Contents
Introduction..2 Starting Up..3 Menu Bar..3 The Library Window.6

The Toolbar..8

The Edit Window..14
The Toolbar..14 Voice Edit Window..15 OMS Settings (Macintosh)..27 An Example of Voice Editor in Use.29

Troubleshooting..30

Click on the red-colored text to jump to the related item in this manual. The software and this owners manual are exclusive copyrights of Yamaha Corporation. Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. Copying of the commercially available music sequence data and/or digital audio files is strictly prohibited except for your personal use. The company names and product names in this Owners Manual are the trademarks or registered trademarks of their respective companies. The screen displays as illustrated in this Owners Manual are for instructional purposes, and may appear somewhat different from the screens which appear on your computer.
This owners manual is applicable to both the CS6x/CS6R Voice Editor and the S80/S30 Voice Editor (for both Windows and Macintosh). The screen illustrations are mainly taken from the CS6x/CS6R Voice Editor for Windows, although and differences between versions are explained. This owners manual assumes that you are already familiar with basic Windows/Macintosh operation. If you are not,please refer to the owners manual which came with your Windows/Mac OS software before using Voice Editor. For information about hardware requirements, the interconnection of devices and the installation of the Voice Editor software, refer to the separate Installation Guide as well as the Owners Manual for the respective MIDI device.
2000 Yamaha Corporation. All rights reserved.

Introduction

With CS6x/CS6R Voice Editor and S80/S30 Voice Editor (hereafter referred to as Voice Editor), you can edit your CS6x/CS6R/S80/S30 synthesizers voices and effects via your computer. Its graphical user interface provides for easy editing by presenting each synthesizer parameter on screen as a knob, slider, switch, and so on, which can be manipulated using your computers mouse or keyboard. Finally, all the changes you have made to your voices can be saved to your computer. If you have saved your edits to a Memory Card (SmartMedia) in the computer, you can insert the memory card into your CS6x/CS6R/S80/S30 synthesizer and its contents can be read directly.
n Voice Editor for Windows is a plug-in for XGworks(lite). To use Voice Editor for Windows, XGworks(lite) must be installed beforehand.
Library Window Save the Library file Library file

Import a voice

Edit Window

Element dialog

Set the effects parameters
Transmit / Receive bulk data
LINE 1 MIC/LINE 2 L/MONO R

A / D INPUT

PHONES

OUTPUT

FOOT FOOT FOOT INDIVIDUAL OUTPUT VOLUME CONTROLLER SUSTAIN SWITCH

BREATH

TO HOST

HOST SELECT

MUSIC SYNTHESIZER
Realtime Control Extended Plug-in System

VOLUME

FILTER
EFFECT MODE PORTAMENTO PHRASE CLIP
VOICE PERFORM EF BYPASS MASTER KEYBOARD

MEMORY

PRE1 PRE2 A B C D E F G H

CUTOFF

RESONANCE

REVERB

CHORUS

DRUM 1

REC ON/ OFF PITCH UTILITY CARD EXIT SYSTEM A B C 1 2

n To select a continuous block of voices, click the number of the first voice, hold down the [Shift] key, then click the last number. n Voice names can consist of up to 10 characters.
Viewing Just the Voice Names (Windows) You can view just the names of all voices in the Memory without their Number and Category information. To do this, right-click on any part of the voice list and choose List. This may be useful when choosing voices quickly, since you will have less scrolling to do.
n To switch back to the full Voice Name/Number/Category list, right-click on any part of the voice list and choose Details.

The Toolbar

1 Open button Click this to open the Open File dialog and select a Library file to open.

Open File Dialog

n If you are using a Macintosh, the typical Macintosh Open dialog will appear. 1 Look in:.Click this and choose the folder containing the Voice Editor files. 2 List box..Shows the contents of the current folder. 3 [Open] button..Click this to open the file selected from the List. 4 [Cancel] button.Click this to cancel the operation. 5 File name:..Shows the name of the files selected from the List. 6 Files of type:..Click this and choose the file type.
2 Save button Click this to save the existing Library file with your new settings. If you are working on a new file, this button will open the Save As dialog, where you can name and save your settings as a new Library file (*.S2V).

Save As Dialog

n Library file names can consist of up to 8 characters plus a 3-character extension.
n If you are using a Macintosh, the typical Macintosh Save As dialog will appear. 1 Save in:.Click this and choose the folder in which to save the Library file. 2 List box..Shows the contents of the folder you wish to save to. 3 [Save] button..Click this to save the Library file with the name specified in the File name:. 4 File name:..Specify the name of the Library file to be saved here. 5 Files of type:..Click this and choose the file type.
3 Editor Setup button Click this to open the Editor Setup dialog and specify the MIDI Out port settings.
Editor Setup Dialog This is where you set up the Voice Editor to allow the transmission of voice data to your CS6x/CS6R/S80/S30 synthesizer. Click the [OK] button to apply the settings and quit the dialog. Click the [Cancel] button to quit without applying the settings.

1 MIDI Out Port:.Click this and choose the MIDI Out port. You can use the Voice Editor to control and edit the device connected to this port. Select the port which has been assigned to your CS6x/CS6R/S80/S30 synthesizer within XGworks(lite). n If you are using a Macintosh, the MIDI Out Port setting is assigned in the OMS Port Setup. For further details, see section OMS Settings. (Page 27) 2 MIDI Ch:..Click this and choose the MIDI Out channel. This is used when monitoring sounds using the on-screen keyboard in the Edit Windows. n Slider and knob values are sent by MIDI System Exclusive, independently of the MIDI Out channel. 3 Device No.:..Click this and choose the MIDI device number of your CS6x/CS6R/S80/S30 synthesizer. 4 Dump Interval:.Click this and choose the interval between successive MIDI dumps. n If you set too short an interval, you may encounter errors when transmitting MIDI data.
4 Transmit button Click this to open the Transmit dialog to transmit all settings to your CS6x/CS6R/S80/S30 synthesizer
Transmit Dialog Voice data can be transmitted in bulk to your CS6x/CS6R/S80/S30 synthesizer. Click the [Start] button to begin transmitting the data. The progress bar shows how much of the data has been transmitted. Finally, click the [Close] button to quit the dialog.
n It is not possible to directly send bulk Voice data to the CS6x/CS6R/S80/S30 External. n To send the External Voice data in the Library Window to the CS6x/CS6R/S80/S30, you must first temporarily copy the External Voice data to the Internal within Voice Editor.
1 Transmit Type.Shows the voice data to be transmitted (This is fixed to internal only). 2 Progress bar..Shows how much of the data has been transmitted. 3 [Start] button..Click this to transmit the data. 4 [Close] button..Click this to close this dialog. n The MIDI Device Number has to be set correctly in order to transmit bulk data. For further details, see page 10.
5 Receive button Click this to open the Receive dialog to receive all settings from your CS6x/CS6R/S80/S30 synthesizer.
Receive Dialog Voice data can be received in bulk from your CS6x/CS6R/S80/S30 synthesizer. Select the bulk voice data you wish to receive, then click the [Start] button. The progress bar shows how much of the data has been received. Finally, click the [Close] button to quit the dialog.
1 Receive Type..Click this and choose the Voice data (internal/external/all) to receive. 2 Progress bar..Shows how much of the data has been received. 3 [Start] button..Click this to receive the data. 4 [Close] button..Click this to close this dialog. n The MIDI Device Number has to be set correctly in order to receive bulk data. For further details, see page 10.
6 Edit Window button Click this to open the Edit Window (Common) for the selected voice in the list. For further details, see page 14. 7 Monitor switch If you click this, bulk voice data will be sent for monitoring on your CS6x/CS6R/S80/S30 synthesizer each time you select a voice. Click it again to disable monitoring.

4 Compare switch If you click this, bulk data for the original voice (prior to editing) will be sent to on your CS6x/CS6R/S80/S30 synthesizer. Click it again to send the bulk data for your edited voice. This switch is useful for making A/B comparisons between the original and edited voices.

