By Books, LLC - General Books LLC (2010) - Paperback - 24 pages - ISBN 1158291574
Chapters: Clavinova, Yamaha P-85, Yamaha Cp300, Avantgrand, Yamaha Dgx-620, Yamaha P-120, Yamaha P-250. Source: Wikipedia. Pages: 23. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Clavinova is a long-running line of digital pianos created by the Yamaha Corporation. They are similar in styling to an acoustic piano, but with many features common to oth... Read more [ Report abuse or wrong photo | Share your Yamaha DGX620 photo ]
Yamaha DGX-620, size: 3.5 MB
Piano Improvisation Yamaha DGX 620
User reviews and opinions
|dgenere||8:56am on Saturday, August 14th, 2010|
|Very good for the price, but not clever enough This is my second keyboard I ever owned.|
|tradecraft1||4:00am on Sunday, May 9th, 2010|
|Very good for the price, but not clever enough This is my second keyboard I ever owned. A really versatile value for money keyboard We bought this keyboard for use in church services and have been extremely pleased with it. A really versatile value for money keyboard We bought this keyboard for use in church services and have been extremely pleased with it.|
Comments posted on www.ps2netdrivers.net are solely the views and opinions of the people posting them and do not necessarily reflect the views or opinions of us.
Select and Play a VoiceMAIN
This procedure selects the main voice you will play on the keyboard.
Press the [VOICE] button.
The main voice selection display will appear. The currently selected voice number and name will be highlighted.
The currently selected voice number and name
Select the voice you want to play.
While watching the highlighted voice name rotate the dial. The available voices will be selected and displayed in sequence. The voice selected here becomes the main voice. For this example select the 102 Flute voice.
Select 102 Flute
Play the keyboard.
Try selecting and playing a variety of voices. Press the [EXIT] button to return to the MAIN display.
Play Two Voices SimultaneouslyDUAL
You can select a second voice which will play in addition to the main voice when you play the keyboard. The second voice is known as the dual voice.
Press the [DUAL ON/OFF] button.
The [DUAL ON/OFF] button turns the dual voice on or off. When turned on the dual voice DUAL will appear in the MAIN display. The currently selected dual voice will sound in addition to the main voice when you play the keyboard.
Press and hold the [DUAL ON/OFF] button for longer than a second.
The dual voice selection display will appear.
Dual voice selection display
The currently selected dual voice Hold for longer than a second
Select the desired dual voice.
Watch the displayed dual voice and rotate the dial until the voice you want to use is selected. The voice selected here becomes the dual voice. For this example try selecting the 120 Vibraphone voice.
Two voices will sound at the same time.
Try selecting and playing a range of dual voices. Press the [EXIT] button to return to the MAIN display.
Play Different Voices with the Left and Right HandsSPLIT
In the split mode you can play different voices to the left and right of the keyboard split point. The main and dual voices can be played to the right of the split point, while the voice played to the left of the split point is known as the split voice. The split point setting can be changed as required (page 77).
Main voice and dual voice
Press the [SPLIT ON/OFF] button.
The [SPLIT ON/OFF] button turns the split voice on or off. When turned on the split voice SPLIT will appear in the MAIN display. The currently selected split voice will sound to the left of the keyboard split point.
This instrument has an auto accompaniment feature that produces accompaniment (rhythm + bass + chords) in the style you choose to match chords you play with your left hand. You can select from 150 different styles covering a range of musical genres and time signatures (see page 130 for a complete list of the available styles). In this section well learn how to use the auto accompaniment features.
Select a Style Rhythm
Most styles includes a rhythm part. You can select from a wide variety of rhythmic typesrock, blues, Euro trance, and many, many more. Lets begin by listening to just the basic rhythm. The rhythm part is played using percussion instruments only.
Press the [STYLE] button.
The style select display will appear. The currently selected style number and name will be highlighted.
The currently selected style
Select a style.
Use the dial to select the style you want to use. A list of all the available styles is provided on page 130.
