WoodWind

Strings

Choir & Pad

Synth.
Voice List / Stimmenverzeichnis /Liste des voix / Lista de voces
Voice Name GrandPno GrndPnoK MelloGrP PianoStr Dream BritePno BritPnoK El.Grand ElGrPnoK Det.CP80 LayerCP1 LayerCP2 HnkyTonk HnkyTnkK E.Piano1 El.Pno1K MelloEP1 Chor.EP1 HardEl.P VX El.P1 60sEl.P1 E.Piano2 El.Pno2K Chor.EP2 DX Hard DXLegend DX Phase DX+Analg DXKotoEP VX El.P2 Harpsi. Harpsi.K Harpsi.2 Harpsi.3 Clavi Clavi K ClaviWah PulseClv PierceCl Celesta Glocken MusicBox Orgel Vibes Vibes K HardVibe Marimba MarimbaK SineMrmb Balimba Log Drum Xylophon TubulBel ChrchBel Carillon Dulcimer Dulcimr2 Cimbalom Santur DrawOrgn MSB # 0 0

Voice # LSB # 97 0

Voice # Voice Name DetDrwOr 60sDrOr1 60sDrOr2 70sDrOr1 DrawOrg2 60sDrOr3 EvenBar 16+22/3 Organ Ba 70sDrOr2 CheezOrg DrawOrg3 PercOrgn 70sPcOr1 DetPrcOr Lite Org PercOrg2 RockOrgn RotaryOr SloRotar FstRotar ChrchOrg ChurOrg3 ChurOrg2 NotreDam OrgFlute TrmOrgFl ReedOrgn Puff Org Acordion AccordIt Harmnica Harmo. 2 TangoAcd TngoAcd2 NylonGtr NylonGt2 NylonGt3 VelGtHrm Ukulele SteelGtr SteelGt2 12StrGtr Nyln&Stl Stl&Body Mandolin Jazz Gtr MelloGtr Jazz Amp CleanGtr ChorusGt Mute Gtr FunkGtr1 MuteStlG FunkGtr2 Jazz Man Ovrdrive Gt.Pinch Dist.Gtr FeedbkGt MSB # LSB # 0 40
Voice # Voice Name FeedbGt2 GtrHarmo GtFeedbk GtrHrmo2 Aco.Bass JazzRthm VXUprght FngrBass FingrDrk FlangeBa Ba&DstEG FngrSlap FngBass2 Mod.Bass PickBass MutePkBa Fretless Fretles2 Fretles3 Fretles4 SynFretl SmthFrt1 SlapBas1 ResoSlap PunchThm SlapBas2 VeloSlap SynBass1 SynBa1Dk FastResB AcidBass Clv Bass TechnoBa Orbiter Sqr.Bass RubberBa Hammer SynBass2 MelloSBa Seq Bass ClkSynBa SynBa2Dk SmthSynB ModulrBa DX Bass X WireBa Violin Slow Vln Viola Cello Contrabs Trem.Str SlwTrStr Susp.Str Pizz.Str Harp YangChin Timpani Strings1 S.Strngs MSB # LSB # 0 3
Voice # Voice Name Slow Str Arco Str 60sStrng Orchestr Orchstr2 TremOrch Velo.Str Strings2 S.SlwStr LegatoSt Warm Str Kingdom 70s Str Strings3 Syn Str1 Reso Str Syn Str4 Syn Str5 Syn Str2 ChoirAah S.Choir Ch.Aahs2 MelChoir ChoirStr VoiceOoh SynVoice SyVoice2 Choral AnaVoice Orch.Hit OrchHit2 Impact Trumpet Trumpet2 BriteTrp Warm Trp Trombone Trmbone2 Tuba Tuba 2 Mute Trp Fr.Horn FrHrSolo FrHorn 2 HornOrch BrssSect Tp&TbSec BrssSec2 HiBrass MelloBrs SynBrss1 Quack Br RezSynBr PolyBrss SynBrss3 JumpBrss AnVelBr1 AnVelBr2 SynBrss2 Soft Brs SynBrss4 MSB # 0 LSB # 40
Voice # Voice Name ChoirBrs VelBrss2 AnaBrss2 SprnoSax Alto Sax Sax Sect HyprAlto TenorSax BrthTnSx SoftTenr TnrSax 2 Bari.Sax Oboe Eng.Horn Bassoon Clarinet Piccolo Flute Recorder PanFlute Bottle Shakhchi Whistle Ocarina SquareLd SquarLd2 LMSquare Hollow Shroud Mellow SoloSine SineLead Saw Lead Saw Ld 2 ThickSaw Dyna Saw Digi Saw Big Lead HeavySyn WaspySyn PulseSaw Dr. Lead VeloLead Seq Ana. CaliopLd PureLead Chiff Ld Rubby CharanLd DistLead WireLead Voice Ld SynthAah Vox Lead Fifth Ld Big Five Bass&Ld Big&Low Fat&Prky Soft Wrl NewAgePd MSB # 0 LSB # 0

Voice Name Fantasy Warm Pad ThickPad Soft Pad Sine Pad Horn Pad RotarStr PolySyPd PolyPd80 ClickPad Ana. Pad SquarPad ChoirPad Heaven Itopia CC Pad BowedPad Glacier GlassPad MetalPad Tine Pad Pan Pad Halo Pad SweepPad Shwimmer Converge PolarPad Celstial Rain ClaviPad HrmoRain AfrcnWnd Carib SoundTrk Prologue Ancestrl Crystal SynDrCmp Popcorn TinyBell RndGlock GlockChi ClearBel ChorBell SynMalet SftCryst LoudGlok ChrstBel VibeBell DigiBell AirBells BellHarp Gamelmba Atmosphr WarmAtms HollwRls Nylon EP NylnHarp Harp Vox AtmosPad Planet

MSB # 0

Voice # LSB # 67
Voice # Voice Name Bright FantaBel Smokey Goblins GobSynth Creeper Ring Pad Ritual ToHeaven Night Glisten BelChoir Echoes Echoes 2 Echo Pan EchoBell Big Pan SynPiano Creation StarDust Reso&Pan Sci-Fi Starz Sitar DetSitar Sitar 2 Tambra Tamboura Banjo MuteBnjo Rabab Gopichnt Oud Shamisen Koto Taisho-k Kanoon Kalimba Bagpipe MSB # 0 LSB # 0
Voice # Voice Name Fiddle Shanai Shanai 2 Pungi Hichriki TnklBell Bonang Altair Gamelan S.Gamlan Rama Cym AsianBel Agogo SteelDrm GlasPerc ThaiBell WoodBlok Castanet TaikoDrm Gr.Cassa MelodTom Mel Tom2 Real Tom Rock Tom Syn Drum Ana Tom ElecPerc RevCymbl FretNoiz BrthNoiz Seashore Tweet Telphone Helicptr Applause Gunshot CuttngNz CttngNz2 Str Slap MSB # 64 LSB # 0
Voice # Voice Name Fl.KClik Shower Thunder Wind Stream Bubble Feed Dog Horse Tweet 2 Ghost Maou Tel.Dial DoorSqek DoorSlam ScratchC ScratchS WindChim Telphon2 CarEIgnt CarTSqel Car Pass CarCrash Siren Train JetPlane Starship Burst Coaster Submarin Laugh Scream Punch Heart Footstep MchinGun LaserGun Xplosion Firework MSB # 64 LSB # 0
Demo Songs / Demo-Songs / Morceaux de dmo / Canciones de demostracin

SONG DEMO

Title Andante Spianato and Grand Polonaise Brillante Op.22 Beautiful Dreamer Annie Laurie Composer F. Chopin S.C. Foster Traditional

VOICE DEMO

Voice Group Piano&Harpsi. Title Consolation No.3 Gavotte Composer F. Chopin J.S. Bach

Song 1 Song 3 Song 4

Some of the demonstration pieces listed above are specially-arranged excerpts from the original compositions listed above. All other songs are original ( 2003 Yamaha Corporation). Bei manchen der oben aufgelisteten Demostcke handelt es sich um Auszge aus den Originalkompositionen mit speziellem Arrangement. Alle anderen Stcke sind eigene Kompositionen ( 2003 Yamaha Corporation). Certains des morceaux de dmonstration numrs ci-dessus sont de courts extraits des compositions originales. Tous les autres morceaux sont des crations originales ( 2003 Yamaha Corporation). Alguna de las piezas de demostracin arriba listadas son exceptos especialmente preparados de las composiciones originales de arriba. Todas las otras canciones son originales ( 2003 Yamaha Corporation.)

