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Yamaha CP-33

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About

Yamaha CP-33Yamaha CP Rest (Music Rest for CP33/CP300)
CP-REST - Detachable Music Rest for CP33 and CP300 Keyboard Stands & Accessories The CP-REST from Yamaha is a solid detachable music rest for use with the CP33 and CP300 digital pianos. Professional Audio > Musical Instruments & Accessories > Keyboard Stands CPREST Detachable Music Rest for CP33 and CP300 C P-R E S T - Detachable Music Rest for C P 33 and C P 300CP-REST- Detachable Music Rest for CP33 and CP300 CP-REST -Detachable Music Rest for CP33 and CP300 CP-REST ATTACH MUSIC ... Read more

Details
Brand: Yamaha
Part Numbers: CP REST, CPRest
UPC: 086792291239

 

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Video review

Kraft Music Yamaha CP33 Demo with Tony Escueta

 

User reviews and opinions

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Comments to date: 8. Page 1 of 1. Average Rating:
Roessli 4:25pm on Saturday, October 2nd, 2010 
The camera at first needs some getting use to it, however when you do know how to use it correctly the quality of the pictures is marvelous. I mainly bought this Canon camera because popular vloggers on YouTube use the same camera to record video.
Kvakin489 12:24am on Friday, October 1st, 2010 
Great pocket camera Great camera and fast delivery. Excellent service all the way around. This thing is a tiny monster! The package was all beautiful, except UPS was retarded and delivered my $125 package to the next door neighbor. What a marvelous little camera!
kfrist 5:44am on Monday, August 30th, 2010 
It was a slim and sleek camera I ever seen in canon.I bought 3 cameras in the line Easy To Use,Good Image Quality,Good Image Stabilization. It is an awesome piece Easy To Use,Good Image Quality,Good Image Stabilization,Good in Low Light,Great Zoom,Large Clear LCD,Nice Body Color.
battmanu 9:08pm on Sunday, July 25th, 2010 
Stunning photos, tiny size, very attractive camera (prettier even than the images on Newegg can show), average video. I bought this camera for my wife and she has very limited (none) experience with digital cameras.
mocqueanh 11:58pm on Monday, July 19th, 2010 
I am pleased with my new Canon SD780IS. I primarily take family pictures and travel pictures. The compact size is perfect for my needs. This is the second Canon camera I have purchased through Vanns. We looked at digital cameras & were astounded at the number that were out there to purchase. So, we decided to check out Consumer Reports.
lourdesm 4:10am on Thursday, May 20th, 2010 
Camera takes nice pictures. Small and compact enough to take it anywhere with you. Good price too. Thanks Dell! This camera is for people who want all the luxeries of the larger ones but in a small package.
Switi 5:53pm on Saturday, April 17th, 2010 
This is a nice one Easy To Use,Good Image Quality,Good Image Stabilization,Good in Low Light,Great Zoom,Short Lag Time. video bell choir, swim meet, pictures basket ball game and boy scout project of snow forts 4X6 prints good quality.
lippj 7:35am on Thursday, April 8th, 2010 
The original powershot that I owned had to be about 8 years old and I was looking to upgrade. Overall a very nice camera. Small, rugged, and most importantly fast.

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

STAGE PIANO

OWNERS MANUAL
Yamaha Web Site (English only) http://www.yamahasynth.com/ Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2006 Yamaha Corporation This document is printed on chlorine free (ECF) paper with soy ink. WG85240 510MWCP58.2-01A0 Printed in Japan EN

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-3C or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.

CP33 Owners Manual

CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:
When removing the electric plug from the instrument or an outlet, always hold the plug itself and not the cord. Unplug the AC power adaptor when not using the instrument, or during electrical storms. Do not connect the instrument to an electrical outlet using a multiple-connector. Doing so can result in lower sound quality, or possibly cause overheating in the outlet.

Connections

Before connecting the instrument to other electronic components, turn off the power for all components. Before turning the power on or off for all components, set all volume levels to minimum. Also, be sure to set the volumes of all components at their minimum levels and gradually raise the volume controls while playing the instrument to set the desired listening level.

Maintenance

When cleaning the instrument, use a soft, dry cloth. Do not use paint thinners, solvents, cleaning uids, or chemical-impregnated wiping cloths.

Location

Do not expose the instrument to excessive dust or vibrations, or extreme cold or heat (such as in direct sunlight, near a heater, or in a car during the day) to prevent the possibility of panel disguration or damage to the internal components. Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile phone, or other electric devices. Otherwise, the instrument, TV, or radio may generate noise. Do not place the instrument in an unstable position where it might accidentally fall over. Before moving the instrument, remove all connected adaptor and other cables. When setting up the instrument, make sure that the AC outlet you are using is easily accessible. If some trouble or malfunction occurs, immediately turn off the power switch and disconnect the plug from the outlet.