Press the [START/STOP] button.
The style rhythm will start playing. Press the [START/STOP] button a second time when you want to stop playback.
Style numbers 121, 133150 have no rhythm part and therefore no rhythm will play if you use them for the above example. For these styles rst turn auto accompaniment on as described on page 24, press the [START/STOP] button, and the accompaniment bass and chord parts will begin playing when you play a key to the left of the keyboard split point.
Play Along with a Style
You learned how to select a style rhythm on the preceding page. Here well see how to add bass and chord accompaniment to the basic rhythm to produce a full, rich accompaniment that you can play along with.
Press the [STYLE] button and select the desired style. Turn automatic accompaniment on.
Press the [ACMP ON/OFF] button. Pressing this button a second time will turn automatic accompaniment off.
This icon appears when automatic accompaniment is on.
When automatic accompaniment is on. The area of the keyboard to the left of the split point (54 : F#2) becomes the auto accompaniment region and is used only for specifying the accompaniment chords.
Split point (54 : F#2)
The keyboard split point can be changed as required: refer to page 77.
Press the [INTRO/ENDING/rit.] button.
This is a simple-but-effective chord progression. When you play through to the end of the score, start again from the beginning. When youre ready to stop playing press the [INTRO/ENDING/rit.] button and the auto accompaniment function will create a perfect ending.
138 Piano Boogie
This progression provides varied harmonic backing with just three chords. When you get a feel for the progression in the score, try changing the order of the chords!
086 Bossa Nova
Bossa nova with jazz-style chords
This progression includes jazzy two-ve (II-V) changes. Try playing it through several times. When youre ready to stop playing press the [INTRO/ENDING/rit.] button.
Playing Auto-accompaniment Chords
There are two ways of playing auto-accompaniment chords:
Easy Chords Standard Chords
The instrument will automatically recognize the different chord types. The function is called Multi Fingering. Press the [ACMP ON/OFF] button to turn auto-accompaniment on (page 24). The keyboard to the left of the split point (default: 54/F#2) becomes the accompaniment range. Play the accompaniment chords in this area of the keyboard.
Split point (default: 54/F#2)
F# G# Bb
C D E F GA B C D E F
Accompaniment range Root notes and the corresponding keys
This method lets you produce accompaniment by playing chords using normal ngerings in the accompaniment range of the keyboard.
How to play Standard Chords [Example for C chords]
This method lets you easily play chords in the accompaniment range of the keyboard using only one, two, or three ngers.
To play a major chord Press the root note of the chord.
To play a minor chord Press the root note together with the nearest black key to the left of it.
To play a seventh chord Press the root note together with the nearest white key to the left of it.
To play a minor seventh chord Press the root note together with the nearest white and black keys to the left of it (three keys altogether).
Touch Sensitivity item
3 Use the dial to select a touch sensitivity
setting between 1 and 3. Higher values produce greater (easier) volume variation in response to keyboard dynamics i.e. greater sensitivity. A setting of 4 results in a xed touch response, or no level change no matter how hard or how soft you play the keys.
The initial default touch sensitivity setting is 2.
One Touch Setting
Sometimes selecting the ideal voice to play with a song or style can be confusing. The One Touch Setting feature automatically selects a well-balanced voice for you when you select a style or song. Simply select voice number 000 to activate this feature.
1 Select voice number 000 (steps 1 to 2
on page 15).
4 Use the dial to change songs, then play
the keyboard and listen to the voice.
You should hear a different keyboard voice than you played in step 3. Watch the display while changing songs and you will see that different voices are selected for each song.
Use the dial to select voice number 000.
2 Select and play back any song (steps 1
to 3 on page 29).
3 Play the keyboard and remember the
sound of the voice.
If you have stopped playback at some point during this procedure press the [START/STOP] button to start playback again.
Select an EQ Setting for the Best Sound
Five different master equalizer (EQ) settings are provided to give you the best possible sound when listening through different reproduction systemsthe instruments internal speakers, headphones, or an external speaker system.
