This applies only to products distributed by Yamaha Music U.K. Ltd. (2 wires)

PRECAUTIONS

PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.

WARNING

Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock, short-circuiting, damages, re or other hazards. These precautions include, but are not limited to, the following:
Power supply/AC power adaptor
Only use the voltage specied as correct for the instrument. The required voltage is printed on the name plate of the instrument. Use the specied adaptor (PA-5D or an equivalent recommended by Yamaha) only. Using the wrong adaptor can result in damage to the instrument or overheating. Check the electric plug periodically and remove any dirt or dust which may have accumulated on it. Do not place the AC adaptor cord near heat sources such as heaters or radiators, and do not excessively bend or otherwise damage the cord, place heavy objects on it, or place it in a position where anyone could walk on, trip over, or roll anything over it.

Water warning

Do not expose the instrument to rain, use it near water or in damp or wet conditions, or place containers on it containing liquids which might spill into any openings. If any liquid such as water seeps into the instrument, turn off the power immediately and unplug the power cord from the AC outlet. Then have the instrument inspected by qualied Yamaha service personnel. Never insert or remove an electric plug with wet hands.

Fire warning

Do not put burning items, such as candles, on the unit. A burning item may fall over and cause a re.

Do not open

Do not open the instrument or attempt to disassemble the internal parts or modify them in any way. The instrument contains no user-serviceable parts. If it should appear to be malfunctioning, discontinue use immediately and have it inspected by qualied Yamaha service personnel.
If you notice any abnormality
If the AC adaptor cord or plug becomes frayed or damaged, or if there is a sudden loss of sound during use of the instrument, or if any unusual smells or smoke should appear to be caused by it, immediately turn off the power switch, disconnect the adaptor plug from the outlet, and have the instrument inspected by qualied Yamaha service personnel.

Graded Hammer Standard Keyboard
Thanks to our experience as the worlds leading manufacturer of acoustic pianos, weve developed a keyboard with action thats virtually indistinguishable from the real thing. Just as on a traditional acoustic piano, the keys of the lower notes have a heavier touch, while the higher ones are more responsive to lighter playing. The keyboards sensitivity can even be adjusted to match your playing style. This Graded Hammer technology also enables the DGX-630/YPG-635 to provide authentic touch in a lightweight instrument.
Performance assistant technology

Page 39

Play along with a song on the instruments keyboard and produce a perfect performance every time. even if you play wrong notes! All you have to do is play on the keyboardalternately on the left- and right-hand ranges of the keyboard, for exampleand youll sound like a pro as long as you play in time with the music. And if you cant play with both hands, you can still play the melody simply by tapping one key.
All you need is one nger!
Play a Variety of Instrument Voices

Page 19

With the DGX-630/YPG-635, the instrument voice that sounds when you play the keyboard can be changed to violin, ute, harp, or any of an extensive range of voices. You can change the mood of a song written for piano, for example, by using violin to play it instead. Experience a whole new world of musical variety.

Play Along with Styles

Page 28
Want to play with full accompaniment? Try the auto-accompaniment Styles. The accompaniment styles provide the equivalent of a full backing band covering wide variety of styles from waltzes to 8-beat to euro-trance and much more. Select a style that matches the music you want to play, or experiment with new styles to expand your musical horizons.
Easy Performance with Music Notation Display
When you play back a song, the corresponding score will be shown on the display as the song plays. This is a great way to learn how to read music. If the song contains lyric and chord data*, the lyrics and chords will also appear on the score display.
* No lyrics or chords will appear on the display if the song you are using with the score display function does not contain the appropriate lyric and chord data.

Page 37

Contents
Copyright Notice... 6 Panel Logos.... 6 Included Accessories... 7 Special Features of the DGX-630/YPG-635.. 8

Reference

Play with a Variety of Effects 70
Adding Harmony... 70 Adding Reverb.. 71 Adding Chorus.. 72 Adding DSP... 73 Panel Sustain... 74 Pitch Bend... 74

Have a phillips-head (+) screwdriver of the appropriate size ready.
z The parts shown in the Assembly Parts illustration will be used. Follow the assembly
instructions and select the parts as needed.

Assembly Parts

Back board
q Joint connectors (4 pcs.)

w 6 x 70 mm roundhead

screws (4 pcs.)

Side boards Stand bases

e 6 x 30 mm roundhead
r Support rail t 4 x 45 mm athead screws

(6 pcs.)

y 5 x 16 mm roundhead
Use the packing sheet to protect both the instrument and the oor when assembling. * The sheet is the bag in which the instrument is wrapped.

q Joint connectors

x Attach the stand bases.
Insert the joint connectors q into the stand boards as shown. The joint connectors have been installed properly if you can see the screw head on the connector.
NOTE If you put the connectors in wrong direction and want to take them out, tap around the holes on the boards.

w 6 x 70 mm

roundhead screws
Attach the stand bases to the bottom of the side boards, using the screws w. The left and right stand bases are the same shape, and there is no difference between their frontto-back orientation. If you have trouble fastening the screws, use a screwdriver to rotate the joint connectors so that the connector holes are aligned with the screw holes on the stand bases.
e 6 x 30 mm roundhead screw

c Attach the back board.

Attach the back board, using the screws e. Check the back-to-front orientation for the side boards. Make sure the non-colored surface is facing down.
Be careful not to drop the back board or touch the sharp metal ttings.
NOTE If you have purchased an optional pedal unit, attach the pedal unit before proceeding to the next step. Refer to the instructions provided with your pedal unit.
v Attach the support rail.

r Support rail

Spread the packing sheet on the oor. Place the instrument on the sheet with the rear panel side on the bottom. Align the support rail r into the groove on the bottom of the instrument and attach the rail, using the screws t.

Try selecting and playing a range of split voices. Press the [EXIT] button to return to the MAIN display.
Play the Grand Piano Voice
When you just want to play piano, all you have to do is press one convenient button.
Press the [PORTABLE GRAND] button.
The 001 Grand Piano voice will be selected.
When you press the [PORTABLE GRAND] button all settings other than touch sensitivity are turned off. The dual and split voices will also be turned off, so only the Grand Piano voice will play over the entire keyboard.
This instrument includes a range of drum kits and unique sound effects you can use for entertainment. Laughter, babbling brooks, jet y-bys, eerie effects, and much more. These sounds can be a great way to enhance the mood at parties.

Drum Kits

Drum kits are collections of drum and percussion instruments. When you select a violin or other normal instrument main voice, for example, all keys produce the sound of the same violin, only at different pitches. If you select a drum kit as the main voice, however, each key produces the sound of a different drum or percussion instrument.
Drum Kit Selection Procedure (refer to steps 1 and 2 on page 19)
1 Press the [VOICE] button. 2 Use the dial to select 131 Standard Kit 1. 3 Try out each key and enjoy the drum and percussion sounds!
Try out each key and enjoy the drum and percussion sounds! Dont forget the black keys! Youll hear a triangle, maracas, bongos, drums. a comprehensive variety of drum and percussion sounds. For details on the instruments included in the drum kit voices (voice numbers 131 to 142), see the Drum Kit List on page 132.

Sound Effects

The sound effects are included in the drum kit voice group (voice numbers 141 and 142). When either of these voices are selected you will be able to play a range of sound effects on the keyboard.
Sound Effect Selection Procedure (refer to steps 1 and 2 on page 19)
1 Press the [VOICE] button. 2 Use the dial to select 142 SFX Kit 2. 3 Try out each key and enjoy the sound effects!
As you try out the various keys youll hear the sound of a submarine, a telephone bell, a creaking door, and many other useful effects. 141 SFX Kit 1 includes lightning, running water, dogs barking, and others. Some keys do not have assigned sound effects, and will therefore produce no sound. For details on the instruments included in the SFX kit voices, see SFX Kit 1 and SFX Kit 2 in the Drum Kit List on page 133.
The instrument includes a metronome with adjustable tempo and time signature. Play and set the tempo that is most comfortable for you.

Start the Metronome

Turn the metronome on and start it by pressing the [METRONOME ON/OFF] button.
To stop the metronome, press the [METRONOME ON/OFF] button again.

Select and Listen to a Song

Listen

Lesson

Record

Press the [SONG] button
The song selection display will appear. The currently selected song number and name will be highlighted.
The currently selected song number and name

Select a song.

Select a song after referring to the preset song category list on page 35. Use the dial to select the song you want to listen to.
You can also play songs you have recorded yourself (User Songs) or songs that have been transferred to the instrument from a computer in the same way that you play the internal songs.
The song highlighted here can be played
Built in Songs (See page 35) User Songs (Songs you record yourself). Songs transferred from a computer (pages 108110) or Songs in a USB ash memory connected to the instrument (page 96)

Listen to the song.

Press the [START/STOP] button to begin playback of the selected song. You can stop playback at any time by pressing the [START/STOP] button again.