Unplug the AC Power Adaptor when not using the CP33, or during electrical storms.
Since the CP33 has no built-in speakers, you will need to monitor the sound of the instrument by using external equipment. Connect a set of headphones, powered speakers, or other playback equipment as required.
Powered speakers (left) Headphones Powered speakers (right)

OUTPUT L/MONO

OUTPUT R

ZONE 1

ZONE 2 ON/OFF GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE VARIATION BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT

MASTER

TEMPO FUNCTION

NO YES

1 CHURCH ORGAN

2 JAZZ ORGAN

3 HARPSICHORD

4 STRINGS/ CHOIR

5 GUITAR

6 WOOD BASS

7 E. BASS

MEMORY SPLIT

MASTER EDIT MIN MAX
TEMPO/OTHER VALUE DEMO TEMPO/FUNCTION

MASTER VOLUME

ZONE CONTROL

TRANSPOSE

VOICE/MASTER

BRILLIANCE

REVERB

EFFECT

PANEL LOCK
Do not use the CP33 at a high volume level for a long period of time, or your hearing may be damaged.

Turning the Power On

Make sure the volume settings of the CP33 and external devices are turned down to the minimum.
Turn the power on by pressing the [STANDBY/ON] switch on the CP33 rear panel, then turn the power on the ampliers. The display located in the center of the front panel lights up.
OUTPUT PHONES STANDBY ON R L/MONO MIDI USB FOOT PEDAL
Normally indicates tempo.
When youre ready to turn off the power, press the [STANDBY/ON] switch again.
Even when the instrument is turned off, electricity is still owing to the instrument at the minimum level. When you are not using the CP33 for a long time, make sure to unplug the AC power adaptor from the wall AC outlet.
Connecting to Speakers or Headphones
Connecting MIDI Devices or a Mixer
Introduction Make sure that all volume settings are turned down all the way to the minimum. Then turn on the every device in your setup in the order of MIDI masters (controllers), MIDI slaves (receivers), then audio equipment (mixers, ampliers, speakers, etc.). When powering down the setup, rst turn down the volume of each audio device, then switch off each device in the reverse order (rst audio devices, then MIDI).
MUSIC PRODUCTION SYNTHESIZER

CP33 (MIDI Master)

MIDI slave
Audio equipment (rst mixer, then amplier)

Adjusting the Sound

Adjust the volume levels of the CP33 and the connected amplier/speaker system. When you start playing, readjust the [MASTER VOLUME] dial to the most comfortable listening level.

Allows you to play different voices on the left- and right-hand sections of the keyboard.

% [BRILLIANCE] button

(page 17)
For adjusting the brightness of the selected Voice for your keyboard performance.
^ [REVERB] button, [EFFECT] button

(page 17) (page 18)

For adding reverb and chorus effects to the selected Voice for your keyboard performance.

& [TOUCH] button

For selecting the touch response.

(page 18)

Rear Panel

DC-IN STANDBY ON

2 Reference
1 OUTPUT [L/MONO][R] jacks

(page 42)

These jacks output stereo audio signals (1/4" mono phone plug). For monophonic output, use just the L/MONO jack.
2 MIDI [IN][OUT] connectors
For connecting external MIDI devices, allowing the use of various MIDI functions.

3 [PHONES] jack

For connection to a pair of stereo headphones.

(page 9)

4 [USB] connector
For connecting the CP33 and computer.

(page 44)

5 [STANDBY/ON] switch

(page 8, 9)

For turning the power on or off. The power is turned on if the button is set to this position: ( ). The power is turned off if the button is set this way: ( ).

6 [SUSTAIN PEDAL] jack

(page 11)
For connecting the included pedal (FC3) or an optional FC4/ 5 foot switch.

7 [AUX PEDAL] jack

For connecting the included pedal (FC3), an optional FC4/5 foot switch or an FC7 foot controller.

8 [DC IN] jack

(page 8)
For connecting the included power adaptor (PA-3C).
Listening to the Demo Songs
Demo Songs are provided that effectively demonstrate each of the CP33s Voices.
n Make sure the CP33 is ready for playback. Details are given in the section "Before Using the CP33" on page 8.
ZONE 1 ZONE 2 ON/OFF GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE VARIATION BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT MASTER TEMPO FUNCTION
Press the [DEMO] button. The Voice button indicators will ash in sequence, then the GRAND PIANO 1 Demo Song will start. Demo Songs provided for each Voice will play back in sequence until you press the [DEMO] button.
Press the Voice button for the Demo Song you want to hear. The corresponding Voice button indicator lights up and playback starts.
GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE VARIATION
Press the [DEMO] button to stop the Voice demo.
n Demo Song data is not transmitted via the MIDI terminals. n You cannot adjust the tempo of Demo Songs.

