This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Ventilation: Electronic products, unless specically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.
Some Yamaha products may have benches and/or accessory mounting xtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.
Temperature considerations: Electronic products should be installed in locations that do not seriously contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers etc., should be avoided.

PLEASE KEEP THIS MANUAL

92-469-3

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep these precautions in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
This instrument contains no user-serviceable parts. Do not attempt to disassemble or modify the internal components in any way. Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel. Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Always connect the three-pin attachment plug to a properly grounded power source. (For more information about the main power supply, see page 14.) Before cleaning the instrument, always remove the electric plug from the outlet. Never insert or remove an electric plug with wet hands. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it.

16 BEAT

s Metronome and Bass Chord Hold
These are two special styles designed for practice purposes; they do not have any of the normal rhythm or accompaniment patterns of the other styles. To call them up, select Page 2 of the Ballroom category by pressing the [P2] button.
q Metronome This style plays back only a metronome click, without any other rhythm parts. Use this as you would a normal metronome, practicing in time with the click. You can adjust the tempo with the data dial. Playing chords in the Auto Accompaniment section of the keyboard produces corresponding bass notes and chords, just as in Bass Chord Hold below. There are ve different metronome settings, each with a different time signature. q Bass Chord Hold Even with the auto accompaniment turned on, this style does not play any rhythm parts, but simply holds the bass note and chord that correspond to the chord you play in the Auto Accompaniment section of the keyboard. this is convenient for practicing chords without having to play along with a rhythm. There are ve different bass note/chord settings, each with different voices.
Style related buttons Auto Accompaniment section buttons

Accompaniment Sections

There are various types of Auto Accompaniment sections that allow you to vary the arrangement of the accompaniment to match the song you are playing. They are: Intro, Main, Fill-in & Break and Ending. By switching among them as you play, you can easily produce the dynamic elements of a professional-sounding arrangement in your performance.
This is used for the beginning of the song. When the intro finishes playing, accompaniment shifts to the main section. MAIN This is used for playing the main part of the song. It plays an accompaniment pattern of several VARIATION measures, and repeats indefinitely until another sections button is pressed. FILL IN & BREAK This lets you add dynamic variations and breaks in the rhythm of the accompaniment, to make your performance sound even more professional. ENDING This is used for the ending of the song. When the ending is finished, the auto accompaniment stops automatically. INTRO
1 - 4 Use the same operations as in Using Auto Accompaniment. 5 Press any of the [INTRO] buttons.

TAP TEMPO

6 As soon as you play a chord with your left hand, the auto
When the playback of the intro is nished, it automatically leads into main section.
7 Press any of the accompaniment section buttons as desired.
(See the Accompaniment Structure Diagram on the next page.)

FILL IN & BREAK

8 Press any of the [ENDING] buttons.
This switches to the ending section. When the ending is nished, the auto accompaniment automatically stops.

ENDING/rit.

FADEIN/OUT
s Accompaniment Structure Diagram
INTRO I INTRO II INTRO III

MAIN VARIATION

via FILL IN A

Playing a Plug-in Voice

1 Install the Optional Plug-in Board to the 9000Pro.
See page 180 for installation instructions. In this example, a PLG150-VL Virtual Acoustic Plug-in Board has been installed to SLOT 1. The PLG150-VL lets you expand the sonic palette of your 9000Pro by adding 256 dynamic VL voices (including 137 VL-XG voices), created with the unique Virtual Acoustic Synthesis system.

PLG150-VL

2 After you've installed the Plug-in Boards, turn the power ON.
When turning the power ON for the rst time after installing the board, a message appears indicating that the board settings are being initialized, followed after a while by the main display. Note that it takes a short amount of time before the main display appears, especially if two boards have been installed. If an error message appears, check that the board or boards have been properly installed to the 9000Pro.
3 After the main display appears, insert the "Plug-in Custom 4 Press the [R1] LCD button to turn the RIGHT1 part on.
Voice" disk supplied with the 9000Pro and load the le "150VL CsVce.xvc" to the 9000Pro via the Plug-in Manager function. See page 66 for details.
5 Press the [SLOT 1] button and select a voice group.
A single Plug-in Board can only sound one part (one Plug-in voice) at a time. This means that the playing methods described on page 17 (turning parts R1 - R3 on simultaneously) and page 18 (turning parts R and L on simultaneously) cannot be used, even if you select the same slots Plug-in Board voices for the R1 - R3 and L parts.
For this example, [II] is selected.

