G Custom Style Related Messages
This message appears for a few seconds when the Custom Style mode is engaged. (See page 59 in the Owners Manual.)
This confirmation prompt appears when you attempt to change the beat parameter in the Custom Style mode. (See page 60 in the Owners Manual.)
This confirmation prompt appears when you attempt to change the number of measures in the Custom Style mode. (See page 61 in the Owners Manual.)
This confirmation prompt appears when you attempt to perform operations which can only be done after deleting the part of the original style in the Custom Style mode. (See page 62 in the Owners Manual.) This confirmation prompt appears when you attempt a store operation in the Custom Style mode. (See page 64 in the Owners Manual.) This also appears when you attempt to change styles before storing. (See page 68 in the Owners Manual.) This confirmation prompt appears when you attempt to exit from the Custom Style mode before storing data. (See page 68 in the Owners Manual.) Select YES to store. Press NO to exit without storing data. Press CANCEL to return to the previous display without storing data. (See page 68 in the Owners Manual.) This message appears when the Recall Section operation in the Custom Style mode cannot be performed, due to changes in the time signature (beat). (See page 64 in the Owners Manual.)
If the data has not been stored to memory before saving to disk in the Custom Style mode, this message prompts you to store the data before proceeding. (See page 66 in the Owners Manual.) This message appears if there is not enough internal memory space left when storing data in the Custom Style mode. (See page 67 in the Owners Manual.)
This message appears when DELETE is selected from the display shown above. Select the style to be deleted and press the OK button. Press CANCEL if you do not want to delete the style. This message appears when memory capacity has become full during recording in the Custom Style mode (page 68 in the Owners Manual). This also appears when memory has become full during recording of a song to internal RAM. In this case, recording will stop and data recorded up to that point will be saved automatically.

G Recorded Data Conversion Related Messages
This message appears if a 2HD disk is used when performing conversion of the recorded data. Press OK and copy the song data to be converted to a 2DD disk, then perform the data conversion using the disk. Following conversion of the song data, this message displays the song number to which the data was saved.
G Initial Data Change Related Messages
This confirmation message appears if you attempt to exit the Initial Edit function without writing the data. Press YES to write the changed data. Press NO to exit without writing. Press CANCEL to return to the Initial Edit display without writing.
G Chord Sequence Related Messages
This confirmation message appears if you attempt to exit the Chord Sequence function during recording. Press YES to store the recorded data. Press NO to exit without storing. Press CANCEL to return to the Chord Sequence display without storing. This message appears during Chord Sequence recording when you attempt to enter an accompaniment style or section change at a position other than the beginning of a measure. Record changes of accompaniment style or section only at the beginning of the measure. (See page 105 in the Owners Manual.)
G Style File Load Related Messages
This message appears when you attempt to load a Style file without there being enough memory to hold the specified file. (See page 70 in the Owners Manual.)

G Other Messages

This message appears when the host computer is not turned on, the connecting cable is not properly connected, the HOST SELECT switch is not in the proper position, or the MIDI driver or MIDI application is not active. In this case, turn the power off on both the CVP-94/92 and the computer, and check the cable connection and the position of the HOST SELECT switch. Once the connection and HOST SELECT switch position is verified, turn the power of the computer on first, then the CVP-94/92, to check if the MIDI driver and MIDI application function properly. As long as the Clavinova is regularly used, data is retained in memory. If the instrument is left unused for a week or longer before being turned on again, the data is erased and this message appears. This message also appears when you recall all factory data. (See page 132 in the Owners Manual.) A problem has been detected in the hardware system during power on. Refer the problem to your Yamaha dealer.

Cause The keys are not being played correctly. The keys are not being played according to the selected Auto Accompaniment type. The memory capacity is full because the playing time of one or more songs is long, or many functions were used. Playback of the track(s) is set to off. Solution Refer to the Fingering Chart (page 30 in this Manual). Check the Auto Accompaniment type, and play the keys according to the selected type. (See page 47 in the Owners Manual.) Delete unnecessary songs (page 123 in the Owners Manual) or record to a new disk. Set playback for the non-sounding tracks to on. (See pages 79 and 82 in the Owners Manual.)

I MIDI

MIDI (Musical Instrument Digital Interface) is a worldwide standard communication interface that allows MIDI-compatible musical instruments and equipment to share musical information and control one another. Depending on the MIDI device, the transmittable/receivable data differs, and only data which is commonly recognized among the connected MIDI devices can be transmitted or received. You can check whether your instrument supports certain data types by referring to the MIDI Implementation Chart in the owners manual for that instrument. The MIDI Implementation Chart for the CVP-94/92 is found on page 19 in this Manual. MIDI Terminals
This terminal transmits the MIDI data.

OUT IN

G Sequence Format
The system which records song data is called sequence format. Playback is only possible when the sequence format of the disk matches that of the MIDI device. [Common Sequence Formats] SMF (Standard MIDI File) This is the most common sequence format. Standard MIDI Files are generally available as one of two types: Format 0 or Format 1. Many MIDI devices are compatible with Format 0, and most commercially available software is recorded as Format 0. The CVP-94/92 is compatible with both Format 0 and Format 1 (for Format 1, up to a maximum of 17 chunks). Song data recorded on the CVP-94/92 is automatically recorded as SMF Format 0. ESEQ This sequence format is compatible with many of Yamahas MIDI devices, including the Clavinova series instruments. This is a common format used with various Yamaha software. The CVP-94/92 is compatible with ESEQ.
This terminal receives the MIDI data.
MIDI Cable Connect MIDI devices with special MIDI cables. The various MIDI settings can be made from the Function sections MIDI 1 - 3 pages. Further information on MIDI and its applications is available in various music books and magazines.
G Voice Allocation Format
With MIDI, voices are assigned to specific numbers, called program numbers. The numbering standard (order of voice allocation) is referred to as the voice allocation format. Voices may not play back as expected unless the voice allocation format of the song data matches that of the compatible MIDI device used for playback.

* PROGRAM NUMBER: XG SFX KIT number correspondence P=1 SFX1 Kit P=2 SFX2 Kit When DRUM VOICE is selected and program change data for a different DRUM VOICE is received, the currently selected DRUM VOICE will be replaced with the new DRUM VOICE.
(3-1-4) CHANNEL AFTER TOUCH (Recive only)
STATUS VALUE 1101nnnn(DnH) 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER v = 0 - 127 AFTER TOUCH VALUE
(3-1-5) PITCH BEND CHANGE
STATUS LSB MSB 1110nnnn(EnH) 0vvvvvvv 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER PITCH BEND CHANGE LSB PITCH BEND CHANGE MSB

(3-1-6) CONTROL CHANGE

STATUS CONTROL NUMBER CONTROL VALUE 1011nnnn(BnH) 0ccccccc 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER
* Transmit CONTROL NUMBER. c=0 BANK SELECT MSB
SYSTEM EXCLUSIVE MESSAGE <YAMAHA MIDI FORMAT> <UNIVERSAL> UNIVERSAL REALTIME F0H 7FH..F7H UNIVERSAL NON-REALTIME F0H 4EH..F7H <XG STANDARD> XG PARAMETER CHANGE F0H 43H 1nH 4CH aaH aaH aaH ddH..ddH F7H XG BULK DUMP F0H 43H 0nH 4CH bbH bbH aaH aaH aaH ddH..ddH ccH F7H PARAMETER REQUEST F0H 43H 3nH 4CH aaH aaH aaH F7H DUMP REQUEST F0H 43H 2nH 4CH aaH aaH aaH F7H <CLAVINOVA MIDI COMPLIANCE> <SPETIAL OPERATORS> <Others> SYSTEM REALTIME MESSAGE MIDI CLOCK START STOP ACTIVE SENSING
c = 32 c= 6 c = 38 c= 7 c = 10 c = 11 c = 64 c = 66 c = 67 c = 91 c = 94
0:XG NORMAL, 64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM BANK SELECT LSB ; v = 0 - 127 *3 DATA ENTRY MSB ; v = 0 - 127 *1 DATA ENTRY LSB ; v = 0 - 127 *1 MAIN VOLUME ; v = 0 - 127 PANPOT ; v = 0 - 127 EXPRESSION ; v = 0 - 127 SUSTAIN ; v = 0-63:OFF , 64-127:ON *2 SOSTENUTO ; v = 0-63:OFF , 64-127:ON *2 SOFT PEDAL ; v = 0-63:OFF , 64-127:ON *2 REVERB SEND LEVEL ; v = 0 - 127 VARIATION SEND LEVEL ; v = 0 - 127 (When only Connection = 1[System]) ;v= 0:XG NORMAL, 64:SFX NORMAL, 126:XG SFX KIT, 127:XG DRUM ; v = 0 - 127 *3 ; v = 0 - 127 *2 ; v = 0 - 127 *2 ; v = 0 - 127 *1 ; v = 0 - 127 *1 ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0-63:OFF , 64-127:ON *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0:-64 - 64:0 - 127:+63 *2 ; v = 0 - 127 *2 ; v = 0 - 127 ; v = 0 - 127 ; v = 0 - 127 (When only Connection = 1[System]) ; v = 127 *1 ; v = 127 *1
* Receive CONTROL NUMBER. c= 0 BANK SELECT MSB

