CLP-121S

Owners Manual

Page 2 15

English

Bedienungsanleitung

Seite 16 29

Deutsch

Mode demploi

Pages 30 43

Franais

Manual de instrucciones

Pginas 44 57

Espaol

Introduction
Thank you for choosing a Yamaha CLP-121S Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure. q Yamahas AWM (Advanced Wave Memory) tone generator system offers rich, realistic voices. q Piano-like touch response provides extensive expressive control and outstanding playability. q Dual play mode allows 2 voices to be played simultaneously. q Unique Clavinova Tone voice provides a fresh sound for new musical expression. q MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced MIDI music systems. In order to make the most of your Clavinovas performance potential and features, we urge you to read this Owners Manual thoroughly, and keep it in a safe place for later reference.
Taking Care Of Your Clavinova
Your Clavinova is a fine musical instrument, and deserves the most careful treatment. Observe the following points and your Clavinova will sound and look great for many years.
1 Never open the case and touch or tamper with the internal circuitry.
5 Install your Clavinova in a place that is away from direct sunlight, excessive humidity or heat.
2 Always turn the POWER switch OFF after use, and
cover the keyboard with the dust cover provided.
6 Never apply excessive force to the controls, connectors
or other parts of your Clavinova, and avoid scratching or bumping it with hard objects.
3 Clean the cabinet and keys of your Clavinova only with
a clean, slightly damp cloth. A neutral cleanser may be used if desired. Never use abrasive cleansers, waxes, solvents or chemical dust cloths since these can dull or damage the finish.
7 Make sure that your local AC mains voltage matches the
voltage specified on the name plate.* In some areas a voltage selector may be provided on the rear panel of the main unit. Make sure that the voltage selector is set for the voltage in your area.
4 Never place any vinyl products on your Clavinova. Contact with vinyl can cause irreversible damage to the finish. * Name Plate Location The CLP-121S name plate is located on the bottom panel.

Contents

The Control Panel... 4 Connections... 6 Selecting & Playing Voices... 7
s Playing the Demonstration Tunes.. 7

The Dual Mode... 8

q Adjusting the Balance Between the Dual-mode Voices. 8 q Shifting a Dual-Mode Voice Up One Octave.. 8

The Pedals.... 8

q Soft/Sostenuto (Left) Pedal.. 8 q Damper (Right) Pedal... 8
Transposition.... 9 Pitch Control... 9
q Tuning Up... 9 q Tuning Down.... 9 q To Restore Standard Pitch... 9

MIDI Functions... 10

q A Brief Introduction to MIDI... 10 q MIDI Messages Transmitted & Received by the Clavinova. 10 q MIDI Transmit & Receive Channel Selection. 11 q MIDI Transmit Transpose.. 11 s Other MIDI Functions.. 12 q Local Control ON/OFF.. 12 q Program Change ON/OFF.. 12 q Control Change ON/OFF... 13 q The Multi-Timbre Mode... 13 q The MIDI Split & Left Local OFF Mode.. 14
Troubleshooting... 15 Options & Expander Modules... 15 Keyboard Stand Assembly... 58 MIDI Data Format... 62 Specifications... 62 MIDI Implementation Chart... 63

The Control Panel

MASTER VOLUME MIN MAX

MIDI/ TRANSPOSE

CLAVINOVA E. PIANO TONE

HARPSICHORD

HEADPHONES Jacks (Bottom Panel)
Pitch control keys (See page 9)

Transpose keys (See page 9) Balance keys (See page 8)
Left voice shift up key (See page 8)

1 [POWER] Switch

Press the [POWER] switch once to turn the power ON, a second time to turn the power OFF. When the power is initially turned ON, the [PIANO] voice selector LED will light.
3 [MIDI/TRANSPOSE] Button
The [MIDI/TRANSPOSE] button allows access to the Clavinovas TRANSPOSE function (to shift the pitch of the entire keyboard up or down) and MIDI functions. For details refer to TRANSPOSITION on page 9, and MIDI FUNCTIONS on page 10, respectively.
2 [MASTER VOLUME] Control
The [MASTER VOLUME] control adjusts the volume (level) of sound produced by the Clavinovas internal stereo sound system. The [MASTER VOLUME] control also adjusts headphone volume when a pair of headphones is plugged into the HEADPHONES jack (page 6).