6 Select a voice.

Please note that even though a Multi-Part Plug-in Board (e.g., PLG100-XG) can be used with the 9000Pro, the voice list of the slot corresponding to the Multi-Part board cannot be displayed in the LCD. See page 65 for details about the Multi-Part Plug-in Board.

7 Play the keyboard.

Up to a maximum of two Plug-in Boards can be installed to the 9000Pro (using both SLOT 1 and SLOT 2), giving you access to an extraordinarily wide range of sounds.

Operation:

+ button listed below

See pages -

MAIN VARIATION [A] MAIN VARIATION [B] MAIN VARIATION [C] MAIN VARIATION [D] FILL IN & BREAK [ ] FILL IN & BREAK [ ] FILL IN & BREAK [ ] FILL IN & BREAK [ ] VOCAL HARMONY [MIC SETUP] ENDING [I] ENDING [II] ENDING [III] FADE IN/OUT VOICE EFFECT [DSP(4-7)] VOCAL HARMONY [DSP(8)] VOICE EFFECT [SLOW/FAST] VOICE EFFECT [POLY/MONO] PITCH BEND wheel UPPER OCTAVE [+], [-] PART ON/OFF [R1] PART ON/OFF [R2] PART ON/OFF [R3] PART ON/OFF [L] TRANSPOSE [+] [MIXING CONSOLE] [MAIN MIXER] INTRO [I] [PART ON/OFF] VOICE [PIANO] - [PERCUSSION] INTRO [II] INTRO [III] [SOUND CREATOR] MULTI PAD [STOP] [AUTO ACCOMPANIMENT] [LEFT HOLD] FOOT VOLUME FOOTSWITCH 1 FOOTSWITCH 2 MODULATION wheel VOICE EFFECT [TOUCH] VOICE EFFECT [SUSTAIN] TRANSPOSE [-] REGISTRATION MEMORY [1] - [8] REGIST BANK [+], [-] [FREEZE] PART SELECT [R1] PART SELECT [R2] PART SELECT [R3] PART SELECT [LEFT] [HARMONY/ECHO] [DEMO] VOCAL HARMONY [TALK] [FUNCTION] VOICE [XG] - [CUSTOM VOICE] [DIGITAL RECORDING] [MEMORY] TAP TEMPO PAGE CONTROL [BACK] PAGE CONTROL [NEXT] PRESET STYLE [8 BEAT] - [BALLROOM] FLASH STYLE [I] - [VIII] [DISK DIRECT] SONG DIRECTORY [I] - [V] [SONG SETUP] [SONG PLAYER] MULTI PAD [1], [2], [3], [4] MULTI PAD BANK [+], [-] [DISK/SCSI] [MIDI] VOCAL HARMONY [V.H.(9)] VOCAL HARMONY [SELECT] [MUSIC DATABASE] Data dial ONE TOUCH SETTING [1] - [4] [EXIT] [DIRECT ACCESS]

Function Tree

Button/Controller LCD title Function 1 POWER ON/OFF 2 MASTER VOLUME 3 PITCH BEND 4 MODULATION 5 SONG [SONG PLAYER] [I]. [V] [SONG SETUP] 6 STYLE & STYLE MANAGER [AUTO ACCOMPANIMENT] [8BEAT]. [BALLROOM] STYLE MANAGER LOAD STYLE INTO FLASH ROM SAVE STYLE IN FLASH ROM COPY STYLE IN FLASH ROM DELETE STYLE IN FLASH ROM SWAP STYLE IN FLASH ROM RENAME STYLE IN FLASH ROM DEFRAGMENT FLASH ROM [I]. [VIII] [DISK DIRECT] 7 ACCOMPANIMENT CONTROL [INTRO] [TAP TEMPO] [ENDING] [FADE IN/OUT] [MAIN VARIATION] [FILL IN & BREAK] [SYNC STOP] [SYNC START] [START/STOP] 8 MENU [DISK/SCSI]
Numbers at the left end correspond to ones in Top panel & connections on page 10.