Drum/key Assignment List / Verzeichnis der Liste dassignation instrument de batterie/ Lista de asignaciones de teclas/batera
Bank Select MSB Bank Select LSB Program Change (0-127) Keyboard MIDI Note Note # Note C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C 85 C# 86 D 87 D# 88 E 89 F 90 F# 91 G Key off -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5 Alternate assign 0 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 1 Standard Kit 2 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll 2 Castanet Snare Soft 2 Sticks Kick Soft RimShotHShrt KickTghtShrt Kick Short Side Stick Snare Short Hand Clap SnareTight H Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 8 Room Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Snappy Hand Clap SnrTightSnpy Tom Room 1 Hi-HatClosed Tom Room 2 Hi-Hat Pedal Tom Room 3 Hi-Hat Open Tom Room 4 Tom Room 5 CrashCymbal1 Tom Room 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 16 Rock Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Noisy Sticks Kick Tight 2 OpenRimShot Kick 2 Kick Gate Side Stick Snare Rock Hand Clap SnareRockRim Tom Rock 1 Hi-HatClosed Tom Rock 2 Hi-Hat Pedal Tom Rock 3 Hi-Hat Open Tom Rock 4 Tom Rock 5 CrashCymbal1 Tom Rock 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 24 Electro Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnrSnpyElctr Sticks Kick 3 OpenRimShot Kick Gate KckGateHeavy Side Stick SnareNoisy 2 Hand Clap SnareNoisy 3 TomElectro 1 Hi-HatClosed TomElectro 2 Hi-Hat Pedal TomElectro 3 Hi-Hat Open TomElectro 4 TomElectro 5 CrashCymbal1 TomElectro 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Scratch H 2 Scratch L 2 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 25 Analog Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnareNoisy 4 Sticks Kick Tight 2 OpenRimShot KickAnlgShrt Kick Analog SideStickAn SnareAnalog Hand Clap SnareAnalog2 Tom Analog 1 HatCloseAnlg Tom Analog 2 HatCloseAn 2 Tom Analog 3 HatOpen Anlg Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell Anlg CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga Anlg H Conga Anlg M Conga Anlg L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas 2 SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves 2 Wood Block H Wood Block L Scratch H 2 Scratch L 3 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 27 Dance Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnareTechno3 Sticks KickTechno Q Rim Gate KickTechno L KickTechno 2 SideStickAn Snare Clap Hand Clap Snare Dry 2 Tom Analog 1 HiHatClose 3 Tom Analog 2 HatCloseAn 2 Tom Analog 3 HiHat Open 3 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell Anlg CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga Anlg H Conga Anlg M Conga Anlg L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas 2 SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves 2 Wood Block H Wood Block L Scratch H 2 Scratch L 3 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree

Schlagzeugklnge / touche du clavier /
Key Off: Las teclas marcadas con O dejan de sonar en el momento en que se sueltan. Alternate Assign: Al tocar algn instrumento con un grupo numerado detendr inmediatamente el sonido de cualquier otro instrumento del mismo grupo con el mismo nmero.

Style Group POP&ROCK

Style Name 60sGtrPop 60s8Beat 8Beat1 OffBeat 60sRock RockShuffle 8BeatRock PopShuffle1 PopShuffle2 GuitarPop 16BtUptempo KoolShuffle JazzRock 8BeatModern MovieBallad SecretServce OrganBallad Unplugged 8BeatAdria PianoBallad RomanticBld LoveSong 6/8ModernEP 6/8SlowRock1 6/8SlowRock2 16Beat PopBallad 16BeatBalad1 16BeatBalad2 RockBallad EuroTrance Ibiza HouseMusik SwingHouse Clubdance ClubLatin Garage TechnoParty UKPop HipHopGroove HipHopLight HipHopPop 70sDisco1 70sDisco2 LatinDisco SaturdyNight DiscoHands
Style Group SWING& JAZZ
Style Name BigBandFast1 BigBandMed1 40sBigBand BigBandFast2 BigBandMed2 BigBandBalad BigBandShufl JazzClub Swing1 Swing2 Five/Four JazzPiano Bebop JazzBallad1 GypsySwing ElectricJazz Charleston Dixieland Ragtime Soul DetroitPop 60sRock&Rol SwingBoogie Gospel Bros 6/8Soul CrocoTwist Rock&Roll SoulBeat SoulShuffle 6/8Blues BluesPiano Amaz.Gospel ComboBoogie Country8Beat CountryPop CountryRock CountrySwing CountryWaltz CntryBallad Country2/4 CowboyBoogie CntryShuffle Hoedown

Style Group LATIN

Style Name Brazil Samba BossaNova PopBossa BigBandMambo BigBandSalsa Tijuana DiscoLatin RockChaCha Beguine Mambo Salsa GypsyRumba HappyReggae USMarch 6/8March GermanMarch Showtune PolkaPop OberPolka ScottishReel Hawaiian Tarantella HullyGully Enka PopEnka XmasWaltz XmasSwing Gtr Serenade SwingWaltz JazzWaltz1 JazzWaltz2 OberWalzer Musette VienneseWltz EnglishWaltz Slowfox Foxtrot Quickstep Tango Pasodoble Samba ChaChaCha Rumba Jive

POPBALLADS

MARCH& WORLD

R&B

COUNTRY

BALLROOM

Style Group PIANIST Style Name Stride1 Stride2 PianoSwing1 PianoSwing2 PianoSwing3 PianoRag1 PianoRag2 Arpeggio1 Arpeggio2 Arpeggio3 PianoOrchBld Musical Traditional1 Traditional2 Traditional3 PianoBoogie PnoRock&Roll SlowRock 2BeatSwing JazzBallad2 8Beat2 8BeatBallad1 8BeatBallad2 4Stroke Nocturne PianoMarch1 PianoMarch2 6/8PnoMarch Waltz JazzWaltz3 PianoBossa PianoSamba PianoChaCha PianoBeguine PianoRumba SlowWaltz
Style List / Style-Verzeichnis / Liste des styles / Lista de estilos
Parameter Chart / Parameterbersicht / Tableau des paramtres / Grfica de parmetros
Group VOICE Contents RIGHT1 VOICE RIGHT1 OCTAVE SHIFT RIGHT1 PAN RIGHT1 VOLUME Selected voice in each VOICE SELECT page HARMONY ON/OFF HARMONY TYPE HARMONY VOLUME HARMONY SPEED DUAL ON/OFF RIGHT2 VOICE RIGHT2 OCTAVE SHIFT DUAL DETUNE DEPTH RIGHT2 PAN RIGHT2 VOLUME SPLIT ON/OFF LEFT VOICE LEFT OCTA VE SHIFT SPLIT POINT LEFT PAN LEFT VOLUME PEDAL RANGE REVERB ON/OFF REVERB TYPE REVERB TOTAL DEPTH REVERB PART DEPTH (RHYTHM, ACMP) REVERB PART DEPTH (LEFT, RIGHT1, RIGHT2) EFFECT ON/OFF EFFECT TYPE (RIGHT1, RIGHT2, LEFT) EFFECT DEPTH EFFECT VARIATION CHORUS TYPE CHORUS DEPTH (RIGHT1, RIGHT2, LEFT) REGISTRATION FREEZE ON/OFF FREEZE CATEGORY ON/OFF (VOICE SETTING), REVERB/EFFECT, TUNE, PEDAL, ACMP.SETTING ALL REGIST RATION Memory Data (20) MIXER PART VOLUME (RHYTHM, BASS, CHORD, PAD, PHRASE) KEYBOARD VOLUME STYLE Selected style in each STYLE SELECT page MAIN A/B/C/D ACMP. ON/OFF ACCOMPANIMENT MODE TEMPO 1 INTRO/FILL IN/ENDING METRONOME TYPE METRONOME VOLUME GUIDE MODE SOUND REPEAT PIANO ROLL DISPLAY GUIDE LAMP ON/OFF LYRICS ON/OFF SONG VOLUME LANGUAGE TUNE TRANSPOSE (ALL) TRANSPOSE (SONG) VOICE SETTING KEY TOUCH FIXED VELOCITY LEFT PEDAL FUNCTION LEFT PART MIDI SEND Ch. RIGHT 1 PART MIDI SEND Ch. RIGHT 2 PART MIDI SEND Ch. LOCAL CONTROL ON/OFF SYNC. CLOCK PROGRAM CHANGE SEND/RECEIVE ON/OFF CONTROL CHANGE SEND/RECEIVE ON/OFF SYSTEM EXCLUSIVE SEND/RECEIVE ON/OFF START/STOP SEND/RECEIVE ON/OFF MIDI FILTER ON/OFF (all channels) MIDI TRANSPOSE RECEIVE ON/OFF ACMP & RHY SEND ON/OFF HARMONY SEND ON/OFF SEQUENCER SEND ON/OFF REMOTE KEYBOARD MICRO TUNING ON/OFF MICRO TUNE. SETTING SCALE TUNING SELECT PRESET SCALE SELECT PRESET SCALE KEY USER SCALE SETTING BACKUP ON/OFF Default Grand Piano Center 127 Top voice OFF Depends on voice selection. Depends on voice selection. Depends on voice selection. OFF SlowStrs. Center 127 OFF Aco.Bass +1 F#2 Center 127 RIGHT Depends on voice selection. Depends on style (voice) selection. Depends on voice selection. Depends on voice selection. Depends on voice selection. Depends on voice selection. Depends on voice selection. Depends on style selection. Depends on voice selection. OFF ACMP. SETTING: ON Others: OFF Factory preset data 60sGtrPop Top style MAIN C OFF MULTI FINGER Depends on style selection. OFF NORMAL 64 NORMAL AUTO AUTO ON ON [ACMP/SONG VOLUME] slider value ENGLISH 440.0Hz (A3) AUTO NORMAL 76 SOFT 2 ON INT. TX&RX (ON) TX&RX (ON) TX&RX (ON) OFF ON ON OFF OFF OFF OFF OFF 0 PRESET EQUAL C 0 Set separately for each group.2 One Touch Setting O O O O O O O O O O O O O O O O O O O O O ON Music Database O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O ON O O Set Up Memory O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Registration Freeze Group VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING PEDAL REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF ACMP. SETTING VOICE SETTING ACMP. SETTING ACMP. SETTING ACMP. SETTING ACMP. SETTING ACMP. SETTING ACMP. SETTING VOICE SETTING VOICE SETTING VOICE SETTING PEDAL TUNE TUNE TUNE TUNE All Set Up O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O O Backup Group VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING PEDAL REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REGISTRATION REGISTRATION REGISTRATION ACMP SETTING VOICE ACMP ACMP ACMP ACMP ACMP ACMP SETTING SETTING SETTING SETTING SETTING SETTING SETTING ACMP SETTING ACMP SETTING SONG SETTING SONG SETTING SONG SETTING SONG SETTING SONG SETTING Recall Group VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING VOICE SETTING PEDAL REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REV/CHO/EFF REGISTRATION REGISTRATION REGISTRATION ACMP SETTING VOICE ACMP ACMP ACMP ACMP ACMP ACMP ACMP ACMP SONG SONG SONG SONG SETTING SETTING SETTING SETTING SETTING SETTING SETTING SETTING SETTING SETTING SETTING SETTING SETTING

