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GUITAR AMPLIFIER HEAD Mode demploi
Manual del Usuario
Manuale di Istruzioni
FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. 2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow instructions could void your FCC authorization to use this product in the USA. 3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class B digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. This equipment generates/uses radio frequencies and, if not installed and used according to the instructions found in the users manual, may cause interference harmful to the operation of other electronic devices. Compliance with FCC regula* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
tions does not guarantee that interference will not occur in all installations. If this product is found to be the source of interference, which can be determined by turning the unit OFF and ON, please try to eliminate the problem by using one of the following measures: Relocate either this product or the device that is being affected by the interference. Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s. In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead, change the lead-in to co-axial type cable. If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620 The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidiaries.
This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numrique de la classe B est conforme la norme NMB003 du Canada.
This applies only to products distributed by Yamaha Canada Music Ltd. Ceci ne sapplique quaux produits distribus par Yamaha Canada Musique Lte.
NEDERLAND / NETHERLAND
Dit apparaat bevat een lithium batterij voor geheugen back-up. This apparatus contains a lithium battery for memory back-up. Raadpleeg uw leverancier over de verwijdering van de batterij op het moment dat u het apparaat ann het einde van de levensduur afdankt of de volgende Yamaha Service Afdeiing: Yamaha Music Nederland Service Afdeiing Kanaalweg 18-G, 3526 KL UTRECHT Tel. 030-2828425 For the removal of the battery at the moment of the disposal at the end of the service life please consult your retailer or Yamaha Service Center as follows: Yamaha Music Nederland Service Center Address : Kanaalweg 18-G, 3526 KL UTRECHT Tel : 030-2828425 Gooi de batterij niet weg, maar lever hem in als KCA. Do not throw away the battery. Instead, hand it in as small chemical waste.
LithiumbatteriEksplosionsfare ved fejlagtig hndtering. Udskiftning m kun ske med batteri af samme fabrikat og type. Levr det brugte batteri tilbage til leverandren.
Precautions.. 5 The Panel Controls.. 6
s Front Panel... 6 s Rear Panel... 7
Utility Mode... 12
s Creating a Program Change Table.. 12 s Set the MIDI Receive Channel.. 12 s Set the MIDI Merge.. 12 s MIDI Bulk Out... 12 s MIDI Bulk In... 12 s MIDI Transmission/Reception between DG series amplifiers.. 13 s Speaker Simulator ON/OFF.. 13 s Set the Volume Pedal Position.. 13
Connecting Speakers.. 8
s For the DG100-212A.. 8 s For the DG80-210A/DG80-112A.. 8 s For the DG130HA... 8
How to use your DG Series Amplifier. 9
s First, achieve sound output.. 9 s Adjust the TRIM level.. 9 s Sound Settings... 9 s Reverb Settings... 9 s Effect (Tremolo, Chorus, Tape Echo) Settings. 9
Error Messages... 14 Specifications... 15 MIDI Implementation Chart.. 17 Patch List... 18
Recall and Store.. 10
s Recall Memory (Recall).. 10 s Store Settings... 10
Easy to Use Functions.. 11
s Using MIDI to Recall Memory.. 11 s Using MIDI to Control Volume.. 11 s Controlling Reverb, Tremolo, Chorus and Tape Echo via MIDI... 11 s Speaker Simulator... 11
Using the S412V/S112.. 16
q Avoid using your amplifier and speaker in the following locations to prevent possible damage: In direct sunlight or next to heating equipment. Extremely cold or hot locations. Locations exposed to high humidity or excessive dust. Locations subject to strong shocks or vibration. q Before making any connections, make sure that the power on the amplifier and any external devices is switched OFF. q To protect the speaker from possible damage, always set the OUTPUT knob to 0 before switching the power ON/OFF. q When connecting a speaker to this unit make sure to turn OFF the power first. q Do not apply excessive force to the switches and controls. q Your Yamaha guitar amplifier is a precision musical instrument. Handle it with care and avoid dropping or bumping it. q Operating temperatures will rise during use. Make sure the amplifier is used in a well-ventilated area. The DG130HA should be placed in a position were there is at least 30 cm (12) clearance from the wall on the sides, top and back of the amplifier. q For safety, always remove the power plug from the AC wall outlet if there is any danger of lightning striking in your area. q Keep the amplifier away from neon signs or fluorescent lighting to prevent noise pickup. q To prevent damage and possibly electrical shock, never open the case and tamper with the internal circuitry. q Never use benzene, thinner or other volatile liquids for cleaning, as these chemicals may cause damage or discoloration to the finish. Always use a dry, soft cloth to wipe off dust and dirt.
About the Backup Battery (DG series Guitar Amplifiers)
A backup battery (lithium battery) is used to keep internal data (settings) from being lost, even when the power cord is unplugged. Internal data will be lost when battery power is depleted, so it is recommended that data be stored to an external data recorder such as the Yamaha MIDI Data Filer MDF3 ( page. 12), or keep records of settings in memo form. The average battery life span is about 3 years. When replacement becomes necessary contact the music store where the unit was purchased, or a qualified service representative, to perform the replacement. Do not attempt to replace the backup battery by yourself. Keep the backup battery out of reach of children. E6 appears in the display when the battery becomes depleted. Internal data may be lost. Data may be lost if the unit is improperly handled or if repairs are performed.
The Panel Controls
s Front Panel
q w e r t y u
* The DG100-212A is shown in the illustration.
!1 q Input Jack (INPUT HIGH, LOW)
Connect the guitar to this jack. Guitars with a high output level should be connected to the LOW jack. Those with low output levels should be connected to the HIGH jack. * Switch the power OFF before connecting the guitar.
* When the Amp Select button is pressed, knobs r y return to their preset positions (GAIN and MASTER =7, Tone Controls all = 5). The position of the REVERB knob does not change.
w Trim Control (TRIM)
Used to match the guitars output level to the pre-amps input level. ( page 9.) * TRIM level settings are not stored in memory.
o Reverb Type Select Button (REVERB) !0 Reverb Type Display Lamp (SPRING, HALL, PLATE)
Press the button to select the reverb type. The lamp corresponding to the selected reverb type will light. ( page 9.)
!1 Mode Select Button (MODE) !2 Mode Display Lamp (AMP/EFFECT/UTIL.)