Voice Edit Window

When editing a voice, you will see the following screen:
The Drum Voice Edit Window is similar to this. However, it has a few less controls and the ELEMENT controls are different, as explained later in Element Unit (Page 18).
n For details about each parameter, refer to the CS6x/CS6R/S80/S30 Owners Manual.
1 VOICE panel This shows the name and instrument category of the voice. You can also rename your edited voice and change the instrument category from the Voice Category pull-down menu.
n Voice names can consist of up to 10 characters.
2 QUICK EDIT panel This gives you access to the volume, pan, filter and envelope generator controls. The specific parameters for these controls can be found in the QUICK EDIT/SCENE CONTROL dialog, opened by clicking the [DETAIL] button above the Keyboard area at the bottom of the window.
n The SUSTAIN and RELEASE knobs are not available for Drum Voices.
3 PITCH BEND settings Use these LOWER knob to set the lowest point in the pitch bend wheels range and the UPPER knob to set the highest point. 4 PORTAMENTO unit Use the switch to enable/disable portamento and the TIME knob to specify the portamento time. Click on the text box and select the portamento mode.
n The PORTAMENTO unit is not available for Drum Voices.
5 ARPEGGIO unit Use the switch to enable/disable the arpeggiator and the TEMPO knob to specify the arpeggiator speed. Click on the text box below the switch to select the arpeggiator mode. Click on the text box to the left of the switch to select the arpeggio type. The specific parameters for the arpeggiator can be found in the ARPEGGIO dialog, opened by clicking the [DETAIL] button. 6 [CTRL SET/COM LFO] button Click this to open the CONTROLLER SET /COMMON LFO dialog. In the top panel, you can specify the parameters for all controllers such as the pitch bend and modulation wheels. The bottom panel lets you specify the parameters for the Common LFO.
n The COMMON LFO panel is not available for Drum Voices. Also, the ELEMENT switches in the CONTROLLER SET panel are not available for Drum Voices.
CONTROLLER SET/COMMON LFO Dialog

@ 9 ) !

CONTROLLER SET Panel
You can assign your CS6x/CS6R/S80/S30 synthesizers controllers such as the modulation wheel or keyboard aftertouch to various parameters to allow them to be modified in real-time. For instance, you could assign the modulation wheel to the filters Resonance parameter. In all, up to six controllers can be assigned.

1 SOURCE..Select the controller from FS (footswitch), FC (foot controller), BC (breath controller), AT (aftertouch), RB (ribbon controller), PB (pitch bend wheel), MW (modulation wheel), KN1/2 (Assignable Knob 1/2). 2 DEPTH settings.Sets the degree to which the selected controller will affect the parameter assigned to it. 3 DESTINATION settings.Click on the text box and choose the parameter you wish to control. 4 ELEMENT switches..Click these to enable/disable the Elements which will be effected by the controller assignments.

COMMON LFO Panel

5 LFO WAVE setting..Click on the text box and select the LFO waveform. 6 LFO SPEED setting..Click on the text box and set the LFO speed. 7 LFO PHASE setting..Click on the text box and select the LFO phase. 8 LFO KEY ON RESET setting.Click on the text box and select the method of restarting the LFO when a note is played. 9 DEPTH setting..Set the degree to which the selected controller will affect the parameter assigned to it. ) DESTINATION settings.Click on the text box and choose the parameter you wish to control. ! ELEMENT switches..Click these to enable/disable the Elements which will be effected by the controller assignments. @ Editor graph..Click and drag the square marks (handles) to set the time-dependent behavior of the Common LFO. The first square mark (furthest to the left) controls the LFO Delay Time. The second controls the LFO Fade In Time. The third controls the LFO Control Time. The last square mark (furthest to the right) controls the LFO Fade Out Time. Drag the square marks horizontally to adjust the transition times.
7 ELEMENT unit This section is explained in more detail in Element Unit (Page 18). 8 INSERTION EFFECT units This section is explained in more detail in Insertion Effect (Page 25). 9 SYSTEM EFFECT settings This section is explained in more detail in System Effects (Page 26). ) Keyboard Click any key on the keyboard to monitor your edited voice in that key. ! KEY ASSIGN settings Click on the left text box to select a Key Assign setting. Click on the right text box to select Monophonic or Polyphonic.
n The KEY ASSIGN settings are not available for Drum Voices.
@ MICRO TUNE settings Click on the text box to select a Micro Tuning preset.
n The MICRO TUNE settings are not available for Drum Voices.
# SCENE CONTROL Knob Use the knob to set the Scene Control (CS6x/CS6R only). Click the [DETAIL] button to open the QUICK EDIT/SCENE CONTROL dialog and specify the Quick Edit/Scene Control parameters in the Scene Control panel.

Element Unit

1 EL (Element) 1 to 4 buttons Click these to open their ELEMENT dialogs.
n For Drum Voices, you will see the following panel. Click [KEY C0.C6] to open the Drum Key dialog (Page 22).
2 ON/OFF switch Click these to switch each Element on or off. 3 Element Level knobs Use these to set the level of each Element. 4 EF (Effect) 1/EF (Effect) 2/Thru switches Click these to assign each Element to Insertion Effect 1 or Insertion Effect 2, or to by-pass the Insertion Effect units. q Element Dialog The ELEMENT controls for Normal Voices differ from those for Drum Voices. The controls for Normal Voices are accessed from the Edit Window by clicking buttons [EL 1] to [EL 4]. For Drum Voices, you can access the controls from the Edit Window by clicking the KEY C0 C6 button.
1 LFO settings These control the behavior of the LFO. Click on the WAVE text box and select the LFOs waveform. Click on the SPEED text box and specify its speed. Click on the KEY SYNC text box to switch LFO key sync on or off. (If switched on, the LFO waveform is restarted each time you play a note.)
2 LFO PITCH knob Use this to set the pitch modulation depth of the LFO. You can also enter a value directly in the text box to the left of the knob. 3 LFO FILTER knob Use this to set the filter modulation depth of the LFO. You can also enter a value directly in the text box to the left of the knob. 4 LFO AMPLITUDE knob Use this to set the amplitude modulation depth of the LFO. You can also enter a value directly in the text box to the left of the knob. 5 [DETAIL] button Click this to open the EL DETAIL dialog and enter the parameters for each Element. You have wider and more accurate control over the parameters than with the editor graphs. 6 Editor graphs Within these graphs, click and drag the square marks (handles) to visually adjust the parameters for each Element.
n Sometimes, not all the square marks are visible as they may be layered on top of each other at the same position. In which case, click the visible square mark and drag it away to reveal the next square mark.

OSCILLATOR Settings Click on the WAVE text box and choose the source waveform. One of the square marks is used to set VEL LIMIT LOW and NOTE LIMIT LOW. Set the lowest note velocity response by dragging this the square mark horizontally. Set the lowest note in the key range by dragging it vertically. Similarly, set the highest note velocity (VEL LIMIT HIGH) and key range note (NOTE LIMIT HIGH) using the other square mark.
n When dragging the square marks, values are given as (X,Y) co-ordinates, where X is the NOTE LIMIT (given as a MIDI note number) and Y is the VEL LIMIT. To view the note name instead of the note number, select the OSCILLATOR tab of the EL DETAIL dialog.
FILTER Settings Click on the text box and choose the filter type. The graph shows pre-defined settings initially, but you can edit these. Using the LPF type as an example, drag the left square mark vertically to set the Filter Gain. Drag the right square mark horizontally to set the Filter Cutoff frequency.
n Parameter values are shown when dragging the square marks. To set these values directly, select the FILTER EG tab of the EL DETAIL dialog.
EQ Settings Click on the text box and choose the equalizer type. Using the EQ/LH type as an example, the left square mark controls the bass frequencies and the right square mark controls the treble frequencies. Drag the square marks vertically to adjust gain, and horizontally to adjust the frequency.
n To set these values directly, select the OSCILLATOR tab of the EL DETAIL dialog.
PITCH EG Settings The PITCH EG (Envelope Generator) determines the transition in pitch while the key is being held down. There are five square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the Hold Time/Level. The second controls the Attack Time/Level. The third controls the Decay 1 Time/Level. The fourth controls the Decay 2 Time/Sustain Level. The last square mark (furthest to the right) controls the Release Time/Level. Drag the square marks vertically to adjust levels, and horizontally to adjust the transition times.

