recording system. You can combine the 02R96 with Steinbergs Nuendo or emagics Logic Audio workstation software, too. While the 02R96 functions as an advanced control surface for the software, it can also handle critical audio processing tasks as well as monitoring.
*Operation up to 96-kHz. Audio Interface(s) 192 I/O* HD Core card with I/O Unit HD Accel card with I/O Unit Signal Signal Mini-YGDAI Cards MY16-AE x 2 Mics Guitars etc.
Synthesizer Word Clock USB Tone Generator 02R96

Macintosh or PC

Connection with 96-kHz recorders
Although the 02R96 handles 96-kHz audio as standard, most of the currently available digital recorders can handle 96-kHz audio only in double channel mode (using 2 tracks to make one). In this configuration, the 02R96 uses one channel for one (96-kHz) track, but twice the number of I/O connections must be used. MY8-AT/TD/AE cards work in double channel mode to handle 96-kHz audio. The MY16-AT/TD/AE cards can handle 16 channels of 44.1 / 48-kHz audio or up to 8 channels of 96-kHz audio in double channel mode. With the latest equipment that handles 96-kHz audio as standard (in double speed mode like the 02R96) you can make standard connections using the MY8-AE96 card. MY8-AE96 card can work either in double speed or double channel mode.
DVD Authoring (6.1 Surround Monitoring)
Studio Manager V2 Host Window Library Window Meter Window Surround Editor Window

Stem Mix Monitoring

With the 02R96 monitoring stem mixes for film or video is easy. Even if your dialog, sound effects, music, and Foley sources are all in the form of 6.1 mixes, they can be combined and processed via the 02R96 without the need for any extra monitoring facilities.
Both the 02R96 and Yamahas MSP10 STUDIO powered monitor speakers have been officially approved for use in THX pm3 Certified Studios, and are thus ideal choices for the most advanced DVD authoring applications. In the system shown here the 6.1 program is monitored via powered monitors and a subwoofer connected to the consoles OMNI outputs (the 02R96 also includes bass management facilities for full-range playback). At the same time surround encoders and decoders can be inserted in the system to burn a stereo mix as well as the surround mix to Lt/Rt Master.

TASCAM DA Series etc.

Dialog
Discrete Master Recording

Layer Window

Patch Editor Window

MSP10 STUDIO

(Powered SP)

(Sub Woofer)

02R96 Editor
significant updates include:
Patch Editor-Effect Window Master Window
The 02R96 Editor runs under the Studio Manager Version2 host application, and offers features and functionality that have been refined and updated for professional-level control. Some of the most

Selected Channel Window

Mini-YGDAI Cards MY8-TD (TASCAM Signals)
OMNI Out TASCAM DA Series etc.
Mini-YGDAI Cards MY16-TD x 2 (TASCAM Signals)

OMNI Out

MY16-AE x 2 (AES/EBU)

SPX 2000 Editor (REV-X)

Mini-YGDAI Cards MY8-AE (96) (AES / EBU) etc. Insert Surround Encorder Surround Decoder

Down Mix

Sound Editing
Master Fader Window provides independent master fader display and control. Meter Window shows levels on all 56 channels. A new Automix Library Window has been added to the library windows. Layer Window allows selection and display of effects and other sources above the panel pan controls. Selected Channel Window adds graphic gate displays and long-stroke channel metering. Patch Edit Window is now resizable, and displays effect block inputs and outputs. Effect Editor Window adds Add-On Effects interface and fine control.

Lt/Rt Master

OPTIONS

ADD-ON

EFFECTS

Options

The 02R96s real I/O versatility comes in the form of four mini-YGDAI expansion slots. The expansion slots are 24 bit/96-kHz compatible, so you can select mini YGDAI plug-in cards to create the input/output configuration thats perfect for your needs. Whether you need digital I/O in ADAT, TASCAM, or AES/EBU connectivity, extra analog I/O capability, or other functions, the appropriate cards are available.
Go to www.yamahaproaudio.com to check Guidance on the use of Mini-YGDAI cards
Software packages are available for adding unique and valuable effect programs to the 02R96 internal effect programs. You can edit, store and recall ADD-ON EFFECTS on the console in the usual way. In addition, a special GUI is available in the 02R96 editor to manage these effects.