See pages 59 59

Turning the POWER on or off Adjusting the overall volume Bending notes played on the keyboard up or down Applying a vibrato effect to notes played on the keyboard
Turning Song Player on or off Selecting a song Setting the way in which the 9000Pro reads the song data

q Single Finger Single Finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the Auto Accompaniment section of the keyboard. The abbreviated chord ngerings described below are used:
For a major chord, press the root key only. For a minor chord, simultaneously press the root key and a black key to its left.
For a seventh chord, simultaneously press the root key and a white key to its left. For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left.
q Multi Finger The Multi Finger mode automatically detects Single Finger or Fingered chord ngerings, so you can use either type of ngering without having to switch ngering modes. q Fingered This mode lets you nger your own chords on the auto accompaniment section of the keyboard, while the 9000Pro supplies appropriately orchestrated rhythm, bass, and chord accompaniment in the selected style. The Fingered mode recognizes the various chord types listed on the next page. q Fingered Pro This mode is basically the same as Fingered, with the exception that more than three notes must be played to indicate the chords. Playing the root note and its octave produces accompaniment based only on the root. q On Bass This mode accepts the same ngerings as the Fingered mode, but the lowest note played in the Auto Accompaniment section of the keyboard is used as the bass note, allowing you to play on bass chords (in the Fingered mode the root of the chord is always used as the bass note). q On Bass Pro This mode is basically the same as On Bass, with the exception that more than three notes must be played to indicate the chords. Playing the root note and its octave produces accompaniment based only on the root. q Full Keyboard When this advanced auto-accompaniment mode is engaged the 9000Pro will automatically create appropriate accompaniment while you play just about anything, anywhere on the keyboard using both hands. You dont have to worry about specifying the accompaniment chords. Although the Full Keyboard mode is designed to work with many songs, some arrangements may not be suitable for use with this feature. Try playing a few simple songs in the Full Keyboard mode to get a feel for its capabilities.
The 9000Pro recognizes chords you play in the Auto Accompaniment section of keyboard and produces appropriate chords, even if auto accompaniment is off (as long as the Left part is set to on). Chords are recognized according to the Fingered mode, even if the mode is actually set to another mode. This setting is especially effective when used with the Vocal Harmony or the Harmony/Echo.
Chord Types Recognized in the Fingered Mode

q Example for C chords

C 6 (9)

CM 7 (9)

CM7 (#11)

C (b5)

CM7 b5

Csus 4

6 voice parameters via the panel Select a menu for editing the

operations.

3 ing the a menuCustom Select for editBoard
Voices on a computer, if necessary.
4 ters on avoice parameEdit the computer.
After completing editing, use the Bulk Send operation to transfer the edited data from the computer to the board. Select an original voice. The Custom Voice Creating mode makes it possible to create new voices by editing some parameters of the Plug-in Custom Voices. After selecting a voice, press the [EXIT] button to return back to this display.
5 tom Voicethe BoardoperExecute CusBackup

ation.

See page 172 for details about connecting a computer. Please note that the MIDI A terminal (or the TO HOST terminal) should be used when editing the Board Custom Voices on a computer. When editing the Board Custom Voices using a computer, XGworks or XGworks lite and its Plugin Editor Software are needed. When editing the Board Custom Voices, place check marks next to all the event types of MIDI Thru Filter in XGworks or XGworks lite. (Refer to the owners manual of XGworks or XGworks lite for details.)
7 Edit the voice parameters via the panel operations. 8 Store the edited voice to Flash ROM.
Editing operations (corresponding to step #4 or #7) are covered in the following explanations.

Voice Editing

s Board Voice selection The explanations here apply to step #7 on page 101.
Select the desired menu and edit the voice parameters. Select this to store the edited voice parameters to Flash ROM (step #8 on page 101).
Keep in mind that some of your editing may have little to no effect on the actual sound, depending on the particular board and the particular parameter being edited.
Can be used to compare the sound of the originally selected voice with the changed voice.

Select the Board Voice.

Before entering the Plug-in Custom Voice Creator function, you have already called up a specic voice for editing. Selecting a Board voice here lets you determine the basic sound source, letting you select a variation sound for the voice.
s Parameters The explanations here apply to step #7 on page 101.
q E1: EG/VIB The explanations of each parameter are same as Easy Editing in the Custom Voice Creating section on page 93.