n The VELOCITY knob is disabled if the oscillator source is set to VOICE.
4 FILTER controls Use these to set the filter characteristics of the Element. Use the VELOCITY knob to define how the Elements filter opens/closes in response to note velocity. Use the RESO knob to set the LPF Resonance level and the CUTOFF knob to set its LPF Cutoff Frequency. Use the HPF knob to set the HPF Frequency.
n The FILTER controls are disabled if the oscillator source is set to VOICE.
5 AMPLITUDE control Use the VELOCITY knob to define how the Elements output level varies with note velocity.
n This knob is disabled if the oscillator source is set to VOICE.
6 [DETAIL] button Click this to open the DRUM KEY DETAIL dialog and input all Element values directly (except the Keyboard note assignment). 7 RECEIVE NOTE switch Click on the text box and select whether or not to receive notes.
n This switch is disabled if the oscillator source is set to VOICE.
8 KEY ASSIGN switch Click on the text box and select Single key assignment or Multi key assignment. 9 ALTERNATE GROUP selector Click on the text box and select an alternate group number. This is used to prevent a pair of drum sounds, such as an open and closed hi-hat, from sounding simultaneously.
n This selector is disabled if the oscillator source is set to VOICE.
) FILTER settings Drag one of the square marks horizontally to adjust the Elements HPF Cutoff Frequency. Drag the other square mark vertically to adjust its LPF Resonance, and horizontally to adjust its LPF Cutoff Frequency.
n To set these values directly, select the OSCILLATOR tab of the DRUM KEY DETAIL Dialog.
! AMPLITUDE EG settings Drag the first square mark (furthest to the left) horizontally to adjust the Elements Attack Time. Drag the second horizontally to adjust its Decay 1 Time, and horizontally to adjust its Decay 1 Level. Drag the last square mark (furthest to the right) horizontally to adjust its Decay 2 Time.
n To set these values directly, select the PARAMETER tab of the DRUM KEY DETAIL Dialog.
@ EQ settings Click on the text box and select the EQ type. With the EQ L/H and P.EQ types, you can adjust some EQ parameters using the square marks in the graphs. Drag one of the square marks horizontally to adjust the Elements EQ Low Frequency, and vertically to adjust its EQ Low Gain. Drag the other square mark horizontally to adjust the Elements EQ High Frequency (or EQ Resonance if the P.EQ type has been chosen) and vertically to adjust its EQ High Gain.
n Sometimes, not all the square marks are visible as they may be layered on top of each other at the same position. In which case, click the visible square mark and drag it away to reveal the next square mark. n To set these values directly, select the OSCILLATOR tab of the DRUM KEY DETAIL Dialog. n All graphs are disabled if the oscillator source is set to VOICE.

# LEVEL control Use this knob to set the level of the Element. $ PAN controls Use the PAN knob to set the stereo position of the Element. Use the RNDM PAN knob to set the Elements Random Pan depth. Use the ALTER PAN knob to set the Alternate Pan depth.
n The RNDM PAN and ALTER PAN knobs are disabled if the oscillator source is set to VOICE.
% Output Assignment selector Click on the text box and select the output(s) to which the Element will be sent. ^ Insertion Effect switches Click the [EF 1] switch to pass the signal through Insertion Effect 1. Click [EF 2] to pass it through Insertion Effect 2. Click [THRU] to bypass the Insertion Effects. & REVERB & CHORUS controls Use the REVERB and CHORUS knobs to set the level of the signal from Insertion Effect 1/2 (or the by-passed signal) sent to the Reverb/Chorus unit.

Insertion Effect Units

1 CONNECT selector Click on the text box and choose the order in which signals are passed from one insertion effect unit to the other. 2 Indicator lamps These show which of the Elements are assigned to the respective Insertion Effect unit.
n The Indicator lamps are not available for Drum Voices.
3 [DETAIL] button Click this to set the exact parameters for the respective Insertion Effect via the DETAIL dialog. 4 Effect Type selector Click on the text box and choose the type of Insertion Effect.

System Effects

1 EFFECT SEND controls The signals from Insertion Effects 1 and 2 are sent to the System Effect section. Use these knobs to set the level of the signal of Insertion Effect 1/2 (or the by-passed signal) sent to the Reverb/Chorus effect. 2 [DETAIL] button Click this to set the exact parameters for the respective System Effect via the DETAIL dialog. 3 Effect Type selector Click on the text box and choose the type of Reverb or Chorus Effect. 4 EFFECT PAN controls Use these knobs to set the stereo positioning of the respective System Effect. 5 EFFECT RTN controls The signals from both System Effects are combined at the output. Use these knobs to set the amount of each System Effect that is used in the output signal. 6 CHORUS REVERB control Use this knob to set the level of the signal of sent from the Chorus unit to the Reverb unit.

n Voice Editor is not compatible with versions of OMS earlier than 2.0.

OMS Port Setup

Having set up OMS, you now need to start up Voice Editor and set the OMS ports. 1. First, start up Voice Editor by double-clicking its icon.
n If AppleTalk is enabled, you will get an alert message. Click OFF. It will take some time for AppleTalk to be disabled.
2. Choose OMS Port Setup from Voice Editors MIDI menu, then select the port settings. In the following example, the tone generator is a CS6x and its settings are applied to OMS.
Key Thru: Check this if you are monitoring a sound generator module using an external keyboard. MIDI In: Select CS6x. MIDI Out: Select CS6x. 3. Click [OK] to close OMS Port Setup.
An Example of Voice Editor in Use
There is no single way in which to use the many components in Voice Editor. Although your editing needs may differ, in any case, the following gives a step-by-step example of how to use Voice Editor. The Library Window is the first window to open, so thats where the explanation begins.
n In the Library Window, you can open existing Library files containing the Voices you wish to edit, and specific voices can be imported to the Library Window.
1. Click the Editor Setup button in the toolbar of the Library Window to open the Editor Setup dialog. Then select the appropriate MIDI Out Port and Device No. settings for your CS6x/CS6R/S80/S30 synthesizer (See the section Editor Setup Dialog).
n If you are using a Macintosh, you will also need to make settings in OMS (Page 27).
2. Open the Library file. In the Voice List of the Library Window, double-click the voice you wish to edit. The Edit Window will open for the voice. 3. Various units are arranged in the Edit Window. First, lets set the parameters for Elements 1 to 4 on the Element Unit which make up the voice. Open the dialogs for Elements 1 to 4, select the waveforms, and adjust the tonal characteristics of the voice using the filters and equalizers. You can use the graph editors in each dialog to visually edit the parameters.
n You can edit the Element parameters in much finer detail within the EL DETAIL dialogs. The Element dialogs are linked to the EL DETAIL dialogs, so changes in one dialog are immediately reflected in the other. You can simultaneously view the graphs and the EL DETAIL dialogs sideby-side while editing. n Also within the Element Unit, you can set the output level for each Element and the route their outputs through Insertion Effects 1/2.