CmM 7 (b5)

CmM 7 (9)

Cm (b5)

Cdim 7

C7 sus 4

C 7 (9)

C 7 (#11)

C 7 (13)

C 7(b5)

C 7(b9)

C 7 (b13)

C 7(#9)

Csus 4

CM 7 (#11)
Fingering Chart / Akkordliste / Tablature / Grfica de digitado
Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter H as a suffix. Also, n can freely be defined as any whole number. To enter data/values, refer to the table below.
Decimal Hexadecimal 0A 0B 0C 0D 0E 0F 1A 1B 1C 1D 1E 1F 2A 2B 2C 2D 2E 2F 3A 3B 3C 3D 3E 3F Binary Decimal Hexadecimal 4A 4B 4C 4D 4E 4F 5A 5B 5C 5D 5E 5F 6A 6B 6C 6D 6E 6F 7A 7B 7C 7D 7E 7F Binary 0111 1111

(1) TRANSMIT FLOW

MIDI OUT KEY OFF KEY ON/OFF CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN SOSTENUTE SOFT PEDAL PORTAMENTO CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL RPN LSB RPN MSB PITCH BEND SENS. PROGRAM CHANGE SYSTEM EXCLUSIVE MESSAGE <YAMAHA MIDI FORMAT> <UNIVERSAL> UNIVERSAL NON-REALTIME <XG STANDARD> XG PARAMETER CHANGE 8nH 9nH BnH BnH,00H BnH,20H BnH,06H BnH,26H BnH,07H BnH,0AH BnH,0BH BnH,40H BnH,42H BnH,43H BnH,54H BnH,5BH BnH,5DH BnH,5EH BnH,64H BnH,65H BnH,65H,00H,64H,00H,06H,mmH CnH

F0H 7EH..F7H

F0H 43H 1nH 4CH aaH aaH aaH ddH..ddH F7H F0H 43H 0nH 4CH bbH bbH aaH aaH XG BULK DUMP aaH ddH..ddH ccH F7H <CLAVINOVA MIDI COMPLIANCE> <SPECIAL OPERATORS> SYSTEM REALTIME MESSAGE MIDI CLOCK START STOP ACTIVE SENSING

F8H FAH FCH FEH

(2) RECEIVE FLOW
MIDI IN KEY OFF KEY ON/OFF CONTROL CHANGE BANK SELECT MSB BANK SELECT LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENTO CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL DATA INCREMENT DATA DECREMENT NRPN LSB NRPN MSB VIBRATO RATE VIBRATO DEPTH VIBRATO DELAY FILTER CUTOFF FREQ. FILTER RESONANCE EG ATTACK TIME EG DECAY TIME EG RELEASE DRUM INST CUTOFF FREQ. FILTER RESONANCE EG ATTACK RATE EG DECAY RATE PITCH COARSE 8nH 9nH
Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) displays the Note On Message for each channel (1-16). 176-191/ BnH/1011 0000-displays the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-displays the Program Change Message for each channel (1-16). 240/F0H/denotes the start of a System Exclusive Message. 247/F7H/denotes the end of a System Exclusive Message. aaH (hexidecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low. bbH/0bbbbbbb denotes the byte count. ccH/0ccccccc denotes the check sum. ddH/0ddddddd denotes the data/value.

(3-2-1) ALL SOUND OFF (Receive only) (CONTROL NUMBER = 78H , DATA VALUE = 0)
Switches off all sound from the channel. Reset Note On and Hold On conditions established by Channel Messages.
First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry MSB/LSB. NRPN MSB LSB 01H 08H 01H 09H 01H 0AH 01H 20H 01H 21H 01H 63H 01H 64H 01H 66H 14H rrH 15H rrH 16H rrH 17H rrH 18H rrH 19H rrH 1AH rrH 1CH rrH 1DH rrH 1EH rrH 1FH rrH D.ENTRY MSB LSB mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH mmH
(3-2-2) RESET ALL CONTROLLERS (Receive only) (CONTROL NUMBER = 79H , DATA VALUE = 0)
Resets controllers as follows. PITCH BEND CHANGE AFTER TOUCH MODULATION EXPRESSION SUSTAIN SOSTENUTO SOFT PEDAL NRPN RPN PORTAMENT CONTROL PORTAMENTO 0 (Center) 0 (min.) 0 (min.) 127 (max.) 0 (off) 0 (off) 0 (off) Sets number to null. (Internal data remains unchanged) Sets number to null. (Internal data remains unchanged) Resets portamento source note number 0 (off)
(3-2-3) LOCAL CONTROL (Receive only) (CONTROL NUMBER = 7AH , DATA VALUE = 0/7FH)
When the DATA VALUE = 7FH, LOCAL ON is activated where playing the keys on the keyboard will produce sound. When the DATA VALUE = 0, LOCAL OFF is activated where playing the keys on the keyboard will not produce any sound.
PARAMETER NAME DATA RANGE VIBRATO RATE 00H - 40H - 7FH (-64 - 0 - +63) VIBRATO DEPTH 00H - 40H - 7FH (-64 - 0 - +63) VIBRATO DELAY 00H - 40H - 7FH (-64 - 0 - +63) FILTER CUTOFF FREQUENCY 00H - 40H - 7FH (-64 - 0 - +63) FILTER RESONANCE 00H - 40H - 7FH (-64 - 0 - +63) EG ATTACK TIME 00H - 40H - 7FH (-64 - 0 - +63) EG DECAY TIME 00H - 40H - 7FH (-64 - 0 - +63) EG RELEASE 00H - 40H - 7FH (-64 - 0 - +63) DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63) DRUM FILTER RESONANCE 00H - 40H - 7FH (-64 - 0 - +63) DRUM AEG ATTACK RATE 00H - 40H - 7FH (-64 - 0 - +63) DRUM AEG DECAY RATE 00H - 40H - 7FH (-64 - 0 - +63) DRUM PITCH COARSE 00H - 40H - 7FH (-64 - 0 - +63) DRUM PITCH FINE 00H - 40H - 7FH (-64 - 0 - +63) DRUM LEVEL 00H - 7FH (0 - max.) DRUM PANPOT 00H ,01H - 40H - 7FH (random,left - center - right) DRUM REVERB SEND LEVEL 00H - 7FH (0 - max.) DRUM CHORUS SEND LEVEL 00H - 7FH (0 - max.) DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.)

(3-6) SYSTEM EXCLUSIVE MESSAGE (3-6-1) YAMAHA MIDI FORMAT (3-6-1-1) SECTION CONTROL
binary 0sssssss hexadecimal F7E 00 SS Exclusive status YAMAHA ID Style Switch No. 00H : INTRO A 01H : INTRO B 02H : INTRO C/D 03H~07H : INTRO C/D 08H : MAIN A 09H : MAIN B 0AH : MAIN C 0BH~0FH : MAIN D 10H : FILL IN A 11H : FILL IN B 12H : FILL IN C 13H~17H : FILL IN D 18H : BREAK FILL 19H : BREAK FILL 1AH : BREAK FILL 1BH~1FH : BREAK FILL 20H : ENDING A 21H : ENDING B 22H : ENDING C/D 23H~27H : ENDING C/D Switch On/Off: 00H(Off),7FH(On) End of Exclusive

0ddddddd 11110111

Hex 1A 1B 1C 1D 1E 1F 22

Dec 34

Chord type dim7 7th 7sus4 7b5 7(9) 7(#11) 7(13) 7(b9) 7(b13) 7(#9) Maj7aug 7aug 1+8 1+5 sus4 1+2+5 cc
When an ON code is received, the appointed section will be changed.

