Owner's Manual Bedienungsanleitung Mode d'emploi Manual de instrucciones
Before using the Clavinova, be sure to read PRECAUTIONS on pages 6 -7. Achten Sie darauf, vor Einsatz des Clavinova die VORSICHTSMASSNAHMEN auf Seite 6-7 durchzulesen. Avant d'utiliser le Clavinova, lire attentivement la section PRECAUTIONS D'USAGE aux pages 6-7. Antes de utilizar el Clavinova, lea las PRECAUCIONES que debe tener en cuenta en las pginas 6-7.

IMPORTANT

Check your power supply Make sure that your local AC mains voltage matches the voltage specified on the name plate on the bottom panel. In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel.

WICHTIG

berprfung der Stromversorgung Vergewissern Sie sich vor dem Anschlieen an das Stromnetz, da die rtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht. In bestimmten Verkaufsgebieten ist das Instrument mit einem Spannungswhler an der Unterseite neben der Netzkabeldurchfhrung ausgestattet. Falls vorhanden, mu der Spannungswhler auf die rtliche Netzspannung eingestellt werden. Der Spannungswhler wurde werkseitig auf 240 V voreingestellt. Zum Verstellen drehen Sie den Spannungsregler mit einem Schlitzschraubendreher, bis der Zeiger auf den korrekten Spannungswert weist.
Contrler la source d'alimentation Vrifiez que la tension spcifie sur le panneau infrieur correspond la tension du secteur. Dans certaines rgions, l'instrument peut tre quip d'un slecteur de tension situ sur le panneau infrieur du clavier proximit du cordon d'alimentation. Vrifiez que ce slecteur est bien rgl en fonction de la tension secteur de votre rgion. Le slecteur de tension est rgl sur 240 V au dpart d'usine. Pour modifier ce rglage, utilisez un tournevis lame plate pour tourner le slecteur afin de mettre l'indication correspondant la tension de votre rgion vis vis du repre triangulaire situ sur le panneau.
Clavinova Web site (English only)
http://www.yamahaclavinova.com/

Yamaha Manual Library

http://www2.yamaha.co.jp/manual/english/

IMPORTANTE

Verifique la alimentacin de corriente Asegrese de que tensin de alimentacin de CA de su rea corresponde con la tensin especificada en la placa de caractersticas del panel inferior. En algunas zonas puede haberse incorporado un selector de tensin en el panel inferior de la unidad del teclado principal, cerca del cable de alimentacin. Asegrese de que el selector de tensin est ajustado a la tensin de su rea. El selector de tensin se ajusta a 240V cuando la unidad sale de fbrica. Para cambiar el ajuste, emplee un destornillador de cabeza "recta" para girar el selector de modo que aparezca la tensin correcta al lado del indicador del panel.
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation C 2002 Yamaha Corporation V856070AP???.?-0?B0 Printed in Indonesia

DIC 338

Introduction

SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic products may have either labels similar to the graphics shown below or molded/stamped facsimiles of these graphics on the enclosure. The explanation of these graphics appears on this page. Please observe all cautions indicated on this page and those indicated in the safety instruction section. Battery Notice: This product MAY contain a small non-
rechargable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately ve years. When replacement becomes necessary, contact a qualied service representative to perform the replacement.
Warning: Do not attempt to recharge, disassemble, or

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.

ENGLISH

Maintenance.. 8 Features.. 9 Before Using the Clavinova.. 10 Key Cover...10 Music Rest...10 Turning the Power On..11 Setting the Volume..11 Using Headphones..12 Using the Speaker Switch..12

Reference

Part Names.. 14 Listening to the Demonstration Tunes. 16 Listening to 50 Piano Preset Songs.. 17 Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function)..18 A-B Repeat for 50 Preset Songs..20 Selecting & Playing Voices. 21 Selecting Voices..21 Using the Pedals..21 Adding Variations to the Sound [VARIATION] (CLP-130)/[BRILLIANCE]/ [REVERB]/[EFFECT].22 Touch Sensitivity [TOUCH].24 Transposition [TRANSPOSE].25 Combining Two Voices (Dual mode)..26 Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-130).27 Using the Metronome..29 Recording Your Performance. 30 Recording to [TRACK1].30 Re-recording TRACK1..32 Recording to [TRACK2].32 Changing the Initial Settings (Data recorded at the beginning of a song)..34 Playing Back Recorded Songs. 35 Playing Back a Song..35 Useful Playback Functions..36

