M.D.G., EMI Division Yamaha Corporation 1995 VT05800 502PTCP18.2-01A0 Printed in Japan

FCC INFORMATION (U.S.A.)

IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park CA, 90620
This applies only to products distributed by Yamaha Corporation of America.

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE CLASS B LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL APPARATUS SET OUT IN THE RADIO INTERFERENCE REGULATION OF THE CANADIAN DEPARTMENT OF COMMUNICATIONS. LE PRESENT APPAREIL NUMERIQUE NEMET PAS DE BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES APPLICABLES AUX APPAREILS NUMERIQUES DE LA CLASSE B PRESCRITES DANS LE REGLEMENT SUR LE BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE MINISTERE DES COMMUNICATIONS DU CANADA.
* This applies only to products distributed by Yamaha Canada Music LTD. * Ceci ne sapplique quaux produits distribus par Yamaha Canada Music LTD.
Dit produkt is gefabriceerd in overeenstemming met de radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG). 82/499/. Este produto est de acordo com o radio de interferencia frequente requiridos do Conselho Diretivo 82/499/EEC. Dette apparat overholder det gaeldende EF-direktiv verdrrende radiostj. Cet appareil est conforme aux prescriptions de la directive communautaire 87/308/CEE.
Diese Gerte entsprechen der EG-Richtlinie 82/499/ EWG und/oder 87/308/EWG. This product complies with the radio frequency interference requirements of the Council Directive 82/ 499/EEC and/or 87/308/EEC. Questo apparecchio conforme al D.M.13 aprile 1989 (Direttiva CEE/87/308) sulla soppressione dei radiodisturbi. Este producto est de acuerdo con los requisitos sobre interferencias de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

SPECIAL MESSAGE SECTION (U.S.A.)
This product utilizes batteries or an external power supply (adapter). DO NOT connect this product to any power supply or adapter other than one described in the manual, on the name plate, or specifically recommended by Yamaha. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. If a cart, etc., is used, please observe all safety markings and instructions that accompany the accessory product. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units. This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for long periods of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. NOTICE: Service charges incurred due to lack of knowledge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small non-rechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. This product may also use household type batteries. Some of these may be rechargeable. Make sure that the battery being charged is a rechargeable type and that the charger is intended for the battery being charged. When installing batteries, do not mix old batteries with new, or with batteries of a different type. Batteries MUST be installed correctly. Mismatches or incorrect installation may result in overheating and battery case rupture. Warning: Do not attempt to disassemble, or incinerate any battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by the laws in your area. Note: Check with any retailer of household type batteries in your area for battery disposal information. Disposal Notice: Should this product become damaged beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc. If your dealer is unable to assist you, please contact Yamaha directly. NAME PLATE LOCATION: The name plate is located on the bottom of the product. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

Model Serial No. Purchase Date

CBX-K1

PLEASE KEEP THIS MANUAL

Welcome to the CBX-K1

Congratulations and thank you for purchasing the Yamaha CBX-K1 MIDI Keyboard! The CBX-K1 is a sophisticated, yet compact MIDI keyboard controller, for use with computers and MIDI music systems. It allows you to play connected tone generators and rhythm machines, and enter performance data to sequencers and computers. It features a sophisticated touch-sensitive keyboard that can be adjusted to cover the full 128-note MIDI range. It also provides a wealth of MIDI controls that allow you to send virtually any MIDI message directly from the keyboard. Moreover, the CBX-K1 has a versatile ASSIGNABLE Wheel that lets you control a wide variety of parameters on your connected tone generator or sequencer in real time. Because of its exceptionally portable size, convenient battery/AC adaptor power supply, compatibility with General MIDI (GM) and XG, and extraordinarily powerful and comprehensive MIDI control functions, the CBX-K1 is an invaluable tool a MIDI Swiss army knife, of sorts for all MIDI musicians and performers. IMPORTANT s The CBX-K1 does not contain an internal tone generator. In order to play sounds from the CBX-K1, you need an external tone generator, such as the Yamaha MU series or TG series tone generators. NOTE s The many MIDI functions and features of the CBX-K1 may not be supported by your particular MIDI device. Be sure to refer to the owners manual of your particular MIDI device when using it with the CBX-K1.

Table of Contents

The CBX-K1 What It Is and What It Can Do. 1 Precautions. 2 How to Use This Manual. 3 Specifications. 3 Panel Controls and Terminals. 4 s Front Panel. 4 q Note Range of the CBX-K1. 5 s Rear Panel. 6 q Default Settings of the CBX-K1. 6 Power Supply. 7 s Using a Power Adaptor. 7 s Using Batteries. 7 s When to Replace the Batteries. 7

Guided Tour

Setting Up Your CBX-K1. 8 What Youll Need. 8 Setup Examples. 8 Making the Connections. 9 Using the CBX-K1 Basic Operations. 10 Playing the Keyboard and Other Operations. 10 Using the SHIFT-Related Functions. 12 q Basic Operations. 13 Setting the Functions. 14 q Group A Operations. 14 q Group B Operations. 16

Reference

Group A Functions. Group B Functions. ASSIGNABLE Wheel Controller Number List. Troubleshooting. MIDI Data Format. MIDI Implementation Chart. 24 26
The CBX-K1 What It Is and What It Can Do

What It Is

The CBX-K1 is a compact, highly portable 37-key MIDI keyboard, designed especially for use with computers and MIDI music systems. The CBX-K1 does not generate any sound itself, but can be used as a keyboard controller for playing sounds on a connected tone generator or rhythm machine. Its also ideal for recording to sequencers and computers. The keyboard is touch-sensitive and its octave range can be changed to cover the full 128-note MIDI range. The true power and flexibility of the CBX-K1 is in its comprehensive MIDI controls. The CBX-K1 allows you to send virtually any type of MIDI message to connected MIDI devices. Pre-programmed commands provide easy control of basic sequencer/rhythm machine functions such as Start, Stop, Tempo and Song Select, while comprehensive program change commands let you easily select program banks and voices. Most importantly, though, the CBX-K1 has an ASSIGNABLE Wheel that can be set for control of any controller number. This means that you can use the ASSIGNABLE Wheel to control a wide variety of parameters on your connected tone generator such as Volume, Pan, Brightness, and the Depth of various effects in real time. This gives you expressive control over different aspects of the sound in live performance. The CBX-K1 is also the latest instrument in the Yamaha line to support the XG format, a new addition to the General MIDI standard. In short, XG provides for more instrument sounds and variations, and greater expressive control over voices and effects. With the use of the ASSIGNABLE Wheel on the CBX-K1, you have direct real-time control over many of these newly supported functions and parameters.

What It Can Do

Here are a few application ideas on how you can use the CBX-K1. The list below is not comprehensive, but is meant to be a general guide to the possibilities and provide a starting point or springboard for your own creative ideas and explorations.
q Using With a MIDI Tone Generator
In one of the most basic setups, you can play a connected tone generator from the CBX-K1. Because its so compact and portable, you can even use it as a hand-held keyboard for live performance.
q Using as a Second Keyboard or Dedicated MIDI Controller
The CBX-K1 is small enough to fit on top of nearly any keyboard, making it perfect as a second keyboard. Since the CBX-K1 has a MIDI IN terminal, you can connect it between your main keyboard and your tone generator, and use the extensive MIDI capabilities of the CBX-K1 for greater expressive control during your performance.
q Using in a MIDI Music System
Combined with a laptop computer and a compact tone generator (like the General MIDI/XG-compatible Yamaha MU80), the CBX-K1 gives you comprehensive music making power for recording, composing, arranging, practicing, and editing in a portable system thats ready to go wherever you go. The CBX-K1 is an ideal addition to larger MIDI studios as well, since it provides far greater MIDI control and flexibility than nearly any other keyboard controller. Use it along side your main MIDI keyboard as a kind of MIDI Swiss army knife sending necessary MIDI messages, working the real-time controllers, or editing already recorded sequencer tracks.

q Multimedia

Since its portable and compatible with the General MIDI and XG formats, the CBX-K1 is a natural for multimedia applications. Because of its ease of use and comprehensive functions, its the only keyboard youll ever need for recording and editing MIDI data on your multimedia creations.

Precautions

Your CBX-K1 will give you years of reliable service if you follow the simple precautions below:
q ELECTROMAGNETIC INTERFERENCE
Avoid using the unit near televisions, radios or other equipment generating electromagnetic fields. Proximity to such equipment may cause the unit to malfunction, and may generate interference noise in the other appliance as well.

w PITCH Wheel (Pitch Bend)
This spring-loaded Wheel controls Pitch Bend. The Wheels operation can be reversed. (See page 20.)

e ASSIGNABLE Wheel

When the CBX-K1 is turned on, this Wheel (with center detent) is set to control Modulation Depth on the connected MIDI device. It can be set to control other functions; see pages 18 and 22 for details. The Wheels operation can be reversed. (See page 20.)

r C Button

This button is used to access the hidden functions of the CBX-K1. Used with the N / M buttons, it allows you to step up or down through program numbers. (See page 10.) Used with the keys of the keyboard, it allows you to access the sophisticated MIDI control functions. (See page 12.)

t N / M Buttons

These buttons are used to change the octave range of the keyboard, allowing you to play across the entire range of MIDI notes (C-2 to G8). (See page 5.) Press both of these buttons together to restore the normal octave setting (C2 to C5). With the C button, these buttons can also be used to step up or down through program numbers on the connected MIDI device. (See page 10.)

y V / B Lamps

These lamps provide several indications: * During normal playing conditions, these indicate the octave setting of the keyboard, up (B) or down (V). Both light together for the normal octave setting. When changing the octave setting, these flash to indicate the number of octaves, up or down. (See page 11.) * When using some of the hidden functions, these flash when a MIDI message is transmitted or when a function is executed. * The left lamp flashes slowly when the battery power is too low for proper operation. * The right lamp flashes quickly when there is some kind of MIDI receive error. The lamp flashes until you turn the power off and on again, or until you set MIDI Merge to ON. (See page 24.)

u CONTROLLER NUMBER LIST

This shows the controller numbers that can be used with the ASSIGNABLE Wheel. (See page 22.)
q Note Range of the CBX-K1 (with Octave Shift )
Middle C (C3 or MIDI note number 60)

C-2 (0)

C-1 (12)

C0 (24)

C1 (36)

C2 (48)

C3 (60)

C4 (72)

C5 (84)

C6 (96)

C7 (108)

C8 G8 (120) (127)

1 octave down 2 octaves down 3 octaves down 4 octaves down

4 octaves up 3 octaves up 2 octaves up 1 octave up This section is outside the legal MIDI range and plays notes Gm4 (80) through C5 (84).