Displays the currently selected mode. AMP (Amp Mode) Normal playing mode. All knobs and buttons on the panel function as marked. (Dual function knobs and buttons will function according to their lower indications.) This mode is automatically engaged whenever a memory is recalled. EFFECT (Effect Mode) page 9 The Effect (tremolo, chorus, tape echo) setting mode. When in the Amp Mode, press the button once and quickly release to enter the Effect Mode. UTIL. (Utility Mode) page 12 This mode is used to set MIDI functions, switch Speaker Simulation ON or OFF and set Volume Pedal position. When in the Amp Mode or Effect Mode, press the button and hold for about one second to enter the Utility Mode.
e Output Level Control (OUTPUT)
Used to control the output volume of the power amp. Sets the amount of output of sound created by the preamps GAIN, MASTER, Tone Controls, etc. The volume is controlled without changing the tonal quality of the amp. * Output level settings are not stored in memory. * Has no affect on the level (volume) of the LINE OUT @4 jack.
r Gain Volume (GAIN)
Used to control the amount of distortion. * Sound is not produced if the GAIN is set to 0, even when the MASTER VOLUME t is turned up. When the Effect Mode is engaged, the GAIN knob is used to adjust the tremolos SPEED setting. ( page 9.)
t Master Volume (MASTER)
Used to control the overall volume of GAIN and tone control settings. It also controls the output level of the preamp. * Master level settings are stored in memory. When the Effect Mode is engaged, the MASTER knob is used to adjust the tremolos DEPTH setting. ( page 9.)
Displays Memory Numbers, Program Change Numbers, the MIDI Channel, etc.
y Tone Controls (TREBLE, HIGH MID, LOW MID, BASS, PRESENCE)
Used to control the levels of their respective frequencies. When the effect mode is engaged, it is possible to make the following adjustments; ( page 9.) TREBLE, HIGH MID, LOW MID chorus SPEED, DEPTH, LEVEL BASS, PRESENCE tape echos TIME, FEED BACK
Increases or decreases the memory number by 1. Also, increases or decreases values by 1. In the Utility Mode increases/decreases values by 1 or sets the function ON/OFF. Values change continuously when the button is pressed and held.
!5 Store Button (STORE)
Press this button to save current sound settings to internal memory. ( page 10.) Also, used to carry out MIDI Bulk Out operations. ( page 12.)
u Reverb Volume (REVERB)
Used to control the amount of the reverb. ( page 9.) When the Effect Mode is engaged, the REVERB knob is used to adjust the tape echos LEVEL setting. ( page 9.)
!6 Recall Button (RECALL)
Recalls the settings stored in memory. Use the / lect a memory number (01 128), then press the recall those settings from memory. ( page 10.) buttons to sebutton to
i Amp Select Button/Amp Select Display (LEAD 1, 2/DRIVE 1, 2/CRUNCH 1, 2/CLEAN 1, 2)
Used to select one of the eight preset amp types. The currently selected amp type is shown on the display. ( page 9.) When the Utility Mode is engaged, these switches are used to switch MIDI functions and the Speaker Simulator ON or OFF, etc. ( page 12.)
!7 Power Switch (POWER)
The power switch for the amplifier. * To protect the speakers from possible damage, always set the OUTPUT e volume to 0 before turning the power ON/OFF.
DG100-212A/DG80-210A/DG80-112A/DG130HA The Panel Controls s Rear Panel
Before making any connections, make sure that the power on the DG amplifier and any external devices is switched OFF. !9 @0
* The DG80-112A is shown in the illustration.
On the DG100-212A, you can connect the internal speaker or, an external speaker to the amplifier. On the DG80-210A/DG80-112A, you can connect the internal speaker or, an external speaker or, the internal speaker plus an external speaker to the amplifier. On the DG130HA, connect speaker(s) to the amplifier.
IN Mixer or additional amp
External Effector MIDI IN MIDI OUT
STATUS DATA/CTRL BANK MSB/MAX BANK LSB/MIN TOGGLE ON-OFF /NUMBER OF PGM
DEC 10 INC /NO /YES
Store data from the DG amplifiers internal memory to a MIDI device.
A MIDI Controller can be used to select memory and control volume.
!8 Speaker Jack (SPEAKER)
DG100-212A: The internal speaker is connected to the amp. DG80-210A/DG80-112A: Equipped with 2 speaker jacks. The internal speaker is connected to the SPEAKER 1 jack. DG130HA: Equipped with 2 speaker jacks. Refer to the Connecting Speakers section on page 8 for instruction on the connection of speakers to the amp.
!9 MIDI OUT Jack
Connect this jack to the MIDI IN jack of a device that can save MIDI data. The data stored in the DG amplifiers internal memory can then be transmitted to an external MIDI device for storage. ( page 12: MIDI Bulk Out) Also, transmits MIDI data received by the MIDI IN jack @0, to an external device when MIDI Merge is set to ON. ( page 12.)
An external effector can be inserted into the signal circuit between the SEND/RETURN jacks. This allows further processing of the tone signal, created by the main unit, by an external effector. Use the BLEND knob to control the balance level between the external effectors sound (EFFECT) and the sound created by the DG amplifier (DRY). Rotating the knob fully to the EFFECT position allows only the sound produced by the external effector to be heard. Rotating the knob fully to the DRY position allows only the internal sound created by the amp to be heard, without the added coloration of the external effector. * Connecting a plug to the RETURN jack disconnects the internal circuit. The signal returning from the effector enters the internal circuit here, where it goes on to the power amp speaker. When the RETURN jack is not in use, the BLEND knob will have no affect. Also, the SEND jack can function as a pre-out jack, and the RETURN jack can function as a main-in jack.
q Connecting in a parallel series The total impedance =
s For the DG130HA
The amp is equipped with two speaker jacks. The two speaker jacks are connected in parallel. Make sure the speakers meet the following requirements. q When one speaker jack is used. Power rating of at least 130 W, impedance of 4 16. The total impedance for the speakers in a circuit must not be less than 4. q When both speaker jacks are used. Speakers connected to each jack must have a power rating of at least 100 W, and impedance of 8 16. The total impedance for the speakers in a circuit must not be less than 4.
When three speakers are connected in a parallel series, as shown below, the total impedance will be about 2.7.
For the DG80-210A/DG80-112A The two speaker jacks are connected in a parallel circuit internally therefore, adding a 4 external speaker to the 8 internal speaker results in a total impedance of 2. In order to maintain a minimum impedance of 4 , an 8 speaker or greater must be used as an external speaker.
