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Manual

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Episcopit 5:10am on Tuesday, March 30th, 2010 
I have it Its awesome, i have my TV plugged into it, and my sky + Xbox360... all work awsomely

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Documents

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USB Operating Notes

If you turn on or off the power to the DME32, or connect or disconnect the USB cable under the following conditions, your computer may freeze, or some of the DME32 functions may be disabled: While the DME32 is being detected by Windows or its driver is being loaded. While Windows is starting or shutting down. When your computer is in standby mode. While an audio or MIDI program is starting. In addition, the following may cause your computer to freeze or disable some DME32 functions: Turning the power on or off, or repeatedly connecting and disconnecting the USB cable. Entering or leaving standby mode during an audio or MIDI data transfer. Connecting or disconnecting the USB cable while the DME32 is turned on. Turning the power to the DME32 on or off, starting your computer, or installing the driver while a large amount of data is being transferred. If you cannot shutdown Windows, try disconnecting the USB cable from the DME32. If you cannot start Windows, turn off your computer, disconnect the USB cable, turn your computer on again, and then reconnect the USB cable.

Touring the DME32

Chapter 3Touring the DME32

Front Panel

QR S T

A SCENE NO. indicator

This 2-digit display shows the number of the current scene memory. The number ashes when a different scene memory is selected and stops ashing if that scene memory is recalled or stored.

B Scene edit dots

These two dots indicate whether or not the current settings match those of the last recalled scene memory. When a scene is recalled, both indicators go out. If a parameter is edited, they both light up, indicating that a parameter has been edited since the last scene was recalled.

C Display

This 48-character LCD display shows information such as conguration and scene titles, component and parameter names, parameter values, functions, messages, and so on. Its divided into ve sectionsCONFIGURATION, SCENE, COMPONENT, PARAMETER, and VALUEas shown in the following example.

CONFIGURATION SCENE

X X SetupX AXDefaultX Scene OscillaX WaveforXXX X XXX100Hz
COMPONENT PARAMETER VALUE

D DATA wheel

This wheel is used for selecting congurations, components, parameters, setting values, and making other settings. Turn it clockwise to increase a value; counterclockwise to decrease it.

E INC & DEC buttons

These buttons work in parallel with the DATA wheel and are used when selecting congurations, components, parameters, setting values, or making other settings. Use the [INC] button to increase a value; the [DEC] button to decrease it.

F STORE button

This button is used to store scenes. See Storing Scenes on page 199 for more information.

Component Control Windows
Compressor is added to a conguration, its title is Compressor(2), as shown below. A third Compressor would be Compressor(3), and so on.
A components appearance, size, color, title, and so on, can be customized. See Customizing Component Properties on page 80 for more information. Double-clicking a component opens its control window.
Component parameters are adjusted on control windows, which typically feature rotary controls, sliders, buttons, and pop-up menus. Control windows are opened simply by double-clicking components. A typical control window is shown below.
Control windows can be closed by clicking the Close button in the upper-right corner. They can also be controlled using the commands in the control menu, which is accessed by clicking the program icon in the upper-left corner. Not all components have a control window. Output components, for instance, dont have any adjustable parameters, so they dont have control windows. Many of the interface items featured on a typical control window are the same as those found in typical Windows programs and require little explanation. The following sections explain control operation specic to DME Manager.

Cursor

Control window items are operated by using the mouse, and can be adjusted by dragging, as in the case of rotary controls and sliders, or by clicking, if its a button or pop-up menu. When Cable mode is selected, the cursor changes to the cable tool, as shown below.

Rotary Controls

Rotary controls are used to adjust continuously variable parameters, such as gain and frequency. A parameters value is typically displayed below its control, as shown here. Rotary controls are adjusted by dragging with either the left or right mouse button. Dragging a rotary control down or to the left causes the parameter value to decrease, while dragging up or to the right causes it to increase, as shown below.

Value up

Value down
Rotary controls with a resolution of more than 1,000 steps, such as reverb initial delay, can be adjusted in intervals of 100 steps by dragging with the right-mouse button.