4 Voice Selectors

The CLP-121S has five voice selectors. Simply press any of the voice selectors to select the corresponding voice. The LED indicator above the voice selector will light to indicate which voice is currently selected. The CLP-121S also has a DUAL mode in which two voices can be played simultaneously across the full range of the keyboard see page 8 for details.
Note: The PIANO voice is automatically selected whenever the [POWER] switch is initially turned ON.

Soft/Sostenuto pedal

Damper pedal
Right voice shift up key (See page 8)
Demonstration key (See page 7)

5 Pedals

The CLP-121Ss soft/sostenuto (left) and damper (right) pedals provide a range of expressive control capabilities similar to the pedal functions on an acoustic piano.

q The Music Stand

See page 8 for details.
If you will be using sheet music with your Clavinova, raise the music stand built into its top panel by lifting the rear edge of the music stand, then flip down the music stand braces and engage them with the corresponding recesses. The music stand can be lowered after slightly lifting it and folding the two brackets which support it against the back of the stand.

Connections

1 OPTIONAL IN L/R Jacks

OPTIONAL IN R L

These jacks are intended for use with an external tone generator module such as the Yamaha DOM-30 Disk Orchestra Module. The stereo outputs from the external tone generator module are connected to the OPTIONAL IN L and R jacks, allowing the sound of the tone generator to be reproduced via the Clavinovas internal sound system and speakers.

CStop the Demo

Press the [MIDI/TRANSPOSE] button when you want to stop demo playback and return to the normal play mode. The Demo Tune
Fr Elise by Beethoven (PIANO voice)
* The demonstration piece is a short excerpt from the original composition.

The Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the keyboard. To activate the DUAL mode simply press two voice selectors at the same time (or press one voice selector while holding another). The voice indicators of both selected voices will light when the DUAL mode is active. To return to the normal single-voice play mode, press any single voice selector.
q Adjusting the Balance Between the Dual-mode Voices

PIANO HARPSICHORD ORGAN

The volume levels of the two voices combined in the DUAL mode are normally set automatically to produce a pleasing balance (see Default Settings below). The balance can be adjusted manually by using the C2 through C4 keys on the keyboard while pressing the two voice selectors corresponding to the voices to be combined in the DUAL mode. The C3 key produces equal (50:50) balance between the two voices, while keys to the left of C3 increase the volume of the left voice in relation to the right voice, and keys to the right of C3 increase the volume of the right voice in relation to the left voice. By left and right voice we refer to the relative positions of the voice selectors i.e. in a HARPSICHORD/ORGAN combination HARPSICHORD is the left voice and ORGAN is the right voice. Default Settings
Voice Combinations Balance keys PIANO/ORGAN.. E2 CLAVINOVA TONE/ORGAN. F2 E. PIANO/ORGAN. E2 HARPSICHORD/ORGAN. G2

Left voice maximum.

Equal balance.

Right voice maximum.

* All other voice combinations are set to C3 (equal balance).
q Shifting a Dual-Mode Voice Up One Octave
Depending on which voices you combine using the DUAL mode, the combination may sound better if one of the voices is shifted up an octave. To shift the right voice, press the C5 key while pressing the two voice selectors corresponding to the voices to be combined in the DUAL mode. Press C5 again to shift the voice back to its normal range. Use the C1 key in the same way to shift the left voice. All voice combinations are set to the same octave by default.

q Tuning Up

E 0 F0 C3 B3
Z To tune up (raise pitch), hold the E0 and F0 keys simultaneously. X Press any key between C3 and B3. Each time a key in this range is
pressed the pitch is increased by approximately 1.6 cents, up to a maximum of 50 cents above standard pitch.
C Release the E0 and F0 keys.

q Tuning Down

E 0 F# 0 C3 B3
Z To tune down (lower pitch), hold the E0 and F#0 keys simultaneously. X Press any key between C3 and B3. Each time a key in this range is
pressed the pitch is decreased by approximately 1.6 cents, up to a maximum of 50 cents below standard pitch.
C Release the E0 and F#0 keys.
q To Restore Standard Pitch*

F0 E 0 F# 0 C3 B3

Z To restore standard pitch (A3 = 440 Hz), hold the E0, F0 and F#0 keys

simultaneously.