(3) TRANSMIT/RECEIVE DATA
(3-1) CHANNEL VOICE MESSAGES (3-1-1) KEY OFF(Recive only)
STATUS NOTE NUMBER VELOCITY 1000nnnn(8nH) 0kkkkkkk 0vvvvvvv n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) v: ignored

(3-1-2) KEY ON/OFF

STATUS NOTE NUMBER VELOCITY 1001nnnn(9nH) 0kkkkkkk 0vvvvvvv 00000000 n = 0 - 15 VOICE CHANNEL NUMBER k = 0 (C-2) - 127 (G8) (v 0) NOTE ON (v = 0) NOTE OFF
c = 32 c= 1 c= 5 c= 6 c = 38 c= 7 c = 10 c = 11 c = 64 c = 65 c = 66 c = 67 c = 71 c = 72 c = 73 c = 74 c = 84 c = 91 c = 93 c = 94 c = 96 c = 97
BANK SELECT LSB MODULATION PORTAMENTO TIME DATA ENTRY MSB DATA ENTRY LSB MAIN VOLUME PANPOT EXPRESSION SUSTAIN PORTAMENTO SOSTENUTO SOFT PEDAL HARMONIC CONTENT RELEASE TIME ATTACK TIME BRIGHTNESS PORTAMENT CONTROL REVERB SEND LEVEL CHORUS SEND LEVEL VARIATION SEND LEVEL DATA INCREMENT DATA DECREMENT

(3-1-3) PROGRAM CHANGE

STATUS 1100nnnn(CnH) PROGRAM NUMBER 0ppppppp n = 0 - 15 VOICE CHANNEL NUMBER p = 0 - 127
*1 Only when setting the appointed parameter with RPN, NRPN. *2 Does not effect Rhythm Voice. *3 MSB=0, anything other than 63 is 0.
* PROGRAM NUMBER: XG DRUM VOICE number correspondence P=0 Standard Kit P=1 Standard2 Kit P=8 Room Kit P = 16 Rock Kit P = 24 Elctrnic Kit P = 25 Analog Kit P = 27 Dance Kit P = 32 Jazz Kit P = 40 Brush Kit P = 48 Classic Kit
Until a PROGRAM CHANGE message is received, the BANK SELECT operation will be suspended. When a Voice, including VOICE BANK, is changed, set the BANK SELECT and Program Change Message, and transmit in the following order, BANK SELECT MSB, LSB, PROGRAM CHANGE. MODULATION controls the Vibrato Depth. PORTAMENTO TIME controls the Pitch Change Speed when the Portamento Switch = ON. 0 being the shortest time, and 127 being the longest.
PANPOT changes the value for the melody voice and rhythm voice in relation to the preset value. Portamento time is fixed to 0 when the PORTAMENTO CONTROL is used. HARMONIC CONTENT applies adjustment to the resonance value that is set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range. RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. ATTACK TIME applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. BRIGHTNESS applies adjustment to the cut-off frequency set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range. (3-2) CHANNEL MODE MESSAGES

Depending upon the received ON message, the SYSTEM MODE will be changed to XG.Controllers will be reset, all values of Multi Part and Effect, and All System values denoted by XG data within All System will be reset to default values in the table. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent.
(3-6-3-1-2) XG PARMETER CHANGE
binary 0001nnnn 01001100 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 11110111 hexadecimal F1N 4C AA AA AA DD | F7 Exclusive status YAMAHA ID Device Number Model ID Address High Address Mid Address Low Data End of Exclusive
0sssssss 0ttttttt 11110111

SS TT F7

For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2 > (page 14) and < Table 1-4 > ~ < Table 1-6 > (pages 15-18). The 4 data types listed below are transmitted and received. (These are transmitted only after a Parameter change request is received.) XG System Data Multi Effect Data Multi Part Data Drums Setup Data
The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the ss value is ignored.)

(3-6-3-2) XG BULK DUMP

binary 0000nnnn 01001100 0bbbbbbb 0bbbbbbb 0aaaaaaa 0aaaaaaa 0aaaaaaa 0ddddddd | 0ccccccc 11110111 hexadecimal F0N 4C BB BB AA AA AA DD | CC F7 Exclusive status YAMAHA ID Device Number Model ID ByteCount ByteCount Address High Address Mid Address Low Data Check sum End of Exclusive
For more information on Address and Byte Count, refer to < Table 1-2 > ~ < Table 1-6 > (pages 14-18). The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits. If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received. The Block is a unit that consists of the data, arranged in the list, as the Total Size. The 5 data types listed below are transmitted and received. (These are transmitted only after a Bulk Dump request is received.) System Data Multi Effect Data(Individual effect unit) Multi Part Data(Individual part unit) Drums Setup Data(Individual note unit) System Information(Individual only) 00000000 0nnnnnnn NN F7 LED No. End of Exclusive Remotely switches the Panel LED On/Off.

(3-6-4-4) STYLE NUMBER

binary 0ccccccc 0ddddddd 11110111 hexadecimal F1D 00 CC DD F7 Exclusive status YAMAHA ID Clavinova ID CVP-98/96/94/92 Style No. Style No. MSB Style No. LSB End of Exclusive

Category XG SlwTrStr Pizz.Str Harp Timpani Strings1 S.Strngs Slow Str Arco Str Orchestr Orchstr2 Velo.Str Strings2 S.SlwStr Kingdom 70s Str Strings3 Syn Str1 Reso Str Syn Str4 Syn Str5 Syn Str2 S.Choir ChoirStr Choral Orch.Hit OrchHit2 Impact Trumpet BriteTrp Tuba Tuba 2 Fr.Horn FrHorn 2