Sliders

Sliders are used to adjust continuously variable parameters, such as channel level and graphic equalizer gain. The parameters value is typically displayed below its slider, as shown here. Sliders are adjusted by dragging with either the left or right mouse button. Dragging a slider down or to the left causes the parameter value to decrease, while dragging up or to the right causes it to increase, as shown below.

Buttons

Like most programs, DME Manager features buttons that are used to execute and conrm functions, such as Save, OK, Cancel, and Enter. In addition to these, DME Manager also uses buttons to turn functions and parameters on and off.

Customizing Component Properties
You can customize the appearance of components by using the Properties window.
Select the component whose properties you want to customize. Choose Properties from the Edit menu. Properties can also be chosen from the Shortcut menu. The Properties window appears, as shown below.
The title of the component selected appears in the Properties windows title bar. The Properties parameters are explained in the following table.
Section Component Component color Font Title Size Color Text Sample Protect Bring to front Parameter Height Width Description Sets the height of the component Sets the width of the component Sets the color of the component Selects the font for the components title Sets the font size of the components title Sets the color of the components title Sets the components title Shows how the component and title will appear with the selected font, size, color, and component color Prevents parameter editing when Component protection is on (see page 83) Brings the component to the forefront
Make the required settings and then click OK to save your settings, or click Cancel to leave them unchanged. The Properties window closes and the component appears in accordance with the Properties settings.
If the component selected before choosing the Properties command is a User Module, the User Module tab appears in addition to the General tab, as shown below.
The User Module parameters are explained in the following table.
Section Parameter Range Description Sets the number of input nodes Sets the number of output nodes Component Input Nodes Output
Changing the Size of Rotary Controls & Sliders
The size of individual rotary controls and sliders can be changed as follows.
Open the control window as normal. The control window opens. Select the rotary control or slider. The rotary control or slider appears highlighted. While holding down the Shift key, right-click over the control. The following pop-up menu appears.
Choose Control Size. The Control Size window appears, as shown below.
Select a size and then click OK to save your settings, or click Cancel to leave them unchanged. The Properties window closes and the control appears at the selected size. Examples of large and small rotary controls and sliders are shown below.
Using Password Protection
The Protection function is for use mainly in Run mode, when DME Designer is used to control the DME32, and can be used to restrict component parameter editing or to prevent any operation whatsoever. Three levels of protection are available: full access, limited access, and no access. Note that this protection function has nothing to do with the DME32s front panel Protect function. Passwords can be assigned to the Off and Component modes, preventing unauthorized mode changes. Operation mode does not have its own password, although youd need to know either the Off or Component password in order to switch from Operation mode. Passwords can be up to 16 characters long. The current protection setting is shown in the protection section of the status bar. See Status bar on page 25 for more information. The three protection modes are explained below.

The following Delayed Mixers are available.
Group Delayed Mixer 2x2 2x4 2x 2x8 2x12 2x16 4x2 4x4 4x 4x8 4x12 4x16 8x2 8x4 8x 8x8 8x12 8xInputs Outputs 16

Dynamics

There are 12 components in the Dynamics group: Compander, Compressor, De-Esser, Ducker, Expander, Gate, Stereo Compander, Stereo Compressor, Stereo Ducker, Stereo De-Esser, Stereo Expander, and Stereo Gate.
Compander & Stereo Compander
A compander comprises compressor and expander, with the compressor squeezing signals above a specied threshold and the expander stretching signals below that threshold. Two compander components are available: a single-channel Compander and a Stereo Compander. They can be self-triggering or externally triggered via the sidechain input. The Compander component features one input, one output, and a sidechain input. The Stereo Compander component features two inputs, two outputs, and a sidechain input. The Compander control window features a gain reduction (GR) meter, compander curve, output level meter, and compander controls.
The Stereo Compander control window features a gain reduction (GR) meter, compander curve, output level meters, and compander controls.
The gain reduction (GR) meter displays the amount of gain reduction being applied by the Compander. The compander curve displays the effect of the Compander. The vertical axis corresponds to the output signal level, while the horizontal axis corresponds to the input signal level. A 45-degree line means that the input signal level equals the output signal level, in other words, the Compander is having no effect. The output meter displays the level of the output signal.
Parameter MUTE ON/OFF SIDECHAIN THRESHOLD RATIO WIDTH ATTACK RELEASE GAIN Range ON/OFF ON/OFF ON/OFF 54 dB to 0 dB 1:1 to 20:dB to 90 dB 0 ms120 ms
Description Mutes the output Turns the component on and off Selects the sidechain input as the trigger source Adjusts the threshold level Adjusts the compression ratio Adjusts the expander width Adjusts the attack time Adjusts the release time Adjusts the output gain