X Press any key between C3 and B3. C Release the E0, F0 and F#0 keys.
* Standard pitch (A3 = 440 Hz) is set when the [POWER] switch is initially turned ON.
Note: The PITCH CONTROL function has no effect when LOCAL OFF is active (see MIDI FUNCTIONS, page 12).

MIDI Functions

q A Brief Introduction to MIDI

MIDI Cable

MIDI OUT MIDI IN

Clavinova

MIDI, the Musical Instrument Digital Interface, is a world-standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. This makes it possible to create systems of MIDI instruments and equipment that offer far greater versatility and control than is available with isolated instruments. For example, most MIDI keyboards (including the Clavinova, of course) transmit note and velocity (touch response) information via the MIDI OUT connector whenever a note is played on the keyboard. If the MIDI OUT connector is connected to the MIDI IN connector of a second keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer with no keyboard), the second keyboard or tone generator will respond precisely to notes played on the original transmitting keyboard. The result is that you can effectively play two instruments at once, providing thick multiinstrument sounds. This same type of musical information transfer is used for MIDI sequence recording. A sequence recorder such as the Yamaha DRC-20 Disk Recorder can be used to record MIDI data received from a Clavinova, for example. When the recorded data is played back, the Clavinova automatically plays the recorded performance in precise detail. The examples given above really only scratch the surface. MIDI can do much, much more. The CLP-121S offers a number of MIDI functions that allows it to be used in fairly sophisticated MIDI systems.
Note: Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN terminals. Never use MIDI cables longer than about 15 feet, since cables longer than this can pick up noise which can cause data errors.

(Set to receive on MIDI channel 1)
Z Press and hold the [MIDI/TRANSPOSE] button. X Press the key on the keyboard corresponding to the desired MIDI transmit or receive channel.*

E5 D# 5

D# 2 C 4
* Keys C1 through D#2 on the keyboard are used to set the MIDI transmit channel, and keys C4 through D#5 are used to turn the OMNI mode OFF and set the MIDI receive channel as shown in the illustration to the left. The E5 key sets the OMNI receive mode and basic receive channel 1.
Note: When the power is initially turned ON, MIDI receive is set to the OMNI mode and the transmit channel is set to 1.
For setting the transmit channel. (C1 ~ D#2)
For setting the receive channel. (C4 ~ D#5) For OMNI mode
q MIDI Transmit Transpose
This function allows the MIDI note data transmitted by the Clavinova to be transposed up or down in semitone increments by up to plus or minus 6 semitones. The pitch of the Clavinova itself is not affected. Setting the MIDI Transpose Function

-6 -4 -2 -5 -3 -1 0

Z Press and hold the [MIDI/TRANSPOSE] button. X Press the key on the keyboard corresponding to the desired amount of
* Keys F#5 through F#6 on the keyboard are used to set the MIDI transmit transpose function as shown in the illustration to the left.
Note: When the power is turned ON, MIDI transmit transpose is set to 0 (no transposition).
MIDI Functions Other MIDI Functions
The MIDI functions listed to the right are engaged by holding down the [MIDI/TRANSPOSE] button and pressing the corresponding voice selector. Full details are given in the following pages. MIDI FUNCTION CHART
Function Local Control ON/OFF Program Change ON/OFF Control Change ON/OFF Multi-Timbre Mode MIDI Split & Left Local OFF CLP-121S Voice Selector [PIANO] [CLAVINOVA TONE] [E. PIANO] [HARPSICHORD] [ORGAN]

q Local Control ON/OFF

Local Control refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is Local Control ON since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices, but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI IN connector. When using the DOM-30 Disk Orchestra Module with the Clavinova, for example, Local Control should be turned OFF when recording using the DOM-30 voices only, and ON when recording the Clavinova voices while listening to playback of the DOM-30 voices.

MIDI/ TRANSPOSE PIANO CLAVINOVA E. PIAN TONE
Z Hold down the [MIDI/TRANSPOSE] button. X Press the [PIANO] voice selector. If the PIANO LED is lit when the
[PIANO] voice selector is pressed, you have turned local control OFF. If the PIANO LED is not lit when the [PIANO] voice selector is pressed, you have turned local control ON.