Playing Voices

Selecting a Voice
Select the desired Voice by pressing one of the Voice buttons. The Voice indicator of the selected Voice will light.

Adjusting Reverb Depth Adjust the reverb depth for the selected voice by using the [NO/] and [YES/+] buttons while holding the [REVERB] button. Default depth settings are different for each Voice. The depth range is from 0 (no effect) through 20 (maximum reverb depth). The current depth setting appears on the display while the [REVERB] button is held.
n Releasing the [REVERB] button changes the reverb type. If you hold down the [REVERB] button to change the depth, the reverb type will not be changed.
BRIGHT.Bright tone NORMAL.Standard tone MELLOW.Soft and mellow tone

[EFFECT]

The [EFFECT] button allows you to select an effect to give your sound greater depth and animation.
OFF.When no effect is selected, no EFFECT indicator is lit. CHORUS.Adds depth and richness to the sound. PHASER.Adds a sweeping effect to the sound. TREMOLO.Adds an animated, vibrating effect to the sound. ROTARY SP.Adds the vibrato effect of a rotary speaker. To select an effect type, press the [EFFECT] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time you press the [EFFECT] button). No effect is produced when all indicators are off. Default settings: The default effect type (including OFF) and depth settings are different for each voice.
Adjusting Effect Depth You can adjust the effect depth for the selected voice by using the [NO/] and [YES/+] buttons while holding the [EFFECT] button. Default depth settings are different for each voice. The depth range is from 0 (no effect) through 20 (maximum effect depth). The current depth setting appears on the display while the [EFFECT] button is held.
n Releasing the [EFFECT] button changes the effect type. If you hold down the [EFFECT] button to change the depth, the effect type will not be changed.

Touch Sensitivity[TOUCH]

You can select four different types of keyboard touch sensitivityHARD, MEDIUM, SOFT or FIXEDto match different playing styles and preferences. HARD.Requires that the keys be played quite hard to produce maximum loudness. MEDIUM.Produces a fairly "standard" keyboard response. SOFT.Allows maximum loudness to be produced with relatively light key pressure. FIXED.All notes are produced at the same volume no matter how hard the keyboard is played. (No indicators are lit.) The xed volume can be changed.
n This setting does not change the weight of the keyboard.

To select a touch sensitivity type, press the [TOUCH] button a few times until the indicator corresponding to the desired type lights (the indicators light in sequence each time the [TOUCH] button is pressed). No indicator is lit when "FIXED" is selected.

Default setting: MEDIUM

n The touch sensitivity type will become the common setting for all voices. However, the touch sensitivity settings may have little or no effect with certain voices that are not normally responsive to keyboard dynamics. (Refer to the "Preset Voice List" on page 47.)
Changing the volume when FIXED is selected When you select FIXED, you can set the volume for notes played in FIXED by using the [NO/] and [YES/+] buttons while you hold the [TOUCH] button. The current volume level appears on the display. The volume range is from 1 (minimum volume) through 127 (maximum volume).

Volume range

Default setting: 64
n The touch volume set in FIXED will become the common setting for all Voices. Releasing the [TOUCH] button changes the touch type. If you are changing the volume by holding the [TOUCH] button, releasing the [TOUCH] button will not change the touch sensitivity type. (FIXED will remain selected.)

Combining VoicesDual

You can play voices simultaneously across the entire range of the keyboard. In this way, you can combine similar Voices to create a thicker sound.
Press two Voice buttons at the same time (or press one Voice button while holding another) to engage Dual. The Voice indicators of both selected Voices will light when Dual is active. Play the keyboard.
The CP33 Function provides access to a number of other Dual functions, such as octave setting and effect depth setting (page 36). If you do not set the Dual functions, the appropriate setting will be set in each voice by default.
2. Press any single Voice button to return to the normal single-Voice play.
[VARIATION] in Dual The [VARIATION] buttons indicator will light if the variation is engaged for either or both of the Dual Voices. While Dual is engaged, the [VARIATION] button can be used to turn the variation for both Voices on or off. To turn the variation on or off for only one of the Voices, hold the Voice button for the other Voice and press the button of the Voice for which you want to change the variation.
Example: Turning the variation of only the WOOD BASS Voice on/off. (Variation is on for both HARPSICHORD and WOOD BASS when Dual is enabled.)
GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE

n While the F7.4 Program Change in the Function menu is turned OFF, Program Change number cannot be transmitted to External (page 40).
*.15 Bank Select MSB Settings for MIDI Transmission to an External Tone Generator You can select specic Voices or programs on a connected MIDI device by specifying a Bank Select MSB value, in combination with the Bank Select LSB (below) and Program Change parameters (above). Setting range: Default settings: 0
n While the F7.5 Control Change in the Function menu is turned OFF, Bank Select MSB/Bank Select LSB cannot be transmitted to External (page 40).
*.16 Bank Select LSB Settings for MIDI Transmission to an External Tone Generator You can select specic Voices or programs on a connected MIDI device by specifying a Bank Select LSB value, in combination with the Bank Select MSB parameter and the Program Change parameter above. Setting range: Default settings: 122
Saving the Master Mode settings
This allows you to store virtually all Master mode settings you have edited on the panel to VOICE/MASTER [1] to [14]. You can also call up the saved setting easily.
ZONE 1 ZONE 2 ON/OFF GRAND PIANO 1 GRAND PIANO 2 MONO PIANO E. PIANO 1 E. PIANO 2 E. CLAVICHORD VIBRAPHONE
VARIATION BRIGHT NORMAL MELLOW ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO ROTARY SP HARD MEDIUM SOFT
Create your original settings. Refer to "Master SettingsMaster Edit" on page 27.
While holding down the [MEMORY] button, press the numbered button to which you wish to save your settings.
Never attempt to turn off the power while the "---" indication appears on the display.
The saved Master mode settings can be stored to computer by using sequencer software.
Recalling the Master Mode
Simply press the numbered button that corresponds to the saved Master mode settings you wish to select.

Detailed Settings

Detailed Settings[FUNCTION]
You can set various parameters to make the best use of CP33 functions, such as ne-tuning the pitch or selecting a scale, etc. The following parameters are available. The CP33 has eight main functions. Some of these main functions consist of a set of sub-functions. Reference

Function Settings List

Fine tuning of the pitch Selecting a scale Scale Base Note Dual functions Dual Detune Voice 1 Octave Shift Voice 2 Octave Shift Voice 1 Effect Depth Voice 2 Effect Depth Reset Split functions Split Point Right Voice Octave Shift Left Voice Octave Shift Right Voice Effect Depth Left Voice Effect Depth Sustain Pedal Range Reset Other Functions AUX Pedal Soft Pedal Effect Depth Sustain Sample Depth Key-off Sample Volume Sustain Pedal Type AUX Pedal Type Click volume MIDI Functions MIDI Transmit Channel Selection MIDI Receive Channel Selection Local Control ON/OFF Program Change ON/OFF Control Change ON/OFF Initial Setup Send Backup Functions Voice MIDI Tuning Others

Sub-function

F1. F2.1 F2.2 F3.1 F3.2 F3.3 F3.4 F3.5 F3.6 F4.1 F4.2 F4.3 F4.4 F4.5 F4.6 F4.7 F5.1 F5.2 F5.3 F5.4 F5.5 F5.6 F6. F7.1 F7.2 F7.3 F7.4 F7.5 F7.6 F8.1 F8.2 F8.3 F8.4
Function SettingsBasic Operation
Follow the steps below to use the Function settings. If you become lost while using a function, return to this page and read the basic procedure.

1, 6 2, 4

Press the [TEMPO/FUNCTION] button to enter the Function menu. The [FUNCTION] indicator lights. When you call up the FUNCTION display after turning the power on, F1. appears on the display. When you call up the FUNCTION display again (without turning the power off ), the previous selected F*.* appears on the display.
Sub-function Desired function
n To cancel the function in step 2, 3, 4 or 5, press the TEMPO/FUNCTION [][+] button any time to exit Function.
Use the TEMPO/FUNCTION [][+] buttons to select the desired function from F1F8. When (that include the sub-functions) is selected, go on to step 3. When F1 or F6 is selected (these have no sub-functions), go on to step 5.

Desired function

Press the [YES/+] button to enter the sub-function menu.
Use the TEMPO/FUNCTION [][+] buttons to select the desired sub-function. In the example below, the sub-functions of F4 (Split) are shown.
Use the [NO/] and [YES/+] buttons to change the ON/OFF setting, select the type, or change the value. The default setting (which is used when you rst turn on the power to the CP33) is recalled by pressing the [NO/] and [YES/+] buttons simultaneously.
n If you want to continue the function settings, press the TEMPO/FUNCTION [], [+] buttons to select the desired function.
Press the [TEMPO/FUNCTION] to exit the Function. The [TEMPO] indicator lights.
Operation Example 1 (F1. Fine tuning of the pitch)
TEMPO FUNCTION TEMPO FUNCTION

display

Enable Function.
Select the desired function.
F2.y Change the value. F8.y
Operation Example 2 (F3.1 "Dual Detune")
Call up the respective sub-function.
Select the desired sub-function.
F3.2 Change the value. F3.y
n After you select the function, the current setting will be displayed when the [NO/] or [YES/+] button is pressed for the rst time.