CHANNEL STRIP PACKAGE

(AE-011)
MASTER STRIP PACKAGE (AE-021)
The Master Strip Package Open Deck employs Virtual Circuitry Modeling technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders.
Employs VCM technology to recreate both the analog circuitry and tape characteristics that shaped the sound of open-reel tape recorders. The Open Deck provides models of four machine types: Swiss 70, Swiss 78, Swiss 85, and American 70. You can even combine different record and playback decks for a wider range of variation. You also have a choice of old and new tape types, tape speed, bias, and EQ settings that can vary the focus of the sound, distortion, and saturation characteristics.

Plug-in DSP card

Developed, Manufactured & Supported by:
The Y96K contains many of Waves greatest hits, including Waves Renaissance Compressor and EQ, TrueVerb reverb, L1 Ultramaximizer, SuperTap delay, and DeEsser. These processors are all available in addition to your on-board effects. Y96K
Waves Effects and ADAT I/O
For details, go to Y96K product page at www.yamahaproaudio.com

www.waves.com

Exclusively distributed worldwide by:
The Surround Post Package uses Yamahas Interactive Spatial Sound Processing technology that takes full advantage of the 96-kHz audio DSP power of the Yamaha digital consoles. The AE-041 will include three effect programs: Room ER, Auto Doppler and Field Rotation. These unique effect programs not only can vastly simplify the complex operation in Post-Production requirements, but also can be used creatively in the musical context.
VINTAGE STOMP PACKAGE (AE-051)

What is VCM technology?

VCM (Virtual Circuitry Modeling) technology actually models the characteristics of analog circuitry right down to the last resistor and capacitor. VCM technology goes well beyond simply analyzing and modeling electronic components and emulating the sound of old equipment. Its capable of capturing subtleties that simple digital simulations cannot even approach, while actually creating ideal examples of sought-after vintage gear.

MB02R96

Peak Meter Bridge

SP02R96

Side Pad
In this package Virtual Circuitry Modeling technology delivers faithful models of classic much-in-demand stomp boxes from the 70s that helped shape the sound of music history. The AE-051 package will include three phaser models: the MAX100, Vintage Phaser, and Dual Phase. Although the vintage equipments are hard to come by, they are in considerable demand for both live performance and studio production. All models feature graphical user interfaces that reflect the image of the times.
The names of programs or menus incorporated in ADD-ON EFFECTS are for descriptive purposes only. Reference to product names, trademarks, artists and songs is made for the sole purpose of identifying products and sounds studied for modeling and describing the sound nuances Yamaha attempted to create through use of its proprietary technology. Such reference does not constitute representations that they physically possess equal qualities, and does not imply any cooperation or endorsement by such manufacturers or artists. The products, trademarks are the property of their respective owners.
S P E C I F I C AT I O N S

ANALOG OUTPUT SPEC

Specifications

GENERAL SPECIFICATIONS

Number of scene memories Sampling Frequency 99 Internal External 44.1kHz, 48kHz, 88.2kHz, 96kHz Normal rate 44.1kHz-10% - 48kHz+6% Double rate 88.2kHz-10% - 96kHz+6% Power Requirements U.S./Canada H B Height Depth Width 34 kg 10-35C -20-60C AC Cable CD-ROM (Studio manager) Digital audio interface card (MY16, MY8, MY4 series) PEAK METER BRIDGE: MB02R96 SIDE PANEL: SP02RV 230 V 230 V 200W 200W 200W 60Hz 50Hz 50Hz

Effect libraries (EFFECT 1-4) Number of factory presets Number of user libraries Compressor libraries Gate libraries EQ libraries Channel libraries Surround Monitor libraries Input patch libraries Output patch libraries Bus to stereo libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries Number of factory presets Number of user libraries
61 (EFFECT 2 ~ 4: 53) *1 32

CASCADE IN

*1. XLR-3-31 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
DIGITAL OUTPUT CHARACTERISTICS
Terminal 1 Format AES/EBU *1 Professional use IEC-60958 *2 Consumer use IEC-60958 *2 Consumer use Data Length Level 24 bit *3 RS422 Connector in Console XLR-3-32 type (Balanced) *4 *1. channel status of 2TR OUT DIGITAL 1 type : 2 audio channels emphasis : NO sampling rate : depends on the internal configuration *2. channel status of DIGITAL OUT 2,3 type : 2 audio channels category code : 2 channel PCM encoder/decoder copy prohibit : NO emphasis : NO clock accuracy : Level II (1000 ppm) sampling rate : depends on the internal configuration *3. dither : word length 16 - 24 bit *4. XLR-3-32 type connectors are balanced. (1=GND, 2=HOT, 3=COLD)
Crosstalk (@ 1kHz) Input Gain=Min.