Normal octave range

(default: when power is turned on)
Panel Controls and Terminals s Rear Panel

i POWER Switch

Push this switch in to turn on the power. Each time the power is turned on, the CBX-K1 returns to the default condition. (See boxed section below.)

o DC IN Terminal

POWER ON> OFF? DC IN OUT MIDI IN
This is for connection to an optional PA-1B or PA-3 AC power adaptor.

!0 MIDI OUT Terminal

This is for connection to the MIDI IN terminal of another MIDI device (such as a MIDI tone generator, sequencer or computer that has a MIDI interface), for sending MIDI messages to that device. By using the MIDI Merge function, data received at MIDI IN can be combined with the data generated by the CBX-K1 and transmitted via this terminal.

!1 MIDI IN Terminal

This is for connection to the MIDI OUT terminal of another MIDI device (such as a MIDI keyboard, sequencer or computer that has a MIDI interface), for input of that devices data. By using the MIDI Merge function, that data can be combined with the data generated by the CBX-K1 and transmitted via the MIDI OUT terminal.
s Default Settings of the CBX-K1
The CBX-K1 has no internal memory backup. As a result, all settings are returned to the factory default when turning the power off. The basic factory default settings are listed below. * MIDI transmit channel: 1 * Octave range: C2-C5 * Transpose: normal (no transposition) * Fixed velocity: Off (keyboard is velocity sensitive) * ASSIGNABLE Wheel: Modulation
q User-configurable Defaults:
You can change certain power-on default settings of the CBX-K1. These include: * Reversing the PITCH Wheel and ASSIGNABLE Wheel operation. Hold down N and turn the power on. (See page 20.) * Reversing the MSB, LSB order. Hold down M and turn the power on. (See page 20.)

Power Supply

Your CBX-K1 will run either from an optional power adaptor or batteries. Follow the instructions below according to the power source you intend to use. NOTE s Before making any connections, make sure that all equipment to be connected is turned off.

Using Batteries

To use the CBX-K1 on battery power, remove the battery compartment cover (as shown below) and insert six 1.5V AA size (SUM-3, R-6 or equivalent) manganese or alkaline batteries in the battery compartment. Make sure to follow the polarity indications on the bottom case.

Using a Power Adaptor

Connect one end of the power adaptor (the optional) Yamaha PA-1B or PA-3) to the DC IN jack on the rear panel, and the other end to a suitable electrical outlet.
Battery compartment cover

OFF (?)

Power adaptor (PA-1B or PA-3)
Securely replace the battery compartment cover when done installing the batteries.
When to Replace the Batteries
CAUTION! s Do not attempt to use a power adaptor other than the PA-1B or PA-3. The use of an incompatible adaptor may result in irreparable damage to the CBX-K1, and even pose a serious shock hazard. s Be sure to disconnect the power adaptor from the outlet when the CBX-K1 is not in use. When the battery power runs too low to properly operate the CBX-K1, the V lamp will flash slowly. When this happens, replace all batteries with a complete set of six new batteries of the same type. CAUTION! s NEVER mix old and new batteries or different types of batteries! Also, to prevent possible damage due to battery leakage, remove the batteries from the instrument if it is not to be used for an extended period of time. IMPORTANT s Turning the power off and on again resets all settings to the factory default, cancelling all user settings.
When using your CBX-K1 for the first time, read through this short section of the manual. It guides you step-by-step in using many of the basic operations: setting the instrument up, connecting it properly to other equipment, and most importantly playing it.

Setting Up Your CBX-K1

In this introductory section, youll learn how to set up the CBX-K1 for use in your music system. A variety of setups are covered here; read through the one that most closely matches your own setup. For tone generators with a built-in MIDI interface (such as the Yamaha MU80)

Connect the MIDI OUT terminal on the main keyboard to the MIDI IN terminal on the CBX-K1. Also connect the MIDI OUT terminal on the CBX-K1 to the MIDI IN terminal on the tone generator.

With Tone Generator

In the simple system below, the CBX-K1 is used to play the voices of the MU80 Tone Generator. This setup could also serve as a simple, yet powerful live performance rig, with the CBX-K1 being used as a portable, hand-held keyboard.
In a variation of the above setup, set the Clavinova and CBX-K1 to transmit on the same channel, and set the CBXK1s MIDI Merge function to ON. This lets you play the tone generator from either keyboard and use the versatile MIDI functions of the CBX-K1 to control the tone generator for example, changing the brightness of the sound in real time with the ASSIGNABLE Wheel. NOTE s When an external MIDI device is connected to the MIDI IN of the CBX-K1, the B lamp may flash, indicating a MIDI error. This is probably due to a longer-than-normal interval between active sensing messages received from the device. To remedy this, set the MIDI Merge of the CBX-K1 to ON. (See page 24.)

Making the Connections

CAUTION! s Before making any connections, make sure that all equipment to be connected is turned off.
Connect the MIDI OUT terminal on the CBX-K1 to the MIDI IN terminal on the MU80.
With Main Keyboard and Tone Generator
In this system, the CBX-K1 effectively serves as a second keyboard. The main keyboard (in this case, the Clavinova) is used to play both its own internal sounds and the sounds of the connected multi-timbral tone generator on one channel, while the CBX-K1 is used to play the sounds of the tone generator on another channel. This lets you play two sounds at once from the Clavinova, and play a third sound from the CBX-K1.
Operation 1. Connect the MIDI OUT terminal of the CBX-K1 to the MIDI
IN terminal of the tone generator, sequencer or computer MIDI interface (as shown in the illustrations above).
2. Make all necessary audio connections, making sure first
that all level controls on those devices are set to the minimum. (Refer to the owners manuals of the devices you are using for more information on connections.)
3. Finally, turn on the power of the CBX-K1, then turn on
the power of the connected equipment. (If necessary, follow the order as recommended in the owners manuals of the devices you are using.) When turning off the power, be sure to turn off the CBX-K1 last. 9
Using the CBX-K1 Basic Operations
Though the CBX-K1 has many sophisticated functions, it is very easy to use. All available functions can be controlled or executed by using the basic operations described in this section. (For details on individual functions, see pages 1822.) NOTE s This introductory section assumes that the MIDI transmit channel of the CBX-K1 and the MIDI receive channel of the connected device match. When the CBX-K1 is turned on, the MIDI transmit channel is automatically set to 1. For the sake of the following sections, set the MIDI receive channel of the connected device to 1 (or Omni).

BANK PROGRAM TEMPO SELECT CHANGE GM ON
q Changing the Octave Setting
You can easily change the octave range of the CBX-K1 keyboard while playing. In this way the three-octave keyboard can cover the entire range of MIDI notes, from C-2 to G8 (0-127). To shift the keyboard up one octave, press M. To shift the keyboard down one octave, press N. When the octave is changed, the LEDs rapidly flash one, two, three or four times, according to the selected octave range. For example, when the setting is changed to two octaves below normal, the left lamp flashes twice.

s Normal octave setting.

OCTAVE
NOTE s At the lowest and highest octave settings, keys outside the legal MIDI note range will repeat the center octave range.
Using the CBX-K1 Basic Operations Using the SHIFT-Related Functions
The enormous flexibility and power of the CBX-K1 is in its hidden or SHIFT-related functions allowing you to send virtually any kind of MIDI message directly from the keyboard or use the ASSIGNABLE Wheel for real-time control change. Many of the functions can be done with one or two keystrokes, while others require you to enter a number value and press one of the L keys to execute the function. All functions can be accessed or executed by using one of the operations described below.

SEQUENCER SHIFT

STOP CONTINUE START TEMPO
2) Holding C, pressing the functions key and then
L. These functions are indicated with a dashed underline on the panel (for example, GM ON and XG ON) and require pressing L to execute. 3) Holding C, pressing the functions key, entering a value and then pressing L. These functions are indicated with an underline on the panel (for example, PROGRAM CHANGE and TEMPO), and require that a value (Decimal or Hexadecimal) be entered.
BANK PROGRAM SELECT CHANGE GM ON
q In using the SHIFT-related functions, remember:
Keep holding down C until the end of the operation. If C is released in mid-operation, youll have to start the operation all over again.
MIDI functions (Group A and Group B)
Value entry (Decimal and Hexadecimal) L keys
In the instructions that follow, L refers to either of the ENTER keys, J or K. In other words, this means that either key can be used, unless indicated otherwise. NOTE s The V / B lamps flash briefly when a function is executed or a message is sent.

q Entering MSB/LSB Values with J (2 digit bytes for MSB, 2 digit bytes for LSB; 4 digits total message). For messages beginning with zeroes, the first zeroes can be omitted.
Examples: * 3 J: results in a value of MSB = 00, LSB = 03. * J: results in a value of MSB = 00, LSB = 03. * 3 J: results in a value of MSB = 01, LSB = 03. * J: results in a value of MSB = 01, LSB = 03.
NOTE s The order of MSB and LSB entry can be reversed. (See page 20.)
Value Entry Some Specific Examples and Anomalies

q Using K

Examples: * K: results in a value of 12. * a K: results in a value of 10. * 2 a K: results in a value of 210. * a 2 K: results in a value of 102. * 3 a K: results in a value of 310, which is ignored since it is outside the legal value range (0-255).
NOTES ON THE BASIC OPERATION s If you inadvertently press two or more function keys while performing a function, the last pressed key has priority. s If, after entering a value, you press another function key before pressing L, the value will be cancelled. s If you enter a value that is outside of a functions range, it will be ignored. Legal messages can be one byte in length (a value from 0-255).
Using the CBX-K1 Basic Operations Setting the Functions
This section shows by example the operations for the basic functions. * Unless indicated otherwise, L refers to either of the ENTER keys, J or K. However, when you wish to enter a decimal value, make sure to press K. Likewise, when entering a hexadecimal number, make sure to press J.