Appendix

Factory Setting List.. 70 MIDI Data Format.. 71 MIDI Implementation Chart. 75 Specifications.. 76
CLP-130/120 Table of Contents

Application Index

Use this index to nd reference pages that may be helpful for your particular application and situation.

Listening

Listening to demo songs with different voices.. Listening to the Demonstration Tunes on page 16 Listening to songs from 50 Greats for the Piano.. Listening to 50 Piano Preset Songs on page 17 Listening to my recorded performance...Playing Back Recorded Songs on page 35

Playing

Using the three performance control pedals... Using the Pedals on page 21 Playing an accompaniment that matches pitch..Transposition [TRANSPOSE] on page 25 Selecting a touch sensitivity type... Touch Sensitivity [TOUCH] on page 24 Fine tuning the pitch of the entire instrument when you play the Clavinova along with other instruments or CD music... Fine tuning of the pitch on page 40

Changing voices

Viewing the list of voices....Preset Voice List on page 63 Simulating a concert hall.... [REVERB] on page 22 Combining two voices... Combining Two Voices (Dual mode) on page 26 Playing different sounds with left and right hands.. Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-130) on page 27 Making the sound more brilliant or mellower... [BRILLIANCE] on page 22 Adding spread or swell to the sound.... [EFFECT] on page 23 Enhancing the sound with effects... [VARIATION] (CLP-130) on page 22

Practicing

Muting the right- or left-hand part.. Practicing a One-Hand Part Using 50 Preset Songs (Part Cancel Function) on page 18 Practicing a specied phrase repeatedly..A-B Repeat for 50 Preset Songs on page 20 Practicing with an accurate and steady tempo...Using the Metronome on page 29 Practicing using your recorded song... Recording Your Performance on page 30

Troubleshooting.. 56 Options... 56 CLP-120: Keyboard Stand Assembly.. 57 CLP-130: Keyboard Stand Assembly.. 60 Preset Voice List... 63 Demo Song List... 66 Index... 67
Recording Your Performance.. 30
Recording to [TRACK1].. 30 Re-recording TRACK1.. 32 Recording to [TRACK2].. 32 Changing the Initial Settings (Data recorded at the beginning of a song).. 34
Playing Back Recorded Songs.. 35
Playing Back a Song.. 35 Useful Playback Functions.. 36
Detailed Settings [FUNCTION].. 37
Basic Procedure in Function Mode.. 38 About Each Function.. 40 F1. Fine Tuning of the Pitch.. 40 F2. Selecting a Scale... 41 F3. Dual Mode Functions.. 42 F4. (CLP-130) Split Mode Functions. 43

CLP-130/120

Part Names

Top panel (CLP-130) 2

BRIGHT

START/STOP

TEMPO FUNCTION
USER 1 USER 2 USER 3 /NO +/ YES PRESET
TRACK 1 TRACK 2 START/STOP REC

MELLOW

VARIATION ROOM HALL 1 HALL 2 STAGE SPLIT
CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT

CHURCH ORGAN

JAZZ ORGAN

WOOD BASS

TOUCH TRANSPOSE

TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/ STOP REC CHURCH ORGAN JAZZ ORGAN WOOD BASS
A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

Connectors (CLP-130)

THRU OUT IN
[POWER].. P11 [MASTER VOLUME].. P11 [BRILLIANCE].. P22 [DEMO].. P16 METRONOME [START/STOP]. P29 [TEMPO/FUNCTION #LM].. P29, 38 LED display.. P15 [/NO] / [+/YES] [PRESET] [USER1] [USER2] [USER3] (CLP-130) [TRACK1] [TRACK2] SONG [START/STOP] [REC]. P1720, P3036

