q Never use a floppy disk with a deformed shutter or housing. q Do not attach anything other than the provided labels to a floppy disk. Also make sure that labels are attached in the proper location.
To protect your data (Write-protect Tab):
To prevent accidental erasure of important data, slide the disks write-protect tab to the protect position (tab open).

Data backup

For maximum data security Yamaha recommends that you keep two copies of important data on separate floppy disks. This gives you a backup if one disk is lost or damaged. To make a backup disk use the Disk Copy function on page 142.
Handling the Floppy Disk Drive (FDD) and Floppy Disks

Music Stand

s To raise the music stand:...
Z Pull the stand up and toward yourself as far as it will go. X Flip down the two metal supports at the left and the right on the rear of the music stand. C Lower the music stand so that it rests on the metal supports. As the illustration shows, the angle of the music stand can be set in one of three positions, according to the position of the metal supports. Set the left and right metal supports to the same position.
s To lower the music stand:..
Z Pull the music stand toward yourself as far as it will go. X Raise the two metal supports until they are flat against the rear surface of the stand. C Gently lower the music stand backward until it is all the way down.
Do not try to use the music stand in a half-raised position. Also, when lowering the stand, let the stand all the way down before releasing it.
Key Cover (Where Present)
s To open the key cover:...
Z Lift the cover slightly (not too much). X Slide the cover open.
Be careful to avoid catching your fingers when opening or closing the cover.
s To close the key cover:...
Z Slide the cover toward you. X Gently lower the cover over the keys.
Hold the cover with both hands when moving it, and do not release it until it is fully opened or closed. Be careful to avoid catching fingers (yours or others) between the cover and main unit. Do not place objects on top of the key cover. Small objects placed on the key cover may fall inside the instrument when the cover is opened, and may be impossible to remove. This could cause electric shock, short circuit, fire or other serious damage to the instrument.

Setting Up the Clavinova

Turning the Power On and Off
Z Connect the power cord. Insert the plugs at the ends of the cord, one into the AC INLET on the bottom panel of the Clavinova, and the other into a standard AC outlet. In some areas, a plug adapter may be provided to match the pin configuration of the AC wall outlets in your area.

For more details on the KEY TOUCH function, refer to page 137.
For more details on the VOICE SETTING function, refer to page 137.
There are other sorts of functions that are displayed in non-rounded rectangles, like the ones you used to select a demo song in Demo mode (see page 14). The important thing to remember about these functions is that you dont select them, you execute them. Now were ready to return to the main display. First, however, set the KEY TOUCH and VOICE SETTING functions back to NORMAL and AUTO, respectively.
Exiting to the Main Display
To exit the current display, press the [EXIT] button.
The main display should show the name of the last piano voice that you selected in the VOICE SELECT Piano display.
You can usually use [EXIT] to get back to the main display. In some cases, however, this button will return you to a previous setting display instead. When this happens, pressing [EXIT] again will get you back to the main display.
Using the Direct Access Function
The last function we need to discuss is Direct Access. The [DIRECT ACCESS] button lets you jump directly to pages with particularly useful settings. When you press [DIRECT ACCESS], the Press a button to display corresponding settings message will appear in the LCD display.
This message will remain onscreen for about three seconds. Press the button corresponding to the settings you want to display before the message disappears. Here is a list of pages you can access with Direct Access:
[DIRECT ACCESS] plus: [HARMONY] [ACMP ON] [METRONOME] Any VOICE button [DUAL] [SPLIT] [REVERB](4) [EFFECT](4) [REGISTRATION] Displays: HARMONY ACCOMPANIMENT MODE METRONOME KEYBOARD [RIGHT1] (1) KEYBOARD [RIGHT2](2) KEYBOARD [LEFT](3) KEYBOARD [RIGHT2] KEYBOARD [LEFT] REVERB REVERB DEPTH EFFECT EFFECT DEPTH REGISTRATION [FREEZE] See page: 91
q A Word about Messages For ease of operation, the Clavinova displays various messages (like the message displayed by the Direct Access function as described above) that either prompt you to the next operation, ask for confirmation, or inform you that the last operation is not effective, valid, or appropriate. When such messages appear, follow the instructions as shown. For details about each message, please refer to the Messages section on page 165.

Automatic Voice-related Settings Selecting a voice automatically selects the best-suited reverb, chorus, effect, and other settings for that particular voice. You can disable this so that settings are not automatically selected by using the VOICE SETTING function (page 137).