Song start!

Song Fast Forward, Fast Reverse, and Pause
These are just like the transport controls on a cassette deck or CD player, letting you fast forward [FF], rewind [REW] and pause [PAUSE] playback of the song.
REW Press the fast reverse button to rapidly return to an earlier point in the song.
FF Press the fast forward button to rapidly skip ahead to a later point in the song.
PAUSE Press the pause button to pause playback.

Change the Song Tempo

You can change the song tempo as required. Press the [TEMPO/TAP] button. The tempo display will appear and you can use the dial, the [+] and [-] buttons, or the [0] to [9] number buttons to set to tempo to anywhere from 5 and 280 quarter-note beats per minute.
You can return to the original tempo by simultaneously pressing the [+] and [-] buttons. Press the [EXIT] button to return to the MAIN display.

Play the Demo Song

Press the [DEMO] button.
The demo song will start playing. Listen to some of the outstanding instrument voices provided! The demo song will automatically repeat from the beginning after it has played all the way through. You can stop demo playback at any time by pressing the [START/STOP] button. Song List These 30 songs include songs that effectively demonstrate the instruments Easy Song Arranger feature, songs that are ideally suited for use with the performance assistant technology feature, and more. The Suggested Uses column provides some ideas as to how the songs can most effectively used.

Category 1 Main Demo Voice Demo Function Demo 12 Piano Solo Piano Ensemble Piano Accompaniment 29 30
CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD
CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD CHORD
Name JetSet Winter Serenade Take off Live! Grand Demo Live! Orchestra Demo Cool! RotorOrgan Demo Cool! Galaxy Electric Piano Demo ModernHarp & Sweet Soprano Demo Hallelujah Chorus Ave Maria Nocturne op.9-2 For Elise Maple Leaf Rag Jeanie with the Light Brown Hair Amazing Grace Mona Lisa (Jay Livingston and Ray Evans) Piano Concerto No.21 2nd mov. Scarborough Fair Old Folks at Home Ac Ballad (Against All Odds: Collins 0007403) Ep Ballad Boogie Woogie Rock Piano Salsa Country Piano Gospel R&B Medium Swing Jazz Waltz Medium Bossa SlowRock (Cant Help Falling In Love: George David Weiss, Hugo Peretti and Luigi Creatore)
Suggested Uses The songs in this category have been created to give you an idea of the advanced capabilities of this instrument. Theyre great for listening, or for use with the various features. These songs features some of the instruments many useful voices. They make maximum use of the characteristics of each voice, and might serve as inspiration for your own compositions. Use these songs to experience some of the instruments advanced features: song number 9 for the easy song arranger, and songs 10 and 11 for the performance assistant technology feature. These piano solo pieces are ideally suited for use as lesson songs.
A selection of piano ensemble songs that are also well suited for use as lesson songs.
When you need to practice backing (accompaniment) patterns, these are the songs to do it with. This is ability youll need if youre invited to play with a band. These songs allow you to practice backing parts one hand at a time, which can be the easiest way to master this important skill.

: Includes chord data.

The scores for the internal songsexcept for songs 111, and song 16, 20 and 30 which is copyrighted, are provided in the Song Book on the CD-ROM. The scores for songs 911 are provided in this manual. Some of the classic and/or traditional songs have been edited for length or for ease in learning, and may not be exactly the same as the original.

Types of Songs

The following three types of songs can be used by the DGX-630/YPG-635. Preset Songs (the 30 songs built into the instrument).Song numbers 001030. User Songs (recordings of your own performances).Song numbers 031035. External song les (song data transferred from a computer*).Song numbers 036.

Recording starts

Stop recording by pressing the [START/STOP] or [REC] button.
If you press the [INTRO/ENDING/rit.] button while recording a style track, an appropriate ending pattern will play and then recording will stop.
When recording stops the current measure number will return to 001 and the recorded track numbers in the display will be shown in a box border.

Save the song.

When recording is stopped a message asking if you want to save the song will appear. Press the [+/YES] button to save the song, or the [-/NO] button if you dont want to save the song. If saved, the song will be stored as a MIDI le in song number 031035.
The recorded Song data will be lost if you turn the power to the instrument off without executing the Save operation.
If you press the [-/NO] button in response to the conrmation message the song will not be saved as a MIDI le but will remain in the instruments memory until the power is turned off, so you have the option of converting the song to a MIDI le and saving it later. To do this press and hold the [REC] button until the save conrmation message appears, then press the [+/YES] button.
To Record Other Tracks Repeat steps 2 through 5 to record any of the remaining tracks. By selecting an unrecorded trackSONG MEMORY buttons [1][5], [A]you can record the new track while listening to previously recorded tracks (the border around the track number will appear in the display). You can also mute previously recorded tracks (the border around the track number disappears in the display) while recording new tracks. To Re-record a Track Simple select the track you want to re-record for recording in the normal way. The new material will overwrite the previous data.
When the recording is done.
To Play Back a User Song User songs are played back in the same way as regular songs (page 33).
1 Press the [SONG] button from the MAIN display. 2 The current song number/name will be highlighteduse the dial to select the user song (031035) you want to play. 3 Press the [START/STOP] button to start playback.
To save a User Song to USB ash memory page 100.
Data that cannot be recorded Split voice The following items are recorded at the beginning of the track. Changes made during the song will not be recorded. Time signature, Style number, Style volume

Selected chorus type.

Chorus Type item
Adjusting the Chorus Level You can individually adjust the amount of chorus that is applied to the main, dual, and split voices. (See page 93).

Adding DSP

DSP is term of abbreviated form of Digital Signal Processor. The DSP effect can be added to the Main and Dual Voices. These range from reverb-like ambience effects to distortion and other dynamic processing tools that let you enhance the sound, or completely transform it.
1 Use the [DSP ON/OFF] button to turn
the DSP function on. The indicator lights when DSP is on. To turn DSP off, press the [DSP ON/OFF] button again.
3 Use the dial to select a DSP type.
Refer to the DSP Type List on page 139 for information about the available DSP types.
When DSP is turned on, the optimum DSP type for the current Voice is automatically selected. The volume of the currently playing Voice changes when turning DSP on or off. This is not a malfunction. The amount of change differs depending on the selected Voice. The DSP type is an overall settingonly one type can be selected. For this reason, when you play a newly loaded Song or Style, for example, the currently playing Voices may not sound as expected. This is normal, since the Song or Style has its own DSP type which replaces any selection youve made before loading. A similar phenomenon occurs when you use the [FF], [REW] buttons or A-B Repeat function during song playback.
Currently selected DSP type.
2 Press and hold the [DSP ON/OFF] button for longer than a second. The currently selected DSP type will be displayed.
Adjusting the DSP Level You can individually adjust the amount of DSP that is applied to the main and dual voices. (See page 93).

DSP Type

Panel Sustain
This function adds sustain to the keyboard voices. Use it when you want to add sustain to the voices at all times, regardless of footswitch operation. The sustain function does not affect split voice.
3 You can then use the [+] and [-] buttons
to turn panel sustain on or off.
The sustain of some voices may not be markedly affected when the panel sustain function is turned on.
] and [ ] buttons to select the Sustain item. The current setting is displayed.

Pitch Bend

The pitch bend wheel can be used to add smooth pitch variations to notes you play on the keyboard. Roll the wheel upward to raise the pitch, or downward to lower the pitch. If you use this feature with a voice such as the 048 Overdriven guitar voice (page 19), you can produce remarkably realistic string-bending effects. You can change the amount of pitch bend produced by the wheel, as described on page 93.

] and [ ] buttons to select the Transpose item.
] and [ ] buttons to select the Tuning item.

Transpose item

Tuning item
Can be set between -12 and +12
Can be set between -100 and +100
3 Use the dial to set the transpose value
between -12 and +12 as required.
The pitch of Drum Kits voices cannot be changed.
3 Use the dial to set the tuning value
between -100 and +100 as required.
Basic operation of the Style (auto-accompaniment) feature is described on page 27 of the Quick Guide. Here are some other ways you can play the styles, the style volume adjustment procedure, how you can play chords using the styles, and more.
Pattern Variation (Sections)
The DGX-630/YPG-635 features a wide variety of style sections that allow you to vary the arrangement of the accompaniment to match the song you are playing.

Intro Main A/B

INTRO section This is used for the beginning of the Song. When the intro nishes playing, accompaniment shifts to the main section. The length of the intro (in measures) differs depending on the selected Style. MAIN section This is used for playing the main part of the Song. It plays a main accompaniment pattern, and repeats indenitely until another sections button is pressed. There are two variations on the basic pattern (A and B), and the Style playback sound changes harmonically based on the chords you play with your left hand. Fill-in section This is automatically added before changing to section A or B. ENDING section This is used for the ending of the Song. When the ending is nished, the auto accompaniment stops automatically. The length of the ending (in measures) differs depending on the selected Style.