18 dB to 0.0 dB

SIDECHAINWhen SIDECHAIN is off, the Compander is triggered by the input signal. On the Stereo Compander, the trigger signal is derived by mixing the signals from both inputs, so the higher of the two input signals will activate the Compander. When SIDECHAIN is on, the Compander is triggered by the signal connected to the sidechain input. THRESHOLDThis determines the level of the trigger signal at which compression and expansion are applied. Trigger signals at a level below the sum of the threshold and width cause the expander to attenuate the input signal. Trigger signals above the threshold cause the compressor to compress the input signal by the amount specied using the Ratio parameter. RATIOThis determines the amount of compression. That is, the change in output signal level relative to the change in trigger signal level. For a 2:1 ratio, for example, a 10 dB change in trigger level (above the threshold) results in a 5 dB change in output level. For a 5:1 ratio, a 10 dB change in trigger level (above the threshold) results in a
2 dB change in output level. Compression ratios above 10:1 limit signals rather than compress them. The expansion ratio is xed at 5:1, so a 2 dB change in trigger level (below the threshold) results in a 10 dB change in output level.
WIDTHThis determines how far below the threshold level expansion is applied. The expander is essentially turned off when the width is set to 90 dB. ATTACKThis determines how soon the signal is compressed and expanded once the Compander has been activated. With a fast attack time, the signal is companded almost immediately. With a slow attack time, however, the initial transient of a sound passes through unaffected. Attack times from 1 to 5 milliseconds are a good place to start.
Output Level (dB) +20 +10

Threshold

Input Level (dB)
RELEASEThis determines how soon the compressor and expander return to their normal gains once the trigger signal level drops below the threshold. If the release time is too short, the gain will recover too quickly causing level pumping (i.e., noticeable gain uctuations). If it is set too long, the compressor may not have time to recover before the next high level signal appears, and it will be compressed incorrectly. Release times from 0.1 to 0.5 seconds are a good place to start. GAINThis sets the Companders output signal level. It can be used to compensate for the overall level change caused by the compression and expansion processes.

+20 +10 0

Compression ratio = 2:1

+Output Level (dB) 70

Compression ratio = 20:1

Output Level (dB)

Threshold = 20dB

Knee = hard

KNEEThis determines how compression is applied at the threshold point. When set to hard, compression at the specied ratio is applied as soon as the trigger signal level exceeds the specied threshold. For knee settings from 1 to 5 (5 being the softest), how-
ever, compression is applied gradually as the trigger signal exceeds the specied threshold, creating a more natural sound. This is known as soft-knee compression.
ATTACKThis determines how soon the signal is compressed once the Compressor has been activated. With a fast attack time, the signal is compressed almost immediately. With a slow attack time, however, the initial transient of a sound passes through unaffected. Attack times from 1 to 5 milliseconds are a good place to start. RELEASEThis determines how soon the Compressor returns to its normal gain once the trigger signal level drops below the threshold. If the release time is too short, the gain will recover too quickly causing level pumping (i.e., noticeable gain uctuations). If it is set too long, the Compressor may not have time to recover before the next high level signal appears and it will be compressed incorrectly. Release times from 0.1 to 0.5 seconds are a good place to start. GAINThis sets the Compressors output signal level, and can be used to compensate for the overall level change caused by the compression process.
De-Esser & Stereo De-Esser
A de-esser is essentially a compressor that squeezes signals above a specied frequency, and is typically used to reduce sibilant speech sounds such as s and sh. Two de-esser components are available: a single-channel De-esser and a Stereo De-esser. The De-Esser component features one input and one output. The Stereo De-Esser component features two inputs and two outputs. The De-Esser control window features a gain reduction (GR) meter, de-esser curve, output level meter, and de-esser controls.
The Stereo De-Esser control window features a gain reduction (GR) meter, de-esser curve, output level meters, and de-esser controls.
The gain reduction (GR) meter displays the amount of gain reduction being applied by the De-Esser. The de-esser curve displays the effect of the De-Esser. The vertical axis corresponds to the output signal level, while the horizontal axis corresponds to the input signal level. A 45-degree line means that the input signal level equals the output
signal level, in other words, the De-Esser is having no effect. The output meter displays the level of the output signal.