Internal Speaker 8
External Speaker Greater that 8
How to use your DG Series Amplifier
To protect the speaker from possible damage, always set the OUTPUT knob to 0 before switching the power ON/OFF.
s First, achieve sound output
1. With the DG amplifiers power switched OFF, connect your guitar to the INPUT jack on the front panel. To start with, try using the LOW jack. 2. With the OUTPUT knob set to 0, switch the power ON. 3. As a starting point, set the TRIM level to 5 and strum the guitar. Then, gradually raise the OUTPUT level. 4. Once you have sound output, proceed to set the TRIM level as described in the following section.
s Reverb Settings
1. Press the REVERB button to select a reverb type. Each time the REVERB button is pressed, the type will cycle through SPRING HALL PLATE settings. The lamp for the selected reverb type will light. 2. Use the REVERB knob to adjust the amount of reverb. * Reverb settings (type and REVERB knob settings) will remain in affect, even if the AMP SELECT button is pressed to change the amp type. When a different memory number is recalled, the reverb settings for that memory number will then be in affect.
s Adjust the TRIM level
The TRIM level allows you to set the output level of the guitar to an optimum level that matches the DG amplifiers INPUT jack. With a well adjusted TRIM level, subtle picking nuances and the attack of a strong strum can be clearly heard. An improperly adjusted trim level will result in noise, feedback, and/or a cut up sound. * The output level between guitars does vary. Whenever you switch guitars, it will be necessary to readjust the trim level to match the guitar. * HIGH and LOW input levels are different. Even if the same guitar is used, make sure the TRIM level is readjusted whenever a different input jack is used. * Even when creating distortion, make sure that the TRIM level is properly adjusted, and use the GAIN control to produce distortion. 1. Set the guitars volume to its maximum level and powerfully strum the guitar. Begin to adjust the TRIM level. An optimum level is achieved when the Green LED is lit. 2. Continue rotating the TRIM knob to the right, so long as the Red LED does not light. Set the TRIM level to 10 if the Red LED does not light. * If the Red LED still does not light, lower the TRIM level, connect the guitar to the HIGH input jack and repeat the previous procedure.
3. When the setting procedure is complete, press the or button and the AMP lamp will light. Each of the GAIN REVERB knobs will revert to the positions they were to prior to entering the EFFECT mode. * Effect settings will remain in effect even if the AMP SELECT button is pressed to select another amp type. When you recall a different memory number with the Recall Memory function (refer to page 10), the settings for that memory numbers effect will then be in affect.
With the procedures on this page, you can create an original sound (settings), and along with the reverb and effect settings they can be stored in the DG amplifiers internal memory for instant recall at anytime. The procedure for storing data in memory is explained on the next page.
Recall and Store
Preset setting data, specially created by Yamaha for the DG Series Amplifiers, is installed in memory numbers 1-80 when the amplifier is shipped from the factory. (Refer to the Patch List on page 83.) Setting data contains Amp Type and its settings (GAIN, MASTER, Tone Control, Reverb, Tremolo, Chorus and Tape Echo) that you can recall freely and use at any time. Motor drives in the knobs will automatically set the knobs to the corresponding positions. Also, any settings that you create can be saved (store) to any of the memory numbers 1 128. After creating a favorite sound, try saving it.
s Recall Memory (Recall)
Sound settings stored in memory can easily be recalled by selecting a memory number. When a memory is recalled, the current settings will be changed. If you want to keep the settings, use the Store operation, described on the right side of this page, to store settings to memory. 1. Press the will light. button, the AMP or EFFECT mode display
s Store Settings
1. Use the procedure on page 9 and create a sound using the eight preset amp types and control knobs on the front panel. * Each of the Utility Modes settings cannot be stored in individual memory. When the power is switched OFF, each memorys settings are stored in memory as common settings. When the power is turned ON, those settings are recalled. 2. Press the lamp will light. button, the AMP or EFFECT mode display
2. Use the / buttons to select the memory number you want to recall. The memory number will appear on the display (flashing). 3. Press the button. The flashing memory number will light. Each of the knobs, and the Amp Select Display will change according to the data recalled from memory. * Settings will not change until the button is pushed. * TRIM and OUTPUT knob settings will not change with the Recall operation. * It takes anywhere from seconds for the knobs to change to their set positions however, internal settings (sound) will change instantly. * E1 will appear on the display if the volume knob does not go to its assigned position, or the device does not recognize the recall command after 20 seconds has elapsed from the start of the recall operation. Continued use of the device in this condition may result in fire or electrical shock. Take the unit to the music dealer where you purchased it, or to the nearest Yamaha Service Center for repair. The memory number to be recalled, shown on the display, goes from flashing to lit.
3. Using the / buttons, select a memory number to which the settings will be saved. The memory number will flash in the display. * Press and hold either of the / buttons makes memory numbers cycle rapidly. * The third digit of the memory number (100 128) is represented by a dot between the two digits. Example) 128 is displayed as 4. Press and hold the button for about one second, until 8.8 appears on the display. Release the button, the flashing memory number will then light indicating the setting is saved to memory. * TRIM and OUTPUT settings cannot be stored in memory. Use the MASTER knob to set backing and soloing levels.
The memory number to be stored. Flashing 8.8. Lights Execute Store
Lights Lights Execute Recall Select the memory number to be recalled. A MIDI foot controller or other external MIDI device can be used to select and recall memory. Refer to the following page to page 13 for details.
Select the memory number.
Data stored in memory (1 128) can be saved to an external MIDI storage device. Refer to page 12 for details.
Initialize the memory
While holding both the button and button, turn the Power Switch ON, the initialize to factory preset operation will be carried out and the entire memory will be returned to its factory preset condition. When the initialize operation is carried out, data in memory numbers 1-80 will be re-written with data in the Patch List and the data in memory numbers will also be reset to their factory preset condition. Any data you have saved to memory will be erased, so we strongly recommend that you save any important data to an external MIDI device or document the settings before carrying out the operation.