(3-6-1-2) TEMPO CONTROL

binary 0ttttttt 0ttttttt 0ttttttt 0ttttttt 11110111 hexadecimal F7E 01 TT TT TT TT F7 bt Exclusive status YAMAHA ID Style Tempo4 Tempo3 Tempo2 Tempo1 End of Exclusive
Same as Chord root, 127:No bass chord Same as Chord type 127:No bass chord
(3-6-2) UNIVERSAL SYSTEM EXCLUSIVE (3-6-2-1) UNIVERSAL REALTIME MESSAGE (3-6-2-1-1) MIDI MASTER VOLUME (Receive only)
binary 00000001 0sssssss 0ttttttt 11110111 or 0xxxnnnn hexadecimal F0 7F 7F SS TT F7 F0 7F XN Exclusive status Universal Realtime ID of target Device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive Exclusive status Universal Realtime When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = dont care Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive
The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits).
0sssssss 0ttttttt 11110111

SS TT F7

The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the SS value is ignored.)

(3-6-3-4) XG DUMP REQUEST (Receive only)
binary 0010nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 11110111 hexadecimal F2n 4C AA AA AA F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low End of Exclusive
(3-6-3-1-2) XG PARMETER CHANGE
binary 0001nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 11110111 hexadecimal F1N 4C AA AA AA DD | F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low Data End of Exclusive
For more information on Address and Byte Count refer to < Table 1-2 > ~ < Table 1-6 > (pages 20-23). The following Dump Requests are handled. XG System Data Multi Effect 1 Data(Individual module unit) Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information
For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2 > (page 20) and < Table 1-4 > ~ < Table 1-6 > (pages 20-23). The following Parameter Changes are handled. XG System Data Multi Effect 1 Data Multi Part Data Drums Setup Data
(3-6-4) CLAVINOVA MIDI COMPLIANCE (3-6-4-1) INTERNAL CLOCK / EXTERNAL CLOCK (Receive only)
binary 0000001n 11110111 hexadecimal F0N F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID N: 2(Internal Clock),3(External Clock) End of Exclusive
(3-6-4-2) DOC MULTI TIMBRE ON / OFF (Receive only)
binary hexadecimal F1N F7 Exclusive status YAMAHA ID Clavinova ID Clavinova commmon ID N:3(DOC Multi Timbre Off),4(DOC Multi Timbre On) End of Exclusive
(3-6-4-8) MIDI FA CANCEL (Receive only)
binary hexadecimal F61 F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID MIDI FA Cancel End of Exclusive
(3-6-4-3) PANEL LED ON / OFF (Receive only)
binary 00011010 0mmmmmmm hexadecimal F1A MM Exclusive status YAMAHA ID Clavinova ID Clavinova commmon ID PANEL LED On/Off MM:00H(LED Off),01H(LED On),02H(The LED flashes) 03H (LED All off), 04H (Panel LED returns to normal operation) LED No. End of Exclusive
If this message is received, even if FAH is received the Rhythm will not start.

(3-6-5-5) CHANNEL DETUNE

binary 00010001 0000nnnn 01000011 0vvvvvvv 11110111 hexadecimal F11 0N 43 VV F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID N = MIDI Channel Dual Detune Value VV: 00H - 40H - 7FH (-64 - 0 - +63) End of Exclusive
(3-6-4-7) PANEL VOICE EFFECT DEPTH SETTING (Receive only)
binary 0000nnnn hexadecimal F0n Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Piano Live Exclusive Substatus Panel Voice Effect Depth Setting Substatus Panel Part No. 00H (RIGHT 1) 01H (RIGHT 2) 02H (LEFT) Value (0 - 7FH) End of Exclusive
The Channel Detune message only affects the specified channel.
(3-6-5-6) VOLUME ,EXPRESSION AND PAN REALTIME CONTROL OFF
binary 00010001 0000nnnn 01001001 0vvvvvvv 11110111 hexadecimal F11 0N 45 VV F7 Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID N = MIDI Channel Volume and Expression Realtime Control Off Value VV: off=7FH, on=00H End of Exclusive When On is received, subsequent volume, expression, and PAN changes are only valid after the reception of the next key on. Normal operation resumes when Off is received.
(3-6-5-7) MIDI KEY LED MODE ON / OFF (Receive only)
binary 00010001 0000nnnn 01000111 0ddddddd hexadecimal F11 0N 47 DD Exclusive status YAMAHA ID Clavinova ID Clavinova common ID Sub ID N = MIDI Channel MIDI Key LED Mode On DD: 00H(Key LED Mode 01H(Key LED Mode 02H(Key LED Mode End of Exclusive
/ Off Off), On + no tone), On + tone)
(3-6-6) Others (3-6-6-1) MIDI MASTER TUNING (Receive only)
binary 0001nnnn 0mmmmmmm 0lllllll 0ccccccc 11110111 hexadecimal F1N MM LL CC F7 Exclusive status YAMAHA ID When N is received N=0-F, whichever is received. Model ID Sub ID
Master Tune MSB Master Tune LSB dont care End of Exclusive
Changes tuning of all channels. MM, LL values are used to define the MIDI Master Tuning value. T = M 128 T: Tuning value (-99 cents to +99 cents) M: A single byte value (28228) that consists of bits 03 of MM as MSB, bits 03 of LL as LSB. This setting is not reset when the GM System or XG System is turned on.

< Table 1-1>

Parameter Basic Address Parameter Change Address (H)(M) (L) Description 00 System 7D Drum Setup Reset 7E XG System On 7F All Parameter Reset 08 0F 00 : 00 System Information Effect1(Reverb,Chorus,Variation ) Multi Part 1 Multi Part 16

SYSTEM

INFORMATION EFFECT 1 MULTI PART

30 0D 31 0D

Drum Setup 1 Address Drum Setup 2 3n 0D 00 3n 0E 00 : : 3n 5B 00
Parameter note number 13 note number 14 note number 91

< Table 1-2 >

MIDI Parameter Change table ( SYSTEM ) Address Size Data Parameter Name (H) (H) (H) 0000 Master Tune 01.07FF 06 7D 7E 7F TOTAL SIZE 1 00.7F 28.58 n Master Volume Not Used Transpose Drum Setup Reset XG System On All Parameter Reset Description -102.4.+102.3[cent] 1st bit3-0 -> bit15-12 2nd bit3-0 -> bit11-8 3rd bit3-0 -> bit7-4 4th bit3-0 -> bit3-0 0.127 -24.+24[semitones] n=Drum Setup Number 00=XG Sytem on 00=on (receive only) Default Value(H) 00 (0400)

< Table 1-3 >

MIDI Parameter table ( System information ) Address Size Data Parameter Name (H) (H) (H) 00 E 20.7F Model Name : 0D 0E 0F TOTAL SIZE 10 (Transmitted by Dump Request. Not received. Bulk Dump Only) Description 32.127(ASCII)

< Table 1-4 >

MIDI Parameter Change table ( EFFECT 1) Address Size Data Parameter Name (H) (H) (H) 00.7F Reverb Type MSB 00.7F Reverb Type LSB 00.7F Reverb Parameter 1 00.7F Reverb Parameter 1 00.7F Reverb Parameter 1 00.7F Reverb Parameter 1 00.7F Reverb Parameter 1 00.7F Reverb Parameter 1 00.7F Reverb Parameter 1 00.7F Reverb Parameter 8 0A 1 00.7F Reverb Parameter 9 0B 1 00.7F Reverb Parameter 10 0C 1 00.7F Reverb Return 0D 1 01.7F Reverb Pan TOTAL SIZE 0E Description Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) L63.C.R63(1.64.127) Default Value(H) 01(=HALL1) 00 Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type Depend on Reverb type 40 40
TOTAL SIZE 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Reverb Reverb Reverb Reverb Reverb Reverb Parameter Parameter Parameter Parameter Parameter Parameter Refer Refer Refer Refer Refer Refer to to to to to to the the the the the the Ef. Ef. Ef. Ef. Ef. Ef. Parameter Parameter Parameter Parameter Parameter Parameter List List List List List List Depend Depend Depend Depend Depend Depend on on on on on on Reverb Reverb Reverb Reverb Reverb Reverb type type type type type type 2A 2B 2C 2D 2E TOTAL SIZE 0F TOTAL SIZE 4A 4C 4E 59 5A 5B 5C 5D 5E 5F 60 TOTAL SIZE 75 TOTAL SIZE 01 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F Chorus Type MSB Chorus Type LSB Chorus Parameter 1 Chorus Parameter 2 Chorus Parameter 3 Chorus Parameter 4 Chorus Parameter 5 Chorus Parameter 6 Chorus Parameter 7 Chorus Parameter 8 Chorus Parameter 9 Chorus Parameter 10 Chorus Return Chorus Pan Send Chorus To Reverb Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) L63.C.R63(1.64.127) -.0.+6dB(0.96.127) 41(=Chorus1) 00 Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus Depend on Chorus 00 Type Type Type Type Type Type Type Type Type Type 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Chorus Chorus Chorus Chorus Chorus Chorus Parameter Parameter Parameter Parameter Parameter Parameter Refer Refer Refer Refer Refer Refer to to to to to to the the the the the the Ef. Ef. Ef. Ef. Ef. Ef. Parameter Parameter Parameter Parameter Parameter Parameter List List List List List List Depend Depend Depend Depend Depend Depend on on on on on on Chorus Chorus Chorus Chorus Chorus Chorus Type Type Type Type Type Type 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 01.7F 00.7F 00.7F 00.01 00.1F 01.7F 01.7F 01.7F 01.7F 01.7F Variation Type MSB Variation Type LSB Vari. Param. 1 MSB Vari. Param. 1 LSB Vari. Param. 2 MSB Vari. Param. 2 LSB Vari. Param. 3 MSB Vari. Param. 3 LSB Vari. Param. 4 MSB Vari. Param. 4 LSB Vari. Param. 5 MSB Vari. Param. 5 LSB Vari. Param. 6 MSB Vari. Param. 6 LSB Vari. Param. 7 MSB Vari. Param. 7 LSB Vari. Param. 8 MSB Vari. Param. 8 LSB Vari. Param. 9 MSB Vari. Param. 9 LSB Vari. Param. 10 MSB Vari. Param. 10 LSB Variation Return Variation Pan Send Vari. To Reverb Send Vari. To Chorus Variation Connection Variation Part MW Vari. Ctrl Depth PB Vari. Ctrl Depth CAT Vari. Ctrl Depth Not Used Not Used Refer to the Effect Type List 00 : basic type Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List Refer to the Ef. Parameter List -.0.+6dB(0.96.127) L63.C.R63(1.64.127) -.0.+6dB(0.96.127) -.0.+6dB(0.96.127) 0:insertion,1:system part1.32(0.31),off(127) -63.+63 -63.+63 -63.+63 05(=DELAY L,C,R) 00 Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type Depend on Vari. Type 00 7F 1 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F Variation Variation Variation Variation Variation Variation Parameter 11 Parameter 12 Parameter 13 Parameter 14 Parameter 15 Parameter 16 option option option option option option Parameter Parameter Parameter Parameter Parameter Parameter Depend Depend Depend Depend Depend Depend on Variation Type on Variation Type on Variation Type on Variation Type on Variation Type on Variation Type

