IUSING THE BENCH (if included)
Do not play carelessly with or stand on the bench. Using it as a tool or stepladder or for any other purpose might result in accident or injury. Only one person should sit on the bench at a time, in order to prevent the possibility of accident or injury. If the bench screws become loose due to extensive long-term use, tighten them periodically using the included tool.

ISAVING USER DATA

Save all data to an external device such as the Yamaha MIDI Data Filer MDF3, in order to help prevent the loss of important data due to a malfunction or user operating error.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.

(1)B-6

CLP-950/930

Introduction

Thank you for choosing a Yamaha Clavinova. Your Clavinova is a fine musical instrument that employs advanced Yamaha music technology. With the proper care, your Clavinova will give you many years of musical pleasure.
G The Clavinova CLP-950/930 digital piano offers unmatched sonic realism and natural grand-piano type playability with Yamahas original AWM Dynamic Stereo Sampling tone generation technology on the CLP-950 and AWM Stereo Sampling on the CLP-930 for rich, musical voices, and a special Graded Hammer keyboard which provides graded key weight and response throughout the keyboard range. The grand piano voices feature totally new samples painstakingly recorded from a full concert grand piano. The CLP-950 GRAND PIANO 1 voice features multiple velocity-switched samples (Dynamic Sampling), a Soundboard Reverb effect which accurately simulates the resonance of a piano soundboard, special Sustain Samples which recreate the unique resonance of an acoustic grand pianos soundboard and strings when the damper pedal is pressed, and Key-off Samples that add the subtle sound produced when the keys are released. G Dual mode allows 2 voices to be played simultaneously. G Split mode (CLP-950) allows different voices to be played by the left and right hands. G Metronome feature with variable tempo facilitates practice. G 2-track digital recorder lets you record and play back anything you play on the keyboard. G MIDI compatibility and a range of MIDI functions make the Clavinova useful in a range of advanced MIDI music systems. G Built-in computer interface for direct connection to personal computers running advanced music software. The music stand can be removed to allow placement of a laptop-type personal computer or other equipment on top of the instrument.

When the Clavinovas AUX IN jacks are connected to an external source, first turn the power to the external device on, and then the power to the Clavinova. Reverse this order when turning the power off. The input signal from the AUX IN jacks is controlled by the Clavinovas volume and brilliance (CLP-950) controls. Reverb and effect functions will have no affect. The input signal from the AUX IN jacks is delivered to the AUX OUT jacks.

Personal Computer

3 TO HOST Connector & HOST SELECT Switch This jack and selector switch allow direct connection to a personal computer for sequencing and other music applications without the need for a separate MIDI interface. See page 37 for details.

Mac PC-1

Tone Generator
4 MIDI IN, THRU and OUT Connectors The MIDI IN connector receives MIDI data from an external MIDI device (such as the DOU-10 Disk Orchestra Unit) which can be used to control the Clavinova. The MIDI THRU connector retransmits any data received at the MIDI IN connector, allowing chaining of several MIDI instruments or other devices. The MIDI OUT connector transmits MIDI data generated by the Clavinova (e.g. note and velocity data produced by playing the Clavinova keyboard). More details on MIDI are given in MIDI Functions on page 33. 5 PEDAL Jack (CLP-930) This terminal is for connecting the pedal cord from the pedal box (refer to the Keyboard Stand Assembly on pages 55-59).
G PHONES Jacks (Bottom Panel) Two sets of standard stereo headphones can be plugged in here for private practice or late-night playing. The internal speaker system is automatically shut off when a pair of headphones is plugged into either of the PHONES jacks.
Key Cover & Music Stand

Key Cover

To open the key cover:
Z Lift the cover slightly.
Be careful to avoid catching your fingers when opening or closing the cover.

X Slide the cover open.

To close the key cover:
Z Slide the cover toward you. X Gently lower the cover over the keys.
Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others) between the cover and main unit. Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside the main unit when the cover is opened and may not be able to be removed. This could cause electric shock, short circuit, fire or other serious damage to the instrument.

Music Stand

The Clavinova is supplied with a music stand that can be attached to the instrument by inserting it into the holes at the top of panel.
The music stand can be removed to allow placement of a laptop-type personal computer or other equipment on top of the instrument.
Selecting & Playing Voices

Turn Power On....