File name to be loaded to the 9000Pro to the PC 150AN CsVce.xvc 150AN CsVce.ANS 150PF CsVce.xvc 150DX CsVce.xvc 150VL CsVce.xvc
PLG150-AN PLG150-PF PLG150-DX PLG150-VL
q When editing voices on an installed Plug-in Board in subsequent editing sessions: Before starting to make additional edits to a previously edited voice, also make sure to load the same edited data (the data that you saved in steps #7 and #8) to both the Flash ROM (on the 9000Pro) and the computer.
5 Use the same operation as in Steps #1 - #5 of the "Basic Procedure" on page 101, paying attention to the following points.
In step #4 of "Basic Procedure, the following display appears on the 9000Pro's LCD.
As described in step #4 of "Basic Procedure, use the Bulk Send operation (XGworks or XGworks lite) to transfer the edited data from the computer to the board. As described in step #5 of "Basic Procedure, execute the Board Custom Voice Backup operation.
6 Execute the Store operation in the Native System Parameter display (page 105). 7 Save the edited voice to a disk via the Plug-in Manager function (page 68). 8 Save the edited voice to the PC.
Board Custom Voice Backup
Any editing you do to the Board Custom Voices (via computer connected to the 9000Pro) is lost when you turn off the power of the 9000Pro. If you want to keep your original voice data, you can use the Board Custom Voice Backup function to back up the edited Board Custom Voices to Flash ROM. The illustration below applies to step #5 of the Basic Procedure on page 101.
Some Plug-in Boards (e.g., the PLG100-DX and the PLG100VL) do not support this function, even though the Board Custom Voices are available.
Press this to execute the Backup operation.
Select the desired board.
Troubleshooting when using the Plug-in Boards
General information on how to use the Plug-in Voices is given on pages 42, 43, 64 - 69, and 100 - 108. This section explains some important details concerning the Plug-in Boards that are not covered in these pages.
s Using the VL Plug-in voices with Harmony function (page 164)
If you are using one of the VL Plug-in Boards (or a monophonic Plug-in voice), the Harmony effect cannot be used as normal. It is because this type of voice cannot be played polyphonically. For example, when the Plug-in voice using the PLG150-VL board is selected as the Right 1 voice and Harmony Assign is set to R1, the following problem happens.
Main note (you play) This note does not sound.

Harmony note(s)

Right1, 2, 3, Left Metronome Song (stereo) Auto Accompaniment Multi Pad 1, 2, 3, 4 Microphone sound
(mono) (mono) (stereo) Bass Drum Snare Drum Other instruments (Drum)

Disk/SCSI Operations

The 9000Pro [DISK/SCSI] button accesses a range of functions that are used for storage and retrieval of oppy disk data. The 9000Pro can also be tted with an optional internal hard disk or an optional connected SCSI device for massive on-line storage capacity.
Storage Devices Compatible with the 9000Pro

Floppy disk SCSI device

(optional connected)

Internal hard disk drive

(optional installed)
Devices in this category include external hard disk drives, removable cartridges, etc. See page 13 for details on SCSI device connection.
See page 184 for details on hard disk installation.
If an optional SCSI device is connected or the optional internal hard disk is installed, the corresponding device names appear in the LCD of the disk related function.

DISK/ SCSI

3 function. the desired Execute
1 button.the [DISK/SCSI] Press 2 Select the desired menu.
The operations for each function corresponding to step #3 are covered in the following explanations. The Disk mode has the following display pages:
LOAD FROM DISK SAVE TO DISK COPY FILE/FD BACK UP/RESTORE CONVERTER EDIT FILE EDIT DIRECTORY FORMAT CHECK DISK Loading data from a disk to Flash ROM..152 Saving data from Flash ROM to a disk..153 Copying les & copying oppy disks..154 Backing up/restoring the data in Flash ROM.154 Converting PSR-8000 format les to 9000Pro format les..155 Renaming/deleting disk les...155 Renaming/deleting/creating directories..156 Formatting a disk...156 Checking a disk...157
Before going on to the explanations of the above functions, make sure to read through the instructions on Basic Operation and Selecting Directories/Files below. The following explanations apply to the Plug-in Manager function (page 66), Style Manager function (page 74), Disk Song le selection (page 78) and other disk-related functions, as well as the Disk/SCSI functions described in this chapter.