2 Press the CATEGORY [
] and [ ] buttons as many times as necessary to select the master EQ type function Master EQ Type. The currently selected EQ type will appear.
The currently selected master EQ type.
3 Use the dial to select the desired Master
EQ setting. Five settings are available: 15. Settings 1 and 2 are best for listening via the instruments built-in speakers, setting 3 is for headphones, and settings 4 and 5 are ideal for listening via external speakers.
Large Pitch Changes (Transpose) The overall pitch of the instrument can by shifted up or down by a maximum of 1 octave in semitone increments. Small Pitch Changes (Tuning) The overall tuning of the instrument can by shifted up or down by a maximum of 100 cents in 1-cent increments (100 cents = 1 semitone).
] and [ ] buttons to select the Transpose item.
When the ll-in is nished, it leads smoothly into the selected main section A/B.
8 Press the [INTRO/ENDING/rit.] button.
The style will play while you are playing the keys Style playback will stop when you release the keys
This switches to the ending section. When the ending is nished, the auto accompaniment stops automatically. You can have the ending gradually slow down (ritardando) by pressing the [INTRO/ENDING/rit.] button again while the ending is playing back.
Synchro Stop When this function is selected the accompaniment style will only play while you are playing chords in the accompaniment range of the keyboard. Style playback will stop when you release the keys. To turn the function on, press the [SYNC STOP] button.
Setting the Split Point
The initial default split point is key number 54 (the F#2 key), but you can change it to another key using the procedure described below.
3 Use the dial to set the split point to any
key from 000 (C-2) through 127 (G8).
When you change the split point the auto-accompaniment split point also changes.
] and [ ] buttons to select the Split point item.
The split point cannot be changed during a song lesson. The split voice sounds when the split-point key is played.
You can also access the Split Point item by pressing the [FUNCTION] button and using the CATEGORY [ ] and [ ] buttons to locate the item (page 87).
Play a Style with Chords but No Rhythm (Stop Accompaniment)
When auto accompaniment is on (the ACMP ON icon is showing) and Synchro Start is off, you can play chords in the left-hand accompaniment range of the keyboard while the style is stopped and still hear the accompaniment chords. This is Stop Accompaniment, and any of the chord ngerings recognized by the instrument can be used (page 28). Press the [ACMP ON/OFF] button to turn auto accompaniment on after pressing the [STYLE] button.
Appears when auto accompaniment is on
Adjusting the Style Volume
Press the [STYLE] button to engage the style function.
] and [ ] buttons to select the Style Volume item.
3 Use the dial to set the style volume
between 000 and 127.
Two or more notes played together constitute a chord. The most basic chord type is the triad consisting of three notes: the root, third, and fth degrees of the corresponding scale. A C major triad, for example, is made up of the notes C (the root), E (the third note of the C major scale), and G (the fth note of the C major scale).
In the C major triad shown above, the lowest note is the root of the chord (this is the chords root position. using other chord notes for the lowest note results in inversions). The root is the central sound of the chord, which supports and anchors the other chord notes. The distance (interval) between adjacent notes of a triad in root position is either a major or minor third.
Muting Independent Song Parts
Each track of a song plays a different part of the songmelody, percussion, accompaniment, etc. You can mute individual tracks and play the muted part on the keyboard yourself, or simply mute tracks other than the ones you want to listen to. Use the SONG MEMORY  and [A] buttons to mute or un-mute the corresponding tracks. The border around the track number in the display disappears when that track is muted. Refer to page 56 for information about the song track conguration.
No track number. no data.
Track number without border. track contains data but is muted. Track number with border. track contains data and is not muted.
Change the Melody Voice
You can change a songs melody voice to any other voice you prefer.
NOTE You cannot change the melody voice of a user song.
2 Use the dial to select the voice.
As you select different melody voices, only the melody voice changes while the song will remain the same.
Press the lesson [L] and [R] buttons simultaneously so that LR appears in the upper right corner of the MAIN display. Select the song and play it.