Voice Name

LSB # 37

Susp. Str

YangChin

60sStrng

TremOrch

LegatoSt Warm Str

ChoirAah Ch.Aahs2 MelChoir VoiceOoh SynVoice SyVoice2 AnaVoice
Trumpet2 Warm Trp Trombone Trmbone2
Mute Trp FrHrSolo HornOrch
Voice # Category XG Voice Name Big Lead HeavySyn WaspySyn PulseSaw Dr. Lead VeloLead Seq Ana. CaliopLd PureLead Chiff Ld Rubby CharanLd DistLead WireLead Voice Ld SynthAah Vox Lead Fifth Ld Big Five Bass&Ld Big&Low Fat&Prky Soft Wrl NewAgePd Fantasy Warm Pad ThickPad Soft Pad Sine Pad Horn Pad RotarStr PolySyPd PolyPd80 ClickPad Ana. Pad SquarPad ChoirPad Heaven Itopia CC Pad BowedPad Glacier GlassPad MetalPad Tine Pad Pan Pad Halo Pad SweepPad Shwimmer Converge PolarPad Celstial Rain MSB # 0 LSB # 0 Program Change # 96 Category XG Voice Name ClaviPad HrmoRain AfrcnWnd Carib SoundTrk Prologue Ancestrl Crystal SynDrCmp Popcorn TinyBell RndGlock GlockChi ClearBel ChorBell SynMalet SftCryst LoudGlok ChrstBel VibeBell DigiBell AirBells BellHarp Gamelmba Atmosphr WarmAtms HollwRls Nylon EP NylnHarp Harp Vox AtmosPad Planet Bright FantaBel Smokey Goblins GobSynth Creeper Ring Pad Ritual ToHeaven Night Glisten BelChoir Echoes Echoes 2 Echo Pan EchoBell Big Pan SynPiano Creation StarDust Reso&Pan MSB # 0
Voice # LSB # 69 Program Change # 102
Voice # Voice # Program Change # 126 Category XG Voice Name Gunshot CuttngNz CttngNz2 Str Slap Fl.KClik Shower Thunder Wind Stream Bubble Feed Dog Horse Tweet 2 Ghost Maou Tel.Dial DoorSqek DoorSlam ScratchC ScratchS WindChim Telphon2 CarEIgnt CarTSqel Car Pass CarCrash Siren Train JetPlane Starship Burst Coaster Submarin Laugh Scream Punch Heart Footstep MchinGun LaserGun Xplosion Firework MSB # 64 LSB # 0 Program Change # 115
Category XG Sci-Fi Starz Sitar DetSitar Sitar 2 Tambra Banjo Rabab Oud Koto Taisho-k Kanoon Kalimba Bagpipe Fiddle Shanai Shanai 2 Pungi Hichriki TnklBell Bonang Altair AsianBel Agogo ThaiBell FretNoiz BrthNoiz Tweet Helicptr
Tamboura MuteBnjo Gopichnt Shamisen
Gamelan S.Gamlan Rama Cym
SteelDrm GlasPerc WoodBlok Castanet TaikoDrm Gr.Cassa MelodTom Mel Tom2 Real Tom Rock Tom Syn Drum Ana Tom ElecPerc RevCymbl
Seashore Telphone Applause
Drum/key Assignment List / Verzeichnis der Liste dassignation instrument de batterie/ Lista de asignaciones de teclas/batera

Bank Select MSB Bank Select LSB Program # (1-128) Keyboard MIDI Note Note # Note C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C 85 C# 86 D 87 D# 88 E 89 F 90 F# 91 G Key off -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5 Alternate assign 1 Standard Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 2 Standard Kit 2 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll 2 Castanet Snare Soft 2 Sticks Kick Soft RimShotHShrt KickTghtShrt Kick Short Side Stick Snare Short Hand Clap SnareTight H Floor Tom L Hi-HatClosed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H CrashCymbal1 High Tom RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 9 Room Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Side Stick Snare Snappy Hand Clap SnrTightSnpy Tom Room 1 Hi-HatClosed Tom Room 2 Hi-Hat Pedal Tom Room 3 Hi-Hat Open Tom Room 4 Tom Room 5 CrashCymbal1 Tom Room 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 17 Rock Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Noisy Sticks Kick Tight 2 OpenRimShot Kick 2 Kick Gate Side Stick Snare Rock Hand Clap SnareRockRim Tom Rock 1 Hi-HatClosed Tom Rock 2 Hi-Hat Pedal Tom Rock 3 Hi-Hat Open Tom Rock 4 Tom Rock 5 CrashCymbal1 Tom Rock 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 25 Electronic Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnrSnpyElctr Sticks Kick 3 OpenRimShot Kick Gate KckGateHeavy Side Stick SnareNoisy 2 Hand Clap SnareNoisy 3 TomElectro 1 Hi-HatClosed TomElectro 2 Hi-Hat Pedal TomElectro 3 Hi-Hat Open TomElectro 4 TomElectro 5 CrashCymbal1 TomElectro 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Scratch H 2 Scratch L 2 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 26 Analog Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnareNoisy 4 Sticks Kick Tight 2 OpenRimShot KickAnlgShrt Kick Analog SideStickAn SnareAnalog Hand Clap SnareAnalog2 Tom Analog 1 HatCloseAnlg Tom Analog 2 HatCloseAn 2 Tom Analog 3 HatOpen Anlg Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell Anlg CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga Anlg H Conga Anlg M Conga Anlg L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas 2 SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves 2 Wood Block H Wood Block L Scratch H 2 Scratch L 3 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree

Key Off: Keys marked O stop sounding the instant they are released. Alternate Assign: Playing any instrument within a numbered group will immediately stop the sound of any other instrument in the same group of the same number.
Key Off: Durch O gekennzeichnete Klnge verstummen beim Loslassen der Taste. Alternate Assign: Mit derselben Nummer gekennzeichnete Klnge werden von demselben Instrument erzeugt und knnen daher nicht gleichzeitig produziert werden. Spielt einer dieser Klnge gerade, wird er beim Anschlagen einer anderen Taste mit derselben Alternate Assign-Nummer stummgeschaltet.
Bank Select MSB Bank Select LSB Program # (1-128) Keyboard MIDI Note Note # Note C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C C# C# D D D# D# E E F F F# F# G G G# G# A A A# A# B B C C 85 C# 86 D 87 D# 88 E 89 F 90 F# 91 G
Key off -1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5

Alternate assign 4 4

28 Dance Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap ReversCymbal Snare Roll Hi Q 2 SnareTechno3 Sticks KickTechno Q Rim Gate KickTechno L KickTechno 2 SideStickAn Snare Clap Hand Clap Snare Dry 2 Tom Analog 1 HiHatClose 3 Tom Analog 2 HatCloseAn 2 Tom Analog 3 HiHat Open 3 Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell Anlg CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga Anlg H Conga Anlg M Conga Anlg L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas 2 SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves 2 Wood Block H Wood Block L Scratch H 2 Scratch L 3 TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree
Key off : Le son produit par les touches marques O cesse linstant o la touche est relche. Alternate Assign : Le fait de jouer un instrument appartenant un groupe ayant un numro arrte immdiatement le son de tout autre instrument appartenant un groupe ayant le mme numro.
33 Jazz Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Snare Soft Sticks Kick Soft OpenRimShot Kick Tight Kick Jazz Side Stick Snare Hand Clap Snare Tight Tom Jazz 1 Hi-HatClosed Tom Jazz 2 Hi-Hat Pedal Tom Jazz 3 Hi-Hat Open Tom Jazz 4 Tom Jazz 5 CrashCymbal1 Tom Jazz 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 41 Brush Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Brush Slap 2 Sticks Kick Soft OpenRimShot Kick Tight Kick Small Side Stick Brush Slap 3 Hand Clap Brush Tap 2 Tom Brush 1 Hi-HatClosed Tom Brush 2 Hi-Hat Pedal Tom Brush 3 Hi-Hat Open Tom Brush 4 Tom Brush 5 CrashCymbal1 Tom Brush 6 RideCymbal 1 Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell CrashCymbal2 Vibraslap RideCymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 49 Symphony Kit Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Mtrnm Click Mtrnm Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap BrushTapSwrl Snare Roll Castanet Brush Slap 2 Sticks Kick Soft 2 OpenRimShot Gran Cassa GranCassa Mu Side Stick Band Snare Hand Clap Band Snare 2 Tom Jazz 1 Hi-HatClosed Tom Jazz 2 Hi-Hat Pedal Tom Jazz 3 Hi-Hat Open Tom Jazz 4 Tom Jazz 5 Hand Cymbal Tom Jazz 6 HandCymShort Chinese Cym Ride Cym Cup Tambourine SplashCymbal Cowbell HandCymbal 2 Vibraslap HandCym2Shrt Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas SambaWhistlH SambaWhistlL Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open TriangleMute TriangleOpen Shaker Jingle Bells Bell Tree 1 SFX Kit SFX Kit 2 CuttingNoiz CuttingNoiz2 String Slap Phone Call Door Squeak Door Slam Scratch Cut Scratch H 3 Wind Chime Telephone 2 Fl.Key Click Ignition Squeal Exhaust Crash Siren Train Jet Plane Starship Burst Coaster Submarine Shower Thunder Wind Stream Bubble Feed Laugh Scream Punch Heartbeat Footsteps Dog Horse Bird Tweet 2 Machine Gun Laser Gun Explosion Firework Ghost Maou

Schlagzeugklnge / touche du clavier /
Key Off: Las teclas marcadas con O dejan de sonar en el momento en que se sueltan. Alternate Assign: Al tocar algn instrumento con un grupo numerado detendr inmediatamente el sonido de cualquier otro instrumento del mismo grupo con el mismo nmero.