Group A Operations

q Numbers 1 - 8 in the illustration correspond to the operation numbers below.

Sending a Simple Command

Sending a Simple Command with L
Operation: C + Function Key Relevant Functions: Sequencer Stop/Continue/Start; Sound Off
Operation: C + Function Key L Relevant Functions: GM System On; XG System On
q Example: Sending a Start command to a sequencer or rhythm machine C+E
q Example: Setting a connected tone generator to XG Mode C+OL
You can use the Q and W keys in the same way, to stop the sequencer or continue playback from the stopped point.

Operation Examples (see page 14) 3
C + T [MSB] [LSB] L C + Y [Value] L C+UL

G2 Gm2

SOUND OFF XG ON
All Sound Off (each channel) XG On

C+I C+OL

A2 Am2

MERGE ON/OFF MIDI CH

Merge On/Off *1 (all channel) MIDI Channel

C+P C + { [Value] L

FIXED VELOCITY

Fixed Velocity

C + } [Value] L

Wheel Assign (RPN) *2

C + A [MSB] [LSB] L

CONTROLLER

Wheel Assign (controller number on panel) *2 Wheel Assign (NRPN) *2

C + S [Value] L

C + D [MSB] [LSB] L

DRUM NUMBER

Drum Number

TRANSPOSE Q TRANSPOSE W

Transpose Down *3 Transpose Up *3
Before executing the operation below, use the keyboard to select the desired drum sound (see page 15 ). C+FL C+G C+H

GENERAL

General MIDI (GM)
General MIDI (GM) is a new addition to the worldwide MIDI standard. The main feature of GM is in the standardization of instrument sounds, ensuring that song data recorded in the GM format can be played back on GMcompatible tone generators of any manufacturer, and sound as the composer or programmer intended.
XG is a major new enhancement to the GM format developed by Yamaha, and it provides for more instrument sounds and variations, as well as greater expressive control over voices and effects. XG-compatible instruments feature full compatibility with GM, while ensuring forward compatibility with future instruments and software.
Explanation Stop command for sequencer/rhythm machine. Continue command for sequencer/rhythm machine. Start command for sequencer/rhythm machine. Tempo entry for sequencer/rhythm machine. Setting this to 0 disables the MIDI clock transmission. When ASSIGNABLE Wheel is set to Tempo (cntrl. no. 148), this is inactive. This allows selection of voice banks on tone generators that support multiple banks. The bank select message must include both MSB and LSB values. This allows entry of program numbers. Stepping up or down through program numbers is also possible by holding down C and using the N / M buttons; see page 10. This resets the connected tone generator to General MIDI operation. WARNING: Be careful when using this, since it automatically changes whatever settings youve made on the tone generator. (Only GMcompatible tone generators respond to this message.) This turns all sounds off over the current MIDI channel. To turn all sounds off for all MIDI channels, use All Sound Off in Group B. This resets the connected tone generator to XG operation. WARNING: Be careful when using this, since it automatically changes whatever settings youve made on the tone generator. (Only XG-compatible tone generators respond to this message.) When set to ON, this merges all data received at MIDI IN with the data generated by the CBX-K1. Merge can be set independently for each channel in the Group B functions. This determines the MIDI transmit channel for the CBX-K1. This should be set to match the MIDI receive channel of the connected MIDI device. This sets a fixed velocity value for the keyboard; in other words, playing the keyboard at any strength results in a certain velocity value. When this is set to 0 (initial touch on), Touch Sensitivity can be set in the Group B functions. When ASSIGNABLE Wheel is set to Velocity (147), this is inactive. This determines the RPN (Registered Parameter Number) for the ASSIGNABLE Wheel. This function should be used for all RPNs not listed on the panel. The message must include both MSB and LSB values. This determines the Controller Number for the ASSIGNABLE Wheel. Though not all are listed on the panel, any of the standard Control Change numbers (0 -119) can be assigned. The RPN, NRPN and Others numbers on the panel can also be assigned here. This determines the NRPN (Non-Registered Parameter Number) for the ASSIGNABLE Wheel. This function should be used for all NRPNs not listed on the panel. The message must include both MSB and LSB values. This determines the drum number for use with the drum-related controller numbers (131-141).

Range (Hexadecimal in parentheses) 0, 20-300 (0, 14-12C) (0: MIDI clock off) MSB: 000-127 (00-7F) LSB: 000-127 (00-7F) 0-127 (0-7F)

Default Setting

MIDI Code <<FC>> <<FB>> <<FA>> <<F8>> <<Bn 00 msb, Bn 20 lsb, Cn pp>> <<Cn pp>> <<F0 7E 7F F7>>
<<Bn 78 00>> <<Fls 4C 7E 00 F7>>

ON, OFF 1-16 (1-10)

0, 1-127 (0, 1-7F)
MSB: 000-127 (00-7F) LSB: 000-127 (00-7F) 0-148 (0-94)
<<Bn 64 lsb, Bn 65 msb, Bn 06 vv>>

<<Bn gg vv>>

MSB: 000-127 (00-7F) LSB: 000-127 (00-7F) 0-127 (00-7F)
<<Bn 62 lsb, Bn 63 msb, Bn 06 vv>>
This lowers the key transposition by the specified amount (in semitones). This raises the key transposition by the specified amount (in semitones).

0-12 (0-C) 0-12 (0-C)

q Footnotes
*1 For toggle (on/off) switch functions, the V / B lamps blink rapidly when the function is set to ON, and flash once when it is set to OFF. *2 To send a specific value for the current control number assignment of the Wheel, hold down C, enter the desired value, and press L. However, this cannot be done with controller numbers 143 (Polyphonic Key Pressure), 147 (Velocity), or 148 (Tempo). *3 Transpose can be done in two ways: by repeatedly pressing the appropriate TRANSPOSE key or by entering the transpose value directly after pressing the appropriate TRANSPOSE key. To restore the normal transpose setting, hold C and press both G / H keys simultaneously.

Group B Functions

To select the Group B functions, hold down C and press K. Continue holding C while performing the operation steps for the desired Group B function. For detailed explanations on the basic operations, refer to page 16. The numbered footnotes that follow these charts provide additional details on certain operations.
Key C2 Cm2 D2 Dm2 E2 F2 Fm2 G2 Gm2 A2 Am2 B2
Panel Name STOP CONTINUE START TEMPO BANK SELECT PROGRAM CHANGE GM ON SOUND OFF XG ON MERGE ON/OFF MIDI CH FIXED VELOCITY
Function Song Select Song Position Pointer Reset All Controllers All Sound Off (all channels) GM-B Reset Merge On/Off (each channel) *1 Touch Sensitivity *2
Operation Steps C + K Q [Value] L C + K W [MSB] [LSB] L C+KE C+KI C+KOL C + K { [Value] C + K } [Value] L
Operation Examples (see page 16) 9 10 12

Range (Hexadecimal in parentheses) 0-127 (0-7F) MSB: 000-127 (00-7F) LSB: 000-127 (00-7F) ON, OFF 1-10 (1-A) 1: easy-10: hard MSB: 000-127 (00-7F) LSB: 000-127 (00-7F) Value: 0-127 (0-7F) Controller number: 0-148 (0-94) Value: 0-127 (0-7F) MSB: 000-127 (00-7F) LSB: 000-127 (00-7F) Value: 0-127 (0-7F) 1-16 (1-10)
Default Setting ON 5
MIDI Code <<F3 SS>> <<F2 lsb msb>> <<Bn 79 00>> <<B00, B00,., BF 78 00>> <<F00 7F F7>>
Maximum value is toward rear panel. MSBa precedes LSB

0-255 (0-FF)