4. Use the Volume/Sound Control knobs to adjust the all the levels and tonal characteristics for the voices.
n You can open the Quick Edit/Scene Control dialog from the Edit Window, where you can edit the parameters in much finer detail. The knobs in the Edit Windows are linked to the parameters in the Quick Edit/Scene Control dialog, so changes in either are immediately reflected in the other. n By clicking or dragging on the buttons of the keyboard at the bottom of the window, you can monitor the voice you are editing. n By enabling the Compare switch in the toolbar, you can make A/B comparisons between the original voice and the edited voice.
5. Select the Insertion Effect Type in the Insertion 1/2 Unit and set the remaining parameters. 6. Select the System Effect Type in the Reverb/Chorus Unit and set the remaining parameters. 7. Set the Arpeggio and Portamento parameters if necessary. 8. Click the Store button in the toolbar of the Edit Window to open the Store dialog. This will store the edits for the current voice in the Library file.
n The edits for the voice are only stored in the Library file temporarily. Beware that if you proceed further without saving the Library file itself, you will lose all your edits.
9. Switch back to the Library Window and click the Save button in the toolbar to save (overwrite) the Library file. The edits for your voice will be saved with the voice itself in the designated voice list location.
n The Library file you have saved can be opened in the Library Window at any time. Voices in the Library Window can be transmitted to your CS6x/CS6R/S80/S30 synthesizer. n You can create a variety of different Library files, each tailored for live performances, recording, etc. Thus, you can conveniently modify voices to suit different situations and needs.

Troubleshooting

If you encounter problems such as no sound output or abnormal behavior, verify the connections before checking the following. If you are using Voice Editor for Windows, refer to the XGworks(lite) owner's manual too.

<Macintosh>

The printer port is not recognized. The printer port will not be recognized if AppleTalk is ON. Note that with some Macintosh models, AppleTalk is automatically enabled when starting up. Verify that the Printer checkbox has been checked in the OMS MIDI Setup window.

<Windows>

Voice Editor is not available in the Plug-in menu. Is the Voice Editor installed in the same folder as XGworks(lite)? If not, reinstall Voice Editor. Bulk data is not received. Is the MIDI In set correctly in the System Setup of XGworks? Open the Editor Setup Dialog and check that the Device No. has been properly assigned (Page 10).
The modem port is not recognized. On some Macintosh models such as the Performa series, the modem port cannot be used and only the printer port is available. Verify that the Modem checkbox has been checked in the OMS MIDI Setup window.

MIDI Out port is not available in Editor Setup. The MIDI Out port in Editor Setup can be chosen from the MIDI Out ports in the System Setup of XGworks(lite). Check the MIDI Out settings in the System Setup of XGworks(lite).
No MIDI In/Out data Is the MIDI devices HOST SELECT switch set correctly? Make the correct setting according to the instructions in the CS6x/CS6R/S80/S30 Owner's Manual. In the OMS Port Setup, is MIDI In/Out set to unknown? If you change the OMS ports or setup, the OMS output ports have to be set accordingly in Voice Editor's OMS Port Setup window. Choose the appropriate receiving device. Is OMS using the same port as that connected to the cable? Open the OMS MIDI Setup window and verify that the checkbox for the relevant port has been checked. If the port and setup assignments are frequently altered, OMS may be unable to easily recognize the serial port. Reboot the Macintosh, set up OMS correctly, then start up Voice Editor.
<Windows / Macintosh>
Sound does not change when using knobs or sliders. Are the MIDI Out port and Device Number set correctly in the Editor Setup? (Page 10) Bulk data is not transmitted. Are the MIDI Out port and Device Number set correctly in the Editor Setup? (Page 10) Is the Dump Interval in the Editor Setup too short? Make sure the Dump Interval is at least 10 ms.
Sound is doubled when playing keyboard. On your CS6x/CS6R/S80/S30 synthesizer, switch Local to OFF. No sound heard when clicking on-screen keyboard in Edit Window. Is the MIDI Ch. set correctly in the Editor Setup? (Page 10) Sound does not change when Monitor button is pressed. Are the MIDI Out port and Device No. set correctly in the Editor Setup (OMS Port Setup)? (Pages 10 and 28) Library files created in Voice Editor cannot be read directly by CS6x/CS6R/S80/S30. Set the file extension to S2V in order to read Voice Editor's Library files directly on your CS6x/CS6R/S80/S30 synthesizer.
Bulk data are not received. Open the OMS Port Setup window and check that the MIDI In has been properly assigned (Page 28). Open the Editor Setup Dialog and check that the Device No. has been properly assigned (Page 10).
Voice Editor does not start up when Library File (extension.S2V) is double-clicked. Change the Type/Creator settings for Library Files as follows, then try double-clicking the file again. CS6x/CS6R Type: Creator: S80/S30 Type: Creator:

S2VX YXC6 S2VX YXS8

n PDF manual of the XGworks lite (entry version) is the same as the one for the XGworks. Please be aware that some of the windous/functions described in the manual are not available with the XGworks lite. Unavailable Windows/Functions Piano Roll Window, Drum Window, Control section of Staff Window, Printing of Staff Window, Digital audio (wave) recording, Plug-in software (Voice To score R, Auto Arranger, Guitar Arranger, SW1000XG Mixer, Auto Play, Importer) Jobs (Voice To score, TWE, XF Information Editor) IMPORTANT Although the PDF manual of the XGworks lite includes the explanations on the package contents and software installation procedure, those are obsolete. Please refer to those of this Installation Guide.
1 Double-click on the Acroread folder. Four different language folders will be displayed.
2 Select the language you want to use and double-click on its folder. ar40***.exe file will be displayed. (*** indicates the selected language.) 3 Double-click on the ar40***.exe. Acrobat Reader Setup Dialog box will be displayed. 4 Execute the installation by following the directions appearing on the screen. After completing the installation procedure, you will find the Acrobat folder on your PC (Program Files as the default). Refer to the [Reader Guide] in the [Help] menu how to use the Acrobat Reader.
1 Double-click on the XGworks folder. Various files like Setup.exe will be displayed. 2 Double-click on the Setup.exe. XGworks lite Ver.3.0 Setup Dialog box will be displayed. 3 Execute the installation by following the directions appearing on the screen. After the installation, select <Restart>. After restarting the Windows, you will find the YAMAHA folder on your PC (Program Files as the default) and XGworksLite folder in the YAMAHA folder. Refer to the XGworks Manual (XGworks.pdf) and online manuals how to use the application.
You need to install YAMAHA CBX Driver to exchange data between your PC and the S80/30 or CS6x/6R if the PC and instrument are connected using serial cable. 1 Double-click on the Mididrv folder. Two folders, Japanese and English will be displayed. 2 Double-click on the English. Various files like setup.exe will be displayed. 3 Double-click on the setup.exe. YAMAHA CBX Driver Setup Dialog box will be displayed. 4 Execute the installation by following the directions appearing on the screen.

n COM Port is normally left as COM1 If you use MIDI OUT as multi ports, select [Yes]. Select [No] normally. If you want to select YAMAHA CBX A Driver in MIDI Output setting in the Control Panel (My Computer), you should select [Yes].

Plug-in Applications

You can use the Plug-in applications of XGworks lite to edit the voices of the S80/S30 or CS6x/CS6R, and even voices of Plug-in board(s). 1 Double-click on the Plug folder. Various files like Setup.exe will be displayed. 2 Double-click on the Setup.exe. YAMAHA XGworks Plug-in Software Setup Dialog box will be displayed. 3 Execute the installation by following the directions appearing on the screen. After completing the installation procedure, you will find the each Plug-in software in the XGworksLite folder and find that each Plug-in application is added to the [Plug-in] menu on the XGworks lite. Refer to the online help/PDFmanuals how to use the application. Refer to the S80/30 or CS6x/6R Owners Manual how to save the Plug-in board voices edited with each voice editor.
After the installation, select <Restart>. After restarting the Windows, you will find YAMAHA CBX Driver icon in the Control Panel (My Computer).
Card Filer allows you to store the data of the S80/30 or CS6x/6R on your PC. 1 Double-click on the Card folder. Various files like Setup.exe will be displayed. 2 Double-click on the Setup.exe. YAMAHA Card Filer Setup Dialog box will be displayed. 3 Execute the installation by following the directions appearing on the screen. After completing the installation procedure, you will find the YAMAHA folder on your PC (Program Files as the default) and Card Filer folder in the YAMAHA folder.