HINT Some hints on storing memory numbers
When storing data to memory numbers, divide the memory numbers into several groups. Recalling memory numbers from these groups is much more convenient. For example: Create groups according to the amp type used (LEAD1, DRIVE 1, etc.). Create groups based on sound types (Distortion, Clean, etc.) Create groups based on live performance song lists. Create groups based on the type of guitar used (humbucker, etc.). It is also a good idea to keep a chart handy listing the types of sounds are stored in memory numbers.
s Creating a Program Change Table
With this procedure, a specific memory number in the DG amplifiers internal memory can be recalled with a program change number received from an external MIDI device. * Factory Preset: Program Change Number = Memory Number. 1. 2. 3. Press and hold the button for more than one second. The UTIL. mode display lamp will light. (Utility Mode) Press the button. Using the / buttons, select the program change number (1 2.8) that will be sent by the external device. The number will appear on the display. Press the button. Using the / buttons, select the memory number (1 2.8) to be recalled from the DG amplifiers internal memory. The number will appear on the display. Depending upon your particular needs, repeat steps 2 through 5 as needed.
s MIDI Bulk Out
You can back up the data stored in the DG amplifiers internal memory by saving the data to an external MIDI storage device (Yamaha MDF3, etc.). 1. 2. 3. With a MIDI cable, connect the DG amplifiers MIDI OUT jack to the MIDI IN jack on the external MIDI storage device. Press the button for more than one second. The UTIL. mode display lamp will light. To transmit all memory (128 memory, plus Utility setting data) with the Bulk Out operation: Press the button. All will appear in the display. To transmit a single memory: Press the button. Use the / button to select the memory number (1 128, All) that you want to save with the Bulk Out operation. * When All is selected in the Bulk Out operation, all memory data (128 memory) will be transmitted. 4. Press the button to execute the Bulk Out operation. Press the button to cancel the operation. * The device number is the same as that of the MIDI receive channel. If the MIDI receive channel is set to All (Omni ON) the device number will be 1.
s Set the MIDI Receive Channel
Set the DG amplifiers MIDI receive channel. * To transmit and receive MIDI data between MIDI devices, the MIDI channel on both devices must be the same or data will not be successfully transferred. (The factory preset is channel 1.) 1. 2. 3. Press and hold the button for more than one second. The UTIL. mode display will light. (Utility Mode) button. The currently set MIDI receive channel Press the will appear on the display. Use the / button to select a MIDI receive channel (1 16,
DG amplifier Rear Panel
All, oF). * With the All setting omni is set to on.
s Set the MIDI Merge
If you want the MIDI signal received by the DG amplifiers MIDI IN jack to be transmitted on to other MIDI devices via the DG amplifiers MIDI OUT jack, set the MIDI Merge to on (ON). If you dont want the data to be transmitted, set to oF (OFF). 1. 2. 3. Press and hold the button for more than one second. The UTIL. mode display will light. Press the button. The currently set MIDI merge setting will appear in the display. Use the / button to select either on or oF.
s MIDI Bulk In
With a MIDI cable, connect the DG amplifier s MIDI IN jack to the MIDI OUT jack on an external MIDI device. Return your MIDI back up data to the DG amplifier. * The MIDI Bulk In operation is carried out in the AMP or EFFECT modes only. It can not be carried out in the Utility Mode. * The device number is the same as that of the MIDI receive channel. If the MIDI receive channel is set to All (Omni On), the MIDI channel will be set to 1. The DG amplifier will not receive data if the MIDI channel is set to oF (OFF). * Ld is shown on the display while the MIDI Bulk In operation is being executed.
DG100-212A/DG80-210A/DG80-112A/DG130HA Utility Mode s Speaker Simulator ON/OFF
The DG amplifiers speaker simulator provides the line signal with a realistic simulation of the natural sound of a speaker. The speaker simulator can be used on the line signal when the LINE OUT jack is connected to a mixer or recorder. 1. 2. 3. button for more than 1 second. The UTIL. mode Press the display lamp will light. Press the display. Use the / button. The current setting will be shown on the buttons to select either on or oF (ON/OFF).
s Set the Volume Pedal Position s MIDI Transmission/Reception between DG series amplifiers.
You can use the MIDI bulk out/bulk in functions to copy memory and utility setup data from one DG series guitar amplifier (DG100-212A/DG80-210A/ DG80-112A/DG130HA) to another. * Make sure the receiving DG amplifier is in the AMP mode or EFFECT mode. Set the position for where control of the volume, via MIDI, will take place. (Refer to the Using MIDI to Control Volume section on page 11 for more information on Volume Pedal Position.) 1. 2. 3. Press the button for more than 1 second. The UTIL. mode display lamp will light. Press the display. Use the / button. The current setting will be shown on the buttons to select the volume control position (bP,
EX.) Copy the memory from a DG100-212A to a DG130HA.
MIDI Cable MIDI Bulk Out
MIDI OUT DG100-212A Rear Panel
MIDI Bulk In
DG130HA Rear Panel
If an error occurs during operation, one of the following error message numbers will appear on the display.
E1: Motor Drive Error
CAUSE: SOLUTION: The volume knob has not returned to its assigned position after 20 seconds has elapsed from the start of the recall operation or, the device does not recognize the recall command. Turn off the power and return the device to the music dealer where you purchased it, or to the nearest Yamaha Service Center for repair.
E2: MIDI Receive Buffer Full
CAUSE: SOLUTION: Too much MIDI data is being received by the DG amplifier at one time. Try reducing the amount of data being sent or, break the data into smaller blocks.
E3: Communication Error.
33.5 kg (73 lbs 13 oz) 26.0 kg (57 lbs 5 oz) 25.0 kg (55 lbs 2 oz) 18.0 kg (39 lbs 11 oz)
* Specifications and design may change without notice.
Using the S412V/S112
The S412V is a speaker enclosure equipped with four Celestion Vintage 30 speakers. * The power rating is 240 W. Use an amp head with a power output of less than 240 W. * The impedance is 8. Check the amp heads impedance and make sure it meets the speakers requirements. * If you use more than two speakers, make sure the total impedance meets the amp heads requirements. See Connecting Speakers section on page 8. The S112 is a speaker enclosure equipped with a Celestion G12H100 speaker. * The power rating is 100 W. Use an amp head with a power output of less than 100 W. * The impedance is 8. Check the amp heads impedance and make sure it meets the speakers requirements. * If you use more than two speakers, make sure the total impedance meets the amp heads requirements. See Connecting Speakers section on page 8.