<<xx>>
*1 For toggle (on/off) switch functions, the OCTAVE lamps blink rapidly when the function is set to ON, and flash once when it is set to OFF. *2 When Fixed Velocity (in Group A) is set to a value other than 0, the Touch Sensitivity function is inactive. The following table shows the velocity range for some Touch Sensitivity settings.
Touch Sensitivity Value Velocity Range 1 (1) 32-127 (20-7F) 5 (5) 16-127 (10-7F) 10 (A) 1-127 (01-7F)
*3 To send a specific value for the current control number assignment of the Wheel, hold down C, enter the desired value, and press L. However, this cannot be done with controller numbers 143 (Polyphonic Key Pressure), 147 (Velocity), or 148 (Tempo).
ASSIGNABLE Wheel Controller Number List
For details on these various control numbers and whether or not your particular MIDI device supports them, refer to the owners manual of that device.
No. 148 Controller Panel Name Modulation Depth Breath Control Foot Control Portamento Time Data Entry Main Volume Balance Control Pan Expression Hold 1 (Damper) Portamento Sostenuto (Chord Hold) Soft Pedal Hold 2 (Freeze) Harmonic Content Release Time Attack Time Brightness Portamento Control Reverb Depth Tremolo Depth Chorus Depth Variation Depth Phaser Depth Pitch Bend Sensitivity Fine Tuning Coarse Tuning Vibrato Rate Vibrato Depth Vibrato Delay Filter Cutoff Frequency Filter Resonance EG Attack Time EG Decay Time EG Release Time Drum Filter Cutoff Frequency Drum Filter Resonance Drum EG Attack Rate Drum EG Decay Rate Drum Pitch Coarse Drum Pitch Fine Drum Level Drum Pan Drum Reverb Depth Drum Chorus Depth Drum Variation Depth Channel Pressure Polyphonic Key Pressure Master Volume Master Balance Master Tuning Velocity Tempo Data Format Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change Control Change RPN RPN RPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN NRPN After Touch After Touch Universal Real Time Messages Universal Real Time Messages Universal Real Time Messages Others Others MIDI Code <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn gg vv>> <<Bn 64 00, Bn 65 00, Bn 06 vv>> <<Bn 64 01, Bn 65 00, Bn 06 vv>> <<Bn 64 02, Bn 65 00, Bn 06 vv>> <<Bn 62 08, Bn 63 01, Bn 06 vv>> <<Bn 62 09, Bn 63 01, Bn 06 vv>> <<Bn 62 0A, Bn 63 01, Bn 06 vv>> <<Bn 62 20, Bn 63 01, Bn 06 vv>> <<Bn 62 21, Bn 63 01, Bn 06 vv>> <<Bn 62 63, Bn 63 01, Bn 06 vv>> <<Bn 62 64, Bn 63 01, Bn 06 vv>> <<Bn 62 66, Bn 63 01, Bn 06 vv>> <<Bn 62 rr, Bn 63 14, Bn 06 vv>> <<Bn 62 rr, Bn 63 15, Bn 06 vv>> <<Bn 62 rr, Bn 63 16, Bn 06 vv>> <<Bn 62 rr, Bn 63 17, Bn 06 vv>> <<Bn 62 rr, Bn 63 18, Bn 06 vv>> <<Bn 62 rr, Bn 63 19, Bn 06 vv>> <<Bn 62 rr, Bn 63 1A, Bn 06 vv>> <<Bn 62 rr, Bn 63 1C, Bn 06 vv>> <<Bn 62 rr, Bn 63 1D, Bn 06 vv>> <<Bn 62 rr, Bn 63 1E, Bn 06 vv>> <<Bn 62 rr, Bn 63 1F, Bn 06 vv>> <<Dn vv>> <<An tt vv>> <<F0 7F 7F ll mm F7>> <<F0 7F 7F ll mm F7>> <<Fls pm pl 00 F7>> *4 *5 Direct Data Send Range (Hexadecimal in parentheses) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) *1 000-064-127 (00-40-7F) 000-064-127 (00-40-7F) 014-064-114 (0E-40-72) *2 *3

3.4 System Common Messages
(1) Song select vv=Song number <<F3 vv>> 0-127
(2) Song position pointer <<F2 ll mm>> ll=Song position pointer LSB 0-127 mm=Song position pointer MSB 0-127
3.5 System Real Time Messages
(1) (2) (3) (4) (5) Timing clock Start Continue Stop Active sensing <<F8>> <<FA>> <<FB>> <<FC>> <<FE>> Transmission should not be paused for longer than 250 ms.
(4) Control change <<Bn cc vv>> n=Channel 0-15 cc=Control number 0-119 vv=Control value * When RPN or NRPN is assigned to the ASSIGNABLE Wheel, the MSB, LSB and data entry values are transmitted in a group each time. (5) Channel pressure <<Dn cc vv>> n=Channel 0-15 vv=Pressure value 0-127 * Though the keyboard of the CBX-K1 itself has no after touch, after touch data can be transmitted from the ASSIGNABLE Wheel when Channel pressure or Polyphonic key pressure is assigned to the Wheel. (6) Pitch bend change n=Channel ll=Pitch bend value mm=Pitch bend value <<En ll mm>> 0-15 LSB 0-127 MSB 0-127
3.6 Single-byte Data Transmission
(1) Single-byte data <<xx>>xx=0-255 Separate from conventional MIDI message transmission, single byte messages can also be transmitted.

3.7 Others

* Running Status bytes are not used. However, incoming Running Status messages are added and transmitted. * If the incoming Note Off messages include <<8n>> status, the <<8n>> status is merged and output as is. (The CBX-K1 transmits Note Off messages as <<9n>> status with a velocity of 0.)
3.2 Channel Mode Messages
(1) All sound off n=Channel (2) Reset all controller n=Channel (3) All note off n=Channel <<Bn 78 00>> 0-15 <<Bn 79 00>> 0-15 <<Bn 7B 00>> 0-15

YAMAHA

[MIDI Keyboard ] Model CBX-K1 MIDI Implementation Chart Transmitted Recognized x x x x x x x x x x x x x x x
Date:01-Feb-1995 Version : 1.01 Remarks
Function. Basic Channel Mode Default Changed Default Messages Altered - 16 x ************** 0-127 ************** o x o o o 0-119 Control 120 Change 121 o Reset All Controllers o All Sound Off o 9nH,v=1-127 9nH,v=0 *1, *2 *1

Panel Controls and Terminals

s Front Panel

w e o i
POWER ON @OFF DC IN PHONES L OUTPUT R
INPUT SUSTAIN IN MIDI OUT
TO HOST Mac PC-1 PC-2 MIDI
MIDI SOUND KEYBOARD CBX-K1XG

CONTROLLER NUMBER LIST

GENERAL

ASSIGNABLE

SEQUENCER PROGRAM
TEMPO BANK PROGRAM SELECT CHANGE GM ON

VOLUME

1 MODULATION 5 PORTA TIME 6 DATA ENTRY 7 VOLUME 10 PANPOT 11 EXPRESSION 65 PORTAMENTO 71 HARMONIC
72 RELEASE 73 ATTACK 74 BRIGHT 84 PORTA CTRL 91 REVERB 93 CHORUS 94 VARIATION 120 PB SENS
121 FINE TUNE 122 COARSE TUNE 123 VIBRT RATE 124 VIBRT DEPTH 125 VIBRT DELAY 126 FLT CUT FRQ 127 FLT RESO 128 EQ ATTACK
129 EG DECAY 130 EG RELEASE 142 CH PRESSURE 143 KEY PRESSURE 144 MSTR VOLUME 146 MSTR TUNE 147 VELOCITY 148 TEMPO
SOUND OFF XG ON MERGE ON/OFF

SYSTEM

MIDI CH FIXED VELOCITY

WHEEL ASSIGN

RPN CONTROLLER NRPN DRUM NUMBER

TRANSPOSE

9 A B C D E F 0

HEXA DECIMAL DECIMAL

CONTINUE

OCTAVE OCTAVE SHIFT

OCTAVE RESET

q q Keyboard

The CBX-K1XG has a 37-key, 3-octave keyboard (C2 to C5), featuring initial touch (velocity) control. All note on, note off and velocity data is sent both to the internal tone generator and the connected MIDI device. When used with the C button, the keys are used for changing various settings and sending special MIDI messages. (See page 24.) About the Functions of the CBX-K1XG: The functions are divided into two groups: Group A and Group B. The Group A functions are shown on the panel, above the left section of the keyboard. The Group B functions are hidden and are listed on pages 32 33. Several functions can be used by pressing only the relevant key; in other words, pressing L is not necessary. These functions, such as Sequencer Stop and Start, are shown on the panel without underline. The right section of the keyboard serves as value entry and is used for those functions whose names are underlined on the panel and require value entry, such as Program Change and Tempo. Functions whose names appear with a dashed underline on the panel (for example, GM ON and XG ON) require pressing L. Value entry on the CBXK1XG can be done in two number systems: Decimal and Hexadecimal. The keys labeled A through F are for Hexadecimal entry. NOTE s The normal (default) velocity range of the CBX-K1XG is from 16 to 127. The range differs according to the Touch Sensitivity setting (see page 32).

Determines whether the messages received at MIDI IN are mixed with the CBX-K1XGs internal data and sent via MIDI OUT (ON), or not (OFF). When the power is turned on, MIDI Merge is set to OFF.

MIDI Thru (Echo back) ON

Computer (Sequencer software)

q Local On/Off

Determines whether the note related messages and the control data such as assignable wheel will be sent to the internal tone generator (ON), or not (OFF). When set to ON, the messages will be sent to both internal tone generator and the connected MIDI device. When the power is turned on, Local is set to ON.

Serial port

NOTE s When incoming active sensing messages <<FE>> exceed that allowed by the MIDI standard, the sound will automatically be cut off. NOTE s If you are using an external MIDI instrument, this introductory section assumes that the MIDI transmit channel of the CBX-K1XG and the MIDI receive channel of the connected device match. When the CBX-K1XG is turned on, the MIDI transmit channel is automatically set to 1.

Internal tone generator

CBX-K1XG controller

q Mac Macintosh

Connect the TO HOST Terminal of the CBXK1XG to the Modem (or Printer) port of the computer with an optional Apple Macintosh Mac peripheral cable (M0197), then select Mac (31,250 bps) with the Host Select switch. * Set the MIDI interface clock in the Apple MIDI Driver to 1MHz. * Apple Macintosh Peripheral cable (M0197). Maximum length 2 meters.

MINI DIN 8-PIN

2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+)

q PC-1 PC98

Connect the TO HOST Terminal of the CBXK1XG to the serial port of the PC98 computer with an optional 8-pin MINI DIN to D-SUB 25PC-1 pin cable, then select PC-1 (31,250 bps) from the Host Select switch. * 8-pin MINI DIN to D-SUB 25-pin cable. If your PC-1 type computer has a 9-pin serial port, use the PC-2 type cable. Maximum length 1.8 meters.
5 (CTS) 4 (RTS) 3 (RxD) 7 (GND) 2 (TxD)

D-SUB 25-PIN

q PC-2 IBM PC/AT
Connect the TO HOST Terminal of the CBXK1XG to the serial port of the IBM PC/AT (or compatible) computer with an optional 8-pin PC-2 MINI DIN to D-SUB 9-pin cable, then select PC-2 (38,400 bps) with the Host Select switch. If the computer serial port is a D-SUB 25-pin type, use an 8-pin MINI DIN to D-SUB 25-pin cable with plug adapter (9-pin 25pin). * 8-pin MINI DIN to D-SUB 9-pin cable. Maximum length 1.8 meters.