Keyboard Percussion
The Clavinova has ten drum kits and two SFX kits , found on pages 3 and 5 of the [PERCUSSION] voice group. When one of the drum or SFX kits is selected, various drum, percussion, and special effect sounds are assigned to individual keys, letting you play the sounds from the keyboard. The various drums and percussion instruments of the Standard Kit are indicated by symbols above the assigned keys. See the drum/SFX kit list on page 10 in the Reference Booklet for a listing of the sounds in each drum/SFX kit.

GUITAR SYNTHESIZER ORGAN

When a drum kit is selected, only the keys with drum or percussion symbols printed above them will sound. When an SFX kit is selected, keys other than those which have been assigned a special effect sound will not produce any sound. The Transpose (page 136), Tune (page 136) and Octave (pages 32,34 and 38) functions do not affect the drum/SFX kits.
Changing the Keyboard Settings for the Main Voice
You can use the settings in the KEYBOARD [RIGHT1] display page to change the volume, octave, and pan of the voice selected using the RIGHT1 VOICE function.
The settings you make in this page affect any voices you select using the RIGHT1 VOICE function. Different settings cannot be made for each voice.
s Displaying the Main Voice Keyboard Settings.
Z If you are playing in Dual mode or Split mode, make sure RIGHT1 VOICE is selected in the main display. X Press [DIRECT ACCESS] followed by any of the VOICE buttons.
The KEYBOARD [RIGHT1] display appears.
You can switch between the KEYBOARD [RIGHT1] page and the [RIGHT2] (page 34) or [LEFT] (page 37) displays using the PAGE [<] and [>] buttons.

STRINGS/ CHOIR

REVERB
s Setting the Volume of the Main Voice..
You can use the VOLUME function in the KEYBOARD [RIGHT1] page to change the volume of the main voice. Z Press the VOLUME button.
The VOLUME function is highlighted.
To adjust the overall keyboard volume, use the KBD VOL function in the main display (page 23) instead.
X Adjust the volume of the main voice. Use the data dial or [] and [+] buttons to change the volume, or hold down the VOLUME button to increase the volume. Press the [] and [+] buttons simultaneously to restore the basic setting.

You can use the SPLIT POINT function in the KEYBOARD [LEFT] display to set the split point at any desired key position. In Split mode, the left voice is played by all keys to the left of (and including) the split point. The basic setting of the Split Point is F#2.

Left range

Right range
Z Press the SPLIT POINT button.
The SPLIT function is highlighted.
X Change the split point. Use the data dial or [] and [+] buttons to change the split point, or hold down the SPLIT POINT button to move the split point to the right. Press the [] and [+] buttons simultaneously to restore the basic setting.
The keyboard guide lamp corresponding to the selected Split Point lights, and the key name is displayed by the SPLIT POINT function.
Using the Dual and Split Functions Simultaneously
The [DUAL] and [SPLIT] buttons can be turned on simultaneously. When you do so, the right range of the keyboard will play both the main voice and the second voice.
When both the Dual and Split modes are turned on, the name of either the second voice or the left voice will be displayed together with the main voice in the main display.

Exiting the Split Mode

Press the [SPLIT] button to exit Split mode.
The [SPLIT] button lamp turns off, and the keyboard no longer plays in Split mode.
PERSSION ENSEMBLE XG SPLIT EFFECT
The Clavinova has three pedals.

Damper Pedal (Right)

The damper pedal performs the same function as the damper pedal on an actual acoustic piano, letting you sustain the sound of the voices even after releasing the keys.
Certain voices in the [PERCUSSION] and [XG] groups may not be affected by use of the damper pedal. Some voices may sound continuously or have a long decay after the notes have been released while the damper pedal is held.

Sostenuto Pedal (Center)

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s) are held, those notes will be sustained as long as the pedal is held, but all subsequently played notes will not be sustained. This makes it possible to sustain a chord, for example, while other notes are played staccato.
Certain voices in the [PERCUSSION] and [XG] groups may not be affected by use of the sostenuto pedal. Certain voices, such as [STRINGS] or [BRASS], sustain continuously when the sostenuto pedal is pressed.

Soft Pedal (Left)

Pressing this pedal reduces the volume and slightly changes the timbre of the notes you play. You can also assign one of many other functions to this pedal; for example, you can use it to start/stop the Automatic Accompaniment, or use it to play Fill Ins. See page 138 for details.

Z Set the Synchronized Start function.

s Synchronized Start....