Speakers Power Rating Impedance Dimensions (WxHxD) Weight Accessory 30 cm speaker (Celestion Vintage 30) x W x 820 x 359 mm (30.1 x 32.2 x 14.1) (w/casters) 44.0 kg (97 Ibs) (w/casters) Speaker Cable
Speaker Power Rating Impedance Dimensions (WxHxD) Weight Accessory 30 cm speaker (Celestion G12H-100) x W x 510 x 284 mm (21.3 x 20 x 11.2) 16.0 kg (35 Ibs 4.4 oz) Speaker Cable
Speaker Size Voice Coil Size Magnet Frequency Range Sensitivity Power Rating Nominal Impedance Fundamental Frequency 30 cm (12) 44 mm Ferrite 1.42 kg (50 oz) 70 Hz 5 kHz 100 dB (1 m/W) 60 W (RMS) Hz
Speaker Size Voice Coil Size Magnet Frequency Range Sensitivity Power Rating Nominal Impedance Fundamental Frequency 30 cm (12) 44 mm Ferrite 1.42 kg (50 oz) 82 Hz 5.5 kHz 100 dB (1 m/W) 100 W (RMS) Hz
* Specifications and external appearance are subject to change without notice.
1. Turn the amps power OFF and set the volume to 0. * Connecting the speaker with the power ON or the volume turned up may result in damage to the speaker or amp. 2. Using the supplied speaker cord, connect the phone jack located on the back of the S412V/ S112 cabinet to the amp heads speaker output jack (the SPEAKER jack on the DG Series Amplifier).
YAMAHA [ Digital Guitar Amplifier ] Date:30-Sep-1999 Model DG100-212A/DG80-210A/DG80-112A/DG130HA MIDI Implementation Chart Version : 2.0 +----------------------------------------------------------------------+ : : Transmitted : Recognized : Remarks : : Function. : : : : :-------------------+----------------+----------------+----------------: :Basic Default : x : 1 - 16, off : memorized : :Channel Changed : x : 1 - 16, off : : :-------------------+----------------+----------------+----------------: : Default : x : 1,3 : memorized : :Mode Messages : x : x : : : Altered : ************** : x : : :-------------------+----------------+----------------+----------------: :Note : x : x : : :Number : True voice: ************** : x : : :-------------------+----------------+----------------+----------------: :Velocity Note ON : x : x : : : Note OFF : x : x : : :-------------------+----------------+----------------+----------------: :After Key's : x : x : : :Touch Ch's : x : x : : :-------------------+----------------+----------------+----------------: :Pitch Bender : x : x : : :-------------------+----------------+----------------+----------------: : : x : x : : : 7 : x : o : Main Volume : : 8 - 90 : x : x : : : 91 : x : o : Reverb Level : : Control 92 : x : o : Tremolo Depth : : 93 : x : o : Chorus Level : : Change 94 : x : o : Tape Echo Level: : 95 - 127 : x : x : : : : : : : : : : : : : : : : : : : : : : : : : : : :-------------------+----------------+----------------+----------------: :Prog : x : o 0 - 127 : Program Change : :Change : True # : ************** : : Number 1-128 : :-------------------+----------------+----------------+----------------: :System Exclusive : o : o : Bulk Dump : :-------------------+----------------+----------------+----------------: :System : Song Pos. : x : x : : : : Song Sel. : x : x : : :common : Tune : x : x : : :-------------------+----------------+----------------+----------------: :System :Clock : x : x : : :Real Time :Commands: x : x : : :-------------------+----------------+----------------+----------------: :Aux :All Sound OFF: x : x : : : :Reset All Cntrls : x : x : : : :Local ON/OFF : x : x : : : :All Notes OFF: x : x : : :Mes- :Active Sense : o : x : : :sages:Reset : x : x : : :-------------------+----------------+----------------+----------------: : : : : +-------------------+----------------+----------------+----------------+ Mode 1 : OMNI ON, POLY Mode 2 : OMNI ON, MONO o : Yes Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO x : No
BRITISH LOVE LUSH CHORUS VIBE-BRO ZZ BLUE GAMMA MAN DEEP SWELLS MERCY BUS NY FUSE FOREVER CLEAR SOUL FOOD JAZZIN BLUE- Z TREM-PIPE POP CRUNCH CRAZY DIAMOND TWANG THANG FLYING DREAM WIRED TWIN FAT GRUNGE 70s CRUNCH SHAKIN MATCHBOX SWEET GYPSY BRITISH TREM LITTLE NEMO LA GREASE LONESTAR FUTURE TREM VIBE-DRIVE METALHEAD ROCKIN MAN SURF KING TEXAS BLUES MEMPHIS TREM BLUE JEANS CHICAGO DOG WARM STACK PRINCE-TONE CUTTING EDGE ALIEN LATIN MAGIC SMOOTH SAND NEON METAL ETERNAL SPIN LOST CAVERN ZAPPED DRY ECHO MIRRORS FUNK 48 CLASSIC BOP FINGERS PROG-ROCK SOUTHERN STEP TEJAS SHUFFLIN WARM CHORUS MID-BOOST T-BOOST NASHVILLE CAT RISING SON FUSION ACE HYBRID TAPPIN FUNK-A ROCK FUSION GROWLIN SHIMMER METAL CHORUS DR PUNK 90s SHINE BACKROOM PAGEBREAKER NERVES FAT NECK CRYIN WIND VOODOO ANTHEM RUSH SHADES CHICK-N-PICK
Lead 2 + Chorus + Long Delay + Hall Reverb Clean 1 + Chorus + Hall Reverb Clean 1 + Tremolo + Hall Reverb Lead 2 + Short Delay Drive 2 + Long Delay Clean 2 + Chorus + Long Delay + Hall Reverb Drive 2 + Plate Reverb Clean 2 + Chorus + Medium Delay + Hall Reverb Crunch 2 Clean 1 + SlapDelay Clean 1 Drive 2 + Tremolo + Short Delay + Spring Reverb Clean 1 + Fast Tremolo + Short Delay Crunch 1 + Chorus + Short Delay + Plate Reverb Crunch 1 + Chorus + Long Delay + Hall Reverb Clean 2 + Slapback Delay + Spring Reverb Lead 2 + Chorus + Long Delay + Hall Reverb Clean 1 + Short Delay Crunch 2 + Tremolo + Medium Delay + Hall Reverb Crunch 2 + Medium Delay Lead 2 + Short Delay Drive 2 + Slow Tremolo + Spring Reverb Drive 2 + Long Delay Drive 2 + Fast Tremolo Lead 2 + Plate Reverb Lead 2 + Chorus + Medium Delay + Hall Reverb Drive 2 + Slapback