Delay LCR

The Delay LCR component offers a single-channel delay with left, center, and right taps. The Delay LCR component features one input and stereo outputs. The Delay LCR control window consists of delay controls, input level meter, and stereo output level meters.
Parameter DELAY L DELAY C DELAY R LEVEL L LEVEL C LEVEL R FB.DLY FB.GAIN HI.RATIO HPF LPF Range 0.02730.0 ms 0.02730.0 ms 0.02730.0 ms 100 to +100% 100 to +100% 100 to +100% 0.02730.0 ms 99 to +99% 0.11.0 THRU, 21.2 Hz8.00 kHz 50.0 Hz16.0 kHz, THRU Center delay time Right-channel delay time Left-channel delay level Center delay level Right-channel delay level Feedback delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency (THRU = lter off) Low-pass lter cutoff frequency (THRU = lter off) Description Left-channel delay time
The Echo component offers a two-channel delay with independent delay and feedback controls for each channel, plus left-to-right and right-to-left feedback controls. The Echo component features two inputs and two outputs. The Echo control window consists of echo controls, input level meters, and output level meters.
Parameter DELAY L FB.D L FB.G L DELAY R FB.D R FB.G R Range 0.01350.0 ms 0.01350.0 ms 99 to +99% 0.01350.0 ms 0.01350.0 ms 99 to +99% Description Left-channel delay time Left-channel feedback delay time Left-channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Right-channel delay time Right-channel feedback delay time Right-channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Left-to-right channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Right-to-left channel feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) High-frequency feedback ratio High-pass lter cutoff frequency (THRU = lter off) Low-pass lter cutoff frequency (THRU = lter off)

L->R FB.G

99 to +99%
R->L FB.G HI.RATIO HPF LPF
99 to +99% 0.11.0 THRU, 21.2 Hz8.00 kHz 50.0 Hz16.0 kHz, THRU

Chorus

The Chorus component offers two-channel chorus effects. The Chorus component features two inputs and two outputs. The Chorus control window consists of chorus controls, input level meters, output level meters, and modulation wave selector.
Parameter FREQ. PM DEPTH MOD.DLY WAVE 0100% 0.0500.0 ms SINE, TRI Range 0.0540.00 Hz Modulation speed Pulse modulation depth Amplitude modulation depth Modulation delay time Modulation waveform Description

AM DEPTH 0100%

Flange

The Flange component offers two-channel anging effects. The Flange component features two inputs and two outputs. The Flange control window consists of anger controls, input level meters, output level meters, and modulation wave selector.
Parameter FREQ. DEPTH FB.GAIN MOD.DLY WAVE 0100% 99 to +99% 0.0500.0 ms SINE, TRI Range 0.0540.00 Hz Modulation speed Modulation depth Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Modulation delay time Modulation waveform Description

Symphonic

The Symphonic component offers a richer, more complex two-channel modulation effect than regular chorus and is proprietary to Yamaha. The Symphonic component features two inputs and two outputs. The Symphonic control window consists of symphonic controls, input level meters, output level meters, and modulation wave selector.
Parameter FREQ. DEPTH MOD.DLY WAVE 0100% 0.0500.0 ms SINE, TRI Range 0.0540.00 Hz Modulation speed Modulation depth Modulation delay time Modulation waveform Description

Phaser

The Phaser component offers stereo phasing effects, with between 2 and 16 phase-shift stages. The Phaser component features one input and stereo outputs. The Phaser control window consists of phaser controls, input level meter, and stereo output level meters.
The IN meter displays the input signal level, while the OUT meters display the output signal levels.
Parameter FREQ. DEPTH FB.GAIN OFFSET STAGE 0100% 99 to +99% 0100 2, 4, 6, 8, 10, 12, 14, 16 Range 0.0540.00 Hz Modulation speed Modulation depth Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Lowest phase-shifted frequency offset Number of phase-shift stages Description