A B C D E F G

Voice buttons.. P21 [SPLIT] (CLP-130). P27 [REVERB].. P22 [EFFECT].. P23 [TOUCH].. P24 [TRANSPOSE].. P25 [PEDAL]... P51 AUX OUT.. P50 AUX IN... P51

CLP-130/120 Part Names

Top panel (CLP-120)

/NO +/ YES PRESET

MELLOW BRIGHT
GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD1 HARPSICHORD2 VIBRAPHONE

CHURCH ORGAN1

CHURCH ORGAN2

STRINGS 1

STRINGS 2

ROOM HALL 1 HALL 2 STAGE

HARPSICHORD 1

HARPSICHORD 2

VIBRAPHONE ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT
TEMPO FUNCTION TRACK 1 TRACK 2 START/STOP REC CHURCH ORGAN 1 CHURCH ORGAN 2 JAZZ ORGAN STRINGS 1 STRINGS 2

Connectors (CLP-120)

LEVEL FIXED

Mac PC-1

MIDI PC-2

H I J K

[TO HOST].P4955 HOST SELECT..P4955 MIDI [IN] [OUT] [THRU].P4955 [SPEAKER].. P12

The left pedal can be assigned to ON or OFF the variation via the Left Pedal Mode function described on page 44 (CLP130).
This control enables you to select various digital reverb effects that would add extra depth and expression to the sound to create a realistic acoustic ambience. OFF: When no reverb effect is selected, no REVERB indicator is lit. ROOM: This setting adds a continuous reverb effect to the sound, similar to the acoustic reverberation you would hear in a room. HALL 1: For a bigger reverb sound, use the HALL 1 setting. This effect simulates the natural reverberation of a small-size concert hall. HALL 2: For a truly spacious reverb sound, use the HALL 2 setting. This effect simulates the natural reverberation of a large concert hall. STAGE: Simulates the reverb of a stage environment.
When the BRILLIANCE is set to BRIGHT, the overall sound will be slightly louder. If the MASTER VOLUME is set at a high level the sound may become distorted. If so, lower the MASTER VOLUME level.
The default reverb type (including OFF) and depth settings are different for each voice.
Pressing the [REVERB] button repeatedly toggles the reverb on and off. The indicators light in sequence each time the [REVERB] button is pressed. No effect is produced when all indicators are off. Even if the REVERB effect is OFF, a Soundboard Reverb effect will be applied when the GRAND PIANO 1 voice is selected. Adjusting Reverb Depth Adjust the reverb depth for the selected voice by using the [/NO] [+/YES] buttons while holding the [REVERB] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [REVERB] button is held.
Releasing the [REVERB] button changes the reverb type. If you are changing the reverb depth by holding the [REVERB] button, pressing the [REVERB] button will not change the reverb type.
depth 0: no effect depth 20: maximum reverb depth depth
The [EFFECT] button allows you to select an effect to give your sound greater depth and animation. OFF: CHORUS: PHASER: TREMOLO: DELAY: When no effect is selected, no EFFECT indicator is lit. A shimmering, broadening effect Adds a sweeping effect to the sound. Tremolo effect Echo effect
Default depth settings are different for each voice.
The default effect type (including OFF) and depth settings are different for each voice.
To select an effect type press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off. Adjusting Effect Depth You can adjust the effect depth for the selected voice by using the [/NO] and [+/YES] buttons while holding the [EFFECT] button. The depth range is from 0 through 20. The current depth setting appears on the LED display while the [EFFECT] button is held.