Delay + Hall Reverb Crunch 2 + Fast Tremolo + Hall Reverb Lead 2 + Chorus + Tremolo + Hall Reverb Lead 2 + Hall Reverb Lead 1 + Chorus + Medium Delay + Hall Reverb Clean 1 + Fast Tremolo + Short Delay Drive 2 + Short Delay Clean 1 + Tremolo + Spring Reverb Drive 2 + Spring Reverb Crunch 1 Lead 1 + Hall Reverb Clean 1 Clean 1 + Long Delay Crunch 2 + Fast Chorus + Fast Tremolo + Long Delay + Hall Reverb Crunch 2 + Medium Delay + Spring Reverb Lead 1 + Short Delay + Hall Reverb Lead 2 + Long Delay Crunch 2 + 2 Second Delay with Long Feedback Clean 1 + Chorus + Tremolo + Delay + Spring Reverb Clean 1 + Chorus + Long Delay + Hall Reverb Drive 2 + Medium Delay + Spring Reverb Clean 1 + Long Delay w/ 1 Repeat Lead 2 + Long Delay + Plate Reverb Drive 2 + Plate Reverb Clean 1 + Hall Reverb Clean 2 + Chorus + Hall Reverb Lead 2 +Chorus + Medium Delay + Hall Reverb Clean 1 + Plate Reverb Crunch 2 + Tremolo Crunch 2 Clean 2 + Chorus Drive 2 + Spring Reverb (Mids Boosted) Drive 2 (Highs Boosted) Crunch 1 + Slapback Delay Lead 2 + Delay Crunch 2 + Chorus + Medium Delay + Spring Reverb Clean 1 + Tremolo + Chorus Lead 1 + Medium Delay + Hall Reverb Clean 1 Lead 1 + Medium Delay + Hall Reverb Drive 2 + Tremolo + Short Delay Clean 1 + Chorus + Plate Reverb Lead 1 + Heavy Chorus + Plate Reverb Drive 1 + Slapback Delay Lead 2 + Delay + Hall Reverb Lead 1 + Short Chorus + Short Delay Lead 2 + Plate Reverb Crunch 1 + Chorus + Tremolo + Short Delay Drive 1 + Slapback Delay Lead 2 + Chorus + Medium Delay + Spring Reverb Lead 1 + Long Delay + Hall Reverb Drive 1 + Chorus + Medium Delay + Hall Reverb Clean 2 + Chorus + Tremolo + Delay + Hall Reverb Clean 1 + Slapback Delay
With the power of Yamahas ECM (Electric Circuit Modeling) Technology at your fingertips, the scope of sound creating possibilities is blown wide open. ECM technology and a very powerful chip developed by Yamaha allow the DG series guitar amplifiers to create realistic tube tone. Not just one kind of tube tone, but a wide variety of tones. Tone that is full of warmth, attack, dynamic range and all those little details that give your sound life. And getting that tone is easy too. A user-friendly interface lets you create sound the way youre used to, by turning knobs. Its that simple.
The Power and Performance of the DG Series in a Stomp Box
Live Performance The power and performance of Yamahas DG technology will propel you into the spotlight.
Expression Pedal FC7 (Option)
Home Studio Wide selection of amp types, speaker simulation, excellent audio quality and compact size delivers maximum versatility and cost performance.
Digital Recording Digital OUT jack offers direct digital connection to a computer, digital mixer or recorder for maximum sonic performance.
The DG-Stomps 90 preset tone settings contain a wide variety of sounds created especially for the DG-Stomp by tone creators from the United States, Britain and Germany.
The built-in chromatic tuner utilizes the display and five of the effect button lamps to help you accurately tune your guitar to any pitch.
Takes the guesswork out of syncing delay times to the songs tempo. Just tap on the switch in tempo and the DG-Stomp will calculate the proper delay time instantaneously.
For the utmost in audio quality, the digital out delivers digital data directly to a computer, digital mixer, digital recorder or any other device capable of handling digital audio.
With an expression pedal connected to the DG-Stomp you can control specified parameters in real-time. Control volume, tone and effect settings or even use it as a Wah-Wah.
16 speaker simulation types apply the characteristics of a live speaker to the line signal. This allows you to plug and play directly into a mixer without loosing the live ambience that a speaker provides.
Digital Section Full Digital Signal Processing 8 Channel Preamp Digital Effects Compressor Chorus, Flanger, Phaser, Rotary Speaker, Tremolo Digital Delay, Tape Echo Spring Reverb, Hall Reverb, Plate Reverb Tap Tempo Function (Delay Time) Speaker Simulator (16 Types) External Controller Function (EXP Pedal/MIDI): 8 Controllers/Parameters Wah Function Tuner Function (Chromatic, Auto) MIDI Functions Receive Transmit Controller Switch Top Panel Program Change (Program Change Table can be created), Control Change, Bulk In Program Change, Control Change, Bulk Out, Merge Out UP, DOWN, MANUAL, UTILITY, STORE, COMP, CHORUS, FLANGER, PHASER, ROTARY, TREMOLO, DELAY, TAPE ECHO, SPRING, HALL, PLATE, SP. SIM, AMP SELECT, GAIN, MASTER, TREBLE, MIDDLE, BASS, PRESENCE, COMP, SPEED, DEPTH, TIME, FEEDBACK, LEVEL, REVERB, OUTPUT, 1, 2, 3 BANK STAND-BY ON/OFF, INPUT, LOW/HIGH 7 Segment LED (3 digit) 1, Push Switch LED 17, Foot Switch LED 4 INPUT OUTPUT L/MONO, R PHONES EXP. PEDAL STEREO PHONE JACK DIGITAL OUT MIDI IN, MIDI OUT A/D Converter D/A Converter Sampling Frequency 48 kHz Memory Allocations Preset: 90 User: 90 Input Level/Impedance (When using preamp bypass) INPUT HIGH: 25dBm/1M INPUT LOW: 15dBm/1M Output Level/Impedance Power Power Consumption Dimensions (WHD) Weight Accessories OUTPUT L/MONO, R: 0dBm/1k PHONES: 0dBm/47 (47 load) Exclusive Power Adaptor (AC-10) AC Output: AC12V, 1000mA 15W 184mm (11 2-3/4 7-1/4) 2.2kg (4.85 lbs) Power Adaptor (AC-10) 20 bit + 3 bit Floating 20 bit
Rear Panel Display Connections/Jacks
* Specifications and design subject to change without notice.