Auto Pan

The Auto Pan component offers two-channel auto panning. The Auto Pan component features two inputs and two outputs. The Auto Pan control window consists of auto-pan controls, input level meters, output level meters, and direction (DIR) and modulation wave selectors.
Parameter FREQ. DEPTH DIR. WAVE 0100%
Range 0.0540.00 Hz Modulation speed Modulation depth Panning direction

SINE, TRI, SQR

Modulation waveform (sine, triangular, or square)
1. L<>R, L>R, L<R, Turn L, Turn R

Tremolo

The Tremolo component offers a two-channel tremolo effect. The Tremolo component features two inputs and two outputs. The Tremolo control window consists of tremolo controls, input level meters, output level meters, and a modulation wave selector.
Parameter FREQ. DEPTH WAVE 0100% SINE, TRI, SQR Range 0.0540.00 Hz Modulation speed Modulation depth Modulation waveform (sine, triangular, or square) Description

HQ. Pitch

The HQ Pitch component offers high-quality pitch shifting. The HQ Pitch component features one input and one output. The HQ Pitch control window consists of pitch controls, input level meter, and output level meter.

Parameter PITCH FINE DELAY FB.GAIN MODE Range 12 to +12 semitones 50 to +50 cents 0.01000.0 ms 99 to +99% 110 Pitch shift amount Pitch shift ne amount Pitch shift delay time Feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Pitch shift precision Description

Dual Pitch

The Dual Pitch component offers two-channel pitch shifting with independent pitch controls for each channel. The Dual Pitch component features two inputs and two outputs. The Dual Pitch control window consists of pitch controls, input level meters, and output level meters.
Parameter PITCH 1 FINE 1 PAN 1 DELAY 1 FB.G 1 LEVEL 1 PITCH 2 FINE 2 PAN 2 DELAY 2 FB.G 2 LEVEL 2 MODE Range 24 to +24 semitones 50 to +50 cents L16CENTERR16 0.01000.0 ms 99 to +99% 100 to +to +24 semitones 50 to +50 cents L16CENTERR16 0.01000.0 ms 99 to +99% 100 to +Description Pitch change 1 pitch shift amount Pitch change 1 pitch shift ne amount Pitch change 1 pan Pitch change 1 delay time Pitch change 1 feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Pitch change 1 level (plus values for normal phase, minus values for reverse phase) Pitch change 2 pitch shift amount Pitch change 2 pitch shift ne amount Pitch change 2 pan Pitch change 2 delay time Pitch change 2 feedback gain (plus values for normal-phase feedback, minus values for reverse-phase feedback) Pitch change 2 level (plus values for normal phase, minus values for reverse phase) Pitch shift precision

Mod Filter

The Mod Filter component offers two-channel modulated lter effects. The Mod Filter component features two inputs and two outputs. The Mod Filter control window consists of mod lter controls, input level meters, output level meters, and a lter type selector.
Parameter FREQ. DEPTH OFFSET RESO. PHASE LEVEL TYPE 0100% 0.00354.LPF, HPF, BPF Range 0.0540.00 Hz Modulation speed Modulation depth Filter frequency offset Filter resonance Left and right modulation phase difference Output level Filter type: low-pass, high-pass, or band-pass Description

Dyna Filter

The Dyna Filter component offers two-channel dynamic ltering effects. The Dyna Filter component features two inputs and two outputs. The Dyna Filter control window consists of lter controls, input level meters, output level meters, and lter type and direction (DIR) selectors.
Parameter SENSE OFFSET RESO. DECAY LEVEL TYPE DIR. 020

Range Input sensitivity

Description Filter frequency offset Filter resonance Speed of lter frequency changes Output Level Filter type Direction of lter frequency changes (lter frequency reacts to the input signal)

Parameter Pan Range L63CENTERR63 Description Pans the input signal between the left and right outputs