Re-assigning the ASSIGNABLE Wheel
As mentioned above, the ASSIGNABLE Wheel can be used to control a variety of different functions. The default setting is for modulation control (MIDI Controller #1); however, it can be set to control volume, pan position, attack or release time, coarse or fine tuning, and reverb or chorus depth, among other Controllers. (For a complete list of the available Controllers and their numbers, see page 34.) Operation This sets the ASSIGNABLE Wheel to Controller number 93 (Chorus). Play the keyboard and move the ASSIGNABLE Wheel as you play, and hear how a Chorus effect comes in as you move the wheel to the maximum position. As you move the Wheel, the currently assigned Controller number appears in the LED display. Try entering other Controller numbers, repeating steps 1 and 2 above. (A short list of Controllers is printed on the panel. Try entering some of these; manybut not allof these will have an obvious effect on the sound as you move the wheel.) * You can also assign RPN and NRPN numbers to the ASSIGNABLE Wheel. (See page 30.)
S. The LED display indicates the current ASSIGNABLE Wheels Controller number.
number 93 (press 9, then 3), then press K.
Playing and Using Your CBX-K1XG Changing the Touch Sensitivity of the Keyboard
The Touch Sensitivity function lets you change how the Voices respond to your playing strength. (This affects both the internal tone generator and any connected MIDI instrument.) NOTE s Touch Sensitivity is a Group B function. The Group A functions (such as Program Change, Bank Select, and Controller, which were covered above) are shown on the panel and explained in detail on pages 30 31. The Group B functions (listed and explained on pages 32 33) are not shown on the panel and are accessed differently than Group A functions. Operation
number 1, then press K. This sets Touch Sensitivity to 1 (easy). Now, when you play the keyboard, even playing softly results in a reasonably loud sound. Try entering other values (the range is 1-10), and hear how they affect the response of the keyboard. The default value is 5, and can also be restored by simply turning the CBXK1XG off and on again. NOTE s When Fixed Velocity is set to a value other than 0 (off), the Touch Sensitivity setting has no effect. For more information on Touch Sensitivity, see footnote #2 on page 32.
1. Simultaneously hold down C, press
K, then }. Pressing K first (before any function key) calls up the Group B functions. Touch Sensitivity corresponds to the } key. The LED display indicates the current Touch Sensitivity value.

* MIDI: MIDI OUT and TO HOST, Int.: Internal tone generator.

Explanation

Stop command for sequencer/rhythm machine. Continue command for sequencer/rhythm machine. Start command for sequencer/rhythm machine. Tempo entry for sequencer/rhythm machine. Setting this to 0 disables the MIDI clock transmission. When ASSIGNABLE Wheel is set to Tempo (cntrl. no. 148), this is inactive. This allows selection of voice banks on the tone generator. The bank select message must include both MSB and LSB values. This allows entry of program numbers. Stepping up or down through program numbers is also possible by holding down C and using the N / M buttons; see page 15. This resets the tone generator to General MIDI operation. WARNING: Be careful when using this, since it automatically changes whatever settings youve made on the tone generator. (Only GMcompatible tone generators respond to this message.) This turns all sounds off over the current MIDI channel. To turn all sounds off for all MIDI channels, use All Sound Off in Group B. This resets the tone generator to XG operation. WARNING: Be careful when using this, since it automatically changes whatever settings youve made on the tone generator. (Only XG-compatible tone generators respond to this message.) When set to ON, this merges all data received at MIDI IN with the data generated by the CBXK1XG. Merge can be set independently for each channel in the Group B functions. This determines the MIDI transmit channel for the CBX-K1XG. This should be set to match the MIDI receive channel of the connected MIDI device. This sets a fixed velocity value for the keyboard; in other words, playing the keyboard at any strength results in a certain velocity value. When this is set to 0 (initial touch on), Touch Sensitivity can be set in the Group B functions. When ASSIGNABLE Wheel is set to Velocity (147), this is inactive. This determines the RPN (Registered Parameter Number) for the ASSIGNABLE Wheel. This function should be used for all RPNs not listed on the panel. The message must include both MSB and LSB values. This determines the Controller Number for the ASSIGNABLE Wheel. Though not all are listed on the panel, any of the standard Control Change numbers (0 -119) can be assigned. (For a complete list of the available Controllers and their numbers, see page 34.) This determines the NRPN (Non-Registered Parameter Number) for the ASSIGNABLE Wheel. This function should be used for all NRPNs not listed on the panel. The message must include both MSB and LSB values. This determines the drum number for use with the drum-related controller numbers (131-141).

Transmitted to*

Y Y Y Y Y Y Y

N N N N Y Y Y

Range (Hexadecimal in parentheses)
0, 20-300 (0, 14-12C) (0: MIDI clock off) MSB: 000-127 (00-7F) LSB: 000-127 (00-7F) 1-128 (1-80)

Note on/off <<9n>> Polyphonic key pressure *1 <<An>> Control change <<Bn>> All sound off <<Bn 78 00>> Reset all controller <<Bn 79 00>> All note off *2 <<Bn 7B 00>> Program change <<Cn>> Channel pressure <<Dn>> Pitch change <<En>> System exclusive <<F0.F7>> Song position pointer <<F2>> Song select <<F3>> Timing clock <<F8>> <SW1> Start <<FA>> Continue <<FB>> Stop <<FC>> Active sensing <<FE>> Arbitrary 1byte data <<xx>>
*1 This applies only to the highest note played. *2 This is output only when a MIDI buffer full error occurs. <SW1> When the CBX-K1XG is set to send <<F8>> messages, <<F8>> messages from the CBX-K1XG will be output. When the CBX-K1XG is not set to send <<F8>> messages, <<F8>> messages from the CBXK1XG will not be output, but <<F8>> messages from a connected external device will be merged. <SW2> When Merge is set to ON, the incoming data is merged. <Filter> This is Merge On/Off for each channel.
1. CHANNEL VOICE MESSAGES
1.1 Note On / Note Off 1001nnnn 9n Status 0kkkkkkk kk* Note # 0vvvvvvv vv Velocity n=Channel number k=0(C-2).127(G8):C3=60 v=0:Note off, v=1.127:Note on * kk is the hexadecimal expression of 0kkkkkkk; same as for tt, aa, etc.
1110nnnn En Status n=Channel number 0lllllll ll Value LSB 0mmmmmmm mm Value MSB Messages for pitch bend wheel values. Resolution is 7 bit. Transmission data is listed below. MSB 00000000 (00) 01000000 (40) 01111111 (7F) LSB 00000000 (00) 00000000 (00) 01111110 (7E) Min. Center Max.
Messages which are generated when the keyboard is played. Reception note range = C-2 (0) G8 (127), C3 = 60 Velocity range = (Only the Key On velocity is received) Key On: Generated when a key is pressed. Key Off: Generated when a key is released. Each message includes a specific note number which corresponds to the key which is pressed, plus a velocity value based on how hard the key is struck.

2. CHANNEL MODE MESSAGES

2.1 All Sounds Off 1011nnnn Bn Status n=Channel number Terminates all sounds currently sounding on the specified channel.
2.2 Reset All Controllers 1011nnnn Bn Status n=Channel number This resets all controllers on the specified channel. 2.3 All Notes Off 1011nnnn Bn Status n=Channel number 01111011 7B Terminates all notes currently on for the specified channel. This is transmitted only when a MIDI buffer full error occurs. 3.1.2 Universal Non-Realtime Messages 3.1.2.1 General MIDI Mode On 11110000 F0 Exclusive status 01111110 7E Universal Non-Real Time 01111111 7F ID of target device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive 3.1.2.2 Identity Reply 11110000 F0 Exclusive status 01111110 7E Universal Non-Real Time 0000nnnn nn Device Number, n= 0.06 Sub-ID #1=General Information Sub-ID #2=Device Identity Reply YAMAHA ID Device Family Code LSB CBX-K1XG ID #41 Device Family Code MSB CBX-K1XG ID #6B Device Number Code LSB CBX-K1XG ID #01 Device Number Code MSB CBX-K1XG ID #01 XG ID 11110111 F7 End of Exclusive This is transmittedx by the CBX-K1XG when an Identity Request message (see 3.1.2.2 on page App-9) is received. 3.1.3 XG Native Parameter Change 11110000 F0 Exclusive status YAMAHA ID 0001nnnn 1n Device Number 01001100 4C XG Model ID 0aaaaaaa aa Address High 0aaaaaaa aa Address Mid 0aaaaaaa aa Address Low 0ddddddd dd Data | | 11110111 F7 End of Exclusive For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. 3.1.3.1 XG System On 11110000 F0 Exclusive status YAMAHA ID 0001nnnn 1n Device Number 01001100 4C XG Model ID Address High Address Mid 01111110 7E Address Low Data 11110111 F7 End of Exclusive This message changes the internal tone generator to the XG mode. Since approximately 50ms is required to execute this message, be sure to leave an appropriate interval before the subsequent message.