Category POP

Style Name 8Beat Pop 1 8Beat Pop 2 8Beat Standard 8Beat Medium 8Beat Ballad Piano Ballad Pop Ballad 1 Pop Ballad 2 Organ Ballad New Age

Category JAZZ

Style Name Swing Big Band Swing Big Band Ballad Jazz Quartet Cool Jazz Dixieland Boogie Bebop Jazz Rock
G Pianist Style List / Pianist-Style-Verzeichnis / Liste de styles Pianiste / Lista de estilos de pianista
Piano Ballad Swing1 March Arpeggio1 Samba Rock & Roll 80s Pop 6/8 March Pop Ballad Petit Waltz Jazz Ballad Swing2 Ragtime1 Arpeggio2 Bossa Nova Honky Tonk Tight Rock Ragtime2 Rock Piano Jazz Waltz 16beatBallad 2beat Musical Arpeggio3 Rhumba BoogieWoogie Dance Pop Fanfare Arpeggio4 Minuet Rocca Ballad Old Jazz Galop Like Harp Beguine 16beat Rock 8beat Cha Cha Like Swan Birthday

BALLROOM

Foxtrot Jive Big Band Quickstep Cha Cha Rhumba Tango Continental Mambo Beguine

16BEAT

16Beat Pop 16Beat Shuffle 1 16Beat Shuffle 2 16Beat Ballad 1 16Beat Ballad 2 16Beat Ballad 3 Fusion Fusion Ballad Funk 1 Funk 2 LATIN POP
Bossa Nova 1 Bossa Nova 2 Bossa Nova 3 Salsa Samba Jazz Samba Reggae Pop Reggae

DANCE POP

Dance Pop 1 Dance Pop 2 Techno Eurobeat Synth Boogie 70s Disco Tropical Party Pop Jungle
TRADITIONAL March 1 March 2 6/8 March Polka Ragtime Showtune Showtime COUNTRY Bluegrass 1 Bluegrass 2 Country Rock Country Shuffle 8Beat Country Light Pop Folkrock Country Ballad Cowboy Boogie Country 2Step WALTZ Standard Waltz Traditional Waltz Pop Waltz Jazz Waltz Big Band Waltz Viennese Waltz Musette Waltz Country T. Waltz Country Waltz
US Rock 16Beat Rock 8Beat Uptempo Rock Shuffle Pop Shuffle Rhythm & Blues Soul Gospel Shuffle Rock & Roll Twist

*1 Ce sont les paramtres [ALL SETUP] dans la page FUNCTION [REGISTRATION] (page 7 de lafficheur). *2 REGISTRATION, UTILITY sont activs et les autres dsactivs. *1 Etos son los parmetros de [ALL SETUP] de la pgina [REGISTRATION] de FUNCTION (pgina 7 de la visualizacin). *2 REGISTRATION y UTILITY se activan (ON) y los dems se desactivan (OFF).
Parameter Chart / Parameterbersicht/ Tableau des paramtres / Grfica de parmetros
* All fingerings shown are simple root-position types. * Die hier gezeigten Akkorde sind jeweils die Grundakkorde. * Tous les doigts indiqus sont du type position fondamentale simple. * Todos los digitados se muestran como tipos de posicin de raz sencilla.
Example for C chords Beispiele fr C-Akkorde Exemples daccords en C Ejemplo de acordes C

CM 7 (b5)

Cadd 9

CM 7 (9)

C 6 (9)

C 7(#5)

CM 7 (#5)

Cm 7 (b5)

Cmadd 9

Cm 7 (9)

Cm 7 (11)

CmM 7 (b5)

CmM 7 (9)

Cm (b5)

Cdim 7

C7 sus 4

C 7 (9)

C 7 (#11)

C 7 (13)

C 7(b5)

C 7(b9)

C 7 (b13)

C 7(#9)

Csus 4

CM 7 (#11)
Fingering Chart / Akkordliste / Tablature / Grfica de digitado
CVP-94 KEYBOARD TONE GENERATOR MAXIMUM SIMULTANEOUS POLYPHONY VOICES 88 keys (A1 C7) AWM (Advanced Wave Memory) 32
Clavinova voices: 133 ; XG voices: 480 ; Drum Kits: 12 sets Voice Groups: Piano, Electric Piano, Vibraphone, Guitar, Clavinova Tone/Synth, Organ, Strings/Choir, Brass, Sax/Flute, Bass, Drums, XG Dual/Split
EFFECTS ACCOMPANIMENT STYLES
Effect (25 types), Reverb (16 types) Accompaniment Styles: 100; Pianist Styles: 40 Style Groups: Pop, 16 Beat, Dance Pop, Rock, Ballad, Jazz, Ballroom, Latin Pop, Traditional, Country, Waltz Disk/Custom Pianist Controls: Start/Stop, Syncro, Tap, Intro, Main A, Main B, Auto-fill, Ending, Fade in/out buttons Metronome, Tempo /+ buttons

AUTO ACCOMPANIMENT

Single Finger, Multi Finger, Fingered, Full Keybaord Harmony, Pianist, One Touch Setting, Virtual Arranger, Synchro Stop, Small ACMP, Chord Assist, Individual Part Volume Control (Mixer)
REGISTRATION SONG PLAY MODE
Bank A - E x 4 memory locations (20), Freeze Song Playback, Repeat, Volume control of individual Parts (Mixer) Controls: Song, Play/Stop, Rewind, Fast forward, Pause Guide Control: Easy Play, Next Note, Sound Repeat
SONG RECORD MODE LCD/CONTROLS
Quick Recording, Track Recording, Chord Sequence, Song Name, Track Edit, Initial Edit 240 x 64 dot liquid crystal display, Contrast dial, Beat lamp, Function button, Mixer button, Page < > buttons, Display hold button, LCD buttons, data dial, /+ buttons, Exit button Master volume, ACMP/Song volume 27 Demo Songs; 5 help languages (English, Japanese, German, French, Spanish) 3.5-inch micro floppy disk drive

B Conecte el cable de los pedales.
El cable de los pedales procedente de la caja de pedales, debe enchufarse al conector correspondiente de la unidad principal. La clavija slo entra en un sentido (la lengeta del conector debe orientarse hacia atrs de la unidad principal, como se muestra en la ilustracin), por lo que no deber forzarla al revs. Una vez conectada, coloque los soportes de cable en el panel trasero como se muestra, y enganche el cable en los soportes.
A voltage selector is provided in some areas. Spannungswhler (nur in bestimmten Verkaufsgebieten) Un slecteur de tension est prvu pour certaines rgions El selector de tensin est provisto para ciertos destinos.

N Voltage Selector

Before connecting the AC power cord, check the setting of the voltage selector which is provided in some areas. To set the selector for 110V, 127V, 220V or 240V main voltages, use a minus screwdriver to rotate the selector dial so that the correct voltage for your region appears next to the pointer on the panel. The voltage selector is set at 240V when the unit is initially shipped. After the proper voltage has been selected connect the AC power cord. From the back side of the instrument, slide the AC power cord through the center panel cut-out, located adjacent to the power connector, and connect the power cord to the AC power socket.

M Set the adjuster.

For stability, an adjuster is provided on the bottom of the pedal box (C). Rotate the adjuster until it comes in firm contact with the floor surface. The adjuster ensures stable pedal operation and facilitates pedal effect control. If the adjuster is not in firm contact with the floor surface, distorted sound may result.
N Den Spannungswhler einstellen.
Bevor Sie nun das Netzkabel anschlieen, mssen Sie den Spannungswhler (falls vorhanden) auf die rtliche Netzspannung einstellen. Zum Verstellen drehen Sie den Spannungswhler mit einem Schlitzschraubendreher, bis der richtige Spannungswert (110, 127, 220 oder 240) an der Pfeilmarkierung steht. Bei der Auslieferung werden alle Instrumente mit Spannungswhler auf 240 voreingestellt. Nachdem Sie den Spannungswhler richtig eingestellt haben, knnen Sie nun das Netzkabel anschlieen. Fhren Sie den kleinen Stecker des Netzkabels von der Rckseite des Instruments her durch den Ausschnitt in der Rckwand, und schlieen Sie ihn an die Netzkabelbuchse an.