Transposition [TRANSPOSE]
The Clavinovas Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals to facilitate playing in difcult key signatures, and to let you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to 5, playing key C produces pitch F. In this way, you can play a song as though it were in C major, and the Clavinova will transpose it to the key of F.
Use the [/NO] and [+/YES] button while holding the [TRANSPOSE] button to transpose down or up as required. The amount of transposition appears on the LED display while the [TRANSPOSE] button is held. The default transpose setting is 0.
Transpose: Changing the key signature of a song. On the Clavinova, transposing shifts the pitch of the entire keyboard.

transposition

The [TRANSPOSE] button indicator remains lit when a transpose setting other than 0 is selected. Every time the [TRANSPOSE] button is pressed after that switches the transpose function ON or OFF.
The transposition range: 12: 12 semitones (down one octave) 0: normal pitch 12: 12 semitones (up one octave)
Notes below and above the A-1. C7 range of the CLP-130/ 120 sound one octave higher and lower, respectively.
Combining Two Voices (Dual mode)
You can play two voices simultaneously across the entire range of the keyboard. In this way, you can simulate a melody duet or combine two similar voices to create a thicker sound.
MIN MAX GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2
HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT CHOIR GUITAR WOOD BASS E.BASS SPLIT ON
TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/STOP REC CHURCH ORGAN JAZZ ORGAN

1. Engage Dual mode.

Press two voice buttons at the same time (or press one voice button while holding another). The voice indicators of both selected voices will light when Dual mode is active. According to the voice numbering priority shown in the diagram on the right, the lower value voice number will be designated as Voice 1 (the other voice will be designated as Voice 2).

You can change the split point to any other key by pressing the key while holding the [SPLIT] button (the name of the current split-point key appears on the LED display while the [SPLIT] button is held).
An example of split-point key display
A specied split point key is included in the left-hand range.
The split point can also be set via Function 4 (page 43).
followed by a high bar if sharp
followed by a low bar if flat
The split point is initially set at the F 2 key by default. If you do not need to change the split point, skip this procedure.
3. Select a voice for the right hand.

Press a voice button.

[VARIATION] in Split Mode You can turn the variation on or off for Split mode voices. Normally, the voice indicator of the right voice lights in Split mode. The [VARIATION] can be used to turn the variation for the right voice on or off as required. While the [SPLIT] button is held, however, the voice indicator of the left voice lights. In this state the [VARIATION] button turns the variation for the left voice on or off.
4. Select a voice for the left hand.
Press the corresponding voice button while holding the [SPLIT] button. (The indicator of the Left Voice button will light while the [SPLIT] button is pressed.) To turn the variation on or off for the split voice, hold the [SPLIT] button and press the [VARIATION] button or the currently-selected voice button.
5. Exit Split mode and return to normal play mode.
Press the [SPLIT] button again so that its indicator goes out.
[REVERB] in Split Mode The reverb type assigned to the right voice will take priority over the other. (If the reverb is set to OFF, the left voices reverb type will be in effect.) Reverb depth setting via the panel controls (i.e. pressing the [/NO] or [+/ YES] buttons while holding the [REVERB] button see page 22) will be applied to the right voice only.
[EFFECT] in Split Mode Depending on the conditions, one effect type will take priority over the other. The depth will be decided according to the depth default value of the voice combination. However, using function F4 (page 43) you can change the depth value for each voice as you like. Effect depth setting via the panel controls (i.e. pressing the [/NO] or [+/YES] buttons while holding the [EFFECT] button see page 23) will be applied to the right voice only.

1. Select the desired song. (CLP-130)
When the unit is in Demo Song or Preset Song mode, you cannot play back recorded songs.