3. SYSTEM EXCLUSIVE MESSAGES
System Exclusive messages control various functions including master volume and master tuning, play mode, effect type and various other parameters. 3.1 Parameter Change The CBX-K1XG receives the following parameter change messages. [ UNIVERSAL REALTIME MESSAGE ] 1) Master Volume 2) Master Balance [ UNIVERSAL NON REALTIME MESSAGE ] 1) General MIDI Mode On 2) Identity Reply (INQUIRY MESSAGE) [ XG NATIVE PARAMETER CHANGE ] 1) XG System on 2) XG System Data parameter change 3) Multi Effect1 Data parameter change 4) Multi Part Data parameter change 5) Drums Setup Data parameter change [ OTHER ] 1) Master Tuning 2) TG300 System Data Parameter change 3.1.1 Universal Realtime Messages 3.1.1.1 Master Volume 11110000 F0 Exclusive status 01111111 7F Universal Real Time 01111111 7F ID of target device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB 0ttttttttt tt Volume MSB t=0.F7 End of Exclusive 3.1.1.2 Master Balance 11110000 F0 Exclusive status 01111111 7F Universal Real Time 01111111 7F ID of target device Sub-ID #1=Device Control Message Sub-ID #2=Master Balance Balance LSB 0ttttttttt tt Balance MSB t=0.F7 End of Exclusive
3.1.3.2 XG System Data parameter change This data is transmitted upon reception of a Dump Request message. See tables 1 - 1 and 1 - 2 (page App-12). 3.1.3.3 System information This data is transmitted upon reception of a Dump Request message. See tables 1 - 1 and 1 - 3 (page App-12). 3.1.3.4 Multi Effect1 Data parameter change This data is transmitted upon reception of a Dump Request message. See tables 1 - 1 and 1 - 4 (page App-12). 3.1.3.5 Multi Part Data parameter change This data is transmitted upon reception of a Dump Request message. See tables 1 - 1 (page App-12) and 1 - 5 (page App-13). 3.1.3.6 Drums Setup Data parameter change This data is transmitted upon reception of a Dump Request message. See tables 1 - 1 (page App-12) and 1 - 6 (page App-15). 3.1.4 Other parameter changes 3.1.4.1 Master Tuning 0001nnnn 0mmmmmmm 01111111 Occccccc 11110111 F1n mm 11 cc F7 Exclusive status YAMAHA ID Device Number Model ID Sub ID2 For the Address and Byte Count, refer to the supplementary tables. The Check Sum is the value that results in a value of 0 for the lower 7 bits when the Start Address, Byte Count, plus the Check Sum itself are added. Data of more than 256 bytes cannot be transmitted at once. When transmitting more than that amount, divide up the data into packets of 256 bytes or less and transmit them at intervals of 120 ms or longer. 3.2.1.1 XG System Data bulk dump See tables 1 - 1 and 1 - 2 (page App-12). 3.2.1.2 Multi Effect1 Data bulk dump See tables 1 - 1 and 1 - 4 (page App-12). 3.2.1.3 Multi Part Data bulk dump See tables 1 - 1 (page App-12) and 1 - 5 (page App-13). 3.2.1.4 Drums Setup Data bulk dump See tables 1 - 1 (page App-12) and 1 - 6 (page App-15).

CNTRL# PARAMETER DATA RANGE
1.1 Note Off 1000nnnn 8n Status n=Channel number 0kkkkkkk kk* Note number k=0(C-2).127(G8):C3=60 0vvvvvvv vv Velocity v=0.127 * kk is the hexadecimal expression of 0kkkkkkk; same as for tt, aa, etc. This message corresponds to releasing the key of a MIDI keyboard. Note off velocity is not received. If the Multi Part parameter Rcv NOTE MESSAGE (page App-14) = OFF for a specific Part, that Part will ignore Key On and Key Off messages. If the Drum Setup parameter Rcv NOTE OFF (page App-15) = OFF, the Drum Part will ignore Key Off messages. 1.2 Note On / Note Off n=Channel number k=0(C-2).127(G8):C3=60 v=0:Note off, v=1.127:Note on Messages which are generated when the keyboard is played. Reception note range = C-2 (0) G8 (127), C3 = 60 Velocity range = (Only the Key On velocity is received) Key On: Generated when a key is pressed. Key Off: Generated when a key is released. Each message includes a specific note number which corresponds to the key which is pressed, plus a velocity value based on how hard the key is struck. If the Multi Part parameter Rcv NOTE MESSAGE (page App-14) = OFF for a specific Part, that Part will ignore Key On and Key Off messages. If the Drum Setup parameter Rcv NOTE OFF (page App-15) = OFF, the Drum Part will ignore Key Off messages. If the Drum Setup parameter Rcv NOTE ON = OFF (page App-15), the Drum Part will ignore Key On messages. 1001nnnn 9n 0kkkkkkk kk 0vvvvvvv vv 1.3 Polyphonic Aftertouch 1010nnnn An Status n=Channel number 0kkkkkkk kk Note # k=0(C-2).127(G8):C3=60 0vvvvvvv vv Value v=0.127 Messages which let you control various functions by the pressure you apply to the keys after the initial striking of the keys, for each individual key. Status Note # Velocity
Bank Select MSB Bank Select LSB
0:Normal, 64:SFX, 126.127:Drum 0127
You can select the Voice banks with MSB and LSB numbers. MSB and LSB functions differently depending on the play mode. In XG mode, MSB numbers select Voice type (Normal Voice or Drum Voice), and LSB numbers select Voice banks. In TG300B mode, LSB is fixed, and MSB numbers select Voice banks. When the C/M mode is active, these messages are ignored. (See Normal Voice List, Drum Voice List, from page App-17.) A new bank selection will not become effective until the next Program Change message is received. 1.4.2 Modulation Messages which control vibrato depth.

Modulation

A setting of 0 = vibrato off, and a setting of 127 = maximum vibrato. 1.4.3 Portamento Time Messages which control the duration of portamento, or a continuous pitch glide between successively played notes.

Portamento Time

When the parameter 1.4.9 Portamento = ON, values will adjust the speed of pitch change. A setting of 0 = minimum portamento time, and 127 = maximum portamento time. 1.4.4 Data Entry Messages which set the value for the parameter specified by RPN/ NRPN.
Data Entry MSB Data Entry LSB

0127 0127

Parameter value is determined by combining MSB and LSB.
1.4.5 Main Volume Messages which control the volume of each Part.
1.4.12 Harmonic Content Messages which adjust the resonance set for each Voice.

Main Volume

Harmonic Content
0127 (0:-64, 64:+0, 127:+63)
A setting of 0 = minimum volume, and 127 = maximum volume. 1.4.6 Pan Messages which control the stereo panning position of each Part.
The value set here is an offset value which will be added to or subtracted from the Voice data. Higher values will result in a more characteristic, resonant sound. Depending on the Voice, the effective range may be narrower than the range available for adjustment. 1.4.13 Release Time Messages which adjust the envelope release time set for each Voice.
A setting of 0 = extreme left position, and 127 = extreme right position. 1.4.7 Expression Messages which control intonation expression of each Part.

Release Time

0.127 (0:-64, 64:+0, 127:+63)
The value set here is an offset value which will be added to or subtracted from the Voice data. 1.4.14 Attack Time Messages which adjust the envelope attack time set for each Voice.

Expression

A setting of 0 = minimum expression volume, and 127 = maximum expression volume. 1.4.8 Hold1 Messages which control sustain on/off.

Attack Time

The value set here is an offset value which will be added to or subtracted from the Voice data. 1.4.15 Brightness Messages which adjust the filter cutoff frequency set for each Voice.
Settings between = sustain off, and settings between = sustain on. 1.4.9 Portamento Messages which control portamento on/off.

Brightness

Portamento
Settings between = portamento off, and settings between = portamento on. The parameter 1.4.3 Portamento Time controls the portamento speed. 1.4.10 Sostenuto Messages which control sostenuto on/off.
The value set here is an offset value which will be added to or subtracted from the Voice data. Lower values will result in a softer sound. Depending on the Voice, the effective range may be narrower than the range available for adjustment. 1.4.16 Portamento Control Messages which apply a portamento between the currently-sounding note and the subsequent note.

Portamento Control 0.127

Sostenuto
Holding specific notes and then pressing and holding the sostenuto pedal will sustain those notes as you play subsequent notes, until the pedal is released. Settings between = sostenuto off, and settings between = sostenuto on. 1.4.11 Soft Pedal Messages which control soft pedal on/off.

Filter Resonance mm : 00H - 40H - 7FH (-64 - 0 - +63) EG Attack Time mm : 00H - 40H - 7FH (-64 - 0 - +63) EG Decay Time mm : 00H - 40H - 7FH (-64 - 0 - +63) EG Release Time mm : 00H - 40H - 7FH (-64 - 0 - +63) Drum Filter Cutoff Frequency mm : 00H - 40H - 7FH (-64 - 0 - +63) rr : drum instrument note number Drum Filter Resonance mm : 00H - 40H - 7FH (-64 - 0 - +63) rr : drum instrument note number Drum EG Attack Rate mm : 00H - 40H - 7FH (-64 - 0 - +63) rr : drum instrument note number Drum EG Decay Rate mm : 00H - 40H - 7FH (-64 - 0 - +63) rr : drum instrument note number Applies to both Decay1 and 2. Drum Instrument Pitch Coarse mm : 00H - 40H - 7FH (-64 - 0 - +63) rr : drum instrument note number Drum Instrument Pitch Fine mm : 00H - 40H - 7FH (-64 - 0 - +63) rr : drum instrument note number Drum Instrument Level mm : 00 - 7F (0 - max) rr : drum instrument note number Drum Instrument Pan mm : 00H - 40H - 7FH (random, left - center - right) rr : drum instrument note number Drum Instrument Reverb Send Level mm : 00H - 7FH (0 - max) rr : drum instrument note number Drum Instrument Chorus Send Level mm : 00H - 7FH (0 - max) rr : drum instrument note number Drum Instrument Variation Send Level mm : 00H - 7FH (0 - max) rr : drum instrument note number
MSB 14H1FH (for Drum) is valid only if the Multi Part parameter (page App-13) PART MODE = DRUMS 1 or DRUMS2 for that channel. (If PART MODE = DRUM, no values will be changed.) 1.4.22 RPN (Registered Parameter Number) Messages which offset, or add or subtract values from a Parts pitch bend sensitivity, tuning, or other parameter settings.