Ending

Auto ll
1 Press the [STYLE] button and then

select a style.

4 Press the [MAIN/AUTO FILL] button.
2 Press the [ACMP ON/OFF] button to
turn auto accompaniment on.
The name of the selected sectionMAIN A or MAIN Bwill be displayed.
5 Press the [INTRO/ENDING/rit.] button.
Appears when auto accompaniment is on.
Youre now ready to play the intro.
6 As soon as you play a chord with your 3 Press the [SYNC START] button to turn

synchro start on.

The indicator will ash when the synchro start standby mode will be engaged.
left hand, the Intro of the selected Style starts. For this example, play a C major chord (as shown below). For information on how to enter chords, see Playing Auto-accompaniment Chords on page 32.

Accompaniment range

Synchro Start When the synchro start standby mode is engaged, style playback will begin as soon as you play a chord in the accompaniment range of the keyboard. You can disengage the synchro-start standby mode by pressing the [SYNC START] button again.

In the C major triad shown above, the lowest note is the root of the chord (this is the chords root position. using other chord notes for the lowest note results in inversions). The root is the central sound of the chord, which supports and anchors the other chord notes. The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Major thirdfour half steps (semitones) Minor thirdthree half steps (semitones)
The lowest interval in our root-position triad (between the root and the third) determines whether the triad is a major or minor chord, and we can shift the highest note up or down by a semitone to produce two additional chords, as shown below.
Major chord CM Minor chord Cm Augmented chord C aug Diminished chord C dim

Minor 3rd

Major 3rd
The basic characteristics of the chord sound remain intact even if we change the order of the notes to create different inversions. Successive chords in a chord progression can be smoothly connected, for example, by choosing the appropriate inversions (or chord voicings).

Reading Chord Names

Chord names tell you just about everything you need to know about a chord (other than the inversion/voicing). The chord name tells you what the root of the chord is, whether it is a major, minor, or diminished chord, whether it requires a major or atted seventh, what alterations or tensions it uses. all at a glance.
Root note Chord type Major 7 th
Some Chord Types (These are just some of the Standard chord types recognized by the DGX-630/YPG-635.)
Suspended 4 th 7 th Minor 7 th

Perfect 5 th

Perfect 4 th

Flatted 7 th

Major chord

Minor chord

Major 7 th

Minor/major 7 th

7 th, atted 5 th

Minor 7 th, atted 5 th

7 th, suspended 4 th

Flatted 5 th

7 th chord

Minor 7 th chord

Suspended 4 th chord
Recognized Standard Chords
All chords in the chart are C-root chords.
Chord Name/[Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fth [(b5)] Major seventh atted fth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh atted fth [m7b5] Minor major seventh atted fth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh atted ninth [7(b9)] Seventh add atted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh atted fth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] Suspended second [sus2] Normal Voicing 1-3-5 1-2-3-- (3) - 5 - - 2 - 3 - (5) - - 3 - (5) - - 2 - 3 - (5) - - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - - 3 - b- 3 - b5 - 7 1-4-- 3 - #- (3) - #5 - - b3 - - 2 - b3 - - b3 - 5 - - b3 - (5) - b- 2 - b3 - (5) - b- (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - - 2 - b3 - (5) - - b3 - b5 - b- b3 - b5 - - b3 - b- b3 - b5 - - 3 - (5) - b7 or 1 - (3) - 5 - b- b2 - 3 - (5) - b- 3 - 5 - b6 - b- 2 - 3 - (5) - b- (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b- 3 - (5) - 6 - b- #2 - 3 - (5) - b- 3 - b5 - b- 3 - #5 - b- 4 - 5 - b7 1-2-5 Chord (C)

containing the le you want to play has been properly connected to the instruments USB TO DEVICE terminal, and that the icon is showing in the MAIN display.

USB ash memory (Root)

Song File

Can be selected/played.

2 Press the [SONG], [STYLE] or [MUSIC
DATABASE] button. Files of the corresponding type will be displayed. to play.
Cannot be selected/played.
4 Play the selected le in the same way
the internal les are played: press the [START/STOP] button, or play on the keyboard.

Connectors

q USB TO DEVICE terminal This terminal allows connection to USB storage devices. Refer to Precautions when using the USB TO DEVICE terminal on page 97.
w USB TO HOST terminal This terminal allows direct connection to a personal computer. Refer to Connecting a Personal Computer on page 105 for more information.
Connecting a Personal Computer
The following functions become available when this instrument is connected to a computer.
Performance data can be transferred between the instrument and the computer (page 106). Files can be transferred between the instrument and the computer (page 108).
The connection procedure is as follows:
1 Install the USB-MIDI driver on your com-
puter. The USB-MIDI driver is included on the CD-ROM. Installation of the USB-MIDI driver is described on pages 114115.
the USB terminal on the instrument using an AB type USB cable (USB cable sold separately).
2 Connect the USB terminal of the computer to
The supplied CD-ROM also includes a Musicsoft Downloader application that allows you to transfer song les from your computer to the instruments ash memory. For instructions about how to install Musicsoft Downloader and how to transfer song les, see pages 108, 115.
Precautions when using the USB TO HOST terminal When connecting the computer to the USB TO HOST terminal, make sure to observe the following points. Failing to do so risks freezing the computer and corrupting or losing the data. If the computer or the instrument freezes, restart the application software or the computer OS, or turn the power to the instrument off then on again.
Use an AB type USB cable of less than about 3 meters. Before connecting the computer to the USB TO HOST terminal, exit from any power-saving mode of the computer (such as suspended, sleep, standby). Before turning on the power to the instrument, connect the computer to the USB TO HOST terminal. Execute the following before turning the power to the instrument on/off or plugging/unplugging the USB cable to/from the [USB TO HOST] terminal. Quit any open application software on the computer. Make sure that data is not being transmitted from the instrument. (Data is transmitted whenever you play on the keyboard or play back a song, etc.) While the computer is connected to the instrument, you should wait for six seconds or more between these operations: (1) when turning the power of the instrument off then on again, or (2) when alternately connecting/disconnecting the USB cable.

Songs Provided On the Supplied CD-ROM
File Name 001Nutcr.mid 002Orphe.mid 003Slavo.mid 004Prima.mid 005Medit.mid 006Guill.mid 007Fruhl.mid 008Ungar.mid 009Fruhl.mid 010Dolly.mid 011Cande.mid 012Arabe.mid 013Pasto.mid 014Petit.mid 015Innoc.mid 016Progr.mid 017Taren.mid 018Cheva.mid 019Etude.mid 020Marci.mid 021Turki.mid 022Valse.mid 023Menue.mid 024Momen.mid 025Enter.mid 026Prelu.mid 027Violl.mid 028Angel.mid 029Saraf.mid 030Ameri.mid 031Brown.mid 032Lomon.mid 033Bonni.mid 034Londo.mid 035Banjo.mid 036Vogle.mid 037Lorel.mid 038Funic.mid 039Turke.mid 040Campt.mid 041Jingl.mid 042Muss.mid 043Liebe.mid 044Jesu.mid 045Joy.mid 046Pearl.mid 047Gavot.mid 048Seren.mid 049Menue.mid 050Canon.mid 051Vogel.mid 052Piano.mid 053Surpr.mid 054WildR.mid 055Chans.mid 056Babbi.mid 057RowRo.mid 058Smoky.mid 059WeWis.mid 060ImMai.mid 061Chris.mid 062MaryH.mid 063TenLi.mid 064PopGo.mid 065Twink.mid 066Close.mid 067Cucko.mid 068Augus.mid 069Londo.mid 070Three.mid Song Name Danse des Mirlitons from The Nutcracker Orphe aux Enfers Ouverture Slavonic Dances op.72-2 La Primavera (from Le Quattro Stagioni) Mditation (Thas) Guillaume Tell Frhlingslied Ungarische Tnze Nr.5 Frhlingsstimmen Dollys Dreaming and Awakening La Candeur Arabesque Pastorale Petite Runion Innocence Progrs Tarentelle La Chevaleresque Etude op.10-3 Chanson de ladieu Marcia alla Turca Turkish March Valse op.64-1 Petit Chien Menuett Moments Musicaux op.94-3 The Entertainer Prelude (Wohltemperierte Klavier 1-1) La Viollette Angels Serenade Krasnyj Sarafan America the Beautiful Little Brown Jug Loch Lomond My Bonnie Londonderry Air Ring de Banjo Wenn ich ein Vglein wr ? Die Lorelei Funiculi Funicula Turkey in the Straw Camptown Races Jingle Bells Muss i denn Liebestrume Nr.3 Jesu, Joy Of Mans Desiring Ode to Joy Pearl Fisher Gavotte Serenade/Haydn Menuett BWV. Anh.114 Canon in D Der Vogelfnger Bin Ich Ja Die Zauberflte Piano Sonate No.14 op.27-2 Mondschein The Surprise Symphony No.94 To a Wild Rose Chanson du Toreador O Mio Babbino Caro Row Row Row Your Boat (DUET) On Top of Old Smoky (DUET) We Wish You A Merry Christmas (DUET) Im Mai (DUET) O Christmas Tree (DUET) Mary Had a Little Lamb (DUET) Ten Little Indians (DUET) Pop Goes The Weasel (DUET) Twinkle Twinkle Little Star (DUET) Close Your Hands, Open Your Hands (DUET) The Cuckoo (DUET) O du lieber Augustin (DUET) London Bridge (DUET) Three Blind Mice (DUET) Composer P.I. Tchaikovsky J. Offenbach A. Dvork A. Vivaldi J. Massenet G. Rossini F. Mendelssohn J. Brahms J. Strauss II T.Oesten J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller J.F.Burgmller F.Chopin L.v. Beethoven W.A. Mozart F.Chopin L. Boccherini F. Schubert S. Joplin J.S. Bach L.Streabbog Traditional Traditional S.A. Ward Traditional Traditional Traditional Traditional S.C. Foster Traditional F. Silcher L. Denza Traditional S.C. Foster J.S. Pierpont F. Silcher F. Liszt J.S. Bach L.v. Beethoven G. Bizet F.J. Gossec F.J. Haydn J.S. Bach J. Pachelbel W.A. Mozart L.v. Beethoven F.J. Haydn E.A. MacDowell G. Bizet G. Puccini Traditional Traditional Traditional Traditional Traditional Traditional S. Winner Traditional Traditional J.J. Rousseau Traditional Traditional Traditional Traditional