2TR OUT DIGITAL

24 bit *3
0.5Vpp/75 0.5Vpp/75 RS422

RCA Pin Jack

*1 Total Harmonic Distortion is measured with a 6dB/octave filter @80kHz. *2 Hum & Noise are measured with a 6dB/ octave filter @12.7kHz equivalent to a 20kHz filter with infinite dB/octave attenuation.

3 CASCADE OUT

24 bit *3 -
RCA Pin Jack D-SUB Half Pitch Connector 68P (Female)
Available Mini-YGDAI card specifications
Maker Yamaha Model MY8-AT MY8-AE MY8-TD MY8-AD24 MY4-AD MY4-DA MY8-AD96 MY8-DA96 MY8-AE96S MY8-AE96 MY16-AT MY16-AE MY16-TD MY16-mLAN Function Digital I /O Digital I /O Digital I /O A to D In A to D In D to A Out A to D In D to A Out Digital I /O Digital I /O Digital I /O Digital I /O Digital I /O mLAN Interface IN OUT Format 8 ADAT 8 AES/EBU 8 TDIF 8 AES/EBU 8 AES/EBU 16 ADAT 16 AES/EBU 16 TDIF 16 IEEE 1394 Res / Freq 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 24 bit 44.1/48 kHz 20 bit 44.1/48 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24 bit 44.1/48/88.2/96 kHz 24bit, 44.1/48kHz Connector Toslink x 2 D-sub 25pin D-sub 25pin TRS x 8 XLR x 4 XLR x 4 D-sub 25pin D-sub 25pin D-sub 25pin D-sub 25pin Toslink x 2 D-sub 25pin D-sub 25pin 1394 6pin Note Can handle 96 kHz by double channel mode Can handle 96 kHz by double channel mode Can handle 96 kHz by double channel mode Replacing MY8-AD (20 bit 44.1/48 kHz)

*1 Effects 53 ~ 61 are optional Add-On Effects. These effects become fully available after installation and authorization. Prior to installation effects 53 ~ 61 function in demo mode only.

ANALOG INPUT SPEC

Input INPUT A/B 1-16 PAD GAIN -60 dB 3k 26 INPUT 17-24 -16 dB -34 dB +10 dB INSERT IN 1-16 2TR IN ANALOG 1 [L, R] 2TR IN ANALOG 2 [L, R] 10k 10k 10k 600 Lines 600 Lines 600 Lines Actual Load Impedance For Use With Nominal 50-600 Mics & 600 Lines Input level Sensitivity *1 -70 dB (0.245 mV) -26dB (38.8mV) 0dB (775mV) 4k 600 Lines -44dB (4.89mV) 0dB (775mV) -6dB (388mV) +4dB (1.23V) -10dBV (0.316 V) Nominal -60dB (0.775mV) -16dB (0.123V) +10dB (2.45V) -34dB (15.5mV) +10dB (2.45V) +4dB (1.23 V) +4dB (1.23 V) -10dBV (0.316 V) Max. before clip -46dB (3.88mV) -2dB (616mV) +24dB (12.28V) -20dB (77.5mV) +24dB (12.28V) +18dB (6.16V) +18dB (6.16V) +4dBV (1.58V) Phone Jack (TRS) *4 Phone Jack (TRS) (Balanced) *3 RCA pin jack (Unbalanced) Phone Jack (TRS) (Balanced) *3 A: XLR-3-31 type (Balanced) *2 B: Phone Jack (TRS) (Balanced) *3 Connector
Sampling Rate Converter for Input, 2 cards max. with 02R96 Can handle 24 bit/96 kHz by double channel mode Can handle 24 bit/96 kHz by double channel mode Can handle 24 bit/96 kHz by double channel mode Check instructions for multiple use