About Each Function

The explanations here apply when entering the Function settings in step 5 on page 33.
F1. Fine Tuning of the Pitch
This allows you to ne tune the pitch of the entire instrument. This function is useful when you play the CP33 along with other instruments or CD music. Use the [NO/] and [YES/+] buttons to lower or raise the pitch of the A3 key in approximately 0.2 Hz increments. Using the keyboard to set the pitch You can ne-tune the pitch by pressing a key on the keyboard, without having to call up the FUNCTION display. To tune up (in roughly 0.2Hz steps): Hold the A-1 and B-1 keys (the two white keys at the left end) simultaneously and press any key between C3 and B3. To tune down (in roughly 0.2Hz steps): Hold the A-1 and A -1 keys (the white and black key at the left end) simultaneously and press any key between C3 and B3. To restore standard pitch: Hold the A-1, A -1 and B-1 keys (the two white keys and one black key at the left end) simultaneously and press any key between C3 and B3. Each key has a note name; for example, the lowest (farthest left) key on the keyboard corresponds to A-1, and the highest (farthest right) key to C7. During the procedure described above, the display indicates a value in Hz ( ). After the procedure, the display returns to the previous indication. To tune down or up, respectively, in approximately 1 Hz increments: Hold the A-1 and A -1 keys (the white and black key at the left end) or A-1 and B-1 keys (the two white keys at the left end) simultaneously and press the [NO/] or [YES/+] button. To restore standard pitch: Hold the A-1 and A 1 keys (the white and black key at the left end) or A-1 and B-1 keys (the two white keys at the left end) simultaneously and press the [NO/] [YES/ +] buttons simultaneously. During the procedure described above, the display indicates a value in Hz ( ). After the procedure, the display returns to the previous indication.

Sustain Pedal Range Setting range: ALL (for both voices) 1 (for the right Voice) 2 (for the left Voice) Default setting: ALL The Sustain Pedal Range function determines whether the Sustain pedal affects the right Voice, the left Voice, or both the left and right Voices in Split.
Split Point Setting range: The entire keyboard Default setting: F 2 Set the point on the keyboard that separates the right and left-hand sections (split point). The pressed key is included in the left-hand range. Instead of pressing the [NO/] [YES/+] buttons, you can engage the split point by pressing the appropriate key on the keyboard. Example key name indications for Split
Reset This function resets all Split functions to their default values. Press the [YES/+] button to reset the values.
Right Voice Octave Shift Left Voice Octave Shift Setting range: -1, 0, 1 Default setting: Different for each voice combination You can shift the pitch up and down in octave steps for the Right Voice and Left Voice independently. This allows you to have each Voice sound in an appropriate range. You can make this setting for each combination of Voices individually.

F5. Other Functions

This section provides a variety of other settings and parameters, including those that affect pedal operation.
Key-off Sample Volume Setting range: Default setting: 10 You can adjust the volume of the key-off sound (the subtle sound produced when the keys are released) for the GRAND PIANO 1, MONO PIANO, HARPSICHORD, E.CLAVICHORD Voices.
AUX Pedal Setting range: 1. Expression This setting allows control of dynamics during performance. Reference 2. Soft Pedal The soft pedal reduces the volume and slightly changes the timbre of notes played while the pedal is pressed. The soft pedal will not affect notes that are already playing. 3. Sostenuto pedal If you play a note or chord on the keyboard and press the pedal while the note(s) are held, those notes will be sustained for as long as the pedal is held (as if the sustain pedal had been pressed) but all notes played thereafter will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played "staccato."
n Organ, string and choir voices will continue to sound for as long as the Sostenuto pedal is depressed.
Sustain Pedal Type AUX Pedal Type Setting range: 1, 2 Default setting: 1 Depending upon the particular pedal that is connected to the SUSTAIN PEDAL jack or AUX PEDAL jack, the effect produced by operating the pedal (ON/OFF, dynamics, etc.) might be reversed. If this happens, you can use this setting to correct the pedal operation. The setting range is from 1 to 2. Press the [NO/] and [YES/+] buttons simultaneously to recall the default setting of "1."