Table#4 Reverb time

Data Value Data Value Data Value 0.3.17.0 0.3.18.0 0.3.19.0 0.3.20.0 0.3.25.0 0.4.30.0 0.9 1.0 1.1 1.2 1.3 1.4 1.5 1.6 1.7 1.8 1.9 2.0 2.1 2.2 2.3 2.4 2.5 2.6 2.7 2.8 2.9 3.0 3.1 3.2 3.3 3.63 4.1 4.2 4.3 4.4 4.5 4.6 4.7 4.8 4.9 5.0 5.5 6.0 6.5 7.0 7.5 8.0 8.5 9.0 9.5 10.0 11.0 12.0 13.0 14.0 15.0 16.0

Table#6 Room Size

Data Value Data Value 0.5.1 0.5.3 0.5.4 0.5.6 0.5.7 0.5.9 1.0 1.2 1.4 1.5 1.7 1.8 2.0 2.1 2.3 2.5 2.6 2.8 2.9 3.1 3.2 3.4 3.5 3.7 3.9 4.0 4.2 4.3 4.5 4.6 4.8 5.6.1 6.2 6.4 6.5 6.7 6.8 7.0
Table#8 Reverb Width;Depth;Height
Data Value Data Value Data Value Data Value 0.8.17.27.5 0.9.17.28.1 1.9.18.28.5 1.9.18.28.8 1.9.18.29.2 1.10.19.29.5 2.0 2.3 2.6 2.8 3.1 3.3 3.6 3.9 4.1 4.4 4.6 4.9 5.2 5.4 5.7 5.9 6.2 6.5 6.7 7.0 7.2 7.5 7.8 8.0 8.3 8.63 10.4 10.7 11.0 11.2 11.5 11.8 12.1 12.3 12.6 12.9 13.1 13.4 13.7 14.0 14.2 14.5 14.8 15.1 15.4 15.6 15.9 16.2 16.5 16.8 17.1 17.95 19.4 19.7 20.0 20.2 20.5 20.8 21.1 21.4 21.7 22.0 22.4 22.7 23.0 23.3 23.6 23.9 24.2 24.5 24.9 25.2 25.5 25.8 26.1 26.5 26.8 27.104 29.9 30.2
M.D.G., EMI Division 1997 Yamaha Corporation VY89910 810POCP2.3-10F0 Printed in Japan

G Easy-to-use Recording Features
Depending on your keyboard expertise and preference, you use a variety of different recording methods: Quick Recording, Track Recording, and Step Recording of Automatic Accompaniment (Chord Sequence Function) (page 93).
G Convenient TO HOST Terminals for Direct Connection to Computers
The CVP-94/92 can be used as a high-quality sound source for playback of music software for computers. It can also be used as a master keyboard for inputting performance data and creating music with a computer. (See page 140.)
Conventions Used in This Manual
I Indications of Buttons and LCD Display..
[ ]: This indicates actual panel buttons. When this mark is used, words such as button, slider, jack (terminal) sometimes may not be used. For example, the slider for the master volume is expressed as [MASTER VOLUME] in this manual.

VOLUME

MASTER VOLUME MAX ACMP/SONG VOLUME MAX
Bold characters: Items in the LCD display and the LCD buttons corresponding to these items (right under the items) are indicated in bold characters in this manual. For example, the term VOICE shown in the LCD display is written as VOICE. Also the LCD buttons corresponding to VOICE M L in the display are indicated as VOICE M L in the manual.
I Indications of Operation Explanations..
The arrows shown below are used in this manual in order to distinguish the results of the operation from the operation steps. Operation results
n m This mark indicates that executing n results in m.

Operation steps

n p This mark indicates that after executing n, then execute p.
The illustrations and LCD displays shown here are for explanation purposes only, and may be different than those that actually appear on the CVP94/92.

About This Manual

I Basic Settings:....
The functions of the CVP-94/92 are set to certain standard values or standard conditions when the instrument is shipped. These settings and conditions are called the basic settings. The basic settings of each function can be changed according to your preferences. Depending on the settings of the Backup function (page 132), you can have the CVP-94/92 maintain your own edited settings or return to the basic settings after turning off the power. The Recall function (page 133) lets you restore the basic settings at anytime.

I Main display:....

This refers to the LCD display shown below, which appears first when turning on the power.
G Pop-up: When certain panel buttons are pressed, the relevant display appears. Some of these displays are shown temporarily before returning to the previous display. These are called pop-up displays.
The Music Software Collection disk and one blank disk are supplied with the Clavinova.
I Precautions Regarding Floppy Disk Use...
G Never open the disks shutter. Dirt or dust on the Internal magnetic surface will cause data errors. G Never leave disks near a speaker, TV, or other device that emits a strong magnetic field. G Do not store disks in places exposed to direct sunlight or sources of high temperature. G Do not place heavy objects such as books on top of a disk. G Avoid getting the disks wet. G Be sure to store the disks in environmental conditions as specified below:

CVP-94 CVP-92

X Press the [POWER] switch. The power is turned on and the main
display appears in the LCD display. The voice of Grand Piano 1 and the accompanimient style of 8Beat Pop1 are selected automatically at first. The power lamp whch is located at the left front of the main unit is lit up. * If the LCD is difficult to read, adjust the contrast with the [CONTRAST] button at the left of the LCD. * Adjust the volume by using [MASTER VOLUME]. Press [POWER] again when turning off the power. Both the display and the power lamp at the left of the panel will turn off.

Headphones

PHONES
Standard stereo phone jack
Connect a set of stereo headphones (optional) to the [PHONES] jack. When headphones are connected, the internal speaker system is automatically shut off. Since the CVP-94/92 has two PHONES jacks, two sets of headphones can be used simultaneously, allowing two people to enjoy listening to the performance.

Mac PC-1

MIDI PC-2

TO HOST

HOST SELECT

OUT IN

AUX OUT

AUX IN

DEMO POP 16BEAT
DANCE POP BALL ROOM LATIN POP TRADI TIONAL

ROCK BALLAD JAZZ

PIANIST WALTZ DISK HARMONY CUSTOM

METRONOME

TEMPO RESET

CONTRAST

COUNTRY

AUTO ACCOMPANIMENT

ONE TOUCH SETTING ACMP ON VIRTUAL ARRANGER INTRO AUTO FILL MAIN B MAIN A

START /STOP

TAP SYNCHRO START/STOP

r ( ) q

FUNCTION

ENDING

FADE IN/OUT

A B C D

0 ! @ # $ % ^
A-1 B-1 C0 D0 E0 F0 G0 A0 B0
C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3
Accompanimient Style Section
A This is the GM (General MIDI) logo. This indicates
that the CVP-94/92 can playback GM-compatible disk software. See page 8 in the Reference Manual for more information on GM.
B This is the XG format logo. This indicates that the
CVP-94/92 can playback XG-compatible disk software. See page 8 in the Reference Manual for more information on the XG format.
C This is the Disk Orchestra Collection (DOC) format
logo. This indicates that the CVP-94/92 can playback DOC format disks. See page 8 in the Reference Manual for more information on the DOC format.
D This is the Style File logo. This indicates that the
5 STYLE buttons.. page [PIANIST].. page [DISK/CUSTOM].. page [HARMONY].. page [ONE TOUCH SETTING].. page [ACMP ON]... page 48 ! [VIRTUAL ARRANGER]. page 55 @ [INTRO].. page 42 # [MAIN A]... page 41 $ [MAIN B].. page 41 % [ENDING].. page 44 ^ [FADE IN/OUT].. page 43 & [METRONOME].. page 45 * TEMPO [/+].. page 40

Second Voice Range: All voices Basic setting: Strings Slow 1 Backup of last settings: OFF
Playing Two Voices Simultaneously Dual Mode

It is highlighted.

You can also select a voice by using RIGHT1 VOICE or RIGHT2 VOICE, even after the pop-up DUAL display has changed back to the main DUAL display.
After pressing RIGHT1 VOICE or RIGHT2 VOICE (it is highlighted), select the voice in the normal way.
If you select a voice with the VOICE buttons when STYLE M L is highlighted, selection of the RIGHT1 VOICE is automatically called up.