2. Start playback.

Press the SONG [START/STOP] button. The current measure number appears on the display during playback.
The track indicators will not light up green automatically when the power is turned on to the CLP120, even if the user song recorder contains data. Make sure that you press the track buttons before you start playback.
You can play the keyboard while the Clavinova is playing back a song. You can also play the notes in a voice different from the playback voice by selecting a voice from the panel. Adjust the volume Use the [MASTER VOLUME] control to adjust the volume. Adjust the tempo You can use the [TEMPO/FUNCTION# M, L] buttons to adjust the playback tempo as required before or during playback. The default tempo (the songs original tempo) is set when you press the [M] and [L] buttons simultaneously.
Playback cannot be started when the recorder contains no data.
You can also enjoy playing duets with yourself by recording one part of a duet or a song for two pianos, then playing the other part while the recorded part plays back.
If the metronome is being used during playback, the metronome will automatically stop when playback is stopped.
When playback is complete, the Clavinova automatically stops and locates the top of the song. To stop playback in the middle of a song, press the SONG [START/STOP] button.
If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed.
If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases.
CLP-130/120 Playing Back Recorded Songs
Useful Playback Functions
Turning track playback on and off When you select a song on the Clavinova, the indicators for tracks that contain data (one of [TRACK1] [TRACK2] or both) are lit in green. While the Clavinova is playing or stopped, pressing these track buttons turns off the indicators, and the data on those tracks is not played. Pressing the track buttons toggles track playback on and off. Starting playback automatically when you start playing the keyboard (Synchro Start) You can start playback as soon as you start playing the keyboard. This is called the Synchro Start function. To engage the Synchro Start function, press the SONG [START/STOP] button while holding a track button that is ON. The right-most dot on the display will ash at the current tempo. (Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard. This function is useful when you wish to match the timing of the beginning of the playback sound and the start of your own performance. Assigning the START/STOP function to the left pedal The left pedal can also be assigned to song start/stop operation via the Pedal Start/ Stop (page 44). This is convenient for starting playback of the recorded part anytime after you have started playing.

2. Use the [/NO] and [+/YES] buttons to set the metronome volume as required. Setting range: Normal setting: 10
SHORTCUT: You can jump directly to the metronome functions (CLP-130)/ (CLP-120) by pressing the [TEMPO/FUNCTION#] button while holding the METRONOME [START/ STOP] button. To exit Function mode, you still need to press the [TEMPO/ FUNCTION#] button so that the TEMPO indicator lights up.
1. Engage Function mode and select 130)/ (CLP-120).
2. Press the [+/YES] button to engage the MIDI functions sub-mode, then use the [TEMPO/ FUNCTION# M, L] buttons to select the desired sub-mode. Press the [/NO] or [+/YES] button to set a selected parameter.
F7. (CLP-130) / F6. (CLP-120) Preset Song Part Cancel Volume
This function sets the volume at which a canceled part is played during preset song playback. Adjust the part volume to a comfortable level and use the canceled part as a guide with which to play along.
Sub-mode F8.1: (CLP-130)/F7.1: (CLP-120) MIDI Transmit Channel Selection
In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the Clavinova transmits MIDI data. Setting range: 1 16, OFF (not transmitted) Normal setting: 1
In Dual mode, Voice 1 data is transmitted on its specied channel. In Split mode (CLP-130), right voice data is transmitted on its specied channel. In Dual mode, Voice 2 data is transmitted on the next greater channel number relative to the specied channel. In Split mode (CLP-130), left voice data is transmitted on the next greater channel number relative to the specied channel. In either mode, no data is transmitted if the transmit channel is set to OFF.
2. Use the [/NO] and [+/YES] buttons to set the volume as required. Setting range: Normal setting: 5
Demo/preset song data and recorder playback data are not transmitted via MIDI.
F8.2: (CLP-130)/F7.2: (CLP-120) MIDI Receive Channel Selection
In any MIDI control setup, the MIDI channels of the transmitting and receiving equipment must be matched for proper data transfer. This parameter enables you to specify the channel on which the Clavinova receives MIDI data. Setting range: ALL, 1&2, Normal setting: ALL