This method lets you start the style by simply playing a note or chord on the keyboard.
If necessary, select a variation as described on page 51, then press the [SYNCHRO] button.
The lamp lights, and the red [BEAT] lamp flashes in time with the current tempo.
If the [SYNCHRO] button is pressed while a style is playing, style playback stops and Synchronized Start is automatically set to stand-by. When you play the keyboard in Split mode (page 36) or use the Auto Accompaniment in a mode other than FULL KEYBOARD (page 61), only the left-hand section of the keyboard will trigger a synchronized start.
X Start playing. When you are ready, play a note on the keyboard. The style starts playing when you play the first note.
The [SYNCHRO] lamp turns off, the [START/STOP] lamp lights, and the style starts.
To cancel the Synchronized Start function before you start the style, press the [SYNCHRO] button again.

s Tap Start....

This function lets you set the tempo and start the style in one operation. If necessary, select a variation as described on page 51, then tap the [TAP] button at the desired tempo. Tap four times for 2- and 4-beat styles, three times for 3-beat styles, and five times for 5-beat styles.
If you do not tap the [TAP] button the required number of times (i.e., 3 times for a 3-beat style), the Tap Start function will be canceled after a few seconds.
When playing a 4-beat style Tap 4 times.
The [TAP] button can also be used to change the tempo during style playback (by tapping the button twice). In this case the tap click will not sound.
s Adding an Introduction...
This function lets you embellish the start of a tune by adding an introduction. Z Set the introduction pattern. Select the variation to play the intro pattern as described on page 51, then press the [INTRO] button. There are three introduction patterns, as shown below:

Intro Patterns

Pattern Intro A Intro B Intro C/D Played by: [MAIN A] [MAIN B] [MAIN C] or [MAIN D]
The [INTRO] lamp lights, and the lamp for the selected variation flashes.
X Select the main pattern. Select the variation to play the main pattern when the intro is finished. (If you want the style to continue playing with the same variation as the introduction, you can skip this step.)

The lamp for the previously selected button lights, and the lamp of the selected button flashes.
C Start the style. Use one of the three methods described on the preceding pages to start playing the style.
To cancel the introduction before starting the style, press the [INTRO] button again.
The flashing light indicates the variation that will play after the intro. In the illustration at left, the Clavinova will play Intro A, followed by Main A. Since the flashing light indicates the variation that will play after the intro, the illustration at left indicates that the Clavinova will play Intro C/D, followed by Main A.
Z Press the [FADE IN/OUT] button.

s Fading In.....

This function lets you gradually fade in the volume of the style. You can set the Fade In function at any time before you start the style, and use it in combination with any start method (including the Introduction function).
Using the Pedals You can also use the left pedal to trigger a fade-in or fade-out by setting the LEFT PEDAL function (page 138) to FADE IN/ OUT.
The lamp lights, and the Synchronized Start function (page 53) turns on automatically.
X Start the style. Use one of the three methods described on the preceding page to start playing the style.
The [FADE IN/OUT] lamp flashes during the fade-in, then turns off when the fade-in is completed.
To cancel the fade-in before starting the style, press the [FADE IN/OUT] button again.
Stopping the Accompaniment Style
There are also several ways to stop accompaniment style playback, as described below:

s Standard Stop....

To stop style playback, press the [START/STOP] button.
Using the Pedals You can also use the left pedal to start and stop the style by setting the LEFT PEDAL function (page 138) to START/ STOP.
The lamp turns off and the style stops instantly.

s Adding an Ending....

To play an ending pattern before the style playback stops, press the [ENDING] button.
The ENDING lamp lights, and the Clavinova stops style playback after playing an ending pattern.

If you press the [ENDING] button on or after the second beat of a measure, the ending pattern will start at the top of the next measure.
The Clavinova will play one of three ending patterns, depending on the main pattern that is currently playing, as shown below.

Ending Patterns

Pattern Ending A Ending B Ending C/D Played by: [MAIN A] [MAIN B] [MAIN C] or [MAIN D]
Press [ENDING] a second time while the ending pattern is playing to produce a ritardando (gradually slowing) effect.

s Fading Out....

You can have the style fade out and automatically stop by pressing the [FADE IN/OUT] button.
The lamp flashes as the style fades out.
You can use the Fade Out function in combination with any pattern (including the Introduction and Ending functions).
Using the Pedals You can also use the left pedal to trigger the ending pattern and ritardando by setting the LEFT PEDAL function (page 138) to ENDING/RIT. Using the Pedals You can also use the left pedal to trigger a fade-in or fade-out by setting the LEFT PEDAL function (page 138) to FADE IN/ OUT.
The Clavinova includes a sophisticated Auto Accompaniment system that can provide automated rhythm, bass and chord backing for your performance in 125 different styles, as well as 35 different types of piano-only accompaniment.
The Auto Accompaniment playback data is normally not output by the MIDI [OUT] terminal. To send the Auto Accompaniment data to another MIDI instrument, use the ACMP&RHY and HARMONY functions in the FUNCTION [MIDI 4] display described on page 150.

ACMP ON

Using the Auto Accompaniment
You can use one of several methods to indicate the chords that are to be played by the Auto Accompaniment. Choose the accompaniment mode that best suits your playing style. q Single Finger The Single Finger method makes it easy to obtain accompaniment in major, seventh, minor, and minor-seventh chords by pressing certain keys (according to simple rules) to the left of the split point indicated by the keyboard guide lamp. (See page 60.) q Multi Finger When you select the Multi Finger mode, you can use either the Single Finger method or the Fingered 1 method to indicate chords for the accompaniment. (See page 60.) q Fingered 1 The Fingered 1 method lets you control the Auto Accompaniment by playing full chords to the left of the split point. (See page 60.) q Fingered 2 This mode accepts the same fingerings as the Fingered 1 mode, with the exception that the lowest note played to the left of the split point is used as the bass root (in Fingered 1 mode, the root of the chord is always used as the bass root). Hence, you can select this mode to play on bass or fraction chords. (See page 61.) q Full Keyboard The Full Keyboard mode automatically produces appropriate automatic accompaniment for virtually anything you play, anywhere on the keyboard. (See page 61.)

Protecting Panel Settings
You can use the Registration Freeze function to prevent certain panel settings from being changed when a Registration is recalled. This allows you to recall various registrations while using the Auto Accompaniment without suddenly changing the style or volume settings.
Z Open the REGISTRATION [FREEZE] display.
Press [DIRECT ACCESS], then [REGISTRATION].
REGISTRATION/ONE TOUCH SETTING
For a list of the settings in each freeze category, see page 13 in the Reference Booklet.
The REGISTRATION [FREEZE] display appears.

Freeze categories

Categories to be frozen are marked by an asterisk (*) in the menu listing. Also, the ON setting (in the ON/OFF function over the middle LCD button) is highlighted when a category to be frozen is selected.
X Indicate the categories to be frozen..
Use the v and w buttons, the data dial, or the [] and [+] buttons to select a category, then press the ON/OFF button to mark or unmark the selected category.
Freeze Categories Settings: ON, OFF Basic setting: ON (ACMP SETTING) OFF (others) Backup of last settings: ON
Repeat this step to mark or unmark other categories, as needed.
C Turn the Freeze function on or off..
Press the FREEZE LCD button to freeze or unfreeze the categories you marked in step 2.
The FREEZE function is highlighted when the marked categories are frozen. When the Freeze function is off, the settings in all categories are not protected.

V Exit the display....

To exit the REGISTRATION [FREEZE] display and return to the main display, press [EXIT].
FREEZE Settings: ON (highlighted), OFF (unhighlighted) Basic setting: OFF Backup of last setting: ON

7: Song Control

The Clavinova can play back songs recorded using the Song Record function (page 110), as well as song data included on various commercially available software disks. You can also play along on the keyboard as the songs play back. Moreover, when song data software includes lyrics, you can view the lyrics in the display during playback.
See Handling the Floppy Disk Drive (FDD) and Floppy Disks (page 9) for information on using floppy disks. The Clavinova can play back up to 99 songs recorded on a single disk. Any songs exceeding this number will not be available for playback. Playback data is normally not output via MIDI. However, you can set the Clavinova to output song data using the Song Transmission function in the FUNCTION [MIDI 4] display (page 150). In addition to songs youve recorded yourself, the CVP-103 can play back commercially available disks of Yamaha DOC software, XG software, and Disklavier PianoSoft as well as GM software. See Playing Other Types of Music Data on page 104. Consult your Yamaha dealer for information on song data that is compatible with the Lyric Display function of the Clavinova.

s Turning Individual Accompaniment Parts On or Off
Normally, pressing the ORCH (accompaniment) LCD button turns all orchestra parts (tracks 3 through 16) or all parts other than 1/RIGHT and 2/LEFT on or off at once. You can, however, turn these parts on or off individually in the SONG PLAY [TRACK PLAY] display (display page 2). Z Select the SONG PLAY [TRACK PLAY] page. Use the PAGE [<] and [>] buttons to select the SONG PLAY [TRACK PLAY] display (display page 2).
Tracks which contain data are indicated above the TRACK < and > buttons. Tracks enabled for playback are indicated by a box surrounding the track number. Tracks which do not contain data are not displayed.
All track numbers appear whether, the tracks contain data or not, when a Standard MIDI file song is selected (except songs recorded on the CVP-109/107/ 105/103, the CVP-98/96/600, and the CVP-94/92).
X Select the desired track for playback (PLAY/OFF, SOLO). Select the track by using the TRACK < and > buttons, the data dial, or the [] and [+] buttons.
The selected track is indicated by an underline mark.
Turn playback on or off for the selected track by pressing the rightmost LCD button to select PLAY (playback) or OFF. When a track is muted, the box surrounding the track number disappears. The voice used by the currently selected track is shown above PLAY/OFF. Select a track, then press and highlight the SOLO LCD button to hear only the selected track. Press the SOLO LCD button again to cancel the Solo function.
Assignment of Tracks to 1/RIGHT and 2/LEFT, and Voice Assignment
s Assigning Tracks to 1/RIGHT and 2/LEFT..
Specific tracks can be assigned to the 1/RIGHT and 2/LEFT functions in the SONG PLAY [MAIN] display, allowing you to selectively turn playback of assigned tracks on or off. TRK - - (OFF) can be assigned to 2/LEFT. The same track cannot be assigned to both parts. Select the SONG PLAY [L&R VOICE] display (display page 6) by using the PAGE [<] and [>] buttons.
Press the 1/RIGHT button or the 2/LEFT button to highlight the corresponding function in the display, then use the data dial or [] and [+] buttons to assign the desired track.
1/RIGHT Settings: Basic setting: Depends on file type. 2/LEFT Settings: 1 16, -- (off) Basic setting: Depends on file type.
You can also select the track by pressing the 1/RIGHT or 2/LEFT button.
The track assignments of DOC files and Yamaha Disklavier PianoSoft files are fixed, and therefore cannot be changed. Tracks can only be assigned when playback is stopped at the top of the song.

SEND CH Settings: OFF, Basic setting: See table at left.
You can set each keyboard part to transmit on a separate channel. If you set a part to OFF, the MIDI data for that part will not be transmitted.
q MIDI Reception The Clavinova always receives MIDI data in the Multi Timbre mode. This is a mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 16) by an external MIDI device. This means that you can produce the sound of a full band or ensemble on the Clavinova by using a computer or MIDI sequencer.

s Local Control....

The term local control refers to the control of the internal tone generator by the keyboard. You will normally play the Clavinova with the Local Control function set to ON. Turning off the local control separates the keyboard from the tone generator, so that the Clavinova will not output any sound when you play the keyboard. Since keyboard performance data is still output via the MIDI jacks, however, you can use this setting when you want to play an external MIDI tone generator from the Clavinovas keyboard without sounding the internal voices. To turn the local control on or off, press the LOCAL button. The data dial and [] and [+] buttons cannot be used.
LOCAL Settings: ON, OFF Basic setting: ON

s Synchronization....

The playback tempo of a song or style is normally controlled by the Clavinovas internal clock. When you want the Clavinovas playback tempo to be controlled by an external sequencer or rhythm machine, you should set the synchronization function to use an external clock. You might use this function, for example, to play the Auto Accompaniment of the Clavinova in perfect synchronization with an external sequencer. To switch the synchronization from an internal clock to an external clock (or vice versa), press the SYNC. button. The data dial and the [] and [+] buttons cannot be used.
SYNC. Settings: INT. (internal clock), EXT. (external clock) Basic setting: INT.
FUNCTION [MIDI 2] Display page 10

s MIDI Filter.....

The FUNCTION [MIDI 2] display contains MIDI filter settings that can be used to enable or prevent the transmission and reception of certain types of MIDI data.
q Program Change Messages Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or another MIDI device. For example, the Clavinova can change voices in response to MIDI program change messages received from a connected MIDI sequencer. (These messages do not affect the keyboard-played voices.) The voices of connected external MIDI devices can also be changed by program change messages transmitted from the Clavinova. (Program change messages are transmitted when changing voices on the panel of the Clavinova.) Depending on your particular MIDI setup, you may find that this feature is convenient in some cases and not in others. Set the PROGRAM function to OFF to disable the transmission and reception of program change messages.

Refer to page 13 in the Reference Booklet for a list of the specific parameters in each group. Parameters that are backed up will be retained in memory for about a week if the Clavinova is not turned on during this time. All parameters will be reset to their default values if the power remains off for longer than about a week. To ensure that your backed-up settings are maintained, turn the power on for a few minutes at least once a week.
Permanent Settings The following settings are always backed up: Help language Song volume Backup ON/OFF
FUNCTION [BACKUP 2] Display page 14

s Recall.....

This function can be used to recall the initial factory settings (basic settings) for a group of parameters, or for all parameters at once. Press the w or v buttons or use the data dial or [] and [+] buttons to select the group you want to recall, then press the START button.
An Are you sure? message will be displayed. Press the YES button to recall, or NO to cancel.
The following parameter groups of the Clavinova can be recalled.
Group VOICE SETTING REVERB/EFFECT TUNE PEDAL ACMP SETTING SONG SETTING REGISTRATION MIDI SETTING ALL Description Voice-related settings Reverb, chorus, and effect settings Master tuning, micro tuning, scale tuning Pedal function settings Auto Accompaniment-related settings Settings related to the Song mode Registration data, Freeze function settings MIDI function settings All of the above settings
Permanent Settings The factory settings of the following parameters are not recalled: Help language Song volume Backup ON/OFF However, these and all other settings can be reset to the initial factory values by turning the power on while holding down the rightmost key on the keyboard (C7). When this is done, the Back up data erased and replaced by factory data message appears to indicate that all backed up data has been erased and the factory settings have been recalled. After this message is displayed for a few seconds, the main display will appear.
Refer to page 13 in the Reference Booklet for a list of the specific parameters in each group.
FUNCTION [MICRO TUNING] Display page 15
The Micro Tuning Feature makes it possible to individually tune each key of the keyboard. The created tuning can be saved to a disk and loaded whenever necessary. The currently loaded custom tuning can be turned on or off at any time by using the leftmost LCD button in this display.

s Micro Tuning Setup....

Z Select a key. Press the key to be tuned.
The note name and the current tuning value of the pressed key will appear in the display.

A click or pop is heard when the power is turned on or off. Noise is heard from the Clavinovas speakers. The display is too bright or too dark to read. The keyboard volume is low compared to that of the Auto Accompaniment or song playback.
The volume of the Auto Accompaniment or song playback is low compared to that of the keyboard.
The [ACMP/SONG VOLUME] is set too low. The volume level of one or more accompaniment parts or song tracks is set too low. The [MASTER VOLUME] is set too low. Headphones are connected. The Local Control function is turned off.
The overall volume is low, or no sound is heard.
The damper pedal has no effect, or the sound continuously sustains even when the damper pedal is not pressed. Style or song playback does not start. When the keyboard is played, not all of the notes sound.
The pedal cord plug is not connected.
The MIDI Sync function is set to EXT. The Clavinovas total simultaneous polyphonic capacity (maximum number of notes) has been exceeded.
Solution Securely insert the female plug into the socket on the Clavinova, and the male plug into a proper AC outlet. This is normal, and is no cause for concern. Turn off the mobile phone, or use it further away from the Clavinova. Adjust the contrast of the display using the [CONTRAST] control. (See page 11.) Increase the overall keyboard level in the main display (page 23), or use the VOLUME function in the appropriate KEYBOARD display (pages 32, 34, or 37) to raise the volume of the keyboard part in question. Raise the [ACMP/SONG VOLUME] level. Raise the part or track level(s) in the appropriate MIXER display (page 65 or 100). Raise the [MASTER VOLUME] level. Unplug the headphones. Turn the Local Control function on. (See page 147.) Securely insert the pedal cord plug into the proper jack. (See page 42 in the Reference booklet.) Set the MIDI Sync function to INT. (See page 148.) Since the configuration of the tone generation system is such that later notes have priority, previous notes may occasionally be cut off. (See Specifications in the Reference Booklet for details about the simultaneous polyphonic capacity.)

Troubleshooting

Problem The Auto Accompaniment does not play back. The desired chord is not recognized or output by the Auto Accompaniment. Cause The Auto Accompaniment is not turned on. The keys are not being played correctly. The keys are not being played according to the selected accompaniment mode. The memory capacity is full because the playing time of one or more songs is long, or many functions were used. Playback of the track(s) is turned off. The maximum of 60 songs cannot be recorded. Some tracks do not play back when playing back data.

Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.
Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.
Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged.
WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.
Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

13. 14.

Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.