Use the [MASTER VOLUME] control to adjust the volume and the [BRILLIANCE] control (CLP-950) to adjust the brilliance (page 19).
Exit From the Demo Mode...
Press the [DEMO] button to exit from the demo mode and return to the normal play mode.

Preset Song

Engage the Preset Song Mode..
Press the [PRESET SONG] button to engage the preset song mode the [PRESET SONG], TRACK [1] and [2] indicators will light.

Play a Preset Song....

To play any of the 50 preset songs provided, use the [/NO], [+/YES] buttons to select the number of the tune you want to play (the number will appear on the LED display), then press the SONG [START/STOP] button. Playback will stop automatically when playback of the selected preset song has finished. Select ALL instead of a number to play all preset songs in sequence, or select rnd to continuously play all preset songs in random order. Press the SONG [START/STOP] button to stop playback.
Use the [MASTER VOLUME] control to adjust the volume. You can use the [TEMPO/FUNCTION M,L] buttons to adjust the playback tempo as required. This produces a relative tempo variation, with a range from -50 through - - - to 50 at maximum; the range will differ depending on the selected song. The default tempo - - - is automatically selected whenever a new preset song is selected, or playback of a new preset song begins during ALL or rnd playback. You can play the keyboard along with the preset song playback. The voice playing on the keyboard can be changed. You can change the Brilliance control (CLP-950) and Reverb type that is applied to the voice you play on the keyboard and for the preset song playback. You can change the Effect type and Touch sensitivity that is applied to the voice you play on the keyboard. When a new preset song is selected or a new preset song is automatically started in continuous play, the HALL 1 reverb type will automatically be selected.
Exit From the Preset Song Mode..
Press the [PRESET SONG] button to exit from the preset song mode, the indicator will go off, and return to the normal play mode.

Preset Song A-B Repeat

The A-B Repeat function can be used to continuously repeat a specified phrase within a preset song. Combined with the Part Cancel function described below, this provides an excellent way to practice difficult phrases.
Specify the Beginning (A) of the Phrase..

ON TEMPO/FUNCTION/SONG

FUNCTION
Select and play a preset song, then press the [FUNCTION] button at the beginning of the phrase you want to repeat. This sets the A point (A- will appear on the display). To set the A point at the very beginning of the song, press the [FUNCTION] button before starting playback.

Start Recording...

Recording will begin automatically as soon as you play a note on the keyboard or press the SONG [START/STOP] button. The current measure number will appear on the display while recording.
The left pedal can be assigned to start and stop recording via the Left Pedal Mode function described on pages 31 (CLP-930) and 32 (CLP950). If the metronome was on when you started recording, youll be able to keep time with the metronome while recording, but the metronome sound will not be recorded. You can record up to a maximum of about 10,000 notes on the Clavinova, depending on pedal usage and other factors. The record track indicator will begin to flash when recorder memory is almost full. If the memory becomes full during recording, FUL will appear on the display and recording will stop automatically. (All recorded data up to that point will be retained.)

Stop Recording...

Press either the [REC] or SONG [START/STOP] button to stop recording. The indicator of the recorded track will glow green to indicate that it now contains data.
Changing the Initial Settings...
The initial voice, tempo, reverb type, reverb depth, and effect settings made in step 1 of the recording procedure are actually recorded by the Clavinova. These initial settings can be changed after the recording is finished by pressing the [REC] button to engage the record ready mode, pressing the appropriate track button, making the required changes, and then pressing the [REC] button again to exit from the record ready mode and register the changes. If you do this, be careful not to press the SONG [START/STOP] button or a key on the keyboard, either of which will start recording and erase all previous recorded data on the selected track. It is possible to cancel the operation even after changes have been made: change tracks and then press the [REC] button to exit from the record mode (this also cancels data for the entire song).
The following data for initial settings cannot be changed: Dual balance (F3), Dual detune (F3), Dual octave shift (F3), Split balance (F4:CLP950) or Split octave shift (F4:CLP-950).
Erasing a Single Track...
All data can be erased from either of the recorders tracks by engaging the record mode, selecting the track you want to erase, and then pressing the SONG [START/STOP] button twice without recording any data.