1 Press the [VOICE] button for longer
than a second. The VOICE SELECT (MELODY R or MELODY L) display will appear so you can select the Melody R or Melody L voice. Pressing the [VOICE] button alternates between VOICE SELECT MELODY R and MELODY L.
This instrument has a Registration Memory feature that lets you save your favorite settings for easy recall whenever theyre needed. Up to 16 complete setups can be saved (8 banks of two setups each).
8 Banks Up to 16 presets (eight banks of two each) can be memorized.
Saving to the Registration Memory 1 Set the panel controls as required
select a voice, accompaniment style, etc.
2 Press the [MEMORY/BANK] button. A
bank number will appear in the display when you release the button.
3 Use the dial or the  number but-
tons to select a bank number from 1 to 8.
4 Press the REGIST MEMORY  or 
button while holding the [MEMORY/ BANK] button to store the current panel settings to the specied registration memory.
Press the [EXIT] button to return to the MAIN display in order to check the bank and registration memory numbers.
You can also save your panel settings memorized to registration memory button into USB ash memory as the user le or to a computer as the backup le.
NOTE NOTE Data cannot be saved to the registration memory during song playback.
If you select a Registration Memory number that already contains data, the previous data is deleted and overwritten by the new data.
Do not turn off the power while saving settings to the registration memory, otherwise the data may be damaged or lost.
This function lets you send the panel setup data to a computer. Before you record performance data to a sequencer application running on your computer, it is a good idea to rst send and record the panel setup data before the actual performance data.
3 Press [+/YES] to send, or press [-/NO]
] and [ ] buttons to select the Initial Send item.
Transferring Data Between the Computer and Instrument
MIDI songs residing on a computer, as well as the 70 MIDI songs and 5 Style les provided on the CD-ROM, can be transferred to the instrument. Backup le can also be transferred from the instrument to the computer and back. Songs and styles transferred to the instrument can be used with the instruments lesson and other functions. In order to transfer songs between your computer and the instrument you will need to install the Musicsoft Downloader application and the USBMIDI Driver included on the Accessory CD-ROM on your computer. Refer to the Accessory CDROM Installation Guide on page 105 for installation details.
Data that can be transferred from a computer to this instrument. Song Capacity (max.): 500 songs total (Song 036) Data Capacity: Flash memory 875 kb Data Format: SMF format 0, style le (extension:.sty), Backup File (06PG88.BUP)
With the Musicsoft Downloader You Can.
Transfer MIDI songs you have downloaded from the Internet or created on your computer from the computer to the instruments ash memory. refer to the procedure described on page 103. The procedure for transferring songs included on the Accessory CD-ROM from your computer to the instrument is given as an example. Backup le can be transferred from the instrument to a computer and back. refer to the procedure described on page 104.
Use the Musicsoft Downloader application with Internet Explorer 5.5 or higher.
Use Musicsoft Downloader To Transfer Songs From the Accessory CD-ROM To the Instruments ash memory
NOTE If a song or style is being played, stop playback before proceeding.
2 Insert the included CD-ROM into the
3 Install the USB MIDI driver to the com-
Application/Data OS Windows 98SE/Me/2000/ XP Home Edition/ XP Professional CPU 233 MHz or higher; Intel Pentium/Celeron processor family Memory 64 MB or more (256 MB or more is recommended) Hard Disk at least 128 MB of free space (at least 512 MB of free space is recommended) Display 800 x 600 HighColor (16-bit)
USB Driver for Windows 98/Me USB Driver for Windows 2000/XP
Windows 98/Me Windows 2000/XP Home Edition/XP Professional Windows XP Professional Edition, SP1a more Windows XP Home Edition, SP1a more Windows 2000 Professional, SP4 more
166 MHz or higher; Intel Pentium/Celeron processor family 400MHz or higher; Intel Pentium/Celeron Processor family (1GHz or more is recommended) 1GHz or higher; Intel Pentium/Celeron Processor family (1.4GHz or more is recommended)
32 MB or more (64 MB or more is recommended)
at least 2 MB of free space
Digital Music Notebook
128 MB or more (256 MB or more is recommended) at least 50 MB of free space 256 MB or more
Digital Music Notebook (Requirements for playing content with video included.)
