incinerate this type of battery. Keep all batteries away from children. Dispose of used batteries promptly and as regulated by applicable laws. Note: In some areas, the servicer is required by law to return the defective parts. However, you do have the option of having the servicer dispose of these parts for you.
Disposal Notice: Should this product become damaged
See bottom of Keyboard enclosure for graphic symbol markings.
beyond repair, or for some reason its useful life is considered to be at an end, please observe all local, state, and federal regulations that relate to the disposal of products that contain lead, batteries, plastics, etc.
NOTICE: Service charges incurred due to lack of knowl-
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning ash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufcient magnitude to constitute a risk of electrical shock.
IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims led under the expressed warranty may be denied if the unit is/has been modied. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specications without notice or obligation to update existing units. ENVIRONMENTAL ISSUES: Yamaha strives to produce products that are both user safe and environmentally friendly. We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following:

92-(bottom)

edge relating to how a function or effect works (when the unit is operating as designed) are not covered by the manufacturers warranty, and are therefore the owners responsibility. Please study this manual carefully and consult your dealer before requesting service.
NAME PLATE LOCATION: The graphic below indicates the location of the name plate. The model number, serial number, power requirements, etc., are located on this plate. You should record the model number, serial number, and the date of purchase in the spaces provided below and retain this manual as a permanent record of your purchase.

CLP-130

CLP-120
Model Serial No. Purchase Date
Thank you for purchasing the Yamaha Clavinova! We recommend that you read this manual carefully so that you can fully take advantage of the advanced and convenient functions of the Clavinova. We also recommend that you keep this manual in a safe and handy place for future reference.

About this Owners Manual

This manual consists of three main sections: Introduction, Reference and Appendix. Introduction (page 2): Please read this section rst. Reference (page 13): This section explains how to make detailed settings for the Clavinovas various functions. Appendix (page 69): This section introduces reference material. * The models CLP-130/120 will be referred to as the CLP/Clavinova in this Owners Manual. * The illustrations and LED displays shown in this owners manual are for instructional purposes only and may appear somewhat different from those on your instrument.

COPYRIGHT NOTICE

This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has license to use others copyrights. Such copyrighted materials include, without limitation, all computer software, MIDI les, WAVE data. Any unauthorized use of such programs and contents outside of personal use is not permitted under relevant laws. Any violation of copyright has legal consequences. DONT MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.

Trademarks:

Apple and Macintosh are trademarks of Apple Computer, Inc. Windows is a registered trademark of Microsoft Corporation. All other trademarks are the property of their respective holders.
The Clavinova-Computer Connection, is a supplementary guidebook that describes, for beginners, what you can
do with your Clavinova and a personal computer and how to set up a Clavinova-Computer system (the manual is not written for any specic models). The document is available as a PDF le (in English) at the following Internet address:
Clavinova Web site (English only):

Yamaha Manual Library:

CLP-130/120 About this Owners Manual

ENGLISH 3

Table of Contents

2/2 CLP-130/120 PRECAUTIONS

ENGLISH 7

Saving and backing up your data

Accessories

50 Greats for the Piano (Music Book) Owners Manual
This manual contains complete instructions for operating your Clavinova.

Bench

A bench may be included or optional, depending on your locale.
Clean the instrument using a dry or slightly damp soft cloth (wring well). CAUTION
Do not use benzene, thinner, detergent, or chemically-treated cloth for cleaning. Do not place vinyl, plastic or rubber products on the instrument. Otherwise, the panel or keys may become discolored or degraded.
Before using the Clavinova, be sure to read Precautions on pages 6 7.
Tuning Unlike an acoustic piano, the Clavinova does not need to be tuned. It always stays perfectly in tune. Transporting If you move to another location, you can transport the Clavinova along with your other belongings. You can move the unit as it is (assembled) or you can disassemble the unit. Transport the keyboard horizontally. Do not lean it up against a wall or stand it up on its side. Do not subject the instrument to excessive vibration or shock.
CLP-130/120 Accessories / Maintenance

Features

The Yamaha Clavinova CLP-130/120 digital piano offers unmatched sonic realism and natural grand-piano type playability as well as Yamahas original AWM Dynamic Stereo Sampling (CLP-130)/AWM Stereo Sampling (CLP-120) tonegeneration technology for rich, musical voices, and a special Graded Hammer keyboard that provides graded key weight and response throughout the keyboard range. The CLP-130/120 Grand Piano 1 and 2 voices feature totally new samples painstakingly recorded from a full concert grand piano. The CLP-130 Grand Piano 1 voice features three velocity-switched samples (Dynamic Sampling), special Sustain Sampling (page 88) that samples the unique resonance of an acoustic grand pianos soundboard and strings when the damper pedal is pressed, and Keyoff Samples that add the subtle sound produced when the keys are released. The CLP-130/120 comes much closer to the sound of a true acoustic piano.