< Table 1-5 >

MIDI Parameter Change table ( MULTI PART ) Address Size Data Parameter Name (H) (H) (H) 08 nn 00.20 Element Reserve nn 00.7F Bank Select MSB nn 00.7F Bank Select LSB nn 00.7F Program Number nn 00.0F, Rcv Channel 7F nn 00.01 Mono/Poly Mode nn 00.02 Same Note Number Key On Assign nn nn nn nn nn nn nn nn 09 0A 0B 0C 0D 0E 2 00.02 28.58 00.FF Part Mode Note Shift Detune Description 0.32 0.127 0.127 1.128 0.16;1.16,127;off 0:mono,1:poly 0:single 1:multi 2:inst (for DRUM) 0:normal 1.3:drum thru,drum1.2 -24.+24[semitones] -12.8.+12.7[Hz] 1st bit3.0 -> bit7.4 2nd bit3.0 -> bit3.0 0.127 0.127 0.127 0:random L63.C.R63(1.64.127) C-2.G8 C-2.G8 0.127 0.127 0.127 0.127 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -64.+63 -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.127 0.127 0.127 -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.127 0.127 0.127 Default Value(H) 0(Part10),2(Others) 7F(Part10),00(Others) Part No. 01 01
00 (Except Part10) 02 (Part10) 00 (80) 40 40

00.7F 00.7F 00.7F 00.7F

Volume Velocity Sense Depth Velocity Sense Offset Pan
nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn

0F 1A 1B 1C 1D 1E 1F 22

00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F 00.7F 00.7F
Note Limit Low Note Limit High Dry Level Chorus Send Reverb Send Variation Send Vibrato Rate Vibrato Depth Vibrato Delay Filter Cutoff Freq. Filter Resonance EG Attack Time EG Decay Time EG Release Time MW MW MW MW MW MW Pitch Control Filter Control Amp. Control LFO PMod Depth LFO FMod Depth LFO AMod Depth Pitch Control Filter Control Amp. Control LFO PMod Depth LFO FMod Depth LFO AMod Depth

00 7F 7F 0A 00 00

nn 23 nn 24 nn 25 nn 26 nn 27 nn 28 TOTAL SIZE
Bend Bend Bend Bend Bend Bend
nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn nn
30 : 4A 4B 4C 4D 4E 4F 50
1 : 1 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 00.7F 28.58 00.7F 00.7F 00.7F
Not Used : Not Used Scale Scale Scale Scale Scale Scale Scale Scale Scale Scale Scale Scale CAT CAT CAT CAT Tuning C Tuning C# Tuning D Tuning D# Tuning E Tuning F Tuning F# Tuning G Tuning G# Tuning A Tuning A# Tuning B -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -64.+63[cent] -24.+24[semitones] -9600.+9450[cent] -100.+100[%] 0.00
Pitch Control Filter Control Amplitude Control LFO PMod Depth
nn nn nn 53 : 1 00.01 00.7F 00.7F 00.7F CAT LFO FMod Depth CAT LFO AMod Depth Not Used : Not Used Portamento Switch Portamento Time Not Used : Not Used 3F 1 0C Not Not Not Not Used Used Used Used Dont Dont Dont Dont care care care care off/on 0.00 0.127 0.00 nn nn nn 69 : 6E TOTAL SIZE 08 nn 70 nn 71 nn 72 nn 73 TOTAL SIZE 08 nn 7A 7B 7C 7D 7E 7F SIZE Not Not Not Not Not Not Not Not Not Not Not Not Used Used Used Used Used Used Used Used Used Used Used Used Dont Dont Dont Dont Dont Dont Dont Dont Dont Dont Dont Dont care care care care care care care care care care care care TOTAL nn = PartNumber If there is a Drum Voice assigned to the Part, the following parameters are ineffective. Bank Select LSB Pitch EG Portamento Soft Pedal Mono/Poly Scale Tuning

<Table 1-6 >

MIDI Parameter Change table ( DRUM SETUP ) Address Size Data Parameter Name (H) (H) (H) 3n rr 00.7F Pitch Coarse 3n rr 00.7F Pitch Fine 3n rr 00.7F Level 3n rr 00.7F Alternate Group 3n rr 00.7F Pan 3n rr 05 3n rr 06 3n rr 07 3n rr 08 3n rr 09 3n rr 0A 3n rr 0B 3n rr 0C 3n rr 0D 3n rr 0E 3n rr 0F TOTAL SIZE 00.7F 00.7F 00.7F 00.01 00.01 00.01 00.7F 00.7F 00.7F 00.7F 00.7F Reverb Send Level Chorus Send Level Variation Send Level Key Assign Rcv Note Off Rcv Note On Filter Cutoff Freq. Filter Resonance EG Attack Rate EG Decay1 Rate EG Decay2 Rate Description -64.+63 -64.+63[cent] 0.127 0:off,1.127 0:random L63.C.R63(1.64.127) 0.127 0.127 0.127 0:single,1:multi off/on off/on -64.63 -64.63 -64.63 -64.63 -64.63 Default Value(H) Depend on the Note Depend on the Note Depend on the Note Depend on the Note Depend on the Note 7F 00 Depend on the Note 40 40
n:Drum Setup Number(0 - 1) rr:note number(0DH - 5BH) If XG SYSTEM ON and/or GM SYSTEM ON message is received, all Drum Setup Parameter will be reset to default values. According to the Drum Setup Reset message, individual Drum Setup Parameters can be reset to default values.

Reverb Type List

Effect Type List
Type HALL1 HALL2 HALL3 HALL4 HALL5 ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 WHITE ROOM TUNNEL CANYON BASEMENT

MSB # 19

LSB # 0
Type HALL1 HALL2 HALL3 HALL4 HALL5 ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 ER1 ER2 GATE REVERB REVERS GATE KARAOKE1 KARAOKE2 KARAOKE3 CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 CELESTE1 CELESTE2 FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 SYMPHONIC1 SYMPHONIC2 PHASER1 PHASER2 EP PHASER1 EP PHASER2

MSB # 72

LSB # 16
Type ROTARY SP1 ROTARY SP2 ROTARY SP3 ROTARY SP4 ROTARY SP5 ROTARY SP6 ROTARY SP7 ROTARY SP8 ROTARY SP9 ROTARY SP10 TREMOLO1 TREMOLO2 TREMOLO3 TREMOLO4 GT TREMOLO1 EP TREMOLO EP TREMOLO2 AUTO PAN1 AUTO PAN2 AUTO PAN3 EP AUTOPAN EP AUTOPAN2 AUTO WAH1 AUTO WAH2 AUTO WAH3 AUTO WAH4 DELAY LCR1 DELAY LCR2 DELAY LR ECHO CROSS DELAY DIST HARD (DISTORTION HARD) DIST HARD2 DIST HARD3 DIST SOFT (DISTORTION SOFT) DIST SOFT2 DIST HEAVY OVERDRIVE AMP SIM (AMP SIMULATOR) ST AMP2 ST AMP3 EQ DISCO EQ TEL 2BAND EQ 3BAND EQ

EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Balance
32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB D63>W D=W D<W63

table#3 table#3 G

MSB = 69, LSB = 0, 16, 17
No. Parameter LFO Frequency LFO Depth 0.00Hz 39.7Hz Display Value See Table table#1 Control G