1024 x 768 HighColor (16-bit)
Uninstall (Removing the Software) Installed software can be removed from your computer as follows: From the Windows Start menu select Start Settings Control panel Add or Remove Applications Install and Uninstall. Select the item you want to remove and click [Add or Remove]. Follow the on-screen instructions to remove the selected software.
NOTE The actual names of the menu items and buttons will depend on the OS version you are using.
Installing the USB-MIDI Driver
In order to be able to communicate with and use MIDI devices connected to your computer, the appropriate driver software must be properly installed on your computer. The USB-MIDI driver allows sequence software and similar applications on your computer to transmit and receive MIDI data to and from MIDI devices via a USB cable.
Computer Sequence software
Windows 98/Me installation page 108. Windows 2000 installation page 108. Windows XP installation page 109. Check the drive name of the CD-ROM drive you will be using (D:, E:, Q: etc.) The drive name is displayed beside the CD-ROM icon in your My Computer folder. The root directory of the CDROM drive will be D:\ , E:\ , or Q:\ , respectively.
Installing the driver on Windows 98/Me
Installing the driver on Windows 2000
1 Start the computer. 2 Insert the supplied CD-ROM into the CD3
1 Start the computer and use the Adminis2
trator account to log into Windows 2000. Select [My Computer] [Control Panel] [System] [Hardware] [Driver Signing] [File Signature Verication], and check the radio button to the left of IgnoreInstall all les, regardless of le signature and click [OK]. Insert the supplied CD-ROM into the CDROM drive. A start window will appear automatically. First, make sure the POWER switch on the MIDI device is set to OFF, then use a USB cable to connect the MIDI device to the computer. After making the connections, turn on the power of the MIDI device. The system automatically launches the Found New Hardware Wizard. Otherwise, refer to Troubleshooting in the Accessory CD-ROM Installation Guide section of the Owners Manual. Click [Next]. (Some computers may take a while to display the Wizard window.) Select the radio button for Search for a suitable driver for my device [recommended], then click [Next].
Completed Copy File Create Directory Data Error! Delete File Delete OK ? Delete Directory Deleting. End Error! File information area is not large enough. File is not found. File too large. Loading is impossible. Flash Clearing. Format OK ? [EXECUTE] Formatting. Load OK ? Loading. Media is not inserted. Media capacity is full. Memory Full MIDI receive buffer overow. Move File Now Writing. (Dont turn off the power now, otherwise the data may be damaged.) Overwrite ? Please Wait.
LCD Message Rename File Save OK ? Saved data is not found. Saving. Send OK? Sending. Since the media is in use now, this function is not available. Sure ? [YES/NO] The limit of the media has been reached. The media is not formatted. The media is write-protected. The song data is too large to be converted to notation. There are too many les. This function is not available now. [nnn] le name
Comment Displayed while rewriting the le name in the Musicsoft Downloader. Conrms whether saving is executed or not. Displayed when the data to be saved doesnt exist. Displayed while saving data in the memory. Never turn the power off while saving. Doing so may result in data loss. Conrms whether the data transmission is executed or not. Displayed while transmitting data. Indicates that the le control function is currently unavailable since the media is being accessed. Reconrms whether each operation is executed or not. Indicates that saving data cannot be executed since the folder/directory structure has become too complicated. Indicates the inserted media has not been formatted. Indicates that the inserted media cannot be written since it is write-protected. Set to the write-protect switch to the overwrite position before use. Indicates that the score cannot be displayed since the song data is too large. Indicates that saving data cannot be executed since the total number of les exceeds the capacity. Indicates the designated function is not available since the instrument is executing another job. Indicates the le name of the currently transmitting. nnn indicates the receiving block.