F3.3: 1st Voice Octave Shift.... F3.4: 2nd Voice Octave Shift....
Depending on which voices you combine using the dual mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [/NO] and [+/YES] buttons to set the octave of the 1st or 2nd Voice as required (1st and 2nd is explained on page 16). The available settings are 0 for normal pitch, 1 to shift the pitch down one octave, and 1 to shift the pitch up one octave. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination).
F3.5: 1st Voice Effect Depth.... F3.6: 2nd Voice Effect Depth....
These functions make it possible to individually set the depth of the effect for the 1st and 2nd dual-mode Voices (1st and 2nd is explained on page 16). Use the [/NO] and [+/ YES] buttons to set the effect depth for the corresponding voice as required. The depth range is from 0 through 20. A setting of 0 produces no effect, while a setting of 20 produces maximum effect depth. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination).
The effect depth settings cannot be changed unless the EFFECT is ON. The Function mode must be exited before EFFECT can be turned ON.

F3.7: Reset......

This function resets all dual-mode functions to their default values. Press the [+/YES] button to reset the values. End will appear on the display when all functions have been reset.
F4 CLP-950 Split Mode Functions
After selecting F4.Y, press the [+/YES] button to engage the split-mode function submode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired split mode function, as listed below. If the Split mode is not engaged F4.- will appear instead of F4.Y and the Split mode functions cannot be selected. Also note that you must exit from the Function mode before the Split mode can be engaged.
I SHORTCUT: You can jump directly to the split-mode functions (F4) by pressing the [FUNCTION] button while holding the [SPLIT] button.
Split mode function settings are set individually for each voice combination.

F4.1: Split Point.....

In addition to the split point setting method described on page 17, the split point can be set via this function. Use the [/NO] and [+/YES] buttons to set the split point as required, or simply press the appropriate key on the keyboard: from A-1 to C7. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting F#2.

F4.2: Split Balance.....

The volume levels of the two voices combined in the split mode can be adjusted as required by using this function. Use the [/NO] and [+/YES] buttons to adjust the balance as required. The balance range is from 0 through 20. A setting of 10 produces equal balance between the two split-mode voices. Settings below 10 increase the volume of the Left Voice in relation to the Right Voice, and settings above 10 increase the volume of the Right Voice in relation to the Left Voice. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination).

F4.3: Right Voice Octave Shift... F4.4: Left Voice Octave Shift....
Depending on which voices you combine using the split mode, the combination may sound better if one of the voices is shifted up or down an octave. Use the [/NO] and [+/YES] buttons to set the octave of the Left or Right Voice as required. The available settings are 0 for normal pitch, 1 to shift the pitch down one octave, and 1 to shift the pitch up one octave. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination). Set according to the pitch extent for the song you want to play.
F4.5: Right Voice Effect Depth.... F4.6: Left Voice Effect Depth....
These functions make it possible to individually set the depth of the effect for the Left and Right split-mode Voices. Use the [/NO] and [+/YES] buttons to set the effect depth for the corresponding voice as required. The depth range is from 0 through 20. A setting of 0 produces no effect, while a setting of 20 produces maximum effect depth. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting (different for each voice combination).

F4.7: Damper Range.....

The Damper Range function determines whether the damper pedal affects the Right Voice, the Left Voice, or both the Left and Right Voices in the split mode. Use the [/NO] and [+/ YES] buttons to select 2 for the Left Voice, 1 for the Right Voice, or ALL for both voices. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting ALL.

F4.8: Reset......

This function resets all split-mode functions to their default values. Press the [+/YES] button to reset the values. End will appear on the display when all functions have been reset.
F4 CLP-930 Left Pedal Mode
This function sets the left pedal for normal soft-pedal operation or for song start/stop operation. Use the [/NO] and [+/YES] buttons to select the desired left-pedal mode. 1 is the normal soft-pedal mode, and 2 is the start/stop mode. When the start/stop mode is selected, the left pedal functions in the same way as the panel SONG [START/STOP] button. Press the [/NO] and [+/YES] buttons simultaneously to recall the default setting 1.
F5 CLP-950 Pedal Functions
After selecting F5.Y, press the [+/YES] button to engage the pedal functions sub-mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired pedal functions, as listed below.