For Macintosh Users

The following software can run on the models, PowerPC or upper.

Using a Macintosh

The CD-ROM includes two folders: International and Japanese. Double-click on the International folder to open it. You will find a variety of applications (Installers) packed in the following five folders. s International folder Folder Name Acrobat Application Name Acrobat Reader 4.0 Contents PDF (Portable Document Format) viewer, enables you to view each PDF manual for the applications. Enables you to use several MIDI applications on the Mac OS. Contains the OMS Setup files for the Yamaha tone generators. Allows you to easily set up XG parameters for voices and effects on your XG tone generator. Enables you to edit the VL Plug-in board voices on your computer. Enables you to exchange the bulk data between your computer and the S80/30 or CS6x/6R. Enables you to edit the S80/S30 voices on your computer. Enables you to edit the CS6x/CS6R voices on your computer.
Open Music System (OMS) 2.3.6 OMS Setup for YAMAHA (Folder)

XG Editor

XG Editor for Mac 2.1E
VL Visual Editor VL Visual Editor Tools Card Filer
S80/S30 Voice Editor CS6x/CS6R Voice Editor
t XG Editor for Mac 2.1E OS: OS7.5 or upper CPU: PowerPC or upper Available memory: 8MB or more Free space in Hard Disk: 5MB or more Display: 640 x 480, 256 colors or more t VL Visual Editor OS: OS7.5 or upper CPU: PowerPC or upper Available memory: 5MB or more Free space in Hard Disk: 5MB or more Display: 640 x 480, 256 colors or more t Card Filer OS: OS7.5 or upper CPU: PowerPC or upper Available memory: 8MB or more Free space in Hard Disk: 2MB or more Display: 800 x 600, 256 colors or more t S80/S30 Voice Editor t CS6x/CS6R Voice Editor OS: OS7.5 or upper CPU: PowerPC or upper Available memory: 8MB or more Free space in Hard Disk: 6MB or more Display: 800 x 600, 256 colors or more
You need to install Acrobat Reader 4.0 to view the PDF manuals accompanied with each application in advance. 1 Double-click on the Acrobat folder. Three different language folders will be displayed: English, German and French. 2 Select the language you want to use and double-click on its folder. Reader Installer will be displayed. The Installer name may differ depending on the language you select. 3 Double-click on the Reader Installer. Acrobat Reader Setup Dialog will be displayed. 4 Execute the installation by following the directions appearing on the screen. After the installation, you will find the Adobe Acrobat folder on your computer (Hard Disk as the default). Refer to the [Reader Guide] in the [Help] menu how to use the Acrobat Reader.
XG Editor for Mac 2.1E allows you to easily set up XG parameters for voices and effects on your XG tone generator instead of entering rather complicated system exclusive messages. 1 Double-click on the XG Editor folder. Install XG Editor 2.1E will be displayed. 2 Double-click on the Install XG Editor 2.1E. XG Editor Setup Dialog will be displayed. 3 Execute the installation by following the directions appearing on the screen. Selecting Custom Install from the pull-down menu (an installation option) lets you select the manual language from English, German and French. After the installation, you will find the XG Editor for Mac folder on your computer (Hard Disk as the default). Refer to the XG Editor V2.0.pdf in the XG Editor for Mac folder how to use the application.

VL Visual Editor

VL Visual Editor allows you to edit the VL Plug-in board voices on your computer. 1 Double-click on the VL Visual Editor folder (English version only). Install VL Visual Editor will be displayed. 2 Double-click on the Install VL Visual Editor. VL Visual Editor Setup Dialog will be displayed. 3 Execute the installation by following the directions appearing on the screen. After the installation, you will find the VL Visual Editor 1.02E folder on your computer (Hard Disk as the default). Refer to the VL Visual Editor 1.02 Manual (English version only) in the same folder how to use the application. Refer to the S80/30 or CS6x/6R Owner's Manual how to save the VL Plug-in board voices edited with the VL Visual Editor.

Open Music System (OMS) 2.3.6
OMS allows you to use several MIDI applications on the Mac OS at the same time. 1 Double-click on the OMS folder (English version only). Install OMS 2.3.6 will be displayed. 2 Double-click on the Install OMS 2.3.6. OMS Setup Dialog will be displayed. 3 Execute the installation by following the directions appearing on the screen. After the installation, select <Restart>. After restarting the Macintosh, you will find the Opcode/OMS Applications folder on your computer (Hard Disk as the default). 4 Copy the OMS 2.3.6 Manual.pdf in the CD-ROM to the OMS Applications folder by drag & drop operation. Refer to the OMS 2.3.6 Mac.pdf (English version only) how to use the application. 5 Copy the OMS Setup for YAMAHA in the CD-ROM to the OMS Applications folder by drag & drop operation. In the OMS Setup for YAMAHA folder you will find the OMS Setup files for the Yamaha tone generators, which you can use them as the template.
Tools(Card Filer and Voice Editor)
Card Filer allows you to store the data of the S80/30 or CS6x/6R on your computer, and Voice Editor lets you edit the voices of the S80/30 or CS6x/CS6R on your computer. 1 Double-click on the Tools folder. Install S80/S30 & CS6x/CS6R Tools will be displayed. 2 Double-click on the Install S80/S30 & CS6x/CS6R Tools. S80/S30 & CS6x/CS6R Tools Setup Dialog will be displayed. 3 Execute the installation by following the directions appearing on the screen. Selecting Custom Install from the pull-down menu (an installation option) lets you select the manual language from English, German and French. After the installation, you will find the YAMAHA Card Filer and YAMAHA Voice Editor folders on your computer (Hard Disk as the default). Refer to the Card Filer Manual.pdf and CS6S8030.pdf (or CS6_S80.pdf) in each folder how to use the application.
Das Modular Synthesis Plug-in System
Mit dem Yamaha Modular Synthesis Plug-in System knnen Sie Ihr Klangerzeugungssystem auf einfache Weise erweitern, indem Sie eine oder mehrere Zubehrkarte(n) in Ihren Synthesizer oder Klangerzeuger einsetzen. So knnen Sie zum Beispiel zustzliche Stimmen aus einer anderen Klangsynthese, wie etwa der Virtual Acoustic Synthesis, benutzen und Ihre Musik um ganz neue Facetten bereichern und/oder die neuesten technischen Effekte anwenden. Das Modular Synthesis Plug-in System erlaubt Ihnen: die Gesamtpolyphonie zu erhhen. das neueste Klangerzeugungssystem einzusetzen. ein Multipart-Klangerzeugungssystem (z.B. XG) zu erweitern. Effekte erweitern durch das Benutzen von PLG100-VH (auer S30).