Denitions

Disclaimer of Liability
In consideration of the fact that the Product is licensed hereunder free of charge, (a) the Licensor disclaims any and all warranties with respect to the Product, whether expressed or implied, including without limitation any warranties that the Product is free from defects, will perform in accordance with the Documentation, is merchantable, or is t for any particular purpose, and (b) the Licensor shall not have or incur any liability to you for any loss, cost, expense or claim (including without limitation any liability for loss or corruption of data and loss of prots, revenue or goodwill and any type of special, indirect or consequential loss) that may arise out of or in connection with your installation and use of the Product.
In this License the following words and expressions have the following meanings: License: this agreement between you and the Licensor and, if permitted by the context, the conditional license granted to you in this agreement. Licensor: Avid Technology, Inc., of Avid Technology Park, One Park West, Tewksbury, MA 01876 USA, through its division Sibelius Software, of 20-23 City North, Fonthill Road, London N4 3HF, UK Product: the Software and the Documentation. Software: the Sibelius Scorch web browser plug-in, Opus, Helsinki, Inkpen2 and Reprise font families, any other programs or les supplied by the Licensor which are included in or with the Sibelius Scorch installer, and the Sibelius Scorch installer. Documentation: any documentation in any form relating to the Software supplied to you with the Software or by the Licensor.

Termination

This License shall terminate automatically upon your destruction of the Product. In addition, the Licensor may elect to terminate this License in the event of a material breach by you of any condition of this License or of any of your representations, warranties, covenants or obligations hereunder. Upon notication of such termination by the Licensor, you will immediately delete the Software from your computer and destroy the Documentation.

License

The Licensor grants to you a non-exclusive non-transferable license to use this Software in accordance with the Documentation on any number of computers. Title to the Product is not transferred to you. Ownership of the Product remains vested in the Licensor and its licensors, subject to the rights granted to you under this License. All other rights are reserved. You may make one printout for your own use of any part of the Documentation provided in electronic form. You shall not make or permit any third party to make any further copies of any part of the Product whether in eye or machine-readable form. You shall not, and shall not cause or permit any third party to, (1) translate, enhance, modify, alter or adapt the Product or any part of it for any purpose (including without limitation for the purpose of error correction); (2) create derivative works based on the Product, or cause the whole or any part of the Product to be combined with or incorporated into any other program, le or product, for any purpose; or (3) use the Software to create les in any format (other than temporary les created and required by your computers operating system or web browser), including without limitation screen capture les, les generated from the Softwares playback, graphics les and print les, for any purpose, except for creating MIDI les (if permitted by the Software) for private non-commercial use. You shall not, and shall not cause or permit any third party to, decompile, decode, disassemble or reverse engineer the Software in whole or in part for any purpose. You shall not, and shall not cause any third party to, translate, convert, decode or reverse engineer any le capable of being read by any copy or version of the Software or any data transmitted to or from any copy or version of the Software, in whole or in part for any purpose. The Product or any part of it must not be used to infringe any right of copyright or right of privacy, publicity or personality or any other right whatsoever of any other person or entity.

Panel Voice List / Verzeichnis der BedienfeldVoices / Liste des voix de panneau / Lista de voces del panel

Voice No.

MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) PIANO 001 Live! Grand Piano 001 Live! Warm Grand Piano 001 Grand Piano 002 Bright Piano 007 Harpsichord 004 Honky-tonk Piano 003 MIDI Grand Piano 003 CP 80 E.PIANO 005 Cool! Galaxy Electric Piano 005 Cool! Suitcase Electric Piano 005 Cool! Electric Piano 005 Phase Electric Piano 006 Hyper Tines 005 Funky Electric Piano 006 DX Modern Electric Piano 006 Venus Electric Piano 005 Tremolo Electric Piano 008 E.Clavichord 008 Clavi 008 WahClavi ORGAN 019 Cool! Organ 019 Cool! Rotor Organ 017 Jazz Organ Jazz Organ Rock Organ 019 Purple Organ 018 Click Organ 017 Bright Organ 019 Theater Organ 020 16'+2' Organ 020 16'+4' Organ 020 Chapel Organ 020 Church Organ 021 Reed Organ ACCORDION 022 Musette Accordion 022 Traditional Accordion 024 Bandoneon 023 Modern Harp 023 Harmonica GUITAR 025 Classical Guitar 026 Folk Guitar 027 Jazz Guitar 028 60s Clean Guitar 026 12Strings Guitar 028 Clean Guitar 027 Octave Guitar 029 Muted Guitar 030 Overdriven Guitar 031 Distortion Guitar BASS 034 Finger Bass 033 Acoustic Bass 035 Pick Bass 036 Fretless Bass 037 Slap Bass 039 Synth Bass 039 Hi-Q Bass 040 Dance Bass

Bank Select

MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) STRINGS 050 Live! Orchestra 049 String Ensemble 050 Chamber Strings 050 Slow Strings 045 Tremolo Strings 051 Synth Strings 046 Pizzicato Strings 041 Violin 043 Cello 044 Contrabass 047 Harp 106 Banjo 056 Orchestra Hit CHOIR 053 Choir 053 Vocal Ensemble 055 Air Choir 054 Vox Humana SAXOPHONE 067 Sweet! Tenor Sax 065 Sweet! Soprano Sax 072 Sweet! Clarinet 067 Growl Sax 067 Tenor Sax 066 Alto Sax 065 Soprano Sax 068 Baritone Sax 067 Breathy Tenor Sax 072 Clarinet 069 Oboe 070 English Horn 071 Bassoon TRUMPET 057 Sweet! Trumpet 058 Sweet! Trombone 060 Sweet! Muted Trumpet 057 Trumpet 058 Trombone 058 Trombone Section 060 Muted Trumpet 061 French Horn 059 Tuba BRASS 062 Brass Section 062 Big Band Brass 063 80s Brass 062 Mellow Horns 063 Techno Brass 063 Synth Brass FLUTE 074 Sweet! Flute 076 Sweet! Pan Flute 074 Flute 073 Piccolo 076 Pan Flute 075 Recorder 080 Ocarina SYNTH LEAD 081 Square Lead 082 Sawtooth Lead 082 Analogon 082 Fargo 099 Star Dust 086 Voice Lead 101 Brightness

141 142

MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) SYNTH PAD 089 SweetHeaven 092 Xenon Pad 095 Equinox 089 Fantasia 090 Dark Moon 101 Bell Pad PERCUSSION 012 Vibraphone 013 Marimba 014 Xylophone 115 Steel Drums 009 Celesta 011 Music Box 015 Tubular Bells 048 Timpani DRUM KITS 001 Standard Kit Standard Kit Room Kit 017 Rock Kit 025 Electronic Kit 026 Analog Kit 113 Dance Kit 033 Jazz Kit 041 Brush Kit 049 Symphony Kit 001 SFX Kit SFX Kit 2