0AH mmH 20H mmH

100 RPN LSB 0.127 (Default:7FH) 101 RPN MSB 0.127 (Default:7FH) * Note that once the RPN has been set for a channel, subsequent data entry will be recognized as the same RPNs value change. Therefore after you use the RPN, you should set a Null (7FH, 7FH) value to avoid an unexpected result.
The following RPN numbers can be received. RPN MSB LSB 00H 00H DATA ENTRY MSB LSB PARAMETER NAME and VALUE RANGE mmH - Pitch Bend Sensitivity mm : 00 - 18H (0 - 24 chromatic steps) Assignable in chromatic steps up to 2 octaves Default : 02H LSB value is ignored. mmH 11H Fine Tuning mm : 00H - 40H - 7FH (-64-0-+63) mmH - Coarse Tuning mm : 28H - 40H - 58H (-24 - +24 chromatic steps) LSB value is ignored. --RPN null Cancels RPN and NRPN numbers. 2.1 All Sounds Off 1011nnnn Bn Status n=Channel number Terminates all sounds currently sounding on the specified channel. However, the status of channel messages such as Note On and Hold On is maintained. 2.2 Reset All Controllers 1011nnnn Bn Status n=Channel number The values of the following controllers will be reset to the defaults. CONTROLLER VALUE Pitch Bend Change 0 (center) Channel Aftertouch 0 (off) Polyphonic Aftertouch 0 (off) Modulation 0 (off) Expression 127 (max) Hold(off) Portamento 0 (off) Sostenuto 0 (off) Soft Pedal 0 (off) Portamento Control cancels the Portamento Source Key Number that was received RPN number not specified; internal data will not change NRPN number not specified; internal data will not change 2.3 All Notes Off n=Channel number 1011nnnn Bn Status 01111011 7B Terminates all notes currently on for the specified channel. However, if Hold1 or Sostenuto is on, notes will continue sounding until these are turned off. 2.4 Omni Off 1011nnnn Bn Status n=Channel number 01111100 7C Performs the same function as when an All Notes Off message is received. 2.5 Omni On 1011nnnn Bn Status n=Channel number 01111101 7D Performs the same function as when an All Notes Off message is received.

see Effect Type List (page App-26) 00 : basic type see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) see Effect Parameter List (page App-27) -dB.0dB.+6dB (0.64.127) L63.C.R63 (1.64.127) -dB.0dB.+6dB (0.64.127) -dB.0dB.+6dB (0.64.127) 0:INSERTION, 1:SYSTEM part1.16 = 0.15, OFF = 127 -64 - +63 -64 - +63 -64 - +63 -64 - +63 -64 - +63
05 (=DELAY L,C,R) 00 depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type 00 7F 40
VARIATION PARAMETER 11 VARIATION PARAMETER 12 VARIATION PARAMETER 13 VARIATION PARAMETER 14 VARIATION PARAMETER 15 VARIATION PARAMETER 16
depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type depends on variation type

Table 1-5

MIDI Parameter Change table ( MULTI PART ) [XG]
Address (H) 08 nn 00 nn 01 nn 02 nn 03 nn 04 nn 05 nn 06 Size (H) 1 Data (H) 00 - - 7F 00 - 7F 00 - 7F 00 - 0F, 7F 00 - - 02 Parameter ELEMENT RESERVE BANK SELECT MSB BANK SELECT LSB PROGRAM NUMBER Rcv CHANNEL MONO/POLY MODE SAME NOTE NUMBER KEY ON ASSIGN PART MODE Description 0 - - - - - 16,OFF 0:MONO, 1:POLY 0:SINGLE 1:MULTI 2:INST (for DRUM) 0:NORMAL 1:DRUM 2 - 3:DRUMS1 - 2 -24 - +24 [semitones] -12.8 - +12.7 [Hz] 1st bit3-0bit7-4 2nd bit3-0bit3-0 Default value(H) part10 = 00, other = 02 part10 = 7F, other = 00 part no. 01 01

Bank 0 : (GM) Bank 1 : Key Scale Panning Bank 3 : Stereo Bank 6 : Single Bank 8 : Slow Bank 12 : Fast Decay Bank 14 : Double Attack Bank 16 : Bright Bank 17 : Bright
Bank 18 : Dark Bank 19 : Dark Bank 20 : Resonant Bank 24 : Attack Bank 25 : Release Bank 27 : Reso Sweep Bank 28 : Muted Bank 32 : Detune 1 Bank 33 : Detune 2
Bank 34 : Detune 3 Bank 35 : Octave 1 Bank 36 : Octave 2 Bank 37 : 5th 1 Bank 38 : 5th 2 Bank 39 : Bend Bank 40 : Tutti Bank 41 : Tutti Bank 42 : Tutti
Bank 43 : Velo-Switch Bank 45 : Velo-Xfade Bank 64 : Other wave Bank 65 : Other wave Bank 66 : Other wave Bank 67 : Other wave Bank 68 : Other wave Bank 69 : Other wave Bank 70 : Other wave
Bank 71 : Other wave Bank 72 : Other wave Bank 96 : Other wave Bank 97 : Other wave Bank 98 : Other wave Bank 99 : Other wave Bank 100 : Other wave Bank 101 : Other wave

App-17

Bank Select MSB=064, LSB=000 SFX voice
Instrument Program Bank Group # # Reed 0 Pipe Synth Lead Synth Pad EleVoice Name ment SprnoSax 1 Alto Sax 1 Sax Sect 2 HyprAlto 2 TenorSax 1 BrthTnSx 2 SoftTenr 2 TnrSax Bari.Sax 1 Oboe 2 Eng.Horn 1 Bassoon 1 Clarinet 1 Piccolo 1 Flute 1 Recorder 1 PanFlute 1 Bottle 2 Shakhchi 2 Whistle 1 Ocarina 1 SquareLd 2 Square LMSquare 2 Hollow 1 Shmoog 2 Mellow 2 SoloSine 2 SineLead 1 Saw.Lead 2 Saw ThickSaw 2 DynaSaw 1 DigiSaw 2 Big Lead 2 HeavySyn 2 WaspySyn 2 PulseSaw 2 Dr. Lead 2 VeloLead 2 Seq Ana 2 CaliopLd 2 Pure Pad 2 Chiff Ld 2 Rubby 2 CharanLd 2 DistLead 2 WireLead 2 Voice Ld 2 SynthAah 2 VoxLead 2 Fifth Ld 2 Big Five 2 Bass &Ld 2 Big&Low 2 Fat&Prky 2 SoftWurl 2 NewAgePd 2 FantasyWarm Pad 2 ThickPad 2 Soft Pad 2 SinePad 2 Horn Pad 2 RotarStr 2 PolySyPd 2 PolyPdClickPad 2 Ana Pad 2 SquarPad 2 Instrument Program Bank Group # # Synth Pad 66 Synth Effects EleVoice Name ment ChoirPad 2 HeavenItopia 2 CC Pad 2 BowedPad 2 Glacier 2 GlassPad 2 MetalPad 2 Tine Pad 2 Pan Pad 2 Halo Pad 2 SweepPad 2 Shwimmer 2 Converge 2 PolarPad 2 Celstial 2 Rain 2 ClaviPad 2 HrmoRain 2 AfrcnWnd 2 Caribean 2 SoundTrk 2 Prologue 2 Ancestrl 2 Crystal 2 SynDrCmp 2 Popcorn 2 TinyBell 2 RndGlock 2 GlockChi 2 ClearBel 2 ChorBell 2 SynMalet 1 SftCryst 2 LoudGlok 2 XmasBell 2 VibeBell 2 DigiBell 2 AirBells 2 BellHarp 2 Gamelmba 2 Atmosphr 2 WarmAtms 2 HollwRls 2 NylonEP 2 NylnHarp 2 Harp Vox 2 AtmosPad 2 Planet 2 Bright 2 FantaBel 2 Smokey 2 Goblins 2 GobSyn 2 50sSciFi 2 Ring Pad 2 Ritual 2 ToHeaven 2 Night 2 Glisten 2 BelChoir 2 Echoes 2 EchoPadEcho Pan 2 EchoBell 2 Big Pan 2 SynPiano 2 Creation 2 Stardust 2 Reso Pan 2 Sci-Fi 2 Starz 2 Instrument Program Bank Group # # Ethnic 97 Percussive 0 Sound Effects EleVoice Name ment Sitar 1 DetSitar 2 Sitar Tambra 2 Tamboura 2 Banjo 1 MuteBnjo 1 Rabab 2 Gopichnt 2 Oud 2 Shamisen 1 Koto 1 T. Koto 2 Kanoon 2 Kalimba 1 Bagpipe 2 Fiddle 1 Shanai 1 ShanaiPungi 1 Hichriki 2 TnklBell 2 Bonang 2 Gender 2 Gamelan 2 S.Gamlan 2 Rama Cym 2 AsianBel 2 Agogo 2 SteelDrm 2 GlasPerc 2 ThaiBell 2 WoodBlok 1 Castanet 1 TaikoDrm 1 Gr.Cassa 1 MelodTom 2 Mel TomReal Tom 2 Rock Tom 2 Syn.Drum 1 Ana Tom 1 ElecPerc 2 RevCymbl 1 FretNoiz 2 BrthNoiz 2 Seashore 2 Tweet 2 Telphone 1 Helicptr 1 Applause 1 Gunshot 1