Surround 2+2

The Surround 2+2 component offers four-channel surround panning, with two front and two rear channels, as shown here.
The Surround 2+2 component features one input and four outputs: FL (front-left), FR (front-right), RL (rear-left), and RR (rear right). The Surround 2+2 control window consists of speaker buttons, ORBIT section, SOUND IMAGE POSITION section, and a two-dimensional surround pan graph, which displays the specied orbit and sound-image position.
Once an orbit has been selected and the WIDTH and DEPTH controls set, the sound image can be moved along the selected orbit in either direction by clicking the SOUND IMAGE POSITION buttons. Continuous movement is possible by holding down the mouse button, and the speed can be set using the SPEED control. The two values next to these buttons indicate the exact position of the sound image.
The sound image can be moved directly to a position by clicking within the surround pan graph, or directly to one of the six buttons along the front and rear edges of the graph. Buttons with speaker icons represent the components outputs.
Section Parameter Orbit buttons WIDTH ORBIT X OFFSET DEPTH Y OFFSET SOUND IMAGE POSITION SPEED Range See the following explanations 063/L63CR63 L63CR63 063/F63CR63 F63CRDescription Selects an orbit for sound-image movement Adjusts the width of the orbit Adjusts the X (left-right) position of the orbit Adjusts the depth of the orbit Adjusts the Y (front-rear) position of the orbit Sets the continuous movement speed
Left/rightThis orbit moves the sound image along a straight line between left and right. The WIDTH, X OFFSET, and Y OFFSET parameters can be used to adjust this orbit, as shown below.
Front/rearThis orbit moves the sound image along a straight line between front and rear. The DEPTH, X OFFSET, and Y OFFSET parameters can be used to adjust this orbit, as shown below.
Rear-left/front-right diagonalThis orbit moves the sound image diagonally between rear-left and front-right. The WIDTH, DEPTH, X OFFSET, and Y OFFSET parameters can be used to adjust this orbit, as shown below.
Front-left/rear-right diagonalThis orbit moves the sound image diagonally between front-left and rear-right. The WIDTH, DEPTH, X OFFSET, and Y OFFSET parameters can be used to adjust this orbit, as shown below.

Changing the Password

The set password can be changed as follows.
Select a component, parameter, and value. The cursor must be in the VALUE section of the display, as shown below.
Adjust the DATA wheel or press the [INC] or [DEC] button. The Enter password display appears, as shown below.
Enter an incorrect password. An asterisk appears as each number is entered, as shown below.
Press the [RECALL] button. The Change password display appears, as shown below.
Change password? OldXpasswordX=X
Enter the old password, and then press the [RECALL] button. The New password display appears, as shown below.
EnterXpassword NewXpasswordX=X
Enter the new password, and then press the [RECALL] button. The new password is set.

Deleting the Password

The set password can be deleted as follows.
Press the [PROTECT] button. The password is deleted and the PROTECT indicator goes out.
Selecting the Wordclock Source
In addition to using DME Manager, as explained on page 229, the wordclock source can also be set via the front panel. Source settings made from the front panel override those made from DME Manager. In a multiple-unit system, the wordclock source can be set only on DME32 #1. The other DME32s automatically receive their wordclocks via the cascade connections.
Use the [UTILITY] button to select the Setup word clock function.
Source W.Clk In Internal Card1_1 Card1_3 Card1_5 Card1_7 Card2_1 Card2_3 Card2_5 Card2_7 Card3_1 Card3_3 Card3_5 Card3_7 Card4_1 Card4_3 Card4_5 Card4_7
SetupXwordXclock XXXXXXXXXXXXXXXXInternal _
Use the DATA wheel or [INC] and [DEC] buttons to select a wordclock source.
Description External wordclock via the BNC WORD CLOCK IN Internal 48 kHz wordclock (default setting). External wordclock via slot 1, input 1/2 External wordclock via slot 1, input 3/4 External wordclock via slot 1, input 5/6 External wordclock via slot 1, input 7/8 External wordclock via slot 2, input 1/2 External wordclock via slot 2, input 3/4 External wordclock via slot 2, input 5/6 External wordclock via slot 2, input 7/8 External wordclock via slot 3, input 1/2 External wordclock via slot 3, input 3/4 External wordclock via slot 3, input 5/6 External wordclock via slot 3, input 7/8 External wordclock via slot 4, input 1/2 External wordclock via slot 4, input 3/4 External wordclock via slot 4, input 5/6 External wordclock via slot 4, input 7/8