n In Dual, Voice 1 data is transmitted on its specied channel. In Split, right Voice data is transmitted on its specied channel. In Dual, Voice 2 data is transmitted on the next greater channel number relative to the specied channel. In Split, left Voice data is transmitted on the next greater channel number relative to the specied channel. In either case, no data is transmitted if the transmit channel is set to "OFF." n While the Master mode is turned on, "*03 MIDI Transmit Channel" parameter in the Master Edit menu will be enabled for MIDI channel assignments.
Program Change ON/OFF Normally the CP33 will respond to MIDI program change numbers received from an external keyboard or other MIDI device, causing the correspondingly numbered Voice to be selected on the corresponding channel (the keyboard Voice does not change). The CP33 will normally also send a MIDI program change number whenever one of its Voices is selected, causing the correspondingly numbered Voice or program to be selected on the external MIDI device if the device is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that, for example, voices can be selected on the CP33 without affecting the external MIDI device.
n For information on program change numbers for each of the CP33s Voices, refer to MIDI Data Format page 51.
Initial Setup Send This function lets you send the data of the panel settings to a computer. By transmitting the panel settings and recording them on the MIDI sequence recorder prior to the actual performance data, the instrument will be automatically restored to the same settings when the performance is played back. You can also use this function to change the settings of a connected tone generator to the same settings as the instrument. 1. Set up the panel controls as desired. 2. Connect the CP33 to a sequencer via MIDI, and set up the sequencer so it can receive the setup data. 3. Call up the Function menu and select.
Setting range: ON/OFF Default setting: ON
4. Press the [YES/+] button to transmit the panel/status data. will appear on the display when the data has been successfully transmitted. The following data can be sent. Voice selection [REVERB] type [REVERB] depth [EFFECT] type [EFFECT] depth Split point Tuning (F1) Dual detune (F3.1)
Control Change ON/OFF Normally the CP33 will respond to MIDI control change data received from an external MIDI device or keyboard, causing the Voice on the corresponding channel to be affected by pedal and other "control" settings received from the controlling device (the keyboard Voice is not affected). The CP33 also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the CP33's pedal and other controls can be operated without affecting an external MIDI device.

MIDI OUT MIDI IN

n Since MIDI data that can be transmitted or received varies depending on the type of MIDI device, check the "MIDI Implementation Chart" to nd out what MIDI data and commands your devices can transmit or receive. The CP33s MIDI Implementation Chart appears on pages 55, 56.
Splitting the Sound between the CP33 and an External Tone Generator by MIDI Channel Using the connection example shown above, you can play both instruments and have them separately sound different parts. To use this feature, you must set the CP33s output channel and the external tone generators receive channel to the same channel number. Set the MIDI Transmit Channel via the "F7.1 MIDI Transmit Channel Selection" parameter in the function menu after turning on the power. While the Master mode is turned on, set the MIDI Transmit Channel via the "MIDI Transmit Channel" parameter in the Master Edit menu.

Connecting to a Computer

Connecting this instrument to a computer via MIDI opens up a whole world of musical possibilitiessuch as using sequencer software to record and play back compositions with the CP33 sounds. In order to use the instrument with a computer via a USB connection, you will need to install an appropriate USB-MIDI driver. You can download the proper driver from our website: http://www.yamaha.co.jp/download/usb_midi/ Compatible versions are available for: Windows XP Professional/Home Edition/Me/2000/98, and Mac OS X 10.2 10.4.0 *This information applies to version 2.1.6 (Windows) and version 1.0.4 (Mac OS X). For the latest information, check the web site above.

Using a USB Cable

MIDI messages can be transferred between the sequencer software and CP33 using the USB cable. However, audio data cannot be transmitted or received via USB on the CP33.

USB cable USB

USB Computer
When the USB connector is connected, the MIDI connectors cannot be used.
Precautions when using the USB connector When connecting the computer to the USB connector, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or even losing the data. If the computer or the instrument freezes, turn the power to the instrument off or restart the computer.
Before connecting the computer to the USB connector, exit from any power-saving mode (such as suspended, sleep, standby) of the computer. Before turning on the power to the instrument, connect the computer to the USB connector. Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the USB connector. Quit any open applications (such as Voice Editor, Multi Part Editor, and sequencer software). Make sure that data is not being transmitted from the instrument. (Data is transmitted only by playing notes on the keyboard or playing back a song.) While a USB device is connected to the instrument, you should wait for six seconds or more between these operations: (1) when turning the power of the instrument off then on again, or (2) when alternately connecting/ disconnecting the USB cable.

A3 = 440Hz

1 (Equal Temperament) C Preset for each Voice combination Preset for each Voice combination Preset for each Voice combination F2 Preset for each Voice combination Preset for each Voice combination All 1 (Expression) 1 All
On On Voice: OFF MIDI Tuning Others: On Always backed up

Master mode

*.01 *.02 *.03 *.04 *.05 *.06 *.07 *.08 *.09 *.10 *.11 *.12 *.13 *.14 *.15 *.16
Lowest Note of the Range Highest Note of the Range MIDI Transmit Channel for Master Mode Internal Tone Generator On/Off Slider Volume for Internal Tone Generator Volume for External Tone Generator Pan for Internal Tone Generator Pan for an External Tone Generator Reverb Depth for Internal Tone Generator Effect Depth for Internal Tone Generator Octave Voice for Internal Tone Generator Program Change Number Bank Select MSB Bank Select LSB
C-2 G8 Zone 1 = Ch 1 Zone 2 = Ch 2 On Volume 122
The asterisk (*) represents the Zone number. The Master Edit settings can only be made when the Master mode is tur ned on (page 26).