Voice No. 267 *328 329

MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 040 Synth Bass 2 Dark 040 Modular Synth Bass 040 DX Bass XG STRINGS 041 Violin 041 Slow Violin 042 Viola 043 Cello 044 Contrabass 045 Tremolo Strings 045 Slow Tremolo Strings 045 Suspense Strings 046 Pizzicato Strings 047 Orchestral Harp 047 Yang Chin 048 Timpani XG ENSEMBLE 049 Strings Stereo Strings 049 Slow Strings 049 60s Strings 049 Orchestra 049 Orchestra Tremolo Orchestra 049 Velocity Strings 050 Strings Stereo Slow Strings 050 Legato Strings 050 Warm Strings 050 Kingdom 051 Synth Strings Synth Strings Choir Aahs 053 Stereo Choir 053 Mellow Choir 053 Choir Strings 054 Voice Oohs 055 Synth Voice 055 Synth Voice Choral 055 Analog Voice 056 Orchestra Hit 056 Orchestra Hit Impact XG BRASS 057 Trumpet 057 Warm Trumpet 058 Trombone 058 Trombone Tuba 060 Muted Trumpet 061 French Horn 061 French Horn Solo 061 French Horn Horn Orchestra 062 Brass Section 062 Trumpet & Trombone Section 063 Synth Brass Resonant Synth Brass 064 Synth Brass Soft Brass 064 Choir Brass XG REED 065 Soprano Sax 066 Alto Sax 066 Sax Section 067 Tenor Sax

Voice No. 392

MIDI Program Voice Name MSB LSB Change# (0127) (0127) (1128) 067 Breathy Tenor Sax 068 Baritone Sax 069 Oboe 070 English Horn 071 Bassoon 072 Clarinet XG PIPE 073 Piccolo 074 Flute 075 Recorder 076 Pan Flute 077 Blown Bottle 078 Shakuhachi 079 Whistle 080 Ocarina XG SYNTH LEAD 081 Square Lead 081 Square Lead LM Square 081 Hollow 081 Shroud 081 Mellow 081 Solo Sine 081 Sine Lead 082 Sawtooth Lead 082 Sawtooth Lead Thick Sawtooth 082 Dynamic Sawtooth 082 Digital Sawtooth 082 Big Lead 082 Sequenced Analog 083 Calliope Lead 083 Pure Lead 084 Chiff Lead 085 Charang Lead 085 Distorted Lead 086 Voice Lead 087 Fifths Lead 087 Big Five 088 Bass & Lead 088 Big & Low 088 Fat & Perky 088 Soft Whirl XG SYNTH PAD 089 New Age Pad 089 Fantasy 090 Warm Pad 091 Poly Synth Pad 092 Choir Pad 092 Itopia 093 Bowed Pad 094 Metallic Pad 095 Halo Pad 096 Sweep Pad XG SYNTH EFFECTS 097 Rain 097 African Wind 097 Carib 098 Sound Track 098 Prologue 099 Crystal 099 Synth Drum Comp 099 Popcorn 099 Tiny Bells 099 Round Glockenspiel 099 Glockenspiel Chimes 099 Clear Bells

Voice No. MSB (0127) / LSB (0127) / PC (1128) Keyboard MIDI Key Alternate
Note# Note Note# Note Off assign
131 127/000/001 Standard Kit 1 Surdo Mute Surdo Open Hi Q Whip Slap Scratch H Scratch L Finger Snap Click Noise Metronome Click Metronome Bell Seq Click L Seq Click H Brush Tap Brush Swirl Brush Slap Brush Tap Swirl Snare Roll Castanet Snare Soft Sticks Kick Soft Open Rim Shot Kick Tight Kick Side Stick Snare Hand Clap Snare Tight Floor Tom L Hi-Hat Closed Floor Tom H Hi-Hat Pedal Low Tom Hi-Hat Open Mid Tom L Mid Tom H Crash Cymbal 1 High Tom Ride Cymbal 1 Chinese Cymbal Ride Cymbal Cup Tambourine Splash Cymbal Cowbell Crash Cymbal 2 Vibraslap Ride Cymbal 2 Bongo H Bongo L Conga H Mute Conga H Open Conga L Timbale H Timbale L Agogo H Agogo L Cabasa Maracas Samba Whistle H Samba Whistle L Guiro Short Guiro Long Claves Wood Block H Wood Block L Cuica Mute Cuica Open Triangle Mute Triangle Open Shaker Jingle Bells Bell Tree
132 127/000/002 Standard Kit 2

133 127/000/009 Room Kit

134 127/000/017 Rock Kit
135 127/000/025 Electronic Kit
136 127/000/026 Analog Kit
C#0 D0 E0 F0 G0 G#0 A0 B0 C1 D1 E1 F1 G1 G#1 A1 B1 C2 D2 E2 F2 G2 G#2 A2 B2 C3 D3 E3 F3 G3 G#3 A3 B3 C4 D4 E4 F4 G4 G#4 A4 B4 C5 D5 E5 F5 G5 G#5 A5 B5 C6 D6 E6 F6 G6 D#6 A#5 D#5 A#4 D#4 A#3 D#3 A#2 D#2 A#1 D#1 A#0 D#0
C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G G# A A# B C C# D D# E F F# G
-1 -1 -1 -1 -1 -1 -1 -1 -1 -1 -5
Reverse Cymbal Snare Roll 2 Snare Soft 2 Snare Noisy Kick Tight 2 Open Rim Shot H Short Kick Tight Short Kick Short Snare Short Snare Tight H Snare Snappy Snare Tight Snappy Tom Room 1 Tom Room 2 Tom Room 3 Tom Room 4 Tom Room 5 Tom Room 6 Kick 2 Kick Gate Snare Rock Snare Rock Rim Tom Rock 1 Tom Rock 2 Tom Rock 3 Tom Rock 4 Tom Rock 5 Tom Rock 6

Reverse Cymbal

Hi Q 2 Hi Q 2 Snare Snappy Electro Snare Noisy 4 Kick 3 Kick Gate Kick Gate Heavy Snare Noisy 2 Snare Noisy 3 Tom Electro 1 Tom Electro 2 Tom Electro 3 Tom Electro 4 Tom Electro 5 Tom Electro 6 Kick Tight 2 Kick Analog Short Kick Analog Side Stick Analog Snare Analog Snare Analog 2 Tom Analog 1 Hi-Hat Closed Analog Tom Analog 2 Hi-Hat Closed Analog 2 Tom Analog 3 Hi-Hat Open Analog Tom Analog 4 Tom Analog 5 Crash Analog Tom Analog 6