Third Party

Maker Waves Model Y96K Function Effect & I/O IN 8 OUT 8 Format ADAT Res / Freq 24 bit 44.1/48 kHz Connector Toslink x 2 Note Can handle 24 bit/96 kHz by double channel mode
*1. Sensitivity is the lowest level that will produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are maximum position.) *2. XLR-3-31 type connectors are balanced (1=GND, 2=HOT, 3=COLD). *3. Phone jacks are balanced (Tip=HOT, Ring=COLD, Sleeve=GND). *4. Phone jacks are wired: Tip=OUT, Ring=IN, Sleeve=GND In these specifications, when dB represents a specific voltage, 0 dB is referenced to 0.775 Vrms. For 2TR IN ANALOG 2 levels, 0 dBV is referenced to 1.00 Vrms. All input AD converters (except INSERT I/O 1-16) are 24-bit linear, 128-times oversampling. +48 V DC (phantom power) is supplied to CH INPUT (1-16) XLR type connectors via individual switches.
Specifications and appearance subject to change without notice. All trademarks and registered trademarks are property of their respective owners. Pro Tools and Digidesign are trademarks of Avid Technology Inc. Nuendo is a trademark of Steinberg Media Technologies AG. Adat and HD24 are trademarks of Alesis Corporation.

Mono in x 56

Keyin Self or Stereo Link

DIRECT OUT 1(.56)

4BAND EQ SLOT 3 SLOT 4
INSERT INSERT ON LEVEL OUTPUT DELAY PAN

16 TO SURROUND MONITOR

BUS 1(.8)

BUS to STEREO

TO INPUT PATCH

[SLOT IN] (1-4)

OSCILLATOR

LEVEL METER ON

SLOT1 Input 1-16 SLOT2 Input 1-16 SLOT3 Input 1-16 SLOT4 Input 1-16
BUS 1(.8) The same the above EFFECT

FX1 SEND 1-8

AUX 1(.8)
SINE100Hz SINE1kHz SINE10kHz PINK NOISE BURST NOISE
To CASCADE OUTPUT [CASCADE IN] FX1-4 Sur1

FX2 SEND 1-2

STEREO 2 BUS 1-8 8

Isolate

DITHER AUX 1-DIRECTOUT 1-[CASCADE OUT]
FX3 SEND 1-2 FX4 SEND 1-2 off

[2TR OUT DIGITAL1]

AES/EBU DITHER INSERT OUT 74 CONTROL ROOM 2 [TALK BACK] AD IN 1-16

[2TR OUT DIGITAL2]

COAXIAL DITHER AD TALK BACK SRC SRC

AUX1-8 INSERT OUT

Sur1 Return 1-8 FX1 Return 1-2 FX2 Return 1-2 FX3 Return 1-2 FX4 Return 1-2

[2TR OUT DIGITAL3]

STEREO SOLO L SOLO R 2TR D1 L/R 2TR D2 L/R SRC 2TR D3 L/R DA DA L R DA

MONITOR SELECT

AUX8 STEREO

CONTROL ROOM

COAXIAL L STEREO L STEREO R L R 3 2TR A1 L/R

R SOLO LOGIC

[STUDIO MONITOR OUT] [PHONES]

ASSIGN2

DA STUDIO DA LEVEL PHONES DA LEVEL DA C-R LEVEL
STEREO 2TR D1 2TR D2 2TR D3 2TR A1 2TR A2 BUS1-8 AUX1-8
[CONTROL ROOM MONITOR OUT]

SURROUND MONITOR STEREO

[OMNI OUT]

8x8 Patch SLOT DA

BUS 1-8

PINK NOISE 4 DA L

SURROUND MONITOR to C-R SURROUND MONITOR LEVEL ATT
500-2kHz BPF 5 R 2TR A2 L/R
AUX1-8 DIRECT OUT 1-56 INSERT OUT
L 1kHz 50Hz DA DA BUS 1-8

HPF R BUS Ls/S

DELAY HPF HPF Rs C HPF HPF DELAY DELAY DELAY DELAY SURROUND MONITOR
OMNI 1 OMNI 2 OMNI 3 OMNI 4 OMNI 5 OMNI 6 OMNI 7 OMNI 8
SLOT1 Input 1-8 SLOT2 Input 1-8 SLOT3 Input 1-8 SLOT4 Input 1-8