Message List

Display * Comment
Displayed after factory presets are recalled. Displayed when the current operation is completed.
Indicates that internal memory has been cleaned, because the power has been turned off. Conrms whether each operation is executed or not.
C F * Never attempt to turn off the power while CLr or FCL appears in the display. Turning the power off in this state may cause the system to freeze.

MIDI Data Format

If youre already very familiar with MIDI, or are using a computer to control your music hardware with computer-generated MIDI messages, the data provided in this section can help you to control the CP33.

1. NOTE ON/OFF

Data format: [9nH] -> [kk] -> [vv]
9nH = Note ON/OFF event (n = channel number) kk = Note number (Transmit: 09H ~ 78H = A-2 ~ C8 / Receive: 00H ~ 7FH = C-2 ~ G8) vv = Velocity (Key ON = 01H ~ 7FH, Key OFF = 00H)

3. MODE MESSAGES

Data format: [BnH] -> [cc] -> [vv]
BnH = Control event (n = channel number) cc = Control number vv = Data Range (1) All Sound Off ccH Parameter 78H All Sound Off (2) Reset All Controllers ccH Parameter 79H Reset All Controllers Resets controllers as follows. Controller Expression Sustain Pedal Sostenuto Soft Pedal Data Range (vvH) 00H Data Range (vvH) 00H Value 127 (max) 0 (off) 0 (off) 0 (off)
Data format: [8nH] -> [kk] -> [vv] (reception only)
8nH = Note OFF event (n = channel number) kk = Note number: 00H ~ 7FH = C-2 ~ G8) vv = Velocity

2. CONTROL CHANGE

BnH = Control change (n = channel number) cc = Control number vv = Data Range (1) Bank Select ccH Parameter Data Range (vvH) 00H Bank Select MSB 00H:Normal 20H Bank Select LSB 00H.7FH Bank selection processing does not occur until receipt of next Program Change message. (2) Modulation wheel ccH Parameter 01H Modulation (3) Main Volume ccH Parameter 07H Volume MSB (4) Expression ccH Parameter 0BH Expression MSB (5) Pan ccH 0AH Parameter Pan Data Range (vvH) 00H.7FH Data Range (vvH) 00H.7FH Data Range (vvH) 00H.7FH Data Range (vvH) 00H.7FH Data Range (vvH) 00H.7FH Data Range (vvH) 00H-3FH:off, 40H-7FH:on Data Range (vvH) 00H-3FH:off, 40H-7FH:on

(4) All Notes Off ccH Parameter Data Range (vvH) 7BH All Notes Off 00H Switches OFF all the notes that are currently ON on the specied channel. Any notes being held by the sustain or sostenuto pedal will continue to sound until the pedal is released. (5) Omni Off (reception only) ccH Parameter Data Range (vvH) 7CH Omni Off 00H Same processing as for All Notes Off. (6) Omni On (reception only) ccH Parameter Data Range (vvH) 7DH Omni On 00H Same processing as for All Notes Off. (7) Mono (reception only) ccH Parameter Data Range (vvH) 7EH Mono 00H Same processing as for All Sound Off. (8) Poly (reception only) ccH Parameter Data Range (vvH) 7FH Poly 00H Same processing as for All Sound Off. When Control Change is turned OFF, Control Change messages will not be transmitted or received. Local on/off, OMNI on/off are not transmitted. (The appropriate note off number is supplied with All Note Off transmission). When a voice bank MSB/LSB is received, the number is stored in the internal buffer regardless of the received order, then the stored value is used to select the appropriate voice when a program change message is received. Poly mode is always active. This mode will not change when the instrument receives MONO/POLY mode message.
(6) Sustain ccH Parameter 40H Sustain MSB (7) Sostenuto ccH Parameter 42H Sostenuto (8) Soft Pedal ccH Parameter 43H Soft Pedal
(9) Effect1 Depth (Reverb Send Level) ccH Parameter Data Range (vvH) 5BH Effect1 Depth 00H.7FH Adjusts the reverb send level.
(10)Effect4 Depth (Variation Effect Send Level) ccH Parameter Data Range (vvH) 5EH Effect4 Depth 00H.7FH (11)RPN 65H RPN MSB 64H RPN LSB 06H Data Entry MSB 26H Data Entry LSB 60H Data Increment 61H Data Decrement * Parameters that are controllable with RPN Coarse Tune Fine Tune Pitch Bend Range
(3) Local Control (reception only) ccH Parameter Data Range (vvH) 7AH Local Control 00H (off), 7FH (on)