See page 44 for list of the Panel Data Contents transmitted by this function. Panel setting data that is transmitted to an external device can only be reloaded on a model of the same type. Panel setting data can also be directly transferred to or from instruments of the same model type.
F7.8/F8.8: Bulk Data Dump....
This function is used to transmit all data stored in the Recorder memory to a MIDI data storage device such as the Yamaha MIDI Data Filer MDF3, other sequence recorders, or MIDI compatible computers. Press the [+/YES] button to begin bulk transmission. End will appear on the LED display when the data has been successfully transmitted.
User song recorder data that is transmitted to an external device can only be reloaded on a model of the same type. Recorder data can also be directly transferred to or from instruments of the same model type. The reload operation cannot be executed when the demo/preset song mode or user song recorder is in operation, or when the Function mode is engaged. No MIDI note/panel data transmission or data reception occurs during a bulk data dump transmit operation.
F8 CLP-930 Backup Functions F9 CLP-950 Backup Functions
After selecting F8.Y or F9.Y, press the [+/YES] button to engage the backup function sub-mode, then use the [TEMPO/FUNCTION t, s] buttons to select the desired backup function, as listed below.
The backup settings themselves, and the contents of the user song recorder memory, are always backed up. Even if the Backup is turned on, factory presets can be recalled at any time (see page 40). The factory setting list is found on page 42.
Even if backup is turned on via one of the functions described below, the data will only be retained in memory for about 1 week if the power is not turned on during this time. If the backup period is exceeded, all settings will be reset to their default values. If you want to retain the backup settings for longer periods, be sure to turn the power switch on for a few minutes at least once a week.

F8.1/F9.1: Voice.....

Turns backup of the voice functions listed below on or off. Use the [/NO] and [+/YES] buttons to turn backup On or OFF. The default backup mode is OFF.
Voice (Keyboard, Dual, and Split: CLP-950) Dual (ON/OFF, Voice, and Dual Functions for each voice combination) Split (ON/OFF, Voice, and Split Functions for each voice combination : CLP-950) Reverb (ON/OFF, Type, and Depth for each voice) Effect (ON/OFF, Type, and Depth for each voice) Touch Sensitivity (including the FIXED volume) Metronome (Beat, Volume) Preset Song Part Cancel Volume

MINI DIN 8-PIN

2 (HSK i) 1 (HSK 0) 5 (RxD-) 4 GND 3 (TxD-) 8 (RxD+) 7 (GP i) 6 (TxD+)
8-pin system peripheral cable. Data transfer rate: 31,250 bps.
Connecting to an IBM-PC/AT Series Computer.
IBM-PC/AT Series Computer Set to the PC-2 position.
Connect the TO HOST connector of the Clavinova to the RS-232C port on your IBM computer, using a standard 8-pin MINI DIN 9-pin D-SUB cross cable. Set the HOST SELECT switch to the PC-2 position. Refer to your software owners manual for information on any settings you might have to make on the computer side. G PC-2 Cable Connections
8 (CTS) 7 (RST) 2 (RxD) 5 (GND) 3 (TxD)

D-SUB 9-PIN

8-pin mini DIN 9-pin D-SUB cable. Data transfer rate: 38,400 bps.
If your system doesnt work properly with the connections and settings listed above, your software may require different settings. Check your software operation manual and if it requires a 31,250 bps. data transfer rate, set the HOST SELECT switch to PC-1. When using the TO HOST terminal to connect to a personal computer using Windows, a Yamaha MIDI driver must be installed in the personal computer. The Yamaha MIDI driver can be obtained at Yamahas home page on the World Wide Web, <http://www.yamaha.co.jp/english/xg/>.