TEMPO [] []

You can change the song tempo (speed) and select useful functions using this buttons (pages 3748).

[REVERB] / [EFFECT]

Add reverb (reverberation) and effects to the sound (pages 22, 23).

[TRANSPOSE]

You can shift the pitch of the entire keyboard up or down so that the pitch will match that of another instrument or singer, while you play the same, unshifted keys (page 25).

The Preset Song Part Cancel function cannot be used during ALL or rnd (page 17) playback.
The parts can be turned on or off even during playback.
2. Start playback and playing.
Press the SONG [START/STOP] button to start playback. Play the part you just turned off.
The Preset Song Part Cancel Volume function described on page 45 can be used to set the canceled part so that it plays at a volume from 0 (no sound) to 20. The normal setting is 5.
Starting playback automatically as you start playing the keyboard (Synchro Start) When the Synchro Start function is engaged, playback of the selected preset song will begin automatically as soon as you start playing on the keyboard. To engage the Synchro Start function press the song number SONG [START/STOP] button while holding the synchro start mark part button for the ON part. A dot will appear in the lower right corner of the display. (Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard. Left Pedal Start/Stop
Both parts are automatically turned ON whenever a new song is selected.
If you hold a track button that is OFF while pressing the SONG [START/STOP] button, that track will be turned ON and the unit will engage Synchro Start mode.
When playback is complete, it automatically stops and the Clavinova locates the top of the song. If you wish to stop playback in the middle of a song, press the SONG[START/STOP] button.
The left pedal can be assigned to start and stop preset song playback via the Left Pedal Mode function described on page 44.
A-B Repeat for 50 Preset Songs
The A-B Repeat function can be used to continuously repeat a specied phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difcult phrases.
GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT
1. Specify the beginning (A) and the end (B) of the
phrase, and start practicing.
Select and play a preset song, then press the [TEMPO/ FUNCTION#] button at the beginning of the phrase you want to repeat. This sets the A point ( play). will appear on the disNOTE
The A-B Repeat function cannot be used during ALL or rnd (page 17) playback.
To specify the end (B) of the phrase, press the [TEMPO/ FUNCTION#] button a second time at the end of the phrase. This sets the B point ( will appear on the display). At this point, repeat playback will begin between the specied A and B points.
To set the A point at the very beginning of the song, press the [TEMPO/FUNCTION#] button before starting playback. To set the B point at the songs end, press the [TEMPO/FUNCTION#] button after song playback is complete and before disappears from the display.

MIN MAX GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2
HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT CHOIR GUITAR WOOD BASS E.BASS SPLIT ON
TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/STOP REC CHURCH ORGAN JAZZ ORGAN

1. Engage Dual mode.

Press two voice buttons at the same time (or press one voice button while holding another). The voice indicators of both selected voices will light when Dual mode is active. According to the voice numbering priority shown in the diagram on the right, the lower value voice number will be designated as Voice 1 (the other voice will be designated as Voice 2).