MSB = 70

No. Parameter LFO Frequency AM Depth PM Depth 0.00Hz 39.7Hz Display Value See Table table#1 Control G
LFO Phase Difference Input Mode
-180 +180deg (resolution=3deg.) mono/stereo

MSB = 71

No. Parameter LFO Frequency L/R Depth F/R Depth PAN Direction EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Display 0.00Hz 39.7Hz L R, L R, L R, Lturn, Rturn, L/R 32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB Value 76 See Table table#1 Control G
MSB = 72, LSB = 0, 16, 17, 18
No. Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Balance Stage 0.00Hz 39.7Hz -63 +63 32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB D63>W D=W D<W63 6, 7, 8, 9, 10 Display Value See Table table#1 Control table#3 table#3 G
Lista de parmetros de efectos

MSB = 72, LSB = 8

No. Parameter LFO Frequency LFO Depth Phase Shift Offset Feedback Level EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Balance Stage LFO Phase Difference 0.00Hz 39.7Hz -63 +63 32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB D63>W D=W D<W63 3, 4, 5 -180deg +180deg (resolution=3deg.) Display Value 124 See Table table#1 Control
MSB = 73, LSB = 0 MSB = 74
No. Parameter Drive EQ Low Frequency EQ Low Gain LPF Cutoff Output Level EQ Mid Frequency EQ Mid Gain EQ Mid Width Dry/Wet Balance Edge (Clip Curve) 32Hz 2.0kHz -12 +12dB 1.0k Thru 100Hz 10.0kHz -12 +12dB 1.0 12.0 D63>W D=W D<W(mild) 127 (sharp) Display Value See Table table#3 table#3 Control G

table#3

MSB = 75
No. Parameter Drive AMP Type LPF Cutoff Output Level Display Off, Stack, Combo, Tube 1.0k Thru Value 127 See Table Control G table#3
MSB = 78, LSB = 0, 16, 19, 20
No. Parameter LFO Frequency LFO Depth Cutoff Frequency Offset Resonance EQ Low Frequency EQ Low Gain EQ High Frequency EQ High Gain Dry/Wet Balance 0.00Hz 39.7Hz 1.0 12.0 32Hz 2.0kHz -12 +12dB 500Hz 16.0kHz -12 +12dB D63>W D=W D<W63 Display Value See Table table#1 G Control
Dry/Wet Balance Edge (Clip Curve)
D63>W D=W D<W(mild) 127 (sharp)

MSB = 76

No. Parameter EQ Low Gain EQ Mid Frequency EQ Mid Gain EQ Mid Width EQ High Gain EQ Low Frequency EQ High Frequency Display -12 +12dB 100Hz 10.0kHz -12 +12dB 1.0 12.0 -12 +12dB 50Hz 2.0kHz 500Hz 16.0kHz Value See Table table#3 Control

MSB = 64

No. Parameter Display Value See Table Control

Model _____________________________________ Serial No. __________________________________

92-469-

(bottom)
Purchase Date ______________________________

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Only use the voltage specified as correct for the instrument. The required voltage is printed on the name plate of the instrument. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Use only the supplied power cord/plug. Do not place the power cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it. Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualified Yamaha service personnel. Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. Never insert or remove an electric plug with wet hands. Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a fire. If the power cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the electric plug from the outlet, and have the instrument inspected by qualified Yamaha service personnel.
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage to the instrument or other property. These precautions include, but are not limited to, the following:

Guide Control

Guide Methods and Piano Roll.. 105 Using the Guide Function.. 106 Other Guide-related Functions.. 108

Song Recording

Recording Setup: Disk Format.. 111 Quick Recording... 112 Track Recording (Multi-track Recording).. 115 Adding New Tracks.. 118 Punch-in/out Recording... 118
Chord Sequence Other Record Edit Functions
Other Chord Sequence Functions.. 124 126
Setup Memory... 126 Song Name... 127 Track Edit.... 128 Initial Edit (Changing the Initial Data).. 130 Making Settings in the INITIAL EDIT Display.. 131

Recording Without a Disk

About the CVP MEMORY Song... 133 CHAPTER 8:

Keyboard

FUNCTION [KEYBOARD 1] Display page 1.. 136 FUNCTION [KEYBOARD 2] Display page 2.. 137
FUNCTION [PEDAL] Display page 3.. 138

CHAPTER 6:

Registrations

FUNCTION [DISK 1] Display page 4... 139 FUNCTION [DISK 2] Display page 5... 142 FUNCTION [DISK 3] Display page 6... 144 FUNCTION [DISK 4] Display page 7... 145 FUNCTION [DISK 5] Display page 8... 146

Song Control

FUNCTION [MIDI 1] Display page 9... 147 FUNCTION [MIDI 2] Display page 10.. 148 FUNCTION [MIDI 3] Display page 11.. 149 FUNCTION [MIDI 4] Display page 12.. 150

Backup

FUNCTION [BACKUP 1] Display page 13.. 152 FUNCTION [BACKUP 2] Display page 14.. 153

Utility

FUNCTION [MICRO TUNING] Display page 15.. 154 FUNCTION [SCALE TUNING] Display page 16.. 155 CHAPTER 9:

Connections

Audio Connections
158 Headphones... 158 Audio Input and Output... 158

Data Connections

Connecting MIDI Equipment... 160 Connecting to a Host Computer... 160

APPENDICES

Effect Type Lists Messages Troubleshooting MIDI and Data Compatibility Index

The Utility Functions

CHAPTER

1: Getting Ready

This section explains the notation conventions that are used throughout this manual.
I Square brackets [ ]....
Square brackets enclose the names of panel buttons, sliders, and connectors as they appear on your Clavinova. For example, the DEMO button is expressed as [DEMO] in this manual.

I Bold characters....

Bold type represents items shown in the LCD display, as well as the corresponding LCD buttons (i.e., the buttons directly below, or to the left or right of, these items). For example, the phrase Select RIGHT1 VOICE means that you should press the button directly below the RIGHT1 VOICE label at the bottom of the display.

Major

Press the root note of the chord.

Minor [m]

Simultaneously press the root note of the chord and any black key to the left of it.

Seventh [7]

Simultaneously press the root note of the chord and any white key to the left of it.

C D E F G A B

Minor Seventh [m7]
Simultaneously press the root note of the chord and any white and black keys to the left of it (three keys at once).
G Multi Finger This method allows you to control the Auto Accompaniment using either the Single Finger method (described above) or the Fingered 1 method (described below). However, when indicating minor, seventh or minor seventh chords, it is necessary to play the white key and/or black key nearest the root note of the chord. G Fingered 1 To control the Auto Accompaniment, play any chord in the left range of the keyboard (below and including the split point). Play the melody in the right range along with the Auto Accompaniment.
The automatic accompaniment will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). If the Clavinova cannot recognize a chord you play, an asterisk * will appear instead of the chord name in the display. Drums-only accompaniment can be produced by pressing any three consecutive keys (e.g., C, C#, D) simultaneously. This lets you create dynamic drum breaks in the accompaniment. A series of dashes - - - will appear instead of a chord name in the display.
The Clavinova displays the names of the chords you play at the left edge of the main display, below the tempo. The same accompaniment continues (even after you release the chord in the left range) until you play the next chord. The illustration below shows the key corresponding to each root note.
C# Eb F# Ab Bb (Db)(D#) (Gb)(G#)(A#)
Two-note fingerings will produce a chord based on the previously played chord.
I Chords in Fingered 1 mode
Major Sixth [6] Major seventh [M7] Major seventh flatted fifth [M7 (b5)] Major seventh sharp eleventh [M7 (#11)] Added ninth [add 9] Major seventh ninth [M7 (9)] Six ninth [6 (9)] Flatted fifth [(b5)] Augmented [aug] Seventh augmented [7 (#5)] Major seventh augmented [M7 (#5)] Minor [m] Minor sixth [m6] Minor seventh [m7] Minor seventh flatted fifth [m7 (b5)] Minor added ninth [m add 9]
The chord types below can be played in Fingered 1 mode. For a fingering chart showing all chords in the example key of C, see page 12 of the Data List.