2 Select the desired template.
1 Press the [MIDI] button.

Master KBD1

Master KBD2

Clock Ext.A

MIDI Accord1

MIDI Accord2

3 Select this to call up the MFC10 display.
3 Select this todisplay. call up the SETUP

MIDI Pedal1

MIDI Pedal2

MIDI OFF

4 Select the desired menu.
4 Selectthe [NEXT] or [BACK]be set by the desired menu to using button. 6 Use this menu to store your settings.

Refer to page 177.

5 Set the parameter of the selected menu.

Refer to page 178.

Refer to pages 175, 176, 177.
Since all MIDI settings data is stored to Flash ROM, any data in the MIDI settings location will be erased and replaced by your new settings. This includes the factory programmed preset MIDI settings. If youve deleted the factory-set data, you can use the Restore function (page 154) to load a copy of it from the included disks (page 6).
The operations for each function corresponding to step #5 or #6 are covered in the following explanations.

System Settings

The explanations here apply to step #5 of the Basic Procedure on page 174. s Local Control Local Control refers to the fact that, normally, the 9000Pro keyboard controls the internal tone generator, allowing the internal voices to be played directly from the keyboard. This condition is referred to as Local Control on since the internal tone generator is controlled locally by its own keyboard. Local control can be turned off, however, so that the keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator can respond to MIDI information received on channels set to the XG/GM mode via the MIDI IN connector. This means that while an external MIDI sequencer, for example, plays the 9000Pro internal voices, an external tone generator can be played from the 9000Pro keyboard. s Clock, Receive Transpose and Thru Port
q Clock Determines whether the 9000Pro is controlled by its own internal clock or a MIDI clock signal received from an external device. INTERNAL is the normal Clock setting when the 9000Pro is being used alone. If you are using the 9000Pro with an external sequencer, MIDI computer, or other MIDI device, and you want the 9000Pro to be synchronized to the external device, set this function to EXTERNAL. In the latter case, the external device must be connected to the 9000Pro MIDI IN connector, and must be transmitting an appropriate MIDI clock signal. q Transmit Clock Turns MIDI clock transmission on or off. When set to OFF, no MIDI clock or START/STOP data is transmitted. q Receive Transpose When the RECEIVE TRANSPOSE parameter is set to OFF, note data received by the 9000Pro is not transposed, and when set to ON, the received note data is transposed according to the current 9000Pro song transpose setting. q Thru See page 173.

Although the wave memory of the 9000Pro can be expanded to 65 megabytes, the maximum size of a single sample recording is 32 mega bytes (380 sec.).
s Removing SIMMs SIMM modules can be removed after opening the clamps at both ends of the connector slot.

Troubleshooting

PROBLEM When using a mobile phone, noise is produced. POSSIBLE CAUSE/SOLUTION Using a mobile phone in close proximity to the 9000Pro may produce interference. To prevent this, turn off the mobile phone or use it further away from the 9000Pro. The R1/R2/R3/L voice volume (Main Mixer) settings could be set too low. Make sure the voice volumes are set at appropriate levels (page 25). The Local Control function could be turned off. Make sure Local Control is turned on (page 175). The [MASTER VOLUME] controls or foot volume are turned all the way down. Set the [MASTER VOLUME] controls and foot volume to a reasonable listening level. Are the desired parts turned on? ([PART ON/OFF] button page 57) A pair of headphones is plugged into the PHONES jack. Unplug the headphones. A plug is inserted in the LOOP SEND jacks. Unplug the LOOP SEND jacks. Is the Footswitch connected to the FOOT VOLUME connector? The [FADE IN/OUT] button is on and has reached the end of its duration, muting the sound. Press the [FADE IN/OUT] button so that its indicator goes out. Check whether the external speaker is connected properly. You are probably exceeding the maximum polyphony of the 9000Pro. The 9000Pro can play up to 126 notes at the same time including voice R2, voice R3, voice L, auto accompaniment, song, and multi pad notes. When the maximum polyphony is exceeded, the earliest played notes will stop sounding, letting the latest played notes sound. This is referred to as lastnote priority. The MIDI Clock may be set to EXTERNAL. Make sure it is set to INTERNAL (page 175).