NOTE Not all the messages are listed in the table: the messages necessary to be explained only.
Keyboard Stand Assembly
Read these cautions carefully before you assemble or use the keyboard stand. These cautions are to promote safe use of the stand and to prevent injury and damage from occurring to you and others. By following these cautions carefully, your keyboard stand will provide you with safe and prolonged use.
Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble in accordance with the sequence given below. Assembly should be carried out by at least two persons. Be sure to use the correct screw size, as indicated above. Use of incorrect screws can cause damage. Use the stand after assembly is complete. An uncompleted stand may overturn or the keyboard may drop. Always place the stand on a at, stable surface. Placing the stand on uneven surfaces may cause it to become unstable or overturn, the keyboard to drop, or injury. Do not use the stand for anything other than its designed purpose. Placing other objects on the stand may result in the object dropping or the stand overturning. Do not apply excessive force to the keyboard as it may cause the stand to overturn or the keyboard to drop. Make sure the stand is sturdy and safe, and all screws have been tight and rm before use. If not, the stand may overturn, the keyboard may drop, or may result in injury to the user. To disassemble, reverse the assembly sequence given below.
The easy song arranger can only be used with songs that include chord data.
Effect Type List
No. Duet Trio Block Country Octave Trill 1/4 note
Harmony types 0105 are pitch-based and add one-, two- or three-note harmonies to the single-note melody played in the right hand. These types sound when chords are played in the auto accompaniment range of the keyboard. These Harmony types will also work when playing songs that contain chord data.
Trill 1/6 note Trill 1/8 note
Trill 1/12 note Trill 1/16 note
Types 626 are rhythm-based effects and add embellishments or delayed repeats in time with the auto accompaniment. These types sound whether the auto accompaniment is on or not; however, the actual speed of the effect depends on the Tempo setting (page 46). The individual note values in each type let you synchronize the effect precisely to the rhythm. Triplet settings are also available: 1/6 = quarter-note triplets, 1/12 = eighth-note triplets, 1/24 = sixteenth-note triplets. The Trill effect Types (0612) create two-note trills (alternating notes) when two notes are held. The Tremolo effect Types (1319) repeat all held notes (up to four). The Echo effect Types (2026) create delayed repeats of each note played.
Trill 1/24 note Trill 1/32 note Tremolo 1/4 note
Tremolo 1/6 note Tremolo 1/8 note
Tremolo 1/12 note Tremolo 1/16 note
Tremolo 1/24 note Tremolo 1/32 note Echo 1/4 note
Echo 1/6 note Echo 1/8 note
Echo 1/12 note Echo 1/16 note
Echo 1/24 note Echo 1/32 note
No. 10 Hall 13 Room 12 Stage 12 Plate 12 Off Reverb Type Concert hall reverb. Small room reverb. Reverb for solo instruments. Simulated steel plate reverb. No effect. Description
No. 05 Chorus 12 Flanger 12 Off Chorus Type Description Conventional chorus program with rich, warm chorusing. Pronounced three-phase modulation with a slight metallic sound. No effect.