Audio Data (samples)

David Ruffy Drum Samples
Track No. Track 10 Oddgate Loop - 89 bpm Ambient Kick & Snare Loop - 89 bpm Doin' the Rounds Loop - 110 bpm Goinky Snare Ride Loop - 119 bpm Manic Ruffy One Mic Loop - 138 bpm Dry Relaxed Loop - 97 bpm Relaxed Room Ambience - 97 bpm Speed Me Up Loop - 97 bpm Rolling Over Loop - 97 bpm Pop Echo Loop - 113 bpm Track 12 Track 22 Dear John C (Wet) - 102 bpm Dear John D (Wet) - 102 bpm KLB A (Dry) - 98 bpm KLB B (Dry) - 98 bpm KLB C (Dry) - 98 bpm *FWD Move Fill *FWD Mvr A - 105 bpm *FWD Mvr B - 105 bpm *FWD Mvr C - 105 bpm *FWD Mvr D - 105 bpm Kickin'Fill Kickin'Swing A - 100 bpm Kickin'Swing B - 100 bpm *KLB A (Wet) - 102 bpm *KLB B (Wet) - 102 bpm *Lunatic A - 97 bpm *Lunatic B - 97 bpm Positive - 100 bpm A Positive - 100 bpm B Positive - 100 bpm C Eighty Seven Beat (Fill) - 87 bpm Eighty Seven Beat - 87 bpm *Kick 1 *Kick 2 *Snare 1 *Snare 2 *Tom 1 *Tom 2 *Tom 3 *Tom 4 Closed Hat 1 Closed Hat 2 Closed Hat 3 Closed Hat 4 Closed Hat 5 Open Hat 1 Open Hat 2 Crash 1 Crash 2 Ride Bell Splash China 1 China 2

Track 2 Track 75

Track 10 Track 6 Track *Stateside Perc Trill - 110 bpm *Hip-Hop gate Infamous - 112 bpm Clipped! - 114 bpm Scratch Break - 114 bpm 60s Intro - 116 bpm Big Conga Intro - 116 bpm Big Conga Loop - 116 bpm Car Start - 116 bpm Add Kick + Snare - 118 bpm Gyrabreak 1 -118 bpm Gyrabreak 2 -118 bpm Gyrabreak 3 -118 bpm House Stomp - 120 bpm Lounge House - 121 bpm D.I.S.C.O. - 122 bpm *Open Ended League - 128 bpm Logalimba - 135 bpm Manic Bongo - 135 bpm Balearic - 137 bpm Perc Snatch - 93 bpm *Tom Intro 6 Scratch - 115 bpm Big Doo Samplespeed *Big Band Stop *Brassoid *Old Brass *PG AAAAAY2 *PG Breathe *Waspy Dmin
More samples from David Ruffy are available on his "Drum Samples" Sample CD (HITCD04) and ReCycled CD-ROM (AMGCDR04) from AMG. DAVID RUFFY RELEASED A NEW "RUFF CUTZ" CD IN 1999 TOO.

Bonus Beats!

Track No. Track Rave Loop Russ Loop 1 Russ Loop 2 Spirit of the Shamen Shall We Dance?
Funky Drums from Hell - Neil Conti

Track No. Track 2 Track Track 4 Track 2 Track Track 6 Track Continuity 1 - 80 bpm Continuity 2 - 80 bpm Bread Loop A - 84 bpm Bread Loop B - 84 bpm Bread Loop C - 84 bpm Bread Loop D - 84 bpm Bread Loop E - 84 bpm Hooper Looper A - 88 bpm Hooper Looper B - 88 bpm Hooper Looper C - 88 bpm Hooper Looper D - 88 bpm Tick Tock Groove 1 -90 bpm Tick Tock Groove 2 -90 bpm I Know U do Groove A - 96 bpm I Know U do Groove B - 96 bpm I Know U do Groove C - 96 bpm I Know U do Groove D - 96 bpm I Know U do Groove E - 96 bpm I Know U do Groove F - 96 bpm I Know U do Groove G - 96 bpm Monsterous Loop A - 98 bpm Monsterous Loop B - 98 bpm Monsterous Loop C - 98 bpm Monsterous Loop D - 98 bpm Monsterous Loop E - 98 bpm Monsterous Loop F - 98 bpm LA Groove A - 118 bpm LA Groove B - 118 bpm LA Groove C - 118 bpm LA Groove D - 118 bpm LA Groove E - 118 bpm
More samples from Pascal Gabriel are available on his "Dance Samples" Sample CD (HITCD18), "Colourful World of Sounds & Silence" Sample CD (AMGCD23), and "Loop Soup!" RECYCLED CD-ROM (LSCDR1) all from AMG.
Kleptomania! Volume 1 - Coldcut
Track No. Track 8 Track Track 10 2+2 - 108 bpm Bug Bite - 126 bpm Slither - 112 bpm 7th Heaven - 111 bpm GogoAgogo - 112 bpm Bounceski - 128 bpm Twiddle - 128 bpm Dem Drums - 122 bpm *Coldcut Wah Jazzy Clap SNP Spaggetti Harp Bug's Theme Dem Bells Esmerelda - 118 bpm Who Knows? *Coldcut Snare *Who Saxes? *OK Let's Do It! Crowd Noise Silly Siren Pipe Whee *Rev it up! Cyber Flossin' *Boing Down Cyber Wiper Queeker Tum Thump
More samples from Keith LeBlanc are available on his "Kickin' Lunatic Beats Volume 1", "Kickin' Lunatic Beats Volume 2" Sample CDs (HITCD17, KLBCD2) and ReCycled CD-ROM (KLBCDR2) from AMG. ALSO AVAILABLE ARE KEITH'S NEW FRESH KILLED MEAT CDS - PRIME FUNK (AMGCDKLB3) AND DRUM&BASS CARNAGE (AMGCDKLB4).
Pascal Gabriel's Dance Samples
Track No. Track 10 Track 4 Wow+Flutter - 90 bpm Pulse - 92 bpm Enormous - 93 bpm Fifth - 93 bpm Rounded Break - 99 bpm *Extraordnry Thippy Perc - 104 bpm Top End Filth - 104 bpm Shuff'o God - 106 bpm *Amboround Gated Swing - 107 bpm Spaced Out - 108 bpm Spaced Intro - 108 bpm Swaying - 108 bpm
More samples from Neil Conti are available on his "Funky Drums from Hell" Sample CD (HITCD14) + CD-ROM (HITROM14R) from AMG. A NEW CD FROM NEIL CONTI IS EXPECTED BY 2000.

Kickin' Lunatic Beats Volume 1 - Keith LeBlanc
Track No. Track Dear John A (Wet) - 102 bpm 2 Dear John B (Wet) - 102 bpm

Track 12 13

Dweedle Bad RoboCut Amazon Wowha Hungry Dumb Play It! Turn Into The King *We Need a Beat Greetings *Don't Stop Now Aaaaah Scream