WC IN WC OUT WC IN WC OUT

LOCK POWER ON OFF

WORD CLOCK PEAK SLOT NOMINAL SIGNAL PEAK NOMINAL SIGNAL GAIN PEAK NOMINAL SIGNAL PEAK NOMINAL SIGNAL LOCK POWER ON OFF INTERNAL 44.1kHz 48kHz POWER ON OFF

CH 3364 DME32 #2

CH 6596 DME32 #3

CH 97128

DME32 #4
The last example shows how the wordclock can be congured when using an external wordclock source and BNC connections. DME32 #1 are DME32 #2 are both wordclock slaves. The wordclock source on DME32 #1 is set to Wordclock In. DME32 #2 automatically receives its wordclock from the cascade connection. The wordclock termination switch on DME32 #1 is set to ON. The DA824s receive their wordclocks via their slot inputs, while the AD824s receive theirs via BNC connections from DME32 #1.

Wordclock source

WC OUT BNC

75=ON WC IN

DATA SCENE RECALL

WC=Wordclock In

Terminating BNC Wordclock Distribution
For correct and reliable operation, wordclock signals distributed via BNC cables must be terminated correctly. Termination is typically applied at the last device, although it depends on the distribution method being used. The DME32s WORD CLOCK 75 ON/OFF switch allows the DME32 to be connected in a variety of ways. The following examples show three ways in which wordclock signals can be distributed and how termination should be applied in each case.

Star Distribution

In this example, a dedicated wordclock distribution box is used to supply a wordclock signal to each device individually. Termination is applied at each device.
Wordclock master WC OUT (BNC) Wordclock distribution box

WC IN (BNC)

Device-A
Termination = ON Wordclock slave

Device-B

Device-C

Device-D

Bus Distribution
In this example, the wordclock signal is distributed via a common bus. Termination is applied at the last device only.
Wordclock master WC OUT (BNC)
Termination = OFF Wordclock slave

Daisy Chain Distribution

In this example, the wordclock signal is distributed in a daisy-chain fashion, with each device feeding the wordclock signal on to the next. Termination is applied at the last device only. This method of distribution is not recommended for larger systems.

Early ref component 144 Echo component 150 Echo settings, MIDI 242 Edit menu 35 Edit mode about 22 definition 287 selecting 45 Editing component parameters from DME Manager 69
component parameters from the DMEcomponents 48 configurations 44 parameter link groups 78 scenes offline 76 Effect components 142 Ejecting PC cards 222 EMERGENCY indicator 17 Emergency mode assigning 214 definition 287 using 220 EQ components 162 Error messages DME Manager 271 DMEEuro-block connectors 20 Execute command 62 Exit command 34 Exiting DME Manager 13 Expander component 135 External wordclock DME Manager setting 229 DME32 setting 209
GND, GPI terminal 212 GPI about 212 assigning inputs 214 assigning outputs 217 connectors 212 definition 287 multiple DME32s 236 GPI command 36 Grid about 28 aligning components 49 Grid command 36 Groups, parameter linking 78
rotary controls 32 sliders 32 text fields 33 tool palette 41 windows 33 Internal wordclock DME Manager setting 229 DME32 setting 209 Internet web site iii