The DG series Model A lineup features a powerful digital effects section that includes Chorus, Tremolo, Reverb and Tape Echo effects. Also included are 80 preset tone patches that deliver a wide range of tone settings for todays demanding guitarists.
(If youre the owner of an older DG Amp, you can upgrade your amplifier to Model A specs. Check out our homepage, listed on the next page, for details on the download.)
The DG130HA offers the DG preamp section, complete with digital effects, combined with a high quality 130-watt power amplifier to those that like separate head and speaker units. Match it with the S412V Speaker Enclosure (shown on the next page) for a combination that provides maximum power and versatility. Eight presets offer the basic tonal ingredients the knobs let you do the rest. A total of 80 factory patches give you a wide variety of tone settings to start with and theres plenty of additional room for storing the sounds youve created on your own. An onboard digital effects section features Chorus, Tremolo, Reverb, Simulated Spring and Tape Echo effects. Mounted in the sturdy enclosure is a single Celestion G12H-100 12-inch speaker that is driven by 80-watts of quality power.
Digital Section Complete Digital Signal Processing Internal 8 Channel Preset Digital Reverb (SPRING, HALL, PLATE) Digital Effects (Chorus, Tremolo, Tape Echo) Speaker Simulator (LINE OUT) DG80-210A: 80W (8) Solid State Power Amp 25 cm Speaker (Celestion V10-60) x 2 DG80-112A: 80W (8) Solid State Power Amp 30 cm Speaker (Celestion G12H-100) x 1 DG100-212A: 100W (4) Solid State Power Amp 30 cm Speaker (Celestion Vintage 30) x 2 DG130HA: 130W (4) Solid State Power Amp Receive : Program change, Control Change (No. 7, 91, 92, 93, 94), Bulk In Transmit : Bulk Out, Merge Out Front Panel : TRIM, OUTPUT, GAIN (TREMOLO SPEED), MASTER (TREMOLO DEPTH), TREBLE (CHORUS SPEED), HIGH MID (CHORUS DEPTH), LOW MID (CHORUS LEVEL), BASS (TAPE ECHO TIME), PRESENCE (TAPE ECHO FEED BACK), REVERB (TAPE ECHO LEVEL) Rear Panel : LINE OUT volume, EFFECT BLEND Switch : AMP SELECT (LEAD1, LEAD2, DRIVE1, DRIVE2, CRUNCH1, CRUNCH2, CLEAN1, CLEAN2), REVERB, MODE, , , STORE, RECALL AMP SELECT display LED x 8/MODE display LED x 3 REVERB type display x 3/7 segment LED x 2 digits Trim Level Display LED (Green) / Trim Clip Display LED (Red) INPUT HIGH/LOW: Standard Phone Mono Jack SPEAKER (DG80-210A: x2, DG80-112A: x2, DG100-212A: x1, DG130HA: x2): Standard Phone Mono Jack EFFECT SEND/RETURN: Standard Phone Mono Jack LINE OUT: Cannon Jack MIDI IN, MIDI OUT: 5 pin DIN 20 bit 20 bit 48 kHz 128 INPUT HIGH: 30dBm (THRU)/1M INPUT LOW: 20dBm (THRU)/ 1M EFFECT RETURN: 0dBm/120k DG80-210A: SPEAKER: 80W RMS/8, 100W RMS/4 LINE OUT: +4dBm/600 EFFECT SEND: 0dBm/2.2k DG80-112A: SPEAKER: 80W RMS/8, 100W RMS/4 LINE OUT: +4dBm/600 EFFECT SEND: 0dBm/2.2k DG100-212A: SPEAKER: 100W RMS/4 LINE OUT: +4dBm/600 EFFECT SEND: 0dBm/2.2k DG130HA: SPEAKER: 130W RMS/4 LINE OUT: +4dBm/600 EFFECT SEND: 0dBm/2.2k U.S. and Canadian models : 120V, 60Hz General model : 230V, 50Hz DG80-210A: 100W DG80-112A: 100W DG100-212A: 100W DG130HA: 140W DG80-210A: 595 x 471 x 284 mm (23.43 x 18.5 x 11.2) 542 x 510 x 284 mm (21.3 x 20.1 x 11.2) DG80-112A: DG100-212A: 712 x 574 x 284 mm (28 x 22.6 x 11.2) w/Caster DG130HA: 711 x 250 x 284 mm (28 x 9.8 x 11.2) DG80-210A: 26.0 kg (57 lbs 5 oz) DG80-112A: 25.0 kg (55 lbs 2 oz) DG100-212A: 33.5 kg (73 lbs 13 oz) DG130HA: 18.0 kg (39 lbs 11 oz)
MIDI Function Controller/Switch
Display Indicator Connection Jacks
The DG80-210A features the same DG preamp, complete with onboard digital effects section, as the DG80-112A. A high quality 80-watt amplifier drives a pair of 10-inch Celestion V10-60 speakers for faithful reproduction of tones youve created. All components are mounted in a sturdy enclosure that is compact and easy to transport.
A/D Converter D/A Converter Sampling Frequency Memory Number Input Level/Impedance Output Level/Impedance
Power Requirements Power Consumption
Dimensions (W x H x D)
* Specifications and design may change without notice.
MIDI Foot Controller
for DG80-112A, DG80-210A, DG100-212A, DG130HA, DG60FX-112 and DG Stomp
for DG Stomp, DG60FX-112
The DG100-212A offers the DG sound in a classic combo amp configuration. A generous 100-watt, high quality power amplifier is used to drive the twin Celestion Vintage 30 speakers for accurate reproduction of the DG100-212As rich tube tone. Along with the DG preamp, all components are fitted into a rugged chassis complete with large caster wheels.