Track 2 3

Teckno Snare Tinny Snare Big Fizz C#2 Big Fizz F#2 Big Fizz C3
These samples were created for a proposed AMG Sample CD that was never released.
Rhythm of Life 1 - Danny Cummings & Miles Bould
Track No. Track 8 Track 8 Track 18 Cold Sweat 1A - 91 bpm Cold Sweat 1B - 91 bpm Cold Sweat 1C - 91 bpm Cold Sweat 2 - 91 bpm Cold Sweat Batta - 91 bpm Cold Sweat Conga - 91 bpm Cold Sweat Djembe - 91 bpm Cold Sweat Udu & Batta - 91 bpm *Cold Sweat Tambourine A - 91 bpm *Cold Sweat Tambourine B - 91 bpm *Cold Sweat Tambourine C - 91 bpm *Cold Sweat Tambourine D - 91 bpm Berimbau Hand Gong M.Vibraslap Spring Hit Udu Lo 1 Udu Lo 2 Udu Lo 3 Udu Lo Open Udu+Bend 1 Udu+Bend 2 Udu Hand Hit 1 Udu Hand Hit 2 Udu Lo Mute 1 Udu Lo Mute 2 Udu Side Slap 1 Udu Side Slap 2 Udu Side Slap 3 Udu Side Slap 4 Udu Side Wobble Udu Slap+Bend Udu Wobble L Udu Wobble S Track
More samples from Coldcut are available on their "Kleptomania! Volume 1" Sample CD (HITCD09) from AMG.
Skip to my Loops - Norman Cook
Track No. Track Track 12 Track 10 Track Busy Esta - 124 bpm Chicken Riff - Am - 113 bpm Dance Hall Drums 1 - 92 bpm Dub B Shaker - 93 bpm Elimentary Hats - 117 bpm Garage Conga - 123 bpm House Limbo - 126 bpm Love & Peace - 101 bpm Luved Up Tamb - 115 bpm Nitrate - 106 bpm Old Skool Vibe - 114 bpm Pricey 2 - 121 bpm Ragged Trousers - 120 bpm Soulful Samba - 113 bpm Soul to Scales - 97 bpm Splats 3 - 119 bpm Stalag Phil - 108 bpm Straight Drums - 105 bpm Sunshine 1 - 84 bpm Tasty Sin - 92 bpm Tom Cat Bossa Perc - 120 bpm Toy Drums 1 - 95 bpm Wayne 1 - 146 bpm Bass 1 - C2 Bass 2 - C2 Sax Riff 1 - D#m - 113 bpm Stab 1 Stab 2 Kick 1 Kick 2 Radio Static Snare 1 Snare 2 Uh B Good 2 Me - 93 bpm Jam the Niteclub More Music Ohohoha Oh Yes Hit Sounds in Stereo That's Right
More samples from Danny Cummings & Miles Bould are available on their "Rhythm of Life 1" Sample CD (HITCD07) and CD-ROM (HITCDR07) from AMG.
*Pick it up 3 - 165 bpm *Pick it up 4 - 165 bpm *Tabla Lick *Tabla Pat - 131 bpm Tablas 1 - 131 bpm Tablas 2 - 131 bpm Tablas 3 - 131 bpm Tablas 4 - 131 bpm *Tablas - 108 bpm *Tablas - 167 bpm Soggy Guiro - 128 bpm Soggy Blox - 128 bpm *Soggy Guiro - 124 bpm *Shenenhai - 115 bpm Sitar Octave - 124 bpm *Sitar Groove - 100 bpm *Sitar Lick - 124 bpm *Sustandia - 112 bpm Swami Groove - 121 bpm *Tora! - 159 bpm *Wild Call 1 - 136 bpm *Wild Call 2 - 131 bpm *Wild Holak - 132 bpm *Bhangra Kick 1 *Bhangra Kick 2 *Bhangra Kick 3 Bhangra Snare 1 Bhangra Snare 2 Bhangra Snare 3 Bhangra Closed Hat Bhangra Open Hat Bhangra Crash *Rat-a-tat *Pick It Lick - 165 bpm *India Fill *Sarangliss *Sitar 1 *Sitar 2 *Sitar 3 *Sitar Lick *Sitar Solve *Chanjer 1 *Chanjer 2 *Bouzuki Lick *Tabla Flam 1-2-3 Drop! YAHOO!!!!!

Karma Chopra - Sumeet Chopra
Track No. Track Track Response - 127 bpm *BellDhole - 130 bpm *Chanja+6/8 - 81 bpm *CongdyBit - 120 bpm *Daffali 1 - 101 bpm *Daffali 2 - 104 bpm *Daffali 3 - 109 bpm *Daffali 4 - 104 bpm *Dandia 1 - 132 bpm *Dandia 2 - 132 bpm *Dandia 3 - 96bpm Dholak Break - 132 bpm *Dhole Ens. - 81 bpm *Dhole Roll - 85 bpm Dumbereki - 106 bpm *Incindia 1 - 86 bpm *Incindia 2 - 86 bpm *Jaminw FLT - 130 bpm *Jamin Sitar - 130 bpm Metal Tablas - 148 bpm *Pick it up 1 - 165 bpm *Pick it up 2 - 165 bpm
More samples from Sumeet Chopra are available on his "Karma Chopra" Sample CD (AMGCDS4) from AMG.
Art of Sampling - Art of Noise's JJ Jeczalik
Track No. Track 4 Track Ambient Bongo Loop - 94 bpm Ambient Bongo Trill - 94 bpm Conga - 94 bpm Shaker - 107bpm *Click Kick *Punch Kick *Flappy Kick *Ambo Kick 1 *Ambo Kick 2 *Ambo Kick 3 *Tite Snare *Punch Snare *Tom 1 *Tom 2 *Closed Hat 1 *Open Hat *Closed Hat 2 *Closed Hat 3 *Open & Close Hat 1
More samples from Norman Cook are available on his "Skip to my Loops" Sample CD (HITCD11) and ReCycled "Loop Soup!" CD-ROM (LSCDR1) from AMG.
Ian Curnow & Phil 'Mixmaster' Harding
Track No. Track 6 Track *Kick *Kick Dance Kick Rock Kick Machine Kick *Saw Kick *Clanky Snare Little Snare *Saw Snare

20 Track 6 Track 22 23

*Open & Close Hat 2 *Crash 1 *Crash 2 *Cymbal Swell 1 *Cymbal Swell 2 *Guitar Wah Loop *Guitar Comp note *Guitar Wah note Guitar Stab *Fifth Guitar *Guitar Picking *Harp Gliss Down *Harp Gliss Up *Tap 1 *Tap 2 *Maracas *Shaker Slide 1 *Shaker Slide 2 *Shaker Slide 3 Oil Tank 1 Oil Tank 2 Oil Tank 3 Oil Tank 4 *Radiator *Scraper *Car Pass *Fly Past *Esoteric *Oo! *Ow! *Eerrrgg! *Big Band *BGVchord *Crowd Clap

15 Track 6 7

*Whistle *Lite Snare *Micro Stick *Ouch Snare *Tune Down Snare Heyyaa! Ooo! *Panter *Sticker! Year! 1 Year! 2 Call 2 Prayer
More samples from Tim Farriss are available on his "Deep Inside" Sample CD (TFCDXS1) from AMG.
Black II Black 1 and 2 - Steve McIntosh & Joe Charles
Track No. Track Track 18 Track Track 14 Bizzee House Loop - 120 bpm Drive Loop - 120 bpm *Floor Sw - 110 bpm Latin House Loop - 111 bpm *Klub - 116 bpm *Lo House - 120 bpm Rubberband Loop - 125 bpm Mad Dog - 106 bpm Voice Loop - 105 bpm Indian Snare - 107 bpm Gangster - 106 bpm Chalis Loop - 71 bpm Hop Scotch Loop - 72 bpm Slo'N'Eeezzy Loop - 77 bpm *Sub - 84 bpm *Warrior - 84 bpm Slow Jamz - 85 bpm *Fizzler J - 85 bpm Dope Beat Loop - 87 bpm *Bassment - 88 bpm Laid Back Loop - 90 bpm Eastern Jam Loop - 92 bpm Rub'n'Roll Loop - 93 bpm The Hood - 93 bpm Kickin - 93 bpm Deep Grine - 94 bpm Urban Jamz Loop - 93 bpm Street Loop - 97 bpm Swing That Loop - 100 bpm Steppers Loop - 88 bpm Kool Jamz II Loop - 90 bpm *Batty Ryd - 98 bpm *D'Hall A - 98 bpm *D'Hall B - 98 bpm Bubbler Jam Loop - 99 bpm R-Beat - 104 bpm Alarming Loop - 105 bpm *Movin A - 105 bpm *Movin B - 105 bpm Live Conga Section - 120 bpm 70's Kick *Black Kick Dirty Kilk Kick Dynamic Kick *Electric Kick *Full Kick FX Kick Gate 1 Kick Good Kick Lite Kick *Lite Brite Kick Live Kick 1 Live Kick 2 *Old Kick