Cowbell Analog

Conga Analog H Conga Analog M Conga Analog L

Maracas 2

Claves 2

Scratch H 2 Scratch L 2

Scratch H 2 Scratch L 3
percussion / Lista de juegos de batera

MDB No. MDB Name ALL TIME HITS 1 Jude Hey 2 New UK 3 MyLoving 4 All OK 5 Buttercp 6 JustCall 7 CheepChp 8 Daddy's 9 Dance? 10 GetBack 11 GtrWheel 12 HighTide 13 IWasBorn 14 Sailing 15 BluJeans 16 Holiday 17 Imagine 18 LoveMe 19 LetItBld 20 LdyMdona 21 YelowSub 22 Marriage 23 MovinOut 24 My Shell 25 NowNever 26 DoLoveMe 27 TcktRide 28 SeeClear 29 Masachus 30 Hard Day 31 USA Pie 32 Norway 33 YesterBd MODERN POP 34 Watches 35 SoundMPH 36 Hold Us 37 Unfound 38 NeedSome 39 PrtTmLvr 40 MoonShdw 41 NikitSng 42 Sure of 43 Off Day 44 Tell Her 45 GirlsMne 46 NeedLove POP CLASSICS 47 Standing 48 RainLaff 49 Sunshine 50 ForNamdo 51 ThankFor 52 ManPiano 53 CoinLane 54 LovesYou 55 Tmbourin 56 Alone 57 GldField 58 Raindrop 59 SultanSw 60 Life'sWk 61 TopWorld MDB No. MDB Name 62 WatchGrl POP BALLAD 63 WnderLnd 64 CanIStop 65 EvryTime 66 IvoryAnd 67 TheWorld 68 LovWoman 69 Dolannes 70 Madigan 71 Paradise 72 Whisper BALLAD 73 AllOdds 74 AtonalFl 75 Hero 76 Woman 77 RunToYou 78 LoveOfAl 79 CndleWnd 80 Cavatina 81 Cherish 82 ToLoveMe 83 YouKnow 84 Evrythng 85 EyesOfBl 86 Hello 87 BeThere 88 FlyAway 89 LoveYou 90 NeverLet 91 JustOnce 92 IfYouGo 93 SavingAl 94 InTheDrk 95 LovePwr 96 Vision 97 Beautifl 98 AllAlone 99 Opposite 100 BeHonest 101 SayYou 102 SayNthng 103 Stranger 104 OneDay 105 TheBayou 106 ThisSong 107 Distance 108 ThisWay 109 LoveGone 110 Inspirng 111 TrueColr ROCK & ROLL 112 ShakenUp 113 Beethovn 114 HurryLov 115 BeCruel 116 Jumping 117 Countdwn 118 SuePeggy 119 Champion 120 Jailhous 121 BlueShoe 122 Rockin24 MDB No. MDB Name 123 Shouting 124 Rock&Rll 125 HonkyTnk OLDIES 126 Daydream 127 Sumertme 128 Diana's 129 Uptown 130 Apache 131 IGotIt 132 Tonight 133 MyPillow 134 NoRain 135 FInalDance 136 SlpnLion 137 Ghetto 138 LipsLcky 139 PrettyWm 140 TikiGtr 141 TurnThre 142 Sherry DANCE & DISCO 143 Babylon 144 Goodbye 145 CatchDISCO 147 Survival 148 TheNavy 149 DontHide 150 Celebrat 151 LondonRU 152 10,2 Sun 153 ShakeYou 154 Believe 155 BoySumer 156 I'mSexy 157 StuffHot SWING & JAZZ 158 Patrol 159 Charles 160 GiveLove 161 Rhythm 162 LOVE 163 LeroyBad 164 Caraban 165 Misbehav 166 Safari 167 Smiling 168 SoWhatIs 169 TimeGone 170 TasteHny 171 Sandman 172 Tunisian 173 TwoFoot 174 MyBaby R&B 175 AsPlayed 176 BabyGrov 177 HighwySweetCHI 179 JustU&Me 180 ManLoves 181 OurLove 182 Wish I MDB No. MDB Name COUNTRY 183 OnTheRd 184 Breathe 185 InMyMind 186 ContryHw 187 GreenGrs 188 EverNeed 189 Lonesone 190 Lucille 191 HomeRng 192 Tennesse LATIN 193 Bananabt 194 DanceMng 195 DntWorry 196 Jamaica 197 FleaSpa 198 I'mPola 199 MamboJm 200 OneNote 201 PasoCani 202 SayNoMor 203 Beguine 204 Tijuana 205 Picture ENTERTAINMENT 206 OnTheHil 207 Barnacle 208 Califrag 209 DadClock 210 DanceLd 211 DnceFire 212 BigCntry 213 Cabaret 214 OdeToJoy 215 Mi-Re-Do 216 MyPrince 217 Necesary 218 NoBuiz 219 NoisyOld 220 Sleigh 221 RockBasy 222 Magnifiq 223 Magnfcnt 224 SilentNt 225 Nabucco 226 Standing 227 SummerPl 228 Christms 229 Favorite 230 Tubbie 231 Turkish 232 12OClock WALTZ & TRADITIONAL 233 Blk&Whte 234 CanCan 235 Charmain 236 Musicbox 237 Clementn 238 Doodah! 239 Dreamer 240 EnterRag 241 Birthday 242 MaryLamb MDB No. MDB Name 243 Donald's 244 MoonWlz 245 MoulinHt 246 Sunshine 247 PieceOf 248 GreenSlv 249 TakeFour 250 TexRose 251 ThePolka 252 Scarboro 253 Edelweis 254 AroundWd 255 Whatever 256 Yankee's WORLD 257 Hawaii 258 D'amor 259 ElCondor 260 GoodbyRm 261 ILandOn 262 ItalyBel 263 Cucarumb 264 Puntuali 265 Cielito 266 ItalySun 267 SantaLuc 268 Trumpetr 269 VanMass PIANIST 270 ItalySun 271 BeGood 272 Chaie's 273 Flower 274 Frenetic 275 HighwyLeaves 277 Miload 278 Cabaret 279 Wonderfl 280 Submarin 281 Mi-Re-Do 282 MoreRhum 283 NoBuiz 284 BeatifulSn 285 OhBlah 286 Charades 287 Sally's 288 Nabucco 289 Spanish 290 SunnyStr 291 MistyFln 292 LdnBridg 293 GrndClck 294 Importnc 295 Snowman 296 Favorite 297 SugerSpn 298 Washngtn 299 ThisWay 300 ZipperD

18(Echo 1/12)

19(Tremolo 1/8)

20(Tremolo 1/12)

21(Tremolo 1/16)

22(Tremolo 1/32)

23(Trill 1/12)

24(Trill 1/16)

25(Trill 1/24)

26(Trill 1/32)

Effect Type List
Effect Type List / Effekttypliste / Liste des types
Reverb Types / Reverb-Typen / Types deffets Reverb / Tipos de reverberacin
No. Type HALL1 HALL2 HALL3 HALL4 HALL5 HALL M HALL L ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 ROOM S ROOM M ROOM L STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 GM PLATE WHITE ROOM TUNNEL CANYON BASEMENT NO EFFECT Description MSB LSB 0 0
Reverb simulating the acoustics of a hall.
Reverb simulating the acoustics of a room.
Reverb suitable for a solo instrument.
Reverb simulating a plate reverb unit.
A unique short reverb with a bit of initial delay. Simulates a cylindrical space expanding to left and right. A hypothetical acoustic space which extends without limit. A bit of initial delay followed by reverb with a unique resonance. No effect.
Chorus Types / Chorus-Typen / Types deffets Chorus / Tipos de coro
No. 25 Type CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 GM CHORUS1 GM CHORUS2 GM CHORUS3 GM CHORUS4 FB CHORUS CELESTE1 CELESTE2 FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 GM FLANGER SYMPHONIC1 SYMPHONIC2 ROTARY SP5 NO EFFECT Description MSB 0 LSB 0
Conventional chorus program with rich, warm chorusing.
A 3-phase LFO adds modulation and spaciousness to the sound.
Creates a sound reminiscent of a jet airplane.
Adds more stages to the modulation of Celeste. Simulates a rotary speaker. No effect.
deffets / Lista de tipos de efectos
DSP Types / DSP Typen / Types de DSP / Tipos de DSP

No. 57 58

Type HALL1 HALL2 HALL3 HALL4 HALL5 HALL M HALL L ROOM1 ROOM2 ROOM3 ROOM4 ROOM5 ROOM6 ROOM7 ROOM S ROOM M ROOM L STAGE1 STAGE2 STAGE3 STAGE4 PLATE1 PLATE2 PLATE3 GM PLATE WHITE ROOM TUNNEL CANYON BASEMENT DELAY LCR1 DELAY LCR2 DELAY LR ECHO CROSS DELAY TEMPO DELAY TEMPO ECHO TEMPO CROSS KARAOKE1 KARAOKE2 KARAOKE3 ER1 ER2 GATE REVERB REVERS GATE CHORUS1 CHORUS2 CHORUS3 CHORUS4 CHORUS5 CHORUS6 CHORUS7 CHORUS8 GM CHORUS1 GM CHORUS2 GM CHORUS3 GM CHORUS4 FB CHORUS CELESTE1 CELESTE2 Echo for karaoke.
A unique short reverb with a bit of initial delay. Simulates a cylindrical space expanding to left and right. A hypothetical acoustic space which extends without limit. A bit of initial delay followed by reverb with a unique resonance. Produces three delayed sounds: L, R and C (center). Produces two delayed sounds: L and R. Two feedback delays are provided. Two delayed sounds (L and R), and independent feedback delays for L and R. The feedback of the two delayed sounds is crossed. Tempo-synchronized delay. Tempo-synchronized echo. Tempo-synchronized cross delay.

This effect isolates only the early reection components of the reverb. Simulation of gated reverb. Simulation of gated reverb played back in reverse.
Effect Type List / Effekttypliste / Liste des types deffets / Lista de tipos de efectos
No. 98 SYMPHONIC1 SYMPHONIC2
Description Adds more stages to the modulation of Celeste. Chorus effect without modulation, created by adding a slightly pitchshifted sound.