Foot Controler Included
The DG60-112 features two independent channels each equipped with a full complement of tone controls. Two 8-position knobs, one for each channel, offer easy access to the preset amplifier types and a digitally simulated spring reverb provides additional ambience when needed. The DG60-112s tone is faithfully reproduced with a 60-watt amplifier driving a single 12-inch speaker, all fitted in a compact, easy to transport unit. DG60-112 Specifications
s Digital Section: Complete Digital Signal Processing, Internal 8 Channel Preset, Digital Reverb (SPRING), Speaker Simulator (LINE OUT) s Analog Section: 60W (8) Solid State Power Amp, 30 cm Speaker (EMINENCE) 1 s Controller/Switch: Front Panel : GAIN, MASTER, TREBLE, HIGH MID, LOW MID, BASS, PRESENCE, REVERB Rear Panel : EFFECT BLEND Switch : AMP select switch, for each channel (A/B), Channel select switch (A/B), SP MUTE switch, EFFECT SEND/RETURN level switch s Indicator: Peak Level Display LED (Red) s Connection Jacks: INPUT HIGH/LOW: Standard Phone Mono Jack EFFECT SEND/ RETURN: Standard Phone Mono Jack LINE OUT: Standard Phone Stereo Jack FOOT SW (CH SELECT, REVERB): Standard Phone Mono Jack s A/D Converter: 20 bit + 3 bit floating s D/A Converter: 20 bit s Sampling Frequency: 48 kHz s Input Level/Impedance: INPUT HIGH: 20dBm (THRU)/1M INPUT LOW: 10dBm (THRU)/1M s Output Level/Impedance: SPEAKER: 60W RMS/8 LINE OUT: +2dBm/47 EFFECT SEND: -2dBm/1k s Power Requirements: U.S. and Canadian models: 120V, 60Hz General model: 230V, 50Hz s Power Consumption: 70W s Dimensions (WHD): 276mm (21.3 19.8 10.9) s Weight: 18.0 kg (39 lbs 11 oz)
The new DG60FX-112 utilizes the power of the DG-Stomp as its preamp section, and combines it with a 60-watt amplifier driving a single 12-inch speaker. The amplifier comes complete with a special foot control unit that allows selection of the patches and on-board effects.
s Digital Section: Full Digital Signal Processing 8 Channel Preamp Digital Effects (Compressor, Chorus, Flanger, Phaser, Rotary Speaker, Tremolo, Digital Delay, Tape Echo, Spring Reverb, Hall Reverb, Plate Reverb) Tap Tempo Function (Delay Time) Speaker Simulator (16 Types) External Controller Function (EXP Pedal/MIDI): 8 Controllers/Parameters Wah Function Tuner Function (Chromatic, Auto) s Analog Section: 60 W Solid State Power Amp 30 cm Speaker (EMINENCE) x 1 s MIDI Functions: Receive (Program Change, Control Change, Bulk In) Transmit (Program Change, Control Change, Bulk Out, Merge Out) s Switch: UP, DOWN, MANUAL, UTILITY, STORE, COMP, CHORUS, FLANGER, PHASER, ROTARY, TREMOLO, DELAY, TAPE ECHO, SPRING, HALL, PLATE, SP. SIM s Controller: AMP SELECT, GAIN, MASTER, TREBLE, MIDDLE, BASS, PRESENCE, COMP, SPEED, DEPTH, TIME, FEEDBACK, LEVEL, REVERB, OUTPUT s Connections/Jacks: INPUT HIGH, LOW, LINE OUT L/MONO, R, PHONES, POWER AMP IN, DIGITAL OUT, MIDI IN, MIDI OUT s A/D Converter: 20 bit + 3 bit Floating s D/A Converter: 20 bit s Sampling Frequency: 48 kHz s Memory Allocations: Preset (90), User (90) s Power: U.S. and Canadian models : 120V, 60Hz General model : 230V, 50Hz s Power Consumption: 70 W s Dimensions (WxHxD): 513 x 491 x 291 mm (20.2 x 19.3 x 11.5) s Weight: 17 kg (37 lbs 8 oz) Foot Switch Unit s Connections/Jacks: EXP. PEDAL (Standard Stereo Phone Jack) s Dimensions (WxHxD) : 280 x55 x108 mm (11.0 x 2.2 x 4.3) s Weight: 930 g (2 lbs 1 oz)
Doyle plays with Eric Clapton/ BB king and Roger Waters.
Guitar Pre Amplifier
This is where it started. The DG-1000 preamp delivers rich tube tone with its ECM technology. Match its sound capabilities with components of your liking for a truly personalized sound. DG-1000 Specifications
s A/D Converter: 20 bit + 5 bit Floating s D/A Converter: 20 bit s Sampling Frequency: 48kHz s Memory: 128 s Input Impedance: 1M (Input Jack) s Output Impedance: 1k (Output Jack) s Controllers: Analog: TRIM, OUTPUT Digital: GAIN, MASTER, TREBLE, HIGH MID, LOW MID, BASS, PRESENCE, AMP SELECT (LEAD1, LEAD2, DRIVE1, DRIVE2, CRUNCH1, CRUNCH2, CLEAN1, CLEAN2), , , STORE, RECALL, MIDI s Display: AMP SELECT display LED 8, MODE display LED 3, 7 Segment LED 2 digits s Indicator: TRIM level display LED (green) TRIM clip display LED (red) s Power Requirements: U.S. and Canadian models : 120V, 60Hz General model : 230V, 50Hz s Power Consumption: 20Watts s Dimensions (WHD): 275 mm ( 18.9 3.5 10.8) s Weight: 6.0 kg (13 lbs. 4 oz)
A single Celestion G12H-100 12-inch speaker mounted in the S112s rugged enclosure provides excellent full range tone. Stacked with a DG80-112A will give your system more presence both sonically and visually.
s Speakers: 30cm speaker (G12H-100) 1 Speaker Size: 30cm (12) Voice Coil Size: 44 mm Magnet: Ferrite 1.42kg (50oz) Frequency Range: 82Hz-5.5kHz Sensitivity: 100dB (1m/W) Power Rating: 100W (RMS) Nominal Impedance: 8 Fundamental Frequency: 82Hz s Dimensions (WHD): 284mm (21.11.2) s Weight: 16 kg (35 lbs 4.4 oz) s Accessory: Speaker Cable
Four Celestion Vintage 30 speakers enclosed in a rugged cabinet provide the utmost in classic tone reproduction. S412V Specifications
s Speakers: 30cm speaker (Celestion Vintage 30) 4 Speaker Size: 30cm (12) Voice Coil Size: 44 mm Magnet: Ferrite 1.42kg (31Ibs 2oz) Frequency Range: 70Hz-5kHz Sensitivity: 100dB (1m/W) Power Rating: 60W (RMS) 4 Nominal Impedance: 8 Fundamental Frequency: 70Hz s Impedance: 8 s Dimensions (WHD): 359mm (30.1 32.2 14.1) (w/casters) s Weight: 44.0kg (97Ibs) (w/casters) s Accessory: Speaker Cable
Visit our DG homepage at http://www.yamaha.co.jp/english/product/guitar/dg/
On our homepage you'll find more information and free DG preset data downloads for the DG series amplifiers.
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