Yamaha Corporation of America 6600 Orangethorpe Ave., Buena Park, Calif. 90620, U.S.A. Tel: 714-522-9011
Yamaha Musique France BP 70-77312 Marne-la-Valle Cedex 2, France Tel: 01-64-61-4000
Tom Lee Music Co., Ltd. 11/F., Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688
Yamaha Musica Italia S.P.A. Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771
PT. Yamaha Music Indonesia (Distributor) PT. Nusantik Gedung Yamaha Music Center, Jalan Jend. Gatot Subroto Kav. 4, Jakarta 12930, Indonesia Tel: 21-520-2577
CENTRAL & SOUTH AMERICA
Yamaha de Mxico S.A. de C.V. Calz. Javier Rojo Gmez #1149, Col. Guadalupe del Moral C.P. 09300, Mxico, D.F., Mxico Tel: 55-5804-0600
Yamaha-Hazen Msica, S.A. Ctra. de la Coruna km. 17, 200, 28230 Las Rozas (Madrid), Spain Tel: 91-639-8888
Yamaha Music Korea Ltd. Tong-Yang Securities Bldg. 16F 23-8 Yoido-dong, Youngdungpo-ku, Seoul, Korea Tel: 02-3770-0660
Yamaha Musical do Brasil Ltda. Av. Reboucas 2636-Pinheiros CEP: 05402-400 Sao Paulo-SP. Brasil Tel: 011-3085-1377
Philippos Nakas S.A. The Music House 147 Skiathou Street, 112-55 Athens, Greece Tel: 01-228 2160
Yamaha Music Malaysia, Sdn., Bhd. Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, Petaling Jaya, Selangor, Malaysia Tel: 3-78030900
Yamaha Scandinavia AB J. A. Wettergrens Gata 1 Box 30053 S-Gteborg, Sweden Tel: 34 00
Yamaha Music Latin America, S.A. Sucursal de Argentina Viamonte 1145 Piso2-B 1053, Buenos Aires, Argentina Tel: 1-4371-7021
Yupangco Music Corporation 339 Gil J. Puyat Avenue, P.O. Box 885 MCPO, Makati, Metro Manila, Philippines Tel: 819-7551
YS Copenhagen Liaison Ofce Generatorvej 6A DK-2730 Herlev, Denmark Tel: 49 00
PANAMA AND OTHER LATIN AMERICAN COUNTRIES/ CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A. Torre Banco General, Piso 7, Urbanizacin Marbella, Calle 47 y Aquilino de la Guardia, Ciudad de Panam, Panam Tel: +507-269-5311
Yamaha Music Asia Pte., Ltd. #03-11 A-Z Building 140 Paya Lebor Road, Singapore 409015 Tel: 747-4374
F-Musiikki Oy Kluuvikatu 6, P.O. Box 260, SF-00101 Helsinki, Finland Tel: 09 618511
Yamaha KHS Music Co., Ltd. 3F, #6, Sec.2, Nan Jing E. Rd. Taipei. Taiwan 104, R.O.C. Tel: 02-2511-8688
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd. Sherbourne Drive, Tilbrook, Milton Keynes, MK7 8BL, England Tel: 01908-366700
Yamaha Home Keyboards Home Page (English Only) http://music.yamaha.com/homekeyboard Yamaha Manual Library http://www.yamaha.co.jp/manual/
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation 2006 Yamaha Corporation WG29380 XXXPOXXX.X-01A0 Printed in China
90 DAYS LABOR 1 YEAR PARTS
Yamaha Corporation of America, hereafter referred to as Yamaha, warrants to the original consumer of a product included in the categories listed below, that the product will be free of defects in materials and/or workmanship for the periods indicated. This warranty is applicable to all models included in the following series of products:
DGX, YPG SERIES OF Portable Grand ELECTRONIC KEYBOARDS
If during the rst 90 days that immediately follows the purchase date, your new Yamaha product covered by this warranty is found to have a defect in material and/or workmanship, Yamaha and/or its authorized representative will repair such defect without charge for parts or labor. If parts should be required after this 90 day period but within the one year period that immediately follows the purchase date, Yamaha will, subject to the terms of this warranty, supply these parts without charge. However, charges for labor, and/or any miscellaneous expenses incurred are the consumers responsibility. Yamaha reserves the right to utilize reconditioned parts in repairing these products and/or to use reconditioned units as warranty replacements. THIS WARRANTY IS THE ONLY EXPRESS WARRANTY WHICH YAMAHA MAKES IN CONNECTION WITH THESE PRODUCTS. ANY IMPLIED WARRANTY APPLICABLE TO THE PRODUCT, INCLUDING THE WARRANTY OF MERCHANT ABILITY IS LIMITED TO THE DURATION OF THE EXPRESS WARRANTY. YAMAHA EXCLUDES AND SHALL NOT BE LIABLE IN ANY EVENT FOR INCIDENTAL OR CONSEQUENTIAL DAMAGES. Some states do not allow limitations that relate to implied warranties and/or the exclusion of incidental or consequential damages. Therefore, these limitations and exclusions may not apply to you. This warranty gives you specic legal rights. You may also have other rights which vary from state to state.