MSB 67 67

ENS DETUNE (Ensemble Detune) FLANGER1 FLANGER2 FLANGER3 FLANGER4 FLANGER5 GM FLANGER T_FLANGER PHASER1 PHASER2 EP PHASER2 EP PHASER3 T_PHASER DIST HEAVY (Distortion Heavy) ST DIST (Stereo Distortion) COMP+DIST1 (Compressor + Distortion1) COMP+DIST2 (Compressor + Distortion2) OVERDRIVE ST OD (Stereo Overdrive) DIST HARD (Distortion Hard) DIST HARD2 (Distortion Hard2) DIST SOFT (Distortion Soft) DIST SOFT2 (Distortion Soft2) ST DIST HARD (Stereo Distortion Hard) ST DIST SOFT (Stereo Distortion Soft) V_DIST HARD (V Distortion Hard) V_DIST SOFT (V Distortion Soft) AMP SIM1 (Amp Simulator 1) AMP SIM2 (Amp Simulator 2) ST AMP1 (Stereo Amp Simulator1) ST AMP2 (Stereo Amp Simulator2) ST AMP3 (Stereo Amp Simulator3) ST AMP4 (Stereo Amp Simulator4) ST AMP5 (Stereo Amp Simulator5) ST AMP6 (Stereo Amp Simulator6) DST+DELAY1 (Distortion + Delay1) DST+DELAY2 (Distortion + Delay2)
Cyclically modulates the phase to add modulation to the sound.
Heavy distortion. Stereo distortion.
Since a Compressor is included in the rst stage, steady distortion can be produced regardless of changes in input level. Adds mild distortion to the sound. Stereo Overdrive.
Hard-edge distortion. Soft, warm distortion. 75 Hard-edge stereo distortion. Soft, warm soft distortion. 98 Distortion which simulates vintage tube and fuzz sounds. A simulation of a guitar amp. Stereo amp simulator. Distortion and Delay are connected in series. 95

No. 133

Type OD+DELAY1 (Overdrive + Delay1) OD+DELAY2 (Overdrive + Delay2) CMP+DST+DLY1 (Compressor + Distortion + Delay1) CMP+DST+DLY2 (Compressor + Distortion + Delay2) CMP+OD+DLY1 (Compressor + Overdrive + Delay1) CMP+OD+DLY2 (Compressor + Overdrive + Delay2) V_DST H+DLY (V Distortion Hard + Delay) V_DST S+DLY (V Distortion Soft + Delay) DST+TDLY (Distortion + Tempo Delay) OD+TDLY (Overdrive + Tempo Delay) CMP+DST+TDL (Compressor + Distortion + Tempo Delay) CMP+OD+TDLY1 (Compressor + Overdrive + Tempo Delay1) CMP+OD+TDLY2 (Compressor + Overdrive + Tempo Delay2) CMP+OD+TDLY3 (Compressor + Overdrive + Tempo Delay3) CMP+OD+TDLY4 (Compressor + Overdrive + Tempo Delay4) CMP+OD+TDLY5 (Compressor + Overdrive + Tempo Delay5) CMP+OD+TDLY6 (Compressor + Overdrive + Tempo Delay6) V_DST H+TDLY (V Distortion Hard + Tempo Delay) V_DST S+TDL1 (V Distortion Soft + Tempo Delay1) PITCH CHG1 (Pitch Change1) PITCH CHG2 (Pitch Change2) PITCH CHG3 (Pitch Change3) AUTO WAH1 AUTO WAH2 AT WAH+DST1 (Auto Wah + Distortion1) AT WAH+DST2 (Auto Wah + Distortion2) AT WAH+OD1 (Auto Wah + Overdrive1) AT WAH+OD2 (Auto Wah + Overdrive2) TOUCH WAH1 TOUCH WAH2 TC WAH+DST1 (Touch Wah + Distortion1) TC WAH+DST2 (Touch Wah + Distortion2) TC WAH+OD1 (Touch Wah + Overdrive1) TC WAH+OD2 (Touch Wah + Overdrive2) CLAVI TC WAH (Clavi Touch Wah)

MSB 95

LSB 18
Overdrive and Delay are connected in series. Compressor, Distortion and Delay are connected in series. Compressor, Overdrive and Delay are connected in series. 96 V Distortion Hard and Delay are connected in series. V Distortion Soft and Delay are connected in series. Distortion and Tempo Delay are connected in series. Overdrive and Tempo Delay are connected in series. Compressor, Distortion and Tempo Delay are connected in series. Compressor, Overdrive and Tempo Delay are connected in series. 101 V Distortion Hard and Tempo Delay are connected in series. V Distortion Soft and Tempo Delay are connected in series. 80 Changes the pitch of the input signal. Cyclically modulates the center frequency of a wah lter. 78 The output of an Auto Wah can be distorted by Distortion. The output of an Auto Wah can be distorted by Overdrive. 78 Changes the center frequency of a wah lter according to the input level. 82 The output of an Touch Wah can be distorted by Distortion. The output of an Touch Wah can be distorted by Overdrive. 82 Clavinet Touch Wah 82
No. 170 EP TC WAH (EP Touch Wah)

Type EP Touch Wah

MSB 82 97
WH+DST+DLY1 (Wah + Distortion + Delay1) WH+DST+DLY2 (Wah + Distortion + Delay2) WH+DST+TDLY (Wah + Distortion + Tempo Delay) WH+OD+DLY1 (Wah + Overdrive + Delay1) WH+OD+DLY2 (Wah + Overdrive + Delay2) WH+OD+TDLY1 (Wah + Overdrive + Tempo Delay1) WH+OD+TDLY2 (Wah + Overdrive + Tempo Delay2) MBAND COMP COMPRESSOR NOISE GATE ROTARY SP1 (Rotary Speaker1) ROTARY SP2 (Rotary Speaker2) ROTARY SP3 (Rotary Speaker3) ROTARY SP4 (Rotary Speaker4) ROTARY SP5 (Rotary Speaker5) ROTARY SP6 (Rotary Speaker6) ROTARY SP7 (Rotary Speaker7) 2WAY ROT SP (2way Rotary Speaker) DST+ROT SP (Distortion + Rotary Speaker) DST+2ROT SP (Distortion + 2way Rotary Speaker) OD+ROT SP (Overdrive + Rotary Speaker) OD+2ROT SP (Overdrive + 2way Rotary Speaker) AMP+ROT SP (Amp Simulator + Rotary Speaker) AMP+2ROT SP (Amp Simulator + 2way Rotary Speaker) DUAL ROT SP1 (Dual Rotor Speaker1) DUAL ROT SP2 (Dual Rotor Speaker2) TREMOLO1 TREMOLO2 TREMOLO3 EP TREMOLO GT TREMOLO1 (Guitar Tremolo1) GT TREMOLO2 (Guitar Tremolo2) AUTO PAN1 AUTO PAN2 EP AUTOPAN AUTO PAN3

7. THIRD PARTY SOFTWARE

Third party software and data (THIRD PARTY SOFTWARE) may be attached to the SOFTWARE. If, in the written materials or the electronic data accompanying the Software, Yamaha identies any software and data as THIRD PARTY SOFTWARE, you acknowledge and agree that you must abide by the provisions of any Agreement provided with the THIRD PARTY SOFTWARE and that the party providing the THIRD PARTY SOFTWARE is responsible for any warranty or liability related to or arising from the THIRD PARTY SOFTWARE. Yamaha is not responsible in any way for the THIRD PARTY SOFTWARE or your use thereof. Yamaha provides no express warranties as to the THIRD PARTY SOFTWARE. IN ADDITION, YAMAHA EXPRESSLY DISCLAIMS ALL IMPLIED WARRANTIES, INCLUDING BUT NOT LIMITED TO THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE, as to the THIRD PARTY SOFTWARE. Yamaha shall not provide you with any service or maintenance as to the THIRD PARTY SOFTWARE. Yamaha is not liable to you or any other person for any damages, including, without limitation, any direct, indirect, incidental or consequential damages, expenses, lost prots, lost data or other damages arising out of the use, misuse or inability to use the THIRD PARTY SOFTWARE.

2. RESTRICTIONS

You may not engage in reverse engineering, disassembly, decompilation or otherwise deriving a source code form of the SOFTWARE by any method whatsoever. You may not reproduce, modify, change, rent, lease, or distribute the SOFTWARE in whole or in part, or create derivative works of the SOFTWARE. You may not electronically transmit the SOFTWARE from one computer to another or share the SOFTWARE in a network with other computers. You may not use the SOFTWARE to distribute illegal data or data that violates public policy. You may not initiate services based on the use of the SOFTWARE without permission by Yamaha Corporation. Copyrighted data, including but not limited to MIDI data for songs, obtained by means of the SOFTWARE, are subject to the following restrictions which you must observe. Data received by means of the SOFTWARE may not be used for any commercial purposes without permission of the copyright owner. Data received by means of the SOFTWARE may not be duplicated, transferred, or distributed, or played back or performed for listeners in public without permission of the copyright owner. The encryption of data received by means of the SOFTWARE may not be removed nor may the electronic watermark be modied without permission of the copyright owner.

8. GENERAL

This Agreement shall be interpreted according to and governed by Japanese law without reference to principles of conict of laws. Any dispute or procedure shall be heard before the Tokyo District Court in Japan. If for any reason a court of competent jurisdiction nds any portion of this Agreement to be unenforceable, the remainder of this Agreement shall continue in full force and effect.

3. TERMINATION

This Agreement becomes effective on the day that you receive the SOFTWARE and remains effective until terminated. If any copyright law or provisions of this Agreement is violated, the Agreement shall terminate automatically and immediately without notice from Yamaha. Upon such termination, you must immediately destroy the licensed SOFTWARE, any accompanying written documents and all copies thereof.