Local Control refers to the fact that, normally, the CLP-130/120 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is Local Control On, since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the CLP-130/120 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. Setting range: ON/OFF Normal setting: ON
F8.6: (CLP-130)/F7.6: (CLP-120) MIDI Transmit Transpose
This function allows the MIDI note data transmitted by the CLP-130/120 to be transposed up or down in semitone increments by up to plus or minus 12 semitones. The pitch of the CLP-130/120 itself is not affected. Setting range: -12 (in semitones) Normal setting: 0
F8.8: (CLP-130)/F7.8: (CLP-120) Bulk Data Dump
You can save current song data on the Clavinova as MIDI bulk data by transferring it to a connected MIDI data ler (such as an MDF3) or a sequencer. To play back the saved song data, send the bulk data back from the storage device to the Clavinova and follow the usual playback procedure.
bulk data: A complete set or extended sequence of data
F8.7: (CLP-130)/F7.7: (CLP-120) Panel/Status Transmit
This function causes all the current CLP-130/120 panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence recorder, such as the Yamaha MIDI Data Filer MDF3, which will be used to control the CLP-130/120 on playback. By transmitting the CLP-130/120 panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the CLP-130/120 will be automatically restored to the same settings when the performance is played back.
Setup Data: Data that contains a set of panel settings for the Clavinova.
1. Record your performance on the Clavinova. 2. Connect the Clavinova to MDF3, a MIDI data ler via MIDI, and set up the MDF3 so it will receive bulk data. 3. Engage Function mode and select (CLP-130)/ (CLP-120). 4. Press the [+/YES] button to begin bulk transmission. will appear on the LED display when the data has been successfully transmitted.
No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation.
1. Set up the panel controls as desired. 2. Connect the Clavinova to a sequencer via MIDI, and set up the sequencer so it can receive the setup data. 3. Engage Function mode and select (CLP-130)/ (CLP-120). 4. Press the [+/YES] button to transmit the panel/status data. will appear on the LED display when the data has been successfully transmitted.

http://www2.yamaha.co.jp/manual/english/ There are three methods by which to connect the Clavinova to a personal computer: 1. Connect the serial port on the computer to the Clavinovas TO HOST jack (page 53). 2. Use a MIDI interface and the Clavinovas MIDI connectors (page 54). 3. Use the USB port on the computer and the UX256, UX96, or UX16, a USB interface (page 55). For more information, refer to the specied pages.
When connecting the Clavinova to a personal computer, rst turn off the power to both the Clavinova and the computer before you connect any cables or set the HOST SELECT switch. After making the connections and switch settings, turn on the power to the computer rst, then to the Clavinova. If you do not use the [TO HOST] jack of the Clavinova, make sure you disconnect the cable from the jack. If the cable is left connected, the Clavinova may not function properly.
will appear in the display if the host computer is not turned on, the connecting cable is not properly connected, the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this situation, turn the power off to both the Clavinova and the computer, and check the cable connection and the position of the HOST SELECT switch. Once the connection and HOST SELECT switch position is veried, turn the power of the computer on rst, then the Clavinova, and check whether the MIDI driver and MIDI application function properly. When the [HOST SELECT] switch is set to PC-1, PC-2, or Mac, you can use the [TO HOST] jack, but the MIDI connectors are disabled since no data transfer occurs via the MIDI connectors. On the other hand, when the [HOST SELECT] switch is set to MIDI, you can use the MIDI connectors, but not the [TO HOST] jack since no data is transferred via the [TO HOST] jack.
1. Connecting the serial port on the computer to the Clavinovas TO HOST jack
Connect the computers serial port (RS-232C or RS-422) to the Clavinovas TO HOST jack. With this connection, the Clavinova functions as a MIDI interface. Therefore, you do not need a special MIDI interface. Connection Use a special serial cable (page 53) to connect the computers serial port (RS-232C or RS-422) to the Clavinovas TO HOST jack.

Remove the following parts from the package.

Assembly Parts

mm long screws mm tapping screws 4 4
Attach the side panels to the pedal box.

Side panel (left)

mm short screws 4 2

Cord holders 2

Side panel (right)

mm thin screws 2 3

(1) Untie and straighten out the bundled cord attached to the bottom of the pedal box. Dont discard the vinyl tie, youll need it later in step 5.
(2) Use the four 625 mm long screws 1 to attach the pedal box. First attach one side panel, then attach the other side panel.
Main unit Side panel (left) Side panel (right)

Attach the rear panel.

(2) Secure the top of the rear panel to the side panel brackets using two 412 mm thin screws 3.

Rear panel

Pedal box AC power cord
Bundled pedal cord inside
A headphone hanger is included in the CLP-120 package. You can attach a headphone hanger on the Clavinova to hang the headphones (page 12).
(1) Place the bottom edges of the rear panel on the feets protruding edges, with the panel slightly angled as shown in the illustration. Then, align the top part of the panel with the side panels.
(3) Secure the bottom of the rear panel to the pedal box using four 420 mm tapping screws 4.
CLP-130/120 CLP-120: Keyboard Stand Assembly
Mount the main unit. CAUTION

Connect the pedal cord.