No sound results.

Not all simultaneously-played notes sound. Auto Accompaniment seems to skip when the keyboard is played.
The accompaniment or song does not play back even when pressing the [START/STOP] button. The Multi Pads do not play back, even when one of the MULTI PAD buttons is pressed. The auto accompaniment does not start, even when Synchro Start is in standby condition and a key is pressed.

Sampling.. 40, 84 Save.. 54, 55, 68, 75, 113, 153 Scale Tune.. 158 SCSI. 13, 54, 150 Search.. 27, 79 Setup.. 54, 79, 214 SIMM installation.. 185 SIMM removal.. 187 Single.. 56, 151 Single Finger.. 70 Single Part Plug-in Board.. 65 Slot 1.. 42, 69 Slot 2.. 42, 69 Slow/Fast.. 35, 60, 160 Soft.. 160 Song Creator.. 36, 110 Song playback.. 30, 78 Song recording. 36, 110 Song setup... 79 Sostenuto... 160 Source Chord. 127, 135 Source Root.. 127, 135 Specications.. 246
Velocity.. 168, 169, 176 Vibrato.. 62, 63, 81, 93 Video out.. 13, 165 Vocal harmony. 6, 32, 80 Vocal harmony mode.. 83 Vocal harmony type.. 33 Vocoder.. 81, 83 Voice effects.. 35, 60 Voice list.. 192 Voice Set.. 163 Volume. 14, 24, 63, 83, 93, 130, 145
Wave. 41, 84, 85, 87, 152 Waveform.. 85, 91, 95
XF.. 6, 171 XG.. 6, 171 XGwork lite.. 64, 100, 106 XGworks.. 64, 100, 106

Appendix Voice List

Voice List/Stimmenliste/Liste des voix
Category Voice Name Order Piano MSB# LSB# MIDI Program Change# Category Voice Name Order E.Piano Galaxy EP Stage EP Polaris EP Jazz Chorus Hyper Tines Cool! EP Phase EP New Tines Funk EP DX Modern Vintage EP Modern EP Tremolo EP Super DX Clavi Suitcase EP Venus EP Wah Clavi Organ Cool! Organ Rotor Organ Rock Organ1 Dance Organ Gospel Org Cool! Jazz Purple Org Jazz Organ1 Rock Organ2 RotaryDrive Full Rocker Elec.Organ DrawbarOrg Click Organ Stadium Org Mellow Draw Jazz Organ2 Bright Draw 60's Organ Jazz Organ3 ChapelOrgn1 ChapelOrgn36 Live! Nylon Cool! J.Gtr Cool! E.Gtr 12StrGuitar SolidGuitar Vintage Amp Aloha Gtr Crunch Gtr Carlos Gtr 60's Clean Live! Class Cool! JSolo VintageOpen Folk Guitar Solid Chord VintageMute PedalSteel Lead Guitar SlideGuitar Chorus Gtr VintageTrem Spanish Gtr Octave Gtr Deep Chorus CampfireGtr SmoothNylon Tremolo Gtr HawaiianGtr Heavy Stack BrightClean Wah Guitar Classic Gtr DX JazzGtr Distortion Elec.12Str FeedbackGtr 11 Musette Tutti Accrd Small Accrd Accordion Tango Accrd Steirisch Bandoneon Soft Accrd Modern Harp Blues Harp Harmonica Guitar ChapelOrgn3 TheatreOrg1 TheatreOrg2 Pipe Organ Reed Organ Accordion 22 MSB# 0 LSB# 112 MIDI Program Change# 20