V Exit the Dual mode...

Press [DUAL] again; the lamp turns off and the Dual mode is no longer active.
Setting the Volume Balance of the Two Voices
Z Press BAL. from the DUAL pop-up display..
X Adjust the volume balance of the two voices by using the data dial or [/+] buttons..
Pressing BAL. lets you increase the level of the second voice only. Equal balance can be instantly reset by simultaneously pressing the [/+] buttons.
Volume Balance Basic setting: Equal volume Backup of last settings: OFF
The Volume Balance setting globally affects all voice combinations. Different settings cannot be made for each voice.
Detuning the Pitches of the Two Voices
The Detune Depth setting lets you produce an even richer sound by finely detuning the pitch of the two voices.
Detune Depth Range: 0 - 10 Basic setting: 5 Backup of last settings: OFF
Z Press DETUNE DEPTH from the DUAL pop-up display.....
XAdjust the Detune Depth by using the data dial or

[/+] buttons....

You can also press DETUNE DEPTH to increase the value. The higher the value, the greater the Detune Depth.
Changing the Octave Setting of the Two Voices
The Octave Shift setting lets you adjust the pitch of the two voices up or down an octave. Press either RIGHT 1 or RIGHT 2 of the OCTAVE SHIFT parameter in the DUAL pop-up display.
The values change each time the LCD button is pressed. Available settings are 1, 0, and +1.
Octave Shift Settings: 1 (1 octave lower) 0 (no octave shift) + 1 (1 octave higher) Basic setting: 0 (no octave shift) Backup of last settings: OFF
The Detune Depth setting globally affects all voice combinations. Different settings cannot be made for each voice. About the Sounding Range for Octave Shift Notes below and above the original 88key range (A1 to C7) sound one octave higher and lower, respectively. The RIGHT1 setting is effective for normal playing with one voice, and also affects the RIGHT1 setting in the SPLIT mode (page 29).

V Enter the chord type...
Press TYPE M or L (it is highlighted), then use the data dial or [/+] buttons to select the desired chord type. You can also select the chord type by pressing TYPE.

B Enter the chord...

The fingering for the selected chord appears on the keyboard guide lamps. At this point you can either play the indicated chord on the keyboard or press ENTER to actually enter the specified chord, at which the specified chord accompaniment will sound.
The following chord types can be specified from the LCD display.
Major [Maj] Minor [m] Seventh [7] Minor seventh [m7] Minor seventh flatted fifth [m7 (b5)] Sixth [6] Minor sixth [m6] Major seventh [M7] Suspended fourth [sus4] Augmented [aug] Minor flatted fifth [m (b5)] Seventh suspended fourth [7sus4] Seventh augmented [7 (#5)] Diminished seventh [dim7] Flatted fifth [(b5)] Seventh flatted fifth [7 (b5)] Minor major seventh [mM7]
All the Fingered chords can be entered from the keyboard. The root and type of the chord name entered from the LCD appears in the ROOT and TYPE parameter locations, while the chord name recognized from the keyboard (or entered by the ENTER button) appears at the side of the keyboard icon located at the left of the LCD. A flashing keyboard guide lamp indicates a note which may be omitted.
N Rotate the fingering as desired..
Press INVERT in the LCD to shift the fingering down the keyboard. Each time the INVERT button is pressed the next viable fingering for the chord appears. The inversion number appears in the INVERT section of the display.
M Stop the Auto Accompaniment...
Use [START/STOP] or [ENDING] to stop the accompaniment.
< Turn Chord Assist off...
To turn Chord Assist off, press the [ACMP ON] button (the lamp turns off). Auto Accompaniment also is turned off at the same time.
The split point is not shown on the guide lamps when the Chord Assist function is engaged. If the split point is set below F#2 it will automatically be reset to F#2.
The CVP-94/92 Custom Style feature allows you to create original accompaniment styles that can be later recalled and played at any time, just like the presets. Up to 4 custom styles can be maintained in internal memory at the same time, and any number can be saved to disk for later reloading and use. The basic custom style recording procedure is outlined below.
Custom style data is not retained in memory when the power is turned off, so be sure to save your custom styles to disk before turning the power off. One pre-programmed temporary style is automatically loaded into the [DISK/ CUSTOM] memory whenever the power is turned on. (Memory is common to the Custom Styles and the loaded styles from the optional Style File disks page 69.)

Effect Type List

CHORUS 1 CHORUS 2 CHORUS 3 CELESTE 1 CELESTE 2 CELESTE 3 FLANGER 1 FLANGER 2 OFF
Normally the preset VALUE and EFFECT TYPE are initially selected. If PART is set to ALL, the R1 part preset values are displayed. If SECTION is set to ALL, the MAIN A preset values are displayed. Effect type OTHERS may appear if the preset effect type is other than that of what is in the list. The OTHERS selection cannot be re-selected once you change to a different type.

I Save to Disk...

A complete set of 4 custom styles or individual custom styles can be saved to disk via CUSTOM STYLE page 5.
After making sure that a properly formatted disk is inserted in the Clavinova disk drive (page 7), use the MEMORY No. L and M buttons to select the memory number of the custom style you want to save to disk, or ALL if you want to save a complete set of 4 custom styles. When this is done, press the SAVE LCD button to start saving the data to disk. At this point the name entry display will appear and you can enter a name for the Custom Style disk file in the same way as you entered a name for the Custom Style itself (page 63). Press SAVE when the name has been entered. If a file with the same name already exists the Same name! Overwrite? confirmation prompt will appear. Press OK to overwrite the existing file or CANCEL to abort.
Your custom styles must be stored to internal memory before they can be saved to disk (see step 10 of the basic custom style recording procedure). If a custom style has not been stored and you attempt to save it to disk, the Please store to memory before saving to disk alert display will appear. If this happens press OK to return to the previous display (CUSTOM STYLE display page 3), store the custom style, then try saving again.

I Delete from Disk...

Saved custom styles can also be deleted from disk via CUSTOM STYLE page 5.
After making sure that the disk containing the custom style files is inserted in the Clavinova disk drive, press the DELETE LCD button. Use the FILE L M LCD buttons to select the custom style file you want to delete from disk. The Are you sure? confirmation prompt will appear. Press YES to delete the custom style file or NO to abort. Press the [EXIT] button to exit from the Custom Style mode and return to the normal play mode.
Saved Custom Style files can be loaded via the STYLE FILE LOAD function described in the Style File Load section (page 69).
Playing Back Your Custom Styles
Once created, your original custom styles can be selected for playback by pressing the [DISK/CUSTOM] button (its LED will light), and then using the STYLE L and M LCD buttons or the data dial or [/+] buttons to select the custom style you want to play. The selected style can then be played and used with ABC auto accompaniment in exactly the same way as the preset styles (page 38).
Since only one type of INTRO, FILL IN, and ENDING section can be recorded for each Custom Style, no A/B variations are produced during playback.

Custom Style Alert & Error Displays
The following alert and error displays may appear in the corresponding situations.
I Insufficient Memory To Store..
This alert message will appear if there is not enough memory to perform a store operation.
In this case it will be necessary to either delete a style you dont need or simplify the style you are currently recording. Press CANCEL to return to CUSTOM STYLE display page 1, at which point you can simplify the current style (by clearing a part, etc.), or DELETE to go to the Delete style ? display:
Use the MEMORY No. L and M buttons to select the number of the style you want to delete, then press OK to delete the style, or CANCEL to abort.
The amount of memory being used for the selected style is also shown on the display (in approximate kilobytes) so as to set up the approximate standard which style to delete in relation to the total 100 KB memory space.
I Memory Full During Recording...
This alert message will appear if the memory becomes full during recording or editing.
Press OK to return to CUSTOM STYLE display page 1 and simplify the style by clearing a part, etc.

I Exit Before Store....