Voice numbering priority

NOTE (CLP-130)
Dual and Split (page 27) modes cannot be engaged at the same time.
[VARIATION] in Dual Mode (CLP-130) The [VARIATION] buttons indicator will light if the variation is engaged for either or both of the Dual mode voices. While Dual mode is engaged, the [VARIATION] button can be used to turn the variation for both voices on or off. To turn the variation on or off for only one of the voices, hold the voice button for the other voice and press the button of the voice for which you want to change the variation.
The CLP-130/120 Function mode provides access to a number of other Dual mode functions, such as volume balance setting or octave setting (page 42). (If you do not set Dual mode functions, the appropriate setting will be set in each voice by default.)
[REVERB] in Dual Mode The reverb type assigned to Voice 1 will take priority over the other. (If the reverb is set to OFF, Voice 2 reverb type will be in effect.) Reverb depth setting via the panel controls (i.e., pressing the [/NO] or [+/YES] buttons while holding the [REVERB] button see page 22) will be applied only to Voice 1.
2. Exit Dual mode and return to normal play mode.
To return to the normal single-voice play mode, press any single voice button.
[EFFECT] in Dual Mode Depending on the conditions, one effect type may take priority over the other. Depth will be decided according to the depth default value of the voice combination. However, using function F3 (page 42) you can adjust the depth value for each voice to your liking. Effect depth setting via the panel controls (i.e., pressing the [/ NO] or [+/YES] buttons while holding the [EFFECT] button see page 23) will be applied only to Voice 1.
Splitting the Keyboard Range and Playing Two Different Voices (Split mode) (CLP-130)
Split mode enables you to play two different voices on the keyboard one with the left hand and another with the right hand. For example, you can play a bass part using the Wood Bass or Electric Bass voice with the left hand, and a melody with the right hand.

1. Engage Split mode.

Press the [SPLIT] button so that its indicator lights. The default setting (WOOD BASE) will be selected for the left-hand voice at rst. The Function mode provides access to a number of other Split mode functions (page 43). (If you make no settings for Split mode functions, the appropriate setting will be set in each voice by default.)
Dual (page 26) and Split (page 26) modes cannot be engaged simultaneously.
2. Specify the split point (the border between the
right-and left-hand range).
You can change the split point to any other key by pressing the key while holding the [SPLIT] button (the name of the current split-point key appears on the LED display while the [SPLIT] button is held).
An example of split-point key display
A specied split point key is included in the left-hand range.
The split point can also be set via Function 4 (page 43).
followed by a high bar if sharp
followed by a low bar if flat
The split point is initially set at the F 2 key by default. If you do not need to change the split point, skip this procedure.
3. Select a voice for the right hand.

Press a voice button.

[VARIATION] in Split Mode You can turn the variation on or off for Split mode voices. Normally, the voice indicator of the right voice lights in Split mode. The [VARIATION] can be used to turn the variation for the right voice on or off as required. While the [SPLIT] button is held, however, the voice indicator of the left voice lights. In this state the [VARIATION] button turns the variation for the left voice on or off.
4. Select a voice for the left hand.
Press the corresponding voice button while holding the [SPLIT] button. (The indicator of the Left Voice button will light while the [SPLIT] button is pressed.) To turn the variation on or off for the split voice, hold the [SPLIT] button and press the [VARIATION] button or the currently-selected voice button.
5. Exit Split mode and return to normal play mode.
Press the [SPLIT] button again so that its indicator goes out.
[REVERB] in Split Mode The reverb type assigned to the right voice will take priority over the other. (If the reverb is set to OFF, the left voices reverb type will be in effect.) Reverb depth setting via the panel controls (i.e. pressing the [/NO] or [+/ YES] buttons while holding the [REVERB] button see page 22) will be applied to the right voice only.

3. Engage Record Ready mode.
Press the [REC] button to engage Record Ready mode. Recording does not actually start yet. The [TRACK1] or the [TRACK2] indicator ashes in red. The amount of memory available for recording will be shown on the LED display in approximate kilobytes, and the right-most dot on the LED display will ash at the current METRONOME tempo setting.
The amount of memory available for recording: This value in KiloBytes (a unit used of measurement for data) indicates how much space remains available for recording on the Clavinova. You can record up to a maximum of about 9,400 notes on the CLP130/120 depending on pedal usage and other factors.
Record Ready mode can be disengaged before recording by pressing the [REC] button a second time.

TIP (CLP-130)

If a user song ([USER 1/2/3]) is not selected (the lamp is not lit), pressing the [REC] button will result in the [USER 1] songs [TRACK1] being selected and Record Ready mode engaged. At this time, [TRACK2] playback will be turned off if the track contains data.
4. Select the record track.
When Record mode is engaged in the previous step, the last-recorded track will automatically be selected for recording and its indicator i.e. the [TRACK1] or [TRACK2] button indicator will glow red. If you want to record on a different track, press the appropriate track button so that its indicator glows red.

5. Start recording.

Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording.
If the metronome was on when you started recording, youll be able to keep time with the metronome while recording, but the metronome sound will not be recorded.