Appendix/Anhang/Annexe

Reverse Cymbal Hi Q 2 Snare Techno Kick Techno Q Rim Gate Kick Techno L Kick Techno Side Stick Analog Snare Clap
Brush Tap Stereo Brush Swirl Stereo Brush Slap Stereo Brush Tap Swirl Stereo Snare Roll Stereo Snare Jazz H Brush Slap 2 Kick Soft 2 Open Rim Shot Light Kick Jazz Side Stick Light Snare Jazz L Kick Jazz Side Stick Light Brush Slap 3 Brush Tap 2 Tom Brush 1 Tom Brush 2 Tom Brush 3 Tom Brush 4 Tom Brush 5 Hand Cymbal Tom Brush 6 Hand Cymbal Short Gran Cassa Gran Cassa Mute Band Snare Band Snare 2 Snare L Stereo Kick Soft Stereo Open Rim Shot Stereo Kick Light Stereo Kick Std Stereo Side Stick Stereo Snare M Stereo Snare H Stereo Floor Tom L Stereo Hi-Hat Closed Stereo Floor Tom H Stereo Hi-Hat Pedal Stereo Low Tom Stereo Hi-Hat Open Stereo Mid Tom L Stereo Mid Tom H Stereo Crash Cymbal 1 Stereo High Tom Stereo Ride Cymbal 1 Stereo Chinese Cymbal Stereo Ride Cymbal Cup Stereo Splash Cymbal Stereo
Snare Dry Snare Jazz M Tom Analog 1 Hi-Hat Closed 3 Tom Analog 2 Hi-Hat Closed Analog 3 Tom Analog 3 Hi-Hat Open 3 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6
Cowbell Analog Hand Cymbal 2 Hand Cymbal 2 Short Crash Cymbal 2 Stereo Ride Cymbal 2 Stereo
Conga Analog H Conga Analog M Conga Analog L

Maracas 2

Claves 2
1. Note coupe : les notes marques " O " sont inaudibles ds l'instant o elles sont relches. 2. Groupe alternatif : jouer d'un instrument dans un groupe numrot provoque la coupure immdiate du son de tout autre instrument du mme groupe de mme numro. 3. : comme kit standard 4. : aucun son 5. StyleLvStd (MSB : 127, LSB : 0, PC : 124) correspond au kit Live ! Standard. 6. StyleLvFunk (MSB : 127, LSB : 0, PC : 125) correspond au kit Live ! Funk.
Keyboard Drum Assignments/Tastatur-Drum-Belegung/Affectation des percussions de clavier Assignments/Klaviatur-Drum-Belegung/Affectation des percussions de clavier
Bank Select MSB (0-127) 127 Bank Select LSB (0-127) 0 Program Change (1-128) 1 MIDI Keyboard Key Alternate Standard Kit 1 Note Off Group Note# Note 13 C# -1 (C# 0) 3 Surdo Mute 14 D -1 (D 0) 3 Surdo Open 15 D# -1 (D# 0) Hi Q 16 E -1 (E 0) Whip Slap 17 F -1 (F 0) 4 Scratch H 18 F# -1 (F# 0) 4 Scratch L 19 G -1 (G 0) Finger Snap 20 G# -1 (G# 0) Click Noise 21 A -1 (A 0) Metronome Click 22 A# -1 (A# 0) Metronome Bell 23 B -1 (B 0) Seq Click L 24 C 0 C 1 Seq Click H 25 C# 0 C# 1 Brush Tap 26 D 0 D 1 O Brush Swirl 27 D# 0 D# 1 Brush Slap 28 E 0 E 1 O Brush Tap Swirl 29 F 0 F 1 O Snare Roll 30 F# 0 F# 1 Castanet 31 G 0 G 1 Snare Soft 32 G# 0 G# 1 Sticks 33 A 0 A 1 Kick Soft 34 A# 0 A# 1 Open Rim Shot 35 B 0 B 1 Kick Tight 36 C 1 C 2 Kick 37 C# 1 C# 2 Side Stick 38 D 1 D 2 Snare 39 D# 1 D# 2 Hand Clap 40 E 1 E 2 Snare Tight 41 F 1 F 2 Floor Tom L 42 F# 1 F# Hi-Hat Closed 43 G 1 G 2 Floor Tom H 44 G# 1 G# Hi-Hat Pedal 45 A 1 A 2 Low Tom 46 A# 1 A# Hi-Hat Open 47 B 1 B 2 Mid Tom L 48 C 2 C 3 Mid Tom H 49 C# 2 C# 3 Crash Cymbal D 2 D 3 High Tom 51 D# 2 D# 3 Ride Cymbal E 2 E 3 Chinese Cymbal 53 F 2 F 3 Ride Cymbal Cup 54 F# 2 F# 3 Tambourine 55 G 2 G 3 Splash Cymbal 56 G# 2 G# 3 Cowbell 57 A 2 A 3 Crash Cymbal A# 2 A# 3 Vibraslap 59 B 2 B 3 Ride Cymbal C 3 C 4 Bongo H 61 C# 3 C# 4 Bongo L 62 D 3 D 4 Conga H Mute 63 D# 3 D# 4 Conga H Open 64 E 3 E 4 Conga L 65 F 3 F 4 Timbale H 66 F# 3 F# 4 Timbale L 67 G 3 G 4 Agogo H 68 G# 3 G# 4 Agogo L 69 A 3 A 4 Cabasa 70 A# 3 A# 4 Maracas 71 B 3 B 4 O Samba Whistle H 72 C 4 C 5 O Samba Whistle L 73 C# 4 C# 5 Guiro Short 74 D 4 D 5 O Guiro Long 75 D# 4 D# 5 Claves 76 E 4 E 5 Wood Block H 77 F 4 F 5 Wood Block L 78 F# 4 F# 5 Cuica Mute 79 G 4 G 5 Cuica Open 80 G# 4 G# Triangle Mute 81 A 4 A Triangle Open 82 A# 4 A# 5 Shaker 83 B 4 B 5 Jingle Bells 84 C 5 C 6 Bell Tree 85 C# 5 (C# 6) 86 D 5 (D 6) 87 D# 5 (D# 6) 88 E 5 (E 6) 89 F 5 (F 6) 90 F# 5 (F# 6) 91 G 5 (G 6) 82 / 125 Live! Funk Kit 83 Live! Brush Kit 84 / 126 Live! Standard + Percussion Kit 85 / 127 Live! Funk + Percussion Kit