(1) Insert the pedal cord plug to the pedal connector from the front.

PEDA L

Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit. Do not hold the keyboard in any position other than the position shown in the illustration.
(3) Use a vinyl tie to take up any slack in the pedal cord.
Be sure to place your hands at least 10 cm from either end of the main unit when positioning it.

At least 10 cm

(2) Attach the cord holders to the rear panel as shown, then clip the cord into the holders.

Fix the main unit.

(1) Center the main unit to produce equal clearance on the left and right sides.
Set the voltage selector and connect the power cord.
(2) Use 6x16 mm short screws 2 to secure the main unit from the front.

Voltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a minus screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, connect the AC power cord to the AC INLET and an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin conguration of the AC wall outlets in your area.

[ Clavinova ] MIDI Implementation Chart Model CLP-130/120 MIDI Implementation Function. Basic Channel Mode Default Changed Default Messages Altered Transmitted - 16 3

Chart Recognized

Date : 24,Oct 2001 Version : 1.0 Remarks

- 16 1

*1 Poly Mode only
************** 9 - 120 **************
Note Number : True voice Velocity

0 - - 127

Note ON 9nH,v=1-127 Note OFF 9nH,v=0 Key's Ch's
9nH,v=1-127 9nH,v=0 or 8nH
After Touch Pitch Bend Control Change

0,91 94

Bank Select Volume Expression Damper Sostenuto Soft pedal Reverb Depth Effect Depth

Prog Change

True #

**************

System Exclusive Common
: Song Pos. : Song Sel. : Tune
System : Clock Real Time : Commands Aux : : : Mes- : sages: : All Sound Off Reset All Cntrls Local ON/OFF All Notes OFF Active Sense Reset
(120,126,127) (121) (122) (123-125)
Notes: *1= Recieve Mode is always multi timbre and Poly mode.
Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON ,MONO Mode 4 : OMNI OFF,MONO

: Yes : No

Specications / Technische Daten / Caractristiques techniques / Especicaciones
Item Keyboard Sound Source Polyphony Voice Selection Effect Volume Controls variations for each voice Reverb, Effect, Brilliance Master Volume Dual, Split, Metoronome, Transpose, Touch (Hard/Midium/Soft/Fixed), Functions, Speaker ON/OFF Dual, Metoronome, Transpose, Touch (Hard/ Midium/Soft/Fixed), Functions, Speaker ON/ OFF CLP-keys (A-1 - C7) AWM Dynamic Stereo Sampling 64 Notes Max. 14 AWM Stereo Sampling CLP-120
Recording/Playback Pedal Demo Songs Jacks/Connectors Main Ampliers Speakers Dimensions (W D H) (with music rest) Weight Accessories
2-track recording/playback (CLP-130: 3/CLP-120: 1 user songs), Tempo Adjustment, Synchro Start Damper, Sostenuto, Soft 14 voice Demo Songs, 50 preset Songs MIDI (IN/OUT/THRU), PHONES 2, AUX IN, AUX OUT(L/L+R,R), AUX OUT (LEVEL FIXED)(L,R), TO HOST 40W 2 16cm 2, 5cm 2 1370mm 518mm 850mm [53 15/16" 20 3/8" 33 7/16"] (1370mm 518mm 1020mm) [53 15/16" 220 3/8" 40 1/8"] 54kg (119lbs., 1oz) 20W 2 16cm 2 1370mm 518mm 850mm [53 15/16" 20 3/8" 33 7/16"] (1370mm 518mm 1022mm) [53 15/16" 220 3/8" 40 1/4"] 51kg (112lbs., 7oz)

11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist. Electrical/electronic products should be serviced by a qualied service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servicing should be referred to qualied service personnel. This product, either alone or in combination with an amplier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs. Some Yamaha products may have benches and/or accessory mounting xtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional xtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

92-469-2

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT! This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/ uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line lter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.