6. Stop recording.

Press either the [REC] or SONG [START/STOP] button to stop recording. The indicator of the recorded track will glow green to indicate that it now contains data. (Record mode is disengaged automatically.)
For more recording information, see page 33.
The left pedal can be assigned to start and stop recording via the Left Pedal Mode function described on page 44.

Playback cannot be started when the recorder contains no data.
You can also enjoy playing duets with yourself by recording one part of a duet or a song for two pianos, then playing the other part while the recorded part plays back.
If the metronome is being used during playback, the metronome will automatically stop when playback is stopped.
When playback is complete, the Clavinova automatically stops and locates the top of the song. To stop playback in the middle of a song, press the SONG [START/STOP] button.
If the REVERB type is changed via the panel controls during playback, both the playback and keyboard reverb effects will be changed.
If the EFFECT type is changed via the panel controls during playback, the playback effect may be switched off in some cases.
CLP-130/120 Playing Back Recorded Songs
Useful Playback Functions
Turning track playback on and off When you select a song on the Clavinova, the indicators for tracks that contain data (one of [TRACK1] [TRACK2] or both) are lit in green. While the Clavinova is playing or stopped, pressing these track buttons turns off the indicators, and the data on those tracks is not played. Pressing the track buttons toggles track playback on and off. Starting playback automatically when you start playing the keyboard (Synchro Start) You can start playback as soon as you start playing the keyboard. This is called the Synchro Start function. To engage the Synchro Start function, press the SONG [START/STOP] button while holding a track button that is ON. The right-most dot on the display will ash at the current tempo. (Repeat the previous operation to disengage the Synchro Start function.) Playback will then start as soon as you begin playing on the keyboard. This function is useful when you wish to match the timing of the beginning of the playback sound and the start of your own performance. Assigning the START/STOP function to the left pedal The left pedal can also be assigned to song start/stop operation via the Pedal Start/ Stop (page 44). This is convenient for starting playback of the recorded part anytime after you have started playing.
Tracks can be turned on or off before or during playback. If both tracks are turned off on the CLP-120, playback will not start (or the playback will stop).
You can adjust the volume of a part of a song from 50 Greats for the Piano for which playback is turned off (pages 18, 45). During recorder playback, the volume of a track that is turned off will always be 0.

To cancel the function in Step 2, 3, or 4, press the [TEMPO/ FUNCTION# , ] button any time to exit Function mode.
3. Use the [/NO] [+/YES] buttons.
If the function does not include sub-modes, start setting the parameters. If the function includes sub-modes, press the [+/YES] button once to enter the respective sub-mode.
After you select the function, the current setting will be displayed when the [/NO] or [+/YES] button is pressed for the rst time.
4. Operate the desired function using the following

two buttons.

1 [TEMPO/FUNCTION# , ] Selects the desired function/sub-mode. 2 [/NO] or [+/YES] After you select the desired function or sub-mode, set the ON/OFF, select the type, or change the value, accordingly. Depending on the setting, the default setting (which is used when you rst turn on the power to the Clavinova) is recalled by pressing the [/ NO] and [+/YES] buttons simultaneously.
Operation Example 1 (F1. Fine tuning of the pitch)
TEMPO FUNCTION TEMPO FUNCTION

LCD indication

Engage Function mode.
Select a desired function.

Change the value.

Operation Example 2 (F3.1 Dual Balance)

Engage function mode.

Engage the respective sub-mode.
Select a desired sub-mode. LCD indication
5. Do the following when you nish using the function.
To exit Function mode, press the [TEMPO/FUNCTION#] button so that its [TEMPO] indicator lights.

About Each Function

F1. Fine Tuning of the Pitch
You can ne tune the pitch of the entire instrument. This function is useful when you play the Clavinova along with other instruments or CD music.
1. Engage Function mode and select. 2. Use the [/NO] and [+/YES] buttons to lower or raise the pitch of the A3 key in approximately 0.2 Hz increments. Tenths of a hertz are indicated on the LED display by the appearance and position of one or two dots, as in the following example:

Display Value

440.0 440.2 440.4 440.6 440.8 Setting range: 427.0453.0 (Hz) Normal setting: 440.0 (Hz)
You can also tune in about 1Hz steps (in any mode other than Function mode). To tune down or up, respectively, in approximately 1 Hz increments: Hold the A-1 and A -1 keys (a white and a black key at the left end) or A-1 and B-1 keys (two white keys at the left end) simultaneously and press the [/NO] or [+/YES] button. To restore standard pitch: Hold the A-1 and A -1 keys (a white and a black key at the left end) or A-1 and B-1 keys (two white keys at the left end) simultaneously and press the [/NO] [+/YES] buttons simultaneously.