9. COMPLETE AGREEMENT

This Agreement constitutes the entire agreement between the parties with respect to use of the SOFTWARE and any accompanying written materials and supersedes all prior or contemporaneous understandings or agreements, written or oral, regarding the subject matter of this Agreement. No amendment or revision of this Agreement will be binding unless in writing and signed by a fully authorized representative of Yamaha.
4. LIMITED WARRANTY ON MEDIA
As to SOFTWARE sold on tangible media, Yamaha warrants that the tangible media on which the SOFTWARE is recorded will be free from defects in materials and workmanship under normal use for a period of fourteen (14) days from the date of receipt, as evidenced by a copy of the receipt. Yamahas entire liability and your exclusive remedy will be replacement of the defective media if it is returned to Yamaha or an authorized Yamaha dealer within fourteen days with a copy of the receipt. Yamaha is not responsible for replacing media damaged by accident, abuse or misapplication. TO THE FULLEST EXTENT PERMITTED BY LAW, YAMAHA EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES ON THE TANGIBLE MEDIA, INCLUDING THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR A PARTICULAR PURPOSE.
ACHTUNG SOFTWARE-LIZENZVEREINBARUNG
BITTE LESEN SIE SORGFLTIG DIESE LIZENZVEREINBARUNG (VEREINBARUNG), BEVOR SIE DIE SOFTWARE BENUTZEN. DER GEBRAUCH DIESER SOFTWARE IST IHNEN NUR GEMSS DEN BEDINGUNGEN UND VORAUSSETZUNGEN DIESER VEREINBARUNG GESTATTET. DIES IST EINE VEREINBARUNG ZWISCHEN IHNEN (ALS PRIVATPERSON ODER ALS NATRLICHE PERSON) UND DER YAMAHA CORPORATION (YAMAHA). DURCH DAS FFNEN DIESER VERSIEGELTEN VERPACKUNG BRINGEN SIE ZUM AUSDRUCK, AN DIE BEDINGUNGEN DIESER LIZENZ GEBUNDEN ZU SEIN. WENN SIE NICHT MIT DEN BEDINGUNGEN EINVERSTANDEN SIND, INSTALLIEREN ODER KOPIEREN SIE DIESE SOFTWARE NICHT, UND VERWENDEN SIE SIE AUF KEINE ANDERE WEISE.

SIBELIUS SCORCH LICENSE AGREEMENT
By installing and/or using this Product you (an individual or legal entity) agree with the Licensor to be bound by the terms of this License which will govern your use of the Product. If you do not accept these terms, do not install or use this Product. The Product is copyright 1987-2007 Sibelius Software, a division of Avid Technology, Inc, and its licensors.

Denitions

Disclaimer of Liability
In consideration of the fact that the Product is licensed hereunder free of charge, (a) the Licensor disclaims any and all warranties with respect to the Product, whether expressed or implied, including without limitation any warranties that the Product is free from defects, will perform in accordance with the Documentation, is merchantable, or is t for any particular purpose, and (b) the Licensor shall not have or incur any liability to you for any loss, cost, expense or claim (including without limitation any liability for loss or corruption of data and loss of prots, revenue or goodwill and any type of special, indirect or consequential loss) that may arise out of or in connection with your installation and use of the Product.
In this License the following words and expressions have the following meanings: License: this agreement between you and the Licensor and, if permitted by the context, the conditional license granted to you in this agreement. Licensor: Avid Technology, Inc., of Avid Technology Park, One Park West, Tewksbury, MA 01876 USA, through its division Sibelius Software, of 20-23 City North, Fonthill Road, London N4 3HF, UK Product: the Software and the Documentation. Software: the Sibelius Scorch web browser plug-in, Opus, Helsinki, Inkpen2 and Reprise font families, any other programs or les supplied by the Licensor which are included in or with the Sibelius Scorch installer, and the Sibelius Scorch installer. Documentation: any documentation in any form relating to the Software supplied to you with the Software or by the Licensor.

Termination

This License shall terminate automatically upon your destruction of the Product. In addition, the Licensor may elect to terminate this License in the event of a material breach by you of any condition of this License or of any of your representations, warranties, covenants or obligations hereunder. Upon notication of such termination by the Licensor, you will immediately delete the Software from your computer and destroy the Documentation.

6.2 6.3

Copyright
You acknowledge that copyright in the Product as a whole and in the components of the Product as between you and the Licensor belongs to the Licensor or its licensors and is protected by copyright laws, national and international, and all other applicable laws.
(License v5.0 (DMN), 30 July 2007)

Specications

Specications / Technische Daten / Spcications techniques / Especicaciones

Keyboards

88 Graded Hammer Standard keys (A-1C7), with Touch Response.
30 Preset Songs + 5 User Songs + Accessory CD-ROM Songs (70) Song Clear, Track Clear Song Volume Song Control: REPEAT & LEARN, A-B REPEAT, PAUSE, REW, FF, START/STOP

Display

320 x 240 dots LCD display (backlit)
STANDBY/ON MASTER VOLUME: MINMAX LCD CONTRAST
Performance assistant technology
Chord, Chord/Free, Melody, Chord/Melody

Panel Controls

SONG, VOICE, STYLE, EASY SONG ARRANGER, P.A.T. ON/OFF, LESSON L, LESSON R, LESSON START, METRONOME ON/OFF, PORTABLE GRAND, DEMO, FUNCTION, MUSIC DATABASE, HARMONY ON/OFF, DUAL ON/OFF, SPLIT ON/OFF, TEMPO/TAP, [0][9], [+], [-], CATEGORY, Dial, REPEAT & LEARN (ACMP ON/OFF), A-B REPEAT (INTRO/ENDING/rit.), PAUSE (SYNC START), START/STOP, REW (MAIN/AUTO FILL), FF (SYNC STOP), REGIST MEMORY ([MEMORY/BANK], [1], [2]), SONG MEMORY (REC, [1][5], [A]), File Control [MENU], File Control [EXECUTE], [EXIT], [LYRICS], [SCORE], DSP ON/OFF

Recording

Song User Song: Recording Tracks: 5 Songs 1, 2, 3, 4, 5, STYLE External Clock Song Out
Local On/Off Keyboard Out Initial Send Style Out

Auxiliary jacks

PHONES/OUTPUT, DC IN 12V, USB TO HOST, USB TO DEVICE, SUSTAIN, PEDAL UNIT

Amplier

6W + 6W

Realtime Control

Pitch Bend Wheel

Speakers

12cm x 2 + 3cm x 2
130 panel voices + 12 drum/SFX kits + 361 XGlite voices Polyphony: 64 DUAL SPLIT

Power Consumption

Power Supply
Adaptor: PA-5D or an equivalent recommended by Yamaha
160 Preset Styles + External files Style Control: ACMP ON/OFF, SYNC STOP, SYNC START, START/STOP, INTRO/ENDING/rit., MAIN/AUTO FILL Fingering: Multi Finger, Full Keyboard Style Volume

Dimensions (W x D x H)

1,398 x 457 x 153 mm (55-1/16" x 18" x 6") with keyboard stand: 1,405 x 485 x 773 mm (55-1/3" x 19-1/8" x 30-3/8")

Weight

18.0kg (39 lbs. 11 oz.) with keyboard stand: 25.5kg (56 lbs. 3 oz.)

Music Database

300 + External files

Supplied Accessories

Music Rest Accessory CD-ROM Keyboard Stand Owners Manual Footswitch FC5 AC Power adaptor (May not be included depending on your particular area.)

Education Feature

Effects

Reverb: Chorus: DSP: Harmony:
For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de dtails sur les produits, veuillez-vous adresser Yamaha ou au distributeur le plus proche de vous gurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgefhrten Niederlassung und bei Yamaha Vertragshndlern in den jeweiligen Bestimmungslndern erhltlich. Para detalles sobre productos, contacte su tienda Yamaha ms cercana o el distribuidor autorizado que se lista debajo.

NORTH AMERICA

CANADA
Yamaha Canada Music Ltd. 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311
THE NETHERLANDS/ BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040
THE PEOPLES REPUBLIC OF CHINA
Yamaha Music & Electronics (China) Co.,Ltd. 25/F., United Plaza, 1468 Nanjing Road (West), Jingan, Shanghai, China Tel: 021-6247-2211

U.S.A.

Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011

FRANCE

Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000

HONG KONG

Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771

INDONESIA

PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
CENTRAL & SOUTH AMERICA

MEXICO

Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600

SPAIN/PORTUGAL

Yamaha Msica Ibrica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888
Yamaha Music Korea Ltd. 8F, 9F, Dongsung Bldg. 158-9 Samsung-Dong, Kangnam-Gu, Seoul, Korea Tel: 080-004-0022

BRAZIL

Yamaha Musical do Brasil Ltda. Rua Joaquim Floriano, 913 - 4' andar, Itaim Bibi, CEP 04534-013 Sao Paulo, SP. BRAZIL Tel: 011-3704-1377

GREECE

Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160