I Displaying the Harmony Settings...
You can change the harmony type, the volume of the harmony voice, and other harmony settings in the HARMONY display page. To display the HARMONY page, press [DIRECT ACCESS], then [HARMONY].
Using the Pedals If you set the LEFT PEDAL function to HARMONY (page 138), the Clavinova will play harmony only while the left pedal is pressed. If you use the left pedal to control the harmony, that pedal will have no effect when the Harmony function is off (i.e., when the [HARMONY] lamp is not lit).
The HARMONY display appears.
I Selecting a Harmony Type..
You can change the type of harmony that is played using the TYPE function in the HARMONY display. Use the TYPE L and M buttons to select a harmony type, or select the TYPE function and use the data dial or [] and [+] buttons.
TYPE function Settings: See table on this page. Basic setting: Depends on main voice.
The selected harmony type is highlighted.
To restore the basic setting for the currently selected main voice, press the TYPE L and M buttons or the [] and [+] buttons simultaneously. Since the basic setting of the TYPE function depends on the currently selected main voice, a different harmony type may be selected automatically if you change the main voice selection. Harmony Types
Type Duet Trio Block 4 Part Country Octave 1+5 Echo Tremolo Trill Strumming Add Jazz Gtr Add Brass Add Strings In The Forest Speed
Some harmony types (indicated by a in the Speed column of the table at left) have a speed setting that can be adjusted. See the next topic for details.
Z Select the SPEED function. Press the LCD button under the SPEED function.
The SPEED function is highlighted.
I Changing the Harmony Speed...
You can change the speed of the harmony notes played by the Echo, Tremolo, and Trill harmony types using the SPEED function in the HARMONY display.
SPEED function Settings: 4, 6, 8, 12 (Echo) 8, 12, 16, 32 (Tremolo) 12, 16, 24, 32 (Trill) Basic setting: Depends on main voice.
X Change the SPEED setting. Use the SPEED button, the data dial, or the [] and [+] buttons to change the value of the SPEED function.
I Changing the Harmony Volume...
You can change the volume of the harmony notes using the VOLUME function in the HARMONY display. Z Select the VOLUME function. Press the one of the LCD buttons under the VOLUME function.
VOLUME function Settings: 0 (min.) 127 (max.) Basic setting: Depends on main voice.
X Change the VOLUME setting. Use the VOLUME M and L buttons, the data dial, or the [] and [+] buttons to change the value of the VOLUME function. To restore the VOLUME function to its basic setting for the currently selected main voice, press the VOLUME M and L buttons or the [] and [+] buttons simultaneously.

Playback of the custom style can be started and stopped by pressing the [START/STOP] button. (Data cannot be recorded while playback is stopped.) All notes are automatically stopped at the end of the style (i.e., at the point between repeats when recording). It is therefore not advisable to record over this point.
When recording a drum kit voice in part R1 or R2, you can clear a single drum instrument from the part by pressing the key corresponding to the instrument to be cleared while holding down the C1 key on the keyboard. (The C1 key is labeled CANCEL.) The metronome timing guide can also be cleared in this way. Another useful recording aid is the SOLO LCD button: when this button is pressed and highlighted, only the selected part will sound. Press the SOLO button again to turn the solo function off and hear all parts in the selected section.
> Quantize the recorded part, if necessary..
You can tighten up the timing of a recorded part by using the PART QUANTIZE functions in page 2 of the CUSTOM STYLE display to align all the notes to a specified beat. Press the PAGE [>] button to display the function, then press the middle LCD button to select the quantize size:
32nd notes 16th note triplets
16th notes 8th note triplets 8th notes
quarter-note triplets quarter notes
Once the required quantize size has been selected, press the START LCD button to quantize the current part. The part will begin to play using the new timing, and the START button will change to UNDO, allowing you to undo the quantize operation and return to the pre-quantized data if the results are not as you expected. You will not be able to UNDO once another button has been pressed.
? Repeat until the custom style is complete.
Repeat steps 4 through 9 to record other parts for the currently selected section. Repeat steps 4 through 10 to record other sections, until all sections have been recorded.
During custom style recording, no MIXER display is available.
[ Name the custom style....

When your custom style is complete, use the PAGE buttons to select page 3 of the CUSTOM STYLE display, then press the STYLE NAME LCD button to display the NAME page.
Press the STORE LCD button in page 3 of the CUSTOM STYLE display to store the current custom style in the Clavinovas memory.
The Clavinova displays a message asking you to confirm your decision to store the style.
Use the > LCD button to position the underline cursor at the character you want to change (style names can be up to 12 characters in length). Use the data dial and/or the [] and [+] buttons to select the character you want to enter from the list in the center of the display, then press the CH.SET LCD button to enter the character at the current cursor position. Repeat this procedure until your name is complete. The BACK LCD button can be used to back up one space and delete the preceding character. When the name is complete, press OK to register the name for the current custom style, or CANCEL to abort.
Store the custom style...
The current tempo setting at the time the custom style is stored becomes the preset tempo for that style.
Use the MEMORY No. M and L buttons, the data dial, or the [] and [+] buttons to select the memory number (1 through 4) where you want to store the custom style, then press OK to store or CANCEL to abort.
If the selected memory number already contains a style, the style name will appear next to the memory number. The existing style will be overwritten when a new style is stored.
G Be Sure to Save Your Data! Custom style data is not retained in memory when the power is turned off, so be sure to save your custom style before turning the power off (see page 82).

Exit when done...

Press the [EXIT] button to exit the CUSTOM STYLE display and return to the main display.
Other Custom Style Functions
In addition to the various functions described in the basic custom style recording procedure, above, the CUSTOM STYLE display pages include several other functions that you may find useful when creating custom styles.

Since only one intro pattern, one fill-in pattern, and one ending pattern can be recorded for each custom style, no intro, fill-in, or ending variations are produced during playback.
Messages in Custom Style Mode
The following messages may appear when creating and storing a style in Custom Style mode.
I Memory Full During Recording..
This message will be displayed if the memory becomes full during recording or editing.
Press OK to return to the CUSTOM STYLE display, then simplify the style by clearing a part, etc.
I Insufficient Memory To Store...
This message will be displayed if there is not enough memory to perform a store operation.
In this case it will be necessary to either delete a style you dont need, or simplify the style you are currently recording. Press CANCEL to return to the CUSTOM STYLE display and simplify the current style (by clearing a part, etc.), or DELETE to delete one or more styles. If you select the DELETE function, the Select style to delete message will be displayed:
The amount of memory being used by each style is displayed next to the style name (in approximate kilobytes). You can refer to this amount to judge how much memory (out of the total 100 KB) will become available when a particular style is deleted.
If you press [EXIT] button to exit the Custom Style mode before storing the style, the Clavinova will display a message like the one shown below:
Use the MEMORY No. M and L buttons to select the style you want to delete, then press OK to delete the style, or CANCEL to cancel the operation. If the Clavinova displays the Cant delete this style! message when you try to delete a style, it is because you have tried to delete the style that your custom style was based on. If this happens, press OK to return to the Select style to delete display, then select a different style to delete.

I Exit Before Store....

Select a memory number and press YES to store the style and exit, press NO to exit without storing the style, or press CANCEL to return to the Custom Style mode.
I Style Change Before Store...
If you attempt to select a different source style before storing the style youve just edited, the following display will appear:
If you want to select a different source style without storing the current style, exit the Custom Style mode without storing the style (see Exit Before Store above), then re-enter the Custom Style mode.
Select a memory number and press OK to store the style and select a new source style, or press CANCEL to return to the Custom Style mode.
You can load and play style files created in the Style File Format either from optional Yamaha Style File disks, or from disks containing custom style files youve created yourself.

C Select a memory number and load the style..
Use the MEMORY LCD button to select the memory number to which the selected style file is to be loaded (1 through 4), then press the LOAD LCD button to load the style file. Repeat steps 2 and 3 to select and load other style files.
If the selected memory number already contains a style, the name of that style will appear above the MEMORY and LOAD functions in the display. The existing style will be overwritten when a new style is loaded. (One pre-programmed temporary style is automatically loaded into the [DISK/CUSTOM] memory whenever the power is turned on.)
It is not necessary to select a memory number when ALL LOAD is selected in step 1. Simply press OK to load or CANCEL to abort. If there is not enough memory to load the specified style file, the Not enough memory! Delete an unneeded style? message will be displayed. In this case it will be necessary to delete a style you dont need before loading the new style. Use the MEMORY No. M and L buttons to select the number of the style you want to delete, then press DELETE to delete the style, or CANCEL to abort.
The ALL LOAD display is as follows:
When ALL LOAD is executed, all data in the four memories will be replaced by new data. The amount of memory being used by each style is displayed next to the style name (in approximate kilobytes). You can refer to this amount to judge how much memory (out of the total 100 KB) will become available when a particular style is deleted.
V Eject the disk when youre done..
When youve finished with the Style File disk, press the disk drive EJECT button to remove it and return to the normal play mode display. You can return to the normal play mode without removing the disk by pressing the [EXIT] button.
Playing Loaded Style Files
Once loaded, style files can be selected for playback by pressing the [DISK/CUSTOM] button, then using the STYLE L and M LCD buttons, the data dial, or the [] and [+] buttons to select the style you want to play. The selected style can then be played in exactly the same way as the preset styles (page 51).
CAUTION The [DISK IN USE] lamp will light while the style is being loaded. NEVER attempt to remove a disk while the [DISK IN USE] lamp is lit.

METRONOME RESET

CAUTION Never take out the disk while the DISK IN USE lamp is lit or while a song is being played back.
Volume Adjustment for Each Part The volume of each part can be adjusted in the MIXER display.
Adjusting the Level Balance of Song Playback and the Keyboard Voices Use the [ACMP/SONG VOLUME] control (page 23) to adjust the volume.
When playing back a song recorded on the CVP-202, the Auto Accompaniment can be turned on by pressing the [ACMP ON] button.