Normally the CLP-130/120 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the voice on the corresponding channel to be affected by pedal and other control settings received from the controlling device (the keyboard voice is not affected). The CLP-130/120 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the CLP-130/120s pedal and other controls can be operated without affecting an external MIDI device.
For information on control changes that can be used with the CLP-130/120, refer to the MIDI Data Format on page 71.
F8.3: (CLP-130)/F7.3: (CLP-120) Local Control ON/OFF
Local Control refers to the fact that, normally, the CLP-130/120 keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is Local Control On, since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the CLP-130/120 keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. Setting range: ON/OFF Normal setting: ON
F8.6: (CLP-130)/F7.6: (CLP-120) MIDI Transmit Transpose
This function allows the MIDI note data transmitted by the CLP-130/120 to be transposed up or down in semitone increments by up to plus or minus 12 semitones. The pitch of the CLP-130/120 itself is not affected. Setting range: -12 (in semitones) Normal setting: 0
F8.8: (CLP-130)/F7.8: (CLP-120) Bulk Data Dump
You can save current song data on the Clavinova as MIDI bulk data by transferring it to a connected MIDI data ler (such as an MDF3) or a sequencer. To play back the saved song data, send the bulk data back from the storage device to the Clavinova and follow the usual playback procedure.
bulk data: A complete set or extended sequence of data
F8.7: (CLP-130)/F7.7: (CLP-120) Panel/Status Transmit
This function causes all the current CLP-130/120 panel settings (selected voice, etc.) to be transmitted via the MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence recorder, such as the Yamaha MIDI Data Filer MDF3, which will be used to control the CLP-130/120 on playback. By transmitting the CLP-130/120 panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the CLP-130/120 will be automatically restored to the same settings when the performance is played back.

Connect the computers USB port to the USB interface (such as the UX256, UX96, or UX16) using a USB cable. Install the driver (that came with the USB interface) on the computer, and connect the USB interface to the Clavinova using a serial cable or MIDI cables. For more information, refer to the instruction manual for the USB interface. An example of connecting the USB interface to the Clavinova using a serial cable

USB cable

Standard Machintosh 8-pin system peripheral cable

computer

USB interface
START/ STOP TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/ STOP CHURCH ORGAN JAZZ ORGAN WOOD BASS
An example of connecting the USB interface to the Clavinova using MIDI cables

Troubleshooting

Problem
The Clavinova does not turn on. A click or pop is heard when the power is turned on or off. Noise is heard from the speakers or headphones. The overall volume is low, or no sound is heard.
Possible Cause and Solution
The Clavinova has not been plugged in properly. Securely insert the female plug into the socket on the Clavinova, and the male plug into a proper AC outlet (page 11). This is normal when electrical current is being applied to the instrument. The noise may be due to interference caused by the use of a mobile phone in close proximity to the Clavinova. Turn off the mobile phone, or use it further away from the Clavinova. The Master Volume is set too low; set it to an appropriate level using the [MASTER VOLUME] control. Make sure a pair of headphones is not connected to the headphones jack (when the SPEAKER switch is set to the NORMAL position). If the SPEAKER switch is set to the OFF position, set it to NORMAL or ON (page 12). Make sure that Local Control (page 46) is ON. The SPEAKER switch may be switched ON. Set the SPEAKER switch to the NORMAL position (page 12). The pedal cable/plug may not be properly connected. Make sure to securely insert the pedal plug into the proper jack (pages 5762).
The speakers do not switch off when a pair of headphones is connected. The damper pedal has no effect, or the sound continuously sustains even when the damper pedal is not pressed.

appears on the display, an internal malfunction has occurred. In this case, contact your Yamaha dealer.

Options

BC-100 Bench A comfortable bench styled to match your Yamaha Clavinova. HPE-160 Stereo Headphones High-performance lightweight dynamic headphones with extra-soft ear pads.
Troubleshooting/Options CLP-130/120 Troubleshooting
CLP-120: Keyboard Stand Assembly
Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. Assembly should be carried out by at least two persons. Be sure to use the correct screw size, as indicated below. Use of incorrect screws can cause damage. Be sure to tighten up all screws upon completing assembly of each unit. To disassemble, reverse the assembly sequence given below.
Have a Phillips-head (+) screwdriver ready.
Remove the following parts from the package.

Assembly Parts

mm long screws mm tapping screws 4 4
Attach the side panels to the pedal box.

Side panel (left)

mm short screws 4 2

Cord holders 2

Side panel (right)

mm thin screws 2 3

(1) Untie and straighten out the bundled cord attached to the bottom of the pedal box. Dont discard the vinyl tie, youll need it later in step 5.
(2) Use the four 625 mm long screws 1 to attach the pedal box. First attach one side panel, then attach the other side panel.
Main unit Side panel (left) Side panel (right)

Attach the rear panel.

(2) Secure the top of the rear panel to the side panel brackets using two 412 mm thin screws 3.

Rear panel

Pedal box AC power cord
Bundled pedal cord inside
A headphone hanger is included in the CLP-120 package. You can attach a headphone hanger on the Clavinova to hang the headphones (page 12).
(1) Place the bottom edges of the rear panel on the feets protruding edges, with the panel slightly angled as shown in the illustration. Then, align the top part of the panel with the side panels.
(3) Secure the bottom of the rear panel to the pedal box using four 420 mm tapping screws 4.
CLP-130/120 CLP-120: Keyboard Stand Assembly
Mount the main unit. CAUTION

Connect the pedal cord.

(1) Insert the pedal cord plug to the pedal connector from the front.

PEDA L

Fingers can become pinched between the main unit and the rear or side panels, be extra careful so as not to drop the main unit. Do not hold the keyboard in any position other than the position shown in the illustration.

= Product ID (CLP-130: 26H / CLP-120: 25H) 06H = Bulk ID 05H = Sequence data 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH, 0nH = Data length [BULK DATA] = [CHECK SUM (1byte)] = 0-sum (BULK DATA) F7H = End of Exclusive
10. SYSTEM EXCLUSIVE MESSAGES (Special Control)
Data format: [F0H] -> [43H] -> [73H] -> [66H] -> [11H] -> [0nH] -> [ccH] -> [vvH] -> [F7H]
F0H = 43H = 73H = 7FH = xxH = 11H = 0nH = cc = vv = F7H = Exclusive status Yamaha ID Clavinova ID Extended Product ID Product ID (CLP-130: 26H / CLP-120: 25H) Special control Control MIDI change (n=channel number) Control number Value End of Exclusive 0n Always 00H Always 00H ccH 14H 1BH
Control Split Point Metronome
Data format: [F0H] -> [43H] -> [0nH] -> [4CH] -> [aaH] -> [bbH] -> [hhH] -> [mmH] -> [llH] ->[ddH] ->.-> [ccH] -> [F7H]
F0H = Exclusive status 43H = YAMAHA ID 0nH = When received, n=0~F. When transmitted, n=0. 4CH = Model ID of XG aaH = ByteCount bbH = ByteCount hhH = Address High mmH = Address Mid llH = Address Low ddH = Data | | | | ccH = Check sum F7H = End of Exclusive Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufcient time for processing to execute (about 50 msec) before sending the CLP-130/120 another message. XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). For information about the Address and Byte Count values, refer to Table 1 below. Note that the tables Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.
vvH 14H : Split Key Number 00H : off 01H : 02H : 2/4 03H : 3/4 04H : 4/4 05H : 5/4 06H : 6/4 7FH : No accent Damper Level ch: 00H-0FH 3DH(Sets the Damper Level for each channel) 00H-7FH Channel Detune ch: 00H-0FH 43H (Sets the Detune value for each channel) 00H-7FH Voice Reserve ch: 00H-0FH 45H 00H : Reserve off 7FH : on* * When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others)
Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [llH] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H = Exclusive Status 43H = Yamaha ID 1nH = When received, n=0~F. When transmitted, n=0. 27H = Model ID of TG100 30H = Sub ID 00H = 00H = mmH = Master Tune MSB llH = Master Tune LSB ccH = dont care (under 7FH) F7H = End of Exclusive