More samples from JJ Jeczalik are available on his "Art of Sampling" Sample CD (HITCD12) from AMG.
Deep Inside - Tim Farriss
Track No. Track 8 Track 6 Track 6 Track Track 10 *Loop - 88 bpm *FX Loop 1 - 124 bpm *FX Loop 2 - 124 bpm *Loop - 106 bpm Hipster - 110 bpm Booga - 114 bpm *Loop - 116 bpm Tribal - 135 bpm *Bass Plunk G *Bass Blues *Bass Lick Dm *Bass Lick Em *Bass Lick F *Bass Lick G A Power A Rocker B Power E Rocker F#m Power *Fm Rock Lick Tpt Bb C Tpt BbM7 Tpt Gm7 *Big Top *Big Wow *Broke *Cheescr 1 *Cheescr 2 Crackin' Snare Exploso Expo Kick Expo Snare *Popcorn
Ruff Kick Sizzler Kick *Solid Kick *90s Swing Snare Black Snare Tite Black Snare Can Snare Dance Hall Snare Groove Snare Hip Hop Snare Hi Swing Snare *House Snare Iron Snare *Kock Snare *Lo Skip Snare MC Swing Snare Pain Snare *POP! Snare *Rare Snare Ruff Snare Satelite Dish Strange Snare Street Snare *Swing Jam Snare Vital Snare Westcoast Snare Whip Klapp Snare *Yard Snare Dutch Pot Sause Pan Car Socket Set Good Vinyl *Head Ache Scratch it Roll Booty Scratch Ooops! *Deep Black Electro *Swing Horn *Indian Horn Cello Hit Man Cat *Heaven Spls *Lovers Flex Lovers Roll *Lovers Tite 1 Man Roll *My Roll 60's Roll 60's Roll II 70's F-Roll *Dance Hall Timpani *Dance Hall *Ragga Stab Krazy Noiz Guitar Chop I Guitar Chop II *Pick in Shif *Reggae Riff 1 *Reggae Riff 2
More samples from McIntosh & Charles are available on their "Black II Black" Sample CDs VOLUMES 1-4 (AMGCDS1, AMGCDS2, AMGCDS7, AMGCDS8) and CD-ROMs (AMGCDRS1, AMGCDRS2) from AMG. They also produced the hugely SUCCESSFUL KILLER VOCALS SERIES OF CDS. THEY HAVE A NEW DOUBLE CD OF BEATBOX LOOPS DUE OUT IN 1998 TOO. THEY ALSO RELEASED THEIR BLACKII BLACK BANGIN BEATBOXES CD IN 1999.

Guitar Samples

Track No. Track 4 5th Fret Harmonic Strike *Clean Guitar - Am 9th Chord Wah Wah Chord - Am 7th *Wet Slide 1
*Wet Slide 2 *Dirty Picked + Damped - C3 *Powerfifths - A#2 *Powerfifths - E2 *Interval Skips in C Blue note Pentatonic Repeated Bend with Split Octave a la Gallagher Slap Pattern - 93 bpm Wah Wah Rhythm Chord - 96 bpm -Cm Wah Wah Rhythm Chord - 96 bpm -C Sus4 Chic in Am(II) Class

3 Track Track Track 2 3

*Stab MM c *Pete E (p) *Pete E (mf) *Pete E (f) *Pete A (p) *Pete A (mf) *Pete A (f) *Pete E (p) 2 *Pete E (mf) 2 *Pete E (f) 2
Lucky Bastard - Erasure's Vince Clarke
Track No. Track 10 Track Creatures Drippy X-mod Electro Juice Insectalk Jumping Jaks Lite X-mod Mondothips Pulsar Bass Subotnoise Woozy X-mod Arcade Fizzle Out! *Mute Bass Pulse Bass Teknolaugh

Track No. Track *Stab MM a 2 *Stab MM b
SOFTWARE LICENSING AGREEMENT
The following is a legal agreement between you, the end user, and Yamaha Corporation (Yamaha). The enclosed Yamaha software program is licensed by Yamaha to the original purchaser for use only on the terms set forth herein. Please read this licensing agreement with care. Opening this package indicates that you accept all terms outlined herein. If you do not agree to the terms, return this package unopened to Yamaha for a full refund.
1. GRANT OF LICENSE AND COPYRIGHT
Yamaha grants you, the original purchaser, the right to use one copy of the enclosed software program and data (SOFTWARE) on a single-user computer system. You may not use it on more than one computer or computer terminal. The SOFTWARE is owned by Yamaha and is protected by Japanese copyright laws and all applicable international treaty provisions. You are entitled to claim ownership of the media in which the SOFTWARE is included. Therefore, you must treat the SOFTWARE like any other copyrighted materials.

2. RESTRICTIONS

The SOFTWARE program is copyrighted. You may not engage in reverse engineer-ing or reproduction of the SOFTWARE by other conceivable methods. You may not reproduce, modify, change, rent, lease, resell, or distribute the SOFTWARE in whole or in part, or create derivative works from the SOFTWARE. You may not transmit or network the SOFTWARE with other computers. You may transfer ownership of the SOFTWARE and the accompanying written materials on a permanent basis provided that you retain no copies and the recipient agrees to the terms of the licensing agreement.

3. TERMINATION

The licensing condition of the software program becomes effective on the day that you receive the SOFTWARE. If any one of the copyright laws or clauses of the licensing conditions is violated, the licensing agreement shall be terminated automatically without notice from Yamaha. In this case, you must destroy the licensed SOFTWARE and its copies immediately.

4. PRODUCT WARRANTY

Yamaha warrants to the original purchaser that if the SOFTWARE, when used in normal conditions, will not perform the functions described in the manual provided by Yamaha, the sole remedy will be that Yamaha will replace any media which proves defective in materials or workmanship on an exchange basis without charge. Except as expressly set forth above, the SOFTWARE is provided as is, and no other war-ranties, either expressed or implied, are made with respect to this software, including, without limitation the implied warranties of merchantability and fitness for a particular purpose.

Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551

DENMARK

YS Copenhagen Liaison Office Generatorvej 8B DK-2730 Herlev, Denmark Tel: 49 00

ARGENTINA

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SINGAPORE

Yamaha Music Asia Pte., Ltd. 11 Ubi Road #06-00, Meiban Industrial Building, Singapore Tel: 65-747-4374

FINLAND

F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha de Panama S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: 507-269-5311

TAIWAN

Yamaha KHS Music Co., Ltd. 10F, 150, Tun-Hwa Northroad, Taipei, Taiwan, R.O.C. Tel: 02-2713-8999

NORWAY

Norsk filial av Yamaha Scandinavia AB Grini Nringspark 1 N-1345 sters, Norway Tel: 77 70

THAILAND

Siam Music Yamaha Co., Ltd. 121/60-61 RS Tower 17th Floor, Ratchadaphisek RD., Dindaeng, Bangkok 10320, Thailand Tel: 02-641-2951
EUROPE THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700

ICELAND

Skifan HF Skeifan 17 P.O. Box 8120 IS-128 Reykjavik, Iceland Tel: 525 5000
THE PEOPLES REPUBLIC OF CHINA AND OTHER ASIAN COUNTRIES
Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2317

OTHER EUROPEAN COUNTRIES

Yamaha Europa GmbH. Siemensstrae 22-34, 25462 Rellingen, F.R. of Germany Tel: 04101-3030

IRELAND

Danfay Ltd. 61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin Tel: 01-2859177

AFRICA

Yamaha Corporation, International Marketing Division Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312

OCEANIA AUSTRALIA

Yamaha Music Australia Pty. Ltd. 17-33 Market Street, South Melbourne, Vic. 3205, Australia Tel: 3-699-2388

GERMANY/SWITZERLAND

AUSTRIA
Yamaha Music Austria Schleiergasse 20, A-1100 Wien Austria Tel: 01-60203900

MIDDLE EAST TURKEY/CYPRUS

NEW ZEALAND

Music Houses of N.Z. Ltd. 146/148 Captain Springs Road, Te Papapa, Auckland, New Zealand Tel: 9-634-0099

THE NETHERLANDS

Yamaha Music Nederland Kanaalweg 18G, 3526KL, Utrecht, The Netherlands Tel: 030-2828411
COUNTRIES AND TRUST TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation, International Marketing Group Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2312

BELGIUM

Yamaha Music Belgium Keiberg Imperiastraat 8, 1930 Zaventem, Belgium Tel: 02-7258220

OTHER COUNTRIES

Yamaha Music Gulf FZE LB21-128 Jebel Ali Freezone P.O.Box 17328, Dubai, U.A.E. Tel: 971-4-81-5868
HEAD OFFICE Yamaha Corporation, Electronic Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650 Tel: 053-460-2445
This document is printed on chlorine free (ECF) paper.

Printed in Japan

M.D.G., EMI Division, Yamaha Corporation 2000 Yamaha Corporation

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