PIANO PIANO

= Local Control OFF = Local Control ON

q Program Change ON/OFF

Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova will normally also send a MIDI program change number whenever one of its voices is selected, causing the correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the Clavinova without affecting the external MIDI device, and vice versa.
MIDI/ TRANSPOSE CLAVINOVA E. PIAN TONE
Z Hold down the [MIDI/TRANSPOSE] button. X Press the [CLAVINOVA TONE] voice selector. If the CLAVINOVA
TONE LED is lit when the [CLAVINOVA TONE] voice selector is pressed, you have turned program change reception/transmission OFF. If the CLAVINOVA TONE LED is not lit when the [CLAVINOVA TONE] voice selector is pressed, you have turned program change reception/transmission ON.
CLAVINOVA TONE CLAVINOVA TONE
= Program Change OFF = Program Change ON

q Control Change ON/OFF

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or keyboard, causing the selected Clavinova voice to be affected by pedal and other control settings received from the controlling device. The Clavinova also transmits MIDI control change information when one of its pedals are operated. This function makes it possible to cancel control change data reception and transmission if you do not want the Clavinova voices to be affected by control change data received from an external device or vice versa.

HARP CHOR

Z Hold down the [MIDI/TRANSPOSE] button. X Press the [E. PIANO] voice selector. If the E. PIANO LED is lit when
the [E. PIANO] voice selector is pressed, you have turned control change reception/transmission OFF. If the E. PIANO LED is not lit when the [E. PIANO] voice selector is pressed, you have turned control change reception/transmission ON.

E. PIANO E. PIANO

= Control Change OFF = Control Change ON

q The Multi-Timbre Mode

The Multi-Timbre mode is a special mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 10) by an external MIDI device such as the Yamaha DRC-20 Disk Recorder. The Multi-Timbre mode can be activated as follows:

VINOVA E. PIANO ONE

Z Hold down the [MIDI/TRANSPOSE] button. X Press the [HARPSICHORD] voice selector. If the HARPSICHORD
LED is lit when the [HARPSICHORD] voice selector is pressed, you have turned the Multi-Timbre mode ON. If the HARPSICHORD LED is not lit when the [HARPSICHORD] voice selector is pressed, you have turned the Multi-Timbre mode OFF.

HARPSICHORD HARPSICHORD

= Multi-Timble Mode ON = Multi-Timble Mode OFF
A Multi-timbre Example Heres an example of how you could use the Multi-Timbre mode to record two different parts on the DRC-20 Disk Recorder that will play different voices on the Clavinova when played back.

MIDI OUT

Z Connect the DRC-20 to the Clavinova as shown to the left. X Activate the Clavinova Multi-Timbre mode. C Set the DRC-20 track 1 to record. V Select a voice and record the first part on the DRC-20. B Set the DRC-20 track 2 to record. N Select a voice and record the second part on the DRC-20. M Still in the Multi-Timbre mode, play back the DRC-20. The recorded
parts will be played back using the individual voices selected during recording, providing a full ensemble sound.
q The MIDI Split & Left Local OFF Mode
In the MIDI split mode one section of the Clavinova keyboard is used to play a Clavinova voice in the normal way, while the remaining section is used to play a second MIDI keyboard or tone generator such as the Yamaha DOM-30 Disk Orchestra Module. In this mode the right-hand section of the keyboard is used to play an internal Clavinova voice, while the left-hand section of the keyboard plays the external keyboard or tone generator. Playing the left-hand section of the keyboard produces no sound from the Clavinova. The split point, or the key that divides the left- and right-hand sections of the keyboard can be set at any desired key. The MIDI split mode is useful if, for example, you want to play a piano (Clavinova) voice with the right hand while playing a synthesizer bass line or string section with the left hand. When the MIDI split mode is activated, notes played on the left-hand section are transmitted via the Clavinova MIDI OUT connector on MIDI channel 2. Notes played on the right-hand section are transmitted on the basic channel (i.e. the channel set using the MIDI channel selection function described previously).

OPTIONAL IN L

LINE OUT R

PIANO HARPSICHORD

Z Press the [ORGAN] voice selector while holding down the [MIDI/
TRANSPOSE] button. The ORGAN LED will flash.
X While still holding the [MIDI/TRANSPOSE] button, press the key on
the keyboard at which you want to set the split point. The ORGAN LED will light continuously. The split-point becomes the first key of the left-hand section.