0D 0E 0F TOTAL SIZE 14

00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F

00 - 7F

UNIQUE INSERTION EFFECT EXTERNAL CONTROL CH1(HARMONY CHANNEL*) UNIQUE INSERTION EFFECT EXTERNAL CONTROL CH2 (MELODY CHANNEL*)

1.16(0.15), off(127)

TOTAL SIZE TOTAL SIZE
*HARMONY CHANNEL and MELODY CHANNEL About these settings, the last message is effective. When the Melody channel is 3 and a message that set the Harmony Channel to 3 is received, the Melody channel is set to OFF and the Harmony channel is set to 3. 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F 00 - 7F INSERTION EFFECT PARAMETER11 INSERTION EFFECT PARAMETER12 INSERTION EFFECT PARAMETER13 INSERTION EFFECT PARAMETER14 INSERTION EFFECT PARAMETER15 INSERTION EFFECT PARAMETER16 o o o o o o Refer to the XG EFFECT PARAMETER LIST Refer to the XG EFFECT PARAMETER LIST Refer to the XG EFFECT PARAMETER LIST Refer to the XG EFFECT PARAMETER LIST Refer to the XG EFFECT PARAMETER LIST Refer to the XG EFFECT PARAMETER LIST depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type depends on insertion 1 type
<Table 3-7> MIDI PARAMETER CHANGE TABLE (DISPLAY DATA)
Address 0 : 1F TOTAL SIZE 0 : 2F TOTAL SIZE 7 vh Size (H) 20 Data (H) Parameter (DISPLAY LETTER) Recognized x Description Default
(DISPLAY BITMAP Data0) : (Data47) x
<Table 3-8> MIDI PARAMETER CHANGE TABLE (MULTI PART)
Address (H) Size (H) Data (H) Parameter XG/GM Recognized Description Default value(H)

nn nn nn nn nn nn

00 - - 7F 00 - 7F 00 - 7F 00 0F, 7F 00 - 01
ELEMENT RESERVE BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL MONO/POLY MODE

o o o o o

x x x x x

x o o x o

Acmp x o o x x
0 - - - - - 16,OFF 0:MONO 1:POLY
part10=0, other =2 part10=7F, other=0 Part No. 1
nn 00 - 02 SAME NOTE NUMBER KEY ON ASSIGN PART MODE o

00 - 05

nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn
0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 22