App-20

C/M Normal Voice List
Pgm# TYPE1 Parta.piano1 a.piano2 a.piano3 e.piano1 e.piano2 e.piano3 e.piano4 hnkytnk e.organ1 e.organ2 e.organ3 e.organ4 pipeorg1 pipeorg2 pipeorg3 acordion harpsi1 harpsi2 harpsi3 clavi1 clavi2 clavi3 celesta1 celesta2 synbras1 synbras2 synbras3 synbras4 synbass1 synbass2 synbass3 synbass4 newagepd synharmo choir pd bowed pd soundtrk atmosphr syn warm synfunny synecho1 rain synoboe synecho2 synsolo synrdorg synbell squareld strsect1 strsect2 strsect3 pizz.str violin 1 violin 2 cello 1 cello 2 contrabs harp 1 harp 2 guitar 1 guitar 2 elecgtr1 elecgtr2 sitar TYPE2 PartA-Piano1 A-Piano2 A-Piano3 A-Piano4 A-Piano5 A-Piano6 A-Piano7 E-Piano1 E-Piano2 E-Piano3 A-Guitr1 A-Guitr2 A-Guitr3 E-Guitr1 E-Guitr2 Slap-1 Slap-2 Slap-3 Slap-4 Slap-5 Slap-6 Slap-7 Slap-8 Finger-1 Finger-2 Picked-1 Picked-2 FretlsBs A-Bass Choir-1 Choir-2 Choir-3 Choir-4 Strngs-1 Strngs-2 Strngs-3 Strngs-4 E-Organ1 E-Organ2 E-Organ3 E-Organ4 E-Organ5 E-Organ6 E-Organ7 E-Organ8 E-Organ9 SoftTP-1 SoftTP-2 TP/TRB-1 TP/TRB-2 TP/TRB-3 TP/TRB-4 TP/TRB-5 TP/TRB-6 Sax-1 Sax-2 Sax-3 Sax-4 Brass-1 Brass-2 Brass-3 Brass-4 Brass-5 Orch-Hit Pgm# TYPE1 Parta.bass 1 a.bass 2 e.bass 1 e.bass 2 slapbas1 slapbas2 fretles1 fretles2 flute1 flute2 piccolo1 piccolo2 recorder panpipes sax1 sax2 sax3 sax4 clarint1 clarint2 oboe eng.horn bassoon harmnica trumpet1 trumpet2 trmbone1 trmbone2 fr.horn1 fr.horn2 tuba brssect1 brssect2 vibe1 vibe2 symallet maletwin glocken tubulbel xylophon marimba koto sho shakhchi whistle1 whistle2 bottle breath timpani melotom deepsnar e.perc1 e.perc2 taiko taikorim cymbal castanet triangle orchehit telphone bird jam efctwatr efctjngl TYPE2 Part11 16

App-21

DOC Normal Voice List
Pgm# Voice Name Brass Trumpet Fr.Horn Sax Clarinet Oboe Flute 1 Acordion Strings Violin FullOrgn JazOrgn1 Piano E.Piano1 Harpsi. Celesta Vibes Marimba Harpsi. Vibes SynBrass SynCrstl Timpani Gut Gtr JazzGtr1 RockGtr1 Harpsi. U.Bass E.Bass E.Bass/S Syn.Bass Pgm# Voice Name PipeOrgn JazOrgn1 SynBrass Sax ClavTone RockGtr2 Mute Gtr U.Bass-M JazzGtr2 PopBrass Str-Mild Violin-H P.Organ Sax-Mild E.Bass-H Flute 2 Bassoon Cham.Str JazOrgn2
Dist.Gtr Cosmic 1 Cosmic 2 Cosmic 3 Orch.Hit
Mute Trp Harmnica Choir JazOrgn1 Syn.Wood Syn.Str SynChoir Piano Piano-M Piano E.Piano2 Piano-B Piano-B Folk Gtr Rock Gtr Banjo Pizz. Harp
Brass Flute Strings Choir

: Can't be selected

App-22

XG Drum Voice List

Bank Program # Note# Note 91 C# -1 D E F F# G A B C D E F F# G A B C D E F F# G A B C D E F F# G A B C D E F F# G A B C D E F F# G A B C D E F F# G -1 -1 -1 -1 -1 -1 -5 Ghost Maou O O O 1 O O O D# -1 off Assign Surdo Mute Surdo Open Hi Q Whip Slap Scratch Push Scratch Pull Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl L Brush Slap Brush Swirl H Snare Roll Castanet Snare L Sticks Bass Drum L Open Rim Shot Bass Drum M Bass Drum H Side Stick Snare M Hand Clap Snare H Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree Dog Horse Gallop Bird 2 Machine Gun Laser Gun Explosion FireWork Scratch Push Scratch Pull Scratch Push Scratch Pull Analog Claves Analog Maracas Rain Thunder Wind Stream Bubble Feed Laughing Screaming Punch Heartbeat Footsteps Analog Conga H Analog Conga M Analog Conga L Hand Cym.Closed H Analog Cowbell Hand Cym.Open H Room Tom 6 Rock Tom 6 E Tom 6 Room Tom 4 Rock Tom 4 Room Tom 5 Rock Tom 5 E Tom 4 E Tom 5 Room Tom 3 Rock Tom 3 E Tom 3 Room Tom 2 Rock Tom 2 E Tom 2 Snare H 2 SD Room H SD Rock Rim SD Rock H E Tom 1 Analog Snare H Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Jazz Tom 6 Brush Tom 6 Jazz Tom 4 Brush Tom 4 Jazz Tom 5 Brush Tom 5 Jazz Tom 4 Jazz Tom 5 Hand Cym.Open L Jazz Tom 6 Hand Cym.Closed L FL.Key Click Engine Start Tire Screech Car Passing Crash Siren Train Jetplane Starship Burst Noise Coaster SbMarine Jazz Tom 3 Brush Tom 3 Jazz Tom 3 Jazz Tom 2 Brush Tom 2 Jazz Tom 2 Brush Tap H Jazz Tom 1 Brush Tom 1 Marching Sn H Jazz Tom 1 Room Tom 1 Rock Tom 1 Snare M 2 SD Room L SD Rock SD Rock L Open Rim Shot 2 Bass Drum M 2 Bass Drum H 2 Bass Drum H 3 BD Rock BD Rock BD Gate BD Analog L BD Analog H Analog Side Stick Analog Snare L Brush Slap M Marching Sn M String Slap BD Jazz BD Soft Gran Cassa Gran Cassa Mute Guitar Cutting Noise Guitar Cutting Noise 2 Dial Tone Door Creaking Door Slam Scratch Scratch 2 Windchime Telephone Ring2 Bass Drum M Bass Drum H 4 Bass Drum M Bass Drum L2 Snare L 2 SD Rock M Snare Roll 2 Hi Q Snare M Hi Q SD Rock H Brush Slap L Reverse Cymbal Reverse Cymbal Key Alternate Standard Kit Standard2 Kit Room Kit Rock Kit Electro Kit Analog Kit Jazz Kit Brush Kit Classic Kit SFX 2 SFX 2

G# -1 A# -1

C# 0 D# 0

G# 0 A# 0

C# 1 D# 1

G# 1 A# 1

C# 2 D# 2

G# 2 A# 2

C# 3 D# 3

G# 3 A# 3

C# 4 D# 4

G# 4 A# 4

C# 5 D# 5
: Same as Standard Kit : No Sound
* Drum and percussion sounds assigned to the same Alternate Assign numbered group cannot be sounded simultaneously. For example, the Hi-Hat Open sound (group 1) and Hi-Hat Closed sound (also group 1) cannot be sounded at the same time.

App-23

TG300B Drum Voice List
Program # Note# Note C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C 7 Alternate Assign Snare Roll Finger Snap Hi Q Whip Slap Scratch Push Scratch Pull Sticks Click Noise Metronome Click Metronome Bell Bass Drum M Bass Drum H Side Stick Snare M Hand Clap Snare H Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bell Bell Tree Castanet Surdo Mute Surdo Open Applause Analog Claves Analog Maracas Analog Conga H Analog Conga M Analog Conga L Hand Cym.2 Analog Cowbell Hand Cym.1 Reverse Cymbal Room Tom 6 Room Tom 6 E Tom 6 Room Tom 4 Room Tom 5 Room Tom 4 Room Tom 5 E Tom 4 E Tom 5 Room Tom 3 Room Tom 3 E Tom 3 Room Tom 2 Room Tom 2 E Tom 2 Room Tom 1 Room Tom 1 SD Power E Tom 1 Analog Tom 1 Analog HH Closed 1 Analog Tom 2 Analog HH Closed 2 Analog Tom 3 Analog HH Open Analog Tom 4 Analog Tom 5 Analog Cymbal Analog Tom 6 Jazz Tom 6 Jazz Tom 6 Jazz Tom 4 Jazz Tom 5 Jazz Tom 4 Jazz Tom 5 Jazz Tom 3 Jazz Tom 3 Jazz Tom 2 Jazz Tom 2 Jazz Tom 1 SD Power SD Electronic BD Power BD Electronic BD Analog H Analog Side Stick Analog Snare L Brush Tap Brush Slap Brush Swirl Jazz Tom 1 Concert SD Castanet Concert SD Timpani F Timpani F# Timpani G Timpani G# Timpani A Timpani A# Timpani B Timpani C Timpani C# Timpani D Timpani D# Timpani E Timpani F High-Q Slap Scratch Push Scratch Pull Sticks Square Click Metronome Click Metronome Bell Guitar Fret Noise Guitar Cutting Down Guitar Cutting Up Ac Bass Slap FL.Key Click Laughing Screaming Punch Heartbeat Footsteps 1 Footsteps 2 Applause Door Creaking Door Slam Scratch Windchime Engine Start Tire Screech Car Passing Crash Siren Train Jetplane Helicopter Starship Gunshot Machine Gun Laser Gun Explosion Dog Horse Gallop Bird Tweet Rain Thunder Wind Seashore Stream Bubble Laughing Screaming Punch Heartbeat Footsteps 1 Footsteps 2 Applause Door Creaking Door Slam Scratch Windchime Engine Start Tire Screech Car Passing Crash Siren Train Jetplain Helicopter Starship Gunshot Machine Gun Laser Gun Explosion Dog Horse Gallop Bird Tweet Rain Thunder Wind Seashore Stream Bubble Vibraslap Hi-Hat Open 2 Hi-Hat Open 1 SD Electro BD Jazz BD Soft BD Jazz Gran Cassa Hi-Hat Closed Hi-Hat Pedal Hi-Hat Open Ride Cymbal Standard Kit 9 Room Kit 17 Power Kit 25 Electro Kit 26 Analog Kit 33 Jazz Kit 41 Brush Kit 49 Orchestra Kit 57 SFX Set 128 C/M Kit