SPLIT POINT

C Release the [MIDI/TRANSPOSE] button. V To return to the normal full-keyboard mode, hold the [MIDI/TRANSPOSE] button and press the [ORGAN] voice selector, then release both buttons.
Note: When the power is turned ON the default split point key F#2 will be automatically selected. If a new split point is selected it remains active until the power is turned OFF or a different split point is selected.
Left-hand section plays a DOM-30 bass voice.
Right-hand section plays a Clavinova piano voice.

Troubleshooting

If you encounter what appears to be a malfunction, please check the following points before assuming that your Clavinova is faulty.
1. No Sound When the Power is Turned ON
Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER VOLUME control turned up to a reasonable listening level?
2. The Clavinova Reproduces Radio or TV Sound
This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.
3. Intermittent Static Noise
This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the same AC mains line as your Clavinova.
4. Interference Appears On Radio or TV Sets Located Near the Clavinova
The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the Clavinova further away from the affected equipment, or vice versa.
5. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System
If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the setting of the Clavinova volume control to a level at which the distortion ceases.

Options & Expander Modules

q Options

BC-7 Bench A comfortable bench styled to match your Yamaha Clavinova. HPE-6 Stereo Headphones High-performance lightweight dynamic headphones with extra-soft ear pads. KC-763 Key Cover A convenient way to keep your keyboard clean and dust-free.

q Expander Modules

DRC-20Disk Recorder DOM-30 Disk Orchestra Module These state-of-the-art Expander Modules can dramatically expand the musical scope of your Clavinova.
The illustrations here are not available.

Keyboard Stand Assembly

Note: We do not recommend attempting to assemble the Clavinova alone. The job can be easily accomplished, however, with only two people.
Zusammenbau und Aufstellung
Hinweis: Wir raten davon ab, das Clavinova alleine zusammenzubauen und aufzustellen. Zwei Personen knnen diese Arbeit jedoch problemlos ausfhren.
Z Open the box and remove all the parts.
On opening the box you should find the parts shown in the illustration to the above. Check to make sure that all the required parts are provided.
ffnen Sie den Karton und nehmen Sie Z alle Teile heraus.
Im Karton sollten die oben abgebildeten Teile enthalten sein. Prfen Sie zunchst bitte, ob alle Teile vollstndig vorhanden sind.
Assemble the side panels (D) and feet X (E).
Secure the feet (E) to the side panels (D) with the long gold-colored screws 1 (3 each), making sure that the cutouts on the feet face the bracket side of the side panels.
Schrauben X die Fe (E)Sie die Seitenwnde (D) und zusammen.
Machen Sie die Fe (E) mit den langen goldenen Schrauben 1 (jeweils 3 Schrauben) so an den Seitenwnden fest, da der Ausschnitt am jeweiligen Fu unter dem Winkelblech an der Seitenwand zu liegen kommt.
Attach C panels the center panel (B) to the side (D).
The center panel (B) is installed between the side panels (D) with the brackets on each end toward the rear of the stand assembly. Place the square holes in the center-panel brackets over the lugs extending from the side panels, then slide down. Each side of the center panel is attached using two short black screws 2.

2. CONTROL CHANGE & MODE MESSAGES
Data format: [BnH] -> [cc] -> [vv] BnH = Control event (n = channel number) cc = Control number vv = Control value cc CONTROL VALUE [vv] 07H Volume 00000000 : - (reception only) 01101111 : -3dB 01111111 : 0dB 0AH Pan Pot 00H ~ 17H LEFT 6 (reception only) 18H ~ 1FH 5 20H ~ 27H 4 28H ~ 2FH 3 30H ~ 37H 2 38H ~ 3FH 1 40H ~ 47H CENTER 48H ~ 4FH SCALING PAN 50H ~ 57H RIGHT 1 58H ~ 5FH 2 60H ~ 67H 3 68H ~ 6FH 4 70H ~ 77H 5 78H ~ 7FH 6 0BH Expression 00000000 : - (reception only) 01101111 : -3dB 01111111 : 0dB 40H Damper 00H ~ 3FH : OFF Pedal 40H ~ 7FH : ON 42H Sostenuto 00H ~ 3FH : OFF Pedal 40H ~ 7FH : ON 43H Soft Pedal 00H ~ 3FH : OFF 40H ~ 7FH: ON 79H Reset AllController 00H (reception only)