<Table 1>

MIDI Parameter Change table (SYSTEM) Address (H) Size (H) Data (H) 020C - 05F4(*1) 1 7E 7F TOTAL SIZE - 7F 34 - 4C(*2) Parameter MASTER TUNE Description -50 - +50[cent] 1st bit 3 - 0 bit 15 - 12 2nd bit 3 - 0 bit 11 - 8 3rd bit 3 - 0 bit 7 - 4 4th bit 3 - 0 bit 3 - - 127 -12 - +12[semitones] 00=XG sytem ON 00=ON (receive only) Default value (H) 400

0120-834808

V856000 ???AP???.?-??B0

Printed in Indonesia

DIC 491

(1)B-9

GRAND PIANO 1

GRAND PIANO 2

E.PIANO 1

E.PIANO 2

HARPSICHORD

E.CLAVICHORD

VIBRAPHONE

VARIATION ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT

TEMPO/ OTHER VALUE

TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/STOP REC CHURCH ORGAN JAZZ ORGAN WOOD BASS

MASTER VOLUME

MELLOW BRIGHT START/STOP

+/ YES

PRESET

STRINGS

GUITAR

E.BASS

BRILLIANCE

METRONOME

TEMPO / FUNCTION

REVERB

EFFECT

TRANSPOSE

OFF ON NORMAL HP. SW SPEAKER

PHONES

R L LEVEL FIXED

AUX OUT

AUX IN

Mac PC-1 MIDI PC-2

TO HOST

HOST SELECT

THRU OUT IN
GRAND PIANO 1 USER 1 USER 2 USER 3 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY /NO +/ YES PRESET TRACK 1 TRACK 2 START/STOP REC CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT

CHURCH ORGAN

JAZZ ORGAN
TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/STOP /NO +/ YES PRESET

START/STOP REC

GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT
GRAND PIANO 1 HARPSICHORD

START/STOP

HARPSICHORD2

TRACK 1

TRACK 2

USER 1 USER 2 USER 3

GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1

TEMPO FUNCTION

/NO +/ YES PRESET USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/STOP REC
USER 1 USER 2 USER 3 TRACK 1 TRACK 2 /NO +/ YES PRESET
GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE VARIATION START/STOP REC CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E.BASS SPLIT

MIN MAX

BRIGHT
USER 1 USER 2 USER 3 /NO +/ YES PRESET
TRACK 1 TRACK 2 START/STOP REC

MELLOW

GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD E.CLAVICHORD VIBRAPHONE
VARIATION ROOM HALL 1 HALL 2 STAGE SPLIT
CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT

WOOD BASS
TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/ STOP REC CHURCH ORGAN JAZZ ORGAN WOOD BASS
A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

A B C D E F G

/NO +/ YES PRESET

MELLOW BRIGHT

GRAND PIANO 1 GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD1 HARPSICHORD2 VIBRAPHONE

ROOM HALL 1 HALL 2 STAGE

CHURCH ORGAN1

CHURCH ORGAN2

STRINGS 1

STRINGS 2

HARPSICHORD 1

HARPSICHORD 2

VIBRAPHONE ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT
TEMPO FUNCTION TRACK 1 TRACK 2 START/STOP REC CHURCH ORGAN 1 CHURCH ORGAN 2 JAZZ ORGAN STRINGS 1 STRINGS 2

LEVEL FIXED

Mac PC-1

MIDI PC-2

H I J K

L M N O

TOUCH TRANSPOSE

TEMPO/OTHER VALUE

VARIATION

TEMPO/FUNCTION

Mac PC-1 MIDI PC-2 R L LEVEL FIXED THRU OUT IN R L/L+R R L/L+R

R L R L/L+R R L/L+R

RS-232C

D-SUB9

D-SUB25
8 (CTS) 7 (RTS) 2 (RxD) 5 (GND) 3 (TxD)
2 (HSK i) 1 (HSK O) 5 (RxD-) 4 (GND) 3 (TxD-) 8 (RxD+) 7 (GP-) 6 (TxD+)
DIN 5 (CTS) 4 (RTS) 3 (RxD) 7 (GND) 2 (TxD)

D-SUB 25-

D-SUB 9-

MIDI OUT

MIDI IN
MIDI OUT MIDI OUT MIDI IN
START/ STOP TEMPO FUNCTION USER 1 USER 2 USER 3 TRACK 1 TRACK 2 START/ STOP CHURCH ORGAN JAZZ ORGAN WOOD BASS

ENSEMBLE MUSIC

RECORDER EMR1

MIDIPC-1

PC-2 Mac

0120-834-808

V856000 ???AP???.?-??C0