G Connector Pin Numbers

Using a USB Interface (such as the Yamaha UX256)
Connect the USB interface (Yamaha UX256 or equivalent) to your computer using a USB cable. Install the driver software supplied with the interface (or other appropriate driver software) on your computer according to the supplied instructions. Connect your instrument to the USB interface using either a standard Macintosh 8-pin system peripheral cable or MIDI cables. Refer to the manual supplied with your USB interface for details. G Connecting the USB Interface and Instrument via a Serial Cable

Mac HOST SELECT

PC-1 HOST SELECT
Standard Macintosh 8-pin system peripheral cable

USB cable Mini-DIN 8-pin

UX256 or equivalent Clavinova Computer
G Connecting the USB Interface and Instrument via MIDI Cables

OUT IN

MIDI HOST SELECT

(8) Poly (reception only)
ccH 7FH Parameter Poly Data Range (vvH) 00H
Adjusts the reverb send level.
(8) Effect4 Depth ( Variation Effect Send Level )
ccH 5EH Parameter Effect4 Depth Data Range (vvH) 00H.7FH
When control change reception is turned OFF in the Function mode, control change data will not be transmitted or received except for Bank Select and Mode messages. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. The Multi-timbre and Poly modes are always active. No change occurs when OMNI ON, OMNI OFF, MONO, or POLY mode messages are received.
MIDI Data Format/MIDI-Datenformat/Format des donnes MIDI/Formato de datos MIDI
4. PROGRAM CHANGE Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number) ppH = Program change number
P.C.#=Program Change number

Panel Data Contents

(1) 1'st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Dumper Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth1 (22) Reverb Depth2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) Touch Sensitivity (27) Fixed Data (28) Left Pedal Function (29) Absolute tempo low byte (30) Absolute tempo high byte CLP-950 O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O CLP-930 O O O O O O O O O X X X X X X X X X O O O O O O O O O O O O
GRAND PIANO 1* GRAND PIANO 2 E.PIANO 1 E.PIANO 2 HARPSICHORD VIBRAPHONE CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E.BASS

MSB 0 0

CLP-950 LSB P.C.# 112 33

CLP-930 LSB P.C.# 48 52

* Indicated as GRAND PIANO on the CLP-930
When program change reception is turned OFF in the Function mode, no program change data is transmitted or received. Also, Bank MSB/LSB is not transmitted or received.
5. SYSTEM REALTIME MESSAGES
[rrH] F8H: Timing clock FAH: Start FCH: Stop FEH: Active sensing

Data F8H FAH

Transmission Transmitted every 96 clocks Recorder start
Reception Received as 96-clock tempo timing when MIDI clock is set to External Recorder start Not received when the MIDI clock is set to Internal. Recorder stop Not received when the MIDI clock is set to Internal. If a signal is not received via MIDI for more than 400 milliseconds, the same processing will take place for All Sound Off, All Notes Off and Reset All Controllers as when those signals are received.

Damper Level Channel Detune Voice Reserve
ch: 00H-0FH ch: 00H-0FH ch: 00H-0FH
* When Volume, Expression is received for Reserve On, they will be effective from the next Key On. Reserve Off is normal.
11. SYSTEM EXCLUSIVE MESSAGES (Others) Data format: [F0H] -> [43H] -> [1nH] -> [27H] -> [30H] -> [00H] -> [00H] -> [mmH] -> [ll H] -> [ccH] -> [F7H]
Master Tuning (XG and last message priority) simultaneously changes the pitch of all channels. F0H 43H 1nH 27H 30H 00H 00H mmH ll H ccH F7H = Exclusive Status = Yamaha ID = Transmission from n=CLP is always 0. 0-F is received. = Model ID of TG100 = Sub ID = = = Master Tune MSB = Master Tune LSB = dont care (under 7FH) = End of Exclusive
Receipt of the XG SYSTEM ON message causes reinitialization of relevant parameters and Control Change values. Allow sufficient time for processing to execute (about 50 msec) before sending the Clavinova another message. XG Native Parameter Change message may contain two or four bytes of parameter data (depending on the parameter size). For information about the Address and Byte Count values, refer to Table 1 below. Note that the tables Total Size value gives the size of a bulk block. Only the top address of the block (00H, 00H, 00H) is valid as a bulk data address.