PANEL DATA SEND FORMAT

F0H, 43H, 0nH, 7CH, 00H, 19H (n: channel number) 53H, 4BH, 20H, 20H (SK) 43H, 4CH, 50H, 31H, 32H, 31H (CLP-121S) 3xH, 3yH (x, y: version number) [PANEL DATA] [CHECK SUM (1byte)] = 0-(53H+4BH+20H+. +Data end) F7H
4. SYSTEM REALTIME MESSAGES Active Sensing (FEH)
Transmitted every 200 milliseconds. If not received for more than 400 milliseconds a NOTE OFF occurs.
5. SYSTEM EXCLUSIVE MESSAGES (1) YAMAHA MIDI Format Data format: [F0H] -> [43H] -> [xn] -> [ff]. [F7H]
43H : Yamaha xn : Substatus + channel number. ff : Format number. x ff Information 2 7CH Panel Data Send occurs when this data received. 2 7DH Name Data Send occurs when this data received.

Panel Data Contents

(1) VOICE (2) DUAL VOICE (3) DUAL ON/OFF (4) DUAL BALANCE (5) 0 (6) 0 (7) 0 (8) 0 (9) 0 (10) 0 (11) LEFT PEDAL (SOFT or SOSTENUTO) (12) SPLIT POINT (13) 0
(2) Clavinova MIDI Format Data format: [F0H] -> [43H] -> [73H] -> [30H] -> [yy] -> [F7H]
43H : Yamaha ID 73H : Clavinova ID 30H : CLP-121S ID yy : Substatus yy Information 13H Multi-timbre mode OFF. 15H Multi-timbre mode ON. 7cH All notes OFF; receive channel = c+1; omni OFF.
MODEL ID CODE SEND FORMAT
F0H, 43H, 0nH, 7DH, 00H, 10H (n: channel number) 53H, 4BH, 20H, 20H (SK) 43H, 4CH, 50H, 31H, 32H, 31H (CLP-121S) 3xH, 3yH, 20H, 20H, 20H, 20H (x, y: version number) [CHECK SUM (1byte)] = 0-(53H+4BH+20H+.+20H) F7H
Specifications/Technische Daten/Caractristiques techniques/Especificaciones
KEYBOARD VOICE SELECTORS PEDAL CONTROLS OTHER CONTROLS JACKS/CONNECTORS INPUT & OUTPUT LEVEL/IMPEDANCE MAIN AMPLIFIERS SPEAKERS DIMENTIONS (W x D x H) WEIGHT CLP-121S 76 KEYS (E0 ~ G6) PIANO, CLAVINOVA TONE, E. PIANO, HARPSICHORD, ORGAN SOFT/SOSTENUTO, DAMPER MASTER VOLUME, MIDI/TRANSPOSE HEADPHONES x 2, AUX. OUT R & L/L+R, OPTIONAL IN R/L, MIDI IN/OUT AUX. OUT: 600 OPTIONAL IN: 15 k/-10 dBm (for nominal output level) 10W x cm x 2 1214.7 x 472 x 825.6 mm (47-3/4" x 18-1/2" x 32-1/2") 44.0 kg (97.0 lbs.)

CAUTION

RISK OF ELECTRIC SHOCK DO NOT OPEN
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK. DO NOT REMOVE COVER (OR BACK). NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
See bottom of Keyboard enclosure for graphic symbol markings
The exclamation point within the equilateral triangle is intended to alert the user to the presence of important operating and maintenance (servicing) instructions in the literature accompanying the product. The lightning flash with arrowhead symbol, within the equilateral triangle, is intended to alert the user to the presence of uninsulated dangerous voltage within the products enclosure that may be of sufficient magnitude to constitute a risk of electrical shock. IMPORTANT NOTICE: All Yamaha electronic products are tested and approved by an independent safety testing laboratory in order that you may be sure that when it is properly installed and used in its normal and customary manner, all foreseeable risks have been eliminated. DO NOT modify this unit or commission others to do so unless specifically authorized by Yamaha. Product performance and/or safety standards may be diminished. Claims filed under the expressed warranty may be denied if the unit is/has been modified. Implied warranties may also be affected. SPECIFICATIONS SUBJECT TO CHANGE: The information contained in this manual is believed to be correct at the time of printing. However, Yamaha reserves the right to change or modify any of the specifications without notice or obligation to update existing units.
Model _____________________________________ Serial No. __________________________________ Purchase Date ______________________________

92-469 1

IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:

Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply. This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement.
Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.
The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity.
This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.
Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.
Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.
Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged.