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Yamaha CVP-201

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Yamaha CVP-201 Reference Booklet

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Clavinova CVP 201 Stuck/Broken Keys Repair

 

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Comments to date: 10. Page 1 of 1. Average Rating:
bgeerdes 11:23pm on Wednesday, October 20th, 2010 
I purchased this phone shortly after it came out. I cam currently with Sprint and wanted to get something close to the iphone. Size dimensions of P3400 be calculated. bold touches are almost 2 cm. Weight also feels a bit heavy with the size of 126 grams.
dr_Fell 3:47pm on Saturday, October 16th, 2010 
Stay as far away from this phone as you can. I got it for "free" in a 2-for-1 deal, but feel like I have a 3 year prison sentence as a result.
Alain Madamours 5:04am on Monday, August 30th, 2010 
When my husband and I purchased these phones we were told it was capable of texting images and video. I purchased this phone earlier this year and within a week I had to do several resets. The phone would freeze up on me constantly. I bought the Touch about three months ago for the Bell network. A quick summary of the problems are that the volume out of the ear piece is horrific.
rynoceris84 7:31pm on Sunday, August 22nd, 2010 
I am happy with the phone. Hope they come up with a solution to the short battery life. Display is great! The apps are terrific and the ease of use.
tahir 5:20am on Tuesday, August 10th, 2010 
Tried it on MyTouch 3g.... I bought this for my T-Mobile MyTouch 3g running Android 1.6. The audio output on this adapter does not work. Indispensible "Accessory" for G1 Owners I can now connect the G1 to my sound system and stream Pandora or Last. I thought HTC products would always work I selected to buy this product with the HTC logo since I thought it would work as advertized.
georges999 5:31pm on Sunday, July 25th, 2010 
The HTC Touch is a good all-around phone with touch screen capability that is above average for its class. But. As an upgrade from the Palm Treo 700wx I must say this phone is quite an improvement for me.
rgstein 1:43pm on Sunday, May 30th, 2010 
General 2G Network GSM 850 / 900 / 1800 / 1900 3G Network HSDPA 900 / 2100 HSDPA 850 / 1900 - American version Announced 2009.
Dave Mc_en 8:06pm on Saturday, May 29th, 2010 
Seems like all the new smartphones have their of share of defects. I have a HTC touch. The first one had Windows Mobile 6.1 installed. I think the once the HTC Dream, HTC Dream, and Google Android are released, it will really open up the field of what a cell phone can do. Yes.
papajoe 7:51am on Sunday, March 28th, 2010 
Love this phone--fast processor, great ROM/RAM, very sleek & lightweight. However, like other HTC devices. Very compact and comfortable cell phone with long battery life and good working EDGE. PDA functions are good.
CyberLutz 2:31pm on Thursday, March 11th, 2010 
It constantly freeze up. T-mo exchanged my phone twice and all three of them had the same problem. Overall I believe this phone is worthwhile getting if you can look past the minor flaws that this phone contains. certainly a good phone but missing UMA Display, keyboard, 3G UMA (wifi calling support from Provider)

Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.

 

Documents

doc0

Different types of arrows are used to distinguish the steps of an operation from its results. Operation steps
np indicates that you should do n, then do p.

Operation results

nm indicates that doing n results in m.

About This Manual

q Precautions
Be sure to handle floppy disks and treat the disk drive with care. Follow the important precautions below.
s Cleaning the Disk Drive Read/Write Head...
q Clean the read/write head regularly. This instrument employs a precision magnetic read/write head which, after an extended period of use, will pick up a layer of magnetic particles from the disks used that will eventually cause read and write errors. q To maintain the disk drive in optimum working order Yamaha recommends that you use a commerciallyavailable dry-type head cleaning disk to clean the head about once a month. Ask your Yamaha dealer about the availability of proper head-cleaning disks. q Never open or close the key cover while a disk is extending from the drive (i.e. in the ejected position). The key cover may contact the disk, possibily damaging the disk or even the disk drive. q Never insert anything but floppy disks into the disk drive. Other objects may cause damage to the disk drive or floppy disks.

q Compatible Disk Type

3.5" 2DD and 2HD type floppy disks can be used.
s Inserting/Ejecting Floppy Disks.
To insert a floppy disk into the disk drive:
Hold the disk so that the label of the disk is facing upward and the sliding shutter is facing forward, towards the disk slot. Carefully insert the disk into the slot, slowly pushing it all the way in until it clicks into place and the eject button pops out.

DISK IN USE

s About the Floppy Disks..

To eject a floppy disk:

Before ejecting the disk, be sure to confirm that the FDD is stopped (check if the [DISK IN USE] lamp is off). Press the eject button slowly as far as it will go; the disk will automatically pop out. When the disk is fully ejected, carefully remove it by hand.

DISK IN USE lamp

To handle floppy disks with care:
q Do not place heavy objects on a disk or bend or apply pressure to the disk in any way. Always keep floppy disks in their protective cases when they are not in use. q Do not expose the disk to direct sunlight, extremely high or low temperatures, or excessive humidity, dust or liquids. q Do not open the sliding shutter and touch the exposed surface of the floppy disk inside. q Do not expose the disk to magnetic fields, such as those produced by televisions, speakers, motors, etc., since magnetic fields can partially or completely erase data on the disk, rendering it unreadable.

Playing the Demo Songs

(B) To listen to a voice demo, press the VOICE button corresponding to the desired voice category.
Playback starts from the first demo song for the selected category. The lamp of the corresponding VOICE button flashes.
PIANO E. PIANO GUITAR SYNTHESIZER ORGAN STRINGS/ CHOIR DUAL REVERB BRASS SAX / FLUTE BASS PERCUSSION ENSEMBLE XG SPLIT EFFECT
There are two demo songs for each voice category. To skip to the second song, press the flashing button a second time.
To listen to a style demo, press the STYLE button corresponding to the desired style category.
Playback starts from the first demo song for the selected category. The lamp of the corresponding STYLE button flashes.
8BEAT 16BEAT BALLAD DANCE ROCK/ R&B PIANIST MUSIC DATABASE
There are two demo songs for each style category. To skip to the second song, press the flashing button a second time.

SWING/ JAZZ

COUNTRY

BALLROOM

TRAD/ WALZ

HARMONY

V Adjust the volume...
Use the [MASTER VOLUME] slider to adjust the volume.
The [ACMP/SONG VOLUME] control cannot be used.
B Stop the demo playback...
To stop playback, press either [START/STOP] or [PLAY/STOP], or the LCD button corresponding to the song thats currently playing.
To change songs during playback: Press the LCD button, VOICE button, or STYLE button of another song; the song then changes. When ALL or RANDOM is selected as the play mode, the Clavinova will play other songs when the selected song is finished.

N Exit the Demo mode...

To exit the Demo mode, press [DEMO] again (or press [EXIT]).
q Playing Along with the Demo Songs You can play the keyboard while a demo song is playing back. You can also change the tempo (page 25) and use the [REW], [FF] and [PAUSE] buttons. When you play 3. Lyric Demo, the Clavinova will display the lyrics so you can sing (as well as play) along. Also, you can use the Guide function (page 105) while the Clavinova is playing 4. GUIDE Demo. You cannot change the voice selection while the demo is playing, however.
Demo song data is not output through the [MIDI OUT] terminal; however, your keyboard performance data is output.

2: Basic Operation

You will refer to the LCD display frequently as you operate your Clavinova. This section consists of a short tutorial that will help you learn how to read the LCD display and use the related controls.

The settings you make in this page affect any voices you select using the RIGHT2 VOICE function. Different settings cannot be made for each voice.
s Displaying the Second Voice Keyboard Settings.
Press [DIRECT ACCESS], then [DUAL].

NTHEZER

PERSSION
The KEYBOARD [RIGHT2] display appears.
s Setting the Volume of the Second Voice..
You can use the VOLUME function in the KEYBOARD [RIGHT2] page to change the volume of the second voice. Z Press the VOLUME button.
X Adjust the volume of the second voice. Use the data dial or [] and [+] buttons to change the volume, or hold down the VOLUME button to increase the volume. Press the [] and [+] buttons simultaneously to restore the basic setting.
s Setting the Octave of the Second Voice.
The OCTAVE function in the KEYBOARD [RIGHT2] display lets you adjust the pitch of the second voice up or down by one or two octaves. Press the OCTAVE button.
If the RIGHT2 VOICE function is selected in the main display, you can also display the KEYBOARD [RIGHT2] page by pressing [DIRECT ACCESS] followed by any one of the VOICE buttons. You can switch between the KEYBOARD [RIGHT2] page and the [RIGHT1] (page 31) or [LEFT] (page 37) displays using the PAGE [<] and [>] buttons. OCTAVE Settings: 2 (2 octaves lower) 1 (1 octave lower) 0 (no octave shift) +1 (1 octave higher) +2 (2 octaves higher) Basic setting: 0 Some voices have octave settings that are selected automatically when the voice is selected. (Such settings are not displayed by the OCTAVE function.) You can prevent the octave setting from changing when a voice is selected by setting the VOICE SETTING function (page 137) to MANUAL.
Z Press the PAN button. X Adjust the stereo position. Z Press the DETUNE button. X Adjust the detune depth.
s Setting the Stereo Position of the Second Voice.
The PAN function in the KEYBOARD [RIGHT2] display lets you adjust the stereo position of the second voice.
PAN Settings: L R Basic setting: (center)
Use the data dial or [] and [+] buttons to change the stereo position, or hold down the PAN button to move the position to the right. Press the [] and [+] buttons simultaneously to restore the basic setting.
s Detuning the Second Voice...
The DETUNE function in the KEYBOARD [RIGHT2] display page lets you detune the pitch of the second voice slightly from that of the main voice, to produce an even richer sound.

To restore the basic setting for the currently selected main voice, press the TYPE v and w buttons or the [] and [+] buttons simultaneously. Since the basic setting of the TYPE function depends on the currently selected main voice, a different harmony type may be selected automatically if you change the main voice selection. Harmony Types
Type Duet Trio Block 4 Part Country Octave 1+5 Echo Tremolo Trill Strumming Add Jazz Gtr Add Brass Add Strings In The Forest Speed
Some harmony types (indicated by a in the Speed column of the table at left) have a speed setting that can be adjusted. See the next topic for details.
Z Select the SPEED function. Press the LCD button under the SPEED function.
The SPEED function is highlighted.
s Changing the Harmony Speed...
You can change the speed of the harmony notes played by the Echo, Tremolo, and Trill harmony types using the SPEED function in the HARMONY display.
SPEED function Settings: 4, 6, 8, 12 (Echo) 8, 12, 16, 32 (Tremolo) 12, 16, 24, 32 (Trill) Basic setting: Depends on main voice.
X Change the SPEED setting. Use the SPEED button, the data dial, or the [] and [+] buttons to change the value of the SPEED function.
s Changing the Harmony Volume...
You can change the volume of the harmony notes using the VOLUME function in the HARMONY display. Z Select the VOLUME function. Press the one of the LCD buttons under the VOLUME function.
VOLUME function Settings: 0 (min.) 127 (max.) Basic setting: Depends on main voice.
X Change the VOLUME setting. Use the VOLUME w and v buttons, the data dial, or the [] and [+] buttons to change the value of the VOLUME function. To restore the VOLUME function to its basic setting for the currently selected main voice, press the VOLUME w and v buttons or the [] and [+] buttons simultaneously.

One Touch Setting

The Clavinovas convenient One Touch Setting function makes it easy for you to select voices and effects that are appropriate to the style youre playing. Each style has four preprogrammed panel setups that you can select by pressing a single button. For a list of the One Touch Setting parameters, refer to page 11 of the Reference Booklet.

Repeat Functions

The Clavinova has convenient repeat functions that let you repeatedly play back the same song or sections within the song. This function is useful when you want to practice a difficult phrase. Select the desired mode from the available four Repeat modes from the SONG PLAY [REPEAT] display (display page 4).
Four Repeat modes OFF (Repeat function is turned off) PHRASE (Phrase Repeat) 1 SONG (1 Song Repeat) AB mode (AB Repeat)
The ALL or RANDOM playback mode (in the SONG PLAY [MAIN] display) will be disengaged when any of the Repeat modes are selected. Any previously set Repeat mode will be reset to OFF when a different song is selected.

s Phrase Repeat....

When playing back Yamaha software that includes special phrase marks, such as DOC files, you can select specific phrase numbers (as indicated on the accompanying sheet music) and repeatedly practice only the selected phrase. (Phrase Repeat can be used for the four songs for which notation is provided in the included Music Book.) If you select PHRASE by using the REPEAT MODE w or v buttons, the PHRASE display for selection of the phrase number will appear at the right of the button. Press PHRASE w or v to highlight the corresponding function in the display, then select the phrase number by using the data dial or [] and [+] buttons. You can also select the phrase number by pressing PHRASE w or v. Once song playback is started, the selected phrase will be played back repeatedly until playback is stopped.
Parts can be turned on/off even during the performance. The Guide function can also be used simultaneously with Phrase Repeat. When Phrase Repeat is started, a lead-in count automatically plays before the phrase. However, for freetempo songs, a lead-in count is not available.

s 1 Song Repeat....

When 1 SONG is selected by pressing the REPEAT MODE w or v button, any song selected and played as described above will play repeatedly until stopped.
Lead-in count is not played.

s AB Repeat.....

This function allows you to specify any section (between point A and point B) of a song, letting you repeatedly play back the selected section for practice. When AB mode is selected by the REPEAT MODE w or v buttons, A and B will appear at the right of the buttons in the display to specify points A and B.

The specified A and B points will be erased when a new song number or another Repeat mode is selected. A lead-in count automatically plays before the specified section AB Repeat playback is started. However, for free-tempo songs, a lead-in count is not available. To specify the A point as the beginning of the song, press A before playback starts. In this case a lead-in count is not available. Specifying only the A point results in repeat playback between the A point and the end of the song. The B point cannot be selected unless an A point is selected.
While the song is playing back, press the A button once at the beginning of the section to be repeated.
Then, press the B button at the end of the section to be repeated. Repeat playback of the specified section (from point A to point B) will begin automatically.
The programmed A and B points are retained until a different song or a different Repeat mode is selected. The same section can be played back repeatedly as many times as you desire by using the [PLAY/STOP] button. When both the A and B points have been specified, you can clear the A and B points by pressing the A button, or just the B point by pressing the B button. You can then specify other A and B points within the song.

Other Playback Controls

s Pause.....
Press the [PAUSE] button during song playback to temporarily stop song playback. Press [PAUSE] again or the [PLAY/STOP] button to resume playback from the same point.
Using the [REW] button may cause the voice, tempo, and/or volume to change.
s Rewind and Fast Forward..
Use the [REW] and [FF] buttons to rewind or fast forward to the playback point of the song. While playback is stopped or paused, the [REW] and [FF] buttons can be used to step backward or forward through the song a measure at a time. Holding down either button continuously moves through the song in the corresponding direction. During playback, the [REW] and [FF] buttons allow you to move the playback point of the song rapidly as long as the button is held. No sound is produced during [REW] operation.
Playing Other Types of Music Data
s About Compatible Software...
The CVP-201 can play back the following types of software.
Sequence formats: SMF (format 0 and 1), ESEQ Voice allocation formats: GM System Level 1, XG, DOC
The Lyric Display function (page 109) cannot be used with song data recorded in SMF format 1.
Refer to MIDI and Data Compatibility (page 172) for information on the voice allocation formats and sequence formats. The internal tone generator of the CVP-201 automatically resets for compatibility with either the Yamaha XG format (including GM System Level 1) or the Yamaha DOC voice allocation (page 172), depending on the playback data. (However, the selected voice allocation on the panel will not change.)

s Piano Roll ON/OFF....

The piano roll display can be turned on or off by pressing the PIANO ROLL button. When AUTO is selected, the piano roll will appear by turning on one of the GUIDE CONTROL buttons. When this function is set to ON, the piano roll is always shown during playback; when it is set to OFF, the piano roll is not displayed.
PIANO ROLL Settings: AUTO, ON, OFF Basic setting: AUTO
When a song contains lyrics, the Lyric Display function has priority over the Piano Roll function. The Piano Roll will be displayed if you turn the Lyric Display function off as described above.
s Keyboard Guide Lamp ON/OFF..
To turn off the keyboard guide lamps, press the LAMP button to set the function to OFF.
The Clavinova features comprehensive song recording functions that allow you to record your own performances to floppy disks. Three recording methods are available: Quick Recording (page 112), which lets you record quickly and easily; Track Recording (page 115), with which you can record multiple instrumental parts; and Chord Sequence (page 121), which lets you step-record Auto Accompaniment chords.
Up to 60 songs can be recorded on a single disk, depending on the amount of data contained in each song. Before you can record songs on a new disk, the disk must be formatted for use by the Clavinova (see page 111).
q Structure of a Song A song can be made up of several instrumental parts, each assigned to a different track, as shown in the example below.

Sample song track chart

Track : : 16 Part Piano (right-hand) Piano (left-hand) Bass Strings : Rhythm Rhythm : Organ
(Up to a maximum of 16 tracks.)
Various confirmation, alert, and error messages may appear in the display during operation. Refer to Messages (page 165) for information on the messages.
Refer to Handling the Floppy Disk Drive (FDD) and Floppy Disks (page 9) for information on using floppy disks. Songs recorded by the CVP-201 are saved as SMF (format 0) files. Songs recorded using the [XG] category voices are XG-compatible. See page 172 for information on the XG/SMF (format 0) format.
Recording Setup: Disk Format
Before you can record to the included blank disk, you will have to format it. Commercially available blank disks must also be formatted for use. You can use the Format function in the FUNCTION [DISK 5] display (page 146) to re-format floppy disks that have already been used for recording.
Gently insert the included blank disk for recording into the disk drive face-up and shutter end first, until it clicks into place.
A few seconds after inserting the disk into the disk drive, a Start disk format? message appears in the display. To start formatting, press the OK button. To cancel the format operation, press CANCEL.

The [REC] lamp lights and the QUICK RECORD display (Record mode page 1) appears.
Songs Recorded on Other Instruments The Clavinova may display the Convert to CVP song? message (page 166) If you attempt to record data to a song created on another instrument. Press YES to convert the song before recording. When a song is converted as described here, it may not be possible to record data in tracks other than tracks 1 or 2.
Both 1/RIGHT and 2/LEFT cannot be set to REC at the same time.
Call up page 1 by using the PAGE [<] and [>] buttons if the lamp is lit but the QUICK RECORD display is not shown. Once you have entered the Record Mode, you can press [REC] or [EXIT] at any time before step 6 to cancel recording without saving any data.
Recording the Harmony Parts The Clavinova will record harmony notes when you record with the Harmony function (page 69) turned on. If the harmony type is set to Duet, Trio, Block, 4 Part, Country, Octave, or 1+5, the harmony notes will be recorded in the selected track. When any other harmony type is selected, the harmony notes will be recorded in tracks 6 through 8.
VSelect the part to be recorded...
In Quick Recording, three parts can be recorded: the right hand part (1/RIGHT), the left hand part (2/LEFT) and the Auto Accompaniment & rhythm part (ACMP&RHY). Press the appropriate button 1/ RIGHT, 2/LEFT or ACMP&RHY to set the corresponding part to REC (recording enabled) or OFF (recording/playback disabled). The PLAY (playback) setting can be selected only for parts which already contain data. The ACMP&RHY part can be set to REC automatically by pressing the panel [ACMP ON] button. To record only the rhythm, leave ACMP&RHY set to REC, then press the [ACMP ON] button so that the lamp goes out.
Recording in Dual/Split Mode If you record the 1/RIGHT part in the Dual mode, data is recorded to tracks 1 and 3. If you record the 1/RIGHT part in the Split mode, data is recorded to tracks 1 and 5. If you record the 2/LEFT part in the Dual mode, data is recorded to tracks 2 and 4. If you record the 2/LEFT part in the Split mode, data is recorded to tracks 2 and 5. When the recording part is changed, [HARMONY] and [SPLIT] are automatically turned off.

s Left Pedal & Glide Range...
This function conveniently lets you set the left pedal to control one of various functions.
LEFT PEDAL Settings: See table at left. Basic setting: SOFT

LEFT PEDAL Settings

Setting SOFT START/STOP HARMONY REGISTRATION REG.FREEZE Description The left pedal functions as the soft pedal (basic setting). (See page 40.) The left pedal functions as the [START/STOP] button. (See page 52.) When the Harmony function is set to on, Harmony is applied only while the left pedal is held down. (See page 69.) The panel settings registered to the next Registration number are recalled each time the left pedal is pressed. (See page 91.) The left pedal switches the Registration Freeze function on and off; that is, it performs the same function as the FREEZE button in the REGISTRATION [FREEZE] display (page 91). The left pedal functions as the [ENDING] button. You can have the song end ritardando (slow down gradually) by pressing the left pedal twice in succession. (See page 56.) Pressing the left pedal during style playback produces a break in the accompaniment and rhythm for as long as the pedal is held. When the pedal is released, normal playback resumes from the next measure. If you press the left pedal a second time within one measure, normal playback resumes immediately. Pressing the left pedal during style playback causes the Clavinova to play a special break fill-in pattern. This pattern is different from the fill-in patterns produced by the Auto Fill function. (See page 51.) While the left pedal is pressed, the bass note played by the Auto Accompaniment will be held even if the chord is changed. This function does not work when FULL KEYBOARD is selected as the accompaniment mode (page 61). The left pedal performs the function same as the [FADE IN/ OUT] button. (See pages 55 and 56.) This function switches the effect variation on or off; that is, it performs the same effect as the VARIATION button in the EFFECT display (page 47). Pressing the left pedal causes the pitch to rise an amount specified by the GLIDE RANGE function. When the pedal is released, the pitch glides smoothly back to normal at one of three speeds (slow, medium or fast, depending on the selected setting). Pressing the left pedal causes the pitch to drop an amount specified by the GLIDE RANGE function. When the pedal is released, the pitch glides smoothly back to normal at one of three speeds (slow, medium or fast, depending on the selected setting).

GLIDE RANGE Settings: (semitones) Basic setting: 1 If the left pedal is set to REGISTRATION, the setting of the left pedal function in Registration memory is not recalled.

ENDING/RIT

BREAK FIL

BASS HOLD

FADE IN/OUT EFFECT VARI
GLIDE UP S GLIDE UP M GLIDE UP F GLIDE DOWN S GLIDE DOWN M GLIDE DOWN F
FUNCTION [DISK 1] Display page 4
s Registration & Setup Files..
You can use the functions on this page to load, save, delete, and rename data files containing registration data (page 89) or panel setup data. Before executing one of these functions, make sure that the disk you want to use for this operation is inserted in the disk drive.
Z Select the file type. Press either of the two leftmost LCD buttons to select the file type to be loaded, saved, deleted or named.
A Registration file may contain the data for just one registration, or a full set of twenty. Refer to page 11 in the Reference Booklet for a list of settings registered by the Registration function. An All Setup file contains all panel setting data in the list on page 11 in the Reference Booklet.

ALL SETUP

If you select REGISTRATION as the file type, you can also use the REGIST function to specify whether the operation will affect one memory location or a full set of twenty.
When saving registration data, the REGIST setting specifies which memory location(s) will be saved to disk. When loading data, the REGIST setting specifies how the registration data will be loaded, as shown below:
REGIST setting: File contains: All registrations One registration ALL All registrations are loaded. A1 E4 Only registration saved from specified location is reloaded (to original location).
Selected registration file is Selected registration file is loaded into original location. loaded into specified location.
You can delete or rename any registration file on the disk, regardless of the REGIST setting.

FUNCTION [MIDI 1] Display page 9
s Send Channel (Keyboard)...
In any MIDI control setup, the MIDI channels (1 through 16) of the transmitting and receiving equipment must be matched for proper data transfer. The SEND CH function lets you set the MIDI transmit channels for the keyboard parts.
Part LEFT RIGHT1 RIGHT2 Explanation Left voice in Split mode (see page 36) Main voice Second voice in Dual mode (see page 33) Basic Setting 2
SEND CH Settings: OFF, Basic setting: See table at left.
You can set each keyboard part to transmit on a separate channel. If you set a part to OFF, the MIDI data for that part will not be transmitted.
q MIDI Reception The Clavinova always receives MIDI data in the Multi Timbre mode. This is a mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 16) by an external MIDI device. This means that you can produce the sound of a full band or ensemble on the Clavinova by using a computer or MIDI sequencer.

s Local Control....

The term local control refers to the control of the internal tone generator by the keyboard. You will normally play the Clavinova with the Local Control function set to ON. Turning off the local control separates the keyboard from the tone generator, so that the Clavinova will not output any sound when you play the keyboard. Since keyboard performance data is still output via the MIDI jacks, however, you can use this setting when you want to play an external MIDI tone generator from the Clavinovas keyboard without sounding the internal voices. To turn the local control on or off, press the LOCAL button. The data dial and [] and [+] buttons cannot be used.
LOCAL Settings: ON, OFF Basic setting: ON

s Synchronization....

The playback tempo of a song or style is normally controlled by the Clavinovas internal clock. When you want the Clavinovas playback tempo to be controlled by an external sequencer or rhythm machine, you should set the synchronization function to use an external clock. You might use this function, for example, to play the Auto Accompaniment of the Clavinova in perfect synchronization with an external sequencer. To switch the synchronization from an internal clock to an external clock (or vice versa), press the SYNC. button. The data dial and the [] and [+] buttons cannot be used.
SYNC. Settings: INT. (internal clock), EXT. (external clock) Basic setting: INT.
FUNCTION [MIDI 2] Display page 10

LOAD SAVE DELETE NAME

See page 140. See page 140. See page 141. See page 141.

9: Connections

The Clavinova is equipped with jacks that let you connect a variety of audio devices. You can connect headphones, a stereo system, or PA equipment for audio output, as well as input from a tone generator or other instrument.
Be sure to turn off the power when connecting or disconnecting audio equipment, as failing to do so can result in damage to speakers and other problems.
To use headphones, connect them to one of the [PHONES] jacks (standard 1/ 4" phone jacks) located below the left end of the keyboard. The Clavinovas built-in speaker system is automatically shut off when a pair of headphones are connected. Two people can enjoy listening to the Clavinova together by connecting two pairs of headphones to the two jacks.
Recommended Headphones: Yamaha HPE-160 headphones

Audio Input and Output

You can connect the Clavinova to a wide range of audio equipment by using the AUX IN and AUX OUT jacks, which are located at the left end of the unit on the rear panel.

s AUX IN Jacks....

Tone Generator
The sounds of other instruments or tone generator modules can be output through the speaker system of the Clavinova by connecting audio cables to the AUX IN jacks as shown here. Use the AUX IN [L/L+R] jack for monophonic input. For stereo input, connect the left channel output to the AUX IN [L/L+R] jack, and the right channel output to the AUX IN [R] jack.
CAUTION Never connect the Clavinovas AUX OUT jacks to its AUX IN jacks, either directly or via external audio equipment. Such connections could result in a feedback loop that will make normal performance impossible, and may even damage the Clavinova.
The volume of the audio signal input at the AUX IN jacks is affected by the [MASTER VOLUME] slider.

s AUX OUT Jacks....

Stereo System
By connecting audio cables to the AUX OUT jacks as shown here, you can output the sound of the Clavinova to a stereo system, amplifier, mixing console, or recording equipment. Since the AUX OUT jacks provide output at a fixed level, you will need to use the controls on the connected equipment to adjust the overall volume of the sound from the Clavinova. Use the AUX OUT [L/L+R] jack for monophonic output. For stereo output, connect the AUX OUT [L/L+R] jack to the left channel input, and the AUX OUT [R] jack to the right channel input.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
regulations does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.

(class B)

IMPORTANT NOTICE FOR THE UNITED KINGDOM Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance with the following code: BLUE : NEUTRAL BROWN : LIVE As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured makings identifying the terminals in your plug proceed as follows: The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK. The wire which is coloured BROWN must be connected to the terminal which is marked with the letter L or coloured RED. Making sure that neither core is connected to the earth terminal of the three pin plug.

(2 wires)

This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE
BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR VITER LES CHOCS LECTRIQUES,
INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQUAU FOND.

(polarity)

This applies only to products distributed by Yamaha Canada Music Ltd. Ceci ne sapplique quaux produits distribus par Yamaha Canada Musique Lte.
IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK, AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
WARNING- When using any electrical or electronic product, basic precautions should always be followed. These precautions include, but are not limited to, the following:
This product was NOT designed for use in wet/damp locations and should not be used near water or exposed to rain. Examples of wet/damp locations are; near a swimming pool, spa, tub, sink, or wet basement.

doc1

Voice # Voice Name Bright FantaBel Smokey Goblins GobSynth Creeper Ring Pad Ritual ToHeaven Night Glisten BelChoir Echoes Echoes 2 Echo Pan EchoBell Big Pan SynPiano Creation StarDust Reso&Pan Sci-Fi Starz Sitar DetSitar Sitar 2 Tambra Tamboura Banjo MuteBnjo Rabab Gopichnt Oud Shamisen Koto Taisho-k Kanoon Kalimba Bagpipe MSB # 0 LSB # 0 Program Change # 109 Voice Name Fiddle Shanai Shanai 2 Pungi Hichriki TnklBell Bonang Altair Gamelan S.Gamlan Rama Cym AsianBel Agogo SteelDrm GlasPerc ThaiBell WoodBlok Castanet TaikoDrm Gr.Cassa MelodTom Mel Tom2 Real Tom Rock Tom Syn Drum Ana Tom ElecPerc RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot CuttngNz CttngNz2 Str Slap MSB # 64 Voice # LSB # 0 Program Change # 3 Voice Name Fl.KClik Shower Thunder Wind Stream Bubble Feed Dog Horse Tweet 2 Ghost Maou Tel.Dial DoorSqek DoorSlam ScratchC ScratchS WindChim Telphon2 CarEIgnt CarTSqel Car Pass CarCrash Siren Train JetPlane Starship Burst Coaster Submarin Laugh Scream Punch Heart Footstep MchinGun LaserGun Xplosion Firework MSB # 64 Voice # LSB # 0 Program Change # 115
Demo Songs / Demo-Songs / Morceaux de dmo / Canciones de demostracin

SONG DEMO

Title Klavier Konzert a moll op.16 (Piano Concert a minor op.16) Beautiful Dreamer Annie Laurie Composer E.Grieg S.C.Foster Traditional PIANO SYNTHESIZER ORGAN PERCUSSION XG

VOICE DEMO

Title Walzer op.70-1 Bruyeres Choralvorspiele Ich ruf zu dir, Herr Jesus Christ Air de Ballet TREPAK from Nutcracker Suite op.71a Composer F.Chopin C.A.Debussy J.S.Bach M.Moszkowski P.I.Tschaikovsky

Song 1 Song 3 Song 4

Some of the demonstration pieces listed above are specially-arranged excerpts from the original compositions listed above. All other songs are original (2001 Yamaha Corporation). Bei manchen der oben aufgelisteten Demostcke handelt es sich um Auszge aus den Originalkompositionen mit speziellem Arrangement. Alle anderen Stcke sind eigene Kompositionen ( 2001 Yamaha Corporation). Certains des morceaux de dmonstration numrs ci-dessus sont de courts extraits des compositions originales. Tous les autres morceaux sont des crations originales ( 2001 Yamaha Corporation). Alguna de las piezas de demostracin arriba listadas son exceptos especialmente preparados de las composiciones originales de arriba. Todas las otras canciones son originales ( 2001 Yamaha Corporation.)
Drum/key Assignment List / Verzeichnis der Liste dassignation instrument de batterie/ Lista de asignaciones de teclas/batera
Bank Select MSB Bank Select LSB Program # (1-128) Keyboard MIDI Note Note # C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C 85 C# 86 D 87 D# 88 E 89 F 90 F# 91 G Note -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5 Key off Alternate assign 1 Standard Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 2 Standard 2 Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll 2 Castanet Snare Soft 2 Sticks Kick Soft RimShotHShrt KickTghtShrt Kick Short Side Stick Snare Short Hand Clap SnareTight H Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 9 Room Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Snappy Hand Clap SnrTightSnpy Tom Room 1 Hi-HatClosed Tom Room 2 Hi-Hat Pedal Tom Room 3 Hi-Hat Open Tom Room 4 Tom Room 5 CrashCymbal1 Tom Room 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 17 Rock Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Noisy Sticks Kick Tight 2 OpenRimShot Kick 2 Kick Gate Side Stick Snare Rock Hand Clap SnareRockRim Tom Rock 1 Hi-HatClosed Tom Rock 2 Hi-Hat Pedal Tom Rock 3 Hi-Hat Open Tom Rock 4 Tom Rock 5 CrashCymbal1 Tom Rock 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 25 Electro Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnrSnpyElctr Sticks Kick 3 OpenRimShot Kick Gate KckGateHeavy Side Stick SnareNoisy 2 Hand Clap SnareNoisy 3 TomElectro 1 Hi-HatClosed TomElectro 2 Hi-Hat Pedal TomElectro 3 Hi-Hat Open TomElectro 4 TomElectro 5 CrashCymbal1 TomElectro 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Scratch H 2 Scratch L 2 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 26 Analog Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnareNoisy 4 Sticks Kick Tight 2 OpenRimShot KickAnlgShrt Kick Analog SideStickAn SnareAnalog Hand Clap SnareAnalog2 Tom Analog 1 HatCloseAnlg Tom Analog 2 HatCloseAn 2 Tom Analog 3 HatOpen Anlg Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell Anlg CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga Anlg H Conga Anlg M Conga Anlg L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas 2 SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves 2 Wood Block H Wood Block L Scratch H 2 Scratch L 3 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree

33 Jazz Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Jazz Side Stick Snare Hand Clap Snare Tight Tom Jazz 1 Hi-HatClosed Tom Jazz 2 Hi-Hat Pedal Tom Jazz 3 Hi-Hat Open Tom Jazz 4 Tom Jazz 5 CrashCymbal1 Tom Jazz 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 41 Brush Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Brush Slap 2 Sticks Kick Soft OpenRimShot Kick Tight Kick Small Side Stick Brush Slap 3 Hand Clap Brush Tap 2 Tom Brush 1 Hi-HatClosed Tom Brush 2 Hi-Hat Pedal Tom Brush 3 Hi-Hat Open Tom Brush 4 Tom Brush 5 CrashCymbal1 Tom Brush 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 49 Symphony Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Brush Slap 2 Sticks Kick Soft 2 OpenRimShot Gran Cassa GranCassa Mu Side Stick Band Snare Hand Clap Band Snare 2 Tom Jazz 1 Hi-HatClosed Tom Jazz 2 Hi-Hat Pedal Tom Jazz 3 Hi-Hat Open Tom Jazz 4 Tom Jazz 5 Hand Cymbal Tom Jazz 6 HandCymShort Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell HandCymbal 2 Vibraslap HandCym2Shrt Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 1 SFX Kit SFX Kit 2 CuttingNoiz CuttingNoiz2 String Slap Phone Call Door Squeak Door Slam Scratch Cut Scratch H 3 Wind Chime Telephone 2 Fl.Key Click Ignition Squeal Exhaust Crash Siren Train Jet Plane Starship Burst Coaster Submarine Shower Thunder Wind Stream Bubble Feed Laugh Scream Punch Heartbeat Footsteps Dog Horse Bird Tweet 2 Machine Gun Laser Gun Explosion Firework Ghost Maou
Schlagzeugklnge / touche du clavier /
Key Off: Las teclas marcadas con O dejan de sonar en el momento en que se sueltan. Alternate Assign: Al tocar algn instrumento con un grupo numerado detendr inmediatamente el sonido de cualquier otro instrumento del mismo grupo con el mismo nmero.

CmM 7 (9)

Cm (b5)

Cdim 7

C7 sus 4

C 7 (9)

C 7 (#11)

C 7 (13)

C 7(b5)

C 7(b9)

C 7 (b13)

C 7(#9)

Csus 4

CM 7 (#11)
Fingering Chart / Akkordliste / Tablature / Grfica de digitado
Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter H as a suffix. Also, n can freely be defined as any whole number. To enter data/values, refer to the table below.
Decimal Hexadecimal 0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 2A 2B 2C 2D 2E 2F 3A 3B 3C 3D 3E 3F Binary Decimal Hexadecimal 4A 4B 4C 4D 4E 4F 5A 5B 5C 5D 5E 5F 6A 6B 6C 6D 6E 6F 7A 7B 7C 7D 7E 7F Binary 0111 1111

(1) TRANSMIT FLOW

MIDI OUT KEY OFF KEY ON/OFF CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN SOSTENUTE SOFT PEDAL PORTAMENTO CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL RPN LSB RPN MSB PITCH BEND SENS. PROGRAM CHANGE SYSTEM EXCLUSIVE MESSAGE <YAMAHA MIDI FORMAT> <UNIVERSAL> UNIVERSAL NON-REALTIME <XG STANDARD> XG PARAMETER CHANGE XG BULK DUMP 8nH 9nH BnH BnH,00H BnH,20H BnH,06H BnH,26H BnH,07H BnH,0AH BnH,0BH BnH,40H BnH,42H BnH,43H BnH,54H BnH,5BH BnH,5DH BnH,5EH BnH,64H BnH,65H BnH,65H,00H,64H,00H,06H,mmH CnH

F0H 7EH..F7H

F0H 43H 1nH 4CH aaH aaH aaH ddH..ddH F7H F0H 43H 0nH 4CH bbH bbH aaH aaH aaH ddH..ddH ccH F7H <CLAVINOVA MIDI COMPLIANCE> <SPECIAL OPERATORS>
SYSTEM REALTIME MESSAGE MIDI CLOCK START STOP ACTIVE SENSING

F8H FAH FCH FEH

(2) RECEIVE FLOW
MIDI IN KEY OFF KEY ON/OFF CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENTO CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL DATA INCREMENT DATA DECREMENT NRPN LSB NRPN MSB VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQ. FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE DRUM INST CUTOFF FREQ. FILTER RESONANCE EG ATTACK RATE EG DECAY RATE PITCH COARSE 8nH 9nH
Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) displays the Note On Message for each channel (1-16). 176-191/ BnH/1011 0000-displays the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-displays the Program Change Message for each channel (1-16). 240/F0H/denotes the start of a System Exclusive Message. 247/F7H/denotes the end of a System Exclusive Message. aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low. bbH/0bbbbbbb denotes the byte count. ccH/0ccccccc denotes the check sum. ddH/0ddddddd denotes the data/value.

Until a PROGRAM CHANGE message is received, the BANK SELECT operation will be suspended. When a Voice, including VOICE BANK, is changed, set the BANK SELECT and Program Change Message, and transmit in the following order, BANK SELECT MSB, LSB, PROGRAM CHANGE. MODULATION controls the Vibrato Depth. PORTAMENTO TIME controls the Pitch Change Speed when the Portamento Switch = ON. 0 being the shortest time, and 127 being the longest. PANPOT changes the value for the melody voice and rhythm voice in relation to the preset value.
Portamento time is fixed to 0 when the PORTAMENTO CONTROL is used. HARMONIC CONTENT applies adjustment to the resonance value that is set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range. RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. ATTACK TIME applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. BRIGHTNESS applies adjustment to the cut-off frequency set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range. (3-2) CHANNEL MODE MESSAGES
STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER 0ccccccc c = CONTROL NUMBER 0vvvvvvv v = DATA VALUE
(3-3) REGISTERED PARAMETER NUMBER(RPN)
STATUS RPN LSB RPN LSB NUMBER RPN MSB RPN MSB NUMBER DATA ENTRY MSB DATA VALUE DATA ENTRY LSB DATA VALUE 1011nnnn(BnH) 01100100(64H) 0ppppppp 01100101(65H) 0qqqqqqq 00000110(06H) 0mmmmmmm 00100110(26H) 0lllllll n = 0 - 15 VOICE CHANNEL NUMBER p = RPN LSB (refer to the list below) q = RPN MSB (refer to the list below) m = Data Value l = Data Value
First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB. RPN LSB MSB 00H 00H 01H 00H 02H 00H 7FH 7FH D.ENTRY MSB LSB PARAMETER NAME DATA RANGE mmH PITCH BEND SENSITIVITY 00H-18H (0 - 24 semitones) {mmH,llH} = {00H,00H}-{40H,00H}-{7FH,7FH} mmH llH FINE TUNE (-8192*100/8192) - 0 - (+8192*100/8192) mmH COARSE TUNE 28H - 40H - 58H (-24 - 0 - +24 semitones) NULL Clears the current RPN number setting. Does not change the internal parameter settings.

(3-6) SYSTEM EXCLUSIVE MESSAGE (3-6-1) YAMAHA MIDI FORMAT (3-6-1-1) SECTION CONTROL
binary 0sssssss hexadecimal F7E 00 SS Exclusive status YAMAHA ID Style Switch No. 00H : INTRO A 01H : INTRO B 02H : INTRO C/D 03H~07H : INTRO C/D 08H : MAIN A 09H : MAIN B 0AH : MAIN C 0BH~0FH : MAIN D 10H : FILL IN A 11H : FILL IN B 12H : FILL IN C 13H~17H : FILL IN D 18H : BREAK FILL 19H : BREAK FILL 1AH : BREAK FILL 1BH~1FH : BREAK FILL 20H : ENDING A 21H : ENDING B 22H : ENDING C/D 23H~27H : ENDING C/D Switch On/Off: 00H(Off),7FH(On) End of Exclusive

0ddddddd 11110111

Hex 1A 1B 1C 1D 1E 1F 22

Dec 34

Chord type dim7 7th 7sus4 7b5 7(9) 7(#11) 7(13) 7(b9) 7(b13) 7(#9) Maj7aug 7aug 1+8 1+5 sus4 1+2+5 cc
When an ON code is received, the appointed section will be changed.

(3-6-1-2) TEMPO CONTROL

binary 0ttttttt 0ttttttt 0ttttttt 0ttttttt 11110111 hexadecimal F7E 01 TT TT TT TT F7 bt Exclusive status YAMAHA ID Style Tempo4 Tempo3 Tempo2 Tempo1 End of Exclusive
Same as Chord root, 127:No bass chord Same as Chord type 127:No bass chord
(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE (3-6-2-1) UNIVERSAL REALTIME MESSAGE (3-6-2-1-1) MIDI MASTER VOLUME (Receive only)
binary 00000001 0sssssss 0ttttttt 11110111 or 0xxxnnnn hexadecimal F0 7F 7F SS TT F7 F0 7F XN Exclusive status Universal Realtime ID of target Device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive Exclusive status Universal Realtime When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = dont care Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive
The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits).
0sssssss 0ttttttt 11110111

SS TT F7

The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)
(3-6-2-2) UNIVERSAL NON REALTIME MESSAGE (3-6-2-2-1) GENERAL MIDI SYSTEM ON
binary or 0xxxnnnn hexadecimal F0 7E 7F F7 F0 7E XN Exclusive status Universal Non-Realtime ID of target Device Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive Exclusive status Universal Non-Realtime When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = dont care Sub-ID #1=General MIDI Message Sub-ID #2=General MIDI On End of Exclusive

(3-6-3-2) XG BULK DUMP

binary 0000nnnn 01001100 0bbbbbbb 0bbbbbbb 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 0ccccccc 11110111 hexadecimal F0N 4C BB BB AA AA AA DD | CC F7 Exclusive status YAMAHA ID Device Number Model ID ByteCount ByteCount Address High Address Mid Address Low Data Check sum End of Exclusive

11110111

Depending upon the received ON message, the System Mode will be changed to XG. Except MIDI Master Tuning, all control data be reset to default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. After the GM System ON message is received, message reception of the following will be limited. Bank Select MSB-LSB in channel 10 will be ignored and the drum voice will be fixed. Bank Select MSB-LSB except in channel 10 will be ignored except 127/0. NRPN is not received. When XG SYSTEM ON is received, these restrictions will be cancelled.
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-6 > (pages 20-23). The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits. If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received. The Block is a unit that consists of the data, arranged in the list, as the Total Size. The following Bulk Dumps are handled. XG System Data Multi Effect 1 Data(Individual effect unit) Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information(Transmit only)
(3-6-3-3) XG PARAMETER REQUEST (Receive only)
binary 0011nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 11110111 hexadecimal F3n 4C AA AA AA F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low End of Exclusive
(3-6-3) XG STANDARD (3-6-3-1) XG PARAMETER CHANGE (3-6-3-1-1) XG SYSTEM ON
binary 0001nnnn hexadecimal F1N 4C 7E 00 F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low Data End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > (page 20) and < Table 1-4 > ~ < Table 1-6 > (pages 20-23). The following Parameter Requests are handled. XG System Data Multi Effect 1 Data Multi Part Data Drums Setup Data

< Table 1-2 >

MIDI Parameter Change table ( SYSTEM ) Address Size Data Parameter Name (H) (H) (H) 0000 Master Tune 01.07FF 06 7D 7E 7F TOTAL SIZE 1 00.7F 28.58 n Master Volume Not Used Transpose Drum Setup Reset XG System On All Parameter Reset Description -102.4.+102.3[cent] 1st bit3-0 -> bit15-12 2nd bit3-0 -> bit11-8 3rd bit3-0 -> bit7-4 4th bit3-0 -> bit3-0 0.127 -24.+24[semitones] n=Drum Setup Number 00=XG Sytem on 00=on (receive only) Default Value(H) 00 (0400)

< Table 1-3 >

MIDI Parameter table ( System information ) Address Size Data Parameter Name (H) (H) (H) 00 E 20.7F Model Name : 0D 0E 0F TOTAL SIZE 10 (Transmitted by Dump Request. Not received. Bulk Dump Only) Description 32.127(ASCII)

< Table 1-4 >

MIDI Parameter Change table ( EFFECT 1) Address Size Data Parameter Name (H) (H) (H) 00.7F Reverb Type MSB 00.7F Reverb Type LSB 00.7F Reverb Parameter 00.7F Reverb Parameter 00.7F Reverb Parameter 00.7F Reverb Parameter 00.7F Reverb Parameter 00.7F Reverb Parameter 00.7F Reverb Parameter 00.7F Reverb Parameter 0A 1 00.7F Reverb Parameter 0B 1 00.7F Reverb Parameter 0C 1 00.7F Reverb Return 0D 1 01.7F Reverb Pan TOTAL SIZE 0E Description Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) L63.C.R63(1.64.127) Default Value(H) 01(=HALL1) 00 Depend on Reverb Depend on Reverb Depend on Reverb Depend on Reverb Depend on Reverb Depend on Reverb Depend on Reverb Depend on Reverb Depend on Reverb Depend on Reverb 40 40
type type type type type type type type type type
TOTAL SIZE 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Reverb Reverb Reverb Reverb Reverb Reverb Parameter Parameter Parameter Parameter Parameter Parameter Refer Refer Refer Refer Refer Refer to to to to to to the the the the the the Ef. Ef. Ef. Ef. Ef. Ef. Parameter Parameter Parameter Parameter Parameter Parameter List List List List List List Depend Depend Depend Depend Depend Depend on on on on on on Reverb Reverb Reverb Reverb Reverb Reverb type type type type type type 2A 2B 2C 2D 2E TOTAL SIZE 0F TOTAL SIZE 4A 4C 4E 59 5A 5B 5C 5D 5E 5F 60 TOTAL SIZE 75 TOTAL SIZE 01 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F Chorus Type MSB Chorus Type LSB Chorus Parameter 1 Chorus Parameter 2 Chorus Parameter 3 Chorus Parameter 4 Chorus Parameter 5 Chorus Parameter 6 Chorus Parameter 7 Chorus Parameter 8 Chorus Parameter 9 Chorus Parameter 10 Chorus Return Chorus Pan Send Chorus To Reverb Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) L63.C.R63(1.64.127) -.0.+6dB(0.96.127) 41(=Chorus1) 00 Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus 00 Type Type Type Type Type Type Type Type Type Type 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Chorus Chorus Chorus Chorus Chorus Chorus Parameter Parameter Parameter Parameter Parameter Parameter Refer Refer Refer Refer Refer Refer to to to to to to the the the the the the Ef. Ef. Ef. Ef. Ef. Ef. Parameter Parameter Parameter Parameter Parameter Parameter List List List List List List Depend Depend Depend Depend Depend Depend on on on on on on Chorus Chorus Chorus Chorus Chorus Chorus Type Type Type Type Type Type 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F 00.7F 00.01 00.1F 01.7F 01.7F 01.7F 01.7F 01.7F Variation Type MSB Variation Type LSB Vari. Param. 1 MSB Vari. Param. 1 LSB Vari. Param. 2 MSB Vari. Param. 2 LSB Vari. Param. 3 MSB Vari. Param. 3 LSB Vari. Param. 4 MSB Vari. Param. 4 LSB Vari. Param. 5 MSB Vari. Param. 5 LSB Vari. Param. 6 MSB Vari. Param. 6 LSB Vari. Param. 7 MSB Vari. Param. 7 LSB Vari. Param. 8 MSB Vari. Param. 8 LSB Vari. Param. 9 MSB Vari. Param. 9 LSB Vari. Param. 10 MSB Vari. Param. 10 LSB Variation Return Variation Pan Send Vari. To Reverb Send Vari. To Chorus Variation Connection Variation Part MW Vari. Ctrl Depth PB Vari. Ctrl Depth CAT Vari. Ctrl Depth Not Used Not Used Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) L63.C.R63(1.64.127) -.0.+6dB(0.96.127) -.0.+6dB(0.96.127) 0:insertion,1:system part1.32(0.31),off(127) -63.+63 -63.+63 -63.+63 05(=DELAY L,C,R) 00 Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type 00 7F 1 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Variation Parameter 11 Variation Parameter 12 Variation Parameter 13 Variation Parameter 14 Variation Parameter 15 Variation Parameter 16 option Parameter option Parameter option Parameter option Parameter option Parameter option Parameter Depend Depend Depend Depend Depend Depend on Variation Type on Variation Type on Variation Type on Variation Type on Variation Type on Variation Type

1 : 1 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F
Not Used : Not Used Scale Scale Scale Scale Scale Scale Scale Scale Scale Scale Scale Scale CAT CAT CAT CAT Tuning C Tuning C# Tuning D Tuning D# Tuning E Tuning F Tuning F# Tuning G Tuning G# Tuning A Tuning A# Tuning B -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.00
Pitch Control Filter Control Amplitude Control LFO PMod Depth
nn nn nn 53 : 1 00.01 00.7F 00.7F 00.7F CAT LFO FMod Depth CAT LFO AMod Depth Not Used : Not Used Portamento Switch Portamento Time Not Used : Not Used 3F 1 0C Not Not Not Not Used Used Used Used Dont Dont Dont Dont care care care care off/on 0.00 0.127 0.00 nn nn nn 69 : 6E TOTAL SIZE 08 nn 70 nn 71 nn 72 nn 73 TOTAL SIZE 08 nn 7A 7B 7C 7D 7E 7F SIZE Not Not Not Not Not Not Not Not Not Not Not Not Used Used Used Used Used Used Used Used Used Used Used Used Dont Dont Dont Dont Dont Dont Dont Dont Dont Dont Dont Dont care care care care care care care care care care care care TOTAL nn = PartNumber If there is a Drum Voice assigned to the Part, the following parameters are ineffective. Bank Select LSB Pitch EG Portamento Soft Pedal Mono/Poly Scale Tuning

<Table 1-6 >

MIDI Parameter Change table ( DRUM SETUP ) Address Size Data Parameter Name (H) (H) (H) 3n rr 00.7F Pitch Coarse 3n rr 00.7F Pitch Fine 3n rr 00.7F Level 3n rr 00.7F Alternate Group 3n rr 00.7F Pan 3n rr 05 3n rr 06 3n rr 07 3n rr 08 3n rr 09 3n rr 0A 3n rr 0B 3n rr 0C 3n rr 0D 3n rr 0E 3n rr 0F TOTAL SIZE 00.7F 00.7F 00.7F 00.01 00.01 00.01 00.7F 00.7F 00.7F 00.7F 00.7F Reverb Send Level Chorus Send Level Variation Send Level Key Assign Rcv Note Off Rcv Note On Filter Cutoff Freq. Filter Resonance EG Attack Rate EG Decay1 Rate EG Decay2 Rate Description -64.+63 -64.+63[cent] 0.127 0:off,1.127 0:random L63.C.R63(1.64.127) 0.127 0.127 0.127 0:single,1:multi off/on off/on -64.63 -64.63 -64.63 -64.63 -64.63 Default Value(H) Depend on the Note Depend on the Note Depend on the Note Depend on the Note Depend on the Note 7F 00 Depend on the Note 40 40
n:Drum Setup Number(0 - 1) rr:note number(0DH - 5BH) If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values. According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.
<Table 1-7> Effect Map
If the received value does not contain an effect type in the TYPE LSB, the LSB will be directed to TYPE 0. The panel effects are marked by *.

REVERB TYPE

TYPE MSB DEC HEX : : 015 F : : 127 7F TYPE LSB 00 NO EFFECT *HALL1 ROOM1 STAGE1 PLATE NO EFFECT : NO EFFECT WHITE ROOM TUNNEL CANYON BASEMENT NO EFFECT : NO EFFECT 01 HALL2 ROOM2 STAGE03. 07 08. 16 *HALL2 *ROOM1 *STAGE1 *PLATE*HALL3 *ROOM2 *STAGE2 *PLATE*HALL4 *ROOM20

*ROOM4

CHORUS TYPE
TYPE MSB DEC HEX : : : : 127 7F TYPE LSB 00 NO EFFECT NO EFFECT : NO EFFECT CHORUS1 CELESTE1 FLANGER 1 NO EFFECT : NO EFFECT 03. 07 08. 20
CHORUS2 *CHORUS4 *FLANGER 4

*CHORUS5 CELESTE3

CHORUS4 *CHORUS2 *FLANGER1

*CHORUS3 *FLANGER2

*CHORUS1 *FLANGER3

VARIATION TYPE(0 63)

TYPE MSB DEC HEX 010 A 011 B 012 C : : : : 063 3F TYPE LSB 00 NO EFFECT *HALL1 ROOM1 STAGE1 PLATE DELAY L,C,R *DELAY LR *ECHO *CROSS DELAY *EARLY REF1 *GATE REVERB *REVERSE GATE NO EFFECT or THRU : NO EFFECT or THRU KARAOKE 1 NO EFFECT or THRU : NO EFFECT or THRU 01 HALL2 ROOM2 STAGE03. 07 08. 16 *HALL2 *ROOM1 *STAGE1 *PLATE1 *DELAY LCR 17 *HALL3 *ROOM2 *STAGE2 *PLATE*HALL4 *ROOM20

*EARLY REF2

KARAOKE 2

KARAOKE 3

VARIATION TYPE(64 127)
TYPE MSB DEC HEX 074 4A 075 4B 076 4C 077 4D 078 4E 079 4F : : 127 7F TYPE LSB 00 THRU CHORUS1 CELESTE1 FLANGER 1 SYMPHONIC ROTARY SP. TREMOLO AUTO PAN *PHASER DISTORTION OVER DRIVE AMP SIM. 3BAND EQ 2BAND EQ AUTO WAH THRU THRU 01 CHORUS2 *CHORUS4 *FLANGER*CHORUS5 CELESTE3 03. CHORUS4 *CHORUS2 *FLANGER1. 20
*CHORUS3 *FLANGER2 *SYMPHONIC *ROTARY SP1 *TREMOLO1 *AUTO PAN

*Rotary Sp5

*ROTARY SP4 *ROTARY SP2

*ROTARY SP3

*TREMOLO2

*GTR TREMOLO

PHASER 2
*DIST HARD *EQ DISCO *AUTO WAH

*DIST SOFT *EQ TEL

<Table 1-8 > Effect Parameter List
XG Effect Name HALL1,HALL2 ROOM1,ROOM2,ROOM3 STAGE1,STAGE2 PLATE (reverb, variation, insertion block)
No. Parameter Reverb Time Diffusion Initial Delay HPF Cutoff LPF Cutoff Display 0.330.0s 010 0.1mS99.3mS Thru8.0kHz 1.0kThru Value 3460 See Table table#4 table#5 table#3 table#3 Comment Control
EARLY REF1,EARLY REF2(variation block)
No. Parameter Type Room Size Diffusion Initial Delay Feedback Level HPF Cutoff LPF Cutoff Dry/Wet Liveness Density High Damp Display S-H, L-H, Rdm, Rvs, Plt, Spr 0.17.0.1mS99.3mS -63+63 Thru8.0kHz 1.0kThru D63>W D=W D<W03 0.11.0 Value 110 See Table table#6 table#5 table#3 table#3 q Comment Control
Dry/Wet Rev Delay Density Er/Rev Balance Feedback Level
D63>W D=W D<W63 0.1mS99.3mS 03 (reverb, variation block) E63>R E=R E<R63 -63+63

No. Parameter LFO Frequency LFO Depth Display 0.00Hz39.7Hz 0127 Value See Table table#1 Comment Control q
DISTORTION OVERDRIVE (variation, insertion block)
No. Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve) 500Hz10.0kHz -12+12dB 1.012.0 D63>W D=W D<W0127 table#3 Display 0127 50Hz2.0kHz -12+12dB 1.0kThru 0127 Value 0127 See Table table#3 table#3 Comment Control q
50Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63

mildsharp

2WAY ROTARY SPEAKER (variation block)
No. Parameter Rotor Speed Drive Low Drive High Low/High EQ EQ EQ EQ Low Frequency Low Gain High Frequency High Gain Display 0.0Hz39.7Hz L63>H L=H L<H63 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB Value See Table table#1 Comment Control q
COMP+DIST (variation block)
No. Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Edge(Clip Curve) Attack Release Threshold Ratio Display 0127 32Hz2.0kHz -12+12dB 1.0kThru 0127 100Hz10.0kHz -12+12dB 1.012.0 D63>W D=W D<W1ms40ms 10ms680ms -48dB -6dB 1.020.0 Value See Table table#3 table#3 table#3 Comment Control q
Crossover Frequency 100Hz10.0kHz Mic L-R Angle 0deg180deg(resolution=3deg.)

table#3

mildsharp table#8 table#9 table#10
TREMOLO (variation, insertion block)
No. Parameter LFO Frequency AM Depth PM Depth EQ EQ EQ EQ Low Frequency Low Gain High Frequency High Gain Display 0.00Hz39.7Hz 50Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB Value 5276 See Table table#1 Comment Control q
AMP SIMULATOR (variation, insertion block)
No. Parameter Drive AMP Type LPF Cutoff Output Level Display 0127 Off,Stack,Combo,Tube 1.0kThru 0127 Value See Table Comment Control q

Dry/Wet Edge(Clip Curve)

D63>W D=W D<W63 0127
LFO Phase Difference Input Mode
-180+180deg(resolution=3deg.) mono/stereo

4124 01

AUTO PAN (variation, insertion block)
No. Parameter LFO Frequency L/R Depth F/R Depth PAN Direction EQ EQ EQ EQ Low Frequency Low Gain High Frequency High Gain Display 0.00Hz39.7Hz L<->R,L->R,L<-R,Lturn,Rturn,L/R 50Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB Value See Table table#1 Comment Control q

3BAND EQ(MONO) (variation, insertion block)
No. Parameter EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Display -12+12dB 500Hz10.0kHz -12+12dB 1.012.0 -12+12dB 50Hz2.0kHz 500Hz16.0kHz Value 2858 See Table table#3 Comment Control
2BAND EQ(STEREO) (variation, insertion block)
No. Parameter EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 50Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB Value See Table table#3 table#3 Comment Control
PITCH CHANGE 2 (variation block)
No. Parameter Pitch Initial Delay Fine 1 Fine 2 Feedback Level Display -24+24 0.1mS400.0mS -50+50cent -50+50cent -63+63 Value 1127 See Table table#7 Comment Control
Dry/Wet Pan 1 Output Level 1 Pan 2 Output Level 2
D63>W D=W D<W63 L63RL63R63 0127
AUTO WAH (variation, insertion block)
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive Display 0.00Hz39.7Hz 1.012.0 50Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<W63 0127(variation block) Value table#3 table#3 See Table table#1 Comment Control
COMPRESSOR (variation, insertion block)
No. Parameter Attack Release Threshold Ratio Output Level Display 140ms 10680ms -48 -6dB 1.020.Value 0127 See Table table#8 table#9 table#10 Comment Control
AUTO WAH+DIST AUTO WHA+ODRV (variation block)
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Drive EQ Low Gain (distortion) EQ Mid Gain (distortion) LPF Cutoff Output Level Display 0.00Hz39.7Hz 1.012.0 32Hz2.0kHz -12+12dB 500Hz16.0kHz -12+12dB D63>W D=W D<WValue -12+12dB -12+12dB 1.0kHzthru 0127 table#3 table#3 See Table table#1 Comment Control
NOISE GATE (variation, insertion block)
No. Parameter Attack Release Threshold Output Level Display 140ms 10680ms -72 -30dB 0127 Value See Table table#8 table#9 Comment Control

5276 5276

VOICE CANCEL (variation block)

Table#11 Reverb Width;Depth;Height
Data Value Data Value Data Value Data Value 0.8.17.27.5 0.9.17.27.8 1.9.18.28.1 1.9.18.28.5 1.9.18.28.8 1.10.19.29.2 2.10.19.29.5 2.10.19.29.9 2.11.20.30.2 2.11.20.2 3.11.20.5 3.11.20.8 3.12.21.1 3.12.21.4 4.12.21.7 4.12.22.0 4.13.22.4 4.13.22.7 5.13.23.0 5.14.23.3 5.14.23.6 5.14.23.9 6.14.24.2 6.15.24.5 6.15.24.9 7.15.25.2 7.15.25.5 7.16.25.8 7.16.26.1 8.16.26.5 8.17.26.8 8.17.27.1

Table#3 EQ Frequency

Data Value Data Value THRU(0) 34 1.0k 1.1k 1.2k 1.4k 1.6k 1.8k 2.0k 2.2k 2.5k 2.8k 3.2k 3.6k 4.0k 4.5k 5.0k 5.6k 6.3k 7.0k 8.0k 9.0k 10.0k 11.0k 12.0k 14.0k 16.0k 18.0k THRU(20.0k) 700

Table#4 Reverb time

Data Value Data Value Data Value 0.3.17.0 0.3.18.0 0.3.19.0 0.3.20.0 0.3.25.0 0.4.30.0 0.4.1 1.4.2 1.4.3 1.4.4 1.4.5 1.4.6 1.4.7 1.4.8 1.4.9 1.5.0 1.5.5 2.6.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 3.0 3.1 3.2 3.3 3.63 6.5 7.0 7.5 8.0 8.5 9.0 9.5 10.0 11.0 12.0 13.0 14.0 15.0 16.0
Table#7 Delay Time(400.0ms)
Data Value Data Value Data Value Data Value 0.100.201.302.4 3.104.204.305.5 6.107.207.308.7 9.110.211.311.8 12.113.214.315.0 15.116.217.318.1 19.119.220.321.3 22.122.223.324.4 25.126.226.327.6 28.129.230.330.7 31.132.233.333.9 34.135.236.337.0 37.138.239.340.2 41.141.242.343.3 44.144.245.346.5 47.148.248.349.6 50.151.252.352.8 53.154.255.355.9 56.157.258.359.1 59.160.261.362.2 63.163.264.365.4 66.167.267.368.5 69.170.270.371.7 72.173.274.374.8 75.176.277.378.0 78.179.280.381.1 82.182.283.384.3 85.185.286.387.4 88.189.289.390.6 91.192.292.393.7 94.195.296.396.9 97.198.299.400.0
YAMAHA [ Clavinova ] Model CVP-201 MIDI Implementation Chart Transmitted Function. Basic Channel Mode Default Changed Default Messages Altered 1 - - 16 *- - 3,4 (m=1) x 0 - - 127 o 9nH,v=1-127 x x o o 0-24 semi o o o o o o o o o o o o o o o x x x o o o(120,126,127) o(121) x o(123-125) o x 0 - 127 Recognized
Date:01-MAR-2001 Version : 1.0 Remarks Memorized *2 *3

3 x **************

Note 0 - 127 Number : True voice ************** Velocity Note ON Note OFF After Touch Key's Ch's o 9nH,v=1-127 x 9nH,v=0 x x o 0,5 7,10,11 6,38 64,66,71-91,93,94 96,97 98,99 100,101 o x x o o o x x o o x x o

Pitch Bend

Bank Select Modulation Portamento Time Data Entry Portamento Sound Controller Portamento Cntrl Effect Depth RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB

Control change

Prog Change : True # System Exclusive : Song Pos. Common : Song Sel. : Tune
o 0 - 127 ************** o x x x
System :Clock o Real Time :Commands o Aux :All Sound Off :Reset All Cntrls :Local ON/OFF :All Notes OFF Mes- :Active Sense sages:Reset Notes: x x x x o x

A voltage selector is provided in some areas. Spannungswhler (nur in bestimmten Verkaufsgebieten) Un slecteur de tension est prvu pour certaines rgions El selector de tensin est provisto para ciertos destinos.

N Voltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a minus screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected, slide the AC power cord over the rear panel and connect the cord to the AC INLET, then connect the other end of the cord to an AC wall outlet. A plug adaptor may be also provided in some areas to match the pin configuration of the AC wall outlets in your area.
An improper voltage setting can cause serious damage to the CVP201 or result in improper operation.

M Set the adjuster.

For stability, an adjuster is provided on the bottom of the pedal box (C). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.
s After completing the assembly, please check the following.
Are there any parts left over? Review the assembly procedure and correct any errors. Is the Clavinova clear of doors and other movable fixtures? Move the Clavinova to an appropriate location. Does the Clavinova make a rattling noise when you shake it? Tighten all screws. Does the pedal box rattle or give way when you step on the pedals? Turn the adjuster so that it is set firmly against the floor. Are the pedal and power cords inserted securely into the sockets? Check the connection. If the main unit creaks or is otherwise unsteady when you play on the keyboard, refer to the assembly diagrams and retighten all screws.
N Den Spannungswhler einstellen.
Bevor Sie nun das Netzkabel anschlieen, mssen Sie den Spannungswhler (falls vorhanden) auf die rtliche Netzspannung einstellen. Zum Verstellen drehen Sie den Spannungswhler mit einem Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220 oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden alle Instrumente mit Spannungswhler auf 240 voreingestellt. Wenn Sie die geeignete Spannung ausgewhlt haben, fhren Sie das Netzkabel ber die Rckwand und stecken ein Ende des Netzkabels in die Gertebuchse AC INLET (Wechselstrom-Anschlu) und das andere Ende in eine Wandsteckdose. Einigen Gerten ist ein Adapter zum Anschlieen an Wandsteckdosen mit einer anderen Anschlubelegung beigepackt.
Ein falsch eingestellter Spannungswhler kann zur Beschdigung des CVP-201 fhren oder zu einem unsachgemen Betrieb.

 

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