If you press [EXIT] button to exit from the Custom Style function before storing the style the following display will appear.
Select a memory number and press YES to store the style and then exit, press NO to exit without storing the style, or press CANCEL to return to the Custom Style mode.
I Style Change Before Store...
If you attempt to select a different source style before storing the current style you recorded, the following display will appear.
If you want to select a different source style without storing the current style, exit from the CUSTOM STYLE mode without storing the style (see Exit Before Store above), and then re-enter the CUSTOM STYLE mode.
Select a memory number and press OK to store the style and then select the new source style, or press CANCEL to return to the Custom Style mode.
Style files from optional Yamaha Style File disks, or disks containing custom style files youve created yourself, can be loaded into the CVP-94/92 and played as required.
About the Yamaha Style File Format The Style File Format is Yamahas original auto-accompaniment format which has evolved through years of development and refinement. Style File Format allows you to use exceptionally high quality accompaniments with a variety of chord types through its unique conversion system. In addition to the internal styles, the optional style disks let you use different sophisticated styles created with the Style File Format. Loaded disk styles will be retained in memory only until the power is turned off. One pre-programmed temporary style is automatically loaded into the [DISK/ CUSTOM] memory whenever the power is turned on.

Press the LISTEN LCD button again or the [START/STOP] button to stop listening.
C Select a Memory Number & Load the Style..
Use the MEMORY LCD button to select the memory number to which the selected style file is to be loaded (1 through 4), then press the LOAD LCD button to load the style file. Repeat Step 2 and 3 to select and load more style files as you like.
If the selected memory number already contains a style, the style name will appear on the display. The existing style will be overwritten when a new style is loaded.
It is not necessary to select a memory number when ALL LOAD is selected in step 1. Simply press OK to load or CANCEL to abort. If there is not enough memory to load the specified file the Not enough memory! Delete an unneeded style ? alert display will appear. In this case it will be necessary to delete a style you dont need before loading the new style. Use the MEMORY No. L and M buttons to select the number of the style you want to delete, then press DELETE to delete the style, or CANCEL to abort.
The ALL LOAD display is as follows: When ALL LOAD is executed, all data in the four memories will be replaced by new data.
V Eject the Disk When Done...
When youve finished with the Style File disk, press the disk drive EJECT button to remove it and return to the normal play mode display. You can return to the normal play mode without removing the disk by pressing the [EXIT] button or a STYLE selector.
The DISK IN USE lamp will light while the style is being loaded. NEVER attempt to remove a disk while the DISK IN USE lamp is lit. The LISTEN, LOAD, [EXIT] and style buttons will not function while the style data is being loaded (i.e. while the DISK IN USE lamp is lit).

Using Loaded Style Files

Once loaded, style files can be selected for playback by pressing the [DISK/CUSTOM] button (its LED will light), and then using the STYLE L and M LCD buttons or the data dial or [/+] buttons to select the style you want to play. The selected style can then be played and used with ABC auto accompaniment in exactly the same way as the preset styles (page 38).

5: Registrations

Registrations (Registering/Recalling Panel
The Registration feature can be used to memorize a number of complete panel setups that you can recall whenever needed. A total of 20 setups (5 banks x 4 memories) can be registered.

MEMORY

FREEZE
Z Set up the controls as required..
For a list of the parameter settings memorized by the Registration function, refer to page 29 of the Reference Manual.
XSelect a Registration bank...
Press the BANK [] [+] buttons to show the banks at the top left of the display. Select one of the five banks: A E.

Playback

Z Enter the Song Play mode...
Gently insert the included Music Software Collection disk or a disk containing songs youve recorded yourself into the disk drive. Make sure to insert the disk face up in correct direction, as shown in the illustration, until it clicks into place. The Song Play mode is automatically called up when a song disk is inserted in the disk drive.
The Song Play mode is not automatically engaged from the disk-related FUNCTION displays, or the CUSTOM STYLE display even when inserting the disk.

Sliding shutter

The DISK IN USE lamp lights while the CVP-94/92 reads and identifies the disk. Once the disk has been identified, the SONG PLAY [MAIN] display (display page 1) appears in the display and the [SONG] lamp lights.
If a song disk is already inserted but the Song Play mode is not engaged, press the [SONG] button.
The [SONG] lamp lights. Press the PAGE [<] [>] buttons to select the first page, if the SONG PLAY [MAIN] display is not shown.

XSelect a song number...

Select the desired song number for playback by using the SONG M or L buttons, data dial or [/+] buttons.
The selected song number, name, current tempo and the file icon which indicates the type of the file are displayed.
Song numbers 1 - 60 are displayed, including song numbers that contain no song data. However, no song names are displayed for song numbers that contain no data.
Select ALL if you want all songs on the disk to be played in order. Select RANDOM if you want all songs on the disk to be played at random. For either selection ALL or RANDOM the songs will be repeated until playback is stopped.
Current voice for the keyboard
Tempo Selected song number/name File icon
G File Icons There are four icons (shown below) that indicate the type of the file. / / / /
XG/SMF format file DOC/ESEQ format file Yamaha Disklavier PianoSoft or XG/ESEQ file Song data recorded with the CVP-94/92
Refer to the section MIDI and Data Compatibility (page 8 in the Reference Manual) for information on file formats. Icons are not shown for song data file recorded with other CVP models, excepting the CVP-94/92 and CVP98/96.

G Adjusting the Tempo The playback tempo of the song can be changed freely as desired. (See page 40.) The preset tempo for the selected song can be restored at any time by simultaneously pressing the TEMPO [/+] buttons. Usually the tempo is indicated by numbers. However in case of the free tempo software, - - - will appear in place of the tempo on the display, and the measure numbers shown on the display will not correspond to the actual measure; this only serves as a reference as to much of the song has been played back. The increase or decrease of the tempo based on the basic tempo is indicated by a percentage figure in the display when the tempo is changed (from -99 to +99 at maximum; the range differs depending on the software).

VEject the disk....

When youve finished with the currently loaded disk, simply press the disk drives EJECT button to remove it.
The LCD display returns to the main display.
Make sure not to take out the disk while the DISK IN USE lamp is lit or while a song is being played back.
The beat lamp may not flash for songs not having rhythm. With some songs, the displayed measure numbers may not match those marked on the score. Volume Adjustment for Each Part The volume of each Part can be adjusted in the MIXER display. Adjusting the Level Balance of Song Playback and the Keyboard Voices Use the [ACMP/SONG VOLUME] control (page 16) to adjust the volume. When playing back a song recorded with the Auto Accompaniment function, Auto Accompaniment cannot be turned on by pressing the [ACMP ON] button.

Part Cancel

The 1/RIGHT (right hand), 2/LEFT (left hand) and ORCH (accompaniment) buttons in the SONG PLAY [MAIN] display can be used to turn playback of the corresponding parts on or off. The buttons are highlighted when the parts are turned on. For example, you can turn off the right- and/or left-hand parts so you can practice them on the keyboard.
Part ON/OFF can be switched during playback. Parts not having any data cannot be turned on. [This applies when there is actually no data in the assigned track (page 80), or when the assigned track is set to TRK - - (OFF).]
In this example, 1/RIGHT is cancelled.
The track assignment for each button can be changed in display page 6 of the SONG PLAY [PART] display (page 80).
In the case of Yamaha Disklavier PianoSoft files, DOC files and XG/ ESEQ files, the part indication does not appear for the parts without data.

You can also select the track by pressing the 1/RIGHT or 2/LEFT button.
Tracks cannot be assigned during playback.
About Track Assignments Basic setting: Differs depending on the file type (The [2/LEFT] parameter may sometimes be set to TRK - (OFF).)
I Selecting Voices for 1/RIGHT and 2/LEFT Parts.
The playback voices for the 1/RIGHT and 2/LEFT parts can be selected in the SONG PLAY [PART] display. Press PART1,2 VOICE M or L to highlight the corresponding section of the display, then select the playback voice for 1/RIGHT and 2/ LEFT parts by using the data dial or [/+] buttons. Or you can also select it by using the PART1,2 VOICE M or L.
The playback voice cannot be assigned during playback.
Overall Song Playback Volume Control
The [ACMP/SONG VOLUME] button can be used to control the overall volume of song playback.
If Auto Accompaniment is turned on during the playback of an original song that was recorded without Auto Accompaniment, the [ACMP/SONG VOLUME] control will affect the level of the Auto Accompaniment rather than that of song playback. However, Auto Accompaniment cannot be turned on when playing back data transformed with the Transform function (page 127). The Auto Accompaniment function cannot be used when playing back commercially available disk software or songs recorded with Auto Accompaniment.
To adjust the playback volume of individual parts, press the [MIXER] button while in the Song Play mode to call up the MIXER display. The display corresponding to the software being played back appears in display page 1, and you can control the volume balance of the keyboard sound and the orchestra accompaniment. Each track can be adjusted in display page 2.