Part Cancel

The 1/RIGHT (right hand), 2/LEFT (left hand) and ORCH (accompaniment) buttons in the SONG PLAY [MAIN] display can be used to turn playback of the corresponding parts on or off. The buttons are highlighted when the parts are turned on. For example, you can turn off the right- and/or left-hand parts so you can practice them on the keyboard.
Parts can be switched on and off during playback. Parts not having any data cannot be turned on. This applies when there is actually no data in the assigned track (page 98), or when the track assigned to the 2/LEFT part is set to TRK -(OFF). In the case of Yamaha Disklavier PianoSoft files, DOC files and XG/ESEQ files, the part indication does not appear for the parts without data.
In this example, 1/RIGHT is canceled.
The track assignment for each button can be changed in display page 6 of the SONG PLAY [L&R VOICE] display (page 98).
I Turning Individual Accompaniment Parts On or Off
Normally, pressing the ORCH (accompaniment) LCD button turns all orchestra parts (tracks 3 through 16) or all parts other than 1/RIGHT and 2/LEFT on or off at once. You can, however, turn these parts on or off individually in the SONG PLAY [TRACK PLAY] display (display page 2). Z Select the SONG PLAY [TRACK PLAY] page. Use the PAGE [<] and [>] buttons to select the SONG PLAY [TRACK PLAY] display (display page 2).
Tracks which contain data are indicated above the TRACK < and > buttons. Tracks enabled for playback are indicated by a box surrounding the track number. Tracks which do not contain data are not displayed.
All track numbers may appear whether, the tracks contain data or not, when a Standard MIDI file song is selected (except songs recorded on the CVP202).

Repeat Functions

The Clavinova has convenient repeat functions that let you repeatedly play back the same song or sections within the song. This function is useful when you want to practice a difficult phrase. Select the desired mode from the available four Repeat modes from the SONG PLAY [REPEAT] display (display page 4).
Four Repeat modes OFF (Repeat function is turned off) PHRASE (Phrase Repeat) 1 SONG (1 Song Repeat) AB mode (AB Repeat)
The ALL or RANDOM playback mode (in the SONG PLAY [MAIN] display) will be disengaged when any of the Repeat modes are selected. Any previously set Repeat mode will be reset to OFF when a different song is selected.

I Phrase Repeat....

When playing back Yamaha software that includes special phrase marks, such as DOC files, you can select specific phrase numbers (as indicated on the accompanying sheet music) and repeatedly practice only the selected phrase. (Phrase Repeat can be used for the four songs for which notation is provided in the included Music Book.) If you select PHRASE by using the REPEAT MODE M or L buttons, the PHRASE display for selection of the phrase number will appear at the right of the button. Press PHRASE M or L to highlight the corresponding function in the display, then select the phrase number by using the data dial or [] and [+] buttons. You can also select the phrase number by pressing PHRASE M or L. Once song playback is started, the selected phrase will be played back repeatedly until playback is stopped.
Parts can be turned on/off even during the performance. The Guide function can also be used simultaneously with Phrase Repeat. When Phrase Repeat is started, a lead-in count automatically plays before the phrase. However, for freetempo songs, a lead-in count is not available.

I 1 Song Repeat....

When 1 SONG is selected by pressing the REPEAT MODE M or L button, any song selected and played as described above will play repeatedly until stopped.
Lead-in count is not played.

I AB Repeat.....

This function allows you to specify any section (between point A and point B) of a song, letting you repeatedly play back the selected section for practice. When AB mode is selected by the REPEAT MODE M or L buttons, A and B will appear at the right of the buttons in the display to specify points A and B.
The specified A and B points will be erased when a new song number or another Repeat mode is selected. A lead-in count automatically plays before the specified section AB Repeat playback is started. However, for free-tempo songs, a lead-in count is not available. To specify the A point as the beginning of the song, press A before playback starts. In this case a lead-in count is not available. Specifying only the A point results in repeat playback between the A point and the end of the song. The B point cannot be selected unless an A point is selected.

You can set each keyboard part to transmit on a separate channel. If you set a part to OFF, the MIDI data for that part will not be transmitted.
G MIDI Reception The Clavinova always receives MIDI data in the Multi Timbre mode. This is a mode in which the Clavinova voices can be independently controlled on different MIDI channel numbers (1 through 16) by an external MIDI device. This means that you can produce the sound of a full band or ensemble on the Clavinova by using a computer or MIDI sequencer.

I Local Control....

The term local control refers to the control of the internal tone generator by the keyboard. You will normally play the Clavinova with the Local Control function set to ON. Turning off the local control separates the keyboard from the tone generator, so that the Clavinova will not output any sound when you play the keyboard. Since keyboard performance data is still output via the MIDI jacks, however, you can use this setting when you want to play an external MIDI tone generator from the Clavinovas keyboard without sounding the internal voices. To turn the local control on or off, press the LOCAL button. The data dial and [] and [+] buttons cannot be used.
LOCAL Settings: ON, OFF Basic setting: ON

I Synchronization....

The playback tempo of a song or style is normally controlled by the Clavinovas internal clock. When you want the Clavinovas playback tempo to be controlled by an external sequencer or rhythm machine, you should set the synchronization function to use an external clock. You might use this function, for example, to play the Auto Accompaniment of the Clavinova in perfect synchronization with an external sequencer. To switch the synchronization from an internal clock to an external clock (or vice versa), press the SYNC. button. The data dial and the [] and [+] buttons cannot be used.
SYNC. Settings: INT. (internal clock), EXT. (external clock) Basic setting: INT.
FUNCTION [MIDI 2] Display page 10

I MIDI Filter.....

The FUNCTION [MIDI 2] display contains MIDI filter settings that can be used to enable or prevent the transmission and reception of certain types of MIDI data.
G Program Change Messages Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard or another MIDI device. For example, the Clavinova can change voices in response to MIDI program change messages received from a connected MIDI sequencer. (These messages do not affect the keyboard-played voices.) The voices of connected external MIDI devices can also be changed by program change messages transmitted from the Clavinova. (Program change messages are transmitted when changing voices on the panel of the Clavinova.) Depending on your particular MIDI setup, you may find that this feature is convenient in some cases and not in others. Set the PROGRAM function to OFF to disable the transmission and reception of program change messages.

Read all Safety Instructions, Installation Instructions, Special Message Section items, and any Assembly Instructions found in this manual BEFORE making any connections, including connection to the main supply.
Main Power Supply Verification: Yamaha products are manufactured specifically for the supply voltage in the area where they are to be sold. If you should move, or if any doubt exists about the supply voltage in your area, please contact your dealer for supply voltage verification and (if applicable) instructions. The required supply voltage is printed on the name plate. For name plate location, please refer to the graphic found in the Special Message Section of this manual.
This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by the manufacturer. If a cart, rack, or stand is used, please observe all safety markings and instructions that accompany the accessory product.
The power supply cord (plug) should be disconnected from the outlet when electronic products are to be left unused for extended periods of time. Cords should also be disconnected when there is a high probability of lightening and/or electrical storm activity.
This product may be equipped with a polarized plug (one blade wider than the other). If you are unable to insert the plug into the outlet, turn the plug over and try again. If the problem persists, contact an electrician to have the obsolete outlet replaced. Do NOT defeat the safety purpose of the plug.
Care should be taken that objects do not fall and liquids are not spilled into the enclosure through any openings that may exist.

11. 12.

Some electronic products utilize external power supplies or adapters. Do NOT connect this type of product to any power supply or adapter other than one described in the owners manual, on the name plate, or specifically recommended by Yamaha.
Electrical/electronic products should be serviced by a qualified service person when: a. The power supply cord has been damaged; or b. Objects have fallen, been inserted, or liquids have been spilled into the enclosure through openings; or c. The product has been exposed to rain: or d. The product dose not operate, exhibits a marked change in performance; or e. The product has been dropped, or the enclosure of the product has been damaged.

WARNING: Do not place this product or any other objects on the power cord or place it in a position where anyone could walk on, trip over, or roll anything over power or connecting cords of any kind. The use of an extension cord is not recommended! If you must use an extension cord, the minimum wire size for a 25' cord (or less) is 18 AWG. NOTE: The smaller the AWG number, the larger the current handling capacity. For longer extension cords, consult a local electrician.
Do not attempt to service this product beyond that described in the user-maintenance instructions. All other servicing should be referred to qualified service personnel.

13. 14.

Ventilation: Electronic products, unless specifically designed for enclosed installations, should be placed in locations that do not interfere with proper ventilation. If instructions for enclosed installations are not provided, it must be assumed that unobstructed ventilation is required.
This product, either alone or in combination with an amplifier and headphones or speaker/s, may be capable of producing sound levels that could cause permanent hearing loss. DO NOT operate for a long period of time at a high volume level or at a level that is uncomfortable. If you experience any hearing loss or ringing in the ears, you should consult an audiologist. IMPORTANT: The louder the sound, the shorter the time period before damage occurs.
Temperature considerations: Electronic products should be installed in locations that do not significantly contribute to their operating temperature. Placement of this product close to heat sources such as; radiators, heat registers and other devices that produce heat should be avoided.
Some Yamaha products may have benches and/or accessory mounting fixtures that are either supplied as a part of the product or as optional accessories. Some of these items are designed to be dealer assembled or installed. Please make sure that benches are stable and any optional fixtures (where applicable) are well secured BEFORE using. Benches supplied by Yamaha are designed for seating only. No other uses are recommended.

PLEASE KEEP THIS MANUAL

92-469-2
For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311

FRANCE

Yamaha Musique France, S.A. Division Professionnelle BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000