<Table 1>

MIDI Parameter Change table ( SYSTEM )
Address (H) 06 7E 7F TOTAL SIZE Size (H) 4 Data (H) Parameter 020C - 05F4(*1) MASTER TUNE Description -50 - +50[cent] 1st bit 3 - 0 bit 15 - 12 2nd bit 3 - 0 bit 11 - 8 3rd bit 3 - 0 bit 7 - 4 4th bit 3 - 0 bit 3 - - 127 -12 - +12[semitones] 00=XG sytem ON 00=ON (receive only) Default value (H) 400
00 - 7F 34 - 4C(*2) 00 00
MASTER VOLUME TRANSPOSE XG SYSTEM ON RESET ALL PARAMETERS
*1: Values lower than 020CH select -50 cents. Values higher than 05F4H select +50 cents. *2: Values from 28H through 33H are interpreted as -12 through -1. Values from 4DH through 58H are interpreted as +1 through +12.

<Table 2>

MIDI Parameter Change table ( EFFECT 1)
Refer to the Effect MIDI Map for a complete list of Reverb, Chorus and Variation type numbers.

Specifications and descriptions in this owners manual are for information purposes only. Yamaha Corp. reserves the right to change or modify products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please check with your Yamaha dealer. Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behlt sich das Recht vor, Produkte oder deren technische Daten jederzeit ohne vorherige Ankndigung zu verndern oder zu modifizieren. Da die technischen Daten, das Gert selbst oder Sonderzubehr nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Hndler in Verbindung. Les caractristiques techniques et les descriptions du mode demploi ne sont donnes que pour information. Yamaha Corp. se rserve le droit de changer ou modifier les produits et leurs caractristiques techniques tout moment sans aucun avis. Du fait que les caractristiques techniques, les quipements et les options peuvent diffrer dun pays lautre, adressez-vous au distributeur Yamaha le plus proche. Las especificaciones y descripciones de este manual del propietario tienen slo el propsito de servir como informacin. Yamaha Corp. se reserva el derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especificaciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite informacin a su distribuidor Yamaha.
MEMO NOTIZEN NOTES MEMORANDUM....

IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:
Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE marking any connections, including connection to the main supply.
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement.
Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.

This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.
Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

92-469-2

PLEASE KEEP THIS MANUAL

FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/ or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC

HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-3273

[CL] 21

Clavinova Web site (English only)
http://www.yamaha.co.jp/english/product/cl/
Yamaha Manual Library (English versions only)
http://www2.yamaha.co.jp/manual/english/
M.D.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2000 Yamaha Corporation V495600 0??POZC??.?-??B0 Printed in Indonesia

MASTER VOLUME

CLP-950

MIN MAX MELLOW BRIGHT

START/ STOP

TEMPO/FUNCTION

TEMPO/FUNCTION/SONG

PRESET SONG

TRACK 1

TRACK 2

GRAND GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH JAZZ STRINGS CHOIR PIANO 1 PIANO 2 CHORD PHONE ORGAN ORGAN

WOOD BASS

E. BASS

ROOM HALL 1 HALL 2 STAGE

CHORUS PHASER TREMOLO DELAY

HARD MEDIUM SOFT

BRILLIANCE

DEMO TRANSPOSE FUNCTION

METRONOME

REVERB

EFFECT
GRAND GRAND E. PIANO E. PIANO HARPSIPIANO 1 PIANO 2 CHORD
VIBRA- CHURCH JAZZ STRINGS PHONE ORGAN ORGAN

THRU L/L+R R L/L+R R

PHONES

PC-2 MIDI

PC-1 Mac

HOST SELECT

TO HOST

AUX IN

AUX OUT

MASTER VOLUME PHONES

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4 B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

E F G H

1 POWER 2 MASTER VOLUME 3 BRILLIANCE 4 DEMO 5 TRANSPOSE 6 FUNCTION 7METRONOME START/STOP TEMPO FUNCTION NO YES 0
TRACK 2 SONG START/STOP REC
A SPLIT B REVERB C EFFECT D TOUCH E PHONES F G H

PRESET SONG TRACK 1

CLP-930

MIN MAX

GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH STRINGS CHOIR PIANO CHORD PHONE ORGAN ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT

B C D 0

THRU L/L+R PC-2 MIDI PC-1 Mac R L/L+R R

THRU OUT IN

Mac PC-1 R L/L+R R L/L+R

MIDI PC-2

IMIDI IN

OUT THRU

LAUX IN R

JHOST SELECT K TO HOST

MAUX OUT R L/L+R N PEDAL
MIN MAX MELLOW BRIGHT ON ON START/ STOP TEMPO/FUNCTION TEMPO/FUNCTION/SONG /NO
PRESET SONG TRACK 1 TRACK 2 START/ STOP REC
GRAND GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH JAZZ STRINGS CHOIR PIANO 1 PIANO 2 CHORD PHONE ORGAN ORGAN WOOD BASS E. BASS SPLIT ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT

POWER MASTER VOLUME

SONG START/STOP

2 --2 3

PRESET SONG PRESET SONG
-1 NO ALL rnd SONG START/STOP YES

-2 MASTER VOLUME

METRONOME START/STOP

TRACK1 TRACK2

TRACK1 TRACK2 TRACK1 TRACK2
PRESET SONG TRACK 1 TRACK 2 START/ STOP REC GRAND GRAND E. PIANO E. PIANO HARPSI- VIBRA- CHURCH JAZZ STRINGS CHOIR PIANO 1 PIANO 2 CHORD PHONE ORGAN ORGAN WOOD BASS E. BASS SPLIT ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT

FUNCTION

SONG START/STOP SONG START/STOP

GRAND PIANO 1

OFF ROOM HALL 1 HALL 2 STAGE

REVERB REVERB NO YES

OFF CHORUS PHASER TREMOLO DELAY

EFFECT EFFECT NO YES

HARD MEDIUM SOFT FIXED

TOUCH TOUCH NO YES

TRANSPOSE TRANSPOSE NO YES

TRANSPOSE

TRANSPOSE TRANSPOSE

SPLIT WOOD BASS

SPLIT SPLIT
METRONOME START/STOP METRONOME START/STOP NO YES

START/ STOP REC

MASTER VOLUME MASTER VOLUME

REC TRACK1 TRACK2

SONG START/STOP REC

REVERB EFFECT

E. PIANO 1 PIANO 2 SONG START/STOP E. PIANO 2 E.

TRACK1

TRACK2

TRACK1 SONG START/STOP

MIN MAX MELLOW BRIGHT ON ON
START/ STOP TEMPO/FUNCTION TEMPO/FUNCTION/SONG
TEMPO/FUNCTION TEMPO/FUNCTION

YES YES

NO YES A3

TEMPO/FUNCTION NO YES

SONG START/STOP 2 2

NO YES NO YES

SONG START/ STOP
MIDI IN MIDI OUT MIDI THRU MIDI IN

RS-232C D-SUB9

RS-232C D-SUB25
8 (CTS) 7 (RTS) 2 (RxD) 5 (GND) 3 (TxD)
2 (HSK i) 1 (HSK O) 5 (RxD-) 4 (GND) 3 (TxD-) 8 (RxD+) 7 (GP-) 6 (TxD+)
DIN 5 (CTS) 4 (RTS) 3 (RxD) 7 (GND) 2 (TxD)

D-SUB 25

D-SUB 6

MIDI IN

MIDI OUT
MIDI OUT MIDI OUT MIDI IN
GRAND PIANO 2 GRAND PIANO

E. PIANO 1

E. PIANO 2

HARPSICHORD

VIBRAPHONE CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR WOOD BASS E. BASS
GRAND PIANO 1 GRAND PIANO 2

(Nocturne Op-9-2)

F.F.Chopin L.v.Beethoven
(Piano Sonate Op.13 "Pathtique" 2nd mov.) GRAND PIANO E. PIANO 1 E. PIANO 2 (Scherzo-valsa(Pices Pittoresques)) HARPSICHORD VIBRAPHONE CHURCH ORGAN JAZZ ORGAN (Trolltog(Lyriske Skmstykker No.5)) STRINGS (Brandenburgisches Konzert No.3) CHOIR WOOD BASS E. BASS (Kantate Nr.140) (L'Elphant) (In The Kings Hall) J.S.Bach Saint-Sans E.H.Grieg J.S.Bach (Le Coucou) (Study in A minor) (Organ Concerto Op.4 No.2) L-C.Daquin Georges Pheiffer G.F.Hndel E.H.Grieg (Vaise Op.64-1 "Petit chien") (Clair de lune) F.F.Chopin C.A.Debussy E.Chabrier

ENSEMBLE MUSIC

RECORDER EMR1

MIDIPC-1

PC-2 Mac

PEDA L

0120-834808