If warranty service should be required, it is necessary that the consumer assume certain responsibilities: 1. Contact the Customer Service Department of the retailer selling the product, or any retail outlet authorized by Yamaha to sell the product for assistance. You may also contact Yamaha directly at the address provided below. 2. Deliver the unit to be serviced under warranty to: the retailer selling the product, an authorized service center, or to Yamaha with an explanation of the problem. Please be prepared to provide proof purchase date (sales receipt, credit card copy, etc.) when requesting service and/or parts under warranty. 3. Shipping and/or insurance costs are the consumers responsibility.* Units shipped for service should be packed securely. *Repaired units will be returned PREPAID if warranty service is required within the rst 90 days. IMPORTANT: Do NOT ship anything to ANY location without prior authorization. A Return Authorization (RA) will be issued that has a tracking number assigned that will expedite the servicing of your unit and provide a tracking system if needed. 4. Your owners manual contains important safety and operating instructions. It is your responsibility to be aware of the contents of this manual and to follow all safety precautions.
This warranty does not apply to units whose trade name, trademark, and/or ID numbers have been altered, defaced, exchanged removed, or to failures and/or damages that may occur as a result of: 1. Neglect, abuse, abnormal strain, modication or exposure to extremes in temperature or humidity. 2. Improper repair or maintenance by any person who is not a service representative of a retail outlet authorized by Yamaha to sell the product, an authorized service center, or an authorized service representative of Yamaha. 3. This warranty is applicable only to units sold by retailers authorized by Yamaha to sell these products in the U.S.A., the District of Columbia, and Puerto Rico. This warranty is not applicable in other possessions or territories of the U.S.A. or in any other country. Please record the model and serial number of the product you have purchased in the spaces provided below. Model___________________________ Serial #________________________________ Sales Slip #________________________________ Date______________________________________
Purchased from____________________________________________________________ (Retailer)
YAMAHA CORPORATION OF AMERICA Electronic Service Division 6600 Orangethorpe Avenue Buena Park, CA 90620
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DGX-620/520, YPG-625/525 Owners Manual
Chapters: Clavinova, Yamaha P-85, Yamaha Cp300, Avantgrand, Yamaha Dgx-620, Yamaha P-120, Yamaha P-250. Source: Wikipedia. Pages: 23. Not illustrated. Free updates online. Purchase includes a free trial membership in the publisher's book club where you can select from more than a million books without charge. Excerpt: The Clavinova is a long-running line of digital pianos created by the Yamaha Corporation. They are similar in styling to an acoustic piano, but with many features common to other digital pianos such as the ability to save and load songs, the availability of different voices, and, in more recent models, the ability to be connected to a computer via USB or wireless network. The CLP range is aimed more towards those looking for a digital alternative to an acoustic piano and concentrates on accurately reproducing its touch and sound though most in the range also have a limited number of other voices available. The CVP range provides a greater variety of voices and also built-in rhythms and accompaniments enabling complete performances to be played and recorded using built-in sequencing software. Some Clavinovas (CLP and CVP-Series) feature graded hammer technology, a mechanical system of small metal hammers, weighted to be similar to those of a real pianoforte, which hit a digital pressure sensor that then translates into sound. This technology has contributed to the success of the Clavinova as a more affordable substitute for an acoustic piano. The 'Graded' action is intended to reproduce more accurately the varying weights of the hammers of an acoustic piano where the hammers vary in weight from the bass section to the treble. Newer Clavinovas, such as the CVP-407, incorporate real wood keys for added realism. The built-in synthesizer produces the sound. Early Clavinova models used FM Synthesis. Later models use samples of real instruments which are then selected and modified by the electronics to produce the de...More: http: //booksllc.net/?id=129100
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