FUNCTION MIXER

I Page 1....
Press one of the LCD buttons to highlight the desired parameter, then use the data dial or [/+] buttons to adjust the volume of each part. Several parts can be selected at once by simultaneously pressing the corresponding LCD buttons. The volume of all selected parts can then be adjusted together. Values can be adjusted in two-unit steps. G When Playing Back XG/SMF Files or Original Song Data
PART1 PART2 OTHER RHYTHM KBD
G When Playing Back DOC Files
L&R BASS ORCH RHYTHM KBD
Part 1 Part 2 Parts 3 8, Parts 9 and 10 Volume of your keyboard performance Right- and left-hand parts (piano part) Bass part Orchestra part Rhythm part Volume of your keyboard performance
G When Playing Back XG/ESEQ Files
L&R ORCH KBD Right- and left-hand parts (piano part) Accompaniment part Volume of your keyboard performance

B Select the desired voices and accompaniment

style, etc...

Select the voices and accompaniment style and set the tempo in the normal way, and other settings needed. (If you want to try out the selected voices, style and tempo, etc., make sure to do so before entering the SONG PLAY mode, since the recording will start as soon as you play the keyboard or press the [START/STOP] button.)
When Using Style File Disks When using Style File disks, make sure to load the data from the Style File disk (page 69) before inserting the disk for recording.
The Auto Accompaniment functions INTRO, AUTO FILL, ENDING, and FADE IN/OUT can be also recorded. Press the INTRO button before starting to record, press the AUTO FILL button during recording, press the ENDING button at the end of recording, and press the FADE IN/OUT button at the beginning or ending of the recording. When the ENDING button or the FADE IN/OUT button is pressed at the ending, recording stops automatically after playing the ending pattern or fade out.

N Start recording...

There are several ways to start recording, as described below. Recording your keyboard performance (1/RIGHT or 2/LEFT) Start playing the keyboard or press the [PLAY/STOP] button. Recording the Auto Accompaniment or rhythm (ACMP&RHY) Start playing the keyboard (in the left range when the keyboard is split) with the Synchronized Start function or press the [START/STOP] button. Recording your keyboard performance together with the Auto Accompaniment or rhythm Start recording in the same way as described in Recording the Auto Accompaniment or rhythm (ACMP&RHY) above to start recording your keyboard performance together with the Auto Accompaniment or rhythm. Recording the Auto Accompaniment or rhythm in the middle of recording your keyboard performance Start recording your keyboard performance as in Recording your keyboard performance (1/RIGHT or 2/LEFT) above, then start recording the Auto Accompaniment or rhythm while you play as described in Recording the Auto Accompaniment or rhythm (ACMP&RHY) above.
Recording Along with the Metronome 1. After selecting the voice, press the [METRONOME] button, and set the Beat parameter in the METRONOME display. The metronome will start sounding. 2. The recording starts as soon as you play the keyboard. The metronome sound is not recorded. When a disk is not inserted. A song can be recorded to internal memory if it is short enough. A maximum of approximately 2500 notes 25KB can be recorded; however, this amount may be less if other functions are used. The internally recorded song will be deleted when the power is turned off or when another song is loaded. See Recording Without a Disk (page 114) for more information.
Adjusting the Volume During Recording During recording, you can adjust the volume of the recorded Auto Accompaniment and/or keyboard part from the [ACMP/SONG VOLUME] control and the MIXER display. When entering the record mode, [ACMP/SONG VOLUME] is automatically reset to the default value (MAX), regardless of the current slider position. Turning Harmony or Split On/Off During Recording When recording the 1/RIGHT part, [HARMONY] or [SPLIT] can be set to on and recorded for only this part. When the 2/LEFT part is selected, the Harmony sound and the left range of the split cannot be recorded. When the recording part is changed, [HARMONY] and [SPLIT] are automatically turned off.

Entering Accompaniment Style and Section Changes One style change or section change (page 106) can be made at the beginning of each measure (The Intro pattern can only be entered at the beginning of a song.). However, Auto Fill data can be entered anywhere you desire.
Adjusting the Volume of Auto Accompaniment You can also enter volume changes for the Auto Accompaniment. Used judiciously, these can help you create professional-sounding dynamic changes in the Auto Accompaniment of your song. To do this, first enter the Auto Accompaniment part volume data from the MIXER display; the volume event symbol ( ) will appear in the box on the right side of the LCD display. To actually record the volume data at the current position, press the SET button in the CHORD SEQUENCE display. (An initial volume event is automatically entered at the beginning of a song.)
VEnter and set the chords and/or style changes.
To enter a chord, either play the chord with appropriate fingering on the left range of the Auto Accompaniment section of the keyboard (lower than the split point), or highlight ROOT or TYPE in the LCD display and use the data dial or [/+] buttons. You can also select the chord by pressing the ROOT or TYPE button.
To enter a style change (style, section and tempo) simply make the appropriate selections in the normal way. Once the chord and/or style has been selected, press the SET button. The data is recorded to the current cursor location, and a black box appears in the measure indication. The cursor automatically moves to the next position.
The input chord name also appears in the ROOT and TYPE sections of the display when a chord is entered via the keyboard.
The entered data of the recorded style will be shown in the display: the time signature, the sytle name and section appear at the top left of the display, and the chord name and tempo appear in the box at the right.
Continue moving the cursor to other positions and enter chords and style changes in this manner. You can always check the entered data during the operation by playing back the sequence using the [PLAY/ STOP] button. The data recorded by the Chord Sequence function is listed below.
Data Recorded By the Chord Sequence Function
Accompaniment style Section (MAIN A/B, Intro, Ending, Auto-fill, Fade-in/out, Break) Chord name Auto accompaniment part volume (MIXER settings) Tempo Rhythm on/off ACMP/SONG volume (as an initial setting only) SMALL ACMP VIRTUAL ARRANGER (one ON/OFF setting for an entire song only)

The following parameter groups of the CVP-94/92 can be recalled.
VOICE SETTING REVERB/EFFECT TUNE (master tuning, micro tuning, scale tuning) PEDAL ACMP SETTING (Auto Accompaniment-related settings) SONG SETTING REGISTRATION MIDI SETTING UTILITY (pop-up time, alert sound) ALL (all the above settings)
Refer to the list on page 29 in the Reference Manual for the specific parameters of each group.
Micro Tuning (MICRO TUNING) Display PAGE 14
The Micro Tuning Feature makes it possible to individually tune each key of the keyboard. The created tuning can be saved to a disk and loaded whenever necessary. The set tuning can be turned on or off at anytime by using the left-most LCD button in this display.
ZSelect the desired key...
Press any desired key to be tuned.
The note name and the current tuning value of the pressed key will appear in the display.

XSet the tuning....

Press the TUNE M or L buttons or use the data dial or [/+] to tune the pitch of the selected key. If you set the parameter at the left-most LCD button to ON, you can play the key being tuned in order to check the sound during this operation. The normal tuning of 0 cents for the selected key can be instantly recalled by simultaneously pressing both the TUNE M or L buttons.
Range: 100 cents ( 1 semitone) +100 cents (+ 1 semitone) Basic Value: 0 (for all keys) Backup of last settings: OFF

CRepeat steps 1 and 2...

Repeat steps 1 and 2 until all the required keys have been tuned.
The completed tuning can be named as a tuning file and saved to disk. It can also be loaded whenever necessary or deleted if not needed. Make sure that a proper disk (either containing the micro tuning data or set up for saving) is inserted in the disk drive before executing these file operations.
ZSelect the desired file operation..
Use the LCD button located second from right to select the desired file operation: LOAD, SAVE, DELETE or NAME.
XPress the START button...
After the START button is pressed, the display corresponding to the selected file operation appears. The subsequent steps are the same as those explained on pages 125 and 126. Refer to the pages below, depending on the selected file operation.
SAVE NAME LOAD DELETE See page 125. See page 125. See page 126. See page 126.