Keyboard shortcuts 42

LCD Disp, setting 86 LCR component 178 Linking component parameters 78 Loading configurations from PC cards 225 MIDI settings 249 user modules 195 LOCK indicator 17 LPF component 167
Height, component setting 80 Help menu 38 Home page on the web iii Hookup examples AD824 & DAmultiple DME32s 238 wordclock termination 234 wordclocks 231 HPF component 166 HQ pitch component 157
Factory defaults, initializing 210 Fader components 165 Features DME Manager 6 DMEFile menu 34 Filter components 166 Firmware definition 287 version 210 Flange component 152 Forgotten passwords DME Manager 85 DMEFormatting PC cards 223 Front panel 16 FS, definition 287 Full protect mode 205
Main window 23 Mains lead 11 Matrix mixer components 171 Maximizing configuration windows 26 Menus alt 41 component 37 edit 35 file 34 help 38 mode 35 shortcut 39 tool 36 view 36 window 38 Meter components 174 MIDI about 242 assigning configurations 244 assigning parameters 246 assigning scenes 244 control change assign table 280 data format 283 definition 288 deleting settings 250
I/O cards about 252 checking 210 choosing 253 installing 255 specifications 253 wordclock source 229 I-beam cursor 33 IN, GPI terminal 212 INC button 17 Initial settings, definition 287 Initializing the DMEInput component 170 Inserting PC cards 222 Installing DME Manager 12 DMEI/O cards 255 USB driver 14 Interface alt menu 41 buttons 32 cursor 31 menus 34 pop-up menus 33
Gain trimmer component 175 Gate component 138 Gate reverb component 145 General purpose interface 212 GEQ components 164 Getting started 9
implementation chart 295 IN port 242 loading settings 250 multiple DME32s 236 omni settings 242 OUT port 242 parameter changes 248 program change assign table 279 saving settings 249 settings 242 MIDI command 36 mini YGDAI card specifications 253 cards 252 definition 288 Minimizing configuration windows 26 Misc components 175 Mod delay component 148 Mod filter component 159 Mode menu 35 Modes 22 Module command 35 Mono delay component 146 Multiple DME32s about 236 cascade connections 237 configuration window sections 29 configuration windows 58 hookup examples 238 notes 236 resizing configuration window sections 59 MY cards 252

doc1

Thank you for purchasing this Dynojet kit. This kit has been developed for a motorcycle which is set to the parameters listed at the right in the Stage description. If your motorcycle does not meet any of these parameters please check with Dynojet before installation. For technical assistance contact your Dynojet distributor or call Dynojet U.S.A. (800)-992-4993

WARNING

E4128.002

European Models Only

2191 Mendenhall Dr. Suite 105 North Las Vegas, NV 89031 TEL: 702-399-1423 FAX: 702-399-1431 8am-5pm Pacific Time Monday through Friday
1988-97 Yamaha XV 750 Virago

Stage 1

For mildly tuned machines using the stock airbox, with stock or K&N filter. May also be used with a good aftermarket exhaust system. K&N filter #N/A
NO SMOKING! NO OPEN FLAME! WHILE INSTALLING YOUR DYNOJET KIT

Parts List

2 Main Jets Main Jets Fuel Needles Adjusting Washers E-Clips Plug Drill Screw DJ114 DJ118 DNT604 DW0001 DE0001 DD #5/32 DS0001
Website Address http://www.dynojet.com
The manufacturer and seller make no warranties express or implied which extend beyond the description of the goods contained herein. Any description of this product is for the purpose of identifying it and shall not be deemed to create an express warranty.
This graph shows a typical gain with a Dynojet jet kit.

STAGE ONE INSTRUCTIONS

Note: It is not necessary to completely remove the carburetors from the motorcycle to install this kit. 1. Remove the vacuum slide from the carbs. Remove the stock needles & spacers, noting order of assembly (Fig. A). 2. Install the Dynojet needles on groove #5, using all stock spacers. Install the Dynojet washers above the E-clip. Install the Dynojet slide springs supplied. 3. It is not necessary to remove the float bowls to change main jets, just remove the drain plug. Use a stubby screwdriver to losen the jet and then use a wooden tooth pick to unscrew the jet. Remove stock main jets and replace with Dynojet main jets provided. If you are running the stock exhaust use the DJ114 main jets, if you are running an aftermarket header or slip-on with high flowing baffle, use the DJ118 main jets. Be sure that the jets you are changing are the main jets. 4. Locate the fuel mixture screw (Fig. B), if you see a screw head at Fig. B proceed to adjusting procedure. With the plug drill (DD #5/32) provided, carefully drill thru the plugs. NOTE: the mixture screw is directly underneath this plug, be ready to pull back on the drill the instant you break thru. Use screw provided to secure and remove the plug. Carefully turn mixture screws clockwise until lightly seated, then turn back out 1-1/2 turn.
Place E-clip in groove #5 from the top

Fig. A

Fig. B

 

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