4. PROGRAM CHANGE

Data format: [CnH] -> [ppH]
CnH = Program event (n = channel number) ppH = Program change number P.C.#=Program Change number
VoiceName GRAND PIANO 1 Variation GRAND PIANO 2 Variation MONO PIANO Variation E.PIANO 1 Variation E.PIANO 2 Variation E.CLAVICHORD Variation VIBRAPHONE Variation CHURCH ORGAN Variation JAZZ ORGAN Variation HARPSICHORD Variation STRINGS/CHOIR Variation GUITAR Variation WOOD BASS Variation E.BASS Variation MSB LSB P.C.# 34 36
F0H, 43H, 0nH, 7CH (n: channel number) 00H, LLH (data length) 43H, 4CH, 20H, 20H (CL) 43H, 4CH, 50H, 27H, 30H, 35H (CLP05) 3xH, 3yH (version x.y) [PANEL DATA] [CHECK SUM (1byte)] = 0-(43H+4CH+20H+.+Data end) F7H (End of Exclusive)

Panel Data Contents

(1) 1st Voice (2) Dual On/Off (3) Dual Voice (4) Dual Balance (5) Dual Detune (6) Dual Voice1 Octave (7) Dual Voice2 Octave (8) Dual Voice1 Effect Depth (9) Dual Voice2 Effect Depth (10) Split On/Off (11) Split Voice (12) Split Point (13) Split Balance (14) Split Voice1 Octave (15) Split Voice2 Octave (16) Split Voice1 Effect Depth (17) Split Voice2 Effect Depth (18) Split Sustain Mode (19) Reverb Type 1 (20) Reverb Type 2 (21) Reverb Depth 1 (22) Reverb Depth 2 (23) Effect Type 1 (24) Effect Type 2 (25) Effect Depth (26) (27) Touch Sensitivity (28) Fixed Data (29) AUX Pedal (30) Soft Pedal Depth (31) Absolute tempo low byte (32) Absolute tempo high byte (33) Key-Off Sampling Depth (34) (35) (36) Variation

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2317

GERMANY

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: 04101-3030

OTHER EUROPEAN COUNTRIES

Yamaha Music Central Europe GmbH Siemensstrae 22-34, 25462 Rellingen, Germany Tel: +49-4101-3030
SWITZERLAND/LIECHTENSTEIN
Yamaha Music Central Europe GmbH, Branch Switzerland Seefeldstrasse 94, 8008 Zrich, Switzerland Tel: 01-383 3990

OCEANIA AFRICA

Yamaha Corporation, Asia-Pacic Music Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2312

AUSTRALIA

Yamaha Music Australia Pty. Ltd. Level 1, 99 Queensbridge Street, Southbank, Victoria 3006, Australia Tel: 3-9693-5111

AUSTRIA

Yamaha Music Central Europe GmbH, Branch Austria Schleiergasse 20, A-1100 Wien, Austria Tel: 01-60203900

NEW ZEALAND

MIDDLE EAST

TURKEY/CYPRUS

CZECH REPUBLIC/SLOVAKIA/ HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, Branch Austria, CEE Department Schleiergasse 20, A-1100 Wien, Austria Tel: 01-602039025
Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

OTHER COUNTRIES

Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: +971-4-881-5868
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN

POLAND

Yamaha Music Central Europe GmbH Sp.z. o.o. Oddzial w Polsce ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: +81-53-460-2445

 

Technical specifications

Full description

CP-REST - Detachable Music Rest for CP33 and CP300 Keyboard Stands & Accessories The CP-REST from Yamaha is a solid detachable music rest for use with the CP33 and CP300 digital pianos. Professional Audio > Musical Instruments & Accessories > Keyboard Stands CPREST Detachable Music Rest for CP33 and CP300 C P-R E S T - Detachable Music Rest for C P 33 and C P 300CP-REST- Detachable Music Rest for CP33 and CP300 CP-REST -Detachable Music Rest for CP33 and CP300 CP-REST ATTACH MUSIC REST f/CP33/CP300 Yamaha Yamaha C P R E S T CP REST CP REST CPREST CPREST CP-REST CPREST PRO AUDIO-Musical Instruments & Accessories 086792291239 C PR E S T Detachable Music Rest for C P 33 and C P 300 Yamaha CP-REST Yamaha - Yamaha Detachable Yamaha Music Yamaha Rest Yamaha for Yamaha CP33 Yamaha and Yamaha CP300 Shelves & Holders CP-REST ATTACH MUSIC REST f/